#I think it would be fun to explore adam and eve as a story about kids outgrowing their creator/mother | Explore Tumblr Posts and Blogs

aspoonofsugar · 7 months

Note

Do you think Adam will come back as a demon, having to redeem himself? It kind of feels like that's where the few hints at smth deeper going on with him are going.

Hi!

I mean, there is this:

As Charlie and Emily sing about amoral angels staying in the sky, the focus is on Adam and he looks very triggered. I also personally hope he comes back because I think his character offers great opportunities to explore others. Like Lucifer, Lute, Sera, Lilith and Charlie herself. That said, I am also okay if he is meant as a one-season villain tbh. In this case, I trust it is because the story has other plot-lines to follow. Also, it would be an hilarious call-back to his line:

A man only lives once, we'll see you in one month Gotta say, I can't wait to Come down and exterminate you

Adam, you're either right in how THE man only lives once, or you are so wrong and Charlie is so right, that you yourself get a second chance :P

That said, I think there is clearly more about Adam, Eve, Lilith and Lucifer's dynamic that needs to be addressed (either through Adam coming back or in other ways):

The series starts with the retelling of the myth of Eden in the form of a fairy tale. Still, it is clear that we are given only partial information.

Lucifer: Well, your first wife didn't seem to hate what I had to offer…or the second! Bowchicka pow pow!

Sera: He was the first human soul in heaven…

It is very unclear what happened with Eve and Adam himself is judged a "virtuous soul", after his human death. Not only that, but he affirms what brought him into Heaven is:

Vaggie: reading list "Act selfless, don't steal, stick it to the man." Are you fucking serious?

Except that Adam never once acts selflessly throughout the whole season. So, I wonder if an eternity spent being spoilt in Heaven made him worse.

In short, the things I am interested in when it comes to Adam are:

If and how Heaven has changed him

His relationship with Lucifer and Lilith (Eden + his pact with Lilith)

Let's now try to analyze Adam, starting with what we have in the series.

ADAM THE ANGEL

Adam: Call me, Dickmaster.

Adam is introduced as a powerful angel and a jerkass mysoginist. Both things are important, as they tie to different conflicts:

Adam is a genocidal maniac, who mistreats everyone. Still, he is considered a virtuous soul and holds some authority in Heaven.

Adam is "the man" and is shown discriminating and dismissive towards women. According to Charlie's recount in Overture, his mysoginy might be at the very root of the conflict behind the forbidden fruit and the birth of Hell.

These two sides of Adam come together in his interactions with Charlie, who is both a demon and a woman.

1- He dismisses Charlie's ideas of redemption in his song Hell is Forever, which is full of Christian references:

'Cause it's cut and dry Fair is fair, an eye for an eye And, when all's said and done (said and done) There's the question of fun And for those of us with divine ordainment Extermination is entertainment! Guitar solo, fuck yeah!

In general, he sees himself as superior to demons because he was judged worthy of Heaven. In his mind, this makes him automatically the "good guy", while people who exhibits virtues like Charlie or Angel are still beneath him, as they are demons. In short, he has a black and white mentality:

'Cause the rules are black and white There's no use in tryin' to fight it

2- He flirts with Charlie and calls her with sexist names:

Adam: I got you again, bitch! *laughs* Fuckin' hilarious!

Not only that, but his overall characterization highligths his sexism to hilarious degrees. Some examples:

His favourite food is ribs because Eve was born from one. So, it is as if he likes "eating women up"

He leads an army of hot and lethal women, who follow his orders in battle (classical male fantasy)

He gives Vaggie the name "Vagina" and calls it "the best thing ever"

So, Adam is a combination between a zealous religious fanatic and the patriarchy. All neatly tied up with jock imagery (his tunic resembles a letterman jacket). As a result, his interactions with Charlie explore two different power dynamics:

Heaven vs Hell or to better say Hell is Forever vs A Happy Day In Hell. Is Hell a place of eternal damnation or is it a chance of redemption?

Man vs Woman - Adam is far more childish and less intelligent than Charlie, but she has to kiss his butt because he is in a role of power. As it often happens in human society.

The question is: "How can such a person be worthy of Heaven?"

SERA THE MOTHER

Sera: I thought, since I'm older It's my load to shoulder

Sera is Adam's authority figure, as she is the only one Adam shows respect for. He asks for her validation and is ashamed after disappointing her. Considering Adam was created by the angels, it is easy to infer Sera is probably the closest thing he has to a mother. This also ties with Sera's overall role in the narrative, where she is framed as a parental figure to Emily and to the other angels and souls:

Not only that, but her parenting style seems rooted in the determination to protect those in her care, no matter what:

Sera: It is my position as the head Seraphim to protect our people at all costs.

Even if she has to lie to them:

I wanted to save you, the anguish it takes to Do what was required

Or if others end up hurt in the process:

Sera: Heaven needs us, Emily. Everyone looks to us… and we can't doubt ourselves or worry about the fates of demons when we have our own souls to protect.

She keeps Emily and the rest of Heaven in a Gilded Cage and chooses to exterminate the Sinners. In a sense, she too sees the world in black and white, just like Adam. Her loved ones. All the others. This attitude is present in her relationship with Adam too, as she enables him. Some examples:

She gives Adam permission to lead the exterminations. Even if Sera thinks killing Sinners is necessary, there is no reason to entrust it to Adam, who has a very obvious grudge against Lucifer.

He lets Adam boss around the exorcists and mistreat them. Like he did with Vaggie. In general, Sera gives him no rules, if not a generic "do not embarass me" one. And even then, Adam faces no consequence after he reveals the secret.

Sera is angry at Adam's cruelty towards Charlie and reproaches him for targeting the Hazbin Hotel. Still, this is all she does. She could have stopped Adam from attacking the hotel. And yet, she only makes a single remark.

In general, Sera gives Adam free reign and even fulfills all his cruellest requests. This is made clear during Charlie and Adam's questioning.

Since the beginning, Charlie is set up to lose and the seating arrangement shows it. Sera and Emily are at the very top, as they are the judges. Below them there is the jury and then there are the two sides. Still, Charlie and Adam are not at the same level. Adam is higher, while Charlie is at the very bottom.

Sera sustains Adam's petty objection:

Adam: Objection, lame and unoriginal. Sera: Sustained. No further dictionary references please.

But she is about to refuse Charlie's request and only agrees to it because of Emily:

Charlie: Angel will make good decisions, come on! We have to keep watching! Please? Sera: sighs Yeah, I don't know. Emily: Yeah, let's give him a chance. Sera: Very well, the court will allow it.

Finally, when Adam reveals Vaggie's secret (which is irrelevant to the matter at hand), Sera allows it to happen:

She is the one projecting Vaggie's angelic shadow on the wall. Once again she enables Adam's cruelty, instead of stopping it.

in short, Adam is a person who ascends to Heaven, but once there he spends millenias without anyone questioning or disagreeing with him. All his self-serving fantasies are fulfilled and he is never punished nor called out. As a result, he clearly becomes complacent and grows worse:

Lucifer: So, this is what you been up to since Eden? Gotta say, you've really let yourself go, buddy.

Lucifer's taunt mostly references Adam's physique. Still, this is metaphorically true for Adam's soul, as well. In the end, Adam regresses in Heaven, instead of evolving. Moreover, he never addresses nor solves the key event, which defined his life.

LUCIFER AND LILITH

Adam: You judging me? You're the most hated being in all of creation!

Adam's sense of self is clearly warped by what(ever) happened in Eden. Specifically, he is hurt that both his relationships with Lilith and Eve ended up badly (apparently). This is why:

He overcompensates by being overly masculine. He insists he is THE MAN and keeps blubbering about his love adventures. And yet, he has still no wife, that we know of.

He projects his own feelings on Lilith and Lucifer, to the point that thousands of years later, he chooses "messing their home", as his hobby. Specifically, he tries to steal Lilith away (through their deal) and to make Lucifer as miserable as possible ( which is why the King of Hell sends Charlie to meet Adam at the very beginning - he doesn't want to deal with the Exorcist).

This behavior is mirrored in how he treats the Princess of Hell too.

On the one hand Adam associates what he considers Charlie's positive traits with Lilith:

Adam: To think someone as worthless as you landed Lilith's little hottie. 'Grats on that I guess.

On the other hand Adam links what he believes to be Charlie's negative traits with Lucifer:

Adam: Risking your immortal life for sinners? That's some crazy shit, even for Lucifer's brat!

So, it is implied he still wants Lilith and despises Lucifer. These emotions are mirrored in his design, specifically his horned mask:

The horns ironically show that Adam was cheated on by (both?) his wife(s)

The horns give him a demonic-like appearance, which may be just another way Adam tries to appear more badass than what he is. All while trying to look more like a demon (Lucifer) to begin with

In other words, Adam is nothing, but a man scorned. Even moreso he is a person, who deep down could never really like himself. Hence why he chooses to wear a mask 24h/24h. Adam wants to be either a Demon or a God, but deep down he is just the Man. Ironically, this is what he could never truly accept about himself.

ADAM- A MAN

In the final fight, Adam is unmasked and we get a glimpse of his real self. What is he like? His design is far more average and human-like than other angels and demons. It is even inspired by his real voice actor, apparently. Why is that so? Because deep down Adam is no-one special. He is just a dude. He is the man. Not even that. He is a man. A person.

Sadly, though, he refuses this truth and tries to be more:

Adam: I started everything on Earth! All of mankind came from these fucking nuts! You all should be worshipping me, you ungrateful, disgusting, fucking losers-

He tries to be God and in this way he becomes worse than a Demon. He dies pathetically, after refusing mercy:

Adam: No… you don't get to end this! I'm fucking Adam! I'm the fucking man, and you're just some fucking clown or something!

He sees Lucifer as his enemy, but the King of Hell barely registers his presence and only considers him in relation to Charlie. His true opponent turns out to be a small woman of low status. And even she barely considers him as someone worthy of her attention.

And yet, Adam is still a man and he shows humanity in death:

Lute: NOOOO! Sir! Sir! Stay with me sir! ADAM!

Lute is his one genuine bond and probably the only person who earnestly makes him happy.

If only he could have pursued his humanity, he might have not turned into a monster. He might have developed a healthier sense of self and could have become happier. Instead, he could never love himself for being just a man and has spent eternity trying to be someone different.

HEAVEN ISN'T MEANT TO SUCK A LOT

Adam embodies the anti-theme.

Charlie thinks that everyone can redeem themselves:

Charlie: If I can show them the dream I've dreamed That any soul can change! Then they will know everyone can be redeemed From the evil to the strange!

Adam thinks nobody truly can:

'Cause Hell is forever Whether you like it or not Had their chance to behave better Now they boil in the pot

Charlie tries to grow into her own person:

Gotta come into my own Gotta come into my throne Gotta take charge and defend my only home

Adam turns himself into an idol:

The golden exorcists bring to mind the golden calf from the Bible.

Charlie thinks happiness and beauty can be found even in Hell:

I can hear all their stories The lost and displaced And I know that they're more of an acquired taste But if I open the door and I give them a place At my Hazbin Hotel It'll be a happy day in Hell!

Adam can't find happiness and beauty in Heaven and his only source of joy is knowing others suffer more than him:

Fuckin' Hell is forever And it's meant to suck a lot!

And yet, Hell might be meant to suck a lot, but Heaven shouldn't:

St. Peter and Emily: 'Cause every single day in Heaven is a happy day Welcome to Heaven

Still, Heaven could not make Adam happy. And if Heaven can't make its own people happy, then what is the point of such a Kingdom?

Sera: It's your position to keep them happy and joyful. Emily: How can I bring joy when I now know we are bringing misery to thousands of innocent people?

Adam is a character that embodies Heaven's problems, not only because he is an evil monster, but even moreso because he is an unhappy and unsatisfied man.

Here are my two cents on him :D We'll see if he comes back and manages to get some development!

Thank you for the ask!

#hazbin hotel #hazbin hotel meta #adam hazbin hotel #hazbin adam #my meta #asksfullofsugar #anonymous #sera hazbin hotel

131 notes · View notes

lucdoodle · 1 month

Note

1, 2, 4, 7, 12, 23 foe Adam!

1. Why do you like or dislike this character? Oh man! Where to begin!! I like his personality, design, concept, and the implications of what his story was/is off-screen and how it plays with the relationship he has with other characters that know him for a long time (read here: Lucifer, Lilith, Eve, Lute, Sera, and older angel in general.) As well as the implications of how his life in Heaven is like and how other angels sees him. All the implications who derives from the mere concept of his character are- !!!!!!! !!!!!!!!!!!!!!!!!! a lot of fun to think about!!

2. Favorite canon thing about this character? 1- His relationship with Lute! 2- How he's genuinely an asshole lol (im very much not in the "adam did nothing wrong" group.) This dude is an apathetic asshole and an incredibly interesting character!

4. If you could put this character in any other media, be it a book, a movie, anything, what would you put them in? Oh boi, a series of shorts like the "Helluva shorts", except that they'd be about Adam's life in Heaven pre-canon!

7. What's something the fandom does when it comes to this character that you like? Exploring the implications!!! Taking the crumbs of informations we know about him and making whole cakes with it!! Also im a big fan of any fanfics that explores (even if briefly!) the relationship between Adam and Sera (in a platonic way, i mean.) I particularly love both the interpretations of 1- Sera thinking about the lost potential, and how Adam evolved and changed, did he changed or was he always like that? Was it the apple and thus Lucifer's fault? Or was he always like that? Since we know Sera was in heaven before Adam died, do you think she's the one that taught him how to fly? Do you think she's the one that taught him how to live in Heaven? Do you think she's the one that was put in charge of taking care of the first human soul? And what does Sera means to Adam? (stuff like that!) And interpretation 2- Sera thinking smt like "Oh not this guy again..." as Adam kicks the doors opens with a loud "WASSUP BITCHES, Adam the man himself is here!! NOW we can start the meeting or whatever" like a "that one coworker you hate" relationship XD Both are good XD auihznkjiuhgernikjulko

12. What's a headcanon you have for this character? OHOHOH!!! Lemme pull out my list! * a comically long - seemingly endless scroll proceed to fall on the ground and gets all over the place * (Erm, but huh, more seriously i actually have a list of my headcanons for Adam so, uh, ANYWAY, here!) XD 1- his favorite food (that is not meat) is apple pie! (and he hates that it's apple pie of all things, so he doesn't eat it often at all) 2- he considers Lute "one of the boys" 3- Adam and Lute have movie nights 4- when he's in a really weird mood/feeling weird he eats apples 5- adam and lucifer were friends back in Eden 6- he's very unconfortable showing skin (which is why he wears a mask and clothes that don't show any skin) 7- his mask was originally a gift from Sera as she notived Adam didn't like being the only human in heaven in the early days where there was nothing else but angels up there 8- lucifer taught adam swear words, and told him to blame michael if Sera asked who taught him. Lucifer did it because he wanted to see the look on sera's face as he thought it'd be a funny prank 9- adam feels most comfortable sleeping on sand and dust and such since he was created from The Dust 10- emily genuinely thinks adam's mask is his face, this is a extremely popular misconception among angels 11- extremely few persons have seen adam without his mask 12- it took adam A LOT of time before he managed to eat another apple after what happened in Eden 13- he has an extremely good memory, but he only use it for things he likes or that involve him directly 14- he hates being alone 15- he adored being with and hanging out with Lucifer back in Eden, they were good friends and Lucifer taught Adam about a lot of things 16- lucifer taught adam what music was 17- adam is a very "monkey see monkey do" kind of person 18- when confused he makes a head tilt like animals do when they're confused, and he picked the way he hold his wings from watching birds 19- sera is the one that was put in charge of kicking adam and eve out of eden 20- sera will never forget the cries and begs from them and it still haunts her, meanwhile adam completely forgot that it was Sera that kicked him out of Eden

23. Favorite picture of this character? This one! simply because it shows how utterly TOL Adam is XD

But also this whole bit! For a character so self-centred, it was so cool to see him taking a support role!

#me seeing the headcanon ask knowing full well i've got a whole written list of those: OH !!!#he's the only hazbin hotel character i've ever written a headcaon list about btw aiuhigkujherijg #hazbin hotel #adam #ask game #ask

21 notes · View notes

arcielee · 1 year

Text

Interview With a Writer

Thank you @humanpurposes for your time to answer my questions about your amazing story 💜 This is just a continuation of my Interview With a Writer series. You can go to masterlist and read the other amazing, talented, wonderful authors that I have spoken with, getting a BTS of their brilliant minds and their stories on Tumblr and ao3.

Dividers by @saradika 💜

Name: humanpurposes

Story: My Heart Belongs to Daddy

Paring: modern!Aemond x step-daughter

Warnings: 18+, angst, smut, daddy kink, spanking, degradation, questionable relationship dynamics, infidelity, mentions of grief/loss, no underage elements.

So, when did you start writing?

I've always had an interest in stories, whatever form they take, books, films, plays, ideas in my head. Since I was a kid I've loved exploring different creative outlets, writing being one of them.

I think I first really started to realise I was decent at it when I did creative writing at school, it was the one subject I just 'got'. As a teenager I tried writing fanfiction and originals (which were all terrible and never saw the light of day), and to be honest, my interest in writing dwindled while I was doing A Levels and uni.

Then last year, out of nowhere, I managed to finish a one-shot for The Sandman (which I never posted and lost rip). Then House of the Dragon happened, Aemond Targaryen appeared on my screen and the rest is history! So really it's only in the last year I've considered myself 'a writer'.

Where did the plot for My Heart Belongs to Daddy come from?

One thing about me is that I'm highly susceptible to peer pressure, so when people were asking for a part 2, I was like "of course!" ...cut to me sitting in front of my laptop for hours trying to conjure up a plot.

I knew I wanted it to be quite an emotional series, because while hooking up with your mum's boyfriend is a fun gimmick for a one-shot, I really wanted to get deeper into all the dynamics and relationships at play. I knew I wanted Alys to have her moment, I was really adamant that she wasn't going to be a villain, and I had the scene outside the club on New Years Eve in my head. From there, I kinda came up with Aemond's backstory, him having a crush on her when they were younger and harbouring those feelings. It all just kinda fell into place from there.

I have to say as well, it was kind of inspired by Normal People; just two people struggling to navigate their feelings. And I love it because it sounds like such a simple premise, but there are so many complexities to it.

Expand on your interpretation of Aemond. What drives him? Why is he the way he is in MHBTD?

MHBTD Aemond is very much intended to mirror the Aemond we see in the show, minus the dragon and the war crimes.

He's studious, a perfectionist, a very imposing but understated presence. The relationship with his family is very much the same too. He sees himself as more capable than his siblings, is overlooked by his father and overshadowed by Rhaenyra and the Strong boys, so he is very much driven by a want to prove himself and live up to the legacy of his family.

He also takes on the burden of being Alicent's golden child, which he kinda botches when he messes up a contract with Storm's End, and ends up feeling more alienated by the only person who really values him. That's where Alys comes in and gives him a way to escape all of that.

So I really tried to translate his character into a modern setting in a way that would be believable, but I didn't want to lose what makes Aemond Targaryen, "Aemond Targaryen."

Was there anything in specific that inspired your Reader portrayal?

Well, this was actually the first reader/nameless character fic I've written. Generally I tend to write original characters for a series. I mean real talk though, a lot of her character is inspired by me, like her interest in history and the love for Lana Del Rey and Mazzy Star, but if you can't self indulge when writing a fanfiction, when can you?

But it was interesting for me trying to write her as someone who is easy to project onto, but also, I hope, has a lot of depth. She has a lot of conflicts going on in her head, her dependence on Aemond and her guilt she feels lying to Alys, knowing pursuing a relationship is wrong, trying to break away, only to be pulled back in... so the more I wrote, the more she became her own person.

What is your take on her relationship with Aemond? Do you feel she complements Aemond?

I think they compliment each other quite well, but there are a lot of things at play here.

So on a basic level, they have similar personalities, not particularly outgoing but not exactly shy either, they both have a quiet confidence. They have similar interests, did similar subjects at uni, that kind of thing.

But I think their differences go together well too. Aemond is ambitious and eager to prove himself, whereas she can be a bit more grounded. There's also an element of codependency to their relationship. True to canon, Aemond likes to be in control and she compliments that well (better than Alys does), and they both have moments where they struggle with loneliness and latch onto each other as a result.

There are a lot of external factors that make the whole situation very very complicated. They suck at communication and obviously, he dated her mother.

But ultimately, they both want each other enough to keep going back. I think it's like that age of question of 'is love enough?'

What was your outline process for this? Did you always know how this story was going to end?

I always write with an end point in mind. For me anyway, I need to know what I'm working towards. In my head it was always going to end with her knowing that while being with Aemond probably isn't the right choice, she does it anyway because she can't say no to him.

And again talking about realism, I really didn't see it having a fairytale ending, because even though they'll be in Oldtown together, they won't be able to hide their relationship from their families forever.

Do you think there will be a sequel? Or something else you are working on next?

As much as I've loved working on this series, I am ready to work on some other stuff.

I have two series which I'm currently updating, a canon era Aemond fic called Karma is a God, and a Tom Bennett mini series called Just for a Moment.

I also have some one-shots in the works and I'm looking to get back to updating an Osferth fic which I started in May and haven't updated since!

That being said... I did have an idea for an epilogue which I'm kinda obsessed with. But we'll see how long it takes me to get round to it 🤭

Last question! Do you have any fanfic recommendations?

That's so hard to just pic one!

I have to shout out my girl Sam @randomdragonfires and her story Invisible String. I love the dynamic she created between Aemond and the reader, only to leave me utterly devastated with the ending! Sam is so talented I love her writing style and the voices she gives the characters, everything she writes is gold.

Also, I feel like I'll never shut up about it but Now I'm Covered In You by @inthedayswhenlandswerefew was just incredible. I cannot tell you how much of a chokehold that fic had on me. The tension, the politics, the drama, the yearning between Aemond and Ivy! I was on the edge of my seat for all 10 Chapters.

I'm obsessed with medieval history, it is literally my perfect fic.

#iwaw #iwaw13 #writing community #bts #of their brilliant writing

17 notes · View notes

annkous · 1 year

Text

Some Obey Me! Nightbringer commentary, up to Lesson 10 because I just finished it and I need to yell to the void about it 🥲 and for my own future musings when more content comes out...

I'm still missing some side lessons/hard modes because I need to get higher ranks to unlock them but the main story up to date is done!

First of all, I love a more chaotic MC. I also love time travel plots a lot, and how this game explores more deeply the relationship between the brothers: I felt they took it a bit more seriously than the og Obey Me! More seriously it's probably not the right word but... better paced? Which I like a lot considering they are still adjusting. I saw most of them struggling with issues I wanted to see in the og game and damn did I get fed. We haven't seen all of them in 10 lessons, but seeing them also worry about each other as they went through different shit was amazing, considering how they "joke" about leaving each other to their demise in the og game lmao. I liked this a lot more.

Also a day or two ago I thought about us still having the Ring of Light while progressing Nightbringer (I even went back to og Obey Me! to catch up... I left it on Lesson 68 and was saving up on rainbow sticks and AP, only for my dumb ass to forget that they have a promo of 0AP going on so I put on the seatbelt, grabbed my 70~ rainbow sticks and plowed through the damn thing up to Lesson 80 while I farmed some grimm in Nightbringer to level up my damn cards and continue the story when I was done. And I found out that yes, we still had the ring with us in the present) and how they would find out we had the thing. And lo and behold, on Lesson 10 Lucifer sees the Ring and flips his shit just like I hoped he would bc it's an important plot point and I was a bit worried they'd forgotten about it lmao. The brothers did see MC use the Ring before on Lesson 9 but Luci wasn't present and MC pulls a "oh they're just similar" and that's it bc they buy it lol I love them.

Also I thought it was weird none noticed we were human, but Diavolo was onto us on Lesson 8/9. He pulls us aside and outright asks and I was like "THANK GOD" bc SOMEONE between these powerful bastards had to notice eventually. I mean, I know people pointed out in og Obey Me! sometimes they can't tell and perhaps we've been with our demon and angel family too much so they kinda can't tell what we are. So. Yea. Also demons can change their appearance/don't always look like demons, so it made sense. But I still made fun of their radar lol.

And then Diavolo pulls a "you can't stay here as a human, the situation is already dire as it is" and I was like "WAIT NO GO BACK". I legit thought we could fly past it with a task, like the usual trials Diavolo puts MC through, but I underestimated how more serious Nightbringer was compared to og Obey Me! and at some point I legit believed we were going to get our ass kicked out of the Devildom by the end of Season 1 and we'd have to come back for Season 2, just like in the og game.

For the "Diavolo trial" (lol) I thought it was going to be the Mausoleum job Mammon mentions the moment we get back home, because it fits the usual MO (I had just done all the trials to get into the Student Council in og Obey Me!.....), but when we get there we meet Adam (who posseses poor Mammon) and hello there, YET ANOTHER MYSTERY IN THIS GAME, HOW ARE YOU? GOOD? GREAT! Leaving aside the whole Adam thing because that's a whole other suitcase to unpack another day and I'm not in the mood to revise Biblical history right now to look for Lilith+Eve stuff (and besides he said his beloved was in the Celestial Realm, so it can't be Lilith...... I think.) when he mentioned that a demon who called himself Nightbringer told him a human with the damn Ring of Light would lead him to his beloved in the Celestial Realm I almost flipped my shit. I kept changing my mind about the "unknown person" who sent us back being Barbatos because it could also be a red herring (god knows I've eaten those up way too much so I have Trust Issues with very Obvious Stuff), and past Barbatos didn't recognize us despite being able to see shit everywhere, past-present and future. But if future Barbatos wanted to keep his past self without knowing shit, I suppose he could also do it... So, yeah, I believe it's him, but for what purpose? I think he saw shit going down in the future and the only way to help us/everyone was to send us to the past without us knowing.

As an extra: before heading out to the Mausoleum job, MC wrote a goodbye letter for the brothers because of Diavolo kicking us out. When I tell you I got misty eyed xd like, damn. "Lucifer, be nicer to your little brothers." "I always had fun with you, Mammon." "We have to go bookshopping, Satan!" etc etc, it was all so sweet. We have it with us at the moment, but we didn't give it to them at the end Lesson 10 bc Shit Went Down (I'll get there in a second). Also there are little details, like them commenting how the "empty guest room" makes them feel so at ease thay they even caught Lucifer napping in there. Who tf is cutting onions.

I thought it would be a while until we revealed we're a human to the brothers but Lesson 10 had other plans (very cool Lessons 9 and 10 btw, with Beel's and Belphie's stuff going on and Lucifer trying to face Diavolo for the sake of his little siblings I love this man so much)

and then, after a Cool Heroic Moment after which we are left out in the open bc we used all of their powers oops, they leave us with this confrontation and A CRIMINAL CLIFFHANGER.

Lucifer doesn't exactly buy it for some reason because we're too op lol and Belphie is reclutant for obvious reasons. And they end it with this as the final blow:

And that's it!!! Good luck waiting for the next lesssons bitch. Have fun lol

Oh you think the next stage before the boss battle is going to be the end of this convo? Nope: it's Solomon and Simeon being cryptic. I wonder what Solomon told Simeon. He warned us about Time Paradoxes so I don't think he'd go that far to tell Simeon. Solomon did tell him something though, and we won't know what it is yet......

I am suffering here. But God Nightbringer gave me a lot of good stuff. I will eat this time travel plot like candy. I feel I'm being spoiled by the game with all the scenes they're giving me and I'm enjoying every second of it. Plus the dynamics, I already talked about the brothers between each other, but there's also new stuff, like Barbatos hating the absolute shit out of Solomon. After Solomon uses his pact on him to save our asses he takes revenge on the Sorcerer lmfao I KEEP WONDERING WHAT DID SOLOMON DO TO HIM TO GET HIM SO PISSED OFF?? But man that was hilarious do it again.

Bonus Barb: one of the last things you can say to him in og Obey me! is "I love you" so if he's Nightbringer it's going to be Fun (and I can't WAIT I've grown fond of Barbatos too agh).

Plus there's the whole Simeon being human issue, but he seems to be faring better at the end of the game. He keeps saying "He (Michael??? Their Father????) probably had a reason to do it" but it won't stop me from kicking some Angel ass ngl. It's gonna be fists out with Michael the moment I see him, I swear.

Plus I want to see the present demons losing their shit with MC disappearing. I bet they're all frantic o(-< and Solomon said he can go back and forth between fuckin dimensions, so he could probably go back and tell them we're okay???? But he hasn't. I think. This is a mess lmao poor MC and demon family. He does say if something happens to us Lucifer will have his head, so..... you can do it, Solomon, I believe in you jdfgsdg

I can now farm side lessons and hard mode at peace for extra scenes, wooo.... o(-< oh and there's new songs in Lesson 10, but only in Lesson 10. The duets/group songs remixes were there and they were a breath of fresh air ;u; I hope they add more.

Time to farm side content in peace and prepare my cards for when they release the next lessons............ whenever it''ll be. Sobs.

Edit: NEXT UP: LOSING MY SHIT ON LESSON 11 LET'S GO BABY

#Anne plays obey me! nightbringer #just thoughts I'm probably missing stuff I tend to go on way too many tangents oops #anyways I love this game #long post #obey me!#obey me! nightbringer #nightbringer spoilers

24 notes · View notes

cacaitos · 9 months

Text

2023 manga list:

most of the manga i read this year. more or less around 90, but that's also counting short stories, and things i omitted.

bottom text.

beastars/beast complex [3/5] beastars as an action shonen (or a story anyway) is all over the place so don't get your hopes up to much on that front. beastars' main consistent strong point is being Horny and Weird. i've said that sometimes it doesnt compromise with the logical terms of its premise but exploring a variety of odd relationships is imo the most interesting and engaging element of it anyway.

chainsaw man [4/5] overall is a mostly normal shonen if you were expecting for something more alternative. to be honest a lot how you would feel about Pt 1 will be told by how you feel about having very consecutive character deaths, it can feel a bit rushed. but it is indeed a bit distinctive abt how it tackles the topic of intimacy/relationships esp predatory ones in jump-type shonen. can't complain too much on that front. fire punch [3/5] once the berserk-type edgyness aside on the story is aptly entertaining, tho by some stretches it can be disorienting plotwise, in a negative way. it drops Lots of plot points or rushes them... you can really grow to like some characters but there will be a point -you will know- that it just kinda disengages w you. Curious existential ending. good if you're bored.

golden kamuy [3.5/5] also more typical shonen-esque than i expected. it never gets That Much Dark imo, as in total slow downers i mean. although obviously it is 'dark' more on the bizzare part. fun characters.

kaze to ki no uta [4/5] to be honest it does live up to the reputation of making you generally emotionally Unwell. but on my experience the development of gilbert and serge grew more engaging than I expected. tragic banger. terra e... [3/5] also was more than i expected since the one time i tried with the anime i got bored 1 ep in. but the story and tomy as the mc also gave me more heartfelt emotions than I expected. the pacing and amount info conveyed can get exhausting tho. didn't care much abt the ending. natsu e no tobira [2/5] the ova is gorgeous so it has those points on its favour. otherwise the ova and the manga are almost identical. youth and death themes and all i did Nawt care abt that pedo woman. weird story to develop that shoujo theme abt allowing ppl to see your vulnerability but eh i'll take it.

YAMAMOTO: ichi the killer [3.5/5] frenetic and entertaining enough if you're willing to go through knowing the tw's. suprisingly fast to read. if you're looking for the yamamoto Experience, it's a must after hommunculus. voyeur/voyeurs inc [2/5] got awfully disappointed w voyeurs-inc; i got hooked on voyeur (ie the prototype) but the change of cast on inc was a total letdown. don't think it's worth reading of you're a ymmt casual. maybe just the prototype. okama report [0/5] don't even fucking bother. barely passable even for anybody that's very into ymmt. adam & eve [2/5] shit story, curious fights/interactions.

KATSUHIRO OTOMO akira [3/5] a lot of the military and persecution sequences get so annoying and boring sometimes but if you forget abt the adaptations it's a decent enough scifi-action thing. the movie is better at that. the relationship between kaneda and tetsuo- dont like rn to pit which of the two did it better, but from the movie to the manga it's deff not a letdown, especially for tetsuo that has a lot more time. he's interesting. domu [2.5/5] interesting action wise, but as for story I wouldn't bother. kanojo no omoide (memories of her) [3/5] ootomo himself said some of the stories are quite meaningless and nonsensical lol but if you've seen the Magnetic Rose ova you will like some of them. world apartment horror [3/5] 1st didn't care about. liked 2nd. 3rd i didn't get shit. 4th it was cute. visitors [3/5] liked it. short piece/short peace [3/5] i liked it. highway star [3/5] feels like that suicide episode of paranoia agent, that kind of humor lol. boogie wogie waltz [1/5] uncomprehensible. good weather [1/5] eh.

houseki no kuni [4/5] it isn't getting better, the tragedy doesn't stop it's not an understatement. whoa.

dorohedoro [3/5] entertaining seinen, tho sometimes it gets kinda confusing and convoluted. love the characters theyre fun :)

ajin [4/5]

i was surprised that it was a closed off story from what i expected coming from the anime haha. neat action panelling and art. I get the feel that some characters had more to give and develop, but not disappointing.

OSHIMI SHUZO flowers of evil [3/5] the romantic triangle didnt bother me as much as i expected. it is a weird manga know that up front. i'm inside mari [4/5] i quite liked it and was quite surprised abt that fact lol. blood on the tracks [4/5] good family drama at leaston my year'sranking; shuzo's art style does wonders and is v immersive. some said that it felt repetitive and while i can say at some point the went a bit ehhhh, but reading it all back to back instead of weekly i don't feel it's that draggy. backwards i think it could've used more chapters, or content rather. happiness [2.5/5] tbh got disappointed, kinda disperse. like half 1 and 2 don't have much to do... okaeri alice [2.5/5] some individual characters really do make the manga endurable but some bits from the main characters are so...? unnecessary, or unnecessarily long at least. not really shuzo's best work. avant-garde yumeko [-/5] odd.

NAGABE totsukuni no shoujo [4.5/5] i mean, for most of it that i can describe it well with heartwarming but bittersweet, about parent-child relationships, love, loneliness, sacrifice, it's pretty good at that. then It Gets You. monotone blue [4/5] refreshing bl, sweet, the art delivers and the sensitivity. and i say refreshing bl bc it's not weird abt sa or adjacent harrassment.

i read most of his shoujo works, but they're too many to mention if you liked totsukuni you will like them, nothing to lose. some uh moral objections on some..EAT [-/5] it's okay. if you don't mind horny furries. SMELL [-/5] errr..... ok.

RYO SUMIYOSHI/SUZURI MADK [2.5/5] good art as always. more fucked up background things as it goes on but the mako-J thing is kinda crayzay. it has some hasty character developments at important times... torso no bokura [2/5] also good art, nothing too upsetting if at least relative to MADK. kinda enjoyable and entertaining anthology.

NEMUI ASADA sleeping dead [3/5] imo asada's overall best work, or at least to beginners or if you plan to read just one of hers. since the translation of the work is not finished i don't wanna assume the ending, but the starting premise is interesting enough, although we're currently on a less eventful note plotwise which can feel a bit disappointing for the moment. my little inferno [1.5/5] not particularly interesting conceptually, or writing. madara moyou no yoi [1.5/5] noticeable premise for an asada work, it being more action oriented i mean, but it's still to early to say in execution. SKIN [1/5] what the hell. that's asada for everybody/ dear, my god [1/5] odd ending. didn't coincide with how the story was handling at least the preist, imo. i literally don't care about the cactus story. CALL [2/5] surprisingly not so harsh of an asada story. more of a normal kind of depressing bl. ai, sei [1/5] don't mind in any particular direction. loved circle [1/5] did not care for the setting. not as dark as you would expect but not particularly interesting either. whatever ending. to the sea [1/5] ...? that happened i guess.

hikaru ga shinda natsu [3.5/5] it's a manga that has earned a reputation and a set of expectations that (i haven't caught up w latest ch) that delivers on the visual and effective ambientation, but we're to see on the story but good so far.

double (noda ayako) [4/5] veeery expressive art from noda. if you let it be as a normal acting manga it can get you by surprise on some emotional beats. better go in with low expectations, different tastes and all.

my broken mariko [3.5/5] it's a short story, solid. gorg art that adds to the sorrow and bittersweetness.

gunjou [3.5/5] hmmm it can feel a bit repetitive the back and forth at several points of the story, depends of how you read that related to unstable relationships. i don't necessarily want to brand it mainly as a GL but all in all its still one of the most interesting entries on it, with a toxic relationship that commits to the complexity of the situation.

gunjou gakusho [2.5/5] a melancholic anthology with beautiful art. i got to like a pair of the stories.

omoide emanon/sasurai emanon [3/5] personally i preferred omoide emanon (the one the mangaka said was Twitter for people unfamiliar w emanon) and i prefer the lineal story tbh. sasurai ones can be hit or miss, some feel incomplete? or unconcluded. i mean sasurai was cancelled midway so.

bibliomania [2/5] cool art, intriguing initial premise and execution, but i didn't find it particularly interesting by the end part, like thematically.

banana bread no pudding [2/5] didn't care for the main relationship itself, but the protagonist ended up being more engaging than i expected. a mostly soft and bittersweet read, but i would wait ot read more of the author's works to say how recommendable i would rank it as.

petshop of horrors [2.5/5] the individual stories can be hit ot miss from one person to another but imo D is very consistently entertaining and likeable lol.

higashi nishida [2.5/5] not much consistency but they have a nice undertsated feeling personally :). some of its introspection catches you off guard. no high expectations though.

kodomo wa wakette agenai [3/5] it's a nice short story, it's funny if you don't come in expecting loud knee-slappers types of jokes. it's good if you're looking for something light to read.

she loves to cook, she loves to eat [3/5] also good if you're looking for something light to read.

tamen de gushi [3/5] wholesome as you would expect. nice art on later years. depends on your taste.

my solo exchange diary [4/5] actually liked and grew to appreciate the author's organized narration style. it avoids a lot of confusion and she verbalizes her feelings in a relatable way for somethings sometimes so awkward to say out loud.

seibetsu x [2.5/5] this one is much less organized temporally and thematically so it can get a bit confusing, but it's funny on it's own, since the author is very blunt on their feelings lol.

killing stalking [3/5] less Evil than i remembered, just as disturbing, just as mid ending as i remembered. maybe it's bc of being a reread -that helps pick some things better- but reading it out of the heat of the moment in its era it's not as ill intended or deliberately romanticizing as one might have led to believe; it understands that much at least. visually however, still often leans into more eroticism i call inappropiate and unncessary.

boy's abyss [2.5/5] it's a manga that drags and wanders aimlessly too much, it gets repetitive. there are some plots and elements i consider more consistent and interesting, like the family, predatory relationships and the town's seeming unescapability themes, but the suicidal thing gets a bit exasperating when it just goes nowhere. dont expect tooo much. kinda good to binge tho.

himegoto, juukyuusai no seifuku [2.5/5] if you see the premise i know it sounds kinda weird but as i said when i read it my only comment abt is that it's suprisingly more compelling than one would expect, if you dont question much the individual prompts. gets kinda heavy by the end w on character tho.

yuureitou [2.5/5] sometimes entertaining on an adventure mystery type thing. theme and writing quality varying for the first 2/3s, off it's shits by the third that's kinda ehh conceptually. read it for some crazy shit ending. trans-wise, on the mc side, well they're some consistently annoying things all throughout but technically good intentioned but the ending 1/3 is v transmisogynistic, heads up.

uzumaki [2/5] ito's art is good. didnt really get me going much but not hated reading it. didnt get the ending, or didnt like it a lot at least.

fetish, kaoru fujiwara [2.5/5] takes a turn in seriousness by the 2nd story. 3rd story is so 😖 err, and then the rest go down in tone again.

the view beyond, kaoru fujiwara [2.5/5] one of those wouldn't that be fucked up stories. like that sure happened. not precisecly im even a fan of the message of the premise, even if it's technically showing it's horrible results.

raise wa tanin ga ii [3.5/5] t'was funny. all in all, esp towards the last chapters their interactions turn more earnest, personally, than i expected.

crying freeman [2/5] major saving grace is the art, it's pretty good. dunno, it feels however you feel about edgy 007-type 80s stories. personally didnt care abt mafia-clan thing substainance plots.

devilman lady [2/3] lot's of SA till it gets a bit unbearable and boring, heads up. did not care about most of the plot itself but if you liked the og devilman characters, the mains of Lady have the same likeability. save from The Horrors of the end. -shin devilman [1/5] boring. don't lose nothing over not reading it. uh. that first chaper uh.... -amon - devilman mokushiroku [1.5/5] edgy in the usual way dvm is edgy in that usual measure,s o the story is nothing to die for lol. good art (save for Things) and cool visuals, body horror, etc more than anything. the silene storyline is the more interesting part, the other idgaf about. -neo devilman [2/5] it's an anthology. seeing different artist's takes is entertaining enough. usual dvm edgyness. -devilman saga [0/5] boring dear god. not one saving grace of entertainment even for a nagai dvm work.

tetsuo the bullet man [1.5/5] shot for shot as the third tetsuo movie. i liked the manga and its ending more than the movie's tho. not like the movie is good anyway.

dog ningen [1/5] don't let the premise scare you, it's pretty mild. and amateur. and boring.

#txt #fave #<- to find later #first organized by author batch and then vaguely by genre/vibes

5 notes · View notes

zorlok-if · 2 years

Text

I've talked in the past about launching a Patreon and that's something I'm working towards. One of the tier perks would be access to interactive TTRPG games with characters from Zorlok (and beyond...). So, I wanted to get an idea of what campaigns people are interested in (but, in the future, these polls would be reserved for specific Patreon tiers). The top two will have at least one episode each—meaning one in-game session—available on Patreon when it launches. Here are options for the first round. If you have any ideas or suggestions, feel free to send those in. Under the cut you can find more info on the concept, each idea, and a list of characters I'm thinking of as potential players for each campaign (there will be another poll to determine the casts once the first round of voting closes).

Note: you will be able to vote for your second choice in a separate post.

More details on the above options:

The Idea

Many people spend their nights at the Casper Guild Hall. From locals enjoying the atmosphere and amenities to travelers looking for a bit of fun, everyone is welcome within the guild's warm, wood-paneled halls. You first come to this establishment to learn more about the open TTRPG campaigns run by the guild's founder, Fallyn Hart. All are welcome to join in, so what games will you play?

The campaigns are presented as branching narratives within a unique interactive fiction game. This game is non-canonical and set before the events of Zorlok. Create your character and the PCs they play as. Enjoy compelling tales with high variability and replay value. Play alongside a fun cast of characters and interact with them both in and out of your campaign sessions, learning more about them and building meaningful relationships.

The Campaigns

The character lists indicate which story the character is from and if they would be an RO option in the campaign. If the character has a post where you can learn more about them, that will be linked the first time they appear on this page.

Z = from Zorlok, M = from Mousetrap, HK = from Hades' Kitchen, CG = from Creating Goncharov, SP = from System Processing; if RO is included after, there would be optional sexual/romantic/both relationship options for that character

Keep in mind, these are potential lists (they're just the characters that would likely appear in the next poll where the top 3-5 would be chosen).

(1) sexy, regency-ish fey court

If you're familiar with A Court of Fey and Flowers: yes, basically that. If not: political intrigue where you play as a representative of a fey court hanging out with other fey at a magic festival. Optionally, very sexy and/or romantic. Always, very fun and chaotic. [ choose your fey court and your position ]

Potential RO characters: Dev (Z, RO), Celestial (Z, RO), Danny (Z, RO), Ciel (Z, RO), Rose (Z, RO), Adam/Eve (Z, RO), EJ (Z, RO), Nasir (Z, RO), Andrey (CG, RO), Katya (CG, RO), Adonis (HK, RO), Cecil (HK, RO), Alaric/Aria (M, RO), Jovy (M, RO), etc.

(2) murder mystery at a monster university

Students at a university (for monsters) find themselves trying to solve a murder—some hoping to get justice for the victims, some hoping to clear their own names, some hoping to come face to face with a murderer. Who knows? Maybe the killer is closer than you think. [ choose your monster and your major ]

Potential characters: Adam/Eve (Z, RO), EJ (Z, RO), Danny (Z, RO), Ciel (Z, RO), Rose (Z, RO), Lucía (Z, RO), Max (M, RO), Emerson (M, RO), etc.

(3) apocalyptic "zombie" survival story

Set in the recent past, explore a world where an infection is turning people into something... else—sapping away their senses of self and grasps upon reality until they become violent, undying strangers. A blend of thrilling horror and emotional drama. Will you find conflict, friendship, family, love, or passion in a world that's falling apart at the seams? Or will you lose yourself to the infection? (part The Last of Us, part Tokyo Ghoul) [ choose your background and your talent ]

Potential characters: Tommy (Z), Ciel (Z, RO), Danny (Z, RO), Lucía (Z, RO), Adam/Eve (Z, RO), Dev (Z, RO), Ainsley (Z, RO), Nasir (Z, RO), Harlow (Z), Laðə (SP), Hero (HK, RO), K Ishida (HK, RO), Rose (Z, RO), Max (M, RO), etc.

(4) cyberpunk fairy tale misfits

Play as a character from a classic fairy tale reimagined in a cyberpunk dystopia. Work to take down an organization bent on keeping you and your peers in line, preventing you from straying anywhere off the path of your "happily ever after." [ choose your fairy tale character and your job ]

Potential characters: Ciel (Z, RO), Dev (Z, RO), Jovy (M, RO), Cecil (HK, RO), Celestial (Z, RO), Danny (Z, RO), Sofia (CG, RO), Ice Pick Joe (CG), Alaric/Aria (M, RO), etc.

(5) magical, gothic spaghetti western

Pages from old spaghetti westerns and penny dreadfuls are shuffled together and you're unlucky enough to exist within the resulting story. Try to survive a uniquely hostile and unforgiving environment that evolves with the turn of every page. Who are you? What are you becoming? And how will your tale end? (if it ever does) [ choose your ancestry and your power ]

Potential characters: Lucía (Z, RO), Ciel (Z, RO), Adam/Eve (Z, RO), Goncharov (CG, RO), Ice Pick Joe (CG), Max (M, RO), Harlow (Z), etc.

(6) spaceship horror story

You and your crew have just finished your terrestrial mission to a distant exoplanet and are finally on your way home when things begin to go awry. Your ship seems to have a new tenant, but what does this stowaway want and what will it destroy to get it? [ choose your species and your job ]

Potential characters: EJ (Z), Lucía (Z), Ciel (Z), Danny (Z), Rose (Z), Tommy (Z), Clara (Z), Jin (Z), Nasir (Z), Harlow (Z), Hero (HK), Jovy (M), Emerson (M), Ov (SP), etc.

#poll #feedback request #patreon #mythmaker #cast #ttrpg #dnd #zorlok #other games #mousetrap #hades kitchen #system processing #creating goncharov

50 notes · View notes

vintage-bentley · 2 years

Text

This post I made reminds me of how I think of the “make an effort” line that the fandom loves so much. This isn’t super fleshed out and there’s lots more that can be added, but it’s a fun idea to explore.

To me, “make an effort” is like switching an on/off control. “Effort” doesn’t have to be some big tedious attempt at something, it can be as simple as making a decision to do something, and in this case there something is to activate a desire.

So for example, angels don’t experience hunger. They don’t need food. But they can make an Effort to want food. This is them switching Hunger to “on”. And I think that if it’s left on for too long, they become accustomed to it, and it just becomes natural to them. Something something psychology.

Gabriel never decided to give food a try, so his Hunger switch is still set to “off”. It’s been like that so long, that this is what’s natural to him, and it’s why he reacts the way he does to Aziraphale’s eating food.

But Aziraphale did decide to give food a try, because it’s what humans do and he’s living with humans. His Hunger switch is turned to “on”, and has been for thousands of years. Now, it’s his natural state, which is why he reacts the way he does to Gabriel’s disgust towards food—like he can’t even comprehend why somebody would be so unfavourable towards it. It’s sushi! You put soy sauce on it!

The same would go for sexuality. I think that in this case it would be more subconscious, where the process is sort of like see demon -> he’s handsome -> is this how Eve feels about Adam? -> sexuality switched on involuntarily. I make a point of saying it’s subconscious because I don’t want to make it akin to the idea that sexuality is a choice.

For that reason, I also think that before this process even begins, there’s sort of a cosmic dice roll happening, the same way human genetics and personality are a dice roll. The result lies dormant until activated.

In the case of sexuality, the dice roll determines orientation. That orientation is dormant until it’s activated by the subconscious “effort”. So for example, Aziraphale and Crowley roll a 1 for gay, meaning the switch for sexuality can only be set to “on” when in the company of a man they like. Insert the flirty Eden scene. I know nothing at all about coding but I feel like there’s probably a similar mechanic to be found there.

In the case of hunger, it might determine the foods the celestial gravitates towards. In the case of sleep, it might determine how the celestial is comfortable sleeping (as we saw from the behind the scenes, Crowley rolled a shit number and is now stuck tossing and turning to the point that he’s attempting sleeping on the wall because he ran out of comfortable positions in bed to attempt. And we’re all jealous of him that he can do that. I want to sleep on the wall).

The whole concept is something that’s really interesting to me. It’s far more interesting than “hurr durr fluidity”, anyways. And it follows the whole theme of the story; that celestials are more like humans than they’d like to think, and that Aziraphale and Crowley really can’t be blamed for settling into humanity so comfortably and embracing this similarity.

#my ramblings

20 notes · View notes

young-dumb-and-vaccinated · 3 years

Text

The Sommelier (Hannigram x Female!Reader) pt. 25

Y/n puts an end to everything.

@dovahdokren @deadman-inc-bikeshop @lov3vivian @wisesandwichshark @scpdragon

⚠️HUGE⚠️ trigger warnings: rape, drugging, sex trafficking, VERY graphic descriptions of violence, physical violence (please let me know if I leave anything out)

Hannibal could walk through a valley of human suffering and not even flinch. You couldn't tell if that made him subhuman or superhuman. You, however, were just human.

You wanted to be a badass. You wanted to kick the door down and make a scene. But one woman was enough to break you.

She was wearing only a large t-shirt. A cloth bandage covered in blood covered her pubic area like a makeshift pair of underpants. She laid limply against a stone. Her arms were punctured where needles had been.

"I don't..." she mumbled, clearly intoxicated beyond function. "...don't make me..."

You knew you couldn't afford to stop. But compassion kept your feet firmly on the ground in front of her.

"What is Chase making you do?"

"I can't-" She said, pressing her forehead against the rock. "I can't be an unwoman-"

She began to slam her head against the rock with clear intent to take her own life. Without thinking, you grabbed her by the shoulders and shoved her into the grass. She sobbed, a bloody, but thankfully, survivable, gash on her forehead.

"Tell me your name." You demanded, squeezing her shoulders.

"...Tiffany." She said with a sudden lucidity.

The name unlocked a memory in you. It was the still image of a sunny young girl, immortalized on a faded missing person's ad hung up at the grocery store. Tiffany Rose Pierce, it read.

"I'm gonna get you out of here, Tiffany." You whispered. "I'm gonna get all of you out of here."

"Vanguard won't like that." She said, slipping back into a state of minimal consciousness.

"Stay here." You instructed, pushing yourself back to your feet.

You readied your gun and slowly, carefully pushed the cabin door open. Suddenly, the stained glass window was the least of your worries.

The entire area was lined with cheaply-constructed bunk beds, like an overgrown henhouse. Women with distinctively long hair were shackled to the lower bunks. Their shaven counterparts, the unwomen, were forced to be the slavedrivers. They held the chained women down.

You heard the rattling of chains coming from the right. It was accompanied with screaming and wet slapping.

"Take daddy's cock you filthy fucking broodmare." A familiar voice grunted.

The only way you could look at him was behind the barrel of your gun. He was exactly how you pictured him while listening to his voice in the car. Unremarkable, middle-aged and serpentine.

"Pastor Armitage!" You yelled.

To hear someone call him by his title in the midst of violating a person was enough to send him into a panic. He sputtered and his entire face turned red.

He didn't suffer for long, though. A 12 gauge shell right through the face took care of that. Fragments of his head, his blood and brain matter splattered everywhere. His knees buckled and his limp body collapsed.

The room fell silent. Smoke trickled out of your barrel.

"Where's fucking Chase?" You asked the room.

Someone weakly pointed up the stairs. You met her eyes and nodded.

"Sorry about the mess."

Now you knew how Hannibal felt. Blowing someone's head off made you acutely aware of your own head on your shoulders. You held it higher. You felt no remorse as you ascended the staircase with your gun blazing.

You came across a room with some words etched in the door. 'Skin room'. You launched your foot squarely into the door, causing it to violently swing open.

You examined the room from behind the gun. Chase had done a hell of a job dressing up this cheap cabin bedroom like a hotel suite, but the smell hit you before you could be fooled. A brick chimney, a wine cooler and a mahogany desk were positioned so the eye would gravitate towards the luxury while the nose picked up the brutality. The stained glass window was suspended in front of the real window, absorbing the mid-morning light and giving the room an eerie sepia tint.

You cocked your gun to announce your presence. You heard the sound of running water, and then a side door swung open.

“You’ll forgive me a couple minutes to freshen up.” Chase said, shaking his hands dry. “Cleanliness is close to godliness, after all.”

You said nothing. You didn’t want to dignify him with a conversation.

He bent over and pulled a bottle of wine from his cooler. He placed it squarely on the desk. You looked at it, then did a double take. He grinned sadistically.

“Is that...” You leaned in to get a closer look. “1907 Heidsieck Monople Gout?”

Chase shrugged. “You tell me. You’re the wine expert.”

You’d heard many a conflicting story about the legendary 1907 Heidsieck. Some said as many as 2,000 bottles were pulled up from the depths of the freezing Baltic sea. Some said a single bottle could go for half a million dollars. With that kind of precedent, you never thought you’d ever have to worry about it. Yet, there it was. Right in front of you.

“I’m saving it for a special occasion.” Chase said, suddenly reminding you where you were.

You returned to your gun. “For when you kill me?”

“For when I save you.” Chase smiled, his unnaturally white teeth glistening in the sepia light. “See, Miss [F/N], you survived two of my attempts on your life. God has smiled down on you.”

“Or, maybe,” You interrupted. “You’re just horrible at killing.”

Chase raised his eyebrows, but said nothing.

"A knife through the hand hurts like a bitch, but it isn't fatal." You shrugged. "And you didn't do a good enough job beating the fear of death out of Catherine. Else she might have actually gone through with it. Maybe if you'd sent Tiffany-"

"God loves you." Chase interrupted before you could poke more holes in his attempts on your life. "Why you're still alive when so many less deserving of death have died is beyond me, but god works in mysterious ways, doesn't he?"

"She sure does." You smirked.

Chase cleared his throat. You'd pegged him as the type to get irrationally angry at the implication of god being a woman, so his reaction surprised you.

"Well, let's get down to business, shall we?" He gestured to a seat across from him.

You narrowed your eyes. "I don't think so."

"Pity." He pouted. "Not even for poor Mr. Graham?"

It dawned on you that he probably still thought he had Will, and you could use it to your advantage.

You held your gun at your side and hesitantly sat down in the seat. A gluttonous smile spread across Chase's face.

"So it wasn't wine after all." He said. "It wasn't even your own life. You're only willing to save your soul for the sake of your precious Will Graham."

"What do you care?" You growled through your teeth. "This is just a power grab for you. You wouldn't know what genuine empathy for another person feels like."

He grinned, as if someone had just flipped his 'on' switch. "Jesus does."

"Did Jesus use his influence to lure teenage girls into a sick breeding ring?" You sneered. "I don't remember that from VeggieTales."

"Genesis 1:28." Chase said. "And God blessed them, and God said unto them, be fruitful, and multiply."

"I suppose you also don't eat shellfish or wear mixed fabrics." You rolled your eyes.

"It's always the same arguments from you atheists." Chase scoffed, adding a distinct bite to the last word. "When are you going to show some actual proof that the bible isn't an infallible model for human morality?"

"Maybe when you stop eating shellfish and wearing mixed fabrics." You repeated.

"They are minor sins at best." Chase grimaced. "I have gotten right with Jesus. You, on the other hand, oh, you. Your sins are weighty."

"I did just blast a rapist's head off." You admitted. "And it's going to be two very soon if this one doesn't get to the fucking point."

"I know about your exploits." He squinted. "With Mr. Graham and the man with the Nazi accent."

"He's actually from Lithuania, which, if you wanna be technical," you corrected, just for the sake of being annoying. "Is an ex-Soviet state, but whatever."

Chase tensed up at being corrected. "I know about your hedonistic sexual activities with two men, your exploration. But in the bible, Satan approaches these two people called Adam and Eve..."

"No he didn't." You shook your head. "It was a serpent. The devil wasn't a concept when Genesis was written."

Chase gritted his teeth. "God made one man and one woman. Each to fill each other's sexual desires, within the context of marriage, entirely-"

"But Adam had two spouses, didn't he?" You cocked your head and smiled. "Eve wasn't even the first woman in Adam's life. That was Lilith."

Chase heaved a frustrated sigh. "How do you know that?!"

"I was raised catholic." You said in the tonal equivalent of smacking him upside the head. "I was forced into religion at a young age and brainwashed to hate myself."

"See, that's where we agree." Chase tented his hands, thinking he found a genuine point of connection. "Organized religion is a cancer on society. Christianity is fundamentally about a relationship with god."

You laughed. It was the first real, good laugh you had in a while.

"Don't laugh." He scolded. "I am sorry that that was your experience with religion and that the Catholic church modeled a false teaching of who god is and what he wants. Not all christians-"

You wiped a tear from your eye. "Homie, you killed four people in front of me."

He placed his hand over his heart. "And christ forgave me. And he can forgive you too."

"Alright, this has been fun and everything," you said, standing up. You aimed your shotgun and cocked it. "But, I did come here to kill you, so, open wide."

Chase put his hand squarely over the barrel and pushed it out of the way. "You don’t have the guts to pull the trigger."

You pulled the trigger and blasted his hand clean off. Any hope of reattachment was shattered, as bits of his hand painted the walls and floor.

You opened the gun and let the two empty shells fall to the ground while Chase screamed in agony.

Instead of going through the motions of reloading, you smashed him over the head with the gun. He wrapped his good hand around the barrel and attempted to wrestle it away from you. You took this as an invitation to corner him against the wall with the still-hot barrel against his neck. He smashed his forehead into your nose, sending you tumbling backwards.

The shotgun fell to the ground. You pinched the bridge of your nose to control the blood flow. Chase wrapped a champagne towel around his stump and picked up a small revolver on his desk. He let off a shot, which lodged itself into your shoulder. By the time he let off the second shot, you were on the ground. The third shot didn't fire, just let out a flash and a bang.

"Goddamn blanks!" He cursed.

He tore open a drawer and rummaged around for bullets, giving you a window to come up from behind and gouge your fingers into his eyes. He screamed, dropping a handful of bullets. He flailed aimlessly, then charged backwards, slamming you into the cheap drywall.

He felt around for the bullets without the advent of eyesight. You knew you wouldn't be able to take aim with your shotgun with a bullet lodged in your shoulder, so you dove for the revolver.

Chase grabbed you by the ankle and dragged you down. You hit the floor with a thud, the collision making the bullets jump. Chase grinned, using the sound to place them. He turned around and reached for one, while you scooped up another that had rolled under the desk.

You scrambled to your feet. Chase's hand was just centimeters from the revolver. Thinking fast (but not so thoroughly), you grabbed for the revolver. You wrapped your hand around the barrel, putting yourself at a disadvantage if he fired off another blank.

Chase, however, wasn't that forward-thinking, and opted for a childish game of tug-of-war instead. Knowing he had the brute strength advantage, you waited for him to pull back and released your grip. Chase tumbled, cursing on his way down.

With no thought on your mind but ending this, you launched your foot into his sack, causing him to scream and drop the gun.

Just as you thought it was over, just when the gun was in arm's reach, he kicked your knees backwards and you fell. You swallowed the pain and army crawled for the revolver.

"I don't think so." Chase spat, smiling like a maniac. He grabbed your face with his good hand and his fingers slithered down your throat.

"Choke..." he demanded. "Choke, demoness."

Strengthened by animalistic instinct, you crushed his fingers under your teeth. The sound of snapping bone filled the inside of your head and a sudden rush of blood flooded into your mouth. He withdrew his hand, leaving a finger behind to limply fall down your throat.

You coughed and gagged while Chase screamed. A single bloody digit dislodged itself from your windpipe, flew across the room and landed on the desk.

Chase sputtered something resembling a laugh. "Maybe you're not such a dumb bitch after all."

You grabbed the gun and pushed yourself up with the help of the desk. The finger stared up at you as you loaded the single bullet.

You positioned the finger onto the trigger and guided it with your gloved hand. Then you aimed it at his forehead. Dead by his gun, by his trigger finger. Bleeding on the ground in his private bunker while the empire he built collapses around him. A coward's death. It was poetic enough an end as he deserved.

"You want to say a prayer before you meet god?" You offered.

"My soul is saved." Chase said through ragged breaths. "My place in heaven is secured."

Bang. One bullet, right between the eyes. A bloody fingerprint on the pistol. You dropped the revolver and collapsed. You just laid there, listening to your phone buzz.

#hannibal lecter #hannibal x you #hannibal x reader #hannibal nbc #the sommelier #will graham #will graham x reader #will graham x you #hannibal x you x will #hannigram x reader #hannibal x will #tw violence #tw grape without the g #tw sex abuse #tw sex trafficking #tw christianity

125 notes · View notes

moonlit-ocs · 3 years

Text

Sidekicks Partners

The Story of Young Justice’s Leila al Ghūl

part 1 part 2 part 3 part 4 part 5 part 6

—————

HALL OF JUSTICE

December 31, 21:49 EST

2008

This year had come to a close as the Justice League and affiliates privately celebrated. Since the last update, over a year and a half has passed, which were fairly eventful to say the least. Leila had met the Justice League some years back, but let’s just say they had mixed feelings about her being inducted into vigilantism. Some got it, some didn’t. But Green Arrow was able to come around after he recruited his own young partner.

Green Arrow wasn’t the only one with a partner in crimefighting. Aquaman recruited a young boy, a warrior, from his kingdom earlier that year, Kaldur’ahm, AKA Aqualad. Then the Flash recruited his own nephew as Kid Flash, a rambunctious geek with a need for speed before he even got his powers. Also a fast friend of the Batkids, Robin and Demonspawn. But Kid Flash was fixated on Leila, absolutely obsessed.

“Hey, babe.” He jumped into the seat next to the girl in her civilian clothes and sunglasses. Indoors. She wasn’t a fan of the idea, but Bruce was very adamant on her and Robin keeping their identities secret, even from the League. “Sunglasses inside at night? That some kind of fashion statement?”

“Do you know who I am?” Leila responded while she took a sip of her can of soda and peered around the room for her brother.

“You’re Batman’s partner, the Devilish Demonspawn!” He mocked with hands raised and she cracked a smirk that he was quite proud of causing. “So, yeah, maybe I was asking an obvious question. Just wanted to start a conversation with you.”

“Yeah?” Leila looked over at him and set her drink down, curling up in the chair to fully face him. “Why’s that?”

“You’re sitting here all alone and it’s a New Year’s Eve party and that’s lame.” Kid Flash told her flat out. “Come on! You should socialize a little bit!”

“I socialize enough at school.” Lei thwarted his attempts for whatever he was playing at, but Kid Flash wouldn’t give up so easily. Sure, he was concerned for the girl’s New Year, but he was also a bit of a rising player who saw the prettiest girl in the room (the only one his age) and jumped at the chance.

“Yeah, but how often do you socialize with people who know what you really do? Huh? Besides Robin.” Lei didn’t answer him, he seemed like he already knew. “That’s what I thought. So, come on, come hang out with Aqualad and Speedy, you can flex your seniority. How long have you been in the life, again?” She never told him, actually.

“My whole life.” Leila sighed and confused the boy. Really, he had no idea what she meant. “I mean, I’ve been with Batman for almost four years.”

“Four years? Dude, I’ve only been Kid Flash for a few months.” He told the detective’s daughter.

“I’m aware.” Leila responded.

“Right, you Bats keep tabs on everyone.” Kid sped away a moment and came back with a restock on your drink. “Oh, by the way, the name’s Wally. And you are?”

“Nice try.” You grabbed the can from his hand and popped it open. “You can call me ‘Dee’ as opposed to ‘Demonspawn.’ It’s nice to meet you, Wally.”

“Darn, so close.” He slapped his knee and leaned back in the chair. “You know, you seem really, really cool and down to do something fun, are you game?”

“I have no idea what you’re talking about.” Lei genuinely answered, a bit concerned with what he was implying.

“Okay, so I’m thinking we sneak out of the Hall for a little bit—not too long, but just long enough to explore D.C.?” Wally proposed, waiting to get to the best part. “And I’ll speed you around with me.” That poker-face she had, it was hard to read, but who wouldn’t want to jump at the chance of a speedster zipping them around. Even Leila was intrigued by the offer.

“Sneaking out off the Hall would be difficult considering my mentor is literally Batman.” Leila added, but Wally scoffed at the comment.

“Psh, don’t worry, babe! Batman’s a bit preoccupied with the League right now, we’ll be fine.” Wally assured and she cracked, Leila wanted to do this, and this Wally was charming enough for her to be on board this quick. He was trustworthy, being the Flash’s partner and all.

“Okay, I’m in.” The words made Wally’s jaw drop, he just convinced a Batkid to do something they probably weren’t supposed to do.

“Alright, rebel, let’s go.” He grabbed Demonspawn’s hand and dragged her away, out the exit, and into the cool, fresh air. “You sure you’re not cold? I could get you a jacket?”

“I don’t get cold.” Lei smirked and he nodded.

“Me neither. So, you ready?” Wally asked, extending his arms to lift the girl up. “I’ll be carrying you, if that’s alright.” She complied, letting him scoop her off the ground and immediately falling off balance, dropping Lei on top of him. Embarrassing. “Sorry! Sorry, not used to picking people up yet! Flash usually does it.” He thought she’d be angry, but she had resorted to full-blown laughter. Definitely embarrassing for Wally as she crawled off of him and stood back up, covering her mouth and offering to help him back up.

“It’s fine, really. You wanna try that again, Kid?” He took Lei’s hand and dusted himself off, she could see him blushing hard. “Honestly, Wally, this is the hardest I’ve laughed in a while. Since I got a whiff of Joker’s laughing gas. Not a pretty week.”

“Okay, okay. I’m ready this time.” He assured. “Wait! Need my goggles.” Wally fished the red pair from his pocket and slid them over his own red hair and green eyes. “Okay, now I’m ready.” He lifted Leila up, giving himself a moment to balance out. “You ready, Dee? Hold on tight.” She heeded his warning and wrapped her arms around Wally’s neck and shoulders, tucking her head in to make sure she didn’t get whiplash. Just like that, he took off and brought her all the way to the Washington Monument, their first tourist destination. “You good? Not too fast, was it? Do you need a bucket to puke?” Wally set the girl down and she shook her head.

“No, that was great!” She really felt free in those few moments, beaming at Wally the first chance she got, but his face dropped as soon as he saw her. “What? What is it?” Leila touched her face and immediately realized her sunglasses were absent from her face. “Oh, man.”

“I was really missing out not seeing your eyes. Wow…you are gorgeous.” Wally told the girl who was panicking a bit on the inside. “Don’t worry, you can trust me. I mean, I’ve only seen your face, right? No big deal.” He tried to assure her, but she was still a little hung up on the compliment he’d given her.

“Yeah, no, it’s fine. Batman’s gonna kill me, though. Not a word of this to him.” She warned Wally with a finger to his chest. “Or else.”

“Or else what?” He teased and sped away, retracing his steps and reappearing in front of her. “Here’s those glasses. A little scuffed up, sorry about that.”

“Thanks, it’s not your fault, though. I should have remembered the laws of aerodynamics.” She put the sunglasses back on her face, shielding her eyes from the dull moonlight.

“Hey, why don’t you lose the sunglasses for now? I mean, I’ve already seen your face, so there’s no use in the tacky accessories, right?” Wally suggested that she cut back a little, something that just wasn’t her style, but she was already having one of the best nights of her life. Because of the Kid Flash. Kid was on a roll and this bit? This was a step in the right direction. Real childish behavior missing in her life. So she took them off and stuffed them in her pocket. “Yesss, I can keep looking at your face! You know, now I could pick you out in a lineup. You better hope I don’t get called into a police station to identify the vigilante, Demonspawn!”

“Leila.” She spoke quietly.

“Huh?” Wally furrowed his eyebrows and tilted his head.

“My name. It’s Leila.” She said again and Wally’s grin spread cheek to cheek.

“Woah, you must really trust me. Either that, or you’re a really bad Batkid.” Wally chuckled and repeated her name a few times. “Leila…Leila…Leila…”

“It’s just my first name, and I have like, seven aliases. Just keep it to yourself, Kid. You swear?” Leila rationalized the decision she just made.

“I swear. I can keep a secret, I do it all the time!” Wally assured and before he could make any more comments, Leila was beeped in on the comm devices.

“Demonspawn, where are you?” Batman’s voice invaded her earpiece.

“I’m just outside getting some fresh air.” She replied.

“Really? Because it looks to me like you revealed your face to Kid Flash.” He didn’t seem to be very happy about that.

“Ooh, busted.” Wally commented and she punched him in the arm.

“Just get back to the Hall, it’s almost midnight.” Batman ended the brief conversation and Leila side eyed her new friend, starting to laugh again.

“It’s almost midnight, huh?” Wally winked and scooped Leila up one more time. “Hold on, Leila.” With a blink of an eye, they were out front off the Hall of Justice once more and she equipped her sunglasses once again, getting a “look” from Wally.

“What? They have really harsh lighting inside.” She jokingly defended, checking the time on her phone. “Three minutes to midnight. Not a bad adventure.”

“We’ll have more.” He pat her on the shoulder as they walked inside.

“Think so?” She asked.

“We better!” Wally exclaimed and easily sent her to laughter again.

“Okay, shut up for a minute, Batman might need to give me a dirty look.” Leila caught sight of her dad immediately and waved, seeing him smirk at her when she walked in. “I don’t like that, that’s unsettling.”

“Is he drunk? Is that why he’s doing that?” Wally asked, thinking Batman was gonna “take care” of him for learning Leila’s identity.

“Batman doesn’t get drunk, Wally.” She pulled him into the crowd of other superheroes, ones she absolutely loved so far. Just a month ago, a ton of new people were inducted into the League. Black Canary, Zatara, Captain Marvel, Captain Atom, a new Green Lantern, and Red Tornado. Now they were your human (or robot) shields for the end of this year. Not long after, the countdown started to 2009.

“So, uh, I don’t know if this is too soon or anything, but I was wondering if maybe you’d be my New Year’s kiss? It’s cool if you say ‘no,’ I’ll have more chances in the future. You can count on that, babe.” Wally winked and she rolled her eyes behind the dark lenses. “I know you just rolled your eyes, Dee.”

“Ten, nine, eight…” the countdown continued with people calling the numbers out loud. She looked away from him, making him think that was a solid “no.” “…three, two, one, Happy New Year!” Leila turned to Wally and gave him a quick peck on the lips.

“Woah, wait! I wasn’t ready yet, I want a do-over!” Wally protested to her, completely flustered.

“Well, you said you’d have more chances, right?” She teased him back for once and pat him on the back. “It was great meeting the real you, Kid Flash.”

“You, too, Demonspawn. Sick name, by the way.” Wally kissed her on the cheek and sped off to his mentor. The Justice League wouldn’t be sticking around to mingle much longer, it was time to vacate the area. Lei made her way back to Bruce and awkwardly greeted him.

“Have fun?” Batman gruffly asked her as the made their way to a Zeta tube.

“I did.” She turned around and waved goodbye to her fellow “sidekicks” who she barely interacted with all night. Oh, well. She’d see them again.

“Good.” A genuine answer came from Batman. The secret identity reveal wasn’t his favorite choice she’d made, but he wanted to trust her judgement. And seeing his daughter happy like this might have softened him up a bit. “We’ll talk about your little ‘adventure’ later.”

—————

#dc comics oc #batfamily #batfamily oc #leila al ghul oc #leila wayne oc #demonspawn oc #leila wayne al ghul oc #dc comics #young justice #young justice oc #kid flash #wally west

13 notes · View notes

kiragecko · 3 years

Text

Reviews of Christian Allegorical FANTASY

Note: Christianity is a broad, varied thing. I can only write from my perspective, and it’s hard to describe that perspective to an international audience. Words have different meanings in different countries. But this is what I think about the various Christian allegorical fiction I’ve read, measured by writing quality, allegorical quality, and ability to make me happy. Your perspective may vary.

Chronicles of Narnia, by C.S. Lewis –

Writing: Y’all know this guy is good.

Allegory: Shockingly strong for something with such mass appeal. And deeper than you thought as a kid. Never sidelines the story, because he’s integrated the two so well.

Problems: So, you don’t notice the colonialism, racism, classism, sexism, and mild ableism as a kid. Dude was a white British man during the early and mid 1900s. He does not entirely rise above his culture. Some of the dehumanization of species/cultures that are obvious stand-ins for real world cultures horrified me during my latest reread. And it’s subtle enough that it’s hard to point out to kids.

Story: The story is great. I’ve read ‘The Horse And His Boy’ so many times that my papa’s copy is held together with tape. He wouldn’t let me take them when I moved out. Had to buy my own. It was tragic.

The Archives of Anthropos, by John White –

Writing: Reminds me of Terry Brooks, a little. In that the writing is servicable, and some of the fantasy is pretty derivative, but it’s definitely not bad. The roots are strong, but he didn’t have enough experience to cut all the weaker bits and ruthlessly rewrite.

Allegory: Solid. Not tacked on, not super deep. Really good for a Narnia imitation.

Problems: Not sure, haven’t reread in a while. Pika didn’t like a battle near the beginning, so we had to stop.

Story: It’s set in Winnipeg!!! Unashamed about being heavily inspired by Narnia, this series is a delight. Not as good as it’s inspiration, of course, but it feels like a heartfelt fan letter. Some of the ideas are REALLY cool. This series is worth reading, you guys! Especially the first 2 books.

The Circle (Black, Red, and White), by Ted Dekker –

Writing: Readable. Slick. Masculine.

Allegory: Lacked both the desired subtly and the necessary depth. Felt like it was written for fantasy fans that felt guilty about reading secular books, rather than to say something important.

Story: Don’t like Narnia-esque books aimed at adults. Allegories shouldn’t be trying to be cool. Not a fan. (But please note that these opinions were formed 15-20 years ago. I may have been missing something.)

The Space Trilogy, by C.S. Lewis –

Writing: Again, this is C.S. Lewis. He’s good at writing.

Allegory: A little weird, for me. But I struggle with allegory for adults. One of the books is Adam and Eve on Venus, with original sin working slightly differently? I don’t get it.

Problems: My problem is that I don’t like it! Sometimes it reads like Douglas Adams, but not funny. That makes no sense!

Story: Don’t like Narnia-esque books aimed at adults, even if they’re written by the authour of Narnia. This is Sci-Fi. There is romance. Really not for me.

The Story of the Other Wise Man, by Henry Van Dyke –

Writing: Good, if I remember correctly. Feels dated and classic, like it should be from Victorian times. (I just checked, it’s from 1895.)

Allegory: Like most morality from more than a century ago, it reads a bit weird. Just, life was a lot harsher then. Nice clear simple message, just taught from a mindset I don’t totally understand.

Story: As a kid, this one made me SAD! He loses everything and feels like a failure! Does have a good message, teaching is sound, good storytelling, but it wasn’t fun enough to make the lesson stick.

Left Behind, by Tim Lahaye and Jerry B. Jenkins -

Writing: I remember the writing being fine. They read like thrillers, which isn’t a bad thing. I’ve enjoyed some thrillers.

Allegory: Revelations is ALREADY an allegory. This is just an uninspired expansion.

Problems: Everything.

Story: I hate apocalyptic/post-apocalyptic stories. This series wasn’t written by someone who was bothered by the suffering of everyone who made ‘wrong’ choices, and that makes it hollow and awful. ‘We’re so good and smart and better than other people!’ NO. That is not Christianity.

A Wrinkle In Time, by Madeleine L’Engle –

I still don’t get how this series is Christian?? Really freaked me out as a kid. Had quite a few nightmares.

After a little research, it turns out that she has a very different understanding of Christianity then me. You’ll have to get a review from someone who can see from that perspective.

Duncton Wood, by William Horwood –

Writing: Extremely good. Heavy and beautiful. Kept me reading as I got more and more weirded out.

Allegory: Not a Christian allegory. And yet Christian enough, in a weird Anglican(??) way, to make it difficult to interpret as non-Christian. There’s a Jesus figure who gets martyred. There are schisms. It’s weird.

Problems: Almost certainly shouldn’t be on this list, yet I spent half an hour searching for it because I was so sure it was supposed to be on this list.

Story: Moles and their experiences with religion. There are similarities to Watership Down and Redwall, Narnia and Lord of the Rings. (The last mostly in language/writing style). If it wasn’t so close to Christian allegory as to be in the uncanny valley, I would have loved it! As it is, I would have prefered LESS Christ.

Christian ALLEGORICAL Fantasy

The Pilgrim’s Progress, by Paul Bunyan –

Writing: (Note: I’ve only read versions rewritten for kids. At least one was heavily abridged.) This was written in 1678. That is a LONG time ago. The worldview is really different from ours. Also, the versions I read were not inspired updates.

Allegory: This was written only 100 years after the Protestant Reformation. Punishments are incredibly disproportionate. Rich people have completely different rules than the poor, and this is seen as Godly. It’s been over 20 years since I read this book, and I don’t remember much, but it’s a weird read if you’re expecting modern concepts of right and wrong.

Story: Fascinating! Did not enjoy. Might as an adult. Reading an allegory that you can’t relate to at all is a weird experience.

Hind’s Feet On High Places, by Hannah Hunnard -

Writing: (Note: I’ve only read the version rewritten for kids.) Writing is really good.

Allegory: Names that are just English words have always annoyed me. Other than that pet peeve, this is extremely good. Straight-forward enough to be read to a 7 year old, complex enough for me to reference when I’m trying to describe my experiences to my husband. Solid Christianity, with enough hard stuff to challenge you, while still managing to be fun.

Problems: We’ve got some nasty ableism baked into the setting (disability as metaphor for sin and bondage), and the images are painfully white.

Story: I love this book! This is a Pilgrim’s Progress that actually matches with Christianity as I understand it. If you’re looking for a fun fantasy with a good message, this isn’t it. If you’re looking for a distillation of Christianity, told as a story because that makes it more accessible – this is a good one.

The Divine Comedy, by Dante Alighieri –

Haven’t read it.

Tales of the Kingdom, by David and Karen Mains -

Writing: The first collection of stories is really strong. The next 2 get weaker. Short stories read differently than novels, and the writing style works well for that format.

Allegory: TOO strong. Some of the stories still make me mad to think about, because the messages are HARD. (Also, names that are just English words still annoy me, no matter now much I love the series.)

Problems: Ableism – true selves don’t have disabilities and are always beautiful. Art is not 100% white, but all the most beautiful people seem to be. And I love lizards far too much to handle the dragon story.

Story: These stories mean a lot to me. They are very much not something a non-believer is going to enjoy. They tend to focus on the parts of Christianity that are hard, uncomfortable, and/or different from mainstream culture. They also stick with you for decades. Narnia is my favourite series on this list to read, but Tales of the Kingdom might be the best for exploring your faith. Highly, highly recommend.

#religion #christianity #gecko recs stuff #people write things #these were the ones I could think of #anyone else know good allegories #(preferably aimed at kids but not tiny kids)#?

15 notes · View notes

thepermanentrainpress · 3 years

Text

THE PERMANENT RAIN PRESS INTERVIEW WITH EDEN SUMMER GILMORE

The film scene in the Lower Mainland has never been brighter. Rising talent, including Burnaby’s own Eden Summer Gilmore, have begun to make a name for themselves, with a multitude of key roles over the past five years. Gilmore is currently starring as Sofia Bianchi in Global’s Family Law, a drama that follows “a group of flawed family members who reluctantly work together at their father’s law firm in downtown Vancouver.” Her on-screen mother is Jewel Staite, who as recovering alcoholic and lawyer Abigail, must find a way to balance (and repair!) her own career and family life.

Growing up, who were some artists you looked up to? What specific films, series or characters did you watch and feel inspired by?

Growing up I was really inspired by artists such as Taylor Swift, Emma Watson, Amy Adams, Reese Witherspoon and Jennifer Aniston. They are all such strong women that really showed me at a young age I can do and be whatever I set my mind to. I was (and still am) obsessed with the Harry Potter series. I remember growing up and watching Hermione, Emma Watson’s character, and feeling inspired to be me. She never let what anyone said dictate her and always stood up for herself. I also loved the film, Enchanted with Amy Adams. I actually used to call it “princess in the hole” since Amy Adams' character comes up from a sewer grate. She also really inspired me to be myself and to see all her talents in this film was so much fun to watch and definitely inspiring. Enchanted brought together all my favourite elements of Disney Princesses, musicals, singing, dancing, fantasy, it was my favourite growing up and I can’t wait for the sequel.

As I got older and started watching the tv show Friends - Jennifer Aniston really showed me the power I have as a woman. Also, Gilmore Girls and the relationship with Lorelei and Rory was fascinating to watch. One of my favourite shows! And of course Reese Witherspoon, she is also a huge inspiration. She has portrayed such amazing strong women in her films that I find awe-inspiring. Her production company Hello Sunshine is also a huge inspiration to me and a platform for female led productions.

Were your family and friends supportive of your decision to pursue a career in the arts?

Yes, they were very supportive. My mom actually works in the industry behind the camera and she was the one who thought I might enjoy acting, which I very much did. My parents and my grandparents were the ones who always would drive me to my auditions or take me to set. I am very grateful to have my family's support. My friends are also very supportive. I am very lucky and grateful to have friends that I can share these milestones with.

A defining role in your young career was starring in It’s Christmas, Eve opposite LeAnn Rimes. What did you take away from working on that project, and with LeAnn?

That was such an amazing project to do. LeAnn is so incredibly kind, I loved getting to work with her. Since this was my first lead role and I was on set almost every day, what I really took away was observing the actions of others, cast and crew on set & behind the scenes. I learnt so much about professionalism, kindness, tone and how to set healthy boundaries for yourself. Kindness can go such a long way and a positive attitude can really change the tone of a set.

LeAnn taught me so much about spreading kindness and acting professional on a set. She really is such a role model and created such a positive energy on the set. Same with Tyler Hynes (who played Liam, my dad in the show) I learnt a lot from him too, he is so lovely.

You star as Sofia Bianchi in Global’s Family Law. What have you enjoyed about portraying Sofia so far, and do you have similarities with her?

I love playing Sofia, she is awesome. There are so many things I enjoy about portraying her. We are both teenagers so there is a lot I can relate to her with. She has made me feel not alone in some of the experiences we both have gone through. I am sure many teenagers watching the show will be able to relate to her as well, I am really grateful to be able to tell her story. She is very witty and smart so it’s really fun portraying that side of her too! Her short jabs to her mom are really fun to play with. She also has a really vulnerable side to her that we see more of throughout the series. It’s really fun exploring those deep emotions and opening her up throughout the series. We definitely have similarities. As mentioned we are both teenagers so I can relate a lot to the emotions she is feeling. We both are very caring people (though Sofia doesn’t show it as often) and we both aren’t afraid to stand up for ourselves or the people we love.

Tell me about your time on-set, and working with your on-screen family – Jewel Staite (Abigail), Luke Camilleri (Frank) and Brenden Sunderland (Nico)? What are a couple of your favourite memories?

I love my on-screen family, they are all so amazing! Working with them is so great and they are all kind and generous. I love sharing scenes with them. We talked a lot about food on set, favourite desserts or recipes. Jewel and Genelle [Williams] would often buy Honey Donuts whenever we were shooting in Deep Cove which is so incredibly nice of them. Honey’s Donuts were a favourite on set. Brendon was always telling us interesting facts or stories (much like Nico’s character), he’s really sweet. I learnt so much from Luke and Jewel about acting and the industry. I really enjoy our talks in the greenroom and on set. I am really grateful to be able to work alongside them, they are both incredibly lovely! Jewel and I also tend to have a lot in common fashion wise and interests in general.

What is it like working and interacting with legendary actors like Victor Garber and Lauren Holly?

Amazing! Victor and Lauren are both so incredibly kind. I was already huge fans of them before getting on the show so getting to work with them really is a dream come true. Lauren is so kind, funny, and so talented. I have learnt so much from her on set. Same with Victor, I have learnt so much from him too. They bring such a positive and warm energy to set. I am grateful to work with them. It’s still surreal to me that they are my tv grandparents.

A large part of Sofia’s storyline is her fractured relationship with her mother. Did you and Jewel talk about your characters ahead of time, and how their relationship will evolve during the course of Season 1?

Yes, definitely. We would sometimes rehearse lines or talk about the scene between takes. Or sometimes when getting a new script we would talk about Abby and Sofia’s relationship that episode. Lots of it just came on the day when we would film the scene. Playing off of each other or seeing what other layers we could bring in.

You handmade friendship bracelets as a Season 1 wrap gift, which is so sweet and creative! How’d you come up with the idea?

Yes! I already made bracelets in my free time, while watching a show or just as something to do. It was a little hobby of mine. I love having little mementos to remember events and thought the bracelets would be a great idea to remember season 1! Something we could all share and remember how special and fun filming season 1 was. I think they were a great hit with everyone.

Family Law is very much a family drama, but also has crime and comedy mixed in. For those who haven’t yet tuned in, how would you pitch the show to potential viewers?

I would pitch it as a dramedy that follows the story of Abigail Bianchi, a recovering alcoholic and lawyer slowly trying to put her life and family back together while also helping other families do the same. She’s forced to work with her estranged father and two half siblings she has never met while at the same time trying to patch things up with her husband and kids. The dysfunctional family at the law office is always helping other dysfunctional families and learning things along the way. Each character is so real and rooted with so much truth. Each person watching will be able to find themselves in the characters and the stories being told. You will laugh, you will cry, and learn that in the end we are all human.

Congratulations on the Season 2 renewal! You wrapped the second season in late August, while the first season has just premiered! Was it exciting to return to set, knowing you’d have an opportunity to further Sofia’s development?

Thank you so much! Yes, it was very exciting! I had gotten to know Sofia so much in season 1 that in season 2 I just got to dig so much deeper! I got to explore other sides of her and show the audience more of who Sofia is and her relationships.

You can also be seen as young Nancy Drew in the CW’s Nancy Drew. To play such an iconic character, what has that meant to you?

It meant a lot to me. I grew up reading the Nancy Drew books. Nancy Drew was another role model to me growing up, there was always a deep connection I had with her. So to be able to bring that to the screen means so much. I find myself so much in Nancy’s character and am really grateful to be able to be a part of her story. It also meant a lot to me because I know other young girls who look up to Nancy’s character and I hope they learn from her that they are powerful and can do whatever they set their mind to. I am really grateful that I was able to play Young Nancy Drew and it will forever hold such a special place in my heart.

You’ve also gotten to work with an older Nancy, lead actor Kennedy McMann. How special has it been to have her support and guidance?

Yes, she is amazing. It’s been so special to have her support and guidance. She is a large role model to me as well. She always looked out for me on set and I am really grateful for that. I learnt so much from her as well. She is a phenomenal actor so to work alongside her has been truly a blessing and she is so incredibly kind!

You’ve worked on numerous projects, including web series and independent short films (many being female-led). What do you enjoy about being a part of the vibrant B.C. film industry?

Yes! I love being a part of the B.C. film industry and working a lot on independent shorts because there is just so much joy, passion, and creativity. It’s amazing working with people who have a passion for storytelling, it’s therapeutic in a way and gives the storyteller an opportunity to tell their story their way. Working with such passionate people also allows my creative energy to flow and allows me to let so much go. I am also really grateful to have worked on so many female-led projects. Especially being young in the industry working with so many females has taught me about the power I have as a woman. But also it’s so important that female writers, directors, etc. are getting opportunities and their stories told.

How has it inspired you to pursue writing and directing in the future, and have you been able to shadow/ask questions on these projects?

It really inspired me. It showed me that I really can do whatever I set my mind to. It also showed me how much writing/directing our own stories can inspire so many other people. I was definitely able to ask questions on these projects and it’s inspiring to watch their passions come to life.

The Directors/Writers/Storytellers on these independent projects, such as Andy Alvarez, Veronica Kurz, Meeshelle Neal, Leah Beaudry, Annette Reilly and Heather Perluzzo really taught me a lot and they welcomed my questions and curiosity. I honestly can’t wait to write and direct my own independent short in the very near future

Is there a dream role or character you would like to play in the future? If not character, are there any specific film/TV genres or franchises you would like to be in?

I would love to do a comedy or horror film. I really love those genres and haven’t explored them on screen as much. I would also love to do a period piece. The 70s or 80s would be awesome. I love exploring pop culture and trends of different time periods.

For other young actors like yourself, do you have any advice for how to be confident in front of the camera? What (or who) has helped you prepare for roles and work on your lines?

Totally. My main advice would be to have fun and trust yourself. Whenever we do anything our main goal should be joy. Of course preparing and such is important but joy should be our number one goal. Once we are working out of a place of fun, truth, and joy when we get to the camera we can trust ourselves and have that confidence. That also comes with working on mindset and mindfulness in our everyday lives. And also remember to be yourself! My acting coach and mentor Beatrice King really helped me prepare for roles. She taught me to make sure I am working from a place of joy and continues to inspire me. I also train year round by attending acting classes and private coaching, which I think is definitely an asset in growing your craft and confidence.

You also have a passion for music! How did this interest come about, and how long have you been singing and playing the guitar?

Singing really was always a part of my life but I formally started taking lessons about 4 years ago. I love singing, it’s such a beautiful form of expression. When I am having trouble expressing something through words I can turn to a song to help me release. I started playing the guitar during quarantine. I had played the ukulele for a few years and wanted to try something new and ended up loving it.

You performed “You and Me and Christmas” with LeAnn (Rimes) in your holiday film. You even joined LeAnn for a live performance that December! Tell us about that experience, what do you remember from that concert?

It was amazing. It was my first time singing live at a concert. The movie means so much to me so getting to share that experience with LeAnn on stage was wonderful. I remember being quite nervous, but LeAnn gave me some advice before going on stage. Singing live on the stage was truly magical, I will never forget the adrenaline and pure joy it was. I am really grateful to have that experience, especially with LeAnn.

As a poetry writer, are you writing your own music? If so, what can you share about your lyrics and what has inspired you?

I do love writing poetry, it’s such a beautiful form of expression. I have dabbled in songwriting but never have gone too deep into it. It’s definitely something I want to explore further.

We know Queen is your favourite band, but who are some other artists we can find on your playlist?

Yes! I love Queen, I grew up listening to a lot of 80s music so I think that’s one of the reasons I love Queen. I mean - Freddie Mercury is pretty awesome. On my playlist you will find artists such as Taylor Swift, Olivia Rodrigo, Billie Eilish, Harry Styles and other 70s or 80s artists such as Abba, Billy Joel, Elton John, etc.

Your family has a wonderful pup, Finn, adopted from Fur Angels. What are some activities you enjoy doing with him? How would you encourage people to ‘adopt not shop’?

Finn loves swimming so often in the summer I love taking him to lakes to swim or in winter when it snows I love throwing snowballs for him. Like most dogs he loves belly rubs, walks or playing fetch. I always encourage people to look into adopting. There are lots of dogs who need forever homes and love. Lots of dogs in shelters who don’t get adopted sadly don’t end up making it. Finn is a rescue pup and I am really happy we were able to be his forever home.

What are some of your favourite places to visit or eat at in Vancouver?

Some favourite places to eat in Vancouver (which has been mostly take-out this past year and a half) are Agra Tandoori, Ragazzi Pizza, Neverland Tea Salon, Big Star Sandwich, or Casa Gelato! Highly recommend those places. I love to visit Lynn Valley for a nice hike. Downtown Vancouver is always fun. I also love Deep Cove and Granville Island.

Our signature question – if you could be any ice cream flavour, which would you be and why?

Love this question! If I could be any ice cream flavour it would be Raspberry Cheesecake. It’s one of my fav ice creams. It’s sweet with a tiny bit of tartness and combines the richness and softness of cream cheese, the sweetness of a raspberry, the nutty flavour and gritty texture of graham crackers to make a lovely combination that is both complicated, intriguing and delicious at the same time.

Thank you to Eden for taking the time to answer our questions about your projects and passions! Be sure to follow Eden on Twitter and Instagram for updates on her life and blossoming career!

Family Law airs Fridays at 9 PM on Global TV.

Photo credit (header and sixth image) to: Noah Asanias Special thanks to: M Public Relations

4 notes · View notes

regrettablewritings · 3 years

Text

Animatic/Storyboard Music

Got bored/procrastinate-y on coloring in this ultra intricate card for my mom. So I’m just gonna make a list of songs I think make for good animatic material. Because why not/I wanna foist my musical tastes on people/ @locke-writes got me in a music binge. For the most part, it’s just gonna be me explaining the meanings or the vibe or what they generally tend to be used for, but really it’s mostly subjective so imaginate whatchu wanna.

“Trust Me” - The Devil’s Carnival Originally depicting a story about the Scorpion and the Frog, it’s the perfect song for when you want to depict the dynamic between a gullible or at the very least more grounded character and a figure whose intentions . . . may be less than pure. Or good for anyone, really.

“The Dismemberment Song” - The Blue Kid I have a playlist dedicated to songs whose content and sound are just . . . not married to one another, but got a weird flirtationship situation going on. Anyway, I’ve seen people say that they like to imagine it’s sung through the POV of a scorned housewife who’s finally Had Enough™️. And . . . They’re really not wrong for it. Really, though, it’s just the right song for when a sadist is just ready to gut a fucker but is disturbingly jolly about it.

“Love Me Dead” - Ludo Continuing with my trend of songs about people in less than ideal situations, “Love Me Dead” is straight to the point: The relationship is just awful and the guy gets nothing from it, but he can’t help but be hopelessly in a state of adoration for the woman he’s latched on to (“You’re born of a jackal! YOU’RE BEAUTIFUL!!”)

“Constellations” - The Oh Hellos There actually isn’t a plot to this song, it just feels really good (as all songs by The Oh Hellos are prone to be). However, if you feel a need to portray the concept of having to reorganize your thoughts after realizing that maybe they weren’t what you initially thought, and then coming to the conclusion that even though everything changes as a result, you’ll be alright? This is the song for you.

“A Kindling of Sorts” - The Oh Hellos An instrumental piece that is like . . . It’s related to another song of theirs about nationalism called “Torches”, so make of that what you will. (I personally have been using it to imagine storyboarding an opening for an animated The Witcher series.)

“The Other Side” - The Greatest Showman I know everyone and their mom has used this to portray situations like villains trying to get good guys to join their side. But I dun curr, it’s a fun song. That, and I like what Emilyamio did with her interpretation. It’s fun. For a basic rundown, know it’s another song about two characters’ dynamics being explored, with one coming to the other with a proposal that they join them in whatever endeavors they have in store. It’s often portrayed as something evil, but it really doesn’t have to be, as the original context was more about letting loose than anything.

“The Thief and the Moon” - Shawn James A much more mellow piece. Simple and straight to the point: A thief tells the Moon that he plans on stealing her light to shade the world in darkness. The Moon insists that the thief would only doom the world by doing so, to which the thief clarifies that he doesn’t care; if the world is shrouded in shadow, it means he will be able to steal with more ease (“My very existence is a race to attain wealth”). Disgusted, the Moon essentially curses the man with a warning that his greed can and will bring about his end -- and leave him to be forgotten by the rest of mankind, once it happens.

“Villainous Thing” - Shayfer James I’ve seen people say that this song is about singing to a cadaver but I can’t quite find anything confirming that (translation: I’m too lazy to look too into it). Regardless, it’s a fun ditty that yet again portrays someone with less than pure intentions encouraging someone to join him in some good old fashion villainy, as they’ve clearly endured their fair share of hardships and surely wanted to do evil anyway (“You’ll find no ever after here, it’s clear that isn’t what you came for“).

“Necromancin Dancin” - Bear Ghost Straight forward and fun as fuck: A necromancer apparently seems to cross classes and try his hand at barding by not only raising an army of the dead, but by also making them dance in order to make conquering the world easier. Because . . . a body doing Disco Duck isn’t scary, I guess.

"Aquaman” - Walk the Moon A song about one half of a couple wanting to become more involved in their relationship, but still having some nervousness about doing so. If you somehow haven’t heard this song yet, you gotta because it’s the cutest shit.

“Jenny’s Tale” - Ren I’ll be brutally honest, it’s about a woman named Jenny who just wants to get home after a long day of work and an unfortunate encounter with a 14 year old named Screech who gets way in over his head. As in, like, a death happens. That being said, I need. Like. An animated music video of this song. I imagine this shit in gritty charcoal or painted on glass, it just needs this. Somebody who isn’t me who knows what they’re doing, please look into this.

“The Curse of the Fold” - Shawn James As cheesy as it sounds, it basically boils down to not giving up or yielding. But what makes it so cool is the fact that Shawn James makes all his songs basically sound like a western gothic soundtrack. Which helps, because he admits that the title is also a reference to poker, in which giving up too often or too easily can often rob you of a delicious reward gained through perseverance and sacrifice.

“Thank God I’m Not You” - Himalayas I prefer to imagine this for an arrogant asshole of a character. Because that’s exactly what this song is about: They’re a liar and a thief, they’ve been called the son of Satan, and yet they consider themselves lucky -- ‘cause at least they ain’t you! If you have a character in mind who’s a delightful, punchable little shit, this is probably either their anthem or at least on the playlist you inevitably made for them.

"Passerine" - The Oh Hellos So there’s a common trend in The Oh Hellos’ discography that tends to explore the two founders’ experiences with faith and their growth in how they understand it or recognize it. With “Passerine”, the concept being explored is the experience they had when it came to taking a step back and realizing just how many of their supposed “fellow Christians” were actually doing some rather unchristian things, so to speak. When they “prune[d] their feathers”, it became clear that they had less in common with certain people proclaiming to be Christian while also spouting bigotry and greed. However, the desire to move away from such influences comes with the feeling of being torn, as moving too far away from the Bible leaves the singer feeling as though she is betraying something she holds dear. As a result, “Passerine” symbolizes not a breakage from faith, but a breakage from blind faith as they understood it, and the inevitable feeling of being torn that comes along with expanding upon how one views their beliefs and those around them. It’s therefore not uncommon to see Good Omens animatics using this song. (Something I also noticed is that throughout the song, you hear pieces of “Constellations”. TOH have a tendency to reference previous pieces, and considering “Constellations” is a song about changing perspective and the meanings we apply to them, it fits in beautifully with a song about reevaluating one’s stance.)

“Like the Dawn” - The Oh Hellos As stated before, a lot of TOH’s discography draws inspiration from their faith. In this case, it’s an outright retelling of the Garden of Eden, specifically when Adam awoke to find Eve had been created. What makes this iteration stand out to most, however, is that the singer is female, which seems to change the vibe you get. It sweetens the feeling of wonder we often forget the first man might’ve felt upon seeing somebody made for him, creating an air of beauty yet comfort with such lines as “And like the dawn, you broke the dark and my whole earth shook” or “You were the brightest shade of sun I had ever seen.” Even without the awareness or an interest in religious influences, it still manages to be a very feel-good song -- which is the mark of an overall good song in general!

“Confession” - RED Dealing with the constant battle of feeling ashamed that how you feel on the inside isn’t in sync with how you present yourself on the outside. That you should feel bad for smiling out at the world while screaming and thrashing -- like it’s a lie. But you can’t help it: It’s what you’re accustomed to. Though it does end on a hopeful note with the singer deciding that they want to reach out for help and rid themselves of this feeling of pain they have inside.

“When I Grow Up” - Matilda . . . Only if you want to cry. Seriously. When you’re a kid, everything seems difficult but you’re positive that once you grow up, everything will change: You’ll be tall enough to climb the trees you were too small to, you’ll be able to carry everything because you’re stronger, you’ll be brave enough to fight the monsters hiding in your room, you’ll finally have all the answers. . . . But life isn’t that simple. We wish it were, but it isn’t. There’s this bittersweetness about this song, about a sense of purity we unfortunately grow out of where we think things will be just the same enough for us to do what we want when we want, but things are more complicated than that. We still struggle to reach, to bear the weight, to not be afraid, to have even a fraction of the answers. But! We’re reminded that just because we’re told life isn’t fair, doesn’t mean we have to take it. After all, nothing changes when nothing happens. And even beyond that? It helps to remember that we’re never quite done growing up; there’s always more to learn, so remember to be patient with yourself.

“Hand Me My Shovel, I’m Going In!” - Will Wood and the Tapeworms This is . . . a song. The lyrics are honestly kinda all over the place and shooting rapid fire, making it a bit difficult to discern what exactly the singer is going on about. It makes for a pretty crazy song that suggests somebody’s going unhinged, which is apparently precisely the intention?? I’ve seen a lot of people interpret this as a song about a guy who is already at a low point in his life but nonetheless is going, “. . . I bet I can go deeper. Hand me my shovel.”

“No Reason” - Beetlejuice God if i had a youtube channel the segment i would spend on this song would be so juicy just ripe and thicc with thoughts and feelings i tell ya rich like a fresh fatty peach the apple that tempted Eve and gagged Adam yes ‘Nother song that explores the dynamic between two differing people and their worldviews. At its simplest, “No Reason” is about two opposite ends of a spectrum coming to a head: Idealistic and hippie-dippy Delia is convinced that everything happens for a reason, while cynical and depressed Lydia asserts that everything happens at random and it doesn’t matter anyway because we’re all going to die. And even though the delivery is ultimately a comedic one, you get more insight as to why one another feels the way that they do: Lydia, as we’ve previously learned, has recently lost her mother to an illness, which has left her depressed and feeling invisible (a theme in the show); whereas Delia’s failed marriage and desperate attempts to nonetheless be happy have left her dependent on the idea that these things had to have happened for a reason, otherwise, her pain would’ve been for nothing. What’s important is that neither side is actually appointed as the winner, with the song ultimately ending that the universe is random for a reason.

“Barbara 2.0″ - Beetlejuice Without spoiling anything (or at least too much), “Barbara 2.0″ is about growth. It’s about learning to put your foot down after a literal lifetime of being passive out of fear of what might happen and just accepting that nothing will happen if nothing happens -- but that doesn’t make whatever happens good.

“Bleed Magic” - IDHKBTFM It’s either about a killer or a vampire. No, seriously: When Dallon Weekes was asked about what the story of the song was, that was his answer. I personally prefer to think of it as a vampire or demon of some kind, given that the song came out around Halloween. Perfect for yet another example of somebody (likely supernatural) having an upper hand on an unsuspecting mortal. ...I have way too many of these on this list, I swear I don’t have a problem —

“Feel Good Drag” - Anberlin A toxic relationship of sorts. In that it shouldn’t be a relationship to begin with. Depicts the singer being approached by an ex, who seeks a one-night stand while her current boyfriend is out of town. However, the singer is aware that trying to continue anything regardless of the situation is a moot point: Even when they were together, their relationship was doomed from the start, and nothing about that is going to change -- especially now.

“Soviet Trumpeter” - Katzenjammer (It’s kinda difficult to work with this one but I’ve seen people work with less or stranger.) Based off the life of one Eddie Rosner, a Jewish Polish trumpeter whose fame within the USSR unfortunately faded due to the Soviet Union’s heavy censorship. Even if nothing is to be done with it, it still paints a melancholic picture of a talented man’s skills being largely unknown as a result of things beyond his control. All wrapped up in a song that denotes a strange deterioration in a way I can’t quite place.

“Apple Blossom” - The White Stripes On its face, it’s a very sweet song: The singer encourages his beloved to be vulnerable enough with him to tell him her troubles and to let him “sort them out for [her]”. She’s clearly saddened, and seeing so distresses him to where he insists that he will do whatever he can to make her happy. However, the tone of the song and certain lines make it easy to twist into yet another song of a character attempting to seduce somebody into a state of vulnerability . . .

“You’ve Got Possibilities” - It’s a Bird, It’s a Plane, It’s Superman The one singular song people actually liked from this forgotten musical. Perfect for when somebody intends on giving somebody else a makeover. Y’know, after totally roasting them on their posture and clothing. If you want to add a lil something extra, know that the context is that a lady wants to give Clark Kent a makeover, insisting that in spite of his schlubby appearance, there’s gotta be something underneath. I repeat: She is telling this to Clark freaking Kent.

“Still” - Anastasia In the context, the show’s antagonist (not bad guy, there’s a difference) finds himself torn between obligation and personal interest: Does he fulfill his duty and live up to expectations set upon him by his father and the society he’s been selected to help uphold? Or does he let a woman he has become fond of go? Is she truly as innocent as she claims? Or is she well aware of what she’s doing? And every time he thinks he’s reached a conclusion, he can’t help but thing, “But still . . .” Good for when you want to portray a character conflicted between obligations of politics and what their heart wants.

“Two Nobodies in New York” - [title of show] Two young men plan on entering an upcoming theatrical festival but struggle with what to even submit. This song in particular focuses on them trying to figure out what to even write, the concept of fame, and if wanting the certain things that may come with fame can mean anything from being sell-outs to getting a sitcom. It’s admittedly specific, but it’s a cute and funny interaction between two guys who are, for the most part, actually in sync with their thoughts and anxieties. For the time being.

“Into the Unknown” - Idina Menzel Look, I refuse to watch that movie. I just do. But I will take this song over That Other One any day. Mostly because I personally like to imagine that the singer in this song is about to embark on a Pixaresque journey after accidentally leaving her home during the night of The Wild Hunt, accidentally separating her spirit from her body and thus giving her a very limited time to get back to it before she remains a soul trapped in a whirlwind of ghosts forever. But first: Let’s sing about that strange howling that coaxes her so.

“You’re Gonna Go Far, Kid” - The Offspring I sure do long songs that can characterize a shithead . . . Anywho! The smoothest way to go is just to portray some cocky, manipulative shit who’s used to just lying and cheating their way to get what they want before slipping away without any consequences -- to a point. There’s the option of portraying the betrayer’s comeuppance, but there’s also the frustratingly delicious option of just letting them get away with whatever to lie another day.

“Why Should I Worry” - Billy Joel When in doubt, go to earlier Disney. Because like it or not, they had some bops. And when in the need of portraying a happy-go-lucky (probably idiotic) doofus and his more neurotic or cynical friend going about their life with the former just Mr. Magooing it while the latter suffers more realistic consequences? You go with this song. If you want. That’s just me.

“Transformation” - Brother Bear For when you want to invoke a mystical or otherworldly feeling. There’s really not much more I can say except to encourage you to listen to it and watch the scene if you can find it. You’ll get the vibe.

“No Girl’s Toy” - Raggedy Ann and Andy: A Musical Adventure It’s a big shame this movie is relatively unknown and never got a proper VHS release or anything -- mainly because the music in this cult classic is definitely stuff I could see becoming standards. I could see people performing “I Never Get Enough” for little shows, or recycling “Blue” for a different show. Thankfully, somebody was able to upload a clear enough sounding recording of “No Girl’s Toy”, so at least we have that. In context (just...follow me on this), Raggedy Ann’s brother, Raggedy Andy, has had enough of being subjected to “girly things” while in the nursery. Additionally, though, the way the song was written means it can also be interpreted as just a guy who refuses to let himself be yanked around regardless of how thick the sugar being laid on him is. . . . If you wanna poke fun as a character for trying to appear tougher than what he is, here’s the song. (That being said, Andy is a sweetheart at the end of the day. No amount of tough-fronting will hide that.)

“I Enjoy Being a Girl” - Flower Drum Song (It is by sheer coincidence that this song follows the above.) Really, it’s exactly what it says on the tin: The singer enjoys being a girl and what all it entails for her. She loves her feminine form, she loves the attention she gets, she loves dolling herself up, she loves frilly dresses, and she hopes to one day marry a guy who enjoys “having a girl like [her].” And honestly? Good on her! Love whatcha love, lovely! Seriously, though, it’s a cute song for anyone who just wants to indulge in some girliness.

“Chip on My Shoulder” - Legally Blonde Come on: It’s Legally Blonde. You know what this bop is, or at least have an idea of it. But since I love this song, I’ll indulge: Disheartened by her failure to both win back her ex and succeed in the fast-paced environment of Harvard, the normally bright-eyed Elle is ready to call it quits. That is, until junior partner Emmett gets involved. Unimpressed by her story, Emmett reveals that he got to where he was by busting his ass due to having a chip on his shoulder from his rough beginnings — and maybe a chip on the shoulder is exactly what Elle needs to survive. And as somebody driven by spite, I can appreciate that kind of message. Anywho, it all in all is a song about growth and learning how to be “driven as hell” to keep up with an opportunity that may not be easy to take, but is not one to be passed by.

“What Do I Need with Love?” - Thoroughly Modern Millie “What Do I Need with Love?” asks exactly that: He could date a different girl every night of the week if he so wanted, and never once had any desire to go steady before. He considers himself lucky to have never fallen for anyone -- until now. Which he’s not! He’s not in love. ...He totally is and, by his own admission, he’s got it bad it’s terribly adorable.

“Interlude IV” - Zach Callison The entire album is actually a narrative about a failed relationship of Callison’s and I’m sure the other songs are just as great fuel for animatics -- I’m just too caught up on listening to this one over and over. Sometimes, we just wanna listen to Steven Universe cuss and be openly furious. Seriously, though, even without the context of the rest of the story, you get the idea well enough: A spiteful Zach decides to get back at the one that broke his heart in such a painful way, whereas a well-meaning friend insists they just leave it be and move on. While this technically would be the better and healthier option, Zach is just too far gone with rage to let it go and decides to take care of things by himself.

“Evermore” - Beauty & the Beast Look, I know the remake wasn’t anything crazy. But also I don’t honestly care too terribly much. Besides, this song was nice and it really gets me after that key change. We all want a royal doofus to be enamored enough with us to let us go for our own happiness but still know that their life will forever be changed because they met us. Animate that shit. Over and over.

goddamn this list is long lemme just stop this now byyyyeeeee

#long post #boop #music post #sorta

12 notes · View notes

5lazarus · 3 years

Text

August Wrap-Up and Reflection

I was very productive this month, because of a few reasons: escapism from my shitty job, covid lockdown, horrible weather, and of course the 50k challenge I gave myself. Here's what I wrote, minus two things for a gift exchange, and my reflections on them:

Dragon Age Oneshots To The Victor The Spoils In the Skyhold gardens, in Adamant's wake, Solas meets Loghain. A character study of two trickster-kings, speaking a little too honestly. As Loghain himself says, "The past is always with us. It’s in our bones and our blood and we wear it on our skin. You can think otherwise, but you’ll never get far without it." This was fun to write, and I enjoyed talking about two out of three of my favorite trickster characters. I played the Dragon Age games in reverse order, and when I finally got to Loghain, I saw the seeds for the character they'd develop for DA:I. What was difficult about this story was writing the perspective of a character who knows everything, talking to someone who views him very much as a minor character in the vast tragedy that is their current battle. But developing their relationship via both of them as soldiers in the same party helped figure out what tack to take for the conversation. I think I relied a little too heavily on dialogue, especially in-game dialogue. I should've had this be busier, focused on the two in battle or something like that, which would have been more unique, more fun to read, and more fun to write. That's the problem with getting impatient with yourself and your writing, I guess. But I'm glad it's done. Love and Red Ink Varric tries his hand at a more literary Bildungsroman about his youth as a Kirkwall bohemian. Bianca tears it apart, editing for his own good. Sometimes love is in the margins, your almost ex-girlfriend telling you--I wasn't that pretty, when I was that young. Again I could've been more experimental with this piece, specifically having the two in bed and Bianca editing his work without him asking, her picking up his work and laughing at it. But in the end, I like this more passive version, because it's truer to Varric's character--the idealism and the disappointment. Got a lot of traction on Tumblr and less on AO3, which was interesting--Varric's more popular on this platform than AO3, maybe? The Domestics Alistair runs into an older elven woman on the battlements, watching the children play in the Skyhold courtyard below. They get to talking: isn't it nice that the mages get to keep their children now? Then, in the course of the conversation, Alistair figures it out.

Alistair says, “I always wondered. What my life would’ve been like, if she could’ve kept me. I always kinda knew she didn’t have a choice. King’s bastards are the king’s, not whoever carried them. If she were a servant and if I’d end up in the kitchens or, better yet, the dairy. I really like cheese. But if she were a mage, I guess we never had any of that. Unless she ran away.” Okay I'm proud of this little fic. It was nice to write something with a happy ending for once, originally I wasn't going to do that, but then the story would've been boring. My favorite part is Dorian resurrecting Blackwall from his snowy pyre as Sera mourns in the background--I think both Fiona and Alistair would be very aware of the way children are playing around them, wanting that domestic sense lost to them both. Especially because they both get their babies taken away. The Bane of Red Crossing In the astrarium cave in the Storm Coast with Inquisitor Lavellan, Cole, and Solas, Sera opens a chest and finds a beautiful bow, named the Bane of Red Crossing. But what is the Bane of Red Crossing? According to the codex: "Ser Yves de Chevac used this bow in the Exalted March against the Dales – specifically, in the liberation of Val Royeaux, where the chevalier famously struck down the elven forces' commander with a shot to the throat at two hundred feet."

Lavellan is not pleased, but does not know how to communicate effectively with Sera. Cole and Solas make it worse.

Sometimes there is no adequate resolution, when you are faced with the instrument of your great-grandparents' destruction. Sometimes there is nothing that disinterested compassion can say. I should've made this story nastier, and it might have been more interesting from Cole's perspective. But I think it works, I think having Lavellan and Sera and Solas like that is interesting, and this is a theme I might explore further in Fen'Harel's Teeth--the very different ways the three of them respond to Red Crossing. So Much Lore! So Much Information! Dorian has a wonderful conversation with the Skyhold Librarian about improvements to the library's filing system and the innovations coming out of Minrathous when Vivienne comes by and points out he's just talking to himself. He's been waxing rhapsodic about the Tevinter equivalent of the Dewey decimal system to a spirit--or maybe a demon. So clearly they must go and investigate.

Featuring Solas singing to keep time as he paints a very time-sensitive fresco, a small child whose name Dorian just can't get right, and a spirit of Wonder. (I wrote this yesterday, so it counts) This was fun! I don't think I quite got Dorian and Vivienne right though, and the most interested part of the story became Solas singing a very old love song--it might have been a stronger story if I took Vivienne out of it, who I struggle to write. She's appearing in a different story. But it was nice to write a fluffy fic--but now I want to write about Solas, Dorian, and that song. Star Trek Oneshots Jane Austen Book Club Dukat reads Pride and Prejudice to help him understand human relations (and fuck the Sisko). He thinks he’s being Darcy but really, he’s just Mr. Collins…and evil.

Garak lends him a copy of Jane Austen and a horrific cravat, and really, it's all downhill from there. Ahh, I love this story. I was really worried the jokes wouldn't land, but I think it worked out. Again I took too long to get to the point, two scenes could've been cut (Kira and Dax, probably, though it does move the plot), but this was a lot of fun. Tear of the Prophet Was prompted by ToasterBonanza to write about Kira Nerys repatriating an artifact sacred to Bajor from Cardassia, and this is what we got!

The Shakaar cell leads a procession after Cardassia returns the Orb of Contemplation to Bajor, to collective joy. Kai Opaka says, "So I say to you my people, the survivors of atrocity and keepers of the wormhole—the Prophets cried for you millennia before you were made. They sent their Tears from their temple as a safeguard as to what was to come. And now that it is safe, now that we have won—their Tears are for all."

Featuring Latha having an Orb experience, explaining why he became a vedek. This was cute, a little facile. I had trouble with this one. I should've taken my time and expanded it. Avatar: the Last Airbender Oneshot Cages Mai visits Azula. It is not easy. God I've never gotten more shit for a story than this one. I like this story! The point is that Azula's end is not nice, and that Mai is not a nice person, and neither is Azula. The ending is supposed to be upsetting. Her end is upsetting. Welcome to the world: bad things happen, all the time. As the summary says: it is not easy. All in all, a good month. My stories were a little too talky, though. For Fen'Harel's Teeth, I need to focus on action scenes. And for the remaining oneshots, a more interesting writing style. And picking up the pace!

#monthly roundup #august monthly roundup #august monthly reflection

2 notes · View notes

mst3kproject · 4 years

Photo

The Ship of Monsters

Check me out, I’m being topical! I had another review almost finished for today, but when I saw the news I knew I had to set that aside and find a movie about life on Venus. This one is a ridiculous Mexican film starring Lorena Velazquez from Samson vs the Vampire Women (looking only slightly less like Cher) and one of those amazing cardboard robots you only get in the very worst of late 50’s and early 60’s sci-fi.

An atomic war on the planet Venus has killed off all the males, so an expedition is sent out in search of replacements, consisting of a native Venusian named Gamma, her Uranian navigator Beta, and their robot Tor. After promising the Empress that they will bring back only the most manly of men, they wander the solar system a while collecting creatures with penises before an engine problem forces them to land on Earth. The first human they meet there is Laureano Gomez, a singing cowboy with a well-earned reputation for telling tall tales. One might assume one could predict the rest of the movie from there… but then Beta turns on Gamma and reveals that her true mission all along was to conquer a planet to feed the vampires of Uranus!

I gotta say… I did not see that coming.

The Ship of Monsters is supposed to be a comedy. It’s seldom funny when it’s trying to be, although it mercifully avoids being the kind of desperately unfunny a lot of bad comedies are… possibly this is because it’s in Spanish, and by the time I’ve realized something is stupid there’s another subtitle to distract me. The jokes, such as they are, are pretty standard. Tor the robot was created by an alien race, who were aware of Earth but never bothered exploring it because they thought the inhabitants weren’t very intelligent. Laureano is in the habit of telling ridiculous stories to his drinking buddies, so of course when he claims the Earth is being invaded by space monsters they don’t believe him. That sort of thing. The movie is much funnier when it’s just showing us absurd situations, but to nobody’s surprise, The Ship of Monsters is at its funniest when it’s trying to be serious.

This hilarity comes in many forms, covering just about all the possible bases for a dirt-cheap 1960 sci-fi film. We have spaceship sets made of cardboard, covered with buttons that don’t actually press and levers conveniently placed so people can bump into them during fight scenes. We have Tor, with his tin can body that’s always a little dinged up but never in the same places, giving us clues as to what order the scenes might have been shot in. He also has wiggly spring antennae and makes a little whirring noise every time he moves. We have space babes in silver bathing suits and glittery high heels. Vampire-Beta, sporting plastic fangs that look like they came from the bottom of a cereal box, could be the female counterpart to the guy from Dracula vs Frankenstein, and the puppet used to represent her in flight is nearly as bad as the one from The Devil Bat.

The ‘monsters’ of the title are a bulging-brained Martian prince, a scaly cyclops, a spidery creature with venomous fangs, and the mobile skeleton of what appears to be a *damn worwelf (he tells us that his race has Evolved Beyond Flesh... apparently not Beyond Bones, though). The costumes are all terrible, particularly the warwulf puppet, whose backbone extends into his mouth and who has to be carried around with his feet dangling in any shot that’s not a close-up. It’s nice, though, that a little imagination went into them, and somebody gave a bit of thought to the idea that a monstrous appearance is relative. The Martian tells Beta that he admires her ambition and might even marry her if she weren’t so ugly by his planet’s standards.

At the end, naturally, this alien invasion is defeated by Laureano, his twelve-year-old brother, and a cardboard robot, while Gamma just stands around and screams. With a movie like this I expect nothing less. The denouement contains my favourite intentional joke in the whole thing, in which Gamma stays on Earth with her True Love, and Tor the robot takes his, the Jukebox, back to Venus with him! Tom Servo would have given a speech to congratulate the happy couple, and I can just see him breaking down into happy tears before he got five lines in.

(The wirwalf skeleton is not present at the climactic fight, by the way… no explanation is offered, and I strongly suspect that they broke the puppet trying. I rather enjoy this omission, because it lets me imagine him getting lost or maybe buried by an enterprising dog, and finally finding his way back to the landing site only to learn that they’ve left without him.)

I called Laureano a cowboy but he only has one cow. Her name is Lolobrijida and she is the very first time I have ever seen a movie spur a hero into action by killing his cow. She gets a proper Teenagers from Outer Space death, with her skeleton left behind propped up by metal struts like a dinosaur in a museum!

I also called him a singing cowboy, which he is – there are several songs, including one in which he tries to explain to Gamma and Beta what ‘love’ means. The songs have pleasant but forgettable Mexican pop melodies, and none of the lyrics make a whole lot of sense. Being translated over-literally from Spanish probably didn’t do them any favours (my own Spanish tops out at yo no tengo dinero), but I still can’t imagine that the What Is Love song clarified anything.

Laureano himself comes across as kind of a fool, but he’s not actually a full-on idiot, which is quite important. If he were the kind of one-dimensional ‘comedic nitwit’ embodied in characters like Dropo, or the janitor from Reptilicus, he’d be insufferable. Laureano is no genius, but he’s got personality traits besides being stupid – he cares deeply for his little brother Chuy and for his animals, and he doesn’t treat Gamma and Beta’s appearance as two women for the price of one. Very quickly he decides that Gamma is the one he loves, and he sticks to that, doing his best to let Beta down gently even when she offers to make him a king. He’s also smart enough to trick Beta into dancing with him so he can steal the device she uses to control the rocket and Tor, and to listen to Gamma when she tells him about the various monsters’ weaknesses.

Gamma and Beta, on the other hand, don’t have a lot to them besides the basic fact that Gamma is the Nice One and Beta is Evil. Gamma starts out in the story with a strong sense of duty, and it’s a bit disappointing to see her abandon that because of Tru Luv. I would have liked the ending better if she’d taken Laureano home with her so that the two of them could be the Adam and Eve of the new Venusian race. Meanwhile, Beta shows no sign of any loyalty except to herself and her own ambition. Her original mission, to secure Earth as a blood supply for the Uranians, falls by the wayside as she decides she’s going to conquer and rule the planet herself.

So The Ship of Monsters isn’t exactly a feminist manifesto, but neither is it complete misogynistic garbage like Project Moon Base. The whole premise, after all, rests on a planet of women being able to develop space travel all on their own! This is a fairly surprising plot point, because in many ‘planet of women’ movies like Fire Maidens of Outer Space or Cat Women of the Moon, the ladies need the virile Earth Men to come to them.

There’s also a little bit of actual science peeking out of the cracks. The moment for launch of the rocket from Venus is determined by when ‘the elliptical orbits coincide’. Launch timing is, indeed, a delicate art depending very much on what’s orbiting where. There’s also the moment when, trying to land on Earth, Gamma and Beta worry that the friction, combined with our oxygen-rich atmosphere, will set their ship on fire. This stuff is pretty impressive coming from a time when the moon landing was still nearly a decade away. There are even a couple of scenes in zero gravity that honestly aren’t totally terrible. I mean, I’ve seen better, but I’ve also seen much, much worse.

There’s also one weirdly prescient moment when Laureano, telling one of his silly stories in the pub, describes being surrounded by dinosaurs – only to get a laugh a moment later when he mentions that they had beautiful plumage. I’m not sure whether this is meant to be a joke in that Laureano is exaggerating an actual encounter with an angry bird into something more fearsome (I think we’re to assume that the whole story is totally made up), or whether it’s just supposed to be funny that Laureano thinks dinosaurs had feathers instead of scales. Either way, it’s the equivalent of the moon Fornax in Menace from Outer Space being so reminiscent of Io. There’s no way the writers could have known that, but it’s interesting nonetheless.

The Ship of Monsters is very cheap and very dumb, but it’s good fun for those of us who like crummy old alien invasion movies, and I recommend it to anybody in that demographic. As for actual life on Venus… I feel like a lot of the people getting excited are too young to remember when Bill Clinton told the world that we had totally found life on Mars. Humans have been discovering life on other planets for about two hundred years and every single one of those ‘discoveries’ has turned out to be either a mistake or an outright lie. We have plenty enough to panic about this year without a Venusian invasion.

#mst3k #reviews #episodes that never were #the ship of monsters #cows in fridges #60s #tobor is robot spelled backwards

24 notes · View notes