#I really need to watch more painting tutorials

[magicalgrimm]

I am a slut for thor_0denson’s concept art

This is for the new comic coming out in two days 

And that should be enough of me posting other people’s artwork.

[jerrythebug]

It's WIP Thursday on a Sunday babes!!

[havanillas]

Heya! Person who went/goes over gender swap?? Female version?? Of Ratiorine, or just the way you draw women in general here. I'm an artist (not really but I do draw and paint from time to time) I just wanted to ask, (sorry if this is really silly or inappropriate) How do you draw breasts semi realistically?? Or just draw them the way you do. I honestly don't know how to draw human anatomy at all, I just kinda wing it but breasts, male chest alongside legs and hands are a STRUGGLE for me. (Been slowly getting better) YET BREASTS ARE ALWAYS JUST NOT LOOKING RIGHT AND IT MAKES ME WANT TO SOB They're always very anime looking in a very very bad way (because I grew up watching mostly anime and using old anime drawing tutorial books) No need to respond/answer if you don't want to! Just wanted to ask!

breasts are affected a lot by the angle of the shoulders and the pull of gravity, which are both pretty daunting factors for learning artists

i'd recommend anatomy studying but that's not what you asked for(tell me if anyone's interested), so i'll take the opportunity to draw more fem!ratio

behold, a booba tutorial with veritas ratio. only open if youre interested in boobs

breasts don't really have a fixed form, so they're tricky to make them look natural. as i mentioned, i consider the gravity and angle of the shoulders, as well as clothing when drawing them

i'll go over an easy method to paint them. for demonstration, i unbuttoned ratio's shirt. for educational purposes.

i like to use shaded tones as base color and add light afterwards

with some lassoing and glow layer (overlay/add/anything that works) it already looks fairly alright, but i'm gonna do some blurring to make it look better

i blurred and erased around the edges to make the light blend in more naturally to the lineart and the shirt

i added a little bit of redness around the edges of the light to make it look more like flesh as well as reflected lights (the blue circles), they'll give clearer indications on where the breast starts and ends

i usually end the details here when i don't feel like going for high quality render

and there it is, a pair of shiny boobs

im not sure how to lay out the higher quality render process, i haven't really figured it out enough to explain it to someone else yet

anyways i like how this one turned out, so i'll try fancying it up tomorrow, i'll post it when im done

[pleasantboatpress]

so, you wanted to start bookbinding?

so @princetofbone mentioned on my post for "factory settings" about wanting to know more about the binding style that i used for it. so i thought i might make a post about it.

i was as terrible as i always am for taking in progress shots, but i can link you to the resources i used in order to make my book. i would also like to point out that "factory settings" is my 120th bind, and i have been doing bookbinding as a hobby for just over 3 years now. unfortunately this means some of the methods that i used for that bind aren't particularly beginner friendly, just in terms of the tools and methods i have used, but i would love to point you in the right direction when it comes to resources. i dont say this to sound pretentious which i fear i might come across, just so that youre fully informed. getting into this hobby is fun and rewarding, but it can definitely be intimidating.

with that caveat, heres a list of links and resources that i have used for bookbinding in general, with additional links to methods i used specifically in regards to this bind.

ASH's how to make a book document. it gives you a great introduction into typesetting fics (where you format the text of fics to look like a traditionally published books) and then turning them into a case-bound book (the style i used for "factory settings"). it is comprehensive, and explains how to use microsoft word to do your bidding. it was invaluable to me when i was just starting out! currently i use affinity publisher to typeset/format my fics for printing, but i only bought and learned how to use that after i had been binding books for a year and a half. i made some beautiful typesets with word, and some of my close friends use it still and design stuff that i never would be able to in my wildest dreams (basically anything by @no-name-publishing)

DAS Bookbinding's Square Back Bradel Binding. a great style to do your first bind in! this method requires, when making the case, to attach the cover board and the spine board to a connecting piece of paper, which makes it so much easier to match the size of the case to the size of the text block (your printed out and sewn fic). using this method is what allowed me to get much more accurately fitting cases, and made me much more confident with the construction of the books i was making. a well-made book is something that is so wonderful to hold in your hands!

DAS Bookbinding's Rounded and Backed Cased Book. This is the specific method that i used to create my bind for "factory settings"! even before i could back my books, i found that watching DAS's videos in particular helped me see how books were traditionally made, and i was able to see different tips and tricks about how to make nicer books.

Book Edge Trimming Without... i trim the edges of my text block using my finishing press and a chisel i have sharpened using a whetstone and leather strop with buffing compound on it. i follow the method for trimming shown in this video!

Made Endpapers. i follow this method for my endpapers, as i used handmade lokta endpapers, and they can be quite thin, but they look beautiful! i used "tipped on" endpapers (where you have your endpaper and then put a thin strip of glue on the edge and attach it to your text block) i used for a very long time before this, but these feel like they are much more stable, as they are sewn with your text block.

Edge Sprinkling. this is the method that i used for decorating the edges of my text block. but the principle is basically clamping your text block tight and then sprinkling the edges. i do not believe you need to trim the edges in order to do sprinkles on the edges, and that's what makes it accessible! i personally just use really cheap acrylic paint that i water down and then flick it onto the edges with my thumb and a paint brush.

Double-Core Endbands. i sew my own endbands, which i followed this tutorial for. that being said, it's kind of confusing, and this video is a bit easier to follow, but it is a slightly different type of endband.

Case decoration. i used my silhouette cameo 4 to cut out my design for "factory settings" in htv (heat transfer vinyl). i also used my cameo 4 to cut out the oval of marbled paper on the front, as i honestly didn't want to try my hand at cutting an oval lol. i also glued some 300 gsm card with an oval cut out of the centre of it onto the cover before covering it with bookcloth, to get a kind of recess on the cover. i then glued the oval of marbled paper onto the top of the recessed area once it was covered with bookcloth, so that it was protected. the images i used were sourced from a mix of rawpixel, canva and pixabay. a more accessible way to get into cover decoration is by painting on a design for your cover as described in @a-gay-old-time's tutorial just here. or even doing paper labels, which look classy imo.

physical materials. sourcing these will depend on your country. i am located in australia, and have compiled a list with some other aussie bookbinders of places to buy from. here is a great post describing beginning materials for getting started binding.

@renegadepublishing. this tumblr is great! its what got me started bookbinding, and being in the discord has been inspiring, motivating, and honestly just one of the best online experiences i have ever had. it is full of resources, and most people in there are amateur bookbinders, with a couple of professionals thrown in. the discord is 18+, and anyone can join!

i'm sorry this post got so long, but i hope that this has a lot of information for you if you would like to get started bookbinding. its one of the best hobbies ive ever had, and i genuinely believe i will have it for the rest of my life.

[jasperxkuromi]

Play ideas for chronically ill, disabled, or otherwise bed bound/low energy littles

Hi all! I am chronically ill. I am not comfortable sharing my specific diagnosis, but I am more than okay with talking about disability in general. Everything below is based on my own personal experiences and activities I like to do while stuck in bed. Everyone's body and experiences are different. I may list some things that just aren't an option for you, and that's okay. You are more than welcome to add on to this post with activities you do too!

🐛 Open the curtains and cloud watch! I like to look for clouds that remind me of animals or characters and day dream a story about them. If the weather is nice, consider opening your window a little bit and letting some fresh air into your room.

🐦 Bird watch! I have a bird feeder outside my window that I painted myself from a kid's kit. There are also bird feeders that have suction cups that can be stuck right on your window. You can also make your own seed ornaments. You could pick yourself up a kids book or two on learning to identify birds.

🌷 Get a window planter. You may need someone's help to set one up, but once they are in place they are fairly easy to care for. I like pansies and marigolds because they remind me of childhood, and they are low maintenance and do well in containers.

📖 Audiobooks are great for middles who want to read chapter books. If you have a library card you can borrow tons of audiobook, ebooks, and comics through hoopla and Libby for free. There are some audiobooks for younger kiddo books, but honestly I think YouTube is better for that.

🖼️ Scrapbooks and journals! Being penpals with another little is also an option, but I do recommend using basic internet safety and common sense. (I don't think you should do this if you are under 18). You could always scan/take pictures of your letter and send it digitally to your penpal instead.

🛏️ If you spend a lot of time in bed, and have the money to do so, I really recommend getting items to make your time in bed more comfortable. Extra pillows, or even a reading pillow can be helpful. Lap desks or bed tables can give you space to color or set up play scenes with small toys.

🌟 You can also decorate the area around your bed to make it more child like! Fairy lights, glow in the dark stars, bed canopies, posters, and the like.

🪑 I have a floor chair I use for times I am playing outside of my bed. Being close to the floor helps me feel small, but not having back support hurts after a short while. I have an adjustable one that I can lay flat on the floor as a sleeping mat. Very helpful for the times when I need a quick nap after playtime.

🎨 Check the seasonal and kids sections at dollar stores and Five Below. I usually find fun craft kits that can keep me occupied for a bit for really cheap.

🧶 Do your own crafts! I like the knit and crochet. Some people can do them in bed, but I find it difficult to find a comfortable way to do that. However making friendship bracelets in bed works out pretty well. They make great gifts, even for non little friends. Or you could make matching ones for you and your CG or favorite plushie!

🪀 Make your own sensory bin! You can find tons of tutorials and ideas online. Bonus is you can get most of the items you would use at the dollar store. There are tons of other DIY sensory toys you can make as well if you look around. Glitter/shaker bottles are pretty popular too.

🐇 Cuddle with your stuffed animals. Tell them stories. Play pretend. Read to them. They will appreciate all of it.

🎮 If you have an old 3DS stuffed away in a drawer somewhere, pull it back out. 3DS are fairly easy to install homebrew and there are toooons of kiddo friendly games you could get (check 3ds.hacks.guide for this, do not follow tutorials on YouTube or random websites as they very well could be outdated)

💊 Decorate your medicine organizers with stickers. If you use mobility aids you can decorate them as well! Fake flowers are great for decorating mobility aids and there are tons of ideas you can find online.

🍼 I have stomach problems that makes it hard for me to eat enough. I often drink Ensure to make sure I am getting enough calories/nutrients. I get the strawberry flavor and sometimes put it in my sippy cup and pretend it is strawberry milk 😋

😴 If you need rest, rest! You deserve to get as much sleep as your body needs. Babies and toddlers take naps all the time! Trying to just exist with chronic health issues is difficult enough. You don't need to push yourself.

[starsjulia]

leah vs the kitchen // leah williamson

a/n : more fluff!!!

warnings : traumatised beth, mentions of sex

The moment you stepped through the front door, you knew something was wrong. The smell… oh, the smell. It hit you like a wall. Burnt… something. Not “oops, I left the toast in too long” burnt. It was the “fire department might need to get involved” kind of burnt.

“Leah?” you called out cautiously, shutting the door behind you.

From the kitchen came a crash, followed by a very unconvincing, “Stay out there! I’ve got it under control!”

You snorted, shrugging off your coat. Under control. Sure. If Leah Williamson ever had something in the kitchen “under control,” you’d eat your own shoe. You’d been with her long enough to know: Leah was talented in many, many ways. Cooking was not one of them.

“Are you burning down our kitchen for fun or…?”

“Just—just five more minutes!” Leah shouted back.

“Love, I think you’re out of time.”

You followed the smell to the kitchen and immediately stopped dead. It looked like a war zone. A pot sat abandoned in the sink, still faintly smoking. Something unidentifiable bubbled angrily on the stove, its consistency closer to wet cement than food. There were bowls, pans, and splatters of something everywhere. Leah stood in the middle of it all, wooden spoon in hand, hair falling out of her bun, and a streak of sauce across her forehead like war paint.

“Leah,” you said slowly, “why does our kitchen look like it’s being exorcised?”

She whipped around to face you, eyes wide with a mix of panic and hope. “You’re home early.”

“You said to come home at six. It’s six.”

“Well, yeah, but like six-ish,” Leah mumbled, abandoning the spoon in the bubbling pot of doom.

You crossed your arms, trying and failing to keep a straight face. “Is this… dinner?”

Leah exhaled loudly, running a hand down her face and smudging more sauce onto her cheek. “It was supposed to be. I watched two cooking tutorials for this, babe. Two.”

“Oh, you really committed,” you teased, stepping closer.

“I did!” Leah insisted, throwing her hands in the air. “But then I turned my back for one second, and the risotto—”

“Risotto?” You peered into the pot and grimaced. “Babe, that’s not risotto. That’s glue.”

Leah groaned, leaning against the counter in defeat. “I wanted this to be special. It’s our anniversary, and I thought, you know, candles, home-cooked dinner, romantic gestures… I was trying to impress you.”

You softened immediately, stepping up to her and slipping your arms around her waist. “Leah, you already impress me.”

She looked down at you, unimpressed by your sweetness. “You’re just saying that because I look cute with sauce on my face.”

“That too,” you replied, grinning. “But I’m serious. I don’t need a perfect dinner to know you love me.”

Leah sighed, resting her forehead against yours. “I do love you, though. So much it’s embarrassing.”

“Embarrassing?” you teased. “Big England captain, embarrassed?”

“Only when it comes to you,” she murmured, leaning down to kiss you softly.

The kiss lingered, warm and sweet, as Leah’s fingers skimmed up your back and yours tangled in her hair. For a moment, you forgot all about the smoke, the bubbling disaster on the stove, and the kitchen that looked like it had been hit by a tornado. Leah kissed you like you were the only thing in the world that mattered, and honestly, you were happy to let her…

Until the front door slammed open.

“Oi! Tell me there’s no food poisoning happening this time—”

“BETH!” Leah shouted, jerking back so quickly she nearly knocked you over.

There, standing in the doorway to the kitchen, was Beth, your toddler son perched on her hip, staring at the scene with wide, horrified eyes. Behind her, Viv peered over her shoulder with a grin, clearly enjoying the chaos far more than Beth was.

Beth took one look at the smoke curling from the stove and the sauce streaked across Leah’s face and muttered, “Jesus Christ. It’s happening again.”

“Beth, get out!” Leah cried, her cheeks turning beet red.

“I knew this would happen,” Beth said, ignoring Leah entirely. She turned to your son. “I told you. Didn’t I tell you?”

Your son wrinkled his nose dramatically, pointing at the stove. “Mama, why are you burning food again?”

Leah clapped a hand over her face. “I hate all of you.”

You, on the other hand, were too busy laughing to defend her. Beth shot you a look. “Don’t laugh! You don’t know what I’ve been through!”

“What you’ve been through?” you repeated, raising an eyebrow.

Beth pointed an accusing finger at Leah. “Last time I babysat, I came back early and walked in on—”

“Don’t finish that sentence,” Leah warned, eyes wide.

“—unspeakable horrors,” Beth finished dramatically, turning to Viv for support. “I haven’t been the same since.”

Leah groaned, grabbing a tea towel and whipping it in Beth’s direction. “You’re so dramatic.”

Beth ducked out of the way, still clutching your son like a shield. “I am dramatic because I’m traumatized. I see them kiss now, and I flinch.”

Viv snorted, clearly unbothered. “You brought it on yourself, to be fair.”

“Why do you always come home early anyway?” Leah grumbled, narrowing her eyes at Beth. “You’re meant to be babysitting.”

“I was babysitting,” Beth replied. “But he wanted his dinosaur toy, so we came back to get it. And you’re lucky I did because I think you were seconds away from setting this place on fire.”

Your son perked up at this, clearly unfazed by the chaos. “Is the house gonna blow up?”

“No, mate,” Leah said quickly, shooting you a helpless look. “It’s not gonna blow up.”

Beth raised an eyebrow, smirking. “You sure about that, Williamson?”

“Out,” Leah hissed, pointing toward the door.

Beth grinned, finally setting your son down and ruffling his hair. “Alright, alright. I’ll take him to ours and actually babysit. You two… do whatever it is you do when I’m not here to stop it.”

“Beth!”

She only cackled, grabbing Viv’s hand and dragging your son back out of the kitchen.

The moment the door slammed shut behind them, Leah groaned, sinking to the floor. “I’m never going to live this down.”

You sat beside her, leaning your head on her shoulder. “You’re really bad at keeping secrets from Beth.”

“She has a sixth sense for interrupting,” Leah muttered darkly. “I swear she hides in the bushes waiting for us to kiss.”

You grinned, reaching over to tug Leah’s face toward you. “Hey, it’s okay. Despite the ruined dinner, the smoke, and Beth’s trauma, I still love you.”

Leah softened immediately, a lovesick smile spreading across her face. “Yeah?”

“Yeah.”

She wrapped her arm around you, pulling you into her lap and pressing a kiss to your temple. “You’re the best thing that’s ever happened to me, you know?”

You smiled, turning to kiss her softly. “Even though I make fun of your cooking?”

“Especially then,” Leah replied, grinning against your lips.

And as the smell of burnt food lingered in the kitchen and Beth’s dramatic complaints echoed faintly in your head, you realized it really was the perfect anniversary, chaos, laughter, and all.

[falconthropy]

Long awaited Hera's mask tutorial (no cat base, low budget)

example of the masks I've made, here:

Author note: I have a 3 year experience, and I got used to making gear like this, so if you are trying masks for the first time, you might find some difficulties.

also, the whole thing Is REALLY "trust the process"... Anyway here we go!

You need: Cardboard, paper(optional), hot glue gun, felt/something to fur it/any material is okay if it works, foam (optional), basic tools like scizzors

1. Cardboard forming

You need a piece of cardboard that's kinda a little bigger shape than your face, and measure where the eyes should be, so you can see well.

you can make the mask symmetrical by bending it in half, but it's optional

the first picture down there shows the back of the mask, don't be scared to pull it in and out, I'd say, you need to form the mask shape with your fingers VERY GOOD.

it really depends on what species you wanna make, I'm making a snow leopard rn!

you can even cut it almost in half, and shape it to your liking

2. Texture

for this part, when you have your BaseOfTheBase ready, you need to make it more 3d, so it doesn't seem flat. small pieces are a key.

u can use various materials to recreate the real look, for example - foam that is easy to work with, and maybe more cardboard pieces layered on eachother. also you can use the pieces to glue the whole thing down together so it's sturdy.

I smooth it out with paper too, so the fleece/felt/fur sticks better to the mask and doesn't leave unnecessary bumps..

you use the bends like that to create a 3d effect, and expand the mask a little.

That's what I came up with! I added alot of paper pieces to smooth it down ^^

3. furring/felting, and the final touches

this part may be kinda tricky, so i reccomend you to watch various of felting tutorials on cat masks, cause this works basically the same!

I didint take any more photos rly, but here's the final product, and only felted one. (the nose is made out of hot glue)

I don't really want to elaborate on how to do the patterns, since you're the one who's customising the mask, but I like to use alcohol-based markers to make them! acrylic paint is also okay ^^

I hope I helped in some way !

If you have any questions, feel free to ask <3

[dimepdf]

★  𝐍𝐒𝐅𝐖 𝐀𝐋𝐏𝐇𝐀𝐁𝐄𝐓. + 𝐌𝐈𝐆𝐔𝐄𝐋 𝐎'𝐇𝐀𝐑𝐀

masterlist. / taglist. / tip jar. synopsis. miguel o’hara and the nsfw alphabet challenge.

─── ☆ notes. anyone got a slime tutorial link to the new movie yet? . | — feedback is always welcomed & don't forget to reblog 🤍

─── ☆ length. 1.5k (11 min read).

─── ☆ genre and warnings. +18 nsfw under the cut. minors dni | headcanon's | not movie canon | no movie spoilers | creampies | facials | cum play | jerking off | oral sex | eye contact | body worship | size kink | height difference | over stimulation | edging | jealousy | teasing | possessiveness | marking | biting | slight sub/dom | cuddling | let me know if I missed any | not beta'd.

A= Aftercare (what they’re like after the act)

Miguel isn’t the type to wind down that quickly, but he is extremely considerate of your feelings and well-being, most of the time he’s making sure you're okay. Especially since the last thing he ever wants is to make you seem unwanted after having sex with him.

That being said, it did take him a while to get used to the whole cuddling and comfort thing. You swear, at the beginning of your relationship, it was like trying to hug one big bear, but as you two spent more time together, he started to crave just having you wrapped in his arms and listening to your heartbeat every now and then.

B= Body part (favorite body part their own or their lovers)

He could go on and on about how much he loves every part of you; seriously, you could tell because of how much he cannot keep his hands off of you, but realistically, his answer in the back of his mind is your mouth and thighs. He’s so down bad. 

Whenever you try talking to him, you always catch him staring at your lips like he’s just starving to kiss you. It's the same situation with your thighs as well. Sometimes you would be standing around the house in the mind of a conversation and suddenly feel Miguel’s fingers groping the plush of your thighs, gawking at your legs like he has no home training.

C= Cum (anything that has to do with it) 

Oh brother, this man is a mess in the head, he loves, I mean loves, to see you covered in his cum: facials, creampies, you name a place on your body for him to cum on, and he’ll do it with pleasure.

There’s just something about seeing your soft brown skin painted with traces of him all over your body, especially when he would cum inside you. His favorite thing to do is spread your legs and watch it spill out, only to push it all back in and give you another load. 

D= Dirty secret (pretty self-explanatory)

Miguel is a very pent-up possessive man, no matter what he does, he just can't get enough of you, which leaves him feeling extremely needy whenever you're gone or just don't feel in the mood. He would just jack off at the thought of you to relieve himself.

E= Experience (do they know what they’re doing)

You had expected him to come from around the entire block from the easy he would pick you up and fuck you, but surprisingly, Miguel only really had a handful of partners in his past—nothing too extreme. 

F= Favorite position

He says he isn't really picky, yet somehow you always end up with your stomach pressed against some surface. Most of the time he sees no point in containing himself, plus weight isn't really an issue on his behalf. Whenever your legs give out from standing, he’ll just pick your ass up as if you weighed absolutely nothing and keep the same pace.

G= Goofy (how serious are they)

He likes to completely mirror your emotions or help you ease up more. He's very big on paying attention to the smallest detail, so if you're someone who feels a little anxious or nervous, no matter how many times you two have had sex, he needs to break that broadening act to crack a few dry jokes or shower you in compliments to make you feel more comfortable.

H= Hair (grooming habits)

This man is covered in dark hair from chest to toe. He doesn't really find the amount of body hair alarming, but he doesn't like to upkeep his pubic hair a bit, especially giving himself a trim whenever he wears his spider suit. He just doesn't really care that much to shave it all off, but if you asked him too, he wouldn't mind much.

I= Intimacy (in the moment romantic or rough/dirty) 

He’s pretty reluctant to be overly smothering, with his inmate moments just coming out of the blue, especially with his cold attitude. Most of the time, when you think he’s tense, he’ll switch, turn around, and start praising you. Sometimes he doesn't realize it, but most of the time it's always after he feels like he went a bit too far with degrading you, so he switches up just to even it all out with praise and saying how good you make him feel while holding eye contact.

J= Jack off (do they masturbate and how often)

Miguel just has the habit of stressing himself out all the damn time, and half of the time it's always over him being too worked up. Whenever he has a moment alone and you just can't be there, he likes to turn to his memory of you to help work off some of his tension.

K= Kink (kinks what they like possibly unusual)

Marking. I’m talking biting, scratches, hickeys, and God forbid Miguel sees the fingerprint bruises forming on your hips after he lets you ride him. Just the thought of having traces of him all over you makes that possessive switch in him go haywire.

Size kink. He’s a big guy through and through, and no matter what, he makes sure to remind you of your size difference. Blessed tall and broad, standing next to you, he’s practically a brick wall with the audacity to have a big dick.

Eye contact. Dear Lord, you better hope you laid down in one of his favorite positions and he hasn't fucked the common sense out of you by the time you're about to cum because Miguel will twist you like a hot pretzel and have you begging like your life depended just to hear you say his name and while you look into his eyes.

L= Location (where they like to get it on)

Anywhere with privacy and on every surface he could reach—floor, wall, upside—doing the splits, Miguel damn near used webs to find a way to have you against him.

M= Motivation (things that makes them tick/turn ons)

Miguel will get turned on by the smallest of things: you stretching near him, you wearing his clothes, you looking at him, you saying his name in a certain way, you, you, you. It's like he has brain rot, and you're all he can think about.

But he also likes it when you get angry or annoyed with him; there's just something about you snapping at him and trying to put him in his place that gets him going.

N= No (turn offs or absolutely won’t do)

Pegging, piss and poop. 

O= Oral (receiving or giving and how skillful they are) 

He loves giving more than receiving, mostly because he prefers it. There’s just something about teasing and edging you until you can't handle it anymore that leaves him wanting to lay you back and spread you open for hours on end.

But if you're offering, it's completely your loss. Miguel loves sitting back and watching you struggle trying not to gag or fit him entirely down your throat; either way, it's a free show for him.

P= Pace (how fast they are and how long they last in bed)

Whenever he’s feeling less merciful and wants to spice things up from the usual fucking you until your lace sweats off type sex, he loves to just see how long he can push you to the edge (which is a lot more days than you’d like to think), and he will be petty and take it super slow just to see your body twitch and squirm for more of his attention.

Q= Quickie (do they prefer fast and hard)

Even if you're the one offering quickies, it always ends up with you having to reschedule your plans.

R= Risk (do they like to try new things)

He’s open to new ideas but never really offers any himself. Miguel completely trusts you and is willing to do whatever you want for your pleasure, but just know that nothing at the end of the day will get him off but you.

S= Stamina (how many times they can go and how long each round lasts)

You have to remind him most times that you don't have the same enhanced superhuman abilities as he does. No matter how many times he tries to make you cum in just one night. You swear sometimes it's like you're fighting for your fucking life just to catch one five-minute break.

T= Toys (are they game for using sex toys on themselves or lovers)

Is the type to feel a bit insulted if you ever mentioned having one or using one until you would regret offering him to use a vibrater on you. Like you handed a murder a knife the moment he found your rose toy and figured out how to use it. 

U= Unfair (how do they tease or do they enjoy suspense themselves)

There is no sex without a bit of teasing with Miguel; he definitely pushes you a lot just to get a reaction out of you normally, so doing it in bed only comes naturally to him, and if you're not begging, he ain't giving. 

V= Volume (are they loud, what sounds, and do they talk)

He does not shut the fuck up! You will hear him, whether it's grunting on top of you, raspy whimpering in your ear, or talking you through it. Miguel is very vocal, just not as loud with his moans since he prefers to hear yours instead.

W= Wild card (random sin cannon of any sort)

Has absolutely no issues with letting you ride him with the suit on. 

X= X-ray (what’s down below in dem pants)

Slightly less tanned than his skin tone, with a slight curve to the left, and too girthy for his own good.

Y= Yearning (sex drive level)

Surprisingly, not that high, especially since he isn't a really big PDA person and the only time he ever gets worked up is in the comfort of privacy.

Z= Zzzz (do they sleep after if so how quickly after)

Sometimes you have to trick him into falling asleep with you. Dude has really bad insomnia, but having you all cuddled up next to him really helps with his shit sleeping schedule.

🔖 ...

tap here to be added to taglist.

[astralnymphh]

𝐂𝐎𝐎𝐋 𝐊𝐈𝐃 𝐆𝐎𝐍𝐄 𝐋𝐎𝐒𝐄𝐑! ★

content: prodigy!abby x nerdy!reader, childhood friends, university-based, fluff (for now), romance + tension (little bit angsty), drabble length but switching up the small caps (experimenting. heh), mainly jotting an idea, not a certified abby expert.

It was an absolute murder to discover that she could not fufill this one off her bucket list.

Fucking video gaming?

Exactamundo! Abby can outstand everybody in nearly anything, being everything from a virtuoso violinist, to a glorified part-time fisherman, and a damn gourmet chef as well. She paraded around the entire campus pursuing a name in every elective and Olympic hobby you could ever think of. Name it, chances are she's done it. Actually, more than done it, all things considered.

But video games? Guess the esteemed Abby Anderson had finally tumbled downhill and suffered defeat; looking you up out of all computer-smart people felt treasonous to her, but seemed high-priority to the eye of the beholder, the eyes in question even rolling. You don't need an in-person class course on fucking Skyrim. Look at the tutorials!

“So, how the hell do I shorten my speedrun times?”

None of it made a lick of sense. Well, the wanting to do speedruns part, you see the appeal in a medieval-inspired game. Speedrunning sucks the fun and the atmosphere out of a truly gorgeous game such as the forenamed. Yet, it's not like you haven't experimented in closed-world speedruns after immersing yourself in collecting all the achievements; Firewatch takes the cake.

But, still, coming to you—a forgotten, childhood friend whom she ghosted—makes no logical sense. Games are easy-peasy. Literal pieces of cake!

You scrunch your nose at the reclined blondie on your bed, confused. “Um, by watching a tutorial?” Almost laying back into a condescending tone, maybe even a little. “Did you even think to do that before knocking in the dead of night?” Her mordant, stick-up-the-ass kind does the same thing to you, so, you can gripe at that game all you desire.

“Hey,” she pouts, sounding out mock-offense. She scoots up from her prone position on the bed to face you—so proper. “Everything has more to it than what you see.” Sure, philosopher. “And there definitely is with video games. I keep losing. Besides, if I can't stomach skydiving or rock-climbing, then this is next on my list.”

“Pft—”

“What? You know I don't do heights.”

Oh, my god. “'You keep losing?'” Is she a prodigy at radical honesty?

Pond-blue eyes toss in a perfect, resentful circle. She scoffs, “Why do you think I came over here?” Complaining right hand flicking with attitude.

“I don't teach beginners.”

Your sarcasm flies not even an inch under her radar; it was always a retreat tactic back in highschool—when this imitative facade first hardened. “Oh, okay.” She bites you back with it too. But it never even occured to her that you might just be serving a tablespoon of teasery. Being old friends, having lonesome yearns, even stubborn prodigies can be painted in a rosy picture.

Still can see those young, faded freckles. Lovely ones.

“This was a mistake, wasn't it?” An unpleasant question. Drops from her lips almost wantonly.

It strains your chest cavity.

Is seeing her a mistake?

Not really. You hope not really. Once, there was a time where she was suddenly rude, dismissive and up every aspiring valedictorian's ass, but all paths lead back, you believe. Somewhere underneath that porcelain facade—and hot, rocking bod—is a clean crack in her over-achiever matrix; softness is bleeding out. You can see the beginning brooks of it like a kingly ichor. Possible smiles that aren't contemptuous.

What next, an apology?

“Can I at least.. say sorry, before going?”

Sorry—going? Fuck, you majorly zoned out. “What?” You loom in closer, throwing the one-brow raise. The proximity barely even occurs to you.

“For being a jerk, for blowing you off, ..” The list implies endlessness as her voice fades out. In a way, you expect her to pick up and continue. But, after the gestures and head-tilts, she pauses. Reinstates eye contact, pauses, and works her lips again. An awkward, prefacing breath skims. “And I guess, 'm also sorry for.. this?”

Before comprehension hits, it is too late. Darkly, a warmth brushes your cheek and a silence catches your lips, blocking your eyes out. It makes you feel blindsided, this short-lived kiss, one you suspend wide eyes for, tilt your neck for, accept without question. A strange deja vu rushes to your nape.

You shiver.

It even ends before you understand it, Abby pulling away with light-glossed eyes you swear are stones of aquamarine in disguise. She cracks; dints a smile in her cheek. Proud, anticipating. Having her this close made your inhales excessive; you needed all the air in the world to function right now. Deep breathing.

She smells like the outdoors.

Naturally.

“Good?” She has to reassure herself.

“Yeah,” you quickly spout, croak even. Wherever in the world your head is, it's not here. “Not really a prodigy at kissing, so..” And while it is somewhere, the remnants of her kiss are phantom. They have not stopped yet.

An amused chuckle greets in gusts across your lips, from your radical honesty, the moment itself, whatever. Crowns you the jokester anyways. “Guess we both have something to learn then.”

Wonder what future that comment entails.

[dreemurr-skelememer]

Hello :D

I have been following you for the last year or so (a few days after I got my Tumblr lmao) and I absolutely love your art!

I have been wanting to study your art style for a while but don't really know where to start,,,

Could you please show me a small portion of your art process, if it isn't too much trouble of course. Thank you and have a nice day!

hello. oh my god. this took forever to find.

im sorry it took 2 WHOLE FUCKING MONTHS for me to respond to this but i wanted to put it off until i felt happy with my art process again, so here it is

my fall 2024 rendering tutorial!

(this will be very very long)

FLATS AND WHATEVER YOU WANNA DO WITH LINES GIRL. then make sure to recolor the lineart to better match your base. trust me it helps, bold dark lines are Not your best friend when rendering. wait for that post-rendering

i start off with a doodle or a sketch, and then filling it in with flats and other details such as blush

FIGURE OUT YOUR LIGHT SOURCE. FIGURE IT OUT GIRL YOU CAN DO IT you can make it as simple as possible, make it as big as possible, dont even THINK about the details.........just make it really fucking big so you at least know where the shadows and the light goes THEN add smaller shading details LISTEN TO ME. LISTEN TO ME OKAY!!!!!!!!

my key point with this is for you to learn lighting fundamentals.

it's SOOO ANNOYING but alas......they are all correct. it helps a lot.

one thing i also really want to point out is that i like creating a big shadow shape first before fixing up the little details (such as folds and whatever) because it helps me focus on the way the lighting actually works instead of tunnel vision-ing into making the shading make sense on the clothing.

contact shadows (i dont remember if thats what theyre called okay) theyre fucking ugly because im not actually thinking sorry 💔

okay so basically:

contact shadows (if that's what they're called) are the spots in shading and lighting where light will NEVER hit.

shadows are still influenced by the colors and lights around it (it's why a blue shadow and a yellow shadow feel completely different, despite both being shadows) so it's not always COMPLETELY dark.

BUT! there are small points in shadows where light never hits, and they're almost always super dark or pitch black.

it's hard to explain shadow and light so briefly for a tutorial, but you'll notice it when watching fundamental studies and when trying it out for yourself

YES i unclipped the multiply layer YES its ugly and terrifying but it makes coloring the multiply layer easier okay the colors merged w multiply so now it looks cool and has depth overlaying colors that actually make sense

so basically what i did was color the multiply layer that i used to shade the overall drawing

adding a band of red/orange/yellow around where the light hits, and blue where the shadows get big and wide, gives it a fake ambient occlusion effect in the way that a person would get if they stood under the sun with a clear blue sky

the colors don't have to make sense, especially because i never draw backgrounds, but coloring the shadows really help it give a sense of depth and extra subtle detail and effect that just helps make the painting look nicer

around the end, i also put in colors (in an overlay layer with a low opacity brush) that actually make sense in context of the drawing, which is the lit cigarette and the yellow eyelights

mostly because none of the colors were making sense and i needed to actually make use of the lighting that DOES exist in the drawing lol

adding a muddy golden yellow pin light layer (opacity turned down to like 40-50%) to make the light colors less ugly lol

i SWEAR by the fucking pin light layer style. it's so useful and so so underrated.

i used an almost brown-ish gold color on stop of all the layers, and with the pin light layer, it helped make the bright (almost blue-ish) white colors more warm and more yellow. it just helps make things more warm (something i prefer)

i could probably show what it looks like without adjusting the layer opacity to truly show off what i mean (like in the coming section) but i sadly forgot to do that lol

make a layer on top of your drawing with this color in these ranges YES the drawing is fully merged NO don't be afraid, the base was fucking ugly anyway 💔 make this layer into an exclude/exclusion layer style TRUST turn down your exclusion layer opacity from a range of 10% to 40% literally until you're happy with the contrast and the way the color over the drawing. use your eyeballs. i know you can do it im so proud of you

this is pretty self-explanatory instruction-wise, so i'll go into why i do this instead

i really like art that seems like it has low contrast, with almost mid-gray shading and lines. i don't personally use dark and bold lines and shading, unless i find it necessary for the tone of the piece, so using this method helps lower the contrast of the art and make it look "pleasantly muddy" in the way that it's easier and softer on the eyes.

the inverted blue color also helps makes things warmer!

the exclusion layer style is still a bit of a mystery to me but i really like the effect it gives, even if i don't completely get how it works lol

if you want an alternative method to this, and if you have access to it (because i primarily use sai and sai only),

i absolutely encourage you to play around and experiment with gradient maps.

there are so many out there you can make yourself or even get from others that just give the painting an extra amount of depth and color variation. they're SO fun.

personally, if sai2 gets a gradient map update, it's over for y'all it will literally be so over no one will be able to stop me

then i merged everything and actually adjusted the contrast back up because it was looking too muddy for me 💔 but the color adjustments are still there so all hope is not lost here's a comparison of the adjusted contrast in black and white (adjusted on the left) (newly merged layer without adjusting the contrast on the right)

as you can see, i actually turned the contrast back up (despite talking all about how i liked things with less contrast lol)

i wanted to demonstrate that doing adjustments should be done in moderation, and is why i adjust layer opacity often when making color effects

you are free to play around with colors to help your style, but don't lose your initial idea and colors along the way.

you still need to trust your own colors and intuition!

along with that, i just want to say that it's completely okay to change your mind mid-painting, and it's okay to make somewhat drastic changes.

don't be afraid to change things you don't like or change your mind about certain aspects way later on

that's basically the whole thing of this!!! don't be scared!!!

now im gonna hold your hand when i say this..........but you need to learn how to render by yourself. it seems like i can teach you but i literally can't, because rendering is different on every piece and depending on how clean your base is. i have to render A LOT because of how fucking ugly my sketches are LMAO to simplify it, think of it as obsessively cleaning up every detail you can see, but with a color picker and a clean, hard edged brush. if you have shit lineart, you don't have to redraw it cleanly over and over, just paint over it. that's basically what rendering is

THIS especially is where you need to be brave and stop being scared.

like i said, i can't teach you how to render, and it's something you have to discover yourself because rendering is something that will always be personal to every single piece you make. the way you render on every piece is different.

on one piece, you will barely need to render, and on another, rendering is more than half of your ENTIRE process.

don't be afraid to paint over your old art.

rendering is a process that's both very perfectionist yet also very careless.

find your balance and just go for it.

and then that's it……..u did it………..now yuo know how to paint and render. it's literally just layering shading and lighting knowledge until you think it makes sense and looks okay lol additional note: since i render in only one layer (you don't HAVE to do this, but it'll be harder for you…), i also made slight adjustments with the transform (and liquify, if you have it) tool to make things more proportionate. (i drew the head too big lol)

if you compare the finished piece to the final unrendered base, you can see that a LOT changed, including a bit of subtle proportion adjustment.

particularly, the sleeves changed A LOT (because i really didn't like them)

but it's also over all cleaner and more coherent, instead of having haphazard colors and shading just thrown about.

rendering is when you finally use all 100% of your brain to finalize and figure out where the shading should go, where to clean up your lines, where to ERASE or ADD BACK in lines, and make sure all your colors look coherent.

it's not as intimidating as it seems, i only use a hard edged brush with a little bit of color mixing and my color picker.

it's like dragging and dropping colors to cover up mistakes, it's really quite fun when you get used to it

i wish i could explain it clearer but it's hard to describe without visuals!

i hope this helped, and i hope all my yapping isn't annoying (art as a special interest beloved)

have fun studying and trying to render in my art style!

[lovingseventeen]

svt doing your makeup

a/n: i luv fluff and i luv seokmin UGH. and i’m releasing this as my 1k event is still going on bc i figured y’all deserve some new ideas too. but please go check out that series too! i’ll put the link to it right here <3

seungcheol:

✧ claims that sitting on his lap while he does it is necessary

✧ “sit here” he says, patting his lap, “i need you up close”

✧ tries to be as gentle as he can

✧ whines when eyeliner is hard to do then he whines even more when you laugh at him

jeonghan:

✧ lowkey pranks you by telling you he’ll attempt one look but he does something very different

✧ nothing crazy, like he wouldn’t purposefully make you look bad by any means

✧ but maybe he wants to gently push you out of your comfort zone so he picks a new eyeshadow color, but still subtly does it so it isn’t too vivid

✧ “you said you were gonna do my usual!” you gasped when you finally checked yourself in the mirror

✧ he actually did pretty well, you were just caught off guard

✧ “i always wondered how you’d look like this” he tells you, “and would you look at that, i knew you’d look so good”

joshua:

✧ he likes to watch when you get ready most of the time so he knew your routine for the most part

✧ his hands are confident as he works, his lips gently parted as he focuses

✧ tilts your face by gently holding your chin

✧ gets up very close to your face to put your makeup on but also to definitely fluster you (he’s evil for this)

jun:

✧ thinks watching one youtube tutorial is enough but it is in fact, not

✧ forgets how to do something as soon as he puts a dab of concealer on your face

✧ “wait, wait a minute-”

✧ he’s rewinding the video he referenced and maybe he swaps a method here and there - like jun the dot of makeup is starting to set

✧ you don’t look too bad at the end either, but he’s very relieved to be done (after an hour) as he’s spritzing your setting spray

soonyoung:

✧ get so excited, “can i pick your outfit too!”

✧ really really wants to do it well so he asks you about everything, every step of the way

✧ “is this the one they use when they get rid of my eye bags?” he asks

✧ “i have to tap the excess off right?”

✧ “what’s the difference between these two?”

✧ maybe you have to retouch a little at the end, but you’re proud of him (may have been light handed because he didn’t want to overdo it)

✧ loves it when you put on the outfit he picked and give him 360 of your look

✧ you give him a kiss on the cheek after and you leave a kiss print with your lipstick (he’s the kind of bf to not wipe it off too and he sends a selfie to the svt group chat to brag)

wonwoo:

✧ calm about the whole ordeal

✧ googles general makeup instructions and references this one article as he does your makeup

✧ he keeps looking back between the article and your face

✧ doesn’t go for anything over the top, but more or less just perfects your skin

✧ “very pretty” he comments as he assesses his work

jihoon:

✧ also does research and he’s the only member who learns how to undo a mistake

✧ he mutters to himself “wait, this is not it, wait, don’t look in the mirror right now,” as he’s scrambling for your concealer

✧ very careful hands

✧ kind of under pressure because he doesn’t want to be at fault for making you look bad

minghao:

✧ he’s so fun, he wants to do a matching look with you

✧ wants to go for something edgy, maybe some soft smokey eyeshadow

✧ winds up being a session where he does your makeup (with the most delicate hands) and you do his

✧ you also end up painting each other’s nails to add to the look

✧ easy to say both of you look very hot together

mingyu:

✧ APPALLED when you flinch away from him when he’s holding your eyeliner

✧ he’s already talking in pout when he goes “have i ever hurt you before? baby trust me”

✧ he’s so pouty from that point on and he’s even more motivated to make you pretty (well, more pretty than you already are)

✧ “here, look” he tells you, holding out a mirror so you can examine his work

✧ you gasp, “‘gyu you did so good!” he’s blushing but still a little sulky

✧ “see? i’d never hurt you! you had no reason to flinch!”

✧ “i know, i know” you assure him, taking your usual seat in his lap to wrap your arms around his neck to snuggle him. “thank you baby, i love it” (you know he’s already forgiven you when he wraps his strong arms around your waist to pull you closer)

seokmin:

✧ baby is so so gentle with you

✧ compliments you after ever step

✧ “your skin’s already so perfect i don’t have to do a lot..” he mumbles under his breath

✧ “wow this is so sparkly, your eyes are even prettier” he grins

✧ “pucker your lips for me?” he’ll ask (he takes off half of what he put on though because he cant fight the urge to peck your lips when they’re like this)

✧ squishes your cheeks when he’s done and he says “you’re so prettyyy” in that painfully adorable lovesick way he does

seungkwan:

✧ here’s our resident perfectionist — he does research thoroughly

✧ even finds some good alternatives for some of your current stuff

✧ winds up teaching you a better method for the looks you tend to go for

✧ “that’s not how i do it but-” you begin, only to be interrupted with “i thought you said i could do what i wanted! just wait, look, i’ll show you-”

✧ his lips are pursed and frankly, he’s starting to sweat because he’s passionate about getting you to look even better than you already do

✧ 10/10 look in the end, you could easily wear it out

vernon:

✧ he was surprised at your request to do your makeup but he agrees. though he does warn you it might not look great

✧ “you trust me with this?” he double checks as soon as you lay out your supplies on the desk

✧ “of course i do” this makes him grin

✧ he doesn’t look up anything but he lets you talk him through your steps and his touch is so light and a little awkward as he swipes across your eyelid

✧ he can’t hold his reactions when he messes up though, and he’s kind of like 😬 in that very specific vernon way. “i think you’re gonna wanna do this part babe” and he watches so intently as you do it

✧ amidst this though, he does learn about your process and even if he can’t do your look for you entirely, he might offer to do parts of your routine for you in the future. if you’re tired as you’re getting ready in the morning maybe he can lay your foundation for you and your concealer - the parts of your process that aren’t too intricate.

✧ future vernon maybe even offers to take off your makeup for you at the end of a day instead

chan:

✧ he believes the phrase “shoot for the moon. even if you miss, you’ll land among the stars”

✧ in hindsight, it could be poetic but he really just bites off more than he could chew

✧ rewatches the same ten seconds of a tutorial over and over again and he still doesn’t quite understand what cutting a crease means

✧ please kiss his forehead and walk him through it

[fshfish]

could you share how you paint hair and skin? your art is so nice to look at

thank you so much!

maybe one day I'll make a more detailed post with screenshots as I render... but honestly my painting process is really pretty simple. I usually use a textured brush or something with hue jitter turned up 1-2% to put down base colours, and then I go in with a medium hard airbrush for shadows and for adding warmer colours where blood flows (nose, ears, cheek, around mouth sometimes, eyes).

after that i merge all my layers and basically draw on top of everything. bunch of refining details and texture and LOTS of cross hatching. hatching is a really good way to transition between colours i find!!

(another tip I use for skin rendering is adding gradients within shadows, anddd ofc I add hatching when I do that too)

I wish I could offer more technical advice but I really don't know what I'm doing in the slightest I just throw colours on there and hope for the best😭 I guess other good things to keep in mind for skin are the planes of the face (im rly bad at this one, but basically just look up planes of the face on pinterest and use that as a guide for shadows and form) as well as hard vs soft shadows!!

im also. Not good at this one. So don't take my word for it but i guess it's good to have a variety of shadows that end harshly vs shadows that are softer and blend in more? if that makes sense? you just need to think about 1. what is casting my shadow 2. what is it being cast on (or idk maybe its not. that's just kinda what I do) and render from there!

I like to outline my harsher shadows but thats rly just cause I love to outline everything. OOH THATS ANOTHER THING. use harmonious colours and outline shit it looks soooo good.

i do that shit all the time.Like don't be shy about grabbing colours that don't make sense being in your drawing. it's a drawing who gaf if vi arcane's hair is outlined in turquoise. NOBODY! and it looks fire!

for hair I just bullshit it and add hatching I really don't have a clue how to draw hair. I guess figure out where the hair strands are coming from and then draw them coming out from there (This is some real expert advice here damn) and then add shadows underneath the hair tuft clump things ?? no clue. someone make a tutorial for me im kinda the one that needs it in this situation.

uh I hope that helped at all!! Please watch YouTube videos and stuff by actual professionals take everything I say with a grain of salt because seriously I don't know how to do any of this I probably should study art more but I am LAZY

[amourdivine]

୨ ♡ ୧︰ TAROT 101: developing your intuition.

Hello lovelies, welcome to the first post of my Tarot 101 series! After receiving a few questions, I decided to incorporate a series of tips and tutorials for other self-taught readers. Today, I'm answering a follower's asks sent in my DM's. I'm tackling it separately, so it makes more sense to other people to read it. PS: Since this is a major work in progress and I'm not an all-knowing, almighty entity, please provide feedback, comments or concerns you might have! Thank you.

☁️ ˚ NAVIGATE ༉ ‧

INSTAGRAM ୭ YOUTUBE ୭ MASTERLIST ୭ PAYHIP

How you develop your intuition and psychic abilities while reading tarot?

There is not one size fits all. While many readers recommend connecting to oneself, that's just the basis of it, really, but the main concept is to look at yourself, compassionately. Without the judgment of our everyday lives and the chaos of getting things right in the first attempt. You cannot be honest with yourself (or your intuition), if self-denial is the state you're living in. Or worse: if you view the truth as punishment.

It's always going to be a journey of discovery, and the first thing about spirituality is that you need to keep an open heart to the magic. Skepticism may get you far ahead in your career or financial matters, but when it comes to intuition, you can't grasp onto logic all the time.

With tarot, it's a little more practical: learn and lean into the cards. Notice I didn't say memorize, because many of us are busy enough with our everyday schedules. Just tap into them. Look at them. What does The Lovers remind you of? Maybe it takes you to the story about the Garden of Eden. Or- maybe it reminds you of your parents, their golden youth before marrying.

Again. No judgement. Let your stream of consciousness free. A huge part of reading tarot is allowing your imagination to run wild. Although the Devil card can symbolize obsession or addiction at first, take into account the spread, the topic. The context. What is your body telling you about the images you see?

We often underestimate the symbolism behind the cards. Without considering the traditional meanings,take one card out of your deck and just look at it. What colors are prominent? What do these colors represent in modern society? Do these people look happy? Are there any people at all? Where are they? Let your mind weave a story.

As a tarot reader, what you do on daily basis for intuition and tarot reading? What practices, book, or some kind of information which help you for tarot readings?

There are many things that have helped me, personally, but I'm going to mention some of the best practices I've seen, both for myself and for others.

› Stay creative. If it means drawing, writing, or painting, then stay creative. Find whatever little (or big) ways you can express your creativity. Remember you don't have to be "good". You can just be. Creativity exists in a lot of ways.

› Engage with other readers. Observe them. You can find a tarot reader that deeply resonates with you and watch how they read. Test if it works for you. Remember this is your practice, it's your sacred space, so you don't have to follow someone else's rules.

› Read, if and when you can. I personally recommend the book "History of Tarot" by Isabelle Nadolny, but not everyone can afford books or the time to read them. There are plenty of Youtube tutorials and free guidebooks on Biddy Tarot, for example. I also love Servant of The Fates' blog. They're both different and great, reliable sources.

› Start small. You can pull one card a day. Get a journal, write its meaning (or what it means to you) and record your progress. In a few months, when you return to it, you might find it surprising.

› Let yourself not know everything. No one does. Sometimes, you'll need to pause, go back to a guidebook and read the meaning all over again. Other times, you'll look at the spread and feel nothing. That's okay too. We're not meant to know all the answers.

Is meditation really important for reading tarot? Why? How much time do you spend daily for tarot readings and spiritual practices?

Since this is more of a personal matter, I'll be talking about myself. I don't meditate as often as most readers. Three times a month, maybe? I have a busy schedule and I can only meditate before bed, if I'm not too sleepy. Many people find that meditation makes them anxious or they're not able to fully let go. Other people find it that being in silence or taking a walk is more useful to them. Relaxation and meditation come in many, many forms. The important thing is to nurture your body and soul more than to adhere to rigid rules.

However, when it comes to saving time for readings or spiritual practices, I don't set rules for myself. It never works for me.

I let it flow. Sometimes, I go weeks on end without really consuming tarot content and I bond with my decks occasionally. And other times, I'm reading daily, journaling and trying to improve my skills. Since I have a billion other things to care for, I'm not always able to prioritize tarot as much as I'd like, but the important thing is to stay passionate, stay curious and get back to it. Better late than never.

When you're getting started, let yourself try. If you get it wrong, at least you'll be one step closer to getting it right.

amourdivine. 2021 - 2024 © do not copy, redistribute or edit my content.

[lokorum]

Your art so surreal, did you take inspiration from African masks it’s amazing. You have probably gotten this question before but what’s your process and how do plan these beautiful pieces out. I am a beginner artist and would like some advice on how start doing digital painting.

thank you for bringing me back from the dead with your kindness, (i was so sad today ughhhh i think watching vampire diaries starting to affect me hjkhjk), i really, really deeply thankful that you spend your time to write something so sweet (also sorry it took me literally ages to reply phphp THE USUAL)

yeah, in buryatia shamanism like the big thing, so when i went to search what's out there in the masks department - google's mess of the results for once was helpful and showed this massive collection of beautiful african masks. the one that was inspo for tiisha lived in my head rent free for weeks before the character was even born phphph now i cant even imagine her without it 

(here is little tiisha for you before i'll proceed to be not helpfull phphphph)

oof advices are not my strong side , like..........my process mostly is just sleep through the whole thing i guess..........................i very rarely do sketches, i hate study anatomy and perspective, drawing cubes makes me physically sick etc etc my approach to drawing were "fuck around and find out", always about chill and fun and barely ever about learning. imho thats why im so shitty at drawing simple things but not bad at coloring. so yeah, my biggest advice always and forever will be - be gentle to yourself, please

digital or traditional or whatever else is out there, dont forget you make it for yourself and for yourself only okay? it supposed to be fun, not sad tiring and competitive 

advices for digital specifically tho - very objective, apply with caution

learn all the keyboard shortcuts, ideally to press them without thinking 

explore more instruments than just brush. it will be tedious and sometimes feel like a chore so mb pick one victim once a month and browse youtube for a stuff like SECRET ULTIMATE TIPS ABOUT MAGIC WAND TOOL THAT WILL SAVE YOUR LIFE (they indeed will save your life) 

check if your drawing program has artboards - turning it on will give you more freedom over canvas positioning  and your refs will always be there and not in the separate window 

idk about others but using auto tone, auto contrast and auto color often gives me well needed perspective on what im doing 

in 99% cases be sure that you can reanimate even the most messiest artpiece you ever did. working in digital gives you the chance to mess with shapes, colors and perspective at any time so if you dont want to gave up on something - you absolutely didnt have to

from time to time while you are still learning - go out there in the wilds and search for the new brushes. tweak with them if you want. i have like ~500 and i use 6 max, but those 6 i found by at some point trying to draw with all of the 500

MADE. BACK UPS. and i mean not like save layers just in case before merging them (tho that's too will help) no, i mean click SAVE AS once an hour and create A NEW FILE. PLEASE. i lost so much stuff to sudden power outage. its never pretty and you loosing will to work for days

watch at least one tutorial about the whole rgb srgb and cmyk thing - i did, understood not a thing, but at least im not playing dora the explorer with my colors after the export now 

uh idk think thats it? tried to think about those that id hope i knew when i started so hopefully something will help 

have fun with your drawings!! 

[loverofpiggies]

IT’S POWER, EVERYONE!!!

Check out my etsy shop

If you want to see how I made this piece, check out the extended stuff below!

Okay, the story behind this piece is nuts, but. I’ve known I’ve needed to work on improving my art for a while, so as you can tell from all the newest pieces, I’ve been trying to push myself. It started like this:

This was actually the fourth sketch I made. I knew I wanted Power to be looking down at us (you know, what she does with everyone), and I wanted to have her swinging a blood scythe in one way or another. I set up composition lines, but the more I looked at the sketch, the more frustrated I got. I finally just had to accept my anatomy and my 3d understanding of the body is very much lacking, and If I wanted to improve I had to work on something.

I watched a bunch of tutorial videos, and decided to try out the 3D model in Clip Studio paint. It didn’t take too long to learn how to manipulate the model, and I came up with this:

From here, I decided to do my quick sketch with Power

While I was experimenting with Clip studio’s art stuff, I decided to try playing around with their new “Shade Assist”. I figured it could give me some more ideas to make my shadows feel more ‘real’ or have me look at my art in a different way. Once I finished the lineart, got the color in there, and drew in Meowy, this is what I tried.

I really loved how the ‘evening’ mode of shade assist looked, even after playing around with my own colors, but I liked how it gave her a slightly more ‘yellow’ tone, and how the shadows were actually just lavender and light pink. So I took those colors, and worked on the shadows.

From there, I made the background layer. I used one of the Clip Studio gradient pre-sets, the ‘evening’ one, and painted a texture on top of it to have it match more with the textured painting style I went with. I added blood splatters, and ‘rectangles’ in the background, just to have more things visually going on.

On top of all of that, I added another layer on top of Power herself, with a very slight tone color of the gradient behind her, to make her and the background feel like they’re supposed to be together. And that’s it!!

I’m really happy with this so I wanted to explain my process. Looking around at tutorials on youtube, talking to artist friends who- tbh, are WAY more knowledgeable then me, helped a ton. And using the 3d model helped visualize the body, and different angles, WAY better then anything else I could find.

So uhhh thank you, and enjoy!

[ganondoodle]

was watching another totk video and through that found out what the reward is for completing koltins quests, honestly im not really surprised but also baffled and it really just shows, once again, that totk kinda does exactly what you shouldnt do in a sequel imo.. double down on all the bad stuff of the previous title

at this point i have talked about various problems in detail but i just keep realizing over and over just how much of the wrong lesson they seemed to take from botw, they recycled almost everything from botw by changing some paint or some words, made a giant game even bigger and filled it with boring and tedious busy work that has mediocre to insulting rewards EVEN MORE than botw

game too big and empty? make it TWICE as big, change barely anything about the map of the previous title and the new added map(s) is ONE biom that almost everywhere looks the same and even emptier with little to do

too many krogs? MAKE IT MORE and double down on the literally shit reward bc its the SAME just with one more stack of shit

too many shrines with short puzzles? ADD EVEN MORE and make them even shorter and easier to complete, alot of them not even involving a puzzle and multiple being an utterly out of place tutorial that could have been explained to you in a single text box

rewards in the overworld being mostly either a krog or a shrine which gets repetetive with shrines being ALOT and krogs being wayyy too many? add even MORE shrines and EVEN MORE krogs, but now add over a hundred of caves to it that all get repetetive after just a few of them and you only do them for a shrine or a currency you have to collect to get one cool looking but pretty bad to use armor set and a piece of cloth for your parasail that you can only use one of at the tiem and to switch have to go back to a specific NPC, theres ghost lights to collect which only serve to yet again buy one armor set from a set of NPCs and ar meaningless afterwards, the light roots dont require you to do anything but walk to them and the reward for finding them all is a "you did it" sticker that doesnt even stick (its useless)

weapons break too quickly? well make the weapons you can find even worse to force you to fuse a material to it so its at all usable BUT IT STILL BREAKS and when it does it breaks not JUST the weapon but ALSO a material, materials that you will need for now EVEN MORE EXPENSIVE armor upgrades too, weapons cannot be rewards anymore either bc they will always have to be fused with something to make them stronger bc none is strong on its own- this also applies to THE MASTERSWORD, something ALSO complained about that it still 'breaks' even after empowering it through the DLC in botw, and now it cant even BE empowered (bc no DLC) unless you fuse soemthing to it (to. the. MASTERSWORD.) EVEN THO EMPOWERIGN THE MASTERSWORD IS THE ENTIRE POINT OF ZELDAS ULTIMATELY MEANING- AND CONSEQUENCELESS SACRIFICE !!

the dungeons were to samey and simple? make them look different but keep the core structure (activate terminals in completely seperate from each other "puzzles", fight boss) while also makign them be even more skippable (climable walls, the ceiling jump ability- something the titans DIDNT have) with incredibly easy bossfights that end with an embarassing copy and paste scene that hits you over the head with long known and obvious information over and over

people didnt like how the story was so detached from everything in the present? well, make the story and the present EVEN MORE detached from anything in the present, so far in fact that there is literally no connection to it aside from zelda who is the only connective thread and is also only treated as such (she is as personality lacking as sonia as soon as shes yoinked into the past) and the suddendly and out of nowhere intruduced architecture and history that wasnt a thing in botw but is treated like it was always there

people didnt like how far botw was detached from all other zelda games? ok totk is not only FURTHER detached from those it also completely detached itself from its on predecessor :)

people didnt like the memory system? ok make it WORSE then, its a linear story now that you can ruin by seeing even one out of order, they are super short and dont give you anymore context to anythign than the things you could figure out yourself or were already told really, instead of giving you views into a characters personality you get to view a basic plot summary of a story that is so flavorless and predictable i knew what would happen from the start yet acts like its being vague and cool that i felt like i was beign treated like a literal toddler

too few enemy types? well, we will reuse the old ones EVEN MORE thant before over twice the map and the new ones that are there are either utterlly irrelevant to change up the gameplay or largely feel like the old ones just with a paint job (constructs), the griocks looked cool at first but are just a more annyoing version of the lynels (who feel like an actual duel, akin to a proper boss)

even the things that were adressed, or attempted to, didnt fully work, like the bosses ARE more unique, but also still so incredibly easy and ALSO have multiple duplicats just sitting around in the underground despite them being supposedly the root of the problems of the regions (i like refighting bosses, but id rather have a character that lets me choose ok i wann fight this one again and teleporte me into a vision or sth- also the most fun fights arent even part of it (koga) )

the rain complaint got a new effect type to counteract it, which ... doesnt work well, you need specific materials to make potions with that effect which you also need to upgrade the only armor set wit hthat effect that ONLY works once you upgrade it (i think ... i dont know how high i got it but if even the full upgraded set doesnt negate the rain effect i will not be surprised either lol) also it adds just yet another effect type that spams your inventory and you dont really need .... or i might be the only one that saw no value at all in the "attack up when hot" new type of effects bc it felt so specific and situational while also having a way better option (just make it a standard attack up thing?) at least in my eyes-

... ill stop here .... this got longer again didnt it O-o