#I think some of the best characters/most interesting stories can come from a place of relative mundanity

[thewritingfairy]

I just came back from reading your Nobody's Child. I reached ↪ 18. For justice knows many faces and I'll tell you-

I'm in LOVE with your story!!

I just can't this is too good too great character writing writing! Your reader is one of the best writing MCs I find in both fanfiction and fiction in general 😭 thank you thank you thank you!!

Thank you for publishing this story!!

It's so genius. The writing of characters in a way that feels both OC and OCC. You made them so much of a darker version of themselves and I'm living for it.

It makes me wonder imagine canon Batfam meat your version of themselves and get told that the only difference in this world is that readers exist. This will mess them up real bad.

Imagine you find a version of yourself that does what you stand against to the most vulnerable one around them and knowing that the only difference between your life's is this person's existence. It makes you think "i would do the same if I was in their place?"

And imagine the reader seeing a version of themselves where their mom is alive. They see her older, alive, warm. They see themselves happy, and in a less bad medical state (because they never met Jason) how will the reader feel? This is one of the first readers I feel so curious about, it makes me want to study their character.

I'm really interested in your other story about older reader but I still haven't read it so I will not comment.

I have two other questions:

How do you control the colors like that?

And lastly can I be -🍳?

(I'm sorry I made it so long I got too excited)

Chapter mentioned: 18. For justice knows many faces

I'm so glad you enjoy Nodody's child and ofc you can be 🍳 anon!

Before I answer your question I want to talk about canon!Bruce and Nobody's child!Bruce.

Canon!Bruce would absolutely hate himself, and I can imagine him looking at his children and thinking; 'I need to be a better parent, I refuse to become like this vermin.'

So hey, at least your suffering made the canon!Batfam healthier!

But the small thing I disagree with is that one person made the difference. But your mama is a big part of how Bruce started to descend into a darker version of himself, he was a yandere for her. But at the time he was more like his canon self and didn't act on it. he let her go.

BUT this does not put his shitty behaviour towards you on your mama. It shows how he was never the person he thought he was. He was just good at acting and pretending.

Another small thing I have to point out in your ask is that Nobody's child!Name would never attempt to imagine a life where they weren't attacked by Jason. Because due to the progress of their illness eventually they would have gotten this ill with or without him. Jason just sped things up. And if you were to study them I am curious what you would find ngl.

I'm also rather curious about your opinion of older Reader.

Now when it comes to colours it's time to do some html editing. I don't know a lot of html so I use this generator, it was made by someone here on tumblr but I can't find them right now---

You can just turn your text editor in HTML editor and boom. Now you can copy the HTML code in. I usually save it to drafts and then copy the normal text in it as I write in Libre Office.

IDK how you can make text that fade into each other with colors, because I will be honest I am still practicing and figuring things out

In the generator you can go to font color and pick one of the colours there, or you can use hexcode for custom colours. I find most of my hex custom colours thx to my artist friends, this website and pinterest.

[revvethasmythh]

Actually thinking very hard about what, exactly, is compelling about Relvin. imo, there is an inherent mundanity to him as a character--that's really the core of what he is, Just Some Dude, caught in the crosshairs of something much bigger than him that he can't understand let alone fight. A guy who tries, but it struck so deeply by decades of grief that even the trying can be hard. A man who loves his daughter but doesn't know how to help her and maybe can't stand how much she looks like her mother. Very mundane. Very human. Very relatable, both the good parts of him and the ugly ones. I know that I personally find a lot of interest and texture in what the mundane looks like, especially in contrast to the wild escapades of adventurers or powered people. It's why, perhaps, Relvin is a character that feels more relatable and approachable and miles more understandable than someone like Liliana, who's motives are opaque, who's goals are unclear, and who's intentions are currently unknown/incoherent. We can sit here and ask ourselves "what does she want?" until kingdom come, but even Imogen doesn't know and she is also sick of the not knowing. Liliana wants to free Imogen--but who knows how. She wants Imogen to run, but doesn't tell her why. She left Imogen to find answers, but we have no idea if she really accomplished that goal despite repeated conversations with her (all of which essentially repeat the same info shared in the previous convo).

At least we know what Relvin wants. Wanted. To build a family. For the two halves to become a better whole. That's approachable, that's human, that's tragic in the face of everything that's happened, and, yes, that's mundane. But god is there texture to that mundanity where there isn't all that much even in the comparatively extraordinary life of Liliana.

[feathersandblue]

So, full disclosure, I haven't been a Solas fan before.

I am now.

And that's because of Veilguard and the many, many ways in which I felt let down by this game.

The aspect that bothers me most is the reduction of nuance and complexity.

Rook's hero's cakewalk (because “journey” really isn't the right word) is a ready-made path that offers no deviation at all and never challenges the player in any meaningful way.

Sure, you can spend some time pondering the pros and cons of saving Treviso or Minrathous. Ultimately, it makes no difference. Rook does their best, they just can’t be in two places at once.

Same with the companion character arcs. What does it mean if you decide to you turn Emmrich into a lich? For the most part, it's idle musing. Indulgence. He’ll be happy either way, there are no real stakes. Yeah, your actions do have consequences, just not the sort of consequences that make a substantial difference. It’s the illusion of choice – reduced to cosmetics.

The problems with decisions that cost nothing is that they don’t feel like an accomplishment. They also don’t allow for character growth. Rook doesn’t change, they remain static. Even the section in the Fade where Rooks faces their regrets is easy and comparatively lightweight. Varric was killed by Solas, Harding resp. Davrin died in combat and either Bellara or Neve was abducted by Elgar’nan. It’s not like Rook’s decisions actually caused these events, it’s not like Rook actually failed through a choice they had to make that turned out to be the wrong one. Everyone was there willingly and volunteered to fight the good fight. Rook’s regrets are not about real guilt, they are about feeling sad and guilty. And that – it needs to be said – is not the same thing. At all.

At the same time, the story carefully avoids any kind of true ethical dilemma.

It's not even about the lack of mean or edgy dialogue options; that’s just a symptom. The cause is the writers’ unwillingness to let realism intrude in Rook’s fairytale – the lack of anything that would require Rook to compromise on morals, or fight temptation. Rook is never faced with any sort of moral conundrum, or allowed to act out any kind of vice that realistic characters have. In its straight-path simplicity, Rook's story is apparently written for children and people who remain child-like in their yearning for simple, uncontested truths.

Of all the sorts of conflicts that a story can offer, Veilguard carefully avoids the most realistic and (in my opinion) interesting ones: Character vs. self and character vs. society, aka, politics. The game firmly refuses to go there. To the point where it creates a completely unrealistic consensus on all sides that eliminates yet another sort of conflict: character vs. character.

If Rook and their companions would talk politics, they’d all be on the exact same side. In a two party state, they’d all cast the same vote.

I am sure that there are many players who feel comforted and reassured by that fact, who sincerely believe that this is how stories should be written. That stories should reflect the world not as it is but as they think it should be. But for everyone who likes their stories a little more realistic, that lack of meaningful interpersonal conflict, that lack of real diversity which comes not from appearance but from different cultures and opposing viewpoints amounts to a frankly cringe-worthy, artificial and juvenile surface-level interaction between characters. Or, to phrase it differently: the diversity remains skin-deep and doesn’t extend to the philosophical, and even in the few instances where it does, it shies away from the political.

Which means that the only conflicts that remain are the most boring and stereotypical ones: character vs. monsters resp. the supernatural, where all foes are evil in the blandest way (Supremacist Venatori! Fascist renegade qunari! Power-hungry necromancers!). These conflicts are resolved through exploring maps and endless, repetitive combat.

The only thing that brings a bit of nuance to the game is Solas’s story. And there is an element of character vs. character in Rook’s and Solas’s relationship, but the sad truth is that what could have been a fascinating mirrored character journey falls flat for all the reasons already explained – because where Solas is a character as layered and controversial as it gets, Rook is anything but.

Solas’s story shows how even people with the best intentions and the greatest integrity are ultimately broken by what life throws at them, both by the decisions that are forced upon them and the choices they make on their own. It shows how a prolonged war is always a sunk cost fallacy: I’ve gone this far, if I stop now, it was all for nothing.

Rook’s victories, on the other hand, come without a cost – both in terms of moral corruption and in accountability. The guilt Solas bears is real. The fight against the titans, followed by his war against the Evanuris, requires compromising his own morals, one day at a time, one century after another, he’s trying to save the world yet doomed to fail. Sacrificing the spirits to win a battle after the war has gone this far? Every single war leader around the globe would make the same decision. In fact, all of them do: They do sacrifice the lives of others if it will help them win, they do send soldies into the trenches to die, whether these soldiers want to or not, and they are rarely, if ever, truthful about the reasons why.

In a certain way, the story of the spirit of wisdom turned flesh is reminiscent of the biblical Fall of Man: the original sin. Solas has fallen, and he’s broken. In trying to heal the world, he’s trying to heal himself. The burden is too heavy, the responsibility to great, the knowledge that he is responsible for all of it too devastating. Solas’s greatest conflict is character vs. self. It has the potential to be great. In a way, it is. It’s the single redeeming quality that, depending on your interpretation of what went on behind the scenes, the writers managed to salvage from the original concept of Dreadwolf or the lone pillar that withstood all their attempts to bring it down.

Only sadly, infuriatingly, in the end, that fallen hero’s ending is put into the hands of a protagonist who judges him from the perspective of someone who has never even stumbled – not because they are wiser, braver, or kinder. No, just because the writers were gracious – or cowardly? – enough to never let them fail.

The game gives Rook a moral high ground which isn’t earned in the slightest because Rook never had to walk even a quarter of a mile in Solas’s shoes. They don’t know what they would have done in his stead, they have no idea what it actually means to see the sorry shape the world is in and know that it was your hands that shaped it. And even where Rook might actually be culpable – the interruption of Solas’s ritual that freed the remaining Evanuris – anyone is quick to assure Rook that it wasn’t their fault.

Whatever regrets Rook carries, they’re born from self-doubt and trauma response. Survivor’s guilt, mostly. When compared to Solas’s immense guilt, Rook’s regrets are, for lack of a better term, insignificant. That Rook manages to face them doesn’t mean that they are more truthful or emotionally mature, it just means that Rook’s story is a tale for children and Solas’s is not.

It’s not that I’m necessarily opposed to the idea that the player decides Solas’s fate through their actions. It’s the injustice of it all that bothers me: The player is led through a game that provides a safe space for their character, one that is devoid of any interpersonal conflict and any ethical quandary. Rooks succeeds through kindness and heroism and taking their companions on team bonding exercises.

As if Solas could have won the war against the Evanuris if he’d taken the time to take his companions on coffee dates.

The juxtaposition – Rook vs. Solas – fails, simply because of this deep divide. Rook’s story is detached from reality and yet Rook gets to be Solas’s judge, jury, and executioner. On what grounds?

As I said, right in the beginning, I haven’t been a Solas fan before. But by the end of Veilguard, I was firmly, irrevocably, Team Solas, just because I was so annoyed that the narrative put Rook in a position of moral superiority. I detested my own character. Jesus, what a goody two-shoes! I was rooting for Solas simply because his story was so much more: a genuine tragedy, a study in complexity. Rook, on the other hand, remains bland, snotty, unchanged. Untried.

The thing is, I don’t believe that my reaction was one the writers had intended. I strongly feel that they didn’t mean for me to pick up on their double standard, that they expected me to walk away fully satisfied, convinced that Rook and The Team were the Good Guys because they went on picnics and petted the griffon, their final victory well-earned and just. If only Solas had had a Team and taken care of their emotional needs – he could have taken down the Evanuris with nary a scratch!

It’s all so very disingenuous.

Rook and, by extension, the player exist in a bubble of sanitized content. That is clearly deliberate. The player is meant to like it there. (In that sense, it’s only logical that they changed the title from Dreadwolf to Veilguard.) And clearly, it does resonate with a certain kind of their player base: mostly with people, I think, who would like their real life to be a bubble too and whose only experience with moral corruption is when they find it in others.

[ambrosiagourmet]

I love Izutsumi. She's got a great design, she's a fun addition to the main party, she adds some new tension, and she's honestly one of the reasons I read dungeon meshi in the first place. I mean, "the most cat to ever girl" is an extremely appealing hook to anyone who loves cats and girls (me, I love cats and girls).

However, while I have always liked Izutsumi, I finished the story kind of feeling like I didn't really get her. I felt like I had a decent grasp on her character an character arc (she's a traumatized teen given space to feel safe and open up, and because of that she realizes that she can't grow without letting go of the coping mechanisms she once needed). But I didn't feel like I really understood her role in the story as a whole.

She follows the group of her own accord, after a coincidental meeting and a misunderstanding of what they can do for her. She's never super invested in saving Falin, at least not compared to the rest of the group. Though they do help her escape Maizuru's shackles, and are clearly good for her in general, she doesn't really have a healing Moment with the group the way that Senshi does with the hippogriff soup.

And yet, she gets an entire chapter, the third-to-last chapter, dedicated to exploring her growth and future. She's the one who frames much of the falling action, who lets us check in with everyone. She's the one who helps talk Laios into accepting his role as king. She may join the story part way through, but she is there for most of it. So Izutsumi! What's your deal!?

Well, I think I've come up with an answer, at least for myself, that I really like. Two of them, even! Though they both really work together to form the overall point - Izutsumi is the character that most helps the story face towards the future. Here's why I think that.

So the first of these "ah-ha" moments was when I realized that Izutsumi really is the best supporting evidence for Laios' point about the good things that wouldn't have happened if Falin hadn't died.

If Falin hadn't been eaten by the dragon, Izutsumi probably would still be a slave. It was because of Shuro and Laios' parties both being in the dungeon to rescue Falin, as well as Marcille's use of ancient magic in the resurrection, that she got the chance to escape. None of that would have been the case if Falin hadn't died. Shuro wouldn't have separated from the group and joined up with his retainers, Marcille wouldn't have revealed her knowledge of ancient magic, and Izutsumi never would have even met any of them. They are only part of her life because of Falin's death.

Though this isn't explicitly pointed out by Laios or Izutsumi in the scene, I do think you can very much feel the presence of it. For one, when Marcille reflects on the journey and how much it made her realize she didn't want to lose everyone, her relationship with Izutsumi is prominent:

It's the main original group at the top and center, but when you read it right to left, it’s Izutsumi and Marcille who might catch your eye first. And it's specifically Marcille and Izutsumi's relationship on display here, not just Izutsumi's presence in the group in general.

Also, after Laios' statement about how none of their adventure would have happened without Falin dying, it is Izutsumi who gets the final word:

Izutsumi is also the one here who is the most forward-facing. Chilchuck is trying to correct Laios, Senshi is focused on the immediate future, and Izutsumi is talking about her new goal.

And I want to talk about that goal in general as well, because it’s also interesting how it comes up. In that moment, everyone is trying to remind Marcille of her less destructive desires - to eat food, to share it with them, and to meet Chilchuck's family. All of which are previously established, existing desires. When prompted by Chilchuck to join in, however, Izutsumi offers something new:

That's interesting, isn't it? It's kind of funny, of course, to see her rambling on about a completely new thing, her own personal motive, in the middle of everyone working together to reach out to Marcille. Izutsumi doesn't even know who Yaad is! But at the same time, it’s kind of meaningful. Amidst the focus on desires that everyone already had, she adds a completely new one to the mix. It’s even the final bridge that lets Laios reach Marcille.

It is, in fact, even an idea that comes back later to help out another lord of the dungeon. The idea of finding new goals and feeling new desires... this is exactly how Kabru reaches out to Mithrun, after the Winged Lion is gone

So yeah, Izutsumi's presence here, both in what she's actively choosing to say as well as what she represents of the consequences of Falin's death, supports the story's ideas of moving forward. Of accepting the past, and finding new reasons to live.

Which is all really good, and that alone works pretty well as an answer to what Izutsumi's role in the story is.

But oh, oh. There's more. Something I realized after having thought of all this, because I still couldn't let go of the feeling that there was still something I was missing.

And as I reviewed the things I loved about Izutsumi - her sometimes unhealthy ways of coping with trauma, her struggles with isolation, her skill with fighting, her selfishness contrasted with the ways she grows to care for and protect the group, her perpetually guarded nature, born from the seeming impossibility of ever fitting in or finding a safe place to just be herself - I realized something.

Izutsumi...

is a foil to Falin.

Where Falin copes with isolation and trauma by being eternally caring and struggling to say no to people, Izutsumi copes by constantly saying no to everything she can. Falin is often considered selfless, but does have selfish desires that she can’t easily express until a moment of crisis. Izutsumi is delightfully selfish, but chooses to stick by her friends when they need her. They are both transformed, against their will, into partly monstrous hybrids, and they both will have to live with that - there is no undoing what has been done to them.

Falin anchors the group in the past. Izutsumi pulls them towards the future. Neither would find freedom without the other - it is Falin's death that leads to Izutsumi joining the party, and likewise, it is Izutsumi who inspires the realization of how they can save Falin.

And Falin is her future, as much as Izutsumi is Falin's. Both learn to be a little more like each other, even though they never meet. Falin gets a little more selfish. Izutsumi gets a little more willing to bend.

In this context, I feel like I have finally started to understand just how important Izutsumi is to the story. She is a proof that they cannot just go back, and she is a clawed, happy-to-scratch-anyone-who-pisses-her-off reminder, at that. In any conversation about what the group wishes would have happened with Falin, she cannot be ignored or brushed aside.

She is a reminder that, even in the midst of a tragedy so big it feels like a shadow you will never escape, you have yet to met all the people you will love. Hell, some of those people might even be catgirls. We should all be so lucky.

[raven-at-the-writing-desk]

wish lantern rewrite

I can’t be the only one that wishes we had actually traveled to a new location… that we had learned about a new culture and holiday… that Riddle had actually had more character development in Wish Lantern instead of being cooped up in the library, being forced to play pretend princess in order to get out, and give like maybe a handful of lines max in the second half of the event 😭 What we ended up getting was fun too, but I keep thinking about the missed opportunities and how great this story event could have been.

If Twst won’t give it to me then I will have to cook my own food 😤

Here’s how I would write Wish Lantern if I was in the Twst writing room:

Since Riddle is the SSR, I feel the story and its set-up should center him. I’m thinking maybe he’s invited to (or told by his mother to attend) some kind of conference or event in the Kingdom of Heroes or the Sunshine Lands for aspiring medical mages. Let’s say it is being held in the same place where the story of the Princess in the Tower originated because the Sundrop flower mentioned in the tale has miraculous healing properties (and the city/kingdom has since become known for its medical advances).

Riddle is uneasy about going there by himself (the implication being that this event is set after book 1 and, more specifically after book 6, when Riddle expresses to Azul he has been considering pursuing law instead of magic medicine/the career his mother chose for him). Maybe he mentions this unease around Deuce, that he feels obligated to go because “Mother knows best… She has always known what is best for me, hasn’t she?” It could even be in the library. Say that Riddle is brushing up for the conference and happens to run into him, who is looking for a book to help with completing an assignment. After listening to Riddle’s woes, Deuce, being one of the people who knows about his dorm leader’s complicated feelings toward his mother and finding his own independence, offers to come along as emotional support.

As for how Jack gets involved, he’s Deuce’s club member. Maybe he overhears Riddle talking about sports medicine or panels presented by medical mages who work with athletes, or Deuce mentions it in a club meeting. Jack becomes interested because he’s the type of person that’s always looking for ways to enhance his training and to learn more about this subject.

Kalim can either join because he's conveniently in the library + wants to learn more about poisons and antidotes (on his own self-development journey to be more self-sufficient instead of relying on Jamil all the time) or because the Asims are sponsors of the event and he gets a free invite through his Rich Privilege.

Use the usual "Grim overhears and whines until he and Yuu get invited to go along" excuse or maybe have Yuu and Grim come because they, too, want to be emotional support for Riddle. (They could have heard from Deuce?) With that, we have all of the main characters for this event assembled.

Even though this is a rewrite, I'm going to try and follow the conventions of OTHER "hometown" events. That means most of this rewritten event will be exploring the new area, learning about its customs and traditions, souvenir shopping, and sampling food. This would be a great chance to, of course, throw in Tangled references. Because I proposed that this event be focused on a conference for aspiring medical mages, we can also learn more lore about what medical technology and practices exist in Twisted Wonderland and how magic has played a part in advancing medicine.

So it turns out, there's a festival going on in the area at the same time as the conference. That's because there's a holiday in this kingdom that celebrates the Princess in the Tower finding her way home by following a trail of lanterns. Since the conference doesn't start until the next day, we can go out and enjoy the festivities! (Riddle can be hesitant at first, but the others convince him to loosen up.)

The new outfits + hair can be explained away as part of local traditions. Everyone is provided with a potion that lengthens their hair so they can emulate the Princess in the Tower. Or maybe there can be a potion-making station, and length still correlates with the skill at which you were able to brew it. (In this version, the hair lengthening potion isn't made with super rare ingredients; it is something easily accessible for even non-mages to brew and can be made cheaply.) YES, THAT MEANS WE GET LONG HAIR GRIM.

Local specialties could include dishes mentioned or depicted in Tangled, like hazelnut soup (Rapunzel's favorite).

HERE ARE SOME CUTE INTERACTION IDEAS BASED ON RAPUNZEL'S OWN EXPERIENCES IN CORONA: the gang doing chalk drawings and clowning on each other's artistic abilities (or lack thereof), trying out cupcakes (the reasoning being that they're "single servings" so it's okay for Riddle to indulge), exploring bookshops, painting on the walls, and everyone joining in a big group dance! (For the dance, maybe there’s a competition to see who can drag in the most bystanders into the dance and Riddle gradually finds his footing in that + is crowned the winner?) There could even be a tavern that pays homage to The Snuggly Duckling.

While we're out having fun, there should be a consistent pattern of Riddle having to be convinced that it's okay to be participating in these activities. He feels that he should be focusing on studying for the conference, but the others are there to reassure him it's okay to take breathers.

"You won't perform at your best if you're always at 100%. In terms of a workout, you'd be asking to pull a muscle if you push yourself to exercise without end." (Jack)

"Mmm? But how often are we going to be in [name of city]? We're here now, so we might as well experience everything that's here!! The food, the music, the games, the people... You can't find that anywhere but here." (Kalim)

"I get the importance of preparation, but I'm kind of curious about the celebration that's going on. If Rosehearts-senpai wants to study, then he should do that. I'd feel bad exploring the city without him, though... He might miss out." (Deuce)

"Shouldn't you at least grab some grub first? I'm pretty hungry too! Let's check out the food stalls!" (Grim, maybe Yuu can also get a dialogue option)

At some point, the group decides to browse and buy souvenirs. They discuss who they are shopping for and come upon the subject of family. Kalim and Jack want to buy stuff for their siblings and Deuce thinks his mom might appreciate a locally made handkerchief with the kingdom's sun emblem on it. (As a trucker, Dylla often drives for long hours so she might find use in a handkerchief to wipe her forehead.) Yuu and Grim can also bring up potentially getting something for the Ramshackle Ghosts, who are like their found family.

Riddle becomes visibly uncomfortable when the topic of family is brought up. Everyone else sounds so happy talking about theirs, but he has no idea what a happy family is supposed to be like. Deuce (and maybe Yuu + Grim too) realizes why Riddle is uncomfortable and quickly apologize. Kalim and Jack, who aren't familiar with Riddle's background or his attempts to speak with his mother over winter break, are a little confused but the others feel it's not their place to explain why and Riddle doesn't know them well enough to elaborate on personal matters. (Here, Jack and Kalim serve as an in-universe reason to keep his family history vague so as to not spoil people who haven't gotten that far in the main story yet, but the awkwardness is palpable enough to imply something is wrong to serve the narrative of the event story.)

Now, "hometown" events tend to introduce a new character, typically a family member, to us. However, the new characters are not those who appear as the "trauma source" for the respective OB boy. (For example, Falena was not the character introduced to us in Tamashina Mina/Cloudcalling on the Savanna and we met Kifaji instead.) Following this trend, we will not be encountering Mrs. Rosehearts but rather MR. Rosehearts.

I realize that we don't have a ton of lore about Riddle's dad yet so everything I write about his personality is completely headcanon (primarily based on the personality of the King of Hearts). The only things that are canon in this depiction is that 1) Mr. Rosehearts is a medical mage like his wife is and 2) Mr. Rosehearts does not have a happy marriage with his wife.

Anyway, we run into Mr. Rosehearts out in the city. Turns out that he is one of the presenters at the conference and he was supposed to meet and receive Riddle. He's a quiet and slightly anxious man but overall is kind to his son (though we should get the impression that Mr. Rosehearts isn't good with confrontation and folds easily).

Maybe have a part where Mr. Rosehearts is surprised that Riddle has friends because uh... the last time he recalls his son having friends, it was because his wife ranted at them for 5 hours and banned them from their home. But hey, he's chill about it and promises Riddle this can stay between them and he won't tell his mom. Could insert a line or two that implies that the winter break talk didn't go over well. (This is just my headcanon, but you could also stick in a line that insinuates that the Rosehearts parents don't just outright divorce because Riddle's mom can't deal with the potential social fallout + realizing that she is "wrong" in her marriage.)

Every "hometown" event thus far has presented us with some kind of minor external conflict to be resolved. In this case, Riddle's conflict is more internal. He's wrestling with what he wants to do with his future and trying to cope with the reality that his mother isn't the loving, "always correct" woman he thought she was. This, of course, mirrors Rapunzel's struggle with Mother Gothel, who tries to keep her in the tower and doing as she commands.

We finally make our way to our quarters for the night (Riddle has his own room; everyone else has to share one), perhaps in tall tower to mimic Rapunzel's home with Gothel. Riddle knows he should retire early because the conference is first thing tomorrow, but he admits to everyone that after spending time in the city, he has become curious about the tradition of releasing thousands of wish lanterns into the night sky. It happens pretty late in the day though, so he brushes it off and says they should sleep.

... But the others get really hype about Riddle "finally getting into the spirit of the holiday" and decide they should see the lanterns!! The only problem is, Riddle is locked in his hotel room for the night. There could be a local superstition, tradition, or security reason for this. Like maybe due to the story of the Princess in the Tower (and Gothel locking her up), people who are indoors at a certain time of night can't leave until the next day?? Or maybe Mrs. Rosehearts had prepared Riddle's room for him in advance and instructed staff to ensure he doesn't leave because she has been paranoid about him "breaking the rules" again after the tart incident. I don't know, pick your reason.

YOU KNOW WHAT THAT MEANS??? It's time for Jack, Deuce, Kalim, Grim, and Yuu to be Riddle's Flynn Rider + animal companions to break Riddle out. Our group represents the freedom and childhood wonders Riddle missed out on, the antithesis to Mrs. Rosehearts'/Mother Gothel's control. I can see Riddle using his long hair to hoist himself down, Jack using his UM to help everyone race to the water in time to catch the lanterns, Deuce being the muscle if they run into any thugs, Kalim using his social skills to quickly befriend the locals and ask for directions to the best vantage point or using his $$$ to rent the group a rowboat, etc.

We can keep the rhythmic/twistune from the original version of this event where Kalim, Deuce, and Jack were able to safely descend using Riddle’s hair but Riddle hesitates before he’s able to get himself to follow. The reason is the same; he worries about breaking the rules and how his mother would disapprove of him leaving the home. Riddle wonders if the Princess in the Tower felt the same, but ultimately his friends convince him it’s fine (by baiting him with the rules). He will be trapped in this tower forever if he doesn’t summon his strength and take the leap. If not now, then when? When will my life begin? “There are people waiting for me outside, so… it must be okay for me to leave. Right… Mother?”

Riddle keeps nagging everyone about how many rules and social norms they're breaking, but eventually he loosens up and even laughs a little at some of the dumb things they do. We can maybe have him thinking, This is just like… and then flashback to his childhood days with Trey and Chenya.

They're out on the waters just in time to see the lanterns being released. Alternatively, the even runners could be having trouble lighting up all the lanterns or something so Riddle has the opportunity to help with that (this way, we’d still get the other rhythmic/twistune featured in the original event). That particular rhythmic/twistune ends on Riddle with five lanterns floating overhead, which I think could be important symbolism (five lanterns -> five mentions of Heartslabyul).

It's beautiful. Everyone oohs and aahs at the sight--most of all, Riddle. He can say something like... "This city is known for its many contributions to magic medicine. I know that, and yet... I don't believe any magic or medicine could replicate what I am feeling in this very moment." There is some part of Riddle that acknowledges the healing and therapeutic properties of just... being allowed to have freedom, of allowing himself to live in the present and not stress about the rules or gearing up for a future someone else has decided for him all the time. He just doesn't know how to fully verbalize it + has not fully come to terms with it yet, so this is how he expresses it. At last, he sees the light.

While the new location they travel to + the conference provide us with the backdrop of medicine and health for this rewrite, I think there’s also something to be implied about the injuries we don’t see, the pain inflicted that isn’t physical. Both Riddle and Rapunzel were trapped in towers but were also emotionally controlled and prevented from leaving/made scared or the world and disobeying their mothers. When Riddle sees the lanterns, it’s sort of a “wake up” sign to his soul, a reminder of how healing it can be to just… live by one’s own terms, to not be ruled over by fear of disappointing someone else or failing to meet expectations. Rapunzel and Riddle bear scars on their heart from having been raised in the households that they were, and it is seeing the lanterns in-person that helps to “heal” what hurts them.

Riddle recalls the story of the Princess in the Tower and how she made a wish to see the lanterns, so now people make wishes upon these lanterns before releasing them into the sky. He lets go of his own lantern and wishes that, someday, he can be like the Princess in the Tower and this lantern floating up to the sky… and follow his own Road to Freedom.

Everyone sneaks back into their rooms and rest for the day. Uhhh, and there can be a scene of slicing off their hair for tomorrow. Riddle can talk about how the Princess grew her hair long because her mother told her to, but that it must have been cumbersome to walk like this. This way, by cutting off the hair like how the Princess does at the end of her story, it's a liberating act.

It doesn't matter what happens at the conference because what was important was the experiences Riddle had with his friends leading up to it. At most, maybe we see Mr. Rosehearts again while heading to the venue and they have a brief exchange where Riddle lets it slip he's a little tired. "That's so unlike you," Mr. Rosehearts remarks. "Well," Riddle replies with a small smile, "I am a growing young man, after all. I am changing every day."

I want to be clear that this does NOT mean Riddle has had a full character arc to come to terms with how he was raised. He would NOT feel 100% okay with rebelling against his mother by the end of this (hypothetical) event. The point of my version of Wish Lantern isn't to empower Riddle to fistfight Mrs. Rosehearts or to tell her off. The point is that it's supposed to be a small step in helping Riddle through the very complicated process of recognizing he was traumatized and/or abused, accepting that reality, and learning about how he can grow from it and his abuser (who is someone he thought he loved and could trust). This can take YEARS to process in the real world, and it would probably be similar to Riddle. Again, this is meant to be a SINGLE STEP he takes, NOT THE ENTIRE JOURNEY.

So in my rewrite, the event would be split up like this:

Episode 1: invitation to the event; gathering all the relevant characters, hopping through the mirror

Episode 2: arrival in the new location and having fun in the area

Episode 3: souvenir shopping, meeting Riddle's dad

Episode 4: retiring to room, changing mind and deciding to break out instead

Episode 5: seeing the lights, ending

As you can see, the structure is very similar to a traditional "hometown" event. I didn't want to stray too far from Twst's usual writing conventions, as it could mess with the cohesion with the rest of its story events. I did, however, try to change things up a little (like having an internal conflict instead of an external one) and tied in this (hypothetical) story with Riddle's overarching character development, as those are elements that I personally prefer in a story. I realize that the biggest change here is tying my rewrite much more strongly to the main story than similar events have 💦 BUT LET ME HAVE THIS, I think I cooked 😭

... What Wish Lantern could have been OTL Don’t get me wrong, though!! The version we did get wasn’t all bad. There was lore about the NRC library, lots of involvement from the staff, and fun character interactions with the whole student cast. I just feel like those could have all been used for a different event and not the Tangled one which could have been so much more interesting for Riddle and his character.

[kathaynesart]

How many years do you think Replica, as a comic, will last? I’ve seen some webcomics last for ten years even. Honestly, a tiny part of me thought this would disappear like so many others(not just ROTTMNT stories, but other original comics online, and understandly so, you go on to other interests or life gets in the way), but seeing Replica still going strong is really neat.

Thank you! Honestly I don't have an answer for that. At my current rate, probably another 3-4 years? Though my hope is I'll keep getting quicker.

Frankly I'm just as surprised as you that I'm still here. This was SUPPOSED to be a short comic that I had originally planned to finish in about 3 months with maybe 10 updates max. Now I'm working on Chapter 42 and nearing the end of Book 1 of my two Book series.

When I put it that way it all feels a little overwhelming, so I just take it day by day and always make sure to come at it from a place of fun. If I don't feel like drawing it that day, I don't draw it. I don't let the pressure get to me, and instead use it purely as a creative outlet. I wasn't drawing much for myself outside of work before Rise, and this story gives me the chance to do what I love most which is tell stories.

Being an older gal, this story really speaks to me as someone who was a goofy kid that had to grow up (but not old) while keeping a hopeful outlook even as things got tough. I love how I can share this real world experience in a way people of all ages can understand (plus I see a lot of myself and my irl best friends in these characters so it makes it really easy to write them).

Finally, a lot of it also has to do with this wonderful community and all the amazing people I've met who have supported and inspired me these past few years! All of your comments mean the world to me and I want to continue telling this story because so many of you have voiced your love for it. It just makes me happy to know that people enjoy the things I create. I can't promise I'll finish this big story... I never know what life might have in store for me, but I'm grateful to be along for the ride. Thank you!

[deminetly]

𓏵QUESTIONS FOR DEVELOPING OCS

---------------------------------------------

what would their halloween costume be?

what would their password be?

if they met their first design, how would they react?

what would their birthday party be like? where? with who? what kind of food?

what's their way of showing affection? whats their love language?

if you and ur oc switched places (your oc went to the real world, and you went to the story) what would you both do first?

if your oc were to make a podcast, what would it be about? would you listen to it?

whats their most contriversial opinion?

where would they sit in class?

what would they write about in the AITA reddit?

what do they smell like? what do they look like they smell like?

how would they describe themselves? how would their friend/love interest and how would you?

how would they do the “how many aura points did I lose when…” trend?

how would you think they’d die if you didnt know already?

whats the first thing you would notice about them if you saw them walking in a street?

whats in their fridge?

how well do they remember their childhood?

whats their best childhood memory?

do they like answering questions?

are they left handed or right handed?

whats in their google search bar right now?

whats on their wishlist?

whats their most used emoji?

would their fans assume they were written by a woman or a man?

what would their reposts be about?

what would their dating profile look like?

what is their "RIP (character) you would've loved (thing)"?

do they give good advice?

what do their hands look like? bracelets? rings? nails? veins? tattoos? scars? dirty/clean?

can they fight?

would they kill a spider or let it outside?

if they had to make wish that will surely come true, what would it be?

how would you spend a day with your oc?

how would your oc describe themselves in 3 words?

how do they define love?

if they had a mlp cutie mark what would it be?

how do they text/write?

what would be the worst crime theyd commit?

what could they talk about for hours?

describe them as "he/she is a 10 but..”

do they believe in a higher power?

what kind of first impression do they typically give? are they likeable from the get go?

what emotion is hardest for them to express?

are they a good liar? how often do they lie?

how quickly would they fall in love?

what kinds of dreams would they see?

what was the darkest time of their life like?

whats the worst crime they would commit?

what are some of their hot takes?

[ifyouknowmenahyoudontt]

i genuinely think that the shift from the old marauders to the new one where every straight ship even the canon and most important one (i.e jily) and that whole jegulus/all the other made up ships that make no sense come from a place of fetish. yall LOVE to turn characters into little stereotypes and that whole constant obsession w homosexuality is not helping any cause. most of view view homosexual/queer relationships as more angsty or interesting in a way that’s so strange to me. ships could follow the most standard plot line but still be considered angsty cus they’re queer and why is that? this fandom has taken such a strange turn.

you are making sexuality such a strong and central point in a character importance more than any other trait of their character. and those head canons just end up erasing the most important things about these characters

james potter was a strong and good man. he developed from his arrogant teenage self into a good man fighting for a good cause. but now you made him into a twink that is in love with a death eater/ a member of the family that abused his best friend all his life. james and sirius’s relationship was a central point of their characters. and james’s love for lily is a central point as well??????

sirius being turned into a overly feminine gay drama queen, even though what WAS important about him was his loyalty his strength and his honor??? but all of that was forgotten. HE CAN BE GAY WITHOUT ERASING HIS ORIGINAL PERSONALITY. stop painting him into a stereotype of a gay man.

regulus black is getting the recognition that is to be given to sirius. his character was not some brave rebel vigilante that fought for justice. he was a pureblood supremacist.he was a deatheater. yes he is important to the story but he was not what you made him.

lily evans is the most important character of the series. she’s the reason it exists. her and james’s love is the center point. but it was pushed away by you people to focus on your strange fetishized view of gay men. this MAJOR character whose love for her son and husband literally MADE the story got cast away as a secondary character.

important topics like sirius’sabusive family, lily and james’s courage and love….was remplaced by ridiculized view of characters

make characters gay cus we don’t know anything about them yes okay that’s why wolf star was a major part of the fandom. but the complete shift of every single characters identity is just bullshit.

[floofiestboy]

Aoyama's Let's Talk Day 2025 Translation [Unofficial Sources]

EDIT: [2025-02-01]

The official transcript has been released. Please refer to my translation of it here instead.

Yesterday was Aoyama’s yearly Let’s Talk Day, a day when a lucky few audience members chosen by lottery have the chance to ask him questions. While the Q&A hasn’t yet been officially released, I’ve translated tweets about the questions asked. I can’t guarantee that they’re 100% trustworthy, but generally most questions were posted by multiple unrelated users.

In cases where different users reported slightly different answers for the same question, I consolidated them to the best of my ability. All source tweets at the end. Without further ado: 

Q. When Gin travels to other countries, does he stay at hotels, or does he have safe houses? I want to know whether he uses hotel-provided amenities like bathrobes.  

A. He sleeps in his car or stays at Organization-provided lodging- the Organization has apartments all over the place. He does also stay at hotels. The FBI still hasn’t discovered them. He does wear bathrobes! He has long hair so I imagine it’s tough to wash.

Q. What sports does the England-born Akai play aside from Jeet Kune Do?

A. He learnt Jeet Kune Do from his father, so has no interest in sports other than that. But I think he might be good at cricket since he’s English. Maybe baseball in America.

Q. Does Hiro have any experience with martial arts?

A. He learnt some at the police academy. He has no other experience, but he’s decently strong- weaker than Kyogoku though.

Q. As you were a guest on Kōhaku Uta Gassen [T/N: A music show that traditionally airs around New Year’s in Japan] this year, do you have plans to write a case based around it?

A. I doubt NHK would let me (haha) I did think a music show case might be fun, but they’d probably still bother me about it.

[Questioner: What if you changed the name? Like, a West vs. East tournament.]

I’ll think about it.

Q. Will the Kuroba family and Kudo family meet each other in the future?

A. Is that something you want to see? I’ll think about it.

Q. What will Momiji do now that Heiji and Kazuha are dating?

A. I don’t think Momiji will give up? She’ll do her best.

Q. How can you think up so many different characters?

A. I don’t know (haha) Maybe because I’ve seen lots of different manga, dramas, and movies. 

[Questioner: So they just pop up in your mind.]

Something like that.

Q. Do you plan to write a story where Chihaya and Furuya meet?

A. Ah, so Chihayafuru, you mean (haha) It sounds interesting, so I’ll think about it.

Q. What can you tell us about this year’s movie at this point?

A. When I told Rikiya Koyama [T/N: Mouri’s VA] that Kogoro is the main character this year, he told me he was nervous. Once he was done, Takayama-san [T/N: Conan’s VA] told him he sounded cool. 

Q. What’s the best part of this year’s movie?

A. I can’t say, but I think you’ll be shocked.

Q. What’s your favourite case so far?

A. Ran GIRL & Shinichi BOY. I love it.

Q. How did Kogoro manage to become a detective without deductive abilities?

A. He doesn’t have deductive abilities, but he’s good at shooting and judo. And he has Conan around. Everything works out.

Q. Was Nakamori Aoko born in September?

A. When is good?

[Questioner: Since Kaito was born on the 21st, maybe the 12th?]

 I’ll think about it. I haven’t decided, but since Kaito’s birthday is June 21st (6/21), maybe September 12th (9/12) makes sense.

Q. What kind of things does Ran talk about with her karate club friends?

A. What would you like?

[Questioner: Romance talk!]

I do think they chat about that. Everyone would be interested to hear about how things are going with Shinichi. If a scene like that ever comes to mind, I’ll think about including it.

Q. What is Furuya’s family situation like?

A. Secret, as I haven’t decided for certain just yet- it might still change.

Q. Will you ever draw the moment Kazuha fell for Heiji?

A. Do you want to see it? I might.

Q. At Abeno Harukas, Heiji confessed and was holding hands with Kazuha, but did Heiji initiate the hand-holding?

A. Yes. I don’t know if I’ll ever draw that though.

Q. At Kōhaku Uta Gassen, were there any artists you enjoyed other than aiko, B’Z, and Fukuyama-san?

A. Ah, I can’t think of anyone but them. But they were all good. B’z was amazing. It was all dark in the audience seating, but when I thought “oh, something is moving,” it was truly amazing by the end. B’z is my choice! (haha)

Q. Do you have any plans for a spinoff featuring Hattori?

A. Like Zero’s Tea Time?

[Questioner: More like Hanzawa-san.]

What’s the difference between Zero’s Tea Time and Hanzawa-san? Did you want a spinoff? There’s no plans for one right now.

Q. Are there any characters you plan to have romantic developments for in the near future?

A. Kansuke and Yui, and Juugo and Chihaya… aside from that [glances at the moderator] that character… if I say who it is, we’ll get flamed online, so… (haha) 

[The audience goes abuzz]

Well, yes. I can’t tell you right now (haha). Let’s leave it at that.

Q. What’s the plan for next year’s movie?

A. I can’t say, but they do already have it planned.

Q. Who will be the star of next year’s movie?

A. I can’t say, but it’s already been decided as well as the stage.

Q. I’m from Hokkaido. Do you have plans to draw any famous tourist spots in Sapporo? 

A. Hakodate was recently the stage, so it would need to be some time in the future. Any recommendations?

[Questioner: Suzukake Park, Oodori Park, Sapporo TV Tower.]

Ah, got it, I’ll think about it.

Q. We know that Azusa has worked at Poirot for at least one year, but how long has she worked there in total?

A. I don’t know. Maybe since she was in high school. Oops, I just said whatever.

Q. Any plans for a movie set in Tottori?

A. Not at this time. I’ll think about it. I did try to incorporate the Tottori dialect once, but I was told it was incomprehensible. Tottori dialect is pretty hard. If we do a movie here, I’d like it to use Tottori dialect.

Q. It seems Momiji won’t give up even now that Heiji and Kazuha have gotten together, but will Iori continue to serve Momiji in the same way? Will he ever leave due to his old work?

A. He’ll be by her side forever. I think he’ll protect her until the day he dies.

Q. What would you want to eat at a Conan café? 

A. Naporitan spaghetti. I have childish tastebuds, so I also like Hamburg steak and hamburgers.

Q. I like aiko, so I want to hear the behind-the-scenes details about your talk with her on Kōhaku Uta Gassen.

A. During our preparatory meeting, I asked whether I should say “Funya!”, but I was told I couldn’t (because it’s from a different agency.) [T/N: Not familiar with this myself, but maybe it’s some idol’s catchphrase or a reference to a show.]

[Questioner: After meeting aiko, did any murder case ideas come to mind?]

No (haha) It would be sad to kill her off. Maybe a case with a singer involved… I’ll think about it. Aiko was cute.

Q. Kurayoshi’s phone number area code is an important plot point in Conan, but will the city be involved in the future?

A. A coincidence. Kurayoshi residents will get mad at me otherwise.

Q. What did you do for New Year’s as a child?

A. Usually my family would ask me to visit a shrine with them, but I’d stay at home since it was too much of a pain. These days, I always go for my health. [T/N: In Japan, it’s tradition to visit a shrine on the first day of the new year.]

Q. What’s Inspector Ayanokouji’s personal life like? What are his hobbies?

A. He feeds Maro-chan. Hobbies… I wonder. He does like Maro-chan. What would you like?

[Questioner: Something like archery.]

Archery? Well, I’ll think about it.

Q. Do you have any plans for a triple date with Heiji-Kazuha, Shinichi-Ran, and Kyougoku-Sonoko?

A. I hadn’t thought of that before, but I’ll think about it.

[Questioner: So you don’t plan to think about it.]

Sorry (haha). 

Q. Any information on Akai and Amuro’s chat nine hours later?

A. I can’t say. It’s a truly mysterious tea party (haha)

Q. In your Professional interview, you were eating curry, but is there any other food or snacks you like to eat while working?

A. I only really eat cheap stuff, so (haha)  I’m really into the beef don mini-pack from Yoshinoya- it’s a pretty small portion. It’s healthy and good. Also, curry from Coco.

Q. The Saitama prefecture is right next to Tokyo, but has never made an appearance. Any plans for Saitama prefecture police to appear?

A. Yokomizo did show up in Saitama at first, but he did move to Shizuoka, so (haha) I tried to have him go back, but I was told that then it just seemed like he never moved at all. I’ll write about Saitama eventually. I’ll think about it.

Q. What does Kazuha like aside from aikido? 

A. She likes Heiji… (haha) I think she likes cooking just like others like her would. Do you have any thoughts on what she might like?

[Questioner: What…]

[Moderator: Well, that’s what they wanted to know in the first place.]

I’ll think about it.

Q. I’m from Taiwan. Conan has only ever gone to England in the manga. Will he ever go to another country in the manga, not the movies?

A. It would be tough while he’s still Conan, as he doesn’t have a passport. His only choice is for Kid to stuff him into a suitcase, but I can’t use the same trick twice (haha) I’d like to go to Taiwan one day.

Q. Akai and Amuro infiltrated the Organization and know about Sherry, but don’t know of the existence of APTX4869?

A. They do not. There’s a reason why the details of her research and her family isn’t well-known in the Organization, but that’s secret. Even parents wouldn’t tell their children about it in the Organization. 

Q. Do you plan to introduce any new Organization operatives?

A. What would you like?

[Questioner: Amaretto!]

I'll think about it.

Q. Do you plan to draw Shinichi and KID facing off?

A. Shinichi. You mean big Shinichi, huh? I’d love to. (haha)

Q. What last name do you like, or would like to have?

A. Kudo! (haha) Since Kudo Yuusaku as portrayed by Matsuda Yuusaku was cool. If I can, I’d love to become one! (haha)

Q. Did you decide that Heiji would confess on a tall Osaka building even before the Abeno Harukas tower was completed? [T/N: It opened in 2014]

A. I decided after the Abeno Harukas tower was completed. But I did know from the start that Kazuha’s mother would make an appearance to include a twist.I wanted everyone to think that he’d confess to her mother by mistake. 

Q. Who’s stronger between Kogoro and Ran?

A. That’s quite the question (haha) Kogoro is strong! But, Ran is catastrophically strong too (haha). I think it’s hard to say? But if they fought against each other, he’d probably hold back against Ran. Since he’s her dad.

Q. You can really feel the cultural differences between Kyushu and Tokyo. Do you plan to write a case based on that?

A. I’d like to.

Q. Do you have any special tidbits for us aside from what you’ve already told us?

A. Kansuke and Yui and Koumei’s childhood will appear in the movie. Take a good look at the illustration I drew for the Conan Tanteisha store as well. 

Q. Anything you’d want to incorporate into Tottori’s Mystery Tour? Tourist spots and restaurants you’d recommend?

A. I’d like them to make use of Tottori’s Odaiba, crabs, and apple-pears.

Q. Who’s the tallest among all your characters?

A. Date and Gin! Kyougoku is a little shorter, but those three are the tallest. Kazami is too tall in the anime. He should be the same height as Furuya. [T/N: One source also claimed he said that Gin is taller than Date.]

Q. Will Miyano Shiho and Kudo Shinichi ever star in the same case?

A. Ah, I can’t tell you that. Whoops, I almost let something slip (haha)

Sources

https://twitter.com/hrksdc/status/1875104017174639079

https://twitter.com/brainwashednerd/status/1875109428812460351

https://twitter.com/yuki_det_con/status/1875121186411348179

https://twitter.com/Flambe4869/status/1875236194071834928

https://twitter.com/nyarura73/status/1875104933978206521

https://twitter.com/mskAK25/status/1875125288943989101

https://twitter.com/furu_rei0/status/1875126654412177457

https://twitter.com/44_mcs/status/1875132311219634602

https://twitter.com/44_mcs/status/1875119113670144425

[the-voldsoy]

Alrighty it is almost the end of the year so, in no particular order, here are podcasts I recommend of the ones I've listened to this year! (let me tell you picking favourites for this was So hard) (Unfortunately I can't just do all of them because there are almost 50)

Hello From The Hallowoods: The world ended, but we're still here, and shit's weird. (Has made me cry; even the trees are queer; my comfort show<3)

Camp Here And There: Good morning campers! The time is 7:63AM and Cabin Magpie Moth has spontaneously combusted! Whichever one of you little woodworms can put it out first can come get a puffy sticker from me in the Nurses Cabin! (Is it a horror? Is it a comedy? I don't know, you'd have to check to be sure)

Wooden Overcoats: Funn Funerals used to be the only funeral parlor on the island. It isn't anymore. (Sitcom, the main characters are the most miserable wet cats you ever did see)

Re: Dracula: Maybe this year, they'll be okay. Maybe this year they'll all live. Maybe this year he won't go, and she'll be alright.

Magnus Protocol: TMA's louder, bolder, less serious younger sibling.

The Silt Verses: Oh boy. Let me tell you, you will look at crabs differently after this. (WET horror, genuinely the best pod I've ever heard)

Archive 81: Dan, a newly hired archivist, has to listen to and catalogue a set of old audio tapes. The tapes contain interviews conducted by someone Dan has never heard of. Dan is in an isolated bunker in the middle of the woods. Surely nothing will happen to our dear friend Dan. (What is it with archivists and getting snatched by The Horrors? Ignore the tv show it doesn't exist)

Red Valley: Just a couple of guys with an interest in research station Red Valley, whose focus was cryonics. It's completely defunct now. I wonder what happened. (Ethics? What's that?)

Woe.Begone: Some say it's about time-travel, some say it's about keeping yourself and those close to you alive, some say it's about online safety. All can agree on one point: What the fuck why are there cowboys now

Midnight Burger: Midnight Burger is a time-travelling, dimension-spanning diner. Dunno how it works or where it's going next. We open at six! (The episodes are an hour long minimum but it's worth it. Comedy sci-fi, lighthearted fun :)

Old Gods of Appalachia: The Appalachians are spooky y'all. (The narrator's voice is so comforting in this, it feels like campfire stories)

Dreamboy: Went into this pod being told it was made by the people who made WTNV and absolutely no other information. Let me tell you I did not expect the main character to tell us that he got a hard-on in the first episode. (The most sexually explicit pod I've listened to)

The White Vault: Nice little trip to Svalbard to check on the remote research station, surely nothing will go wrong :) (Holy Fucking Shit What Is That) (Recommend 1st season especially to The Thing (1982) enjoyers)

Camlann: Ever wished that you were apart of Welsh folklore or Arthurian legends? Or perhaps some of the last people left on Earth? No? Ah well, you'll pick it up soon enough. (Three idiots and a dog in Wales, fighting for their lives)

Breaker Whiskey: Imagine. Being the only person on earth. Just you. Just you, and someone on the radio. Just you, the radio, and a woman you absolutely do NOT have sexual tension with. (This one looks really long because it has 260+ episodes, but they're like 4 minutes long each so it's not really)

Ethics Town: Don't worry about it. (Cannot recommend enough, it is a mindfuck)

Tell No Tales: What if ghosts were a thing that could infest a place, like rats or roaches or mold? What if it was your job to exterminate them? And the million-pound question, do ghosts deserve rights? (I am waiting so so patiently for the rest of s2)

Remnants: You wake up in a place you recognise. You have always been there. You have no idea where you are. You see a stranger's life. You recognise them. You knew them once, you think. Discard or reshelve? You don't know what that means. It does not matter. Discard or reshelve, that is the question. (I am going insane over this pod)

Not Quite Dead: Vampires! Alfie is an overworked A&E nurse who does not have time for this shit. Unfortunately, he does not have a choice in this matter. (A really interesting take on vampirism, going into the biology. It is fascinating, and an exciting story)

Travelling Light: Space Quaker! Listen to the Traveller tell you about every new planet and civilisation they visit. Whattttt noooo they don't have a crush on one of their crew members what are you taaaalking abouttttt (Very comforting pod, beauty in the mundane in a way? But not mundane because yk. Aliens)

Someone Just Like You: Brilliant horror, just really well written. I don't even have words for it. So far there are only 6 episodes and the concepts/plots of each seem cheesy, but my GOD the execution.

The Bright Sessions: People with powers get therapy! Thank God, they need it so bad. (I love one particular antagonist so much, I need to put him in a microwave)

Poe: Evermore: It wasn't until I started this that I realised that Edgar Allen Poe would have had a Boston-ish accent. Reallyyy interesting story of his life, and I keep getting jumpscared by VAs I recognise. Faulkner Silt Verses what are you doing here.

Witherburn After School News: Your school radio host getting WAY more involved in the news than they should. Really hope they're still breathing. Love the folklore section though!

Before The Tone: Voicemails from someone who just got a job they probably shouldn't have. (Brilliant idea for the format, and great execution)

I Am In Eskew: What if you were trapped? What if you had a home, a wife and a child? What if they aren't real? Are you sure? Go and check. What if your city tried to kill you? What if it loved you very much, more than anyone else? (Horror but the narrator is the saddest wettest man you've ever heard)

Sherlock & Co: Modern day Sherlock Holmes, and John Watson is a true crime podcaster. Dear God I did not think it would be as compelling as it is.

[veliseraptor]

genuine qn!! can you tell us more about mxtx and her preoccupations thematically and including character types and and relationship dynamics, so interesting

oh man so we'll see how long it takes me to answer this ask because I could probably write a whole goddamn essay for this. with footnotes and everything. am I tempted, yes, but the last time I did that it took me like a year and a half and I'm pretty sure nobody cared

anyway, yeah! mxtx is definitely a writer where I feel like I can see the throughlines in a lot of her work pretty clearly. some of these are probably generic and I'm only somewhat equipped to recognize those (being yet a novice in the world of danmei specifically and cnovels more generally), so I can't be certain all of this is mxtx and not just the generic milieu she's working within. but I tried to parse it out based on what I've noticed.

I focused on thematics because that's what I personally find most interesting (and easiest to elaborate on, since some of the relationship dynamics are less specific to MXTX than they are romance conventions, a genre I am less familiar with).

this is necessarily an incomplete list because I haven't reread in a hot minute and also I am, again, not writing a complete essay for this (right now)

Justice/injustice. This one recurs across all three novels, both in terms of the desire for justice and the ways in which injustice is woven into the fabric of society and sometimes, it seems, almost inevitable. There's something deeply pessimistic, for instance, about the way that MDZS deals with this question, or at least a certain ambivalence, but in general I would say it's a theme of MXTX's work that people don't get what they "deserve", and what is or would be just is at best a difficult and often an unanswerable question.

Cycles of revenge/violence. Relatedly: MXTX seems to me very concerned with cycles of revenge and violence and what comes of them - namely, nothing. In SVSSS you see it with Shen Jiu and PIDW!Luo Binghe in particular, and how Shen Yuan's cutting of that violent cycle transforms not just Luo Binghe but the fate of the world as a whole. In MDZS you see it most clearly with the Nie Mingjue/Jin Guangyao/Nie Huaisang situation, which ultimately ends with nobody winning, but also in Jin Ling's explicit rejection of revenge at the end of the novel. In TGCF you can see it in Black Water Arc, where - again - nobody wins, but you can also see it with Xie Lian and Jun Wu. This further relates to:

Disinterest in/distrust of punitive impulses. This is the one I wrote a whole essay about! But in general I think that MXTX is...skeptical...of the impulse to punishment/retaliation, because of the stance she seems to take that violence only ever begets violence and never makes anything better. Again this threads back to the aforementioned "nobody gets what they deserve" thing - because if nobody gets what they deserve, who decides what anyone deserves?

Ambivalence about the "fixability" of society at large. This also kind of goes back to the first point on this list, and specifically I think is illustrated through the fact that two of three of her main pairings retreat from the world at large at the end of their stories. They aren't completely removed from society, but they are distanced from it - in both cases, I would argue, out of some disillusionment with its functioning and/or their place within it. There is a certain feeling in MXTX's work that society is, if not irreparably broken, fundamentally unjust in a way that is difficult to change. (I think TGCF is an interesting outlier in this way, actually.)

Class/status dynamics. I'm not saying that MXTX is, like, writing about class or status, but I am saying that she seems to be interested in the role that it plays in shaping/defining a character, given how often it turns up as a factor - in Shen Jiu, in Luo Binghe, in Jin Guangyao, in Wei Wuxian, in Mu Qing, in Hua Cheng, even in Xie Lian's crash from the heights of wealth to the depths of poverty.

The fickleness of the crowd. This also has to do with the importance of rumor and reputation, but what it often seems to come down to in terms of impact is how quickly people at large change their minds and bend to the beliefs of the people around them; how much attitude toward a person is informed by, and defined by, public opinion - regardless of that opinion's basis in truth. Often, explicitly, in spite of the opinion's basis in lies.

[elwenyere]

This season of Andor - and the conversations about it - have had me reflecting on the show's approach to race and racialization. One level on which to examine a text's approach to race is representation: what stories does the show tell about characters of color, and what kinds of storylines does it offer to actors of color? Figuring out how to ask that first question about Andor is complicated, I think - for reasons I'll get into below. In terms of how much interesting, meaty work Andor offers its actors of color: I think this is probably the level on which Andor is most ordinary/least compelling, especially when it comes to the show's Black actors. Characters like Birnok, Jezzi, Gorn, Taramyn, Nurchi, and even Blevin disappear from the action sooner and with less ceremony than other supporting roles. And while Forest Whitaker knocks every Saw scene out of the park, the narrative places his position on revolution at the literal margins of the plot structure. In terms of direct representation I would say that, at best, Andor is par for the dubious Star Wars course, and, at worst, it reinforces some troubling dynamics of functionalization and abjection.

I mentioned, though, that I think it's complicated to determine how and when race shapes life possibilities for the characters in the show. That's because I think the area where Andor has much, much more interesting and useful things to say is in its interrogation of racialization as an ongoing process intrinsic to imperialism; and part of what makes this work complex is that it doesn't always align with the way audiences might understand the race of the actors. To explain what I mean by that, I'm going to unpack some things I've noticed about two principal areas in which Andor explores how imperialism constructs race as a system for producing and exploiting group-differentiated vulnerability (to follow Ruth Wilson Gilmore).

First, the engines of resource extraction and the way settler seizure requires the removal, extermination, or forced assimilation of indigenous populations. We see this first through Kenari, where the pits left behind by extensive mining are connected to the disappearance of the adult members of Kassa's community, and where Kassa himself will end up being abducted and eventually assimilated into the social structures of a foreign place. The Imperial plan to extract a likely-catastrophic amount of kalkite from Ghorman is in some ways very different, as Ghorman is presented as a planet with a history of wealth, status, and elite cultural production. But we see from the Imperial propaganda plot that the process for rendering the people of the planet expendable involves racializing mechanics. In order to make Ghorman kalkite seizable, the Empire sets about a campaign to Other the Ghormans. Through both rhetoric and material practice (the curfews, the blockades, the reorganization of their public space), the Ghorman campaign transforms the Ghor from Imperial subjects into insurgent terrorists, rendering them exterior to the freedom and protection the Empire promises (all agitators can/will become outside agitators, as Syril learns), and thus making them disposable and ungrievable (unlike the "martyrs"). In this way I think the show helpfully insists that the operations of race are social and political, not biological. The Empire differentiates the Ghormans as a group and renders them more vulnerable to violence so that it can exploit their resources, and the parallel between the opening pit on Kenari and the mining equipment being landed all over Ghorman invites us to think about how race works as a social force, rather than as a quality that belongs immutably to some people and not others.

Second, the carceral system that disciplines Imperial subjects by creating a criminal class that has been stripped of legal personhood. We see this very explicitly in the PORD and the Narkina 5 arc of season one, where the incarcerated men have been effectively disappeared beyond the reach of appeal or accountability ("nobody's listening"). Cassian's longer history of statelessness and fugitivity highlights the way arrest and imprisonment are operations that continue to produce heightened vulnerability even outside of the formal prison. Saw highlights this truth for Wilmon when he links his own forced labor on Onderon with the Imperial forces that continue to make those hunted by the state liable to be used as cannon fodder. And Wilmon has reasons to identify with that speech, because when the Ferrix crew fled probable arrest, they ended up undocumented and thus newly racialized on Mina-Rau. "Toolie" labor (and it's hard for me to believe the rhyme with "coolie" labor is accidental) is racialized not because a particular group of ethnic subjects do it but because it's a labor form more vulnerable to exploitation, detention, deportation, and legal/extra-legal violence. As I wrote in an earlier post, it's clear from Krole's treatment of Bix, for example, that he doesn't see her as someone who can be married in any meaningful way: she lacks the legal personhood that would make marriage a binding social contract. This points to the way race has operated through the forced separation of families/the weakening of family rights for some (under chattel slavery and through contemporary incarceration and deportation). And one thing I found striking (and a little squishy/muddy) about the Mina-Rau plot was the decision to cast very fair actors for Beela, her mother, and Talia, thus highlighting the darker features of Cassian, Bix, Brasso, and Wil in a way that hadn't been as apparent on Ferrix. One way to read this, I think, is as another visualization of the show's insistence that race is not a set of inherent, inborn qualities but a set of political categories mobilized through social and material geographies - a way of ordering space and distributing subjects within that space.

All in all, then, I think Andor does very interesting, occasionally incoherent work on racialization, and also that representation for actors of color is where it has the least thoughtful or original things to say. (And to be clear, I think it's totally fair to demand better in that area from a show that has such explicitly political ambitions.)

[thecheshireprincess]

Because all of two people said they wanted to read my newest story obsession, here's a sneak peek at my favorite chapter I've written . . .

Let me introduce you to:

The Game Itself

A Chishiya x childhood best friend reader (Niragi's sister!) fic

Content Warning: Mentions of an abusive father, mentions of reader trending toward a panic attack, canon-typical violence, curse words, Niragi is in here and is a menace

A/N: This chapter takes place well into the story, having already introduced many of the main characters and some important plot points. None of my own twists are spoiled by reading this chapter first, and I think it's the best representation for how this story will be 😘 I hope you love it 💕

You lean back with a sigh, relaxing into the plastic beach chair set in front of the glittering pool packed with bodies. The sun is high in the sky, and the citizens of The Beach are happily drinking it in. That's not the only thing they're drinking in, mind you - it's mid-afternoon, and the party is absolutely raging. The music is bumping, the drinks are flowing, and the people are doing what people at The Beach do best - celebrating life. It may seem macabre, to party the days away when you're forced to face deadly games by night, but honestly it feels kind of right when you aren't really sure how much longer you have left to live.

Chishiya sits at your feet, one arm draped lazily over your bare calves and the other holding him upright on the chair. As usual, his face is devoid of any emotion, but you know he is enjoying the opportunity to people watch and get some sun. Even he isn't a vampire, after all.

You spend a few moments studying the people yourself - many splashing around drunkenly in the refreshing pool water and others dancing uninhibited around its edges, everyone looking free as can be. How must it feel to not have to worry about anyone in the Borderlands but yourself? How easy it must be to not have the two most important people in your life stuck here with you, wondering if today is the day they're going to die.

You feel the familiar tight feeling in your chest start to build, and force yourself to shake away those suffocating thoughts - you simply cannot afford to panic here.

You turn your attention instead to playing with the beads adorning the straps of your emerald green crochet bikini. The suit was new, wearing it outside of your room for the first time today. It was special to you - Kuina had found it while she was out for a game last week, saying it had reminded her of your sparkling eyes. The gift made you feel loved, and the suit made you feel sexy.

Rolling the wooden beads between your fingers seemed to help settle your nerves. When your breathing finally returned to normal and the simple anxious task was no longer needed, you sigh loudly, covering your face with your arms and flopping further back into the chair. Bored.

Chishiya smirks, raising an eyebrow. The man very nearly laughs at the dramatic habit that was very you. "Bored already, hm?" He hums, "Coming down here was your idea after all."

"Yes, but I thought there would be more excitement" you whined, flailing your arms widely to accentuate your point. Chishiya sweeps his eyes over your form, looking at you with amusement.

He's about to say something more when he's interrupted by the arrival of two familiar figures - a nervous looking guy with shaggy black hair, and a fit, muscular girl with a cute bob cut. Chishiya squeezes your calf to get your attention, flicking his eyes toward them as they sit down apprehensively on two beach chairs across the pool from you. It was the two newcomers from the most recent executive meeting, and before that, your 5 of Spades game. Arisu and Usagi.

"So they decided to stay after all," you muse, sitting up in interest and folding your legs underneath you. You scoot your body closer to your friend, your thigh brushing against his, as you continue to observe the couple. You briefly wonder what had happened to his blonde friend, and the one they'd been trying to get medical help for. In a place like this, it's probably best not to ask.

The blonde turns his head to study your face, brushing a piece of hair behind your ear as he does, "I can't imagine that it would have gone over well had they declined Hatter's offer." You feel a slight shiver run down your spine at Chishiya's intimate touch. That's new, you note. He had brushed your hair behind your ear like that many times in your life, and only now does it take your breath away. You hum distractedly, still staring at the pair but suddenly feeling very far away from the events taking place around you.

You grin brightly, then, having noticed Kuina skipping over to them. She plops, likely uninvited, down on the chair beside Arisu, her unlit cigarette hanging characteristically in her mouth. There is no doubt in your mind that she was already teasing them about the relationship between them, despite having just introduced herself.

Kuina was confident like that, and you loved that about her. Well, except for when she was teasing you and Chishiya. You blushed slightly just thinking about it, wondering when you had started becoming so flustered about your best friend. You duck your head at these thoughts and pretend to study the sparkly manicure Kuina had given you last night.

You and Chishiya were still just best friends, right?

Within a minute or two, the air had turned from relaxed to tense, and your neck snapped up to find out why. Your discerning eyes land on the militants, of course, you really should have guessed. The hostile and generally power hungry group of The Beach's "personal protection unit" were filing into the party, sure to flash their weapons at anyone looking. The smart people were avoiding their gaze entirely, and the stupid (drunk?) people were openly gawking. You rolled your eyes, how typical.

Leading the charge onto the pool deck was Aguni, looking cold and calculating as usual, with your brother following close behind. Your eyes narrowed, having not seen him for a few days.

"Looks like you're about to get your excitement after all," Chishiya whispered, his breath tickling your ear. You took in a sharp breath in anticipation; the full militant corp was standing at arms looking ready to fight, at the pool. Could this mean the fall of The Beach could be coming sooner than you previously expected? Anxiety swirled heavily in your stomach, fingers subconsciously finding the wooden beads again.

You look to Niragi, the one person who would normally soothe your frayed nerves with just a glance, but feel even worse seeing the wild look in his darkened eyes. Had your relationship truly deteriorated so much in a matter of weeks?

Being all the way on the other side of the pool from them, you're unable to hear Aguni's request, but Niragi was quick to obey. He moved towards Usagi, pulling her roughly up to her feet.

You watch with widened eyes - had Aguni asked for Usagi? What would he even want her for? Nothing good, certainly. Maybe you overestimated his kindness and empathy the day he saved you in the 9 of Hearts game. Or maybe this place really does create monsters out of men - you could certainly see that in the long-haired man across the pool from you, once soft and caring, now swinging a gun around without a care in the world and physically threatening a girl not much older than you. Hell, you see it even in yourself, having been happy enough to let everyone but Chishiya die from the second you landed in this wretched place and started playing.

You're shaken from your reverie when Arisu springs up from his place beside Kuina to help Usagi. You groan in despair, knowing full well that your brother would only be further provoked; Borderlands-version Niragi has an extremely short fuse. Kuina also looks displeased, as though she'd literally just told them not to mess with them, which she probably had.

The people of the party are now definitely watching, but openly pretending not to be. If you didn't feel so anxious at the situation, you'd probably laugh at how nosy and indiscretion drunk people truly are.

You find yourself standing instead, ready to close the distance between your perch and where Niragi has now thrown Arisu to the ground, kicking him repeatedly in the stomach. You felt like throwing up watching the display. Memories flooded your mind of watching your father do the exact same thing to the tall man who was now delivering the blows. It was taking everything in you to not curl up in a ball crying like you always had when the two men in your family were fighting. No, this time you had to put an end to it. This time you would be brave and fight.

"You're going to try to save them, aren't you?" Chishiya mumbles in concern, knowing this scene was likely triggering to you. You knew he wanted you to stay out of it, but you just couldn't help yourself.

"I can't sit back and play victim anymore, Shiya," you whisper. You move swiftly around the pool, before you could lose your nerve or Chishiya could stop you.

"Niragi, please. They're my friends," you plead with the violent man, grabbing onto his forearm as he delivers another crushing blow to Arisu's ribcage. The people of The Beach were now actively watching the scene, fully invested in your family drama. You're unsure of why you called the couple your friends, when you just barely know their names. All you know is that you don't want to watch your brother kill the poor guy, and you definitely don't want to find out what Aguni had planned for Usagi. Or was it that you couldn't stand to see your sweet brother hurt someone the same way he had been hurt so many times in his life?

Niragi ceases his assault on the boy and rips his arm from your grasp. He gives you a full once over in the process, his cold eyes meeting yours for the first time in days. You feel real, raw fear filling your system, something you haven't felt since leaving your father's house for the last time 8 years ago. You'd never felt smaller in your life than you did now, shrinking under Niragi's brutal gaze.

Taking a shaky breath, you muster the shiniest, prettiest puppy dog eyes you can, peering up at Niragi through long eyelashes. "You won't hurt them, right? I'm friends with them."

Niragi continues glaring intimidatingly down at you, in what you realize is disgust. He doesn't address your concerns, but instead has something else to say.

"Put some fucking clothes on, you look like a slut" he spits fiercely, his pierced face now just centimeters from yours. The tight feeling in your chest had returned in full force, threatening to suffocate you.

You stumbled back as if he'd struck you - Niragi had never spoken to you like that. Your stomach dropped, and it took all of your willpower to maintain your composure. You obviously couldn't cry in front of all these Beach idiots, gaping at the two of you like you were the best soap opera in the Borderlands. You turn your head to escape his intense gaze, and put your tongue in your cheek to keep the tears from spilling over. You want soap opera? I'll give you soap opera.

Looking back up at your brother, you cross your arms over your chest. "What are you going to do, make me?" you implore him brattily. Niragi seethed, pierced eyebrow arching, looking like he was seriously considering slapping the attitude right out of you. You stand your ground, the way you should have every other time you've faced a monster like this.

As you and Niragi stare each other down, the initial cause for your dispute long forgotten, Aguni and the others have become distracted by Hatter's arrival. One side demanding peace, and the release of the newest members of the beach; the other begging silently for chaos to ensue. The tense atmosphere surrounding you indicates the balance of power between the two leaders was indeed in jeopardy.

After what feels like hours of strained silence, Aguni ultimately yields to Hatter. The Beach seems to collectively release their held breaths as Aguni and the militant corp flock away to another part of the resort. Usagi quickly tends to Arisu, leading him back into the building to treat his wounds and get to safety. Meanwhile, you have your own struggle for power going on.

Niragi still stands towering above you, obviously not in the mood for your games. He unbuttons his black and white collared shirt, draping it over your shoulders, "Go. Change. Not a request." His fingers wrap tightly around your forearm, aggressively yanking you towards the entrance to the hotel. The force that Niragi had exerted on you nearly sent you careening into the pool still glistening mockingly at your feet, but luckily Chishiya had appeared in just the right position to catch you. Unbeknownst to you, the two exchange a brief look before Niragi skulks off to find Aguni and his other lunatic friends.

The panic within you threatened once more to boil over and your brain simply shuts down - this day had been too fucking much. In your daze, you barely register Chishiya dragging you inside, away from the curious and scrutinizing glances of The Beach citizens. You were embarrassed, confused, and fucking mad.

Just as you passed through the swinging double doors and into the air-conditioned building, Kuina fell in step with you two. She let a reassuring hand fall on your shoulder, squeezing it for comfort. At her kind touch, you feel your carefully crafted resolve finally crumble to the floor. Chishiya knew immediately that you were done for, lifting you easily into his arms and allowing you to ground yourself in him. He carried you protectively the rest of the way to his room as your thoughts thundered around in your head like a wild storm.

You had been lying to yourself your whole life, Niragi had been lying to you your whole life. He promised that your family wasn't broken, that you weren't broken. You guessed it was too much to ask for you to remain untouched by your father's special brand of cruelty. That one day, you'd likely both become just like him.

And now Niragi had. He called you a slut, degrading an outfit that had made you feel beautiful. He embarrassed you in front of an audience. He grabbed you so hard you could see his fingerprints etched in your skin. He was just like him and this time you knew you wouldn't escape.

It was then that you knew - this game that you were playing was much more dangerous than you had initially realized.

♤ ♡ ◇ ♧

OKAY so I got a little carried away 😅 Yes this was supposed to be a sneak peek, but believe it or not it's not even the entire chapter 🤭

Who's ready for the whole story?

Chapter One

The Game Itself Masterlist

[hhoneylemon]

𝘣𝘢𝘨𝘨𝘪𝘯𝘨 𝘵𝘩𝘦 𝘱𝘦𝘳𝘴𝘰𝘯 𝘧𝘵. 𝘮𝘦𝘵𝘢𝘭𝘭𝘪𝘤𝘢

jess mariano x reader

genre; fluff

word count; 896

summary; jess annotates a book for reader and then proceeds to rethink every decision he’s ever made.

reader pov

I had stopped by at Luke’s Diner to grab a coffee and have a small chat with Jess in the morning. He described a book he had recently read, saying it had been turned into a movie that disrespected the name.

“It’s so bad. Like, they changed multiple events and even one of the characters names. Don’t forget how everyone interacts with each other… it basically just shares the same name as the book is all.”

It was interesting seeing how frustrated he got about it, and I smiled at him.

“What book is this?”

His eyes widen a tad as he realizes he didn’t even say.

“I Know What You Did Last Summer. Lois Duncan.”

I nod, interested. I’d heard of the movie before, I think, in passing from my best friend. She and her mother watch a lot of things together, this might’ve been one she talked about.

“Did you like the book?”

I take a sip from my coffee, allowing the warmth of the drink to wake me up a bit more.

“Yeah, it was good. I annotated it as I read, if you want to borrow it.”

I smile at the offer, nodding along.

“I’d like that.”

And so here I sit, comfortably on my bed as I read the book. Jess’s annotations were always interesting. He didn’t only look at suspicious details in the story, he also had a soft spot for some of the romantic moments. It made me smile whenever I saw one, that goof.

The book was good, as he had said it was. I knew that Jess had written his full thoughts in the very back, so once I finished, I took everything in to form my opinions. I then open to the back to compare.

I didn’t expect a small folded paper to fall out. A little ‘huh’ escapes from my lips as I unfold it, reading it. I almost laugh at the simplicity of it. A note saying ‘Will you go on a date with me?’ with two boxes, one for yes and one for no. I snort in amusement, before placing it beside me to read his thoughts.

They were agreeable. It was well written and the. characters were developed. Barry was an asshole and Ray came off kinda creepy during some parts of the book.

Once I finish reading his thoughts, I turn my attention back to the note. I pick it up and walk to my desk, grabbing a pen. I checkmark the yes box and slide the note back into the book, knowing I’ll drop it off before dinner.

jess pov

What was I thinking.

Metallica pulses through the air as I stare at the ceiling. I’m lying on the floor as I collect my thoughts. I just asked out Y/n, and in probably the most stupid way possible.

What else can I do, I guess? And it’s too late anyways, they’re bound to have seen it by now.

Perhaps it isn’t the end of the world. If they say no, I’ll lose a close friend, but I’ll survive. Maybe I’ll be regretting who I am for a while, but I’ll survive.

The notes of Nothing Else Matters ring in my ears like a bell. I hum along faintly, occupying myself from my thoughts.

I pick myself up when there’s a knock on my bedroom door.

“Yes?”

Luke pops his head in, looking at me with tired eyes.

“C’mon. Dinner rush about to come in.”

And so I turn off my CD player and trudge down to the diner, ready to serve the rush. I head to the counter like my uncle asks me to and take peoples orders, scribbling in the notepad and dismissing them to a table. I hand the notepad to Luke to take to whoever’s cooking and repeat the process who knows how many times, when my attention is grabbed by a familiar face entering the diner.

Y/n approaches the counter with a friendly smile, brandishing my copy of I Know What You Did Last Summer. They place it on the counter, and I take it into my hands.

“Thoughts?”

I watch them lean against the counter and think for a moment.

“Well, I thought it was good. Barry was terrible to Helen, Ray was kinda freaky, Julie’s mom was a real one, some of the scenes were cool. The gunshot during the fireworks show was clever, I liked that. A crazed brother is a little silly, I wonder what happened to poor Megan. I feel bad for the parents of the little boy. I liked Helen but thought she was a little dim for not realizing what Barry was up to. His mom was annoying. I also like how you annotate books, by the way. Seeing your thought process is really interesting while I’m having my own, y’know?”

Y/n finishes, looking at me. Their look is knowing, so I know they read the note. The hairs on the back of my neck stand up. I wonder what they’ll say, if anything. The silence that follows what they say is awkward.

And then, “I’ll go out with you.”

They hand me the note, and I see that they checked off the yes box. I look up and see them smiling at me. I give a small smile back.

Maybe it wasn’t a mistake after all.

[felassan]

July 15th Game Informer article on BioWare's companion design philosophy in DA:TV - cliff notes:

DA:TV wasn't made with the intention of making a sequel or 'the same again as DA:I'. They wanted to do something different

The companions are key to everything in DA:TV; the special centerpiece, load-bearing pillars. The studio uses the phrase "DA is about characters, not causes"

These are the most fully realized, complex, fleshed out & complicated companions from BioWare yet (and DA's best). They have stories of their own, and roles both in and out of combat. They are authentic and relatable

For the first time in the series, BioWare feels that they have purposefully and intentionally created great companions. In previous entries, they sort of 'stumbled' onto great companions

Rook goes on a journey with the companions, rather than how it felt in previous games where the companions are more like going on an adventure with the PC

The companions have complicated problems. We will explore how they think and feel, and help them through their problems. They participate in the game's dark parts and optimistic parts

Corinne: "They feel like my dear friends, and I absolutely adore them"

Corinne quote: "We've really moved into a place where you can have the highest of highs, and it can be colorful, it can be optimistic, but also, you can have the lowest of lows where it gets gritty, it gets painful, it gets quite dark. But throughout it all, there is a sense of optimism. And it creates this delightful throughline throughout the game." 

When creating DA:TV one of BW's principles was that the world exists even when you/Rook isn't around, with ancient conflicts, grudges and more going on. Rook kind of comes in in the middle of some of these plots

John quote: "For example – the Grey Wardens are an interesting faction but by themselves, they don't tell a story, but there are characters within that faction that do. And the same thing with other characters in the story. They represent these factions, they show the face of the other parts of Thedas and of the storytelling we really want to do, which, again, shows Thedas as this large, diverse living world that has things going on when you're not there. [...] Where can Rook come into [the companions'] stories, and what interesting ways can those stories develop not just based on themselves but also based on Rook's presence within them?"

Companions are the faces of their factions. Some, like Bellara, are the faces for an entire area of the world

BW hopes that the companions' visual design challenges and excites cosplayers. Matt Rhodes: "The previous art director had the mindset we should make things easier for [cosplayers], which I think is a misunderstanding of cosplayers. We've seen the kind of challenges they're willing to take on, and so we've gone for, in some cases, a level of complexity and detail"

Tevinter is an oppressive, totalitarian regime that has slavery. "If you’re not a mage in Tevinter, you are lower than dirt for a lot of people". A damaging regime has taken over Minrathous

The Shadow Dragons are a rebel faction that fight back against this Tevinter mage-ocracy (so does Neve)

Neve believes that good exists in Tevinter. She's there for the common people, and believes in fighting oppression and tyranny. She represents the voice of the streets and the common people. BW "wanted to have a character that showed not just what is Tevinter at the top, but what is the average person who lives in Tevinter"

Detective Neve is also about finding clues and ways through problems that aren't as action-focused as some of the other companions

The writer Wesley of Game Informer thinks that DA:TV is sure to be "multiple dozens of hours long"

In combat, companions have their own autonomy and behaviors. They pick their own targets

As their plots progress, they learn how to use their abilities more competently in battle. "It feels like we're all in it together"

In battle, strategy, progression and a sense of teamwork comes into play as the party's leader, Rook. "It is a game about creating this organic sense of teamwork."

Vulnerabilities can be used synergistically

Bellara can slow time

Harding has devastating attacks with 'knock down' effects

Corinne quote: "Now, there are more explicit synergies as well. We very much have intentional combos where your companions can play off each other, you can queue up abilities between them, and each of those abilities will go off and have their effect. But it results in this massive detonation where you get enhanced effects, debuff the entire battlefield, all because of planning and teamwork. What makes it really cool is you can introduce Rook into that equation as well. One of my favorite things to do is upgrade some of Harding's abilities so she will automatically use some of these abilities that normally I'd have to instruct her to do. And she'll actually set my character up to execute that combo that, again, has that detonation effect." 

Outside combat, companions have their own concerns, fears and distractions

Companions have their own personal spaces. They each have their own room in the Lighthouse. These sanctuaries become reflections of who they are. "The more time you spend with them, as the game develops as you work through their arc, their room and their personalities will evolve and flourish and become more complete as they trust you more and you understand them better."

The companions also develop romantically, sometimes with each other. Corinne: "There are moments in the game where two of our companions fell in love with each other and I had to make some pretty challenging choices as it related to the quest we're on. And it broke my heart, it absolutely did"

Get to know and learn about the companions in the Lighthouse. "It endears them to you in a way that I honestly haven't experienced before."

There are joy-filled moments and heart-breaking moments in the game wrt the companions

[source]

[mitski-solos]

gay rep in gaming and in kcd2: A Rant

Ok, I'll try to make this as cohesive as possible, but remember that this is a rant after all, so excuse any possible mistakes or typos.

The gay representation in KCD2 is genuinely the most well-done, realistic representation that I've seen in gaming so far. There are multiple types of representation that I see in games, so let's break down what they are, why they do or don't suck and how exactly the KCD2 Hansry romance is superior.

Type N1) forced mechanical bisexuality.

In most RPGs, or really any games where you choose your own romantic interest, there is no gender-based limit on who can romance who, to allow a fully immersive experiance, tho I feel inclined to point out that this mechanic was introduces to gaming quite accidentally during the early era of gaming, when everything was still pixilated to all hell, they js didn't think to add a code prohibiting same-sex relationships cz developers didn't take their existanse into accaount at all, but then some players discovered it was a possibility and that's how mechanical-bisexuality became an almost industry standard, scince it opens up a wider market for the game without feeling "threatning" to the true consumers which everything was marketed towards(str8 white men).

Now, why do I call it "mechanical" bisexuality, u may ask? Well, bc it truly is just that. Mechanical. No character in that game i truly bi, it's solely a mechanic that's easier for developers and more convenient for gamers.

A good example of that would be Stardew Valley. I don't remember which bachelorette it is exactly, but as you romance them, you meet their ex, and the sex of the ex is the same as that of the player. So if you're male, the ex will also be male, if ur female, the ex will also be female. So no bisexuality for you. But ig you could still count it as "gay" rep, even tho for me even that feels very technical and mechanical, as none of it feels actually gay, there is no discussion or reference to sexuality and the weight of being in a gay reletionship is never brought up even if the setting of the game is on earth and not some fantasy world where being gay is considered totally ok and gay ppl arent treated any differently from str8s.

And well, since I brought up fantasy worlds, let's talk abt type N2) gay rep in fantasy.

This can be very well done or absolutely terrible, depending on the writing and premise, and I feel like we can use Dragon Age as the perfect example for both ends of the spectrum.

So I actually haven't played Dragon Age, so my wording or explanations may not be perfect, but bear with me. 

So from what I've heard and know abt the game, the gay rep in old games is great and the way they treat gender is very tasteful and generally well done, at least I've never heard anybody complain. Tho is the newest game, it's... well, let's just say it's not the best. You get this nonbinary character and they spend a lot of time bitching and moaning abt coming out to their mom even tho nothing up to that point has made them feel like their mom wouldn't support them or anything. and look, you may call this good rep cuz oh hey its a real life struggle that they are going thru right? But NO! bc it's the very fantasy setting where being gay is totes cool and ok that i mentioned a second ago and it's not treated the same way as on earth, so taking this character from a utopian fantasy world where even the lable "nonbinary" shouldn't exist bc there is no binary in the first place and projecting this earthly struggle onto them as a sorry excuse for representation feels forced and increadibly boring. Also, some other conversations in the game abt gender were incredibly cringe and also felt very forced, but maybe they were out of context or smth idk but whatever the case may be, it's a separate issue, so let's move on.

type N3) canon gays

So, most of the time, I love all the canon gays in gaming and any media in general.

In gaming, canon gays r mostly in big story games. Like, the first most obvious ones coming to mind would be Ellie and Dina from The Last of Us, or Mileena and Tanya in MK1. Tho those are the only straight up gay gay all up in ur face gay couples that I can think of from AAA games that I've played, so there isn't enough of this type of rep out there. Tho I feel it is the best and most "true" rep in gaming that is the most enjoyable for players AND could be more eye-opening and redeeming for any homophobes playing the game.

So now that all of that is out of the way, you may say, well, aren't Henry and Hans just another case of the so-called mechanical bisexuality? And to that I'll say a very confident no. 

Let's tackle Henry's sexuality first. In both the first and second game, he can get with various women, not even mentioning all the trips to bathhouses, and the only men Henry can get with are Black Bartosch and Hans. The sole existence of the Black Bartosch option is, I feel like, an argument enough to Henry's true bisexuality, but if you choose to turn him down, you need to choose an option saying "I prefer women", so some may argue that there! He said it himself! But there is a second piece of evidence in the game that confirms his sexuality to be canonically bi. When you get to Kutttenberg, one of the first side quests you can do is "A Good Scrub" in which you help the new bathhouse owner Betty safely transport her bathhouse wenches from some inn to the bathhouse. While on the road, you can talk to them and at some point they'll ask you if you prefer tits or ass(game of the year type convos am i right?) and u could either staight up answer ass or tits or you could try to evade answering the question, and if you choose the last option, the girl will joking ask henry "are you sure your don't prefer boys?" and that gets Henry INCREADIBLY flustered, he starts stuttering and can't fully deny it and just mutters a quiet, frustrated "fuck" at the end. Yall that's not a reaction of a str8 person, it's a reaction of a queer man that's just been clocked. Don't even try to deny it.

Now onto Hans. We do see terribly little of him and his interactions with other ppl, but there is still very strong evidence for his bisexuality, which is a book that you find under his bed in the Devil's Den, titled "A Collection of Somewhat Bawdy Poems". It's literally just a book with a bunch of homoerotic poems in it, I'm not ever kidding. Here are all of em so you get the full picture:

"My love for you is heartfelt.

You can tell from my unbuckled belt.

My mind is troubled badly

by one question above all:

When will my lover fondly

caress my left ball?

"Love thy neighbour", saith Our Lord.

And I took it to heart.

I started to fulfil His word,

at least in their southern part.

My heart is mourning dejectedly.

Even my hand rejected me!

By day and night I think of you,

I shall love you always.

My heart is faithful, loyal and true,

Though my body sometimes strays.

A knight in battle attire

got into bed with his squire.

Instead of conquering forts,

They played with each other's swords."

That last part I highlighted is literally them ARE YOU SERIOUSSSSS. Now I did see someone on Reddit saying that the book appears in the room before Hans ever moves in, but let's be so honest for a second, in a game as detailed as KCD2, that book being specifically under HANS'S bed is no coincidence, even if it appeared earlier than Hans himself. The devs knew what they were doing. and that book is still there whether you romance Hans or not, so call me delusional if you want, but for me, that's evidence enough.

Now, onto the most important part: why is Hansry so good?

In my purely subjective opinion, I think that if KCD2 was a story game instead of an RPG, it would be a type N3 representation, and Hansry would be the canon couple. Henry undeniably has the most connection and chemistry with Hans. He doesn't interact with Katherine much and it does feel like they're more good friends-at-arms than anything, and at the end of the game, Henry himself jokes that she's too old for him, and ugh don't even get me started on Rosa. Henry literally barely interacts with her, her romance option is so weird to me fr.

I also think that Hansry was planned, or at least thought of and acknowledged by the devs from the very beginning of the franchise. The way they interact in the first game can VERY easily be interpreted as flirting and they're literally your textbook example of the enemies-to-friends-to-lovers troupe. So with the foundation that the first game gives us, their eventual romance is very believable and realistic, it doesn't feel like one of those gay relationships that was never meant to be but was basically "pushed" into canon by fans, ykwim?

So for me what makes their couple such great rep is how even without the gay relationship, they remain queer men, their sexuality isn't purely mechanical. Their relationship doesn't feel flat or forced, like it often happens with optional gay romances. And even without ever acknowledging the weight of their relationship, it feels natural and not like the devs didn't wanna discuss gay stuff yk? Like in early game Henry can literally fuck some girl (i dont remember her name srry:3) out in the open - in a forest, but he specifically locks the door before kissing Hans. After the kiss, Hans looks worried and scared and apologises bc he knows that he, as a man, literally just kissed his dear friend, another man, and he doesn't know how Henry will react to it, and that's why he's so worried. And through these little details, the game acknowledges the weight of their relationship without them ever having to sit down and talk abt it, or the game having to address it, and that's what good writing is! It's refreshingly realistic.