#I still can't believe any of this

[justskyla-art]

rhinestone eyes

[aeviann]

XENOBLADE X NATION HOW DOES IT FEEL TO BE ALIVE AGAIN

[xenolinn]

The Show Must Go On! 📺🦌✨

anyways this is all just to show off my Braun x Kim Soleum playlist LMAOOOO

do enjoy !!

[sword-wielding-sapphic]

BBC Merlin & Text Posts (11/?)

[peacockrulz]

N tries to tell another joke (gone wrong)

Sequel to This

[toadletthethird]

Contrarian and Opportunist both use all pronouns, but for different reasons.

Contrarian does so because they saw the whole reality multiplying and breaking, how can they believe in any strong identity? + it's in his nature to break expected rules + she would want to try everything + they're stranger' ally + all other valid reasons y'know

Opportunist on the other hand does so just because he goes with anything people call him as long as they call him

"Gender is a social construct!" They both exclaim in unison, but one of their voices turns more and more into the triumphant villain laughter

[lazylittledragon]

about to start my yearly critrole campaign 2 rewatch so prepare for me to be absolutely insufferable

[mutantfactor]

Fangs of Fortune | Zhuo Yichen & Zhao Yuanzhou 𓆩 .˚⋆ Darkest Night ⋆˚. 𓆪

[egophiliac]

GRIMS COMING!!! You gonna pull for him??👀👀

I'm gonna try, but...

I have mere hours to decide if I want to make one last attempt at Malleus or save a few to try for Grim...and this is all before the new event reveal on the 16th. truly the most difficult choice of our modern times. the gacha is getting its revenge for all of my Lilias.

[gingermintpepper]

Okay, let's finally talk about EPIC's Apollo

I feel very compelled to say, first of all, that I do not dislike Epic. In fact, I am very fond of Epic and have been following its production and status very eagerly! I attend all the launch streams, I watch all of Herrans' update videos; I am, at the end of the day, a fan and I want it to be known that my words are spoken out of love and passion as much as they are spoken from a place of critique.

So really, what my problem with Epic's Apollo?

In the briefest possible terms; the choice to have Apollo be defined by his musical aspect in God Games is thematically strange. And not in the 'oh well in the Odyssey, Apollo was important to Odysseus and his family so it's weird that that wasn't kept in Epic' strange, strange in the sense that Odysseus' character arc since My Goodbye has been getting more and more obviously Apollonian and so it is positively bizarre that when we get to meet Apollo, the god seems entirely disinterested in him and his affairs. So much so that he is not even defined by any station that would indicate that he has been watching over and protecting Odysseus and his family.

What do I mean by 'Odysseus has been following an Apollonian arc'? I'm so glad you asked!

Remember Them is the last song in which Odysseus explicitly uses his sword until Mutiny where he must use it to defend himself against Eurylochus' blade. He uses it to help enact the plan to conquer Polyphemus and, due to Polites dying in that battle, Polites who wished for Odysseus to put the blade down entirely and embrace a post-war life, Odysseus also retires his sword. This is an action that symbolically separates him from Athena - and the image of Odysseus as a traditional warrior set for him in Horse and Infant - as much as My Goodbye physically separates him from the goddess and her war-ways - from this point onwards, Odysseus will no longer be leaning on Athena's wisdom or methods to solve his problems. Likewise, he will no longer be able to rely on her protection.

Odysseus thusly solves most of his upcoming problems through diplomacy and avoidance. He approaches Aeolus - a strange and ambiguous god (both in gender and in motivation) and appeals to them for help. Circe too, he approaches not with wishes to conquer or for revenge, but for the safe returning of his men and an alternate way forward. In all of these scenarios, there is some Apollonian element which is subtly interweaved alongside the influence of other gods; it is with a bow and arrows that Polyphemus' sheep is slain (and thus it is this Apollonian element which is at the root of Odysseus' spat with Poseidon), it is a vision of Penelope that warns Odysseus that his men are about to open Aeolus' wind-bag, Circe's peace offering to Odysseus is to refer him to a prophet of Apollo who has since died.

In this way, Apollo is walking alongside Odysseus for all of his journey after Athena departs - even in the Underworld, he is guiding him. It is Tiresias' proclamation that is the last straw for Odysseus, it is by the power of a mouthpiece of Apollo that Odysseus decides to embrace his ruthlessness. It is with the bow and arrow that Odysseus subdues the siren who sought to trick him, likewise, Odysseus does not attempt to undermine or escape the fate of paying Scylla's passage price - he knows of the doom about to befall the six men and quite unlike the rest of the journey until this point, he does not fight against it. This all comes to a head on Thrinacia where it is a blade which sacrifices the sun god's cow and brings destruction upon the crew once more.

My point with all of this is that when I heard the teasers for God Games years ago, it made perfect sense to me that Apollo would be Round One - he is not Odysseus' adversary and has no reason to oppose Athena's wish to free him. From other teasers about what will happen in the climax of Epic, Apollo will still be walking alongside Odysseus - it is Apollo's bow that Penelope will give the suitors to string. Likewise, it is Apollo's bow that will prove Odysseus' legitimacy and identity. That bow will be the power by which Odysseus hunts his adversaries and cleans out his palace - it is Apollo who is the avatar of Odysseus' ruthlessness, not Athena.

So tell me, truly, what was the point of having Apollo raise a non-argument in God Games? Why have him appear unconcerned, aloof and slightly oblivious? Why have him appear in his capacity as the Lord of Music at all?? And if the intention was never to make Apollo an active player in Odysseus' life like he was in the Odyssey, why keep Odysseus as a primary archer?

The answer of course is that Apollo is inextricable from the fabric of the Odyssey - his influence and favour exudes from Odysseus just as much as Athena's. In Athena's ten year sulk, it would have been Apollo who kept Telemachus and Penelope safe. It would have been Apollo protecting Odysseus from Poseidon's gaze as he travelled the seas (according to the Odyssey anyway)

Forgive me for not being excited about something that I thought was being purposefully set up. I was extremely ecstatic about all of the little Apollonian details that litter the sagas because I know where this story ends up (loosely) but all God Games did was reveal that maybe those Apollonian details were not intentional at all, but merely the ghost of the Apollo who persistently haunts those he favours, even if he cannot explicitly come to their aide in an adaptation.

[twilight-deviant]

[kenzan-brainrot-mp4]

Idk more random small details about the pyih ending that make me insane because I can't shut up about this stupid game:

Idk how deliberate this was from the translation team (and I have my own mixed feelings about the caption translations from more recent rgg games) but I really like the (potentially unintentional) double-meaning from Saejima saying "Guys our age are supposed to be smart enough not to go chasin' legends." You'd think that because the entire conversation revolves around and constantly repeats the words "dream/yume" (cough cough Yakuza 5) he'd say "not to go chasin' dreams", but I think by using the word "legend" instead he's able to refer to not only the legend of the treasure that everyone's been pursuing the whole game, but also the living legend himself, Kiryu Kazuma (in jp and eng he is referred to very often as a legend/legendary ("densetsu no ryuu/yakuza" - "legendary dragon/yakuza")). Not only was Majima chasing after the legend of some miracle treasure but he's also been chasing the "legend" that is Kiryu himself (something something idolization, something something Majima always wanting to bring back that strength and vitality Kiryu had at the peak of his "legend" days (see: yakuza 1 with Majima trying to fight Kiryu constantly to help him regain his strength, trying to especially hard to support him since yakuza 3), even as the chance of that happening dwindles, even if reality is literally telling him to his face that they can't go back to those days, that everyone's getting older and not what they used to be). Which imo makes Majima saying "Well, still just a dream in the end." all the more heartbreaking. It's resigned, not only to the fact that he'd never find that miracle fix to save Kiryu's life but also the fact that he can't, no matter how hard he tries, keep Kiryu around forever, that he can't keep up the image of the legendary Dragon of Dojima up for him forever. Idk I just think that was very cool and sneaky as hell if intentional, especially since they don't switch out the word "dream" for "legend" anywhere else in the conversation.

Saejima mentioning how Daigo said "Majima's runnin' around like he's forty again". Okay honestly I'm just putting this because I think it's funny that even while Daigo was going through his emo era and pissed off at Kiryu for "killing" his dad, he still remembers how enthusiastic/energetic Majima was over Kiryu all the way back in ~y1, even though we never saw him in that game. I mean it's painful as hell to think about now, considering the present day in-universe and what would end up becoming of that enthusiasm as the years went on but uh, hey.

Majima being so god damn deflective while Saejima's in the middle of revealing all his motivations for going to Hawaii. He says 3 whole lines during that part of the cutscene but it's all so Majima-like it hurts (this part's gonna be Long):

• "Told him that, huh?" (responding to Saejima recounting what Majima told Shigaki about not wanting to go to Hawaii) - Majima trying to act nonchalant/aloof while knowing what Saejima's about to start bringing up, trying to act that way even though we all know damn well that he remembers perfectly (and probably painfully) well how he acted/what he said before going to Hawaii, considering the circumstances surrounding the whole situation. His body language also starts to change from here; he turns his head to look directly at Saejima when talking to him less often, spends more time looking ahead/up/down/avoiding direct eye contact in general even when Saejima turns to look him while speaking multiple times/for prolonged periods of time (istg I could talk about Majima's body language in serious moments like these literally forever but I'll try to keep it brief) • "Kid's always been a ball breaker" (lmao) - Paired with the line before this one (Daigo's reaction to Majima). He tries to sidestep the actual point of mentioning what Daigo said, (directly exposing just how much Majima changes when Kiryu is around/involved) with feigned exasperation, and once again does not actually acknowledge Saejima's point. His body language also changes again to something more restless; (adjusts his posture from the previously relaxed way he was leaning against the car, looks away from Saejima completely, starts tapping his foot/bouncing his leg, lifting his cigarette without actually taking a drag from it) • And then of course the big one: "Well, still just a dream in the end. Stupid or not." Up until this point, Majima hasn't said anything of any actual substance until Saejima directly namedrops Kiryu. It's about the most he actually says of any worth regarding his feelings towards Kiryu himself, but that line alone reveals so much about his feelings not only in that moment, but likely the feelings he's had throughout the series towards Kiryu. It's totally unfiltered, for once, showing off his resignation from not only his inability to help Kiryu by the end of this game but likely also the weight of chasing after Kiryu all these years (again, "Guys our age are supposed to be smart enough not to go chasin' legends." Cue Majima always chasing after Kiryu/what Kiryu wants for literal decades). It's a Singular straight answer after two deflections but it says so damn much, especially coming from Majima himself. • I also just wanna note the quick range of expressions Majima's face goes through when Saejima says "Yeah, too bad about that 'elixir of eternal life.'"

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Apart from the different expressions he makes themselves, I think it's so fucking interesting (read: painful) how this occurs when Saejima (who, by the way, is at that moment not looking at Majima) is technically supposed to be the one that the player's eyes are focused on in that moment, since he's the one speaking. The camera doesn't try to manipulate the focus of the shot to hide Majima's expressions/feelings, they don't cut him out of the frame, they don't actually do anything to directly hide Majima's face at all, but most people (including Saejima himself) would miss this regardless, because it's done in a moment where, theoretically, nobody would or should be looking. Hell, even when the camera gives us a Direct close-up shot of Majima's face when Saejima mentions Kiryu ("Kazuma Kiryu. You never could give up on that one.") his expression doesn't betray too much of how he feels, but it's only once focus is finally taken away from him that he becomes most expressive. (rgg has always been so good with showing off characters' feelings with microexpressions and I feel like this applies to Majima especially. the same kind of thing happened in y0 when he saw Makoto at the end of the game (another scene that I could analyze for hours). The times when he doesn't speak and just. Reacts subtly and potentially subconciously with his face are ironically some of the moments where he says the most about himself. Go off king don't openly express your thoughts or feelings at all 🔥🔥🔥) • And then after all that (when Saejima looks at Majima again) Majima changes the topic to Noah. You could argue that Saejima, with bringing everything before that up, was trying to open up the opportunity for discussion on Majima's part about his behavior/feelings towards Kiryu, however this was largely unsuccessful. He only succeeds in this when he finally just says Kiryu's name outright (which, by the way, surprised me so much when I first watched the cutscene. I thought they were going to keep dancing around saying Kiryu's name directly/only implying him for the rest of that conversation, but I straight up gasped when Saejima said his whole name like that. It was significant, and Saejima wanted it to be, too), and even then that success is only marginal. It's enough for Majima to finally give away one of his "real" thoughts, completely unfiltered, about as straightforward as it's gonna get, just Once in that whole part of their conversation, but after that he immediately goes to pivot the topic of the conversation to something else. Which like, damn. Damn. That's pretty crazy.

The final detail I wanna mention, (this one I think mostly everyone got) was the way that Majima repeats his line from the beginning of the game "Where do I begin? That's right… (etc)." I love how they decided to have Majima say that line again differently, because the differences say so much. The version from the beginning of the game is said in a deeper more "intimidating" tone. The whole point of it is for story-telling drama, the theatrics, specifically to entertain/pique the interest of an audience, but the way he says it to Kiryu is much more easy-going and authentic. Ironically, it's once he leaves the player's sights and once he's with Kiryu that he discards the theatrics, where he simply shows off his fully genuine self re-telling the story. (One thing I will note is that the eng sub/dub translated that line so it would be different in the beginning and end ("Alright -- let's set things straight." (to player) -> "Where do I begin? That's right." (to Kiryu) even though he says the same thing twice in the japanese audio. I know that this is so that they can match up Majima's audio with his animations in the english dub, and they reuse the eng dub captions even for the japanese dub, and while I do not neccessarily. Like that. It does hammer in the tone difference between the way he speaks to the player vs. to Kiryu further (again, trying to be more intimidating vs. more easy going), which is an okay consolation if nothing else). I just think it's crazy to hear him talk like that with Kiryu after all this time, considering that he usually only talks this directly with Kiryu in fleeting moments. No high-pitched voice/fluctuating tones, no "Yo, Kiryu-chan", just being straightforward and to the point. Man. God.

It's been 4 days since I beat this game and everytime I see someone post about it or think about it for more than 10 seconds I die and explode into a million pieces. At some point I want to 100% this game so I can get as much dialogue/as many details as possible (also the game's just really fun lol), but for now I am just rotating this cutscene in my head forever and ever in an endless cycle. I am so sorry for posting about this game like everyday but I am so unwell over it it's not even funny I hope you can forgive me </333

[mortalscience]

[cinnamon-flame]

Viva Piñata art dump

Viva Piñata was my favorite game when I was younger and it influenced my style heavily throughout the years but I've noticed it's like really niche? I haven't seen a lot of people talking about it which is a shame since the whole series is absolutely adorable. So I'm spreading the word myself with some funky doodles

[xenasaur]

have u ever been having a convo with someone and they drop something that drives u into a white-hot rage so deep u can literally fucking feel ur heart start to give out

[somegrumpynerd]

@wickjump you will never not be an absolute genius