#I think I’m just getting used to your speech pattern

[shentheauthor]

Trying my hand at a potential pk boss fight

It would mostly be platforming followed by a short actual fight that won’t be too hard. I’m trying to think of this in a way that wouldn’t put the players through Hell

Pk would essentially fly away from you, sending saws and platforming challenges your way. It’s like path of pain 2: electric boogaloo. He’s trying to block out his regrets, but it’s not the same when the regrets have a fuckin sword lmao

When you inevitably catch up, he would have a little speech.

I see my past has come to haunt me, in more ways than one. I cannot run from you any longer, nor will I attempt to.

I know what you are here to do. I can feel her presence, far more than what my dreams can conjure. You need my half of our shared soul to end this facsimile of eternity.

You have fought so hard to get here, just as your sibling has fought for all this time. I have no right to ask anything of you, and yet I have one request. One duel, between the two of us. It is more than I deserve.

Will you grant me this dying wish, my child?

After the battle, he collapses, his face cracked. He is still alive, if only barely.

Ah… thank you. Thank you, my child. For what it is worth, I am… sorry. I am so, so sorry. If you get the chance… tell your sibling that it did everything it could. Tell it I love it. Please.

And then he dies! And you get the kingsoul. That’s essentially what that sequence will look like. I’d have to do more planning for his attack patterns in the actual fight, but I hope what I have so far makes sense

[zelda7999]

I so badly want to know which mutual it is but i feel like this will somehow become a callout post to people who need to finish their stuff.

(ironically enough i also need to finish stuff so i'm using this as an excuse to get back to work)

You’re going on the list Anon. No posts from me till you finish your work.

[arts-and-drafts]

I decided to start compiling speech patterns and such for the Hermits I watch the most, because being a fic writer is hard sometimes 😭 then I thought “why not share it here?”

so here’s my very rough analysis of my most viewed Hermits, this is just what I’ve managed to gather so please don’t call me out for what I’m missing

-

Scar

Rarely stutters in normal speech. Maybe pauses if he’s started a sentence and doesn’t know where it’s going, but he doesn’t tend to trail off unless something interrupts his train of thought

Stutters a LOT when he’s startled. Also makes ‘hoo!’ noises repeatedly before he finds his words

Lays on the charm THICK when he’s trying to convince someone over literally anything; compliments their looks, their handiwork, and then pitches his proposition in smooth segue. Not one to entertain haggling though (however he DOES do a ‘look if you’ll pay full price I’ll throw in xyz’ thing). King of upselling even the most mundane things.

His tone is cheerful most of the time, no matter what he’s saying. He’ll actually often say very disturbing things with a light voice (ex. when discussing how to retaliate ie “what should we do about him?” “we could kill him! :)”)

Builds and locations somehow are always capitalized in his voice?? Like he says them differently. I can’t really explain it (when he talks about Aqua Town or Scarland or The Big Dig)

Literally has an evil laugh when he thinks of a way to prank someone or mess with people

Hums in thought quite often, and uses “huh!” quite often when confused or finding out something new (Mostly with redstone)

His farewell is almost always “Byeeee, have a great time!” even if the conversation he left was not a pleasant one. I’m almost certain he does this in tense situations just to get under other people’s skin and really push how unbothered he is

Doesn’t tend to insult people, the farthest he’ll take it is backhanded compliments

That said he is not afraid to outright threaten (“I will murder them.”)

References media a lot, both for concepts for builds and in speech (ie his greeting “Well hello there!” is from Star Wars)

Number one exclamation is “Sweet Baby Jellie!”

(More under the cut!)

Grian

Cold opens, both in videos and conversations (rarely says “hello, how are you, etc” when encountering someone, but he does say farewells/‘thank you’s)

Likes to sneak up on people and scare them if he realizes they haven’t noticed him yet, usually does so by getting real close and then yelling (“HEY!”/“HI!”/“WHAT’S THAT?”)

Uses the name of whoever he’s talking to pretty often while speaking to them (“Well, Mumbo, you never know”/“So, Scar, as you can see here-“), same goes for often addressing his audience (“you all”/“you lot”/“you guys”)

Usually pretty focused (when he wants to be) but oftentimes takes a minute to laugh at things he notices in the natural environment (An accidental face in a build, a mob in a strange place, etc)

Takes the lead in a conversation if nobody is the clear leader, but generally only speaks when spoken to if someone else has risen to that spot

Clarifies instructions after something is explained, both to his viewers and to anyone he’s grouped up with (most often seen in the Life Series)

Uses “Pardon?!”/“Beg your pardon?!” most often when surprised or startled (he’s very British), also sometimes uses “Sorry??”

Things are way more funny to him when he’s tired

Deadpans a lot in conversation ie “why not do xyz?” “Well because we’ll horrifically die 😑“

This man is allergic to committing to the bit unless he’s the one that initiated it

Not one to sugarcoat (“how is it?” “well to be honest it’s miserable”)

Number one exclamation is “WHAT?!” (though he often uses “oh my GOODNESS” quite a bit)

Mumbo

The start of nearly every episode is almost a pitch, does the same when bringing up an idea to others (“I have this idea”/“I was thinking”/“I noticed” etc)

Often laughs a little at himself when he speaks

Also often brings up how inexperienced/unqualified he thinks he is with literally any task he’s doing

Gets very distracted with the smallest things

Uses similes a lot when trying to describe a concept (“I’m thinking a this-type thing”/“Something like a [xyz]”/“Imagine like a [thing]”)

His voice gets higher when he’s startled or panicking

A very vocal thinker, which makes sense because he’s a MC Youtuber, but he also just. Seems to think out loud regardless

Comments a lot on the feel of things (“Oh this feels menacing”/“This looks like it’d mess you up”/“This makes it feel very intimidating”), often with building

Extremely modest. However will celebrate when he does something right in redstone/building (“YES! Oh my days, that took forever”)

Once and a while will have a rare banter moment with people he’s comfortable with (ie teasing and making fun)

Related to above, he gets very giggly when he’s hanging out with people he’s familiar with (Grian and Scar most often, but also Iskall)

Number one exclamation is “What on earth?!”

Joel

Greets people most often with “How you doing [name]?”/“How are ya [name]?”

He’s very northern. He often leaves out words in his sentences bc that’s just the way his dialect is (“What you doin’?” vs “What are you doing?”)

Says his th’s like f’s (“somefing”/“nofing”/“finking”) ((Stress also does this))

His jokes/teasing are very deadpan (“I made you this extra thing, because you’re trash at this”)

Actually gives gifts of resources very often, and always leaves it with a little note and signs his name

His voice gets higher pitched when he’s defensive/being extremely cheeky but other than that his tone rarely changes

This man. Flirts so much. If any other person initiates even the slightest of flirty banter he takes that and dials it to eleven I cannot believe this is a straight married man sometimes

Joel commits to the bit 100% of the time (slightly related to above), unless of course it’s jokes about his height

Makes a point to compliment himself if he gets the chance (words most often used are “handsome” “strong” and “humble”, as well as comments about his muscles and physique)

Insults his enemies diminutively (“look at you down there, tiny idiot”/“You’re wrong and also weak”) ((seen most often in Empires SMP)

His most often used insult is “idiot”

When he’s flustered/frustrated he uses “bloody” a lot (ie “bloody heck” or “this bloody thing” (loves to toe the PG line), also uses “blooming” (“bloomin’ heck”)

Most often used exclamation is also “WHAT?!”

Bdubs

Opens videos very jovially, talks almost like a radio host

Breaks down his builds down to the block, spends a lot of time discussing his block pallet choices and giving tips while he builds

Uses the affirmation “sure enough” a lot, and often addresses himself as “Ol’ Bdubs”

Talks affectionately about other hermits often (“[name], the absolute sweetheart, left me some materials”, “[name], you angel!”)

Adding to above, “angel” or “sweet angel” seems to be his most often used affectionate terms

Switches on a dime, though, if he gets offended (which of course causes others to poke fun at him even more)

Calls mobs “stupid” a lot when they don’t do what he wants (but takes it back if he says it to one of his horses ex. “Come here, stupid—wonderful, I mean, beautiful”)

THIS MAN IS THE #1 HORSE ENJOYER. He gets a horse first thing every season and rides it everywhere, and they’re always a focal point of his theme or builds in some regard

Pauses whatever he’s doing to sleep as soon as it’s possible, and gets very antsy if he can’t do it for some reason (“One moment, time to shreep!”)

Related to above, EVERYONE messes with him if he’s trying to sleep in their presence ie breaking his bed over and over, and he gets increasingly more frustrated when it happens

Rarely is soft spoken or quiet, he projects his voice and uses a lot of emphasis in his tone

Either straight up screams (and peaks the mic 😭) if he’s startled or scared, or yells “oh my GOODNESS!!”

Number one exclamation is “HEY!”

[markrosewater]

Hi mark. It’s me, the guy that was complaining about orphans of the wheat. I wanted to start by apologizing for using the word lazy. I wasn’t trying to say that the people who make this game don’t put a ton of thought and effort and care into it, but I totally get how my wording made it sound like I was trying to say that. I’m genuinely sorry I came off like I was belittling the immense work you all do.

I also want to clarify that I wasn’t trying to say “I don’t like this thing therefore it is bad”. Millions of people play magic, all with very different tastes, and I’m just one weirdo. Everybody is going to have aspects of the game they like and aspects they dislike, my opinion is not objectively correct.

What I was originally trying to get at was that it feels as though a lot of designs that are “based on” something feel like they are getting more overt. Bonny Pall is the example my brain always goes back to because the name is almost the exact same thing as what it’s flavored after, Paul Bunyan. Orphans of the wheat is just a more recent example of this and what sparked me sending my initial message.

A few years ago, I saw a video on YouTube of a speech you made, I think it was your 30 years 30 lessons one. In it you talk about how akroan horse was originally Akroan Lion, and players didn’t get it, but when you changed it to akroan horse, suddenly people loved it and it felt so flavorful. I get that it’s important to make sure that people get the reference when you’re making one. And I get that it’s a delicate balance. Too subtle, and people don’t get it; but too overt, and bozos like me send giant messages complaining.

My qualm with Children of the wheat is that it is an example of a pattern I feel like I’m seeing where you are erring on the side of “gotta make sure they get it”, to the point that sometimes it feels like the reference is being beaten over our head. But I do recognize how that’s just my perspective and other people have different opinions on where the line is for “too obvious”. For example, I think Altanak and say its name are awesome. I like how the art is someone looking in a mirror and if you say its name three times then you summon the big bad monster. But I totally get how someone else might see that and say “well all they did was make Bloody Mary a bug”. And I also totally get how there might be another person who didn’t even get the reference and would’ve needed a card called “mutilated Miranda” to realize it.

This whole *thing* is just my way of saying that designs that are references to something feel like they are more and more often mutilated Miranda or Bonny Pall or orphans of the wheat, and that fewer and fewer of them are getting even one step removed from what they are referencing.

Thanks for taking the time to write back. It means a lot to me. How close we get to references is something we’re constantly reevaluating. We’ve definitely got the note that this year indexes too high on the obvious references.

[skyefeys]

A Comprehensive Guide to Writing Gina Dialogue!!!

Do YOU like writing tgaa fics, but find yourself struggling to understand the speech habits of Gina Lestrade? Well, fortunately for you, I love linguistics and accents almost as much as I love Gina - so I've compiled a breakdown of every quirk in her speech!

(Full analysis under the break!)

Most of Gina's speech patterns can be broken down by three fundamental facts:

She speaks with a thick Cockney accent

She's uneducated, which leads to various grammar troubles

She uses a lot of informal cockney terms/slang

Let's get into it section-by-section!

(Note: Formatting looks a lot better on mobile!)

Section 1: Cockney Accent

So I’m an theater kid, and I've done dialect training for Cockney accents before - it's one of my best ones imo - so that certainly helped me write this section! Even without that, though, it's pretty easy to identify how her accent appears in her speech. Let's break it down!

Drop h's

Example: Here becomes 'ere

Drop g’s at the end of words

Example: Going becomes goin'

A few other word ends that get dropped:

Of becomes o'

And becomes an'

Th changes depending on the word - Thank you to annoyingloudmicrowavecultist for properly explaining how this works in the tags!

Voiced th becomes v

Example: With becomes wiv

Unvoiced th becomes f

Example: Nothing becomes nuffin'

For writing purposes, if a word would become unrecognizable with this change, it's left the same (but in actual speech, it would be pronounced differently)

Example: Father remains as father (but would be pronounced like fovva)

Th always remains intact at the start of words

Example: Thing remains as thing (but would be pronounced like fing)

Miscellaneous word changes

Something becomes summat (but other times is just somefin' - she's not consistent with either)

What becomes wot, whatever becomes wotever

Tomorrow becomes tomorra

Because is often shortened to 'cause, which becomes cos

Isn't almost always becomes ain't

Thank you / no thank you becomes ta / no ta

Some words spill together or are slurred

With that becomes wivvat, with it becomes wivvit (This one isn't actually used in-game, so you don't have to use it either, but it reflects how she'd actually be pronouncing it)

Isn't it becomes innit

Doesn't it becomes dunnit

Suppose becomes s'pose

Don't know becomes dunno

Probably becomes prob'ly

You might change - Another loose/inconsistent rule. Can depend on how the sentence would be pronounced out loud, but mostly is just a vibe

You becomes ya

Your/you're becomes yer

Yourself becomes yerself

Section 2: Grammatical Errors

Gina is an uneducated East End orphan, so it should come as no surprise that she makes mistakes here and there. Here are her consistent ones! Some of these are confusing/hard to explain, so I included specific examples.

Will say me instead of my, and meself instead of myself

Example: "I dunno much about guns meself."

Incorrect tense usage of was/were in negatives - Instead of I/it wasn’t, she’ll say I/it weren’t

Example: "I was up in a balloon, weren't I?"

Incorrect tense usage of does/do in negatives - Instead of he doesn’t, she’ll say he don’t

Example: "Somefin' wot 'e don't want people readin'."

Double negatives

Ever becomes never in negative statements

Example: "I swear on my life, I ain't never laid eyes on that dandy before."

Never + anything becomes never + nothing

Example: "I never done nuffin' o' the sort!"

Never + anyone becomes never + no one

Example: "All me life, growin' up in the slums, I've never trusted no one."

Haven't you ever becomes ain't you never

Example: "Ain't you lot never gone over an 'ouse lookin' for dough when the owners are out o' town?"

The word that or who in the context of ascribing a feature to a subject is replaced by the word what

Example: "She's always goin' on about all them cases wot Sholmes is lookin' into."

Other example: "I think I wouldn't fancy me chances wiv a lawyer wot lives in a place like this."

Will say them instead of those

"All them skylights open, dead easy."

Will say no more instead of anymore

"Ya dropped it, so it ain't yours no more."

She’ll sometimes mess up bigger, unfamiliar words. This one's entirely in your discretion what words she might mess up. Some canon examples:

“Supperment” instead of supplement

“Mantlescript” instead of manuscript

On a similar note, she'll sometimes confidently get sayings wrong and think she sounds smart

“Toby's...'ow did they put it...? ...Oh, yeah! A 'bone-fide' detective!”

Section 3: Cockney Terms/Slang

In addition to her thick dialect, growing up in the East End means Gina has also adopted a plethora of unique words and phrases. This'll be more like a vocab section!

Cockney rhyming slang - Some words are replaced with phrases that rhyme with them. She uses a few in canon:

Instead of believe, she’ll say Adam an’ Eve

“Would you Adam an' Eve it, eh?! Wot a mug!”

Instead of face, she’ll say chevy chase

“Yeah, I can see it written all over yer chevy chase!”

Interjections/Exclamations

Blimey - Express surprise or shock

"Blimey, yer right! That streak o' light in the photo looks just like an arrow, dunnit?"

Cor - A general interjection, kind of a euphemism for god

"Cor, listen to you! Ya stumble across a bit o' balloon an' suddenly yer the best investigator in the world!"

Oi - I doubt I need to define this one, but it's basically the equivalent of "hey"

"Oi! That's off limits up there!"

Words for people

Cove, bloke - A boy or man. Gina tends to use cove more often than bloke.

"That's where the cove ended up after 'is 'instant kinesis' or wotever they call it."

"When I lifted the last bloke's purse, 'e got wise to me."

Dandy - A conceited, fashionable upperclass man. Can be used as a noun or adjective.

In reference to Ashley Graydon: "I swear on my life, I ain't never laid eyes on that dandy before."

Dee - Thank you to uzukirie for figuring this out in the replies of this post - dee is short for detective!

To Sholmes: "I don't need no 'elp from some stuck-up dee!"

About Gregson: "Yeah, the dee let me keep it. After I looked daggers at 'im for long enough."

Swell - A wealthy or elegant person. In canon, Gina uses this exclusively in reference to McGilded.

"It's because o' that, this swell found me. …'E did 'elp me get away, mind."

Miscellaneous vocab

Dodgy - Suspicious

"It was amazin' when you showed that dodgy professor's dodgy experiment was a total fix!"

Rum - Odd or strange

"I mean, wot's the point of spendin' a joey to make a few bob, eh? That's a rum idea, innit?"

Coppers - Cops

"If you do wot the grown-ups tell ya, it'll get yer mates dragged off by the coppers. Or worse."

Scarper - Flee/run away/leave in a hurry. Also comes from rhyming slang - Scarper = Scapa Flow = Go

"If I did that, 'e said 'e'd let me scarper before the coppers showed up."

Have a butcher's - Take a look. Also comes from rhyming slang - "butcher's hook" = look

"Most days I push the cushion up wiv me 'ead an' look out the crack. Then I can 'ave a butcher's at who I'm gonna fiddle."

Rude words/phrases :)

Gordon Bennett - Expresses surprise or contempt - kind of a euphemism for goddammit.

"Gordon Bennett! You lot!"

Flamin', bleedin', - General emphasis. Pretty much just gentler ways of saying fucking.

Note!! You might be tempted to make Gina say "bloody", since that's well-known British slang, but she never says that. She says bleedin' in its place.

"Don't be so flamin' rude, 'Oddo!"

"It's lies every bleedin' place ya look in this world, innit?"

Bleedin’ Nora - A variation of "Bloody Norah", a surprised/irritated interjection.

"Wot the bleedin' Nora, 'Oddo?! Wot 'ave you gone an' done?!"

Bogtrotter - A derogatory term for an Irish person. She uses this to refer to McGilded.

"Look at the mess it's got you into, believin' in that bogtrotter!"

Mug - An idiot.

"You can't do it from inside, you mug."

Blue blazes - An alliterative exaggeration of "blazes". A euphemism for hell.

"Where the blue blazes 'ave you been, eh?"

Cobblers - Rubbish/nonsense. Literally, it means testicles - derived from Cockney rhyming slang, where "cobbler's awls" = balls.

"All this nonsense about the boss plannin' to kill people… It's cobblers!"

And 1.2k words later, that's pretty much it! Now you can write Gina dialogue spot on <3

Feel free to suggest anything I'm missing/got wrong - I come back and edit this for accuracy's sake every time I notice something I left out, or when people in the replies/tags point things out!

[heizlut]

Breeding kink with Razor

this is so fitting for him, i love it! i’m adjusting his speech pattern slightly just so it flows a little better, hope you don’t mind❤️

Instincts

cw: public sex, breeding, biting/marking, ovulation, mentions of pregnancy

tags: switch fem!reader, switch!razor, he’s literally 18 so scroll away if you have an issue xoxo💋

nsfw under the cut

m!list here

⚡︎ .𖥔 ݁ ˖𓃦⚡︎ .𖥔 ݁ ˖𓃦⚡︎ .𖥔 ݁ ˖𓃦⚡︎

You and Razor had a bit of an odd relationship. He came across you months ago, spying behind a tree in Wolvendom when you made your first appearance there. He was wary of you, not sure if you were friendly or there to hunt the wolves he called family. Once he saw you were only there for the wolfhook each time you came, he started to gain the courage to get closer.

In truth, you had started going there because you had heard about him through the Knights of Favonius and wanted to see him for yourself. You knew he was watching, but you didn't want to startle him, so each time you came you only gathered some wolfhook and went on your way. Each day was the same routine, until one day he approached you, still a little wary of you, "...Nice?"

Those were his first words to you. Your eyes landed on him and you smiled brightly, "I am." You were captured by the way he looked; toned muscles, scars across his body and face, long thick silver hair, and crimson eyes. He was better than you had imagined, even if his manner of speech was a little strange. After letting Razor smell your neck, he smiled at you telling you that you smelled like a flower.

Every quirk he had was so cute to you. Weeks passed and each day you would visit Razor, getting to know each other and he grew to trust you immensely. You even had been helping him speak in more proper sentences, although that was still a work in progress. You would be a fool to miss the way his gaze lingered on you and the way he would get as close to you as he could without outright being on top of you.

You looked to him, only to see Razor had already been staring at you. He tilted his head a little as you studied each other in silence. You were the first one to break it, "Do you want to be with me?" The look of confusion on his face made you giggle, "Am with you now, no?" How cute and innocent he was... You shook your head still laughing, "I mean romantically."

Razor's eyebrows scrunched as he repeated the word back to you, clearly unsure of what it meant. You didn't think words would help you out with this, so you reached up and turned his face to yours, pressing a kiss to his lips. He knew what you meant now as he melted into the kiss. Ever since then, you two were inseparable. Which bring us to the present.

The sun was setting, low in the sky, when you made your way to your usual spot. Before you could even call out to him, Razor pounced on you, knocking you both to the ground and making you squeal, "Razor wha-" Your words are cut off when you feel something hard press against your core and his nose lightly grazing your skin as he takes in your scent, "You smell...Different. Good..."

Your cheeks immediately heat up. You were ovulating and he could smell it. Did he even know what that meant? Razor's nose trails down your body til it reaches your cunt, his nose pressing against your clothed clit, making you suck in a breath. He nudges it again, then his eyes flick up to yours, "Here. New good smell... I want more." He doesn't wait for your response before he starts tugging down your pants.

"Razor wait! We're outside... What if someone comes?", your voice came out a little breathy, feeling an aching need at your center. Razor tilts his head, "Why care? No one comes." He was right. People usually avoided coming to Wolvendom. Besides, you were more needy and sensitive than usual because of your ovulation. You just wanted to be filled. You end up lifting your hips slightly to help Razor who continued to tug at your pants.

The warm breeze brushing against your exposed pussy made your scent even more potent to him. Razor immediately begins lapping at your cunt, drawing a sweet moan from within you. The way his tongue circled your clit and lapped at your arousal made you tug his hair. He practically growls when you do so, not wanting to separate himself from something so new and delicious, so he latches on to it. Razor’s lips suck your clit into his mouth while his tongue continues it’s lashings. Your head falls back against the soft grass as you come undone on his tongue.

The taste was even more divine than it smelled, making him continue and overstimulate you. Your legs shake hard and you tug his hair hard with a soft cry of his name. Razor glances up at you curiously but annoyed you wanted to pull him from this. His mouth open and tongue still against your clit. “Come here…” your voice is shaky as you try to get him to listen. Thankfully, he finally does, crawling up and caging you in with his body, “Why? Wasn’t finished…” You roll your hips up making your bare cunt grind against his bulge, “I want you inside me.”

Razor lets out a deep groan as you grind up into him, “What in where? Help..” You knew he was legitimately clueless but him asking you to be so specific sparked something inside of you. It turned you on. “I need your cock in my pussy. Fill me up. Breed me.” Those last two words did it. Oh he knew what that meant alright. Razor fumbles with his pants, wanting to free his throbbing length. You almost laugh at how hard he’s trying and you take over. Catching him off guard, you roll the both of you over, you now caging him in. You smirk when he looks up at you with surprise, “Let me do it.”

Razor almost pouts but stops the minute your hand wraps around his cock, his eyes goes wide at the new sensation and at a loss for words. He has so many questions but they’d have to wait because now your were slowly sinking yourself down onto his dick. He grips onto your hips as though you would disappear from him any second and his eyes almost roll back, “Good…. So good…”

Once you were fully seated on top of him, you begin to move slowly. You grind against him and then begin to move yourself, letting his cock drag in and out of your walls at a brutally slow pace. Every time his cock went back in to the hilt, Razor felt he was going insane. So much so that now he flipped the position yet again, leaning down to lick at your neck, and he growls, “Too slow.” Before you can even ask what he means, he begins thrusting inside your tight wet cunt as if this would be the first and last time he ever got to fuck you. You cry out, digging your nails into his scarred back, your legs wrapping around his toned waist to keep him close.

The growls and grunts that fall from Razor’s lips sound so primal, as if he’s just running in instinct at this point. And he really truly is. Every since he smelled that delicious scent, his instincts were telling him he needed to fuck you so full of his cum and make you swell with his children. The sounds coming from both of you and from the way his balls slapped against your ass and the way your pussy squelched with each hard thrust was so incredibly lewd. Razor leans back down to your neck, biting hard enough to break skin as he growls once more, “Mine.” This brings you completely over the edge, your sweet pussy pulsating around his cock as you cum.

It’s not long til Razor follow suit. He latches onto the mark he gave you, letting out a muffled, husky groan as he fills you with his potent load. The way his cock throbs inside of you makes you feel overstimulated for the second time that day. Razor stays still for a moment, not wanting to pull out. Not wanting to be done. He wanted to see your breasts grow bigger and your stomach swell. He wanted to make you his for life. The thought alone makes his cock begin to harden inside of you once more and he looks into your eyes, “Again.”

⚡︎ .𖥔 ݁ ˖𓃦⚡︎ .𖥔 ݁ ˖𓃦⚡︎ .𖥔 ݁ ˖𓃦⚡︎

a/n: this makes me want to write knotting/omegaverse fics😭

[softonshanks]

Hi!

Your fic about Sanji was amazing, which is why I’m here with another request 😊

How do you think Zoro and Sanji (separately) would change and behave in a relationship? 💖

Hey, thank you so so much! Sorry if this one took time, I thought it through! Hope you like it (: Zoro

Zoro is notoriously independent, and getting into a relationship doesn’t change that overnight. At first, he struggles with understanding the subtle nuances of being with someone—he’s used to relying on himself and chasing his goal of becoming the world’s greatest swordsman. But, slowly, he starts to realize that having someone who truly cares for him doesn’t weaken him; it actually strengthens his resolve.

He won’t be the type to express his feelings through long, romantic speeches. Instead, Zoro shows his love through quiet acts of devotion. He sharpens his partner’s blades if they’re a swordsman too, or he makes sure they always have food when they’re training or recovering from a fight. He won’t say much, but the way he instinctively moves to protect them in battle speaks louder than words ever could. He’ll also try harder to stay awake when they’re together—something that’s not easy for him, considering his nap habits.

Zoro doesn’t change in the flashy sense, but he becomes more aware of his surroundings. He’s always been protective of his crew, but now he’s fiercely protective of his partner, though he trusts them to fight their own battles. He still gets lost constantly, but now he finds himself checking over his shoulder to make sure they’re nearby. If they’re separated, he feels an unfamiliar twinge of discomfort until they’re reunited. His pride may prevent him from admitting it outright, but he values their presence more than he lets on.

In private moments, Zoro’s surprisingly tender. He’ll lie back with them in the crow’s nest or under the stars, his hands resting behind his head, and let them curl up against him. It’s quiet, but the silence between them feels natural, not forced. He’s not one for excessive physical affection, but sometimes he’ll run his fingers through their hair when he thinks they’re asleep. When they’re truly alone, he might even rest his head on their shoulder or let them lean on his chest, murmuring something gruff like, "Don’t get used to this," though they both know he doesn’t mean it.

Though Zoro’s heart remains focused on his dream, he learns that loving someone doesn’t distract him from his goals—it gives him one more reason to achieve them. He fights harder because now there’s someone he wants to protect, someone who makes the idea of surviving the next battle even more important.

Sanji

When Sanji enters a relationship, it deepens his already ingrained sense of devotion and care, but it also introduces new facets to his character.

In the early stages, Sanji will go above and beyond to make his partner feel special. He’ll pull out all the stops with grand gestures: candlelit dinners on the ship's deck, flowers arranged in intricate patterns, and love letters that might rival any romantic poet's. His cooking will reach new heights as he constantly experiments to create dishes that his partner will adore. Every meal becomes an expression of his affection.

Despite his over-the-top romanticism, Sanji’s behavior becomes even more attentive and protective. He’s always been chivalrous, but now he’s even more vigilant. He keeps an eye out for their safety in combat, sometimes even prioritizing their well-being over his own. His protective nature becomes apparent not just in battle but in everyday moments—whether it’s ensuring they’re comfortable in a rough sea or defending them from any form of insult or danger.

Sanji’s relentless charm and flirtation with others will soften considerably. While he still appreciates the beauty of women, his attention and flattery will be reserved for his partner. He may still cook for the crew and be a gentleman, but his flirtatious remarks will have an affectionate, teasing edge when directed at his loved one.

He’ll also struggle with balancing his desire to protect with respecting his partner’s independence. At times, his overprotectiveness might come off as smothering, but he’ll be learning to navigate this, respecting their space while still being ready to support them in any way he can.

Sanji’s cooking becomes an act of love, and he often creates special dishes that hold personal significance, from a meal that reminds him of their first date to a recipe that reflects something they shared together. When he’s feeling unsure or overwhelmed, he’ll retreat into the kitchen, using cooking as a way to process his feelings and reaffirm his commitment to them.

In quiet moments, away from the bustling ship and the crew’s antics, Sanji reveals a more vulnerable side. He’ll let his guard down, showing them the man behind the perfect image—the one who dreams of a peaceful life with them, where they can enjoy simple pleasures together. He might not always be articulate about his feelings, but his actions will speak volumes: the way he holds their hand, the way he listens intently to their stories, and the way he lights up when they’re around.

Ultimately, Sanji’s relationship brings out his deepest qualities—his loyalty, his nurturing nature, and his romantic heart. He’s driven by the desire to make them happy, and this only intensifies his passion for his dreams and his role within the crew. Loving someone makes him more grounded, but it also makes him more determined to build a future where he can share his life and love with them, all while continuing to support and cherish his friends and his culinary aspirations.

[what-even-is-thiss]

In English, North America and South America are two different continents but in Spanish they’re just one continent and continents are a made up concept and what constitutes as a continent has no useful definition that fits all of our regular lists of continents and why are Europe and Asia and Africa three different continents in the first place and is Australia actually just a very big island?

Anyways that’s why I don’t type things like USAmerican because in English they’re just Americans but I understand why some people do get annoyed with that but at the same time I’ve seen zero Spanish speakers in my personal life argue for speaking that way in English and I guess my point is that we should probably be more aware of how certain people see themselves and be respectful of that but also at the same time I’m an English speaking person in an English speaking country and if I use America to refer to what we call The Americas in my everyday life people will assume I’ve made a mental typo or that I’m being contrarian and if I tried to make that a thing in my everyday speech patterns I’d come off as a pretentious idiot. If I’m speaking Spanish that’s a different story. Then yeah there’s other words for US Americans like estadounidense. Or famously gringo, more colloquially.

I’m not looking to start arguments here. Like I said I totally get why people make that distinction. But there’s also like the nuances of the lived reality of living in certain cultural contexts that I think people forget about.

I’m not here to tell you to not make that distinction in your speech. I’m not even here to tell you that you’re not allowed to be frustrated about it. I’m just here to explain why I don’t do that and why most English speaking people don’t and why it’s not inherently malicious when people do. Like if someone fully dismisses your perspective on the issue and how you view your own identity yes they’re the asshole. But also generally in English it’s The Americas or North, Central, and South America. And yes maybe that’s stupid but so is the existence of Europe as a concept and we all seem to believe that Europeans are a real thing.

And to reiterate. I’m not trying to tell anybody how to speak or how to feel here. Just trying to insert some nuance into this conversation. Because people I call Americans and you might call USAmericans are only gonna call ourselves Americans. That’s just how we view ourselves, how we understand our own identity as a nation. And some people will be jerks about it. But many of us are also just living in the world we live in, referring to ourselves in the way we always have, not aiming to tell anyone else how they ought to view themselves.

I’m American. Soy estadounidense. Some stuff unfortunately gets lost in translation.

Also continents don’t exist. If we try to get rid of the concept of continents we’d all be too confused at all times to have these disagreements. Confusion superiority. We go by tectonic plates. California is on the same continent as Japan now.

[reality-detective]

Someone once said to me, “Do you always have to be so brutally honest?” to which I replied, “Would you rather I lied?” Which that kind of ended the conversation.

So I’ll be brutally honest with you now, I’m sick of it all!

I’m sick of Biden, Schwab, Gates, Fauci, Ursula, Trudeau, Macron, Hillary, Harari and all the psycho puppets that are being dangled on the world stage as some morbid entertainment, or rather psychological torture!

I’m sick of the LGBTQ narrative being shoved down our throats, of the transgender insanity, the ilegal immigrant invasion, the ongoing fearmongering with new pandemics, the constant threat of global war, the antisemitism narrative, the censorship, the ‘hate speech’ tyranny, the mRNA bioweapons and of the climate crisis bull shit!

I’m sick of humanity being stuck in this endless, nightmare of a loop without a resolution! Without justice! Without sense! I’m done with this shit show!

Always the same playbook, the same script, the same useful idiots, the same evil hands pulling the strings, the same narratives, the same psychological manipulation, the same false flags, the same lies from the media, the same ongoing madness! On and on and on and on…! Until when?!

When will people see? When will people realize that we are caught up in a matrix that exploits our ignorance and gullibility by capturing our perception as a means of control and enslavement? When will people recognise the patterns? The MO and the brainwashing techniques that they’ve been using for decades? When?

How many times must we endure the same narratives and events? The same divide and conquer strategies? The same color revolutions? The same infiltration techniques? The same provocations? The same ‘terrorist’ attacks?!

How many times before humanity finally realizes that we are psychological slaves with an almost fatal case of Stockholm syndrome? When will we acknowledge the problem? When will we start going to rehabilitation?

And no, you can’t say no! That response is not an option, unless we want to end up like that! So it’s about time we ALL try our best to wake up everyone! Speak up, share info, voice your real opinion, don’t be intimidated by the labels, be prepared to lose friends, stop caring what others may think and wage the flag of truth, of common sense, of righteousness and of kindness wherever you go.

Perhaps then we’ll get out of this sickening loop! It’s been going on long enough!

I'm just saying... 🤔

[blocksgame]

Tips on character voices when writing fic

This is written in mind for people writing fic in MCYT/QSMP/DSMP/Life series/etc kind of fandoms. But if anyone finds it useful for anything else, well then, hell yeah.

Character voice is big in all, uh, fiction, and mimicking it in any fanwork is big. But I think it’s especially big in these fandoms where the voices are so distinct – it’s usually how a Real Person Somewhere (the streamer) talks, versus something very scripted that you’d see in a TV show or novel. And it can be a big difference in your character sounding generic versus really feeling true to the original.

Listen to a bunch of your subject talking. If you want to write a character well, watch vods from their point of view, or episodes where they show up a bunch. Take note of what they say and how.

2. If you don’t know how to start doing that: try literally writing down what they say. Transcribe an actual exchange in fic-format. You probably won’t want to publish a literal exchange from canon, but it will give you a sense of how to physically write what they say.

3. If you do this (or just pay attention to how they talk), you will get a lot of: Stumbling, pauses, repeating words, filler words, weird sentence constructions, fragments, etc. I love em! Here’s something that comes through in improv much more than in novels or movies: Most people, even very charismatic people, are not very eloquent when they speak. Writing out conversations or sentences will give you a sense of the unique and delightful way in which your subject is not eloquent. vvvvv way more under cut vvvvv

(People use a LOT of filler/etc when they speak. It’s reasonable to cut back on this if it’s interfering with a nice-looking or readable result. I believe this is the eternal struggle of people who write transcripts – you want the transcript to be accurate, but there are also a lot of things you can obviously simplify and not lose the meaning. So you’ll end up falling somewhere on this spectrum either way. But I do think a lot of mediocre/generic fic dialogue is very stylized – it doesn’t sound like your guy because your guy literally wouldn’t say that. They would say it worse and more confusingly.)

(I’m serious, if you’ve never sat down with a short non-completely-scripted clip or real conversation or whatever and just written out exactly what was said, do it. It will make you better at writing.)

4. Wonda-cat made a really incredible list [link] of characterizing speech patterns for the Dream SMP members. But you can also do your own reconnaissance and come up with your own patterns, common phrases, etc.

5. You do not have to get EVERYTHING right. You’re not going to, like, get so deep into the speaker’s brain that you can produce “exactly what they would have said if they were somehow in your fic.” That is impossible. You’re just trying to evoke a character, and if you get a few turns of phrase to ring true, you’re doing great.

6. A lot of these people are popular because they are hilarious. Include jokes. Yes, even if your thing is angsty or serious. A lot of the most serious lore I can think of from, e.g., the Dream SMP or 3rd Life or the QSMP - the really story-defining, life-and-death moments - were absolutely hysterical. If you’re writing characters who are usually funny, then add some humor. It can heighten angst via contrast and a sense of realism. Ask yourself what a funny streamer would make jokes about if they were possessing a character in this situation.

7. Some people have the mystical ability to “hear” character voices in their head, and read things in their voice. If you can, do this with all of your dialogue during the editing process. This won’t always get you there, but sometimes it can catch things that sound wrong by invoking "that's really hard to imagine them saying". If you don’t have this power, try recruiting a friend who does.

8. So there’s dialogue and then there’s narration that’s still from a character’s point of view. I’ve mostly given you tips about dialogue, but a lot of this is also true for narration. IMO, narration is less about phrasing things the way the subject would, and more about recreating the way they think. I don’t have concrete rules on how to do this, but here is my wisdom:

You can get eloquent again - narration is more of an abstract and artistic process than dialogue.

Spend time with your subject’s source material.

Pay attention to what they notice and care about. How do you think they think?

Don’t be afraid to get weird with it.

That last one also applies to all art ever.

9. MCYT tends to give you a great boon you don’t see in other media: what the speaker says to their chat/audience when nobody else is listening. This can be incredibly characterizing even if you’re writing a story where people don’t have chats. It’s your person talking about their thought processes and feelings! Mine that shit.

10. Some questions that might help guide both characterizing narration and dialogue (that you’d get from dialogue):

How open are they about their feelings?

How often do they lie? What do they lie about?

What kind of metaphors do they use, if any?

How quickly does their mood change?

How can you tell when they’re in different moods?

What kind of things do they pay attention to?

How formal is their speech?

11. Finally, this is a little odd, but I find it’s much, much easier to write a character that sounds good if I, the author, like them and am rooting for them at least a little bit. If a character needs to be there who you don’t love, try to love them. Or at least get a sense of what other people love about them. It just makes everything else easier. I swear to god.

Happy writing out there!

[mikedfaist]

i'm no longer withholding writing a cute fluff piece based on this post i made a half hour ago, nor am i withholding writing mike pieces any longer because we all deserve it, whether we believe so or not. anyway, darling @ysuftmikey this is for you. and this would take place when he gets back to the hotel after this

May 16, 2024 Cannes, France

“It’s going to be nice,” you remark, tracing your finger over the rim of your wine glass. “I know you need it.” You push back against the headboard to extend your legs outward, watching the man in front of you begin to unbutton his dress shirt. “Just relax, do nothing. Day drink.” You pause as you watch him shrug off his shirt and lay it over the edge of the bed. “Fuck.”

He bites the inside of his cheek to stifle a smile, but you see his eyebrow raise at the word. “Is that all you have on our agenda?”

“What more could you want?”

“We could do that at home.” The sound of the metal of his belt reverberates against the walls, and you watch from your placement on the bed as his eyes stare directly into yours.

“Yeah, but not with a view of the French Riviera…”

“Can always close our eyes and imagine.”

“It’s not the same, babe.” You lift your glass to your lips to take a sip. He’s already slipped out of his dress pants and laid them neatly over the armrest of the chaise lounge. “How about I run us a bath?”

You watch as he methodically climbs over your limbs, almost tragically laying on your claw clip, before he relaxes his body between your legs, his head resting on your stomach. “Let’s just lay here for a bit…please.”

You can feel his hand rubbing circles on the exposed side on your waist, and his breath slow and drown out, close to sleep. You run your fingers through his hair, pushing little pieces out from his forehead, before finally resting on his cheek.

“I’m proud of you, you know? I’m excited for tomorrow.”

You feel his breath hitch in his throat, and he lightly adjusts his position above you. “Nervous… Hate speeches.”

“Don’t think too much about it. We can write something for you – at least have something to go off of.”

“I’m glad you’ll be there. Wouldn’t be able to handle it if you weren’t.” You can’t see his expression, but you can feel he’s softened. The creases between his brows having mellowed. “I love you.”

“I love you too…” You can feel him tracing invisible patterns on your exposed skin. “I wouldn’t miss it for anything. I don’t care what’s going on… I’d drop anything for you.” He gently moves, and you feel him place a singular kiss on your stomach, nuzzling his nose deeper up your chest. “You deserve a holiday. You’ve worked hard this year, and I know you didn’t want to do the press tour, but it’s over. The worst is over. Just need to get through this weekend.”

He finally lifts his head up, his eyes piercing blue, save for that splash of brown. “Still want that bath?”

You smirk, reaching over to set your wine glass down on your bedside table without jostling your partner too much. He pushes himself from the bed, still laying between your legs. “I got bath salts, rose petals, candles… The whole nine yards.”

“Are you trying to seduce me?” He quips, roaming a single finger up and down your thigh.

“I mean…yeah. Duh.” You give him a look that says, “I wouldn’t be doing all of this for nothing.”

“We can skip all of that…save the middle man and just skip—”

“Michael, I fucking swear… Let me be romantic.”

“You’re always romantic.” He’s leaning forward, his chest stark with yours. You feel his lips begin to craze light pecks across your jaw, and down your neck.

“And you best believe it.”

[mikanotes]

goodbyes are sour

connor x gn!reader — 2.1k words

genre: angst sorta! mutual pining in denial

warnings: mentions of guns and killing, kabedon for the sake of science, connor unreliable narrator LOL u have feelings android man… maybe ooc idk. (wrote this w the idea of connor being deviant since the beginning bcs Yeah!)

synopsis: You meet Connor again. Turns out things are much more complicated when you aren’t working together.

author’s note: hi dbh fic?! i Love connor nd i’ve been writing this for a while (crazy since it’s rly short) but i don’t like it much… anyways whoevers alive in the dbh fandom have this!

“Detective.”

There’s just something about the way Connor speaks. The cadence, the pitch, the enunciation of each word. It’s painfully evident that he isn’t human. Everything about him is so machine-like that even his perfect, human-like exterior could not fool anyone. However it is something you got used to. Hearing the android speak your name and call you ‘Detective’ back a while ago felt somewhat unsettling. Now it’s so easy to recognize that it almost makes you feel at ease.

“Do you seriously think I’m an android? I don’t wanna deal with those fucking machines, either. I’d be glad if you put a bullet through them rather than me.”

Turns out hearing him fake being a human is ten times more terrifying than his android speech patterns could ever hope to be.

This was not part of the plan.

You were sent with a unit to patrol around the streets for any android who still hadn’t been brought back or destroyed. You weren’t a fan of this whole assignment, but felt better than the rookies who were sent out to shoot humanoid robots as their first field mission probably did.

It would be fine, is what you told yourself, because you didn’t feel anything towards Cyberlife’s creations enough to be completely uncomfortable with the idea of their blue blood on your hands, though it wasn’t ideal. You could manage. Until the first person you came across happened to be the one android you genuinely cared about.

“I don’t think he’s one of them…” one of your fellow officers murmurs next to you. You suddenly become very aware of the gun he, too, is holding and pointing towards the target. Fuck. As if the situation wasn’t bad enough.

At least this idiot’s performance seems to be fooling them.

You wait one second, then sigh on the second, and finally lower your gun on the third. “You shouldn’t be here.” you say casually, prompting your colleagues to relax and the atmosphere to lighten a little. Your heart is in your throat, however. “We’ve got orders to round up every android we see around here. You should go home. This isn’t exactly safe.”

“I know, I know.” he sighs, rolling his eyes a little, “I was gonna leave anyways, thanks.”

Your coworkers mumble to themselves about how disagreeable this guy’s attitude is and it’s enough for them to miss the wink the latter sends your way as he leaves. You almost regret not shooting a bullet through his head.

Still, you sigh in relief, setting your gun back at your side and running a hand over your face. You don’t think you can continue patrolling in peace. There’s one too many questions in your mind and the key to answering them is escaping from your grasp.

You take the phone in your pocket and pretend to get a call, moving it to your ear and looking at the members of your team. “I’ll join up with you later.” you say, gesturing towards your phone. They nod and walk away, and you do the same, feeling more relieved than ever that these people see you as a leader of sorts. They won’t question you on anything. You hurry towards the direction your so-called partner left to the moment they’re out of sight.

A rooftop door, stairs, and more stairs. You’re jogging down like you’re chasing a criminal on the run. You’re down to the fifth floor out of eight when someone grabs your arm and pulls you out a door.

“Wha—” you try to yell, but a cold hand settle over your mouth. Your body relaxes but your expression tenses. Connor. “Let me go,” you mumble incoherently, surprisingly succeeding in getting him to let you step away.

You sigh and shake your head, turning around abruptly. His ‘human costume’ (which really just was a grey suit jacket thrown over what should’ve been his Cyberlife uniform, glasses, and a cap to hide his LED) is already gone, replaced by his usual attire, just missing his jacket.

“What the hell was that about?” you ask, annoyed, pointing towards the staircase (back there, on the roof) and the android simply shrugs. “Connor.”

“I was undercover, Detective. I thought someone as smart as you would recognize that much.” he says, his tone back to normal. You’d feel relieved if he wasn’t being so irritating. “Was I wrong?”

Your face drops. “No. I figured as much. But what for?” you sigh, crossing your arms.

“Same mission as always.”

“Who are you chasing? Did you find the place?”

“I have no reason to tell you.”

It only clicks then that while you know about Connor continuing his mission after being laid off the case, you’re not part of it anymore. He had to be sent back to Cyberlife, and you should’ve been forgetting about him entirely. You’re still DPD, and you have orders to shoot Androids on sight— Which you clearly aren’t following. He’s right. He has no reason to tell you.

Still.

You grab his arm when he threatens to walk away. You’re not sure what you want to say, but you’re not done talking. He lets you. “Connor.”

“Detective.” he says. You straighten your back and sigh, not breaking eye contact. He tilts his head to the side and his LED flashes yellow for an instant. “You’re angry.”

Of course you’re angry. He’s infuriating. There’s something about how logical and dead-set on following every single rule he is that makes Connor the most annoying individual you’ve ever talked to. Everything he does has to be for his mission. Every single thing.

“Do threats work with you?” you ask blankly, “If you don’t tell me where it is, I’ll get Cyberlife to bring you back, and all that?”

When he takes a step closer to you again, forcing your back to press against the wall, and his LED does not even threaten to change hues, you’re taken aback. Just a bit. It’s the same kind of frustrated attitude you would’ve expected from a human after saying what you just did. But not Connor.

He doesn’t seem frustrated, though. And you know he can look annoyed. He just doesn’t. So he must not be. And you want to find what it is he’s doing exactly, stepping closer to you without even saying a word, but your brain feels like it’s short-circuiting at the distance between you two. You know he does everything for his work. Does he think you have new information on deviants? Does he really believe you would call Cyberlife on him? Is he using his stupid interrogation module on you? Whatever it is makes you even more annoyed.

The silence feels heavy. It makes things worse. It gives your brain time to process how this is making you feel and it’s no good at all. “What?” you break the silence, tone somewhat irritated.

“I’m trying to understand the reason why you’re so angry at me.” he explains simply, like it makes sense. His eyes narrow a bit and the LED at the side of his head flickers yellow for a moment. “And no, Detective. Threats don’t work on me. Not when I can tell you’re lying so easily.” he adds, quieter.

“Shut up.” you scoff.

“I dont think I will.”

“Connor.”

“— However,” he interrupts, “I can step away from you at any moment if you tell me to.”

“No.”

“No?”

What— No?! You register the word after saying it and sigh, face contorting into a somewhat pained expression. You panicked and said it, your mind processing his offer as him leaving you again— With no information and nothing to ease your stupid worries. Now it just sounds odd.

Is that embarrassment?

“You didn’t finish what you were trying to do, did you? You haven’t told me why I’m angry yet. Since you apparently care so much.” you say, tone sounding much softer than before. Your apparent discomposure took away all the bitterness from your voice. Interesting.

Truth be told, Connor knows why you’re angry. He’s not letting you in on the details of what he’s doing despite the time you spent working as partners a very short while ago. He’s spent enough time with people, and you especially, to know that after forming some kind of bond with a work partner, it would be frustrating not to receive information about their mission the way you used to from them—

Especially considering he was still chasing after something you both knew about. Jericho. But he cannot tell you about that. Not… Right now.

What he really was trying to do was evaluate how much of a threat you really could be to his investigation. He didn’t sense any hostility before and he doesn’t now, and you could’ve shot him but you didn’t. But it’s not enough. He needs more time— More evidence that it’s fine. That’s why he pulled you here in the first place. That’s why he pressured you to talk.

He needs to make sure killing you isn’t necessary.

“Because I posed a threat to the stability of your current mission earlier. You wouldn’t have been able to shoot me had I been discovered, and your reaction to your colleagues shooting me would’ve jeopardized your job itself.” he answers.

This reasoning would make sense.

“That’s not it.” you sigh.

Your heartbeat is slowing down. No good. Connor leans his arm on the wall next to you and moves closer. Your heartbeat picks up in speed. It’s almost alarming. He can tell all the details about your physical condition and deduce what you’re thinking or feeling based off of them, sure. But he’s no human. The way he views and comprehends emotions is registered in his system in a much more clear and logic-based way than it is in humans’ brains.

So maybe he won’t ever know why your heart beats so heavily against your ribcage. So he just has to pressure the right places and demand answers. He unfortunately can’t allow you to relax. He won’t get anything out of you if you’re calm. You’re much too turbulent for that.

Or maybe he’ll just have to ask. In a normal way.

“Detective, what’s wrong with you?”

“What’s wrong with me?” you scoff, eyes widening. Wrong question.

You seem like you want to be angry but something is holding you back from displaying just how much he gets on your nerves. You sigh deeply and look at him, “What’s wrong with you? You’re acting so weird. More than usual. Why’d you pull me here if you didn’t want to tell me anything? And I’m worried. What if you really did get shot? Wasn’t Cyberlife supposed to deactivate you? They wouldn’t have brought in another Connor this time. You’re off the case, you— You would’ve died!”

“Maybe.”

There’s circles under your eyes. There always are, but they’re more defined now than they were the last time he saw you. Now that you’re actually being honest, your whole voice and mannerisms betray any of your usual annoyed and dismissive facade. He didn’t think you cared this much, though he understands that some humans are quick to empathize. To a fault.

Now it’s clear he doesn’t need to eliminate you at all. Part of him seems to have grown fond of your company. He couldn’t risk that getting in the way of his better judgment.

“I only pulled you here so you wouldn’t pointlessly chase down the streets searching for me, since I made sure no one would follow.” he says, stepping back and giving you more space, “You’re a police officer. It doesn’t matter what you say you’ll keep to yourself or not. I can’t compromise. This is too important.”

You’re hurt, it’s visible. He’s saying he can’t risk trusting you. He figures that must not feel nice.

The sound of the radio attached to your side breaks this prolonged silence with the promise of separation. You take it, eyes not leaving Connor’s, and listen to your colleague speak. You tell them you’ll be right there. You’re not one to be late. He knows you’ll really leave this time— Too far away for him to hope to talk to you again, if anything goes awry.

You turn the radio off and put it back where it was. “Hope you succeed, then.” you say, bitter, and push yourself up to start walking away.

“Take care of yourself, Detective.” Connor says. Asks. The words come out before he can really think. Something about your voice and this whole atmosphere made him… Feel uneasy. Like he needed to say something. If this is how your partnership ends, he doesn’t believe it should be on such a sour note. He cares doesn’t dislike you at all, so why should it?

You stagger a little, seemingly stopping in your tracks, but moving again no more than a second later. “You too, Connor.”

Somehow, goodbyes had never seemed so sad.

[stealingyourbones]

Question! I have been getting into DC comics cuz of dpxdc, and I saw your tags on frank Miller on a recent post. One of my irl friends told me to read the dark knight returns and while it was occasionally hard to follow I assumed that was a result of when it was written rather than who wrote it? But I did overall enjoy it.

I guess what I'm asking is why you say frank Miller is a bad writer when it seems like the dark knight returns was so acclaimed?

(I saw the nazi thing too but that's something I can google so while it's news to me it's not my main question)

ok so. A lot of this is my personal opinion and I'm not too equipped to say shit about this because I'm not very political but I'm going to give it my best shot. Put under a cut so folks who don't want to hear about comic ranting can simply scroll past

I’m just gonna write a quick thing for the Nazi stuff, He isn't exactly a Nazi but boy oh boY does he set off many warning flags. Frank Miller is also the writer of the comic 300, if that sounds familiar that's because the movie you're probably thinking of is indeed based off these comics. The Spartan's ideology helped create the baselines of Fascism. Fascism is a pretty leading cause of commentary in Frank Millers work. In Batman: The Dark Knight he is a fascist. In Hard Boiled there's swastikas in the background every so often. (I even went back to reread it just to make sure and yep. they definitely were there) In 300 there's a shitton of Fascism... I could go on but still. His comics are incredibly gorey, have a discussion about a world gone wrong that can only be changed using force and weaponry (the whole Dark Knight "I am a surgeon" monologue for example), and the fact that he has Fascism as the main point of nearly all of the comics he's written... it doesn't sit right with me and it's a consistent pattern.

Now, onto the bad writing. I must firstly preface that these are my own opinions and that I didn't grow up reading Frank Miller's work. I think he was a good writer but isn't one anymore. His writing did incredible things for DC and you can see his influence in Batman even today. Works I've read and enjoyed of his are: Daredevil, Batman Year One, and Dark Knight. Nowadays you'll see many folks like myself talk about how Frank Miller has fallen off the deep end. A vast majority of Frank Miller's comics have reoccurring themes: politics, fascism, extreme violence, and so so much weaponry. Politics is in every comic book. There is no unpolitical comic, there ARE comics that are batshit wild with their politics and that's what I'm talking about. I'll get back to this later. He wrote many good comics, ones that first come to mind are Daredevil , Wolverine, Batman: Dark Knight, Batman: Year One, Sin City, Ronin, and 300. All of these comics are still credited by folks as amazing comics and hell, I recommend folks to read them go and check them out. Then 9/11 happened. That along with rampant alcoholism. Those reoccurring themes I mentioned? They become exponentially more blatant in his works. Especially on the political angle. You can see the difference between his works from pre and post 9/11. If you read Dark Knight and Dark Knight 2 back to back. It's night and day. He even made a comic during the post 9/11 panic called Holy Terror. The comic's title was originally pitched as Holy Terror, Batman! with the Gotham hero himself as the main character but it swiftly denied by DC, denied being published by DC, and changed to what it is now. The basic plot of this comic: A Vigilante named The Fixer fights Al-Qaeda after attacking Empire City. He doesn't even mention the word Al-Qaeda until 80 pages into a 150 page comic. The comic is some INCREDIBLY blatant post 9/11 propaganda that's ridiculously Islamophobic and anti-muslim. That isn't even my opinion, Frank Miller has said that's what this comic was. It is scattered with a ridiculous amount of hate speech written by a hate fueled man in 2007. Now onto comics that you'd more likely read. All Star Batman and Robin (2005). Oh boy. Let's compare shall we? Batman Dark Knight Returns (1986)

All Star Batman & Robin, The Boy Wonder #1 (2005)

mind you this is as Dick is being driven to GCPD for questioning RIGHT AFTER HIS PARENTS DIED. He gets kidnapped by Bruce out of the police car. Not calmed in his arms after the murder and brought to the manor. Kidnapped. All Star Batman & Robin, The Boy Wonder #2 (2005)

( a brief intermission of this sickass pose of a shirtless Alfred Pennyworth comforting Vicky Vale)

now back to the kidnapping:

[Skipping Bruce getting chased by the GCPD, Jumping the Batmobile ONTOP of a GCPD car, and laughing and talking to his car all the while Dick is absolutely terrified. They then use boosters that propel the Batmobile into the sky.]

Smashcut to #4 where they actually enter the Batcave.

I don't even think I need to explain myself. This is Spider-Man: One More Day levels of mischaracterization. Like seriously. Bruce kidnapping Dick after his parents were killed? Calling him a retard and hitting him during the aftermath (we can go on about how in 2005, the r slur was used commonly but this was just out of pocket), Leaving him in the cold batcave and told to eat rats? Frank Miller used to write some incredible works. Nowadays his writing is as decent as Rob Liefeld's art.

[yuurei20]

I've noticed Epel keeps adding 'kana' to the end of his sentences. What does it mean?

Hello hello! Thank you so, so much for this question, I have always wanted to mention this.

“Kana” can be a multitude of things in English, such as “probably,” “I guess,” “I think,” “I wonder,” etc. A basic explanation would be, “a word used to express uncertainty,” but like most things when it comes to language, that is not the only thing it does.

A quick review of Epel: from his first day at NRC he has been under order from Vil to “speak more politely,” as he tends to use informal speech with his senpai.

As you point out, Epel often adds “kana” to what he is saying, and that is because one of the things that it can do is ‘soften’ something that you’re saying in order to make it sound less direct, and thus more polite.

Examples: Epel telling Kalim that his assumption is wrong, telling Vil that he disagrees with him, saying that his Phantom Bride look is weird, etc., these are all sentences that he is awkwardly gentling via “kana,” often after several ellipses or a comma, as though it is not a part of his normal speech pattern.

This gets into cultural differences: When Ace assumes that Epel is dedicated to a certain brand of apple juice, for example, an English-speaking Epel could probably respond, “That’s not actually the case!,” without sounding rude. But that could be interpreted as a little brusque in Japanese.

In order to soften the expression Epel adds “kana” at the end, which sounds more like, “That might not be the case,” “I’m not sure that is exactly what is going on,” etc., in English.

Even though he knows for 100% certainty that he is not actually dedicated to a certain brand of juice, he is still using “kana” in order to not sound too straightforward.

(screenshot from maggiesensei.com)

(This can and does cause issues when moving in between languages: a Japanese learner who only knows that “kana” means “I think” might not add it onto sentences where they are certain about something, and thus risk annoying their Japanese-speaking colleagues, for example. In contrast, an English learner may say “I think” too often, leading their English-speaking colleagues to wonder why they don’t seem to actually know anything. It’s all part of the joy of language and culture!)

While there are several words in Japanese that can be used to soften your phrasing, Epel seems to have latched onto “kana” in particular, possibly because it is an easy word to add on to the last part of what might otherwise be a rude sentence in an attempt to avoid a reprimand from Vil. 

Other times Epel will belatedly add “desu” onto his sentences, also in a bid to sound more polite than he is used to speaking. 

If you are a language learner I would not recommend using Epel as an example of when to use “kana,” as he will sometimes shoehorn it into places in an unnatural way (as a part of his character).

EN is doing its best to recreate Epel’s “kana” by including things like “kind of,” “not sure” and “maybe” in his dialogue, but as sounding uncertain doesn’t necessarily mean you sound polite in English, this may not be having the same effect. And I have no idea how they would go about recreating this habit of Epel’s in a way that can properly portray what is happening in English—it might just be one of those things that gets lost in translation :<

Bonus: The Japanese language has four different alphabets (kanji, katakana, hiragana, romaji), and katakana is the alphabet used for foreign loanwords. 

Whereas other characters who use honorifics have “-kun” and “-san” written in hiragana in their dialogue, Epel’s dialogue uses katakana. This is possibly meant to symbolize how using honorifics in these situations is foreign to him, and he is not used to it.

(When he does shift into using honorifics in hiragana, it is only when he is talking to people from his own village: people he is used to!)

[foldingfittedsheets]

Your discussion today about "ma'am" brought back to mind something I've been trying to find an answer to for years that maybe you have thoughts on: what is a good non-gendered alternative to "sir/ma'am"? I'm thinking in situations where you want to be polite and respectful while referring directly to someone, but knowing their name isn't really an option, such as working retail.

(In my specific case, I'm a traveling educator constantly working with new groups of students where I can't possibly learn all their names in the 45-60 minutes I have with them, but I want to be respectful towards them because these kids get treated rudely by adults all the time. For instance, if I need to get their attention in order to move past them, I'd rather say "Excuse me, sir/ma'am" rather than just "Excuse me." Things like "friend" or "boss," which I know can work well for other people, come off as false or condescending from me personally.)

Get ready for this little number: I have no idea. And I have built my entire speech pattern around never having to find out.

See, I’m exceptionally terrible at names. Like, five seconds after someone says it there’s just static in my brain where a name is supposed to be. Even beloved friends will be sitting with me and I’ll be like- wait do I remember their name???

So everything I say is based around never addressing someone by name or honorific because the fastest way to alienate someone is getting it wrong. Most women haaate having gone from “miss” to “ma’am” and avoiding it generally pleases them. If you add extra warmth into your demeanor you can just avoid honorifics in my experience.

So my advice: when in doubt you can go even more formal to bypass names. Everyone says “excuse me,” but if you bump it up to a “pardon me,” (provided you’re in the US where that’s less common and more formal) you can get away with not adding a name.

For kids I’m personally a big fan of “kiddo”. It acknowledges they’re a kid but doesn’t come off condescending like “champ” or “buddy”. You can also just start off with a “What’s your name,” with kids and they don’t give a fuck usually. They know you don’t know them.

[two-sibyls-tall]

I bullet-point planned out a batfam fanfic aWHILE ago but I am Bad At Writing full-fledged stories so I’m going to just throw it out in the open here in the hopes that ya’ll will appreciate it, and also that mayhaps someone else who is Good At Writing will find it and make it.

So. Here’s my take on a Reverse!Robins Dimensional Travel fic.

Damian:

Starts off with Robin!Damian seeing a black-robed uniform that’s awfully similar to the League of Assassins gear. Which is. Worrying. to see in Gotham.

Robin!Damian sneaks up on him to figure out wtf he’s doing.

Nightwing!Damian, aka the black-robed figure, calls him out. Possibly even makes an offhanded joke about how R!Damian shouldn’t be wearing bright ass colors if he didn’t want to be seen.

R!Damian catches sight of the Nightwing logo on N!Damian’s chest and proceeds to demand who he is

N!Damian recognizes R!Damin’s pattern of speech and essentially goes “oh fuck”. Reveals himself as Nightwing, aka Damian Wayne.

R!Damian immediately thinks of the Heretic. He calls for backup in code via comm link.

N!Damian is on the same comm channel, so he hears the responses to the code even if he doesn’t recognize the code itself. He’s semi-annoyed and starts running

R!Damian is IN PURSUIT.

N!Damian gets yoinked back to hid own dimension

R!Damian meets up with Nightwing!Dick and says something along the lines of “the assailant disappeared but who tf was that.”

Jason:

It’s a couple days later now.

Red Robin!Tim has already started working on a multiverse-type theory and let Red Hood!Jason know, so honestly RH!Jason isn’t terribly surprised when he comes across a vaguely familiar vigilante beating the shit out of a criminal in Crime Alley.

New vigilante introduces himself as Redbird

RH!Jason goes across comms to ask Tim how tf he should be handling this shit?

Redbird visibly freezes up when RR! does the classic “no names in the field” chastise

RH!Jason straight up asks Redbird if he can hear the comms bc who needs to be subtle.

When Redbird confirms, he just sorta sighs and gives a code to O. There’s a bit of yelling while the team processes the possibility of compromised comms.

It calms down again, and RR!Tim is like “okay the evidence is pretty clear here if you ask me,, Redbird I think you’re from another dimension. Do you recognize any of us?”

Redbird is like “well I’ve only actually caught one of your guys’s names so far, but yes I. Know. a Tim. He doesnt sound like you anymore, though”

RH!Jason is like ‘hmm we’re gonna put a pin in that one for now’

Meanwhile RR!Tim is talking to Redbird about going to the batcave and also maybe running some tests to figure out where they’re coming from and what’s going on here

Redbird shrugs and mentions that this whole situation sorta seems like what his brother was talking about a few seconds before he jumped dimensions.

“Is your brother Damian Wayne, aka Nightwing?”

“Fuck. Yeah, that’s him.”

At this point RH!Jason connects the dots an goes “ah shit, you’re me aren’t you.”

Redbird!Jason gives the most dramatic eye-roll possible and is like “bro we went from Redbird to Red Hood? That’s so lame. Why’d we even change it.”

RH!Jason just looks at him. “No dude we went from Robin to Red Hood. because we died.”

“NEWS TO ME???”

They've been heading to the batcave during this conversation

They walk in and RR!Tim's already there and he's like "Jason stop freaking out mini you this is clearly a different universe he might not even die."

Redbird!Jason is completely frozen staring at (unmasked) Tim and just kinda whispers "Tim?" And then he gets yoinked back to his universe.

Tim and Jason look at each other and Jason's like "so that's definitely not a good sign for what happened to you in their universe, right?"

Dick:

Nightwing!Dick is in the Batcave w/ most of the family discussing the dimension travel shit when he suddenly feels like he's being watched

He puts the meeting on pause and the feeling increases and he just looks straight up and sees golden eyes staring at him from the rafters

The other Batfamily members in attendance also look up and go what !! the fuck !!

NW!Dick knows about the whole 'Haly's circus being a theoretical breeding ground for the Court of Owls' thing bc I said so, so he already feels like he knows whats goin on

before anyone can say anything he just clears his throat and says "Gray Son?"

Batfamily freezes in shock and the small child w/ gold eyes just tilts his head in recognition and then jumps down from the rafters w/ no hesitation

He lands right next to NW!Dick and stands at attention, and Dick kinda feels sick bc Talon!Dick is like 8 years old

NW!Dick looks at the batfamily and makes some joke of like "haha looks like it’s my turn for the alternate dimension encounter"

RR!Tim is already taking notes

Bruce's put it all together and he's like "fuck. Little you is a Talon."

Cue the batfamily losing their shit again

Talon!DIck is looking between all of them confused, and he notices Damian just deadlock staring at him, and he's like Oh!! I know this one !!! so he stares back

RR!Tim is like "okay fantastic, well between Talon and Nightwing!Damian I think I can confidently guess by now that their dimension is one where all of our ages are reversed. Hey Talon do u wanna confirm that."

Talon is Very Helpful and nods, and Nightwing!Dick is like "alright buddy do you wanna tell us about ur dimension"

Except Talon doesnt really talk but !! he does sign!! his big sister cass has been teaching him sign !!

NW!Dick is like “thats great!! I know sign!!” and he starts relaying info to RR!Tim so he can take notes while Talon talks

Talon tells him that Tim From His Universe (and Dick isnt going to unpack yet why Tim’s namesign is a T drawn in the shape of a smile) has also put together that they’re going to a different universe

He says there was a case that the 4 nightshift batboys were on (girls were working a different case, Batman is offworld) w Oracle leading ofc that was selling alien technology

he says the 4 nightshift batboys were hit w a beam that didnt seem to do anything, but Tim of His Universe thinks that beam just had a slower affect and is what’s causing this

He says his big brother damian was the first to just randomly disappear mid mission and it gave Talon a scare bc they were together at the time, so he just froze and waited for damian to come back

and when Damian did, he immediately relayed what happened over comms, and a couple seconds later Redbird wasnt responding either

at this point RR!Tim interrupts and is like “are u saying urs all happened the same day? bc its been like a couple weeks since NW!Damian came here and several days since Redbird”

Talon just kinda shrugs and is like “well keep an eye out for Tim Of My Universe next bc he was hit too”

At this point NW!Tim is like “hey bud. why u. Why u using that name sign for Tim?”

Talon’s is about to respond when he gets yoinked back to his universe as well

Tim gives a mildly hysterical laugh and is like “well that’s not foreboding at all!!!”

Tim:

RR!Tim doesnt actually notice when JJ!Tim comes in this universe, bc at this point JJ!Tim has figured it out as well and is like “alright well the kid hasnt been jokerized so why traumatize him if I dont have to”

but unfortunately JJ!Tim IS spotted by a random passerby who mistakes him for the Joker so the whole batfamily’s out soon anyway looking for him

Hood finds JJ!Tim first and is like “alright i got eyes on him and im in pursuit,, hes kinda dressed weird tho wtf”

JJ!Tim hears this over comms and is like ‘welp now or never’ so he talks over the comms too (while running from Hood) and is like “hey I might be in the wrong universe, any way I could talk to one Tim Drake”

RR!Tim is like “Fuck dude really. rn? with a joker breakout? this is a bad time”

JJ!Tim responds w like “ur telling me, dude, Im the one being chased by a homicidal maniac w a red bucket on his head”

“YOU’RE THE GUY DRESSED LIKE THE JOKER?”

“THE JOKER IS STILL ALIVE HERE?”

JJ!Tim does NOT take this news well and he stops running, Hood catches up but doesnt engage bc ur telling me this is Tim?? this is RR?? tf happened?? but he does relay over comms that JJ is laughing and it is freaking him tf out bc he sounds EXACTLY like the Joker so SOMEONE get over here before Jason goes full Pit Rage

RR!Tim does arrive and immediately recognizes his own features despite the green hair and green eyes and bleached skin and Absolutely Terrifying Smile what the FUCK happened

JJ calms down just enough to be like “Oh I get it. This universe is age reversal so it also changed who the Joker got, too”

Hood looks like hes about to be sick, Tim’s not far behind

JJ’s like “great! well I’m Joker Junior, occasionally known as Tim Drake, and in my universe I was brainwashed by the Joker, then killed him and myself!! but apaprently the universe wasnt a fan of that because then I woke up in an UNMARKED GRAVE and wandered around for awhile, got dunked in a lazarus pit, and am overall having a terrible time”

At this point NW!Dick and Robin!Damian are here too and they’re like jfc dude

JJ looks down at his wrist like theres a watch there (there’s not) and is like “alright well according to my calculations, I shouldnt be here much longer, since most of my time was spent hiding & then running from ya’ll in order to NOT have this confrontation but look how well that worked out. Anyway u guys should kill the joker,, who knows if he might get inspiration from my universe and torture little timmy over there,, anyway ta ta” and then he fuckin disappears

Red Hood is like “yep ok im gonna go murder a clown” and no one really moves to go stop him