#I still need to make an art tag.. eventually

[crwbannwen]

I was writing this in the tags but I have too much to say.

So this absolutely. Don’t unwelsh my Mari Lwyd please and thank you

BUT I’d like to add some more:

As someone completely guilty of using the phrase ‘Welsh rap battle’ over pwnco. It’s because it’s one, a joke phrase I used to use even before it became more widely recognised, and two a more understandable concept I can explain to people without boring them with rhyme and meter.

I love my rhyme and meters, so trust me I knew how the pwnco worked when I use this phrase. I like saying ‘Welsh Rap Battle’ because I think it’s funny and emphasises how cool and charming I find my own cultural tradition to an English speaking person who wouldn’t know the tradition. It’s good to alter your language for people’s ease of understanding, it’s unfortunate that the joke caught on to people who don’t understand the pwnco. (And there is a limit to changing your language: it eventually does become altering something important too much for someone’s benefit).

I will also note here, while I use the phrase ‘Welsh rap battle’ to reinforce that I like the tradition, I also know people who were ashamed of the culture and tradition and used that phrase to make fun of the dead singing horse (same issue with Scots being called a dialect: cultural shame is a big issue in Wales even if we don’t think it is). Now the tradition is being reclaimed I doubt those people still see it as something to be ashamed of. But it’s something to keep in mind when using that phrase. Intentions do vary.

But my main point I wanted to adress:

Dysgais i Cymraeg fel iaith yn ail felly dw i ddim yn siarad cymraeg yn digon rhugl i fyrfyfyrio pwnco. Dw i’n gallu creu cerdd gydag amser ond beth am y bobl (cymreig) sydd ddim yn gallu siarad cymraeg o gwbl?

So while we don’t want to remove the Welsh from our tradition, we definitely don’t want to make the tradition inaccessible to our own people.

Learning a language is difficult. The education system sucks. Welsh second language a level is torture (I’d know, I did it. Average AS result in my class was a U, it was that awful). And not everyone has the means or the opportunity to learn Welsh so we should take care never to ostracise our own people. It’s more than unfortunate that we don’t all have a good grasp on the language. So having a set Cân-y-Fari that non-speakers or dysgwyr can learn and recite helps to both immerse them in Welsh and includes them in their own culture. Same with having art or an aesthetic. Maybe you can’t speak Welsh: but you can draw. That gives you a way to celebrate your culture still and I think that’s awesome. Even in English I couldn’t improvise a poem with a strict meter. The actual tradition of the Mari Lwyd is a seemingly unattainable level of fluency to most dysgwyr.

Obviously this still needs to coexist with the original Welsh tradition (not necessarily art though, if it’s a drawing of a Mari Lwyd then it’s a drawing of a Mari Lwyd. In my opinion art doesn’t need words unless the artist wants to add words). Traditions do change and that isn’t always a bad thing. In this case it’s not something we want to do, but it’s something we need to consider doing in order to help the non-Welsh speakers and dysgwyr be included in their culture.

There is an even larger issue here to be addressed with how we treat our own people as not ‘Welsh’ enough. Especially people who have mixed heritage. There’s a big racism issue that I could unpack here as well where non-white welsh students are made not to feel Welsh enough to deserve to be involved in welsh culture. Which should not happen. Similarly with half English Welshies. We need to stop treating ourselves like we aren’t Welsh enough; it only hurts us to be denied by our own people.

And as for Krampus comparisons, I bonded with a German friend over our different but similarly unique cultural Christmas traditions so I think that’s good too. I guess it’s the simplification of it that’s the problem

So I hate how the Mari Lwyd has been ‘de-welshed’. But personally, the ability for all of Welsh people to have access to it also needs to be considered in this discourse.

Still if the tradition completely shifted to English I would be so livid.

Edit: forgot to say, while I know the Mari Lwyd isn’t a cryptid, it is a cultural creature and I see no issue with people using that aspect of the tradition as a way to connect to it. The tradition isn’t only changing, it’s expanding. We just have to make sure it doesn’t drown out the original tradition

The thing with the Mari Lwyd, though, is that it's being... I don't know, 'appropriated' is the wrong word, but certainly turned into something it isn't.

Thing is, this is a folk tradition in the Welsh language, and that's the most important aspect of it. I feel partly responsible for this, because I accidentally became a bit of an expert on the topic of the Mari Lwyd in a post that escaped Tumblr containment, and I clearly didn't stress it strongly enough there (in my defence, I wrote that post for ten likes and some attention); but this is a Welsh language tradition, conducted in Welsh, using Welsh language poetic forms that are older than the entire English language, and also a very specific sung melody (with a very specific first verse; that's Cân y Fari). It is not actually a 'rap battle'. It's not a recited poem. It is not any old rhyme scheme however you want.

It is not in English.

Given the extensive and frankly ongoing attempts by England to wipe out Welsh, and its attendant cultural traditions, the Mari is being revived across Wales as an act of linguistic-cultural defiance. She's a symbol of Welsh language culture, specifically; an icon to remind that we are a distinct people, with our own culture and traditions, and in spite of everyone and everything, we're still here. Separating her from that by removing the Welsh is, to put it mildly, wildly disrespectful.

...but it IS what I'm increasingly seeing, both online and in real world Mari Lwyd festivals. She's gained enormous pop-culture popularity in recent years, which is fantastic; but she's also been reduced from the tradition to just an aesthetic now.

So many people are talking/drawing about her as though she's a cryptid or a mythological figure, rather than the folk practice of shoving a skull on a stick and pretending to be a naughty horse for cheese and drunken larks. And I get it! It's an intriguing visual! Some of the artwork is great! But this is not what she is. She's not a Krampus equivalent for your Dark Christmas aesthetic.

I see people writing their own version of the pwnco (though never called the pwnco; almost always called some variant on 'Mari Lwyd rap battle'), and as fun as these are, they are never even written in the meter and poetic rules of Cân y Fari, much less in Welsh, and they never conclude with the promise to behave before letting the Mari into the house. The pwnco is the central part to the tradition; this is the Welsh language part, the bit that's important and matters.

Mari Lwyd festivals are increasingly just English wassail festivals with a Mari or two present. The Swansea one last weekend didn't even include a Mari trying to break into a building (insert Shrek meme); there was no pwnco at all. Even in the Chepstow ones, they didn't do actual Cân y Fari; just a couple of recited verses. Instead, the Maris are just an aesthetic, a way to make it look a bit more Welsh, without having to commit to the unfashionable inconvenience of actually including Welsh.

And I don't really know what the answers are to these. I can tell you what I'd like - I'd like art to include the Welsh somewhere, maybe incorporating the first line of Cân y Fari like this one did, to keep it connected to the actual Welsh tradition (or other Welsh, if other phrases are preferred). I'd like people who want to write their version of the pwnco to respect the actual tradition of it by using Cân y Fari's meter and rhyme scheme, finishing with the promise to behave, and actually calling it the pwnco rather than a rap battle (and preferably in Welsh, though I do understand that's not always possible lol). I'd like to see the festivals actually observe the tradition, and include a link on the booking website to an audio clip of Cân y Fari and the words to the first verse, so attendees who want to can learn it ahead of time. I don't know how feasible any of that is, of course! But that's what I'd like to see.

I don't know. This is rambly. But it's something I've been thinking about - and increasingly nettled by - for a while. There's was something so affirming and wonderful at first about seeing the Mari's climb into international recognition, but it's very much turned to dismay by now, because she's important to my endangered culture and yet that's the part that everyone apparently wants to drop for being too awkward and ruining the aesthetic. It's very frustrating.

[shuavez]

2:58am — j.ww

tags/warnings — waiter!wonwoo x reader. no warnings!

a/n — i love pancake parlour. that’s it that’s the fic.

The diner is quiet, save for the soft hum of the company Spotify playlist filling the air and the occasional sound of banter drifting from the kitchen, where the cooks are talking about anything but the food. The bright lights above cast a muted glow over the half-empty tables, the remnants of late-night customers already cleared away.

You’re finishing up wiping down already-clean tables, the cloth warm and damp in your hands, the rhythmic motion soothing after hours of not much happening. The clock on the wall ticks lazily toward 3 a.m., and it’s just you and Wonwoo left.

“God, it’s dead tonight,” you mutter, pushing the last of the crumbs off a booth with a sigh. You glance over at Wonwoo, who’s leaning against the counter, scrolling through his phone like he doesn’t have a care in the world.

He looks up at you, his lips curling into a smile. “At least we have a place to ourselves.” He’s always so calm, always managing to make even the dullest hours feel comfortable.

“True,” you reply, leaning on the counter next to him. “I’m almost too comfortable. I feel like we should start a podcast or something. ‘Pancake Philosophy.’ I mean, we have all the time in the world for deep, philosophical conversations, right?”

He chuckles softly, shaking his head. “I’m not sure you’re ready for my thoughts. Some of them are too deep for you.” His voice is playful, but you catch the hint of affection behind the teasing.

“Too deep, huh?” you tease back, grinning. “I bet you’re the type of guy to have a secret stash of journals filled with all your musings.”

Wonwoo rolls his eyes, but his smile lingers, as it always does when you’re around. “If I had a secret stash, I’d probably burn it. Who needs to remember all that nonsense?”

“I think you secretly want to be a philosopher. Bet you’ve thought about it,” you poke, leaning in a little, eyes narrowing playfully.

“Maybe.” He looks at you, his expression softening a little. “Maybe I just want to be good at something.”

“Pretty sure you’re already good at everything, Wonwoo,” you reply, giving him a half-hearted eye roll. “I can barely get my one job done, and you’re over here making pancakes look like art and being wise at the same time.”

He laughs at that, shaking his head. “You’re being dramatic. But you do have a point. I’m good at pancakes.”

“You’re the best at pancakes,” you affirm, nudging him with your shoulder. It’s playful, easy—like it’s always been between you two. There’s a smoothness to your friendship, a shared understanding without needing to say much. You’ve both been here countless times before, these quiet hours at the end of the night, and it’s always felt like home.

From the back, you hear Jeonghan’s voice echoing out to the front of the diner. “You two still here? I’m done with you. Go home already.”

You glance up at the clock—it’s almost 3 a.m., and he’s right. You’ve been finished with your shift for a while now, but there’s something nice about hanging around with Wonwoo, the air light and comfortable.

“Well, guess we’re done,” you say, gathering your stuff and heading toward your usual booth. “I’m not gonna complain about leaving early, but I swear, one of these days, I’m going to be too good at this job.”

Wonwoo falls in step beside you, nursing a stack of pancakes the cooks had kindly prepared for your knockoff. “I’m sure you’ll make it to employee of the month eventually. Don’t worry.”

“You’re really gonna stick with that ‘employee of the month’ thing?” you ask, raising an eyebrow. “At this rate, I’m more likely to get ‘most likely to break something before the end of my shift.’”

“Actually, I’m pretty sure you’ve already won that award. Multiple times.”

“Rude.” You give him a playful shove as you both walk to the far booth in the corner of the diner, slipping into your usual seats. “I’m not that bad.”

Wonwoo chuckles, reaching immediately for a fork. “Let’s be real—if anyone’s gonna break something, it’s you.” He smirks, poking idly at the edge of a pancake.

You roll your eyes again, grabbing the syrup and drizzling it over the pancakes that still sit between you two. “I’m not that clumsy, alright? I can handle a few spatulas and a knife without causing a catastrophe.”

“Sure, sure,” he says, his smile widening. “If you say so.”

You settle into a comfortable silence after that, just the sound of your forks scraping against plates filling the air. It’s a simple, ordinary moment, but it’s perfect in its own way. You’re used to this—eating pancakes at 3 a.m., laughing over the stupidest things, making fun of each other like friends do. But tonight, something’s different.

After a while, Wonwoo finally speaks again, his voice a little softer, more serious. “Hey, uh… I was thinking.”

You glance up at him. “That’s dangerous. You thinking always leads to something weird.”

He laughs, but there’s something nervous in it. “Maybe. But, uh… you wanna go out sometime? Like, outside of work?” His words stumble over each other, but you catch the sincerity in them, the way his gaze lingers just a little longer than usual.

You freeze, your fork halfway to your mouth, and blink. Wonwoo’s never been the type to make bold moves—he’s always been the quiet one, the one who observes more than speaks. The idea of him asking you out feels like something out of a dream.

“Like a date?” you ask, a little breathless.

“Yeah,” he confirms, voice quiet but earnest. “I mean… I’ve been thinking about it for a while. Just didn’t know how to ask. I didn’t want to make things weird.”

You stare at him for a moment, heart pounding in your chest, and a slow smile spreads across your face. “I’d like that,” you say softly. “I think I’d really like that.”

Wonwoo visibly relaxes, his smile returning, this time warmer. The tension that was there just a moment ago melts away, and the air between you two feels lighter. He looks down at his half-empty plate, suddenly unsure again. “I’ll… figure out when and where. I’ll make it good, I promise.”

After a few minutes, you finish the last bite of your pancakes, and you both slide out of the booth. The night air hits you both as you walk toward your car, the cool breeze stirring the stillness around you. There’s a slight unease in the air, but it’s not bad—just new.

There’s a pause—an almost awkward silence, but it’s filled with the weight of unspoken feelings, the kind that have been lingering in the air for far too long. Wonwoo shifts on his feet, then looks at you, his voice low and careful. “Can I… can I kiss you?”

The question, so polite and sincere, takes you by surprise. It’s almost as if he’s asking for permission to release something that’s been building between you two. You nod, a little breathless, and his hand comes to rest gently at your side.

He leans in slowly, cautiously, like he’s afraid he might break the fragile tension between you. When his lips finally meet yours, it’s soft at first—tentative, almost awkward, as if both of you are learning how to fit together in this new way. But then, with a shift of his weight, a soft sigh against your lips, it changes.

The kiss deepens, the rhythm coming naturally now as you both move in sync. It’s a release, an exhale of everything unsaid, and you lose yourself in the warmth of it. His lips are gentle yet insistent, his hand tentatively brushing the side of your face, and you can feel the quiet urgency that’s been hidden beneath the surface.

Just when you’re beginning to lose track of time, a voice breaks through the moment.

Jeonghan’s leaning against the door, holding a trash bag. “Well, look at that,” he says with a sly grin, his tone dripping with sarcasm. “I’ve been counting down the days until Wonwoo grew a pair.”

You laugh, pulling away from Wonwoo with a grin, and Jeonghan’s teasing only makes the moment feel more real.

“I’ll text you,” you say to Wonwoo, quickly pulling out your phone and setting a time and place. The promise of a real date, outside of work, feels like something new and exciting.

As you drive away, the taste of hot fudge and maple syrup lingers on your lips, mixing with the sweet anticipation of what’s to come.

[merp0515]

Official SMG4 AU In the works!

Ayo everyone! I hope you all are having a lovely holiday season so far! I'm here to share something that I have been working on for a bit! No it's not with my OCs (for now since that one is slowly cooking anyways), but instead I got something to share with y'all that you may like!

Do you love both SMG4 and Epic The Musical?

Well my friends step right in because this AU is officially in Progress! I already have my main cast with rolls for each character of this awesome saga (many thanks to both @bstroobery and @billiethemysterycreator for helping set up which cast members will go where for this AU)!

I do have something to say if you guys wanna be a part of this fun project! I need 12 OCS for my nymphs and I need 32 for the homies that will join Four on his quest to reach home to his husband Three and their son Eggdog (yes this a SMG34 AU)! If any of you guys have OCs that would love to be a part of this you're more than welcome to message me here on Tumblr or leave a comment on this post! Remember this AU will follow the themes that Epic the musical has created so this is my warning about it now! I don't have official designs for it yet but if you guys wanna draw your own interpretation of how this cast will look by all means go ahead! I'll slowly reveal who will be a part of the main cast as time goes on and I may do this in either art, comic, or animation on this AU! I'll be sure to make a poll so you guys can vote on it. Lol

Oh! Don't forget to tag me with your awesome arts! I can't wait to see what you all come up with! I will consider using the designs of each character that is made so go ham with creativity! Wanted to make this AU out of love for the fandoms, musicals, and good old Greek mythology! I have some knowledge of both and I'm honestly fine with hearing everything about them 100%!

Welp that's it for now! And eventually this AU will have a proper name soon so bare with me as I am still getting everything together lol. See y'all next time! :D

[brodyfoxxsmassivetits]

bros heart iz gonna explode

+ mini doodle redraw n old stuff I thought about redrawing (but didn't..eep..)

idk why he's so pale that's only from a year ago💀

I'm not as kookoo crazy about laur anymore I think like other people's laurel hcs are neat my laur is just...nonbiney BOO WHERE'S THE INTEREST?!?!

still crazy about duardo though weeheeee

[sleepinglionhearts]

Thinkin' 'bout girl Zoro

[liquidstar]

a friend who'd wait :)

[sofastuffing]

i have a headache

[kathjack]

I present you, the TomzClub! (And Richard)

That's Pump's mom! We're temporally calling her Moty until we get names

Aaron, Richard and Pump's dad (Fede? Fred? Still deciding) aren't officially part of the TomzClub

[homoeroticvillain]

oh hey i figured out how to draw tits

[neolxzr]

quick post naruquin when no ones looking

[spotsupstuff]

How does sparrows feel about compliments? do they make her happy or her insecurities make it hard to accept that people think positively of her?

depends on who they come from!

from strangers on the internet, she disregards them cuz it's only the internet. at first she used to get flustered but then she thought about it n just -shooing motion-. the idea is that you don't know her and she isn't supposed to be loved and treasured by the society, so it has to be a lie

from strangers on the cities' streets, she gets uncomfortable. because she doesn't know them, this is high circle people who don't understand- who benefit from this wretched system and also gave her those insecurities in the first place. if it's a Child that compliments her though, that's hard to disregard in some way. so she flushes, giggles and thanks them with a little bow

back in her home farm district where she knows everyone, compliments are just part of the conversation. they don't mean much more than a pat on the back. they are more action based down there. wanna show your gratitude or appreciation, you take the other for a trip to spend quality time together or for dinner or give a gift

when one of her siblings compliments her, she suspects they did smth wrong n r trying to ease their incoming punishment. compliments r again kind of... far on the side- when they actually compliment her work for smth she smiles at them n goes on about her work when Inkling compliments her, Sparru gets excited as if she was still a child n runs up to hug her when granpa compliments Any of the children it gets quiet while they stare at him wide eyed in surprise. cuz he's usually the mean type to everyone but Inkling. then he gets offended by their stares n goes back into his grumpy ways n the children heave a sigh of relief before laughing

with Euros it was a process. at first she got flustered, then she disregarded them, then she got uncomfortable because it was knocking on her low self-esteem but boy was originally planning on worshipping her so it wasn't like he was going to stop. one day she cried in panic because she didn't know how to interact with this and that's how Euros figured out that Sparrows isn't all that fine mentally. told her that there isn't anything wrong with what he's doing, he means every word and he won't stop. so Sparrows had to find how to cope with it which turned out to be shily accepting it. she still cries sometimes cuz yanno how it be, but slowly she gets more self-confident n eventually starts dishing out compliments for him too. eventually it all fades into the same background like with her home farm district

[kakusu-shipping]

I’m making a Mario Series Shipping Chart and Bowser is making it incredibly difficult to format

[hacemorra-death-gremlin]

Oh See.... 

[ID: Three drawings of op’s original character, Sameeh Olssen. They are labeled “1 minute”, “10 minutes”, and “From Memory”, and each done in a very sketchy style. “1 minute” is a very bare bone face shot, 3/4s angle with a serious expression. “10 minutes” is a more detailed sketch bust, with them moving forward with a small grin, where fangs are visable. In this he is wearing a tweed jacket and a turtleneck. “From Memory” is a fully colored sketch. They are sitting down, leaning forward enough their hands are flat against the ground. He looks upward slightly vulnerably. They are wearing a loose-fitting black shirt with “METAL BAND” written on the front, grey pants, and fuzzy earrings. Behind their head is sketched bugs in red. Over all, Sam is lanky with a scruffy beard. They have an undercut, with shoulder length black hair that is tied back into a pony tail. The pupil of their eye is a W shape. end ID] 

[spinoff-antithesis]

[@distinguished-turtle-enjoyer ]

i actually have not stopped thinkin bout your bb!edit like,,,, its so good and scratches my brain right

how long have you been doin edits for? do have any tips for someone, who hypothetically, wants to start doin edits too? what programs do you use? how did you do the cool animated bits?

im so sorry for all the qustions 😭😭 i just think youre very talented and inspirational and i hope you have a good day ^_^

hi firstly oh my gosh you're literally so sweet i am gently shaking you i love you so much /p. secondly, i apologize for the long answer! (it's all under the cut. this got away from me. i'm so sorry apparently i have a lot to say.) (also you're so good about the questions i would constantly be asking one of my professors questions during class to the point where she said i didn't have to go "i have a question" every time i approached her)

i've been editing since 2016! around march/april, i think? loved it so much i went into film & video production in college as a major so i could do editing for a living. (i have done more motion graphics for my classmates than i have done edits outside of class assignments, BUT!)

the program i use is after effects - i started learning it when covid first hit the united states because i had nothing better to do with my time (other than music theory but i failed that bc my professor focused more on the history aspects than the actual theory soooo) and my ipad kept giving me the "no more storage" whenever i tried to use videostar lmao. (vs has, apparently, gotten a LOT of good updates, so if you're looking to start editing and have an ios system, i'd look into it! only downside is you have to pay for some of the cool stuff).

also the program i use for masking (i think i explain this later dwdw) is superimpose. i've been using it since 2014 and it's SO nice bc i can use my fingers to erase backgrounds & stuff instead of hoping i can get it to work correctly in ae or photoshop (photoshop my DETESTED i'll use it but i'll complain the entire time).

for people who want to start editing: tutorials on how your program works and how to do specific transitions are gonna be your best friend when you're first figuring things out! i forced a friend to literally walk me through how after effects worked when i was first figuring it out, and when i had swapped to videostar back in 2017/2018(?) i had watched a Lot of tutorials. that and played around a lot and figured things out on my own - which is also always a good way to start!! it's also totally valid to look at other people's edits for inspiration - most editors don't really care, as long as you don't flat-out remake their edit (some people don't like that!). i have a style insp folder on instagram where i save edits that i like so if i need transition ideas or i'm doing a different style, i can look there for inspiration. at the end of the day, as long as you're having fun with it that's all that matters!

also, starting simple is always okay!! my edits for a year were just me slapping gifs & video segments together on a timeline in cute cut pro bc imovie didn't load them lol & it'd crash every time i breathed. ++ it never hurts to ask people for feedback/constructive(!!!) criticism/etc! (also not to sound like everyone else but practice? good. it's so good. if i showed my 14/15y/o self some of the edits i can make now they would've passed out on the spot bc i was still trying to figure out transitions back then. programs can also sometimes make a difference in edits, but usually it's not super noticeable until you start getting to the Complicated Shit.)

a lot of popular programs i've seen are ones like video star (ios only), alight motion (android only), after effects (i recommend 🏴‍☠️ing it tbh, i only use it legally bc i had to use adobe programs for school), capcut, and i think some people still use sony vegas pro & maybe cute cut pro (i've heard it may have actually gotten better since i last used it in 2018)? i have no idea. programs also depend on whatever device you're using to edit on! since i've been using my laptop, i'm able to use after effects (it's computer-only), but when i used my phone/ipad to edit i used ccp & vs.

for the animation - it's a lot of cutting up the image and masking! more complex animations, like the one i had of leo walking down that red 'hallway' have several different layers that have been masked. (i removed the background & filled in the spot where leo originally was in two different apps - superimpose (taking leo out) & photoshop (filling in the bg)) in after effects, the way i've done this was mask out the specific thing i wanted to move (like an eye) and then put that mask on what i've called a "base" (not animated), and then stick a solid behind the base to match the color of the object. (some of my layers are not named appropriately; base 2 is the left arm & the four "SIX_[...]" layers are the mask/bandana tails)

an example of this would be for any of the eye blink animations i did! this (above) is the same shot, with and without the eye - since it's masked out and i have the background solid behind it, it doesn't look too unnatural/have a black outline/mass where his eye should be.

what it looks like without the solid layer behind it ^ (the red lines are from the null layers - ignore that)

this is what my timeline looks like if it's a more simplistic animation - the only five things being animated here are leo & raph's eyes. (there's only this many layers bc it's two characters in one shot & i was also animating their pupils - typically, an eye-blink animation is about 4-6 layers for me (solid, base, mask, & null to animate with, 6 if i'm animating both eyes & 4 if just one))

in after effects, there's this really cool tool called the puppet pin that one of my friends (lovingly) yelled at me for not knowing about - which. yeah fair she wasn't wrong it's SUPER useful in animating, provided you chop up your image first. if you don't it's a mess.

(separated by layer vs i should've really put the mask tails & leo's head on separate layers and didn't bc that was the 2nd to last animation i had to do and i was losing my mind bc i wanted to be done with the edit lmao)

the way people animate depends all on their style (there's two common ways to do blinking animation - having the anchor point at the bottom of the eye, or the middle of it) and the program they use. it's been a while, but i could probably tell you how to do some basic animations on videostar still even though i've been doing them in after effects for about 2-3years now. ALSO the best way to have an animation be noticeable is to over-exaggerate it/make them Big - which, yes, can mean 'breaking bones' and having the limbs be a little wonky at the start. (if you want it to be realistic though go Just to the point where it looks uncomfortable lmao)

uhm. again i am so sorry that this is so long i THINK this is everything? if not: my inbox/dms are always open if you ever want to ask more questions, wanna follow up on something, etc etc!! (also if you ever start editing please send me your edits!!! i'd love to see them <3)

[adhdvane]

long time ago i made some oc's for the each of the xeno clashes, i'd been meaning to draw them for ages... this is just one of them. more details under the cut

lol copy paste from old text file from 2022 claims to be an envoy of lord diablo (it's actually more depressing than that and he ends up revealing his past to ion (<< ifrit one) in a fake story event i will never write) (he also believes the other characters in this group to all just be envoy's of their patrons). he's been traveling to meet with powerful warriors hoping to find one who wields/has the legendary third diablo xeno weapon. the Xeno Diablo Bow. This man is an idiot. it's just the normal ssr diablo bow. When he finds out you have one he asks if he may hold it and try to conquer it's divine power. You're like ok w/e? (or if you say no lyria is like you should just let him, he seems so excited, don't be mean). and so he tried to use it, but obviously can't use bows, and just keeps repeatedly failing miserably, the one arrow he manages to fire he fires straight up and it hits him on the way down and he blacks out. When he comes to he sees you and apologizes for his horrendous display. he then gets on his knees, like bowing to you and begs you let him follow you and teach him of your ways so he can one day wield the almighty xeno diablo bow. In battle, he's like super graceful, out of battle he's clumsy as fuck and is always injuring himself. Under his robes he has lots of scars, not a single one is from battle. they're all from doing dumb shit and being clumsy as fuck. him and the corow girl are constantly arguing with each other. ((her goal is to kill god (((corow))) for fun :) and that's absolutely blasphemous in his eyes)) -he talks with very formal/polite language. despite being unable to use a bow, he always has a quiver and arrows with him so he can practice (miserably) for another chance to use the fabled xeno diablo bow. -doesn't like his name and wants to be called majin (but like as a noun not a name. he doesn't want to individuality of a name.)

[undefeatablesin]

Hi all! ✨ First of all, hello and welcome to all the new faces that have joined us over the past month! I’m really excited to have you, and I hope you continue enjoying the stuff I put out in the future. I appreciate you deciding to stick around!

That said, I’ve done a bit of spring-cleaning here because this blog was overdue for a tidying;

Art has all been re-tagged, as there were a lot of pieces that were not properly listed under my umbrella art tag.

Freshened up my actual blog a bit. Removed some broken links on my theme and updated my info page with some pertinent stuff.

Added a pinned post with links for mobile users and other odds and ends such as current projects and fandoms etc.