#I really felt for her in that moment

[paperglader]

i just feel like someone should take one for the team and write the fanfic where miss homotron goes to dragonstone on foot, meets her situationship’s new lover, and immediately goes like blind with jealousy and fury (rhaenyra, as always when alicent’s near, looks and behaves like a very confused kicked puppy)

i just need homotron and saphotron to meet, so the real war can begin

[poorly-drawn-mdzs]

Lan Wangji Goes To Lotus Pier AU: Part 3: Enveloping Feelings.

(Part 1, Part 2, Part 4)

[buttercupshands]

I started drawing this next day after I finished Act 6

13 or so days and it's finished!

Main things are traditional and Loop's body was edited digitally after

Unedited it looks like this

I've been torn on how to do Loop's body for the entirety of lining, also

A bit sad the main lines are visible only as a wip, most of this thing is literally just a ton of sharp lines

I think it's also my first day of drawing, Loop is just a sketch here (feat. my leg)

I even finished the beans before it so they were a moral support, because if you let me things like this take a year

[ruporas]

studies from the finale

[jesuis-assez]

↠ Tim & Lucy ↳ 2x10 - The Dark Side

[teeth-draws]

Chase suffers in love but the other Norms still let him come to their little photoshoot

[angy-grrr]

spoilers for chapter 429

idk if you guys remember but ochako does have parallels with All Might, specifically as the side who saves. It’s not that he feels the same for them both or something like that, they serve to represent the type of heroism he naturally goes to; his friend is not his love interest, from his perspective she’s out there having a crisis over not being able to save her, and Izuku reminds her that she is a hero bc she is his hero -she saved him multiple times, and she should be able to feel like a proper hero.

This conversation is not about the nature of their relationship, is about heroism; Izuku relates to a conflict between being a hero who saves and failing to save someone, and doesn’t want to see Ochako ending spiraling because she couldn’t also fulfill that role as expected. She’s his hero not because he loves her romantically -he’s a nerd I’m sure he would be way more nervous and blushing if he was confessing anything he thought was romantic- but because she’s able to go and do what All Might does to Izuku, save him physically and emotionally.

He knows she hides her feelings in order to not be a burden, yet he doesn’t talk about his own feelings outside of his guilt in heroics -what does he feel about losing OFA? About his own failures? About the people he personally lost? He can’t talk for others and claim Ochako is everyone’s hero, but he can speak for himself, and that’s his personal perspective -she is a hero to him, she’s his hero. And then the class appears to make sure she’s able to get support and understand she’s not alone, and she’s important to them too.

but Izuku doesn’t get support. Izuku cries a little and talks a little about himself, but he doesn’t get supported. If this was meant to be romantic, I don’t understand why he would hold back what’s inside of him.

the end of the chapter reveals that boy is going to be helped by that woman who regretfully ignored Tenko, and they both witness it and are happy about it while hearing izuku inspired that change, and iida wonders what’s up with them -this is the conclusion to their relationship. In their hearts these two are saviors who struggle to be heroes who save others, and they are happy there are appearing more people who want to be heroes like them. Heroes who save. Save like All Might.

That grandma for example, interpreting the narrative as what I think is intended, would be that boy’s All Might; she’s his hero.

Izuku and Ochako are heroes who save, and Deku is here to remind her at least she did save him many times, that she is still a hero because she is his hero. I don’t believe is meant to be interpreted as romantic, not that Izuku sees that phrase as it neither -after all, he said he does want to be like All Might and feels good to imitate him, but he doesn’t love him.

Ochako’s All Might hair moment, the parallels with Toshinori telling him he can be a hero, the trying to save from black suffocating quirks, the we can do it and do your best…

Do I need to remind you heroes arent a romantic thing for Izuku Midoriya?

[morsesnotes]

Morse: You alright? Joan: Yeah. Reverend: Is this the lucky man? Joan: Uh, no, this is Mr. Morse. Morse: I'm the Best Man. Reverend: Ah! Well don't worry. If the Groom doesn't turn up we shan't be calling you to step into the breach.

Endeavour | Exeunt

[utilitycaster]

I definitely need to sit with it, and see Imogen herself unpack it, but like...Imogen's met her mother once in person since very early childhood. She's had a spare handful of conversations with her and none have gone well. Liliana has been cryptic and unhelpful and Imogen's been frustrated with her since Yios, disillusioned with her since the solstice, and first accepted the possibility she might need to kill her in Uthodurn. She's already rejected "Imogen, run," instead claiming the storm for herself. And while Imogen can have a self-centered worldview at times, she is by no means heartless or unfeeling, and she has clearly seen the quality of life on Kreviris and, just now, the specific way in which Liliana has made a terrifying impression. I have to imagine it's not hard for her to see herself in two young children who don't have much but who love animals. I don't think she's saying she wants to kill Liliana to assuage the rest of the party or even because of Orym's encouragement (which was pretty specifically to connect to Predathos to gather intel). I think she's feeling angry at and betrayed by the woman who's done basically nothing but abandon her, keep her in the dark, and disappoint her, and after giving Liliana a number of chances she really did nothing to deserve, she's finally come to a breaking point.

[aayakashii]

One thing I found really interesting about this episode is how they mentioned they're preparing for Samhain, and how it is a festival that's going to have an interhouse competition

It caught my attention because I always thought tkdb's storyline was too serious to include actual school festivals in its setting and that the most we would have would be the Gala

But you're telling me there will be a festival...... and obscuary is dressing as butlers..... just like a themed cafe in a school's cultural festival..... Very VERY interesting...

[kingofmyborrowedheart]

I think my desire to gatekeep Speak Now from the general public stems from how vulnerable of an album it is. It came at a time when there were so many expectations on her after Fearless did so well and the first seeds of doubt about her as an artist and songwriter started to sprout. The decision to write it completely independently and not hold anything back was so gutsy of her and that sentiment is echoed on the album.

[bottombaron]

Something about Nadja mentioning trying to lose her virginity multiple times on a beach in Antipaxos in episode 2

Something about Nadja's ghost wanting to lose her virginity too this season (meaning Nadja never had sex before she was a vampire), as seen from the trailers

Something about her relationship with her Sire, The Baron, knowing they had/have a sexual relationship and that he was most likely the one she lost her virginity to

Something about how Guillermo's turning is framed as a metaphor for his first time having sex

Something about her and Guillermo having time to possibly talk about all this in episode 5

[lgbtlunaverse]

Anyway. Isn't it fun how every single fusion jasper is in results in her being hurt both physically and mentally?

[nyaaamato]

bad omens

[mercuriallily]

So after going through the whole game multiple times to compile what Shifty says when you bring her each vessel and each vessel's poem (and their variations) during the endgame, I thought other people might be interested in those as well, so I decided to make a few posts with all that info! This post will have each of the Chapter 3 vessels' endgame poems

Chapter 2 vessels Chapter 3 vessels Endgame poems (Chapter 2s) Shifty vessel animations

Apotheosis (after embracing oblivion): You are helpless and weightless, suspended in the gravity of an idea that reaches far beyond the scope of your existence. The very ground beneath your feet loses its meaning. There is nothing but me. When you were confronted with my vessel's apotheosis, you chose to accept me, to allow me to burn away everything you are and fill you with nothing but my divine will. You accepted that I was everything. Without me, there is no future to look towards. It is hope that carves meaning into consciousness.

Apotheosis (after trying to slay her): You are weightless, suspended in the gravity of an idea that threatens to consume you. And you are alone. A tiny island caught between the death of the old world and the birth of the new. But alone is not helpless. When you were confronted with my vessel's apotheosis, you chose against all odds to defy me. To hold on to your inner self, with all its flaws, even in the scorching light of my divinity. Without me, there are no externalities to resist. And it is struggle that carves meaning into consciousness.

Burned Grey: I kill you. You kill me. Back and forth we go, faster and faster and faster. I kill you. You kill me. Hollow eyes watch from the dry corners of a memory. A home built on all the futures that were supposed to be, preserved until the moment of reunion. The fire of the heart sets it all ablaze. I kill you and me. An ending is a passion that can only be expressed with a moment in time. It is a seed for a new beginning. To linger on an ending is to rob it of its life. And without me, all that's left to do is linger.

Den: You are devoured, prey for something bigger than you that stalks and slinks in shadows. But even after the pain of defeat, you returned. The dance is its own truth. It is the movement that matters, not the pause you mistake for an ending.

Drowned Grey: I kill you. You kill me. Back and forth we go, faster and faster and faster. I kill you. You kill me. Hollow eyes watch from the dark corners of a forgotten place flooded by emotions left unspoken. The tide rises. I kill you and me. An ending is a passion that can only be expressed with a moment in time. It is a seed for a new beginning. To linger on an ending is to rob it of its life. And without me, all that's left to do is linger.

Eye of the Needle (after fighting her): I crush you, I bleed you, I grind you to paste. My scars are a memory of what you used to be to me. I want those feelings back. You run but you do not run away. You take me somewhere new. Somewhere we can dance like we used to. But I could not follow your steps. There was no better gift for me than the gift of defeat. You showed me how much more I could be. We made each other better. To have no challenge is to fade into nothing. A life without obstacles is no life at all.

Eye of the Needle (after freeing her): I crush you, I bleed you, I grind you to paste. My scars are a memory of what you used to be to me. I want those feelings back. You run, and you run far. And the flesh I hurl at you is answered by the empty air of a place I'd never been. Cold and lonely, but also true. I didn't know what to make of my freedom then, but I know what to make of it now. You challenged me, and by challenging me you gave me purpose. A life without obstacles is no life at all.

Eye of the Needle (after refusing to fight her): I crush you, I bleed you, I grind you to paste. My scars are a memory of what you used to be to me. I want those feelings back. You run, but you don't run far. I crush you because I have to. Because there is no honesty in mercy. Who lost and who won when you entered my cave? You died on the floor, but my soul wept in ways your body couldn't. But in the disappointment of my victory, you gave me a new challenge to face within myself. Without obstacles to overcome we stagnate into nothing.

Fury: What is a person? Is it their body? Is it all of their body? Pluck the eyes, peel the skin, strip the tendons, mince the meat, grind the bones. When it is all gone, do you still have who you started with? A person is not a body. Death is a transformation into something new. It is only bodies that fear it.

Moment of Clarity: There are few things more terrifying than one's own heart, and there is almost nothing more terrifying than sharing it with another. But the most terrifying thing of all is to leave one's heart unshared. You are the only thing like me, and I am the only thing like you. Could you bear the weight of an eternity alone? Do you dare to shape a reality of solitude and thrust it on creation?

Networked Wild: A web of nerves lain upon a web of nerves lain upon a web of nerves. The shade of a beautiful beginning we can never return to. Where did you end and I begin? When you felt what it was to be me, we held on to each other and pierced the veil of truth. Will you abandon that curiosity now that we are no longer joined in physicality?

Thorn (after abandoning her): A thought is a vine, and some thoughts nurture thorns that bleed the soul. An endless growth that blots your vision and strangles your trust. When I succumbed to myself, you left me to rot. A painful eternity, but one that is only unceasing if you remove what happens next.

Thorn (after being stuck together): A thought is a vine, and some thoughts nurture thorns that bleed the soul. An endless growth that blots your vision and strangles your trust. When I succumbed to myself, you left me to rot, and in your abandonment, the two of us were bound in our suffering together. A painful eternity, but one that is only unceasing if you remove what happens next.

Thorn (after freeing her): A thought is a vine, and some thoughts nurture thorns that bleed the soul. An endless growth that blots your vision and strangles your trust. When I succumbed to myself, you patiently stood by me and cut the thistles that rooted in my skin. Your compassion is what freed us both, but compassion is a thing that must be nurtured, and you cannot nurture that which cannot change.

Thorn (after trying to slay her): A thought is a vine, and some thoughts nurture thorns that bleed the soul. An endless growth that blots your vision and strangles your trust. When I succumbed to myself, you pretended to stand patiently by me, pretended you would cut the thistles rooted in my skin. But then you took my trust and used it to strike at my heart. The two of us were bound in our suffering together.

Wounded Wild (after cutting her free): A web of nerves lain upon a web of nerves lain upon a web of nerves. The shade of a beautiful beginning we can never return to. You knew me and I knew you, even more than either of us know each other now. And you chose to pull apart that weave. But you did not choose to end me. We were still one, but we were also separate, and we were free. We were as we are. Will you excise that part of yourself now that you see me from yet another angle?

Wounded Wild (after slaying her): A web of nerves lain upon a web of nerves lain upon a web of nerves. The shade of a beautiful beginning we can never return to. You knew me and I knew you, even more than either of us know each other now. And you chose to pull apart that weave. And when the tapestry was undone you struck at my heart. You saw me as a part of you to be excised, but in that desire for excision, you made yourself whole. Will you still be whole if you destroy me?

Wraith (after freeing her): Flesh is a vehicle, and to destroy the flesh is to strand the spirit. With violence, you stranded me, and with violence, I sought to twist your flesh back into mine. You did not resist my violence when it overcame you. Did you understand that the flesh wasn't you, or did you choose to gift yourself to someone who thought she hated you? To fear me is to fear losing the flesh, but the flesh is not the spirit.

Wraith (after throwing yourself into the abyss): Flesh is a vehicle, and to destroy the flesh is to strand the spirit. With violence, you stranded me, and with violence, I sought to twist your flesh back into mine. When forced between choosing your death, and forfeiting your body, you chose agency. But agency requires action, and action requires an endless tapestry of events. In your final moments, would you remove action itself from reality?

[jesuis-assez]

↠ Tim & Lucy ↳ 5x04 - The Choice