#I really really like when people talk about the worldbuilding

[da-janela-lateral]

your mp100 worldbuilding posts are driving me crazy. i need to write out my Ghost Biology Thoughts now. thank you so much

WRITE IT RIGHT NOW (I'd love to see the ghost)

[thegreatyin]

honestly all things considered, the scoundrel has very mixed feelings on the empire of hands. not because of the soul stealing thing. because of the aspiring to become human thing

[vacantgodling]

not to be weird and sappy on main, but frfr i'm so glad i have found a community of people who think my work is good

[sp4ceboo]

rant but im a bit scared im going to get attacked

[icewindandboringhorror]

I’m always paranoid of my tumblr being deleted or malfunctioning or something like that someday, so here’s other places to find me/follow me, just in case lol

~ instagram - https://www.instagram.com/lucalicatte/

~ main youtube - https://www.youtube.com/c/LucaLiCatte

~ games/sims youtube - https://www.youtube.com/@cloudycatte

~ facebook page (I rarely use this because I hate facebook but.. it at least allows text posts better than instagram does, so idk maybe I’d use it more if tumblr went away? lol) - https://www.facebook.com/cloudycatteart/

~ Other Links (stuff I don’t use often/isn’t Main enough to list here, like twitter, neopets, other tumblr sideblogs, youtube channels, etc.) are here - http://icewindandboringhorror.tumblr.com/otherlinks )

[waywardsalt]

hiiii i snapped again long rant abt totk's shit story under the cut

i hate totk's story so fucking much this was going to be a much longer post but i do not care i hate how it relies so much on the player already giving a damn and hardly does any work to make you care any more, i hate how link's sheer lack of any indication of how he feels about anything beyond basic reactions to his environment just makes him feel like a nothing character in the story, i hate how zelda was sanded down to be just perfect and inoffensive and dutiful, i hate how sonia literally existed to motivate rauru and zelda, i hate how ganondorf, despite having the most interesting animations and being the most entertaining character, had such nebulous motivations and lackluster connection to the actual world he's in, i hate how any character arc that existed was so vapid and shallow, i hate how it seemed so afraid to do literally anything complicated with its themes or characters, i hate how nothing important changed in any meaningful way, i hate how fucking insulting it feels when it's come after stories like ocarina of time, majora's mask, twilight princess, skyward sword, wind waker, pretty much any of the other fucking zelda games and is fucking $70 and yet its story and characters just feel worse than anything that came before it. i watched the scene of link and zelda meeting back up for the first time in skyward sword and the emotion from both link and zelda and the sense of history between them the dialogue manages to communicate and how it relates back to the rest of the story and while i loved it it also just made me so mad how this game's hd version came out before totk and totk just was so much fucking worse despite all of this proof that they could do otherwise

[terrah-lee]

firstly, when you get this, answer with 5 things you like about yourself, publicly. then, send this ask to 10 of your favorite followers (positivity is cool and so are you)

*screams* I’ve been perceived the horror! (/j lol)

Let’s see… my hair, my tendency to be very empathetic, the stupidly long list of random animal facts I know, my creativity, and my willingness to learn about different topics.

[maniculum]

A post of mine from several months ago about the Perlesvaus self-rearranging forest just wandered across my dash again and made me think about it some more, so I wanted to talk about it a bit.

Perlesvaus, for those who don’t know, is a 13th-century French Arthurian romance. It’s intended to be a continuation of Chretien de Troyes’s Perceval, but it’s mostly known for being completely batshit when it’s known at all. (There’s an old book on Arthurian texts that dedicates a chapter to Perlesvaus and repeatedly speculates that the anonymous author had Something Wrong With Him. This is the longest scholarly treatment of Perlesvaus I’ve been able to find & read.)

Anyway, there’s an odd worldbuilding detail in the text. See, it’s a Thing in chivalric romances that the questing knights happen upon castles & lords & damsels & such that are unfamiliar to them and have to be explained. You know, “this is the Castle of Such-and-Such, where the local custom is as follows. It’s ruled by Lady So-and-So, whose character I shall now describe to you.”

This is a genre convention that largely goes unquestioned, but it’s a bit odd if you think about it. All these knights are at least minor nobility. They don’t know the other nobles in their region? They don’t know what castles are where? Don’t they have, like, diplomatic relations with these people or at least attend the same tournaments? Even if they’re all fully committed to the knight-errant lifestyle and don’t really engage in courtly diplomacy, you’d think they would share information with each other and get the lay of the land. But instead, to use TTRPG terminology, it’s like they’re all on a hexcrawl that was randomly generated just for them to have these adventures.

The author of Perlesvaus decides to address this. In what’s kind of a throwaway paragraph late in the text, he explains that God moves things around so knights always have new quests to do (and, presumably, is also making sure they always arrive at the right narratively-significant moment). So the reason they’re always encountering people & places they have no knowledge of is because those people & places really weren’t there yesterday. They didn’t know about the Castle of Such-and-Such because it’s normally a thousand miles away and the forest path they followed to get there used to lead somewhere else.

And I think that would be a really interesting thing to stick into a novel or a TTRPG or something. When a knight rides into the forest with the intent of Going On A Quest, at some point they go around a bend in the path, cross an invisible barrier, and wind up in the Forest of Narrative. This is a vast forest with no set geography, filled with winding paths and populated almost entirely with questing knights, damsels in search of questing knights, friendly hermits, strange creatures, and allegorical set-pieces. Then, at the narratively-appropriate time, they cross back over the invisible barrier back into the regular world, and find themselves wherever the Narrative has decided they need to be. This could be a different country, a different continent, or a different world entirely.

Whether anyone involved is actually aware that this is how it works is… optional, really. Though if it’s not a Known Phenomenon, the people whose jobs it is to handle trade & diplomacy & god forbid, maps, are going to end up tearing their hair out in frustration.

[demonic0angel]

Liminality Headcanons (click for clarity)

I saw a video that was talking about how uncomfortable and creepy really attractive people with no imperfections were on the internet and described them as “uncanny”, and I had the reaction of an alpha werewolf during the full moon 😀

That is EXACTLY how I want Jazz to look like!! Like she’s beautiful, gorgeous, whatever you want to call her, but she’s also so creepy like a realistic painting or a horror movie demon has possessed a pretty girl. I want her so beautiful that she gives you a bad feeling when you stare at her for too long.

So all of these sketches was drawn around Jazz lmao.

More notes on my ideas on liminality bc otherwise, I’ll just write about Jazz for several hundred words lmao:

+ I have mentioned it before, but I like it when the DP and DC world are separated (bc it lets me worldbuild two worlds! :D) so as such, liminals from both worlds are slightly different, but they can have overlapping abilities and similarities. DC liminals are more likely to have volatile tempers, better physical senses, quicker healing capabilities, and more sensitive/fragile mental states. DP liminals are more likely to have ‘meta’ abilities/powers, are more likely to become ghosts, often have ‘cartoony logic’ levels of physical abilities (more springy joints, can jump farther/higher, punch harder, but this is only at random intervals and cannot be guaranteed), and are also usually more well-adjusted bc the DP world is heavily saturated with ectoplasm so they are used to its effects.

+ I hc that ghosts feed on fear and negative emotions. Liminals are also similar, but they feed unconsciously, so they adapt accordingly by growing stronger, taller, bigger, longer, with more features to spread subtle fear amongst the people around them and feed themselves.

+ Jazz has longer limbs than a normal person would have :3 rather than being just tall, she is simply long.

+ Danny is unexpectedly the most ‘normal’ looking of all halfas, but I like to imagine that bc he’s so powerful, he subconsciously hides himself and as such, looks unassuming. He doesn’t need to be fearsome bc he doesn’t need to feed himself much when he’s so strong. Bc of this, he looks like two different people when transformed, since his ghost side is far more liminal and uncanny looking than when he’s human.

+ I hc that liminals are pack creatures. Alone, they’re creepy and uncanny as a defense mechanism, but when together, they look more ‘human’ when they relax. I feel like this can work in both DP and DC worlds. (Jason is a creepy shit when he’s Red Hood alone, while Danny hides himself amongst Tucker and Sam.)

+ There are many ways to become a liminal, but all involve ectoplasm in varying amounts.

+ Due to being predators that prey on humans, liminals and ghosts can often behave in animalistic ways. Specifically, they act somewhat like cats at times. An example is the tapetum lucidum, which is an extra layer of film that can be found over a cat’s eyes that let them see in low lighting. This also makes their eyes glow when light shines on it, and I also want liminals to have that :3

+ Idk if you guys noticed that I draw the Dannies' tongues purplish, but yeah, it's on purpose.

[valiant-portabella-pirkko]

first things first:

a HUGE thank you to all the people who’ve been signal boosting this, you guys are the freakin’ MVPs. I really, genuinely didn’t anticipate this big of a response.

with that in mind, I’ll give at least a little bit of further information here:

I’m currently aiming for the group to open a good while after SotO drops; so it's not quite here yet, but it's definitely in the works. that way we can have some time to see what the new expansion has in store-- both in terms of new content, and new story that might be relevant. I'm personally hoping for a new guild hall, but we'll see!

as things start coming together, I'll make announcements here and there to give a heads up as to what's in progress, and when things start opening up. all of them will be posted to the #GW2 RP tag, so with luck you should see more information roll into there soon!

and now I have a little bit for those wanting to know about the background and plot thus far, too!

the setting would use a little project I've been working on for a while; the Tideturners, a mysterious band of Mistwalkers who have been dwelling outside of Tyria for a long, long while. decades in the Mists have made them cautious and wily, learning to survive in conditions no mortal was meant to endure. the Turnabout is their home now-- and for many, the opportunity for a new beginning. you'll find faces both old and new among their ranks.... friends and foes alike wander their halls, but none of them are quite the way you recall.

if you'd like to know a bit about their origins, I've got a rough character summary on their 'founder,' the Sidewinder. it's a bit on the older side, but it should be enough to get the gist!

I aim to start things off fairly low-stakes, but if participants are interested, there would be some long-term plots to uncover as well. the Mists are filled with unknown threats, and many are far too large for even a Commander to handle alone. the forces that robbed the Tideturners of their home are still out there... and they're on the move. be ready for anything. the tide is coming in, and it's closer than you think.

Your world is just about to get a whole lot bigger.

alright. know what? with Secrets of the Obscure right around the corner and plenty of new Mists-related sky island settings coming with it, I'll just bite the bullet and interest-check a little something I've been turning in my head for a long, long while.

would YOU be interested in a Mists-based GW2 roleplay guild that uses a lore compliant multiverse system to allow canon, canon-adjacent, lore-breaking, and otherwise 'contradictory' muses to coexist in the same setting?

simply put: every writer's cast would be set in their own self-contained universe. as such, everyone could bring whatever muses they want with their own personal headcanons, and no one could dictate what is or isn't canon for anyone else. so long as your muses are GW2-based, you're good to go! bring your Commanders, bring your canon-divergent OCs, bring your canon muses-- and yes, even the ones that are 'supposed' to be dead. who can say what might have happened in a strange world far across the Mists, after all?

neutral hubs and in-character safety guardrails would be in place to keep all muses on a relatively even playing field regardless of their power, history, and prestige, too. play hardball if you like, but it might not end quite the way you'd hope. the main rule would be to maintain good OOC etiquette at all times: no godmodding, no metagaming, no theft, don't blend IC and OOC, and so-on.

if that sounds like something you might have interest in, please interact with this post! and if you've got questions or concerns, I'd love to hear them; feel free to send an ask or a DM, or just reply to this post!

[butchvamp]

okay i've played a bit more and i have a lot of thoughts about Taash and the way gender is being handled overall in this game...

first i will say the positives which is that i do really appreciate the attempt at incorporating trans characters both in the world as companions and allowing us to make those options in the cc. and as someone who also writes dark fantasy stories with trans characters i do understand how difficult it can be to incorporate these identities into a world that doesn't necessarily have the same language as we do; but overall the way they've approached this feels very... i've seen some people call it unpolished but i actually feel the opposite. it's almost clinical (therapy-speak in general has been a main criticism of this game) and it's way too polished, in my opinion, which is what makes it so jarring to see.

there has been a trans character established in game previously, there is already a precedent for these identities to exist in this world, and they have never used this language before. the way Iron Bull talked about Krem felt far more realistic and integrated into the world of Thedas comparatively. was it perfect? no, of course not, but i chafe at the idea that it needs to be perfect, anyways. this is another problem the game has; past characters have had their flaws completely ironed out (Isabela is now a paragon of friendship and returns cultural artifacts instead of looting them, Dorian has multiple codex entries wallowing about how he used to defend slavery, the Crows have suddenly become a big found family-- on and on and on) and while i have my criticisms of some of these flaws (Dorian's pro-slavery rant in inqusition still makes my eyes roll) i dislike the way they're handling these changes and just expecting us to ignore all of the lore and worldbuilding from previous games. and all of this "political correctness" only for the game to still be so racist.

which brings me back to Taash.... Taash is very strange character, lacking agency around both their gender and their culture. they are simply a mouthpiece for the writer. while yes, it should always be made undeniable that your character is trans or gay or xyz, Taash really does only exist to be nonbinary. and to be clear, a nonbinary character like them could be very interesting, if their writing wasnt so... white. we know that the Qun has different ideas about gender than Rivain (and elsewhere) and this could have been a very interesting exploration of that; however, it is obvious that the Qun (and Taash's mother) are meant to be depicted negatively, and ultimately it ends with the player (not Taash) choosing between their two cultures. their gender is clearly far more important to the writer and the only facet of their identity they seemed willing to explore, which makes me question why even make this character qunari to begin with...

Neve and Rook are also the two that spur Taash into exploring their gender. this, on the surface, is not a problem for me. i'm playing as a trans Rook and while the dialogue was again very overpolished and clunky i found it kind of endearing. but the way Neve is used as this "foil" for Taash really rubbed me the wrong way. this assumption that Neve has no complicated feelings about her gender or being a woman (which i highly doubt considering the world she lives in & how misogynistic it is) and the implication from Taash that she only dresses the way she does for her mother/other people (which Neve doesn't even get to challenge) is extremely narrow-minded. Taash is the Only character that acknowledges gender; so far, even when flirting with other characters, it's only been Taash that i've been allowed to specify with that my rook is trans, despite Taash already knowing that from our previous conversation (i hope that this changes once i lock in with a specific character so feel free to correct me if it does).

but no one else really seems to have an opinion except that Neve drags Taash around to meet Maevaris, and we get the very goofy note that's just a list of modern gender identities and their definitions. i do partly sympathize with the writers here; again i've had to find a way to incorporate lgbt identities in my own writing and it can be difficult depending on your audience. i understand wanting to be very clear and concise. but this is... just goofy. and this desperation to be so correct around gender while simultaneously writing such an offensively racist narrative is really frustrating.

there's also an inconsistency that comes from this with Taash's character-- they are portrayed as this rough but awkward character that is bossed around by their mother, they are bashful with flirting early on and are almost child-like in comparison to the other characters. and then suddenly you get a scene with them where they very directly ask if you want to have sex and suddenly pin you against the wall. this scene was so jarring to me i referred to it as a jumpscare because WHERE has this character been this entire time? i want to see more of this, more of this character who takes what they want and knows exactly who they are (which they even say multiple times when you first meet them... but then need Neve and Rook to hold their hand about it?)

i do really like Taash, i like the idea of them, of this very self-assured and almost cocky character who is also a little silly, this person who is so sure of who they are but has to deal with their mother undermining them while also navigating a culture they feel disconnected from, and i also like that the player can help them through it... but the execution is awful, shallow, and racist. the idea that someone can only choose One culture is so offensive and also a laughable conclusion when compared to their coming out as nonbinary. the writer clearly understands that people don't exist within these little boxes when it comes to gender, but can't wrap their head around it when it comes to someone's culture-- which is also a very important part of a person's identity and often contributes directly to their gender and how they feel about it. all of these different characters have different experiences, come from different places, Davrin and Bellara are Dalish and even have differing opinions on what that means for themselves, but the game doesn't touch on any of it. all we get is a lecture from the writer that is completely removed from the world it's presented in.

i wish i could understand what it was this character was meant to convey. i stand by saying that it doesn't need to be perfect; i know there are people that had problems with Krem in inquisition, but at least Krem was his own person. Taash doesn't even get that here... i harp a lot about character agency when i give writing advice on my other blog but it really is so so so important for marginalized characters-- both gay, trans, and especially characters of color-- to have their own agency around their identities that is completely separate from the player & player choice, that allows them to exist as their own person within the world you've created, and i think Taash's character and story is an unfortunate example of exactly what not to do.

[ckret2]

Do you think Bill Cipher is his real name? The book suggests it is since he used to be called Billy but he also tells Gideon that his true name would drive mortals insane. But maybe he was lying! About which we’ll never know.

I personally think it would be really dumb for

an alien

with bizarre alien biology that involves speaking through some organ that clearly isn't a mouth

because his mouth is also his EYE SOCKET and occupied by an EYEBALL

who's not only from a different planet but from a different UNIVERSE

which is so different from ours that the LAWS OF PHYSICS aren't even compatible

because they don't have a THIRD DIMENSION

and who was named ONE TRILLION YEARS before any humans existed

never mind human languages

never mind "common" human names like Bill

to have a normal human name made with normal human sounds.

So I buy the "my name is unintelligible to your species; Bill Cipher is just a dimensional pen name I use because you can pronounce it" explanation, due to the alternative offending my sci-fi worldbuilder sensibilities. The "if you heard my name you'd explode with an expression of ecstasy and agony on your face" part in the Bill Cipher AMA might be a boast to sound cool, but nevertheless I buy that his name can't be spelled, pronounced, or possibly even heard correctly by humans.

The most common explanation I've heard for why he would claim his REAL name is incomprehensible if his name is actually just "Bill" is that he thinks "Bill" is lame and wants people to think he has a cooler name. But, if that were the case... why wouldn't he just... y'know. Give himself a cooler name? Like, who's gonna call him out on it? Birth certificate's incinerated. Parents aren't gonna call him his deadname in front of his friends. The only reason he'd tell people his name is Bill Cipher would be if he wants to go by "Bill Cipher."

When he goes by "Bill" and refers to himself as a child as "Billy" I'm assuming that that's, like... the dub version of his name. Like how the main character of Pokémon is named サトシ but in the dub it's changed to "Ash" because surely American children can't pronounce that bizarre foreign name!! Bill's real name is [EERIE INCOMPREHENSIBLE SOUND] and as a kid sometimes his mom called him [A SIMILAR BUT SLIGHTLY DIFFERENT EERIE INCOMPREHENSIBLE SOUND THAT DOESN'T MEAN ANYTHING TO US BUT TO BILL'S SPECIES SOUNDS LIKE A CUTESY VERSION OF THE FIRST SOUND] and when talking to humans he translates those as "Bill" and "Billy."

[aangular]

I kinda hate when people act like Aang is this naive kid who doesn’t know what’s going on or what he’s doing, especially at the beginning of the series.

For example, in “The Southern Air Temple, " he shows Sokka and Katara around, acting excited and playing around. Do you think that he doesn’t know what’s going on? Do you think that Aang, someone who grew up in that temple doesn’t know what is supposed to look like?

In his timeline, he had been gone for at most one week. Do you really believe that he would think it is normal that the place that was filled with people a few days ago is now completely empty Do you think that he would find it normal that the entire place is run down and poorly kept?

I’m just confused. Since episode one, the narrative has made it obvious that Aang has avoidant coping mechanisms, where he outright ignores what’s happening around him because he cannot deal with it. It’s an integral aspect of his character (since it’s the reason he ran away after finding out he was the avatar, which quite literally sets off the plot). I get it if people don’t necessarily like that aspect of his personality (wrong opinion, btw), but understanding that it’s there and how it affects how he interacts with the world is important to getting ATLA.

Yes, he did know what the being avatar meant to an extent, and he knew he had to learn the three elements, but the reason he didn’t go to the North Pole straight away was because he didn’t want to. He wanted to put it off for as long as possible, going on adventures and “eventually getting to the NP”.

There was literally a 2 part episode (The Winter Solstice) to tell us that Aang couldn’t just mess around that entire season because it introduced a time limit to defeat the Fire Lord. Ever since then, the gaang pretty much beelined for the NP, plus some detours, but that’s the magic of worldbuilding.

I would talk about his reluctance to learn waterbending from Pakku, but that’s a different post altogether.

Obviously, he didn’t understand what it was like growing up in the middle of a war (because he didn’t). Still, no one understood what losing their entire people and being the last of their kind was. And no one calls other characters naive or stupid for their constant insensitivity throughout the series…

The bottom line is that he knew; he always knew. It was just easier to pretend he didn’t.

[tossawary]

Rewatching some of "Merlin" again and... I really love worldbuilding where I'm not sure the creators were thinking through all the implications. Like, the show opens with the King overseeing the execution of a man, Thomas Collins, who used magic (not even to commit actual harm as far as we know) and the crowd is dead silent during Uther's solemn anti-magic speech. Then they GASP in horror and disgust when the poor guy gets beheaded offscreen, and they remain dead silent as Uther's speech continues, declaring a festival to celebrate 20 years since the Great Dragon was captured and sorcery outlawed. And then no one cheers or even SMILES about this.

Like, okay, the people of the past were not always chill or excited by public executions, because historical people all around the world and across time are not a monolith. There have always been people who hated them. But there have definitely been points in time where some people viewed public executions as good entertainment for the whole family and/or have reveled in the righteousness of bloodshed.

A lot of these people must have lived through the Purge: if they actually, you know, believed in and supported Uther's anti-magic philosophies, you'd think that you'd see a few cheers? Maybe some nodding? You'd kind of think that the people who would actually show up to public executions are those who share Uther's radical, violent beliefs, but no... the camera doesn't show a single smile or nod in the gathered crowd. This is Fantasy Medieval Land and no one is cheering the public execution. Okay.

You could say, "Well, maybe Uther is just a sour grape who doesn't like people talking when he's talking. Maybe Uther takes his campaign against magic dead seriously and this extends to him wanting a solemn, respectful atmosphere at all of his public executions of sorcerers." Sure. There are a LOT of guards in the crowd, possibly a leftover habit from the early days of the Purge, when there were more people who were presumably Not Okay with Uther's sudden change in policy.

But again, even if this obviously tyrannical King really doesn't like any cheering or smiling, no one is even nodding along to his speech. It doesn't look like any of these watching people wholeheartedly agree with his anti-magic beliefs. They're not happy about the death of a sorcerer. The division in ideology between Uther and the lower classes here appears to be a very, VERY stark line.

And then Uther declares a FESTIVAL! Uther is smiling! There's a happy tone in Uther's voice, like he wants the people to be happy about the absence of magic, and I can't see why he'd be against cheering here. He wants to celebrate!

But NO ONE cheers. No one smiles. Like, yes, this crowd seems to mostly contain the lower classes, who are probably not going to be feasting in the King's hall later, but a festival implies to me that there's going to be more of a city-wide celebration. That the King is going to provide some amount of free food and entertainment to his people, give out bread and hire some musicians or something, that there's going to be some sort of relief from work for a day, and maybe other charitable givings that boost a monarch's popularity.

But NO ONE cheers. And, again, okay, maybe Uther hosts a bad party. Very possible. Maybe Uther is really just going to hold one formal dinner for the upper classes and he's announcing that to the lower classes who are going to get nothing because he's that out of touch somehow? But, also, no, a festival means something different than a feast. And Uther is awful, but I would think he has a little more social cunning than that. I'm going to suppose that he earnestly wants to "generously reward" the common people for resisting the corruption of magic, and that he intends to give out some benefit.

But NO ONE smiles. This is a Fantasy Medieval Land where someone gets executed for doing the Evil Magic and then the King announces a Victory Festival, and no one cheers or looks even remotely happy through any of it. Everyone is about to shuffle off sadly before the executed man's mother starts screaming at Uther, saying that he is the true evil of Camelot and promising to kill his son. And no one boos her for it. They mostly just watch her, wait for Uther's inevitable bad reaction, and then just... shuffle away quietly after she vanishes in a whirlwind. Huh.

This one scene is implying a LOT about the social and cultural state of things in Camelot, and what the common people think of their King and his campaign. Other episodes will go on to elaborate and say other things about this world. But this is the opening scene that's stuck with me for a long time. We're obviously not meant to think well of Uther during this scene. Maybe we're meant to see that Uther is not at all a beloved king here. It looks like they're intentionally going for a frightening tone because this is all meant to be very scary for Merlin, who walked into this place like five minutes ago and could be next.

But I don't know if the show fully thought through what the actions of the background extras are suggesting here (they were presumably understandably focused on other things, this is the pilot and they're still working out kinks, this show is kind of silly anyway, etc.), and I think what it says is neat: Uther is a relatively recent king (his speech contains the words "when I first came to this land") and he is NOT popular. There's a difference between "not liked" and "NO ONE likes this guy even when they actually showed up to his event", and what they show here seems to be the latter.

Everything in a visual medium contributes to the story, whether the creators intended it or not, and none of the background extras filling out the scene cheer or smile when the camera points their way. Usually, hatred like Uther's will attract eager assholes happy to blame the Designated Other for all of their problems and society's problems, and obviously Uther does have a lot of guards and soldiers and willing followers in them, but still... not a SINGLE person (not even the soldiers doing crowd control) cheers or smiles at the public execution OR when the king declares a festival. Not one. It's unfortunately not unrealistic for people to cheer tyrants and join hate campaigns, but Uther's willingness to kill anyone on a shred of evidence has made him so unpopular that he can't get a single huzzah here.

That's something.

(Also, the near-complete absence of the Church in this world is VERY funny.)

[alpaca-clouds]

Solarpunk Autumns. Solarpunk Winters.

Solarpunk as a genre exists in a state of a permanent summer. Both as a genre, and an aesthetic. Solarpunk pictures usually show us worlds that have everything in so many shades of green. Green bushes. Green trees. Green everything. Fields in Solarpunk are always filled with ripe corn and wheat. And trees in Solarpunk are full of ripe fruit.

But if we look into Solarpunk worldbuilding there is also the fact that of course at some point at many places of the world it will become autumn, and winter.

I mean, I am feeling it right now, sitting here in my bed with three blankets and shivering, as the summer has very suddenly ended.

Sure, Solarpunk originated from Brazil. And while I do not know a whole lot about Brazillian climate, I do understand that it is close enough to the equator to be fairly warm yearround.

But I honestly would love to see more stories and artworks set in Solarpunk worlds during the autumn and winter. Especially because it is a very interesting topic when it comes to both the renewable energies and the food systems of Solarpunk worlds.

Now, admittedly, the renewable energy is less interesting to me, but we still should talk about it. In winter and autumn a lot of the renewable energy sources are a bit less viable. The sun has less energy and the further north (or south) you go, the less sun you get during the winter. Wind turbines also often struggle because there is in fact too much wind - and some older turbines do not do too well during harsh winter conditions. Water usually has less of a problem, unless the water energy is created in shallow conditions where the water freezes. But of course, there is nuclear energy to take care of most issues, even if everything else fails - even though some people still do not want to hear about it.

The food aspect is a lot more interesting though, especially from a modern point of view.

Because we people today are very used to eating the same stuff year around. Like potatoes, carrots, bellpeppers, tomatoes, cabbage, oranges, apples, pears, and bananas are usually available in the supermarket no matter when you go there. But of course we also know that those only are there because of the rather destructive ways we use to cultivate food and bring it to us. These things usually are grown somewhere closer to the equator and then are brought to Europe/North America via plane, emitting a lot more CO2.

Of course, this is a fairly new development. For the most of human history, nobody - or only the very richest people - had access to imported food like that. So instead they would only eat was either was available in their own country and their own fields right now, or that they could conserve in some way or form.

And frankly... I think that is something I would like to see some more off in Solarpunk media. In people not needing everything to be available all the time. And people also working to conserve food in one way or another to make it last longer.

Also I do want to bring it up again: There were a lot of well known "winter vegetables" in Europe during most of our history there. Stuff that would get ripe in late autumn and would keep rather well. And a lot of those vegetables have been forgotten.

So... Yeah, I really would see that issue discussed a bit more.

And sure, we might be able to worldbuild around the issue in some degree with greenhouses and stuff. But I think it would be nice to just question our relation with the always available foods.

[circuitcircus]

in defense of kabumisu……..

addressing things I see people say about why kabru being shipped w mithrun is ‘bad’ or why their canon relationship ‘doesn’t mean anything’ while also clearing up misconceptions of the characters some fans have

listen it keeps popping up and I just gotta do this or my brain will melt (if you don’t see it around then god I wish that were me) there’s an age gap!- erm there’s also an age gap in farcille (ily), the most popular ship in the series...also chilchuck looks like a kid but a lot of fans recognize him as a dilf because of his relative age, so there should be no age gap discourse among adult characters because it feels so conditional tbh

kabru taking care of mithrun is racist!- marcille likes to take care of others as well. is that sexist, or just an aspect of her character?

kabru isn’t treated like a servant, waiting on mithrun hand and foot…I mean he gives mithrun a foot massage but no one told him to do all that lmfao

he's also not the only one to care for mithrun. pattadol is shown to worry for him and milsril was the one to start taking care mithrun in the first place after he…...y’know. speaking of which-

they probably met when kabru was a kid!- neither of them showed signs of recognizing each other the entire time mithrun was introduced nor when they were together. and im pretty sure KABRU of all people would show some kind of recognition if they'd met before. it's kabru!!! the people person!!! mr. "i-noted-down-50+-characters-in-this-dude's-backstory-for-fun-and-actually-enjoy-social-gatherings"

you would think some kind of memory would come back to him especially after hearing mithrun’s backstory if milsril had even told kabru about him as a kid. but nope. it’s just fan speculation unless there's a side comic suggesting otherwise that i haven't seen

mithrun doesn't care about kabru, his shapeshift double looked like shit!- it's obviously because of mithrun's (then) lack of desires that it looked like that, but they really grow on each other

i think it's safe to assume it'd look more like kabru after they spent so much time together (also laios can barely even remember kabru's name..also saw his face multiple times and didn’t recognize him when they talked for the first time)

mithrun is racist!- he’s actually the least likely character to be racist since he lost his desires and that includes a desire for superiority over others. he even calls his past self out on that part of himself. the other elves in that side comic were being just as racist to shorter lived races but just didn’t use ‘outdated slurs’

(unfortunately literally every main character in dunmeshi is at least a lil prejudiced, but I believe it’s worldbuilding and a sign of the times rather than a reason ryoko kui is giving to hate each character)

taking care of others is a pain in the ass!- saying this as a reason kabru and mithrun shouldn't be together is basically saying disabled people shouldn't be allowed to have romantic relationships because they're a "burden"...if someone is actually willing to put in the work, then let them be.

that's not even all of their relationship, mithrun is the fighter of their duo and kabru would've been killed by the shapeshifter or something if he'd fallen down the hole on his own since he sucks at fighting monsters. mithrun helps collect ingredients for cooking every time, too (barometz fruits and griffin egg). he pulls his weight and then some!! i feel like people forget that part of mithrun a lot somehow.

+senshi literally cooks for everyone all time. it's kind of an important aspect of the narrative.

+also, while it is a popular fan thing I see around that kabru handfeeds mithrun, he literally never does lol this is mithrun using his own hands to eat:

also here we have him washing his own body

just saying because people like to treat mithrun like a baby even though the narrative respects him as a capable adult who also has special needs because of an accident. he’s captain for a reason

kabru hates taking care of mithrun!- not exactly, he was initially surprised and put off but got used to it quickly. i’m sure he’s grateful for all the times mithrun saved him from a monster and teleported them out of danger as well

he even starts doing “unnecessary” things for mithrun’s comfort and safety like when mithrun pushes himself too hard fighting, even after his mission to take care of him was complete when the canaries came back

here is even kabru resting while mithrun keeps watch (mithrun let him sleep for 5 hours before waking him up from the nightmare earlier, too):

there's nothing more to their relationship!- they actually have had a very tight and consistent dynamic since they met and they incite the most change within each other by the end. kabru is the one who inspires mithrun to create new desires so he doesn't waste away, and mithrun is the first person we see kabru being genuine with and it leads him to be more honest with others by the end instead of tiptoeing around everyone all the time (that mask was also the reason some ppl initially disliked kabru…)

kabru’s relationship with mithrun is honestly so important for his character and vice versa, but it’s often disregarded because of one over exaggerated aspect of it (an aspect that isn’t even the first way they interact with each other) or because people want to just straight up ignore it for some reason 🥲🥲

kui dedicates many panels to them that don't particularly serve the narrative as a whole in order to demonstrate this and i think that's pretty significant

you're taking this too seriously!- as if i'm the first person in the world to be crazy about a ship or the characters 😭 i love analyzing text and it's upsetting to see them mischaracterized when kui lays out the characters so clearly and deliberately

also they end up touching each other like all the time and have the kind of canon validation most ppl can only dream of lol i feel so insane look at this:

and this is just when they're first getting to know each other cuz there's a fuckload more

kinda hard to explain how i don't actually need them to get married or whatever but i'd die on this hill for them and i enjoy their dynamic immensely

haha you thought you were reading ship discourse but it was actually a character analysis 🤪🤪🤪

also don’t somehow take this to mean I think anyone has to ship them, I just need everyone to understand these accusations kind of don’t make sense especially when they can also apply to other pairs or characters

bonus kabru just looking at mithrun: