#I still think I missed some points

[anghraine]

It's interesting (if often frustrating) to see the renewed Orc Discourse after the last few episodes of ROP. I've seen arguments that orcs have to be personifications of evil rather than people as such or else the ethics of our heroes' approach to them becomes much more fraught. Tolkien's work, as written, seems an odd choice to me for not wrangling with difficult questions, and of course, more diehard fans are going to immediately bring up Shagrat and Gorbag.

If you haven't read LOTR recently, Shagrat and Gorbag are two orcs who briefly have a conversation about how they're being screwed over by Sauron but have no other real options, about their opinions of mistakes that have been made, that they think Sauron himself has made one, but it's not safe to discuss because Sauron has spies in their own ranks. They reminisce about better times when they had more freedom and fantasize about a future when they can go elsewhere and set up a small-scale banditry operation rather than being involved in this huge-scale war. Eventually, however, they end up turning on each other.

Basically any time that someone brings up the "humanity" of this conversation, someone else will point out that they're still bad people. They're not at all guilty about what they're part of. They just resent the dangers to themselves, the pressure from above, failures of competence, the surveillance they're under, and their lack of realistic alternative options. The dream of another life mentioned in the conversation is still one of preying on innocent people, just on a much smaller and more immediate scale, etc.

I think this misses the reason it keeps getting brought up, though. The point is not that Shagrat and Gorbag are good people. The point is that they are people.

There's something very normal and recognizable about their resentment of their superiors, their fears of reprisal and betrayal that ultimately are realized, their dislike of this kind of industrial war machine that erases their individual work and contributions, the tinge of wistfulness in their hope of escape into a different kind of life. Their dialect is deliberately "common"—and there's a lot more to say about that and the fact that it's another commoner, Sam, who outwits them—but one of the main effects is to make them sound familiar and ordinary. And it's interesting that one of the points they specifically raise is that they're not going to get better treatment from "the good guys" so they can't defect, either.

This is self-interested, yes, but it's not the self-interest of some mystical being or spirit or whatnot, but of people.

Tolkien's later remarks tend to back this up. He said that female orcs do exist, but are rarely seen in the story because the characters only interact with the all-male warrior class of orcs. Whatever female orcs "do," it isn't going to war. Maybe they do a lot of the agricultural work that is apparently happening in distant parts of Mordor, maybe they are chiefly responsible for young orcs, maybe both and/or something else, we don't know. But we know they're out there and we know that they reproduce sexually and we know that they're not part of the orcish warrior class.

Regardless of all the problems with this, the idea that orcs have a gender-restricted warrior class at all and we're just not seeing any of their other classes because of where the story is set doesn't sound like automatons of evil. It sounds like an actual culture of people that we only see along the fringes.

And this whole matter of "but if they're people, we have to think about ethics, so they can't be people" is a weird circular argument that cannot account for what's in LOTR or for much of what Tolkien said afterwards. Yes, he struggled with The Problem of Orcs and how to reconcile it with his world building and his ethical system, but "maybe they're not people" is ultimately not a workable solution as far as LOTR goes and can't even account for much of the later evolution of his ideas, including explicit statements in his letters.

And in the end, the real response that comes to mind to that circular argument is "maybe you should think about ethics more."

[lightlightsuplight]

every scene where light yagami wears a turtleneck (ever)

[shyaringan]

idk if this will mean anything to anybody or will reach the right audience But in the off chance it does-

I used to post art all the time, my username was @reegis and I used to draw a ton of mechanisms fanart??

I was (and still am ngl) having a lot of health issues and logged out because i was overwhelmed and really needed a break that I assumed would only be temporary. its a Very long story but tldr- was logged out, new phone, email accounts didnt transfer over like id thought they would, absolutely no clue what email id used for the blog, tumblr Shockingly not helpful about it.

I only recently started drawing again, and got an overwhelming amount of encouragement from my friends to start posting instead of just keeping to myself.

probably none of that makes sense to anybody!

but if you happen to recognize that username hi! i miss you and im sorry for disappearing

[mamawasatesttube]

the timkon fans who shit on bart are annoying, the konbart fans who shit on tim are annoying, and i don't actually know if there are timbart fans who shit on kon, but i sure hope not, because they'd be annoying. the three of them are a set!!! do NOT separate. red tornado literally assigned them one shared brain cell. what is not clickign

[peace-hunter]

tfone au where OP is created as the last of the primes but way after them, a sparkling born at what were thought to be the last days of the war against the quintessons, the beginning of a new generation of peace after eons of war. a child meant to be loved and raised knowing nothing of war nor sacrifice.

he's kept mostly out of the spotlight by his siblings, who don't wish to expose him to everyone's optics so young, and want to wait until the war is done and over to properly introduce him to their people.

except of course the primes are betrayed and murdered by sentinel, the war is lost and everyone who knows and cared for the truth is either banished or outright killed in order to suppress it.

and the high guard, the ones the primes trusted the most, the ones that were supposed to protect them, the ones who failed in their most important duty, have to make a choice. to take the last prime, their last hope, with them to the surface, a hostile environment where there's little to no supplies and where they'll be hunted down by both sentinel and the quintessons as the biggest threat to their regimen.

or hide him in plain sight. place him where sentinel won't think to look for him. one more sparkling among many. and hope it will be enough to keep him alive. pray to primus that he'll protect his last child long enough for them to come back for him when it's safer (even if most of them have already lost their faith on him when he allowed the rest of his children to be massacred like that)

they almost lose their resolve when they realize they will have to take the little one's cog away in order to make him blend in with the rest of the newborns (and oh do they burn with murderous intent when they see what sentinel has done to their people but it's not the time yet-) but in the end they decide an impaired little prime is better than a dead one.

and so in the chaos of thirteen dead primes and a sudden energon crisis, a little sparkling who very few mechs really knew about and even fewer had seen completely vanishes. and in the depths of iacon a mech in charge of a new batch of newborns scratches their helm in confusion as they realize they must have miscounted the first time.

optimus prime is quietly erased from any official records by sentinel, written off as dead when they find a sparkling's frame mangled beyond recognition after an attack on the base of those rebels that insist on being a thorn on his side. killing the sparkling hadn't been precisely in his plans, he probably could've found some use for it after all, but he's not particularly upset about it either.

and orion pax grows up with an ache on his spark that tells him he's missing something far more important than a t-cog and dreams of gentle and loving hands, cradling him against the frames of mechs he cannot recall the faces of.

[moeblob]

Capri Sun... I miss you... (it still exists).

[sysig]

How much of me is me? (Patreon)

[milkweedman]

finished my hat finally and its super warm and comfy and i keep putting it on and then feeling the strong urge to knit more warm items. and then i take the hat off and can be normal. and then i look at the hat. and im like oh its such a warm and comfy hat though why would i not wear it ? so i put it back on and then the urge returns.

may have knit a cursed hat, basically ?

[hoarderheart]

Okay, I know that “it’s actually originally meant to show the passage of time instead of being bi colors” and all that…disregarding how that’s such a vibrant pink and a harsh, rigid, and very linear gradient for a supposed sunset, and that it’s already night (not sunset or twilight) at the crypt, whatever.

But regardless, I think putting a suspiciously bi-colored gradient behind cross-shaped bars, in the climax scene of the arc where Angel of the Lord Castiel’s heavenly biological family—who considers his deep connection with a man named Dean Winchester to be “corrupt,” as it is something that pulls him away from Heaven and is therefore forbidden and punishable under their rules—brainwashes him into detaching himself away from and almost killing said man, after they have chosen to introduce a new, very clinical set design for Heaven in this season for the sole purpose of having it go along with the lobotomies that they repeatedly have Cas go through for the said brainwashing, and all of this being done with the intention of having it be Dean’s CONFESSION and Cas’ LOVE for him that breaks the brainwashing and saves both of them, is—to be quite frankly—crazy, crazy work. Certainly a choice A Series of Fascinating Choices if you will.

[fat-packer]

Better get a pic for tummy Tuesday before it turns into another tumultuous Tuesday

[witchinatree]

thinking about how in the magnus protocols universe tim and sasha are (probably) alive, and don't know each other

thinking about how basira and daisy are still cops, (probably) slowly getting corrupted by the hunt (again)

thinking about how georgie and melanie may finally be able to be healthy and happy together (fear and eyes in tact)

thinking about the other jon and martin. the other jon and martin who have not met. without the magnus institute, without the horrors, they never would have fallen in love.

thinking about our jon and martin, in love and in a computer

thinking about what would happen if they met their others. the others of their friends. thinking about

[ghostofsnails]

so did you guys know theres this character called tristan vik disventure camp and

[daisybell-on-a-carousel]

We should talk more about the fact Jason got swarmed and attacked by a mob as Robin, like??? Hello. He had to be left there because the mob was too violent with Batman near. He had to be taken to the hospital.

Look at those injuries!!

The next time we see him he's forcing himself out of bed and putting on the Robin costume thinking "I've gotta do what I can to help, even if it kills me!"

The next next time we see him he has walked into yet another violent mob

I cannot stop thinking about this story and the effects it probably had on him honestly. Do you think it's made him nervous in crowds, do you think it made him trust others just that bit less. How long do you think he was being attacked before he was found, the scene had cleared. "I've gotta do what I can to help, even if it kills me!",,,,

Just the concept itself! I don't know about you guys but being attacked and grabbed and trampled into unconsciousness sounds absolutely terrifying! Did he black out, still getting hit, thinking he was going to die? Knowing he couldn't defend himself as his injuries to took their toll? At their complete mercy?

1986-87 Legends, issue #2 (the attack), #3 (the hospital), #5 (getting up), #6 (defending heros from another forming mob)

2010 DC Universe: Legacies, issue #6 (flashback panel to Legends moment)

[rbtlvr]

'Is this like an Alice in Wonderland thing?' Leo called out, paddling towards Sensei and trying not to swallow water as he moved. 'Did you cry all these tears?' 'The mindscape does love a good metaphor.' Sensei called back, and he sounded fucking wrecked.

old dead bones that don't get theirs (death wish sidefic by @remedyturtles) was written to kill me, specifically, personally, actually. i still think about it Constantly

[can-of-slorgs]

Completed the Shenkuu Stamp collection some time ago, so it was only fair to draw my girl Mirsha

[dykedvonte]

I keep seeing fanarts of ppl's OC's being on the ship, so do you think that if there was 6st crewmember (specifically, another woman) Anya would've been more safe? Like, someone to actually call Jimmy's begaviour out, someone Anya might wanna trust? Is there a possibility something might have changed (even if a little) or it would not have mattered at all?

-💀

I feel like the game would make it part of the commentary on where she would believe and help Anya but still be sort of dismissive? Like the whole “don’t waste time crying and being scared keep going and move on, don’t let him win”. It’s supposed to be positive and reinforcing but sometimes it does more damage in those times of mourning and grief, it feels patronizing, like you don’t understand what you’re going through but they do. Even if they did call out his behavior it’s still on Curly to act and while another voice would help, it’s still 4 against 2 on guys that don’t get it until they have to vs women who always have to.

I don’t mind mouthwashing OCs but I do get a bit bored as they tend to be borderline saviors or like Jimmy aligned. They are either more complicit than Curly or just Jimmy haters for no reason, outside of what the creators know about what he did to Anya. I am never irked by OCs but in a story like mouthwashing you really need to think about what your character adds to the commentary, especially if they are there during the crash. It’s nice to have like characters on Anya’s side more whole heartedly and interesting to see characters who placate Jimmy but sometimes it’s one note.

I can’t and don’t want to police peoples OCs it’s never my intention when I comment on trends I notice, but I do feel like the way people make their OCs interact with these two characters and especially Curly, really show a grave misunderstanding of the narrative and these characters as people vs roles in the story. Still, I know people just make up characters for fun and that’s fine. Great even, but I guys I’m focusing more on OCs that are supposed to have those serious dynamics. My favs tend to be pretty-Tulpar or post-Tulpar au OCs.

The inevitably of the crash is on Jimmy. He did that not because he wasn’t stopped but because all his means to kill Anya were taken. The gun, the axe. Even if Curly did strip him of his co-pilot privileges and try to keep him contained there’s only so many people. An extra body helps but they have jobs they have to do, he’s the only one steering the whole ship and Jimmy would likely have an out: food, bathroom, etc. He’s not new and if he couldn’t crash the ship directly, who’s to say he wouldn’t sabotage something else? A clunker like the Tulpar wouldn’t take much. An extra person helps but it’s just another thing that prolongs what a person like Jimmy is willing to do to shirk responsibility.

It’s more than just needing someone to stand up to him and think that’s what is missing when it comes to inserting a character into the mouthwashing setting.