#I still want waffles

[apnourry]

mama, I'm just having fun

[chaos0pikachu]

man some of y'all have never learned the home training of "keep your hate/critique out the main tags and on your own blog or in critical tags" and then wonder why ppl be vagueblogging or reblogging with disagreements like you didn't show up to the crochet lovers group telling everybody how crocheting was actually Not Fun At All and really hard and doesn't make sense to enjoy, or Problematic, actually instead of keeping it in the group chat with the haterella besties

[surelysilly]

Both their lives and futures up in flames because That's not Sammy anymore, Dean.  And he'd nearly bit through his tongue holding back the immediate The fuck it isn't because even if his hair is sometimes weird and blue, his face ashen and gray over jet black skin and fucked up versions of whatever clothes he's wearing that's — that's Sammy. That's my little brother. 

[fruitsofhell]

I used to be one of those guys when I first joined the Kirby fandom, but everytime I hear a discussion of the series writing that starts with "So the Lore is InSaNe-" and not like, "Kirby has a fun writing style that takes advantage of its cute exterior to tell cool stories that reward player's curiosity and leave lots of room for imagination-" I cringe so goddamn hard.

I kinda just hate that people approach things that encourage investment when they don't expect it as inherently absurd. Like it is fun to joke about how absurd Kirby lore can be, but it really often comes with an air of disrespect or exhaustion rather than like, appreciation that these games are made by people who want to tell interesting stories when they could easily make as much money just making polished enough fluffy kiddy platformers. And when it's not met with exhaustion, it's met with - like I said before - that tone that it's stupid for a series like this TO have devs who care about writing stuff for it. Which is a whole other thing about people not respecting things made to appeal to kiddie aesthetic or tone.

Maybe the state of low-stakes YouTube video essays just blows cause people play up ignorance and disbelief for engagement, but like I STG I hear people use this tone for like actual narrative based games sometimes. Some people don't like... appreciate when a game is made by people who care a shitton in ways that aren't direct gameplay feedback. And they especially don't appreciate it when it comes from something with any sense of tonal dissonance intentional or not.

Anyways, I love games made by insane people. I love games made by teams who feel like they wanna make something work or say something so bad. I love that energy, especially when invested into something that could easily rest on its laurels or which obviously won't be taken seriously. I love this in a lot of classic campy 2000s games, I love this in insanely niche yet passionate fanworks, and I love it in the Kirby series and its writing. Can we please stop talking about it like it's an annoyance or complete joke?

[sea-jello]

hong kong miku,,,

[high-noon-raccoon]

Finally finished reading Legionnaire but unfortunately it set me back on my bullshit and I'm trying desperately to spare my tabletop group from it.

I need to just sketch more, it helps me remember how to draw like an actual frigging adult.

[hella1975]

would you like to talk about how bad the mha ending was hella

as much as i would love to give like. a comprehensive response i genuinely dont think i can get my words together just yet without it being a constant unintelligble stream of 'AND ANOTHER THING-' and bc it's become quite torn in the fandom on if the chapter was good or bad i want like. an actual coherent response here. so i will reblog this if/when i can word it but know IM NOT FUCKING HAPPY

[quibbs126]

You know I love these different Waffle Cookies that the creators made that one time, and how they each interpreted the waffle differently

The first one makes the waffle more like a shield or something? This one isn’t entirely clear, but it led to summoner/cleric

The second one seems to interpret the waffle as like a straw hat, and thus a bug catcher

The third one I’m told they made the connection between the waffle and chainmail, which led to them being some sort of monster tamer? I don’t know

And then this fourth one, the waffle got interpreted like a knit pattern, and so the Cookie’s a knitter

I love how each of these make a connection between the ingredient and something else, and then from there they can make a whole character from it

God I wish that were me. And also that I didn’t overthink things so much

[uncanny-tranny]

I know this is a very unoriginal observation (much like any other), but I'm finally reading The Great Gatsby, and even I wouldn't describe men the way Nick does.

[hanzajesthanza]

dandelion is indeed the worst but if he’s not present in the next book i would legitimately be sorrowful as the whole thing will become a slog . you basically cannot have the “short stories” era-of-the-timeline iteration of geralt without dandelion, it would be like eating unbuttered bread.

though it’s not like season of storms did them dirty, i wasn’t disappointed with it (… with regards to them), but since it’s literally been over 20 years since the saga was finished i’m trying to prepare for any potential reality

[trainingdummyrabbit]

thinks really hard abt the lobcorp pre-suppression cutscene choices and their repetition, how it represents how this decision was never yours to make (this is an action picked out by someone who isnt and can never be you; your decision does not matter) yet the decision was Always yours to make (there is no other option because this is What Happened, and Would Always Be what happened; you would never make another choice. your decision is the only one that mattered.)

the line between ayin and x is so blurred. much like the rest of the sephirah, ayin too creates a split in himself not terribly different from the split between elijah and malkuth, gabriel and yesod, michelle and hod, and on, and on. and yet, despite how differently each iteration of x is described or implied to be, after the memory sync, it is always implied to still be Ayin. to be Ayin once more. and yet, each of the sephirah seem to feel as though they are entirely different people. where is the line drawn? and who is it drawn by?

if x is not ayin, what becomes of him when ayins memories return? the sephirah made their own choices of who they decide to be-- but did ayin make that choice for himself too? was he simply too stubborn to allow himself to disappear under the weight of that many resets, that many retries, that many reshuffles of the mind? how much of x remains afterwards? how much say does he have in the right to exist, as someone who defines himself out of existence on the sole account of Being? intrinsically temporary. but i suppose, since when did ayin care of the voices that were not his own?

but if x Is ayin, what does that make of how we see him from the start? how does this redefine his character, who he Is, what he Searches for? what he Prioritizes? an open ended question becomes a well trodden trail, always destined to return to the same point, over and over. the implication that no matter what he does, what becomes of him, any choice he makes will inevitably be the same. he too has a part to play, and he too must see it to fruition, just like everyone else. and so he marches forward, and so he marches forward.

of course, nothing is ever really so black and white, but its not like we will ever really get to know. we dont get to see much of the man behind the curtain, only the hand that directs. no matter what path, what circumstance, what action, it will always end the same way. the hill must be climbed, the wheel must be ran, and the sun always rises at the end.

it was never his choice to make. it was Always his choice to make.

[bingus35]

A lot of people have pointed out this might be foreshadowing for future cross guild lineup. Seems like the theme here is “people with crushed dreams/people who grew stagnant rediscover their dreams once again”

Crocodile and Moria are classic examples for people with crushed dreams. Crocodile had somewhat rediscovered his dream in Marineford, but judging from the newest chapter he still hasn’t abandoned his old Utopia plan (lame)

Buggy gave up on his dream 20 years ago, and just now regained it and said it out loud while also calling Crocodile and Mihawk’s way of doing things lame (goated)

Mihawk is still unclear, but one clear thing is he used to be way more of a threat than he is now. Who was once called Marine hunter is now basically a perpetually bored grandpa who just wants to a quiet place to drink and sleep -> He grew stagnant

Doflamingo, despite being active in the underworld and keep saying shit about the new era, doesn’t really do anything to change it -> which is why Law rubbed it in his face with the “I broke the gear” speech

[cozylittleartblog]

"woah i can't believe you've read blue sky!"

hoho. my dear followers. i have done more than read it. do you have any idea what you are dealing with.

[knifebaby3000]

“temple”, 1 july 23

[babycactus]

thinking about how prank calling was a huge part of my teen years

[gifti3]

I like to to think mcs who wouldnt fall into the conventionally attractive category getting shooked when multiple demons find them attractive