#I think I'm a little insane

[crystalizedcryolite]

Yesterday, I decided to use AvM as an example for "Expression through Body Language in Animation" so I thought; why not share it over here?

Expressing EMOTION through Body Language (Using AvM as an example)

Body language is actually very important in animation. The use of it can help express just about anything! Sometimes it doesn't have to be facial expressions or strong voice acting to make a point about how someone is feeling.

For example, simple movement, like throwing your hands in the air or jumping around, can express joy,

confusion,

and even woe and sadness.

Sometimes, the complete use (or lack) of movement can be very telling of an emotion. In the picture above, Purple is standing completely still at his mother's grave, head cast down in sorrow.

Did it take any line of dialogue or facial expression to make his grief clear? No! All it took was simple body language.

It even helps differentiate one character from another, in terms of how they walk,

(Green skipping dramatically just SCREAMS theatre kid in The Wishing Well short:)

how they pose

("Blue" posing in a way that the REAL Blue most likely wouldn't in The Witch:)

(and Red’s aggressive movements vs Green's cocky ones from The Prank; you can tell by the way Red stomps up to Green that the poor guy is getting mad)

their fighting styles, too; where Red shows his aggressive and impulsive nature in the way he fights, compared to Yellow taking a more defensive stance in 'Green's Channel';

And even how they sit! HOW THEY SIT!

The animation team could've easily had them all sit in the exact same way, but no! They had them sit differently, in ways that give them all more personality.

And later on in the same short, they expressed frustration differently!

Red's pose here being some sort of pout, Blue’s feeling more of a "damn it!" while Yellow is a classic thinking pose; showing that he's possibly coming up with ways to succeed in another try.

And it didn't take a single word, nor a FACE, to get this point across! All it took to convey emotions was how they move! It's actually really interesting to think about. It didn't take voice actors or faces or even character design to show emotions and personality, all it took was a good understanding of body language and movement. Props to the Alan Becker team for that!

Before I go, here are some other examples of how simple movement conveyed emotions in AvM.

Blue's shock turning to horror in the Omelette Short:

Green laughing in Fruit Ninja and Wallpaper:

Orange tiredly rubbing his eyes in Ragdoll to show that "He didn't get enough sleep for this nonsense":

And finally, Red, Green and Orange leaning differently during a race in "Carrot on a Stick"

That's all I have, thank you for your time <3

I genuinely admire how the animation team managed to pull off body language so amazingly! It's so cool how you can express so much about yourself through your movements alone.

[adamsrcnan]

do you guys think that when neil got back home from cali he took andrew up to the roof where he sat watching him smoke and told him he put a hit out on a raven. and then andrew sat there in silence watching the sunset before asking "why?" and neil looked down fiddling with his own lit cigarette and said very quietly that this particular raven was jean's drake. do you think that andrew went very still and did not speak or smoke for such a long time that neil eventually looked up at him and was taken aback by how andrew was watching him very carefully. do you think that as andrew looked at neil he was so paralysed by the thought of jean going through that same abuse and neil putting an end to it without even thinking twice. do you think he realised his meter had officially broken and neil was so far past 100% and that he was really truly it for him

[lazylittledragon]

can't stop thinking about how well they nailed falin's 'weird little girl' energy. when she picked up a stick and said 'ooh a bug' i felt that

[kantpattanawat]

Bison? First Kanaphan as Kant (The Heart Killers, 2024-2025)

[demaparbat-hp]

Oh, Lala...

[cosmicdreamgrl]

jungkook getting dolled up for @jkvjimin 💄 [ cr : namuspromised ]

[fluentisonus]

working in a factory has you thinking so much about the insane chain of labor & transport that goes into making literally anything

[thepersonperson]

Sukuna’s Loneliness Part 4 (Sukuna’s Negative Rizz)

Part 1 Part 2 Part 3 Part 5

Some warnings before we start.

1) This analysis deals with sexual topics.

2) I will be mainly using the TCB scans because of their accessibility. Raws are from mangareader(.)to.

3) This was written as of JJK 262 266. (I'm just going to keep updating this until I stop finding things I should've noticed earlier.)

4) The raws broke me in ways you cannot possibly imagine.

(Click images for captions/citations.)

Fighting as Communication

Baki the Grappler. This is a manga where men destroy each other’s bodies as a test of strength. It’s poorly written but the art is terrifying and I love it so dearly. Between fights of extreme violence and body horror the characters eat. And that’s it. That’s the manga.

I bring Baki up because Gege is a huge fan of Fujimoto Tatsuki, the creator of Chainsawman. Fujimoto is a fan of Gege too, but more importantly, he is a huge fan of Itagaki Keisuke, the creator of Baki. (His daughter made Beastars btw.) In a way, this means Jujutsu Kaisen has been influenced by Baki. But that’s not a surprise, a lot of manga is.

Itagaki’s work is so massively influetial on Japanese media that it’s kind of hard to grasp since it’s not as popular overseas. When listening to interviews from various Japanese creators, Baki will often be cited as a major influence. And the thing is, you can tell when a creative has read Baki. There’s nothing quite like it. If you’ve read Baki and consume Chainsawman, you will see its bones everywhere. I feel the same about Jujutsu Kaisen.

The main antagonist in Baki is Yujiro Hanma. He is the strongest creature alive. So much so that he has no one to call a rival. He’s bored. He causes trouble. He kills his wife to motivate his son, Baki into becoming stronger. His son, Baki, who he grooms into becoming a fighter that might beat him in combat one day. Kind of sounds like Sukuna, right?

But that’s not my point here. My focus is how Baki doubles as a discussion about strength and manhood. It’s aggressively bisexual. Men love each other with their fists. Straight up the main character says having sex with women is the same thing as fighting men.

And it just doesn’t stop there. The homoerotic nature of the fights is never shyed away from. Here’s an example of my favorite.

He grabs his balls and compliments their size. That’s pretty gay, right? Well there’s this reanimated prehistoric caveman called Pickle that fights Baki’s brother Jack. And how do they fight? They kiss.

I didn’t call it a kiss. Itagaki did. I didn’t say they melded together. Itagaki did. This mangaka overtly calls attention to the homoerotic nature of men fighting men, and how men communicate their love for each other through violence. And yes, it’s sexual. Itagaki wants you to read it that way.

But sometimes he doesn’t want you to read it that way. Sometimes the fights are a dialogue, an emotional conversation. Like one between father and son.

Itagaki is a master of narrative framing. When he wants you to feel a certain way, you will feel it. He also tells his readers that there’s more to the fights than just fighting.

Those are the ideas that help me see the bones of Baki in other works. Men loving men with violence. Men communicating with men through violence. I see these ideas in Jujutsu Kaisen too.

Jujutsu Communication

I’ve gone over how Yuji commucates with other people on their own terms. And a lot of it is through fighting. A conversation without words, learning how someone works. Yuji is good at using fights as tool of communication.

But he’s not the one who tells you that there’s more to the fights than just fighting. Maki does in her spar with the sumo guy.

Just like Baki. Fighting is a means of communication. Gege has told you that there can be more to the fights than fighting. It's a tool used to understand the self and others.

With that in mind, I want to reexamine a particular fight under the lens of Baki rather than Umineko.

Sukuna vs Gojo

Baki tells you that homoerotic readings of its fights are intentional. If you ask me, this probably stems from historical stances on masculinity and homosexuality in ancient Japan. Men loved men and women differently, but both were ok. That’s how Baki can have a girlfriend and his gay fights. Peak bisexual optimization.

What does Jujutsu Kaisen have to do with this? Well it has been extremely queer friendly. We have a multidue of canonical trans characters, non-binary characters, and other flavors of queer characters not disparaged for their identities, Gojo Satoru included. It may not be stated outright, but Gojo and Geto do love each other in a gay way. The subtext is so persisent it’s basically text.

In other words, Gege has already told us, yes please have queer readings of this text. It’s the same way Baki tells you, yes this is straight up convoluded gay sex. So that’s what I’m going to do. I’m going to reread the Sukuna and Gojo fight as some ridiculous mating display between two men who are fighting over can miscommunicate their intent the hardest.

Framed as Courtship

Let’s start with the framing. The pre-fight set up. How does text tell you queer readings are allowed?

Kenjaku does. It’s romantic. It’s a date. This reading has been made valid explicitly. And if there’s room for doubt because of the sarcasm? There’s still additional support for it.

We already know how badly in love Gojo is with Geto. The fight is on the 24th of December, the most romantic day in Japan. And in a fun little Geto parallel, who declared the start of war on this day, violence underlines this new romantic venture.

That doesn’t include Sukuna who recalls Yorozu’s words about teaching love in the context of marriage.

Gojo never heard that conversation which is why the next point is absolutely insane.

The outfit Gojo initially is in resembles that of a groom at a Shinto wedding.

Shinto weddings were implemented after the Heian era. Part of the ceremony includes a priest and a shrine maiden who respectively stand to the right and left of the altar. A purification ritual will occur, lead by the priest, to cleanse the shrine before vows are exchanged. Gakuganji is the priest and Utahime is the shrine maiden. To the right and left of Gojo respectively.

The bride at a Shinto wedding wears mainly white. After the 200% Hollow Purple cleanses the area, the dark shawl is removed and Sukuna remains in mostly white.

How interesting that this battle has been framed as one between groom and bride.

The thing is, marriage in the Heian era was far more lax. There were no major ceremonies. If a man was interested in marrying a woman, he would visit her for 3 nights after receiving approval from her father. Upon the passing of their 3rd night together, the family would have an informal celebration of their union in private. Even after marriage, multiple partners were allowed and sometimes encouraged.

Yorozu’s big celebration proposal to Sukuna and banning of concubines was quite improper by Heian standards. Though it is in line with modern marriages. If Sukuna did not consume any Shinto wedding literature, he probably didn’t recognize that Gojo was dressed as a groom.

But did Gojo dress this way for Sukuna intentionally? The Toji fit served an entirely different purpose. It’s the robes and pre-fight ceremony that catch my attention. So I propose the following:

1) Gojo dressed up as a groom to die and be wed with his one and only Geto in death.

2) Gojo dressed up as a groom in part as an offering to Sukuna. And because Sukuna is from the Heian era it went over his head entirely.

3) Gojo intended for both of these things at the same time and left who he would end up with to fate.

Regardless of what Gojo was going for here, it’s a visual cue combined with the knowledge of it being Dec 24th that encourages the reader to perhaps consider the fight as something other than just a fight. A date perhaps? Kenjaku made the connection and neither Gojo or Sukuna really denied it. Gojo gave the weak excuse of a death anniversary confusion. But much weirder, given how hostile he was to Yorozu, Sukuna did not object to the romantic framing in any capacity.

Am I reaching? Is this reading intentional?

When I start getting this confused by how a translated work wants me to read it, I try to refer to the original language text and anyone who knows it for missing context. Sometimes localizations add things that weren’t there or push readers towards one interpretation. So for the rest of this analysis, I’m going to be focusing on the raws.

I’m going to be honest. My Japanese fudging sucks. I can barely read kanji and can’t reliably translate anything. Feel free to correct me if I got something wrong. That being said, with what little I do know, I have discovered something interesting.

In this post I talked about how weird Sukuna’s manner of speech is. I focused on his you pronoun usage of お前 (Omae) for everyone else and 貴様 (Kisama) for Gojo since this is a strong indicator of how a character views their relationship to someone.

Here's a summary of the two points I made in that post:

1) Omae is informal and either a casual thing amongst peers or indicates the speaker's higher status. Since Sukuna is arrogant, we can reasonably assume he's talking down to people.

2) Kisama historically was a formal show of respect, but in modern times it is a hostile insult, much more rude than Omae. Since Sukuna is 1,000 years old and hates Yuji (who he uses Omae with), we can reasonably assume Sukuna was being friendly to Gojo when he used Kisama.

With that pronoun usage in mind, while examining the raws for the infamous “You Cleared My Skies” speech I found this:

Kisama. Sukuna is very happy and lavishing Gojo with praise. The assumption it was formal from the start seems to be correct. It's hard to read this any other way.

Though Japanese can easily be dubious in its interpretation, there are instances where context can cut off all other readings. I truly believe this one of those cases.

Now, to confirm Sukuna is still only treating Gojo this way I started looking at his you pronouns as he got excited post-Gojo death. Maki is the person he seems to admire the most.

He’s still just using Omae. What does that mean? Gojo is in his own fudging category for Sukuna and he has been there since the start of the manga. (For more on why this is significant, refer to this post.)

Wow ok. That’s pretty intense! We’ve got Gojo dressed up as a groom on December 24th and Sukuna treating Gojo different from anyone else. I read their fight again under the lens of explicit courtship and focused in on these specific panels.

Satisfaction. Now that’s a word that can easily carry a sexual connotation. Love as well. The parallel syntax fascinated me in English. So I decided to look at the raws and see how close they are.

Pretty much the same except for "the one who will teach you love" and "the one satisfying him now". Since the one being satisfied is Gojo by Sukuna, it really seems we can assume the one being taught love is Gojo by Sukuna.

Time to learn some Japanese again!

Kanji has multiple readings. Most have at least two. The Onyomi (Chinese) reading typically used for nouns and the Kunyomi (Japanese) reading typically used for verbs. (This is not always the case but it’s the basics.)

That’s probably why 満 is read as まん (man) when Gojo and Geto are talking about “satisfaction” using the On version and み (mi), the Kun version, when the narrator is talking about who “satisfies” who.

However 満 on its own does not mean satisfaction. It means full. To be filled. Or fullness. 足 (zoku) is added as a modifier after 満 to be read as satisfaction 満足 (manzoku). 足 usually means feet, but it can also mean to be sufficient. Manzoku therefore has a direct translation of being sufficiently full. It’s not a surprise a lot of food places in Japan use Manzoku in their names or advertising.

But what’s this? Why is this sentence written as 満たして or Mi(tashite) instead of 満足して or Manzoku(shite)? The addition of Zoku is what transforms Man into "satisfying". Without the Zoku, it’s just "fill". The means this sentence can be read as “The one filling him up now is—”

We’ve already established that the blank is Sukuna. The new problem is that he’s filling Gojo up. And boy, does that sound homoerotic to put it lightly. But perhaps I am reaching.

So I did what any sane person would do in this situation. I read hentai.

Surely if the phrase 満たして (mitashite) can carry a sexual connotation I will find it in hentai.

...

I immediately found a yaoi doujin called Fill me with your Big Love aka おっきな愛で満たして (Okkina Ai de Mitashite). Honestly, I found too many doujins about creampies specifically. (You have internet access verify this yourself.) When you search Manzokushite the results are much more in line with life satisfaction than sexual satisfaction. ...So Gege decided to use the more frisky phrasing.

Manzoku is also the name of an active sex toy manufacturer (I’m not linking them use a search engine.) and a discontinued adult entertainment news company. So the satisfaction Gojo and Geto talk about, along with Geto using 妬 (ya), the jealous kanji often used between lovers, is definitely probably carrying a sexual connotation too.

So, I’m not reaching. What the fudge did Gege mean by this?

Now that we've established that I am NOT reaching. What do we do with this information?

Well, we ruminate on the fight with the knowledge that Sukuna, of his own volition, decided to get Gojo off, probably.

I have forgiven Nanami for calling Gojo a pervert. If I watched someone bust a nut after being cut in half by his sworn enemy instead of saving the country, I too would be like what the fudge.

Anyways, the typical phrase used for an orgasm in Japanese is 行く(iku). It translates as to go. And yes it can mean to die, as in going to the other side. To die and go to heaven if you will. Which is what Gojo did with a big old smile on his face.

There’s also the term 心天 (tokoroten). It refers to a dish were a semi-opaque white substance is pushed through holes to create noodles. Literal translation using the kanji for heart 心 (kokoro) and the kanji for heaven 天 (ten). (Don’t ask me why them being smack together turns the Koroko into Tokoro. I don’t know.) Which in slang refers to prostate orgasms. This has nothing to do with this analysis I wanted to drop this fun fact in here. …And this image of Sukuna clutching his heart while looking at someone he sent to heaven.

(This is a reach but the idea of this being an elaborate gay pun amuses me greatly.)

I have another fun slang term: 賢者タイム (kenjataimu) which directly translates to sage 賢者 (kenja) time タイム (taimu). This refers to post-nut clarity sending someone into a meditative-like state.

Oh that’s a bit familiar. Sukuna was giving sagely advice to Kashimo and reflecting on satisfaction and love.

And what’s this? Mitashite has made a reappearance! Sukuna is saying “I’ve never thought about needing another person to fill me up.” Which 1. further supports the 'The one satisfying/filling him (Gojo) now is—Sukuna.' reading and 2. suggests Sukuna is a top suggests Sukuna really doesn’t have sexual interest in people. (Since the context of this convo is relationships and love.)

By the way. Acts of eating in Japanese can be modified to carry sexual meanings. It’s a bit more suggestive than English, but it carries over pretty well I think? 肉食系 (nikusokukei) refers to someone who aggresively pursues romantic or sexual relationships. Composed of the kanji 肉 (niku) for meat, 食 (ta) for eating, and 系 (kei) class. If you noticed, 食 isn’t usually read as Soku. It becomes Soku when paired with Niku for some reason. (I don’t know why someone please help me.) Side by side the kanji 肉食 (nikusoku) means meat-eater.

食 is still interesting on it’s own. The 食べる (taberu) reading is normal eating. The 食う(kuu) reading is an innuendo. It can mean to devour someone, like a cannibal, or devour someone sexually.

Sukuna has made it very clear that his eating of people is literal. There’s no innuendo. In fact, if you read into it, he’ll kill you (rip Yorozu and Kashimo).

Gojo, however, appears to be his sole exception to this rule. When Sukuna tells Kashimo not to spoil his pleasure he uses the kanji 興 (kyou). This of course can be directly translated as pleasure, but the Chinese reading of it can also indicate intense excitement or sexual arousal.

Sukuna is pretty good at double-entendre wordplay if his earlier stunts with the kanji for Enchain doubling as Megumi Activities if read a different way is anything to go by. He's a fan of Chinese literature. It's not a stretch to assume there's more going on here.

And if notoriously homophobic Reddit dudebros are posting things like this. Maybe there's a lot more merit to this reading than I can currently grasp.

I’m still pretty convinced Sukuna is aroace. That of course doesn’t bar him from pursuing romantic or sexual relationships. Sometimes there’s the one exception. Sometimes the desire to be with and please an allo partner allows for engagement of activities they aren’t into. Sometimes the actions are pursued without the emotional attachment because they physically feel good. There’s also the gray-scale and demi labels to consider.

With that in mind, I want to emphasize this all points to how important Gojo is to Sukuna regardless of sexuality. He tried to engage with and understand Gojo on terms he won’t for anyone else. And he’s been pursuing this connection relentlessly since the start of manga.

Sukuna’s Negative Rizz

Ok I established that reading the Sukuna vs Gojo fight as unhinged courtship is supported by the text. That doesn’t really say anything about Sukuna sucking at it.

But, my dear reader, that in of itself is proof of his negative rizz. I had to sit down. Learn about Heian era and Shinto wedding rituals, learn more Japanese, splice seemingly unrelated manga panels together, read hentai, and know that Gege is into yaoi to come to this conclusion. I had to rip every little shred of characterization and context apart and rearrange it into something comprehensible.

You know who can’t do that? Gojo.

As far as Gojo is concerned, Sukuna hates him. Kisama is an extremely hostile you pronoun in modern times. And if Gojo can’t tell Shoko (his closest friend after Geto) is stressed over him being used like a meat puppet by her visibly falling back on her addiction, he’s going to default to the assumption Sukuna hates him just as much as everyone else.

And Gojo does just that. He assumes he failed to reach Sukuna. Despite how often they did hand to hand combat and weaponized their knowledge of each other, Gojo believes they never had proper conversation through fighting. He dies not understanding Sukuna, convinced the other was not trying to communicate with him at all.

And if you recall, all of this fight occurred while Sukuna was wearing Megumi’s face. That boy is pretty much Gojo’s adopted child. From my experience, most single parents do not go looking for clones of their kids as partners.

If someone wore the skin of my family member I would assume they were trying to torment me. And torment Gojo Sukuna does. He draws attention to Megumi’s soul being used as collateral and attacks him with the 10 Shadows. We as the audience know this is all for the sake of getting past Infinity using his Shrine. Gojo doesn’t know that. He’s fighting an evil dude who is puppeting the body of his son for god knows what reason.

Seriously, Sukuna sucks at communicating intent.

In Part 3 of my examination of Sukuna’s loneliness, I said Dismantle is a tool Sukuna uses to understand. And that him upgrading it by making Gojo the center of his world was indicative of his desire to reach him. I also said his refusal to use it on Yorozu was him expressing how little interest he had in her.

Yorozu is pissed by this. She sees it as Sukuna rejecting her and I don’t think she’s wrong. Sukuna saved his special Cursed Technique (CT) for Gojo while turning Yorozu down. If we’re considering all the wedding imagery and references that started with Yorozu, I’m certainly allowed to read that as him saving himself for Gojo. (Think of how he lied to Gojo about being the first one he killed.)

There’s also the fact that Yorozu saw their battle as an expression love and lust—that the usage of CT is a type of foreplay under certain circumstances since it is an extension of the self. Combine that with the established premise that fighting is a type of a communication thanks to Maki vs Sumo Guy and you can start to see the courtship logic behind Sukuna’s treatment of Gojo.

If we are to read “The one who will teach you love is…Sukuna” there’s another adorable caveat. Yorozu uses the you pronoun あなた (Anata) for Sukuna.

It’s an informal you pronoun used by people learning Japanese. Native speakers try to avoid using it as it can come across as rude. But in the context of love? This is colloquially called the wife pronoun as its often used by a wife to her husband.

If you wanted to localize its usage in the way Yorozu means it, Anata might become “you, dear”. So here we have Sukuna dressed in white, like a bride to Gojo’s groom, thinking of him as Anata.

The problem is, Gojo doesn’t know that. Sukuna never bothered to open his mouth and say this was an act of love. Sure he told Kashimo in the most roundabout way possible, but Gojo was the one who needed to hear that. If a courtship is going to be this diabolically complicated, there has to be clear hints for the other party. JJK is not Umineko where there’s a witch that can revive the dead over and over until the idiot finally understands this was all for them.

Gojo also doesn’t have access to the kanji Sukuna uses to describe certain techinques or words. He hears the phonetics and runs with whatever best fits the context. This means there’s no way for him to catch the double-meaning unless he’s a certain type of lingust, which he is not. His manner of speech and personal interests don’t line up with the flowery language of the Heian Era. The types of written works Gojo is into are historical war politics from the Sengoku period (known for violence more than the fine arts), Shonen manga, and physics/math.

And what's this? According to CFYOW (the canon light novels): JJK Thorny Road at Dawn, Chapter 3 Asakusabashi Elegy, Gojo doesn't even like ancient poetry. You know, the thing Sukuna enjoys and tries to communicate with.

The Kokin Wakashu Gojo off-handedly disparages is a compilation of Hiean Era poetry known as Waka. This was the primary means of communication amongst the noble class and spiritual leaders at the time. And the thing is, this poetry is supposed to be read into. Down to the quality of stroke and paper, not just the kanji written. Especially for courtship.

It’s not that Gojo is stupid. He just doesn’t specialize in the studies that would give him a more critical ear to Sukuna's words. And Sukuna doesn’t seem to understand that no one in the modern era communicates like this anymore.

If you didn’t know, this is why Japanese characters introduce themselves they often describe what kanji their name is spelled with. Take for example: Satoru. He uses the kanji 悟 meaning enlightenment. This kanji can be read as Go instead of Satoru. Additionally, the name Satoru can be written in kanji as 聡 for smart, 智 for wisdom, 知 for knowledge, 了 for understanding, 哲 for philosophy, 聖 for virtuous, or 暁 for daybreak. That’s 8 different kanji possible if you hear the name Satoru.

This is why Sukuna’s wordplay for everything else can be easily missed by other characters. They hear the words and cannot read the kanji like us. Context decides what Sukuna means for them. And since Sukuna’s context for most is violence and insults, it’s very hard for them to think about his words in any other way.

And boy howdy does Gojo miss it. Sukuna straight up calls him his husband and it took me several rereads to catch it. While mocking Gojo for being unable to open his domain, Sukuna calls him "painfully ordinary". This is localized from the word 凡夫 (bonpu) which can also be translated as unenlightened. (A layered insult! Sukuna is pretty much saying Gojo's sorcery is so boring he shouldn't even call himself the Honored One.)

The thing is...Bonpu is comprised of the 2 kanji 凡 for mediocre, and 夫 for husband. (Please note that there are many other ways to call Gojo a ditz without using the kanji for husband.) And an update from the Replies: Turns out there's layers to the gayness too.

It's come full fudging circle. Gojo came dressed as a groom for a wedding and Sukuna thinks they're already married. The miscommunication is off the rails.

But wait! There's more...

Earlier I mentioned that the kanji for Enchain doubles as Megumi Activities. Let's break that down more. (Unfortunately the Twitter account of the person I referenced may or may not be nuked so here's this screenshot I've doctored.)

So we have the translation of Enchain from 契闊 (Keikatsu), which might be better localized as Separation.

This term comes from a Chinese poem about lovers who are husband and wife in The Book of Odes, Section I (Lessons from the States), Chapter 3 (The Odes of Bei), Poem 31 (Banging the Drum). (Here's a link to the full poem and context of it.)

In summary, it’s about a soldier who is on the brink of death, having lost nearly everything after being abandoned by those in power, lamenting the happiest days of his life with his love are ones he can never get back. (Hey that sounds just like what Sukuna did to Yuji!)

Keikatsu specifically comes from this passage:

“Our vow is beyond death and life”, I and you are together I always remembered. I will hold your hand, And together we grow old.

Too pitiful we are faraway apart, The distance separates us to meet again! Too miserable this takes forever, And it does not let us fulfill our vow!

Keikatsu is used to exemplify how the physical distance between the husband and wife prevents them from fulfilling their wedding vows. And that's just what Keikatsu/Enchain does to Yuji and Megumi, it causes painful separation neither of them wanted.

Keikatsu also tells Yuji exactly how Sukuna plans to do it. 契(kei)闊(katsu) can be written as 恵(kei)活(katsu). The kanji 恵 can be read as Kei or...Megumi. (It's the literal kanji used for his name.) The kanji 活 (katsu) can mean "activities", which is how we get Enchain=Megumi Activities.

A two for one special! Sukuna mocks Yuji for being so close with Megumi while telling him exactly how he's going to destroy their relationship.

It seems this has nothing to do with Gojo until you consider the 3rd possible reading from wordplay with 契闊 (Keikatsu). The kanji 契 when read as Kei refers to a promise, pledge or vow. When 契 read as Chigi? It can refer to sexual intercourse, especially between husband and wife.

So we have 契闊(keikatsu, separation), 恵(kei Megumi)活(katsu, activities), and 契(kei chigi, spousal sex)活(katsu, activities). It's no wonder he erased Yuji's memory of it.

Keep in mind, that when Sukuna uses Keikatsu, the only vow that he has made at this point is his promise to kill Gojo. He eventually does that using Megumi's body during a fight framed between groom and bride. And for reasons beyond their control, Sukuna and Gojo have been unable to fulfill that vow through lengthy separation.

Notes from poem "Banging the Drum" Sukuna references include the following:

"And during the operation, he lost his horse, which was a desperate situation (horses in ancient time carried soldier supply and weapons, are life companion for soldiers in advance or retreat), he lost his horse, his supply, maybe his armor and weapons, and the road he was facing that we may lose his life so he may never go back. In all these mess, he started searching, and somehow at this hopeless moment he started to revisit his happiest moment, when he together vowed in marriage ceremony with his wife, and he was even afraid that he might never see his love again."

"And His last statement for his true value is his home, his love, his fulfillment of his vow is his true duty. Hero's duty is to pursue love."

In Buddhism, which JJK is heavily influenced by, horses are a pretty big deal. Horses can represent the path to enlightenment, especially since The Buddha's horse is what takes him on this journey away from his wife and children. They separate in the end though, the horse dying of a broken heart.

Remember how Sukuna called Gojo unenlightened? He sort of guided Gojo to enlightenment using Mahoraga, whose Eight-Handed title is a reference to the Eightfold Path to be followed for enlightenment. Buddhist enlightenment is centered around liberation from suffering. (Just check the wiki entry to verify this.) Infinity was the source of Gojo's suffering and Sukuna cut right through it.

Sukuna has been running around with a broken heart for a good chunk of the post-Gojo fight. And if you take that into consideration with this poem and all the other symbolism, he's somehow a Buddha, a Bodhisattva, the dying husband, the widowed wife, and the heartbroken horse all at the same time. Not unlike his wordplay taking on every possible meaning at once.

But my point here is that Sukuna might’ve seen his fight with Gojo as consummation of their marriage. (There's probably a joke in here about the husband reaching climax while leaving his wife unsatisfied.) Remember in the wise words of Itagaki Keisuke, "Fighting and sex are exactly the same!"

In Conclusion?

This is possibly one of the most bizarre and elaborate expressions of love I have lost my mind over. Sukuna gave everything Gojo ever wanted from Jujutsu violently. He did it in such an unpleasant and cruel way that the target of his affection thought there was nothing between them. Sukuna also hid his intent under social norms that no longer exist. Unless Gojo happened to be into ancient literature, there was never a scenario where he would catch onto this. Sukuna's failure is critical on multiple levels.

It’s impressive. It really is. No one knows how Sukuna’s strange little brain works so he’s stuck being loner without anyone that fully understands him. (I’m still thinking about how Uraume didn’t know Sukuna was a twin for over 1,000 years.) He’d have to let people in and tell him outright, but he’s just like Gojo so I guess that’s never happening.

[tev-the-random]

He really wasn't joking when he said he tends to occupy 60% of someone's brain

[mobius-m-mobius]

Owen Wilson and Tom Hiddleston in Midnight in Paris (2011) // Loki S02E01 (2023)

[introspectivememories]

too many of you guys think nico is the loser and not lewis for letting the divorce go on for so long. like they're both losers about each other. emotionally constipated idiots who can't talk about their toxic homoerotic friendship that imploded on itself like 8 years ago and are now making it everyone else's problem. yeah nico's on television or in beer gardens talking about lewis all the time but like every other month some reporter is like "lewis, what's your favorite moment in your career?" and lewis no hesitation is like "oh man, karting, y'know? everything was simpler then" and then spends another six months skirting around nico's name. like this whole thing they're doing in the media isn't some kinda extended foreplay for them. they're both still pressing on the bruise to make sure it's still there!!! every few months, they're literally just asking on public television, does it still hurt for you like it does for me? and like clockwork, someone will release new information about them or one of them will say something about each other (in my heart, he's still my best friend/yes... and teammate) and the answer will remain the same, yes, of course, always.

[chancheols]

"I feel like I had nothing to hide. I didn't feel like I had to show you my good side. I feel like I can be myself around you."

[somegrumpynerd]

Okay I know I'm the most biased person about dadmare, but you can't honestly tell me that if Cross started to mention the way xgaster treated him and his brother as children - the way an adult bullied and belittled and abused them - that it wouldn't make Nightmare see red

[yippee-optimistically]

Funny oj doodles ^_^

this is the evil ii2 song 🔥

And finally.. I offer u ... A measly colored human apple ... Ain't she a cutie !

[autumnwhistles]

On c!Martyn and Caring

Martyn and loyalty are two words that, in discussions, tend to go hand-in-hand. Whether it's praising his devotion to Ren or analysing his betrayals, he can never escape that contradiction. Is he loyal, or not?

I think it goes deeper than that. While c!Martyn is full of contradictions, it isn't only loyalty that's at the core. Rather, it's the wider subject of how he interacts with players at all, how close he gets to them, and how he reacts to caring.

It's both a question of how much, and how deeply, and contradictions are found in both aspects. On one hand, Martyn is a very solitary player. CC!Martyn says as much – that he tends to play a solo game, despite having a "person of interest" each time he'll check in on (whose back he has "until [he doesn't], until [his] sword goes in it"). On the other, he's extremely sociable – though he rarely gets close to others, he spends almost all of his time talking to others, joking with them, heading from group to group. On one hand, he's completely focused on self-preservation, willing to backstab and betray at a moment's notice if it suits his game. On the other, he has a capacity for honour and loyalty, and – crucially – losses do affect him deeply. Again, CC!Martyn describes this contradiction very well.

There are always these two conflicting wishes within him – for self-protection (whether from physical or emotional harm), but also despite himself, for care. And two quotes represent the contradiction. One in-universe:

I learned there was nothing in this world for me – nothing but walls, corners, edges. And you know what, you showed me life. As much as I’ve taken it from you, you gave it back to me in buckets’ fulls. - Shortly after Ren's beheading, 3rd LIfe

And one from CC!Martyn:

[Ren's final death in 3rd Life] was the moment that kind of broke character!Martyn and made him more selfish moving forward. - Martyn's post-Limited Life lore stream

A wish, and the consequences of indulging in it. It's a balance he'll have to walk for as long as the games continue.

So, let's explore it.

Pre-Win

It's pretty clear that walls, corners and edges are the only thing Martyn has seen for a long time now. After so many games, so much bloodshed without ever an end in sight – even after winning, nothing changes – it's hard to search for anything else. But back, back before the Red King's rise, seeing the world that way wasn't enough.

3rd Life

Martyn starts, as he always does, as a wanderer. He's a bit of an outsider from the beginning – he's not a Hermit, he was never a member of X-Life or any of Scott's other series, and though he has been in one MCC team with Scott and another with Joel, the people he's truly familiar with (the EVO crew) are by far in the minority. It's only really BigB and Skizz in the same boat.

It's no surprise, then, that he takes the first chance to form an alliance he gets (with members he's all familiar with) – the Blue Sword boys. But though he does think about the alliance far longer than the others do, it's not so much of an emotional commitment. We're still at the stage where he thinks there's "nothing in this world for [him]", after all.

There's another similarity between early game Martyn and the Martyn we're more familiar with: he's focused on survival from the start. He's always worried about Ren being too kind, about Ren spilling secrets. He hides his own resources (eg the Ender chest), he spends most of his time away from Dogwarts, he's ready to leave if Ren doesn't toughen up. In many ways, pre-Red Winter Martyn isn't all too different from post-3rd Life Martyn. He's always been worried about the impacts of others on his game.

What he's not worried about yet is the emotional impact on himself of others dying.

So he indulges in that life Ren has shown him gladly. He gladly takes up the mantle of Hand, of protector, taking no effort to hide his loyalties or to emotionally distance himself, and leaving no contingencies in case things go wrong.

Then, Ren dies.

Only a few metres away from Martyn, but out of his line of sight.

C!Martyn breaks. He'll live with the knowledge of the consequences of caring forever.

And we see this in...

Last Life

Is it better to have loved and lost, or to never have loved at all? For C!Martyn, it's cleary the latter. And there's one clear change in his alliances this time round that shows this: contingency plans.

Especially at the start, Martyn doesn't tie himself closely to the Southlands. He has options to escape them – Ren especially is an option if things go wrong, and later down the line he forms a whole secret alliance (the Shadow Alliance) as well. Of course, this means he'd have the option to use the Southlands to escape the Shadow Alliance as well, though since the Southlands does considerably worse in every metric, this never really becomes necessary.

He isn't tied as closely to Ren this time, either. Though they are allied, he's completely fine with attacking him in the Battle Royale at the end. Of course they planned to fight if they were the final two in 3rd Life, but there are still two pairs of alliances left – Scott and Pearl, and technically Martyn and Ren – and sticking with his doesn't cross Martyn's mind. Maybe accepting Ren's going to die, helping participate in that himself, is easier than trying to protect him and failing again.

So, Martyn makes efforts. But, despite this, he does end up getting close with his allies, especially with the Southlanders (excluding Grian) he had so many plans to escape from. He makes a habit of imitating Mumbo's intro at the start of each session; he votes to keep Jimmy in the alliance even after Jimmy had betrayed them by running away with a life they were passing around as a test of loyalty (Martyn's own life, no less). Viewing the world as only walls and corners wasn't enough for him back in 3rd Life, and no matter how reluctantly he tries to always give himself an out if things go wrong, it clearly isn't enough for him here, either – he does start to genuinely involve himself with them, genuinely care for them.

This care works, yet again, to Martyn's own detriment. Though it doesn't cause his death this time, he mourns them enough to hallucinate their presence – and, importantly the 'promise' of bringing them back to life is what the Voice (a mysterious entity that's been talking to him and telling him what to do for most of the season) uses to keep him obedient.

Martyn: And what if I don't like it your way? Voice: Do as we say. Martyn: W-Why should I? Voice: We can bring them back. Martyn: I don't believe you... Voice: We tell no lies Martyn: Fi-Fine! - LL Ep 8 intro, right after the hallucinations (seriously if you haven't watched any of his POV watch these moments). They're not brought back, of course.

He cares! No matter how much he tries to stop, or pretend he doesn't, c!Martyn is someone who cares deeply. That's something often missed in him.

And that's exactly why he takes so many measures against it.

Double Life

Devotion didn't work, and contingencies didn't, either. So, what does Martyn immediately do in Double Life after finding his soulmate? Cut Pearl off, even after both have been similarly abandoned. He can't take that chance again – he's learned twice now that having close bonds with others, whether you intend to turn on them or not, only ever leads to tragedy. He's learned that the hard way.

But... there is still someone Martyn tries to get close to. Cleo. It's the only time we ever see him actively trying to make a connection with someone, and whether tactics played a role in it or not, I think this is for one main reason: as they're soulbound, their lives are linked. For once, there's no risk of your closest friend dying before your eyes. For once, you don't have to plan to betray and escape, because it's not just one person winning the games – it's both of you, together.

And, for once, this works out for him! They don't win, of course – but when it comes down to it, him and Cleo do work together in their final moments. She doesn't turn on Martyn when he attacks Scott, and she fights Pearl with him. For once, he and his ally die together. In fact, this is the only time he arguably lost because he was too distant from others – it was his rejected ally who killed him, and it was him instantly turning on Scott after they were the final four which lead to the fight starting so soon. I do think Pearl and Scott were more likely to win even if Martyn had done things differently – both of them are very good in fights, and though Martyn is too, it's not Cleo's strong suit – but it's an interesting thing to note...

...Not that it changes anything about Martyn's mindset heading into the next game.

Limited Life

Why would Martyn's mindset change? After all, he successfully avoided what hurt the most, and so he instead doubles down. Yes, he's teamed with Scott – and even then, he's alone for the entire first episode, and only goes to Scott in the second after it's clear others have already formed their groups (numbers are a tactical advantage, after all) – but it's never meant to last. He'll protect him while others are standing, but the intention was always to betray him, to kill him eventually, thinking about it at least as early as Episode 4. To Martyn, their alliance is "fleeting and fragile" (linked in the previous clip), and there's even an excitement that comes from thinking about the betrayal. So, when the time comes to do this, he doesn't hesitate – though the Watchers' amplification of emotions did play a role (also in the lore stream), he's quick to turn on him and cut him down, expressing no apparent regret or remorse. Yet again, a success for Martyn!

...The thing is, all this comes at a cost. Those buckets' fulls of life he saw with Ren have emptied long ago, the corners and edges taking up his entire vision. Everyone is a number, a tactic, a liability, and the one who gave him those bucketfulls is fone. And in the end, being successful in his betrayal doesn't even change anything. Though part of his soul is protected from fragmenting (more info on what that means here), he can't know that. He's just thrust into another game with the same players, still missing Ren, to kill once again. He wanted so much for things to be over, to be the last one standing – "none of these niceties, this is a death match for a reason".

But... nothing changes. If surviving doesn't get you anything, and that was your only aim, that was what you gave everything for (alongside avoiding pain)... what, exactly, do you have to live for?

Post-Win

Secret Life

Now, I admit Secret Life came out at a time my interest in the Life Series was at a low, so I haven't actually watched anyone's perspective though (I did watch most of Martyn's, but the closest I got was watching nearly all of Etho's, since this was around the time of Decked Out 2. And I loved watching Etho play Decked Out 2). But there are two things to note with Martyn here. One, he's being a lot more reckless, partly because he's used to relying on hearts returning, but I think it's also because of the win being so inconsequential. Is there a point in spending all that effort surviving till the end?

Two, he's allied with... Jimmy?

If Martyn ends up hurt when his allies die before him, why ally with the player known for dying first?

Again, part of it may be tactics. Martyn nearly always spends the first episode wandering instead of immediately forming alliances, so he tends to team up with whoever's in a similar boat. But still – why pick the person known for permadying first? The person who Martyn had already been hurt by the death of once, in Last Life?

Maybe he's confident after Double Life and Limited Life. Maybe he thinks he's successfully managed to tread the line between 'useful ally' and 'friend you actually care about', and will be successful again. Maybe because Jimmy is so consistently first out, him dying early is more of an inevitability than a possibility (in Martyn's mind) – it won't come as a shock, and Martyn can be prepared. Maybe the fact that Jimmy did die that way in Last Life makes his inevitable death less impactful this time round.

Maybe it's also because he now knows winning gets you nothing, and he'd like to see those bucketfulls again.

Though it often doesn't show in the Life series itself, Jimmy is probably the closest person to him after Ren. For Martyn, the Life series is a direct continuation of EVO – a very long-running series in which his closest bond was with Jimmy, going through it all as a duo. He does express a wish to get close to him in 3rd Life because of this, but after Jimmy rejects him for Scott, Martyn stops bringing it up.

But they're close to each other, and met each other in a context other than the death games. Maybe this alliance is a way of trying to find that life again. I wish I'd followed the series closely enough at the time to see if it was successful, and I'll find out soon enough.

...Whatever the motivation, though, Martyn is there again when he dies (even after he's not the first out). And no matter how careful he might've been being, no matter how successfully he treaded the line the two times before – once again, it hurts.

"These idiots are just laughing. They have absolutely no idea … what they just unleashed. The hound of hell is coming. There will no bark. Only BITE." - Martyn internally, at the end of Episode 6.

So you'd think that after this, Martyn reverts to keeping his distance, right? He tried something and it didn't work, so he dials it all the way back?

In another world, maybe that would've happened. The thing is, there's one difference.

Ren.

Wild Life

This is the first season since Double Life where he spent the first session with someone else, and the first season ever where he goes with that person immediately and then sticks in an alliance with them until the very end. For once, it's a conscious and immediate choice to stick with one person (one not lifebound to him) – Ren's been gone too long, so die first or not, it doesn't matter.

Maybe that isn't the whole story, though. Because the recklessness, worse than ever, continues.

...Let's take a break, and remind ourselves of 3rd Life. Martyn was one of the last Greens, only dying in session seven, and was the second-last player on Green if we exclude BigB, who wasn't physically there in session 7 and so couldn't die (only Impulse outlived him). Let's remind ourselves of Last Life, which is even more impressive – he died for the first time in session 8, after half the server had been eliminated, and was the last Yellow standing. Even then, he successfully managed to hide for a long time, only dying because he got sick of knowing he was always being hunted and decided to mark his location to the Reds with lava to go out in a final stand, coming third overall. In Double Life, we have the same pattern – though he and Cleo went to Yellow after Martyn miscalculated when pushing her on a cliff, the pair were once again the last Yellows, and Martyn once again came third. He's actually the only player in Double Life who didn't die himself once (...though that's on a technicality, since he was directly behind his and Cleo's first deaths). In Limited Life, though he had a rough start, he won.

If pre-win Martyn is good at one thing, it's survival.

But after?

We've already talked about Secret Life, but Wild Life takes this newfound recklessness to the extreme. This isn't about placement – it certainly impacts it, but his last two deaths especially were caused by something else (...sort of) – but about the way his life is treated as an afterthought, completely secondary to the antics he wants to do in that moment. He comes across a wheat farm people are saying is trapped, and the first thing he does is pick a piece of wheat, stand on it and break it, to see if that's the one that explodes (none do, but he does this multiple times!). He starts a game of chicken under a ledge people are actively throwing TNT minecarts off of, involving himself in every round. He drops down to Yellow due to flicking a suspicious trapdoor in the middle of someone's base (because he was "bored")... and his immediate reaction to this is "okay, good"??? Though that may be because he can use the death to guilt trip others for resources, or to distract people so Skizz could try to get some kills (as he was trying to before), it still shows that he values his life very little. He's killed by Pearl because he turns his back to a player with a grudge against him (Martyn just blew up her entire team barring her), who'd already placed down an End Crystal (which was then destroyed by Martyn's bow) in the same interaction. He volunteers himself for a plan (by Grian) which involves him definitely dying and turning Red – Grian's pitch is "is anyone up for a massive sacrifice mission?" – due to being the distraction keeping everyone in place while Grian shoots an End Crystal at the place Martyn has gathered them. He does ask Ren if it's okay with him (clipped there tooo) before agreeing, but that's the only consideration he takes. With his first death to Scar, there wasn't much indication Martyn would be suddenly pushed off, so I'll let it slide (Scar was still Red, though). Scar attacking him the final time was similar... but it should be noted that Martyn died to his own creeper, saying "I at least thought we would both go out together" as a response (though he did die this way back in Last Life too, with an End Crystal instead). This is not someone who's okay. And Ren does pick up on this – not that it does anything in the end.

As a result, Martyn goes out before Ren – only his second time dying before an ally (BigB outplaced him in 3rd Life by one), and his first ever time dying before his closest.

And I can't help but think – was this the reason he was being so reckless? I'm sure being restless played a role as well, but if you don't care about getting to the end anymore since nothing awaits you there... the only way to escape the pain of losing an ally is being the one to die first. This way he gets to both genuinely enjoy the time he spends with someone, unafraid of what caring might cause, and to not feel the pain of losing them.

If this were the case, it would be a selfish move. But as we established at the very beginning – Martyn has always been one to protect himself.

Conclusion

What happens when you're trapped in a death game? When you know how everything will end, that those close to you will die; when you know yourself well enough to know you'll be affected? When you try not to care, but something inside you still aches for that little bit more – but also when, ultimately, you're your fist priority?

...In discussions of c!Martyn and loyalty, a thought that's often brought up is that Martyn never really cared about his allies in the first place. He was always planning to betray them to win, after all. Of course, the latter is true – at least before his win. But I think the reason behind it is a little muddled.

Martyn doesn't betray others because he doesn't care.

He betrays them because he knows he will.

[quirkle2]

his stupid giddy smiles compel me