#I rarely draw these guys and I wanted to have some art for them

[cinnamon-flame]

I wanted to try painting again and honestly I'm really proud of these!

[ministerofchaosabsolute]

He's teaching him how to game

[arolesbianism]

Decided to draw some hypothetical employee id cards for my upper floor team captains <3

[hardbass]

tale of asaliveaslenin dot tumblr dot com

[proxycrit]

I love your au!!! I love how the hylian duo look like gremlins, I LOVE the expressions and sass constantly and the changes to the lore, the worldbuilding and also the emotions (OUCH). I love their relationship with purah and each other and the new champions. I love the depth you gave Yona and her relationship with Sidon and Mipha. I love how link feels comfortable talking to sidon in addition to sign, I don't know if he does that with anyone else but Zelda unless its absolutely necessary (eg: just launched out a cannon and is paragliding down, so hands are busy) (side note: i love how much of an adrenalin junky/gremlin he is!!)

I do got a few questions! Will the pair get the sheikah slate again (so say link has the slate and zelda the pad), and can both slates do the warping and item storage (food, ingredients, armor, weapons, etc) (if so: no WONDER link was so upset! His collection!)

Does link have access to the ultrahand abilities (ik you said not The ultrahand, but what about fuse or ascend or rewind etc?) Where is the mastersword??

Does Link still have the champions' abilities, or did he lose those when their spirits moved on at the end of botw?

I know these are a lot of questions but I can't stop thinking about it!! The last few updates sent me back rereading the whole au and now its just vibrating in my head and giving me no piece

This is long and rambly, just know I am very much enjoying this au! Its silly and fun and touching and cute. Thank you for working on it!!

Oo some notes (also ty for circling my au haha im glad other people fixate like i do)

(Prewarning— i did not finish totk despite putting triple hours in it, so a lot of this story is being written while playing, though i know the big broad strokes thanks to cultural osmosis and video essays. A lot of Familiar Familiar builds from my playthrough with BOTW over TOTK, so the sheikah influence is significantly stronger and I will always choose botw characterization over totk characterization as a result.)

That aside

1. Sheikah slate’s dead. Rest in pieces, link’s rare collectable korok poop. Purah’s extracting as much data as she can to put on the purah pad but you can see the dread in her eyes whenever she has to tell link resurrection is not possible.

2. No idea about the zonai arm powers yet— im thinking about ascend, but the longer i go through this story the less likely ill hand it to him just due to immersion breakage. He and zelda will be getting sheikah gadgets from purah though! Maybe ill have a scene of him wandering through the sky island shrines, but without zelda warning rauru he and sonia wouldnt have prepared anything for the hero of the future. (But i DO love ascension and fuse. Lowkey dislike the building mechanics from a concept art pov because the green glue makes me want to cry, but it’s FINE i GUESS)

2b. Master sword’s chilling in korok forest. Link put it back in this au because of Reasons (part of his and zelda’s characterization in this au is to discard their past roles and embrace the present, not as knight and princess but as hero and researcher. They both have to face the reality those roles aren’t dead, but it’s a work in progress. I may also never address it. This “one off hehe lemme draw some guys” idea quickly spiraled into a web comic series so apologies for the vagueness, because i too am watching them adventure with dread and awe and i don’t know where they’ll go with it. They literally write themselves.

3. Rip champions, their ghosts are Gone (but their influence remains. You go mipha, keep haunting the narrative girl, i love you)

I know that some of these story notes don’t quite match up to what totk states is stone cold canon, but that’s the joy of fan work! Anyways sorry for folks who i have NOT answered asks of— i have a lot of them and I’m much better at the drawing and writing part then the socialization aspect (please feel free to peak in to my zoo enclosure ever so often though. I need the enrichment)

[soularsss]

Drawing Likeness: with Tem!

okaay since a few people actually showed interest in me sharing a bit of what I've been doing to figure out how to really capture likeness, specifically Temuera Morrison, I figured id do my best to write it out

I am also going to entice you with some of my recent clone art! (oooh some of it is unreleaaasedd)

I am putting the whole thing under the cut because I have a feeling its going to be long:

Read more!!!

a couple disclaimers before we start

-This is not some definite post about how everyone should be drawing clones, nor is it in any way claiming that this is the right way. This is just my musings as I stare at a mans face for way too long and try to replicate it

-I am inexperienced. As kind as you all are to me, drawing real people is relatively new to me, capturing a persons identity through their features is difficult for anybody, and I am no different. I have watched many a video on likeness and had my share of classes, but If im being honest, i rarely put it into practice successfully. So there'll probably be errors in this post or things i will come back to in a few months and wish I had said/done differently

ANYWAYs you guys get my vibe im just here to ramble and today we are rambling about mr copy paste. I am doing this for Law, my clone boy, because I plan on delving further into oc fanart and I want to put effort into representing him correctly!

SO LETS BEGIN

Before even deciding what specific pose of a person I want to draw, I tend to grab a bunch of references and compile them like so

(all of these can be found on my pinterest)

Why so many? Well, we are about to delve into facial features, so when we are dealing with photos we have to take into account that there are an abundance of circumstances that will influence how a persons face will appear, some of these include:

focal length: All of these are taken on different devices, and focal length can play a big part in distorting faces

age will play a part, your face changes a bunch throughout your life!

lighting, while not as major, can muddy the waters and make it difficult to interpret facial planes and features

SO, to make sure we get a proper grasp of what's really going on, I like to make sure we have lots of options to compare and contrast with.

Next up! What I like to do is block out the main facial features with colour on different layers, the features I block out usually are the general face shape, eyebrows, eyes, nose and lips. But what you are looking for is the defining features of a person, so that could include other things! Maybe a scar, or some particularly prominent cheekbones.

I dont have any rhyme or reason when it comes to picking my colours, all that matters is you can see all the shapes clearly.

Now I may be biased, because Ive been staring at these for 4 hours, but notice how it still looks like Tem? :D

Anyways, now we can break these parts down, and you'll see what I mean about compare and contrast:

We'll start with isolating the facial shape, putting all these next to eachother you'll notice they arent exactly the same (partly because of my shoddy work) But the distinguishing features run through each shape! Namely the very soft rectangular shape I sketched out in the bottom right there. Along with his soft, wide jaw structure.

I did the same for the rest of his features!

You'll notice I highlight the prominent shapes and ratios,

When drawing anything, it is important to start from the very base shapes and build up.

When drawing something you want to look like someone, those shapes relative to other shapes is what makes it look like them.

I didnt use the same technique with his eyes and lips, but I wrote out some helpful info for them! More importantly for his eyes.

When drawing eyes, I find the most important part is where exactly I draw the creases, (along with the overall shape of the eye itself) it is important to understand where those will present themselves with hooded eyes.

NOW, with an understanding of his facial features in place, lets take a detour to colours:

before I start, a couple things to note:

-Temuera morrison versus the clone troopers in the animated shows:

While I love the animated shows they don't exactly stay close to their source material. Im going to link here to an excellent post discussing whitewashing specifically in relation to the clones.

Temuera is Māori, of Te Arawa (Ngāti Whakaue) and Tainui (Ngāti Maniapoto, Ngāti Rarua) whakapapa, and also has Scottish and Irish ancestry.

The Māori people are the indigenous Polynesian people of mainland New Zealand (Aotearoa). Māori originated with settlers from East Polynesia. Māori people often vary in skin tone, Skin colour doesn't determine ethnicity. There's often a correlation but it's not a requirement.

But that is a tangent! What we are aiming for is to stay true to Temuera.

Bringing back my reference photos from before, Ive colour picked a buncha values and theyre all over the place. Why doesnt this work?

Similarly to earlier, you have to take into account the photos themselves. Many things like lighting, colour grading (when it comes to filmography) and makeup, can alter how a skin colour presents in photo.

You can attempt to get true to life by swatching from certain places on the face. Here I've tried to pick some photos with good lighting, and I've also tried to avoid overly lit/shaded areas.

Tem has a very warm, tan skin tone, Instead of colour picking I tend to try and replicate it myself, but I do often bring in references to make sure Im staying true to the source!

a brief intermission to talk about colour theory, something I myself struggle with alot. Often, when putting in flat colours without a background, I will forget to make sure the colours i intend to use will work with the skin tone i have picked! (something that is apparent in older works of mine, not just in relation to clones, but in general, the colours I end up with stray largely from their original sources and it is something I am doing my best to keep in mind and improve in! Although I don't think i am nearly experienced enough in the topic to say I have succeeded yet lol.)

anyways back to Tem :))

Now we can put all of that into practice! Things to keep in mind when drawing out a piece next to a reference like this:

the distance between the eyebrows? how far down his face does his nose go? Basically just, in relation to eachother, where do all those shapes we found earlier, sit?

The screenshot above is from before I did it myself, but instead of directly tracing from the reference, a handy trick I use it to complete your sketch first, and then overlay a traced version to see where your inconsistencies are! Alternatively, you could move your sketch over the image, but I didnt do it that way so!! uh!! im sure it works exactly the same!!!!

When it comes to a final illustration, or any sketch that isnt a direct study, of course you can push and pull and stylise! You'll see below that I'm not exactly 1:1 to my reference photo either.

The important thing with stylisation, or at least my own personal understanding of stylisation is that you need to thoroughly understand the thing you are stylizing! "You need to know the rules to break them" and all that. While shapes, lines and rendering can change, when it comes to drawing someone, and making it look like them, you have to make sure to keep their core features true to source. Caricature can capture a persons vibe whilst drastically exaggerating features, but it will only look like them if you KEEP THOSE FEATURES!!!! SHAPES!!! AHHH!!

But that is just my perspective on the discussion of style versus realism, please dont take is as Law, I dont know what Im on about half the time!!

anyways, after fixing your sketch, add local colours!

I rexified him because why tf not! But this is where you can go crazy with that clone personalization!

And then here is a very very barely rendered version (if you guys want me to explain how i RENDER that would need to be a completely different post, and I havent had anyone ask about it yet so who knows! maybe one day) But I digress, hopefully you learnt something new through my ramblings! It has certainly helped me organize my thoughts and I have also found some areas I would like to focus more on in the future to improve my own art!

TLDR: In order to understand an object, be it a face or a building or literally anything, you have to break it down to its simplest forms, understanding LARGER shapes will help you immensely in the long run

If you guys like this sorta content do let me know! I'd be down to do similar things for armor/anything really, I am very anti gatekeep so really anything at all you want to know! Send me an ask :))

also if you see a spelling mistake.. i don’t know how that got there

[meanbossart]

ASK COMPILATION: Boomer Drow, Scratch, Mouthwashing, Cats and musical opinions.

A more casual compilation this time as I desperately try to make some room in my inbox. I went back so far I found lore questions and art prompts that I really liked but had completely forgotten about... That's why it's a mess in there LOL I will hopefully get to those soon!

Hi! Thank you! I still dream about smoking almost every night and had a couple during the new year but I'm hanging in there :')

Very loose and mostly as a bit. It might be something that I explore more in the future, but as of right now their "canon" setting is far, far more interesting to me!

...That's brutal and highly accurate 😭

[MORE UNDER THE CUT]

I'm not gonna lie, when I started posting I got, uh, a lot of responses like this to my art. About how I drew people "ugly" and frightening and even though it MOSTLY was meant as a compliment, it got kinda... Overwhelming 😅 It definitely led me to do a 180 for a while and re-access how I wanted to draw people. I love drawing flaws but I think that comes from not really seeing them as flaws, so the amount of folks AGGRESSIVELY harping on it did eventually get to me a little bit.

I think I've since found a pretty good balance between simple, pretty and "flawed" that I enjoy, though. So, thank you! I do take your message as a compliment and I'm glad you enjoy him.

DU drow was my first run! I have since played with a different character called Izzantar who was my first non-urge campaign though.

...

...

... I didn't find scratch in the DU drow run. Sorry anon LOL

Now you see, this is the legacy I want to leave behind.

(thanks for making Astarion feel included)

I was the one who recommended it to him and I really liked it! I've always DREAMED of a game that actually and unapologetically put you in the shoes of a shitty person and took you through the complex reasons why they are the way that they are without justifying their actions. And I adore the way the secondary character undeniably had a hand in the tragedy that unfolded despite his good intentions. The game sincerely explored the types of flawed characters I rarely ever see explored and I can only give it my sincerest kudos to it.

I've been considering playing Origins on stream after MANY recommendations, actually!

I would suggest examining and referencing off athletes and gymnasts videos for practice while trying to garner a more in-depth understanding of musculature by crossreferencing that stuff with dry, medical anatomy diagrams. I have a few more in-depth examples and advice in my #tutorial and #advice tags!

DU drow would really like Frida. Jarboe would constantly disappoint him by being the very dumb animal that she is.

I think Astarion would like both of them but complain endlessly about how much attention they demand and how up in his business they'd want to be - I have a feeling he likes street cats, which none of my cats are (Frida has a little street-smarts remaining but has been thoroughly spoiled by now. Jarboe was a hoarder cat before I adopted her and is extremely sociable and un-cat-like because of it.)

I DM'd a single Call of Cthulhu session in my teens and only recently participated in my first ever DnD game in a discord event! That's about it.

This is for the over-attentive ANE readers but Brutus is a Dalyria song for me ☺️

He'd like Jazz A LOT.

But I think he'd be more of a root-punk/post-rock guy, not really into synth. And then a lot of the classics like Elvis, Nina Simone, Marley, etc.

Also Foetus and GG allin for whatever reason.

3 for Astarion, 5 for Shadowheart. Jaheira would never but she could get away with 8.

[eternalfics]

Saiki with a talented gen!reader? Reader loves drawing but rarely focuses in school because of it. And they met due to them basically going up to Saiki and asking for his notes (they wanted to see him closer to draw him better, hehe)

saiki with an artist!reader

a/n: this request is SO cutee 🤭 u have no idea what you’re about to read ❤️❤️

summary: basically the title 🤪

warnings: mention of death

saiki automatically thinks you’re a loser when he sees you for the first time. he just thinks you’re a typical student, not interested in the lesson and would rather die than being there.

so when you sit across from him in the room he’s a little glad. but when the lesson ends, you quickly come up to him, making saiki sigh. you come up saying exactly what saiki thought you would say.

Scenario

“hey, saiki right?” you ask saiki, he looked like a person that you shouldn’t be messing with. it’ll be fine, he looks nice and you’re sure that his actual personality is nice too! he only nods. “um, okay,” you chuckled nervously, “I was wondering, can I borrow your notes? I just need to confirm some things..” you asked slowly.

saiki really was majestic! you could see his face more clearly, his intimidating, plum-coloured eyes were covered by his glasses. you wish that you could look into them more clearly without them and- he’s holding out a paper? oh! the notes.

you don’t really need them though. you looked into your notebook, only to see that it’s full with drawings. on second thought, maybe you do need it?

Headcanons

ever since you guys got together, saiki’s room has been full of the drawings that you give him. you thought that he started throwing them away as you started giving him a LOT. but the first time you went to him house- and in his room, you almost cried and saiki almost exploded.

you searched up how to make stickers one time with drawings, and you couldn’t stop making them! you asked saiki one time if you could put them somewhere in his room, he immediately said a huge NO.

saiki groaned as you begged for the 145th time and he finally gave in! it’s just one sticker, right? it couldn’t hurt.

. . .

saiki was wrong. you had put more than 10… he didn’t mind though, he thought that your stickers were pretty. but he’s not telling you that though!

he sometimes doodles with you (only when you ask him, he can’t be bothered to do it by himself) and you fill an entire page! for you that’s not much, but to saiki it was special. it was pure art, BETTER than the Mona Lisa. (he didn’t let you throw it away and he kept it in his room.)

“kusuo it’s not special! we can always draw more, now let me throw it away,”

“no! it’s not like it’s that special just.. just let me keep it.

[candyje11yfish]

ty! \(^_^)/ feelin good so ill try answer in detail for ya!!!! 

most of the time i just do basic cell shading. here ill explain my rendering process after i choose my base colours, ill try keep it short & sweet!! nvm warning buckle up its really super long.

flat colours -> fully shaded!!

⭐️Picking shading colours!

usually it's just the base colour with +saturation OR a hue shift! i dont really lower brightness.

This is what i mean by HSB, i never use the colour wheel i prefer the sliders!!!

i like my art to look super colourful so i do things like shading pink with blue instead of with a darker pink or red, as shown in the above callie piece.

examples ft lumity:

skin: i always keep it very simple & cartoony! over the nose, below the eyes, the neck & sometimes the tips of the ears is where i'll put shading

hair: as u can See, it's not darker than the base colour at all!! for dark hair like luz's, i brighten & saturate the colour, and for light hair like amity's i just shift the hue a little!

⭐️more kewl tips:

colourpick from yourself!!!! instead of making a new colour for everything, try using a colour u already have down!!!! like below: by limiting my colour palette, it looks more harmonious

really messy image but i hope u get what i mean. also the "off white / black" thing is a separate choosing base colours thing!! i can expand on that if anyone's interested 😙

shove halftones in wherever they fit. here are the 2 pngs i use!! there a rlly good alt to gradients, i used a LOT of them in that callie piece!!! clipping mask over where u want it & alpha lock to change colour.

⭐️here's a WHERE i put the shading:

look st the environment ur guy is in!! pick where your light source is coming from & look where that light will hit and where it is blocked by something.

bounce light: the sun's light is also shining on the grass! so powerful the green reflects right back!

this is kinda more realistic lighting now.

i kinda just put a circle wherever theres a corner!

and i put that Beautiful Shape a lot wherever. i change it a little depending on the character, sometimes its triangular or squarey but thats the base shape! i dont even know what its called but i love it.

look at this hello weird shape guy!!!

actually, my grandfest art are probably some of the most detailed art i have! u can see urself where i put shading & stuff - they do have more desaturated colour palettes though:

& here are some additional examples ^_^ flat colour -> shaded -> multiply layer -> lighting

in this one u can see the hand & leg at the back are completely in shadow too :)

anyway i think that's kinda it? i dont really know how to explain it, i just do what feels & looks right to me??? remember that im Not an expert & this is just how i do things :)

i will always repeat my no1 tips tho: keep drawing!!! and copy ur fave artists!!!!!! it really will hell u find what u like!!!!!!!!!!!!

i hope this post helps a little & answers ur question😇 never be shy to ask me anything cuz i love answering & chattin w u guys!!!!

EDIT: just saying these arent set rules or anything!!!! u can see just how many times i Dont follow my own advice LOL. my artstyle is super inconsistent, i rarely draw things the same every time

[kozachenko]

[Click for better quality]

Ok yay I'm back from my vacation yipeeeeeee. I started this drawing of Keiki before I left and I was half considering just giving up on it.... until I did a short study of facial planes and then got motivated to work on this again! I'm glad I didn't give up on it though, as I'm actually really happy with this one!

Artist's Notes;

So as I mentioned in my last post about Touhou 17, I wanted to finish this by the game's five year anniversary but with how progress was going I didn't want to rush this so I decided to take a long break from it. Mainly because of the face. For a while now I was kind of feeling like I was stagnating with my drawings, not really in the clothing but in the bodies. There was something about the way I was rendering them that I just wasn't happy with, and after talking with someone else about this issue, I realized that the reason I felt this way was because the faces were too flat and didn't match the rest of the drawing and that I needed to find a way to make the rendering of the face feel consistent with everything else. So after doing a short study of the plains of the face (I used this 3D head model from art station as a reference for my short study, please go give this person some love as they are a lifesaver) I went back into this drawing and applied what I learned here. It was only after that that I finally became motivated to finish the piece, and while it started off as just a simple character sketch like Saki and Yachie's were, the moment I added in Keiki's little fire dragon I knew I had gotten in too deep and now here we are with a full on background. OK it's not super crazy or anything, but it gets the job done and it's better than there just being an empty void behind her. It's rare moments like this when I use brushes other than the Clip Studio Default Charcoal Brush and use the Clip Studio Default Paint Brushes as well (god bless the oil paint and dry gouache clip studio brushes, they were amazing). I don't know why but painting fire has always been really fun for me, there's something oddly satisfying about it y'know? I do think that another reason for this problem was because I was drawing faces like I would in my more sketchy style that didn't mesh well with my lineless style, so I'm glad I've started remedying that.

After adding in the fire dragon I had an idea to kinda make it feel like splash art in the way the composition works... probably because I have been playing Reverse 1999 again and it has taken over my brain. I do feel like Keiki's tools get a little lost in the composition, and I didn't fully render the metal parts of them mainly because I didn't feel like they needed it, but that's just something for me to improve on later down the line.

If you guys are wondering where I went for my vacation, I went to New York and got to go to the MET and the Museum of Natural History. In both places I found Kofun period stuff and I was so happy to see it you have no idea. I remember one of the Haniwa I saw had some neat face paint under the eyes that I tried to replicate with the makeup under Keiki's eyes in my drawing, though I think I'll gave to figure out how to draw makeup on characters because this reads more like blush to me than anything. While drawing this I also looked up some references of Kofun period jewelry and really liked the stuff I found, which also meant that now she has proper Kofun earrings instead of earrings shaped like Kofun tombs. I put some of the things I referenced with a closeup of Keiki's face as well down below. I made her outfit more reminiscent of the outfit I gave her at the beginning of the year with the buttons and all, though I do want to try and draw her in some more period accurate clothing like the Haniwa I took a picture of at the Museum of Natural History. I wish I could find a way to make her handercheif look better though as I wish I made it a little bit bigger, though I think I'm saying this because I've looked at this drawing for too long lmao. Once again something to work on for when I next draw her. Also want to get better at rendering hair, as some details (like the little strands in front of her ears) kinda got unreadable due to the similarities in colour lol.

Now you may have also noticed the little cracks I added onto Keiki's face, and that's because I have fallen in love with the idea of Keiki's body being made from ceramic and that she crafted her body herself. While they aren't very visible I also tried to add some doll joints to her body, which is an idea I played around with in the past but never went to far with. I also want to get better at rendering cracks in ceramic, porcelain, etc, as I'm not sure how those read in the drawing. I also have a headcanon where the cracks in Keiki's face show up because of heightened emotions, and while Keiki is aware of this and does her best to make sure her face doesn't break off.... she will still end up with at least a few cracks during any given day, and she can often forget to repair her own body quite frequently so Mayumi has to remind her quite a lot. Mayumi even taught herself some basic sculpting techniques to help repair parts of her body that are so badly damaged to the point where Keiki can't repair them herself, i.e. if both her arms broke off, Mayumi would put them back together for her so Keiki can at least have something to repair herself with rather than nothing. I also like to imagine that if Keiki created her own body, if you took a look at Keiki from the beginning of her life she would look completely different compared to now.

BTW If you guys are wondering what a very very angry Keiki looks like....ok in order for this to make sense have any of you read volume 11 of Land of The Lustrous? Am I bringing back some memories for those of you that have? Ok good, glad we all got that mental image brewing in our minds, I'll probably draw a version of Keiki that is somewhat inspired by that one day as it's an idea I've had for a little while now. And to those who haven't gotten to that volume yet and are confused.... don't worry about it, just keep reading :)

[grimmcheems]

When the pale flower grows thorns🌸🥀🩸

A SasuHina AU where Hinata later on joins Orochimaru’s group. Everyone still treats Hinata as fragile and docile and her family mistreats her more the older she gets. Sasuke convinces Orochimaru of a vague plan to acquire another member that has rare abilities like him, never telling him it’s someone he personally knew or that she’s from one of the leaf village’s prominent families.

Rather than have her talents wasted and not allowed the proper time and space to grow, Sasuke secretly converses with Hinata while she’s out on a mission in an attempt to have her join him. (‼️⚠️Yapping below⚠️‼️)

She does end up taking his offer later on and leaves her family in disarray because she leaves Neji with family secrets about the family seal and leaves him to be the family heir.

I did have a bit sketched of Itachi making a joke about the two when they were kids and thus leading to them being engaged/betrothed by their mothers decisions but left it out because it was too much to fit in here. I also had a portion where Hinata painfully removes Neji’s curse mark and him fearing her for a moment and seeing her potential in that small moment before being left to pick up the pieces of their family.

They knew/met each other as children in this since they are both part of important clans in the village and their parents maintained connections with them. Hinata was usually too busy to be around/play with Sasuke and Itachi since her father and family used most of their time to train her, resulting in Sasuke mainly watching her train and her even sparring with Itachi at times (and losing, much to her father’s dismay).

Their moms have them be verbally betrothed as a small joke amongst the older members in their families, but Hinata’s father was not happy with it (since he views her unworthy until she can start acting and moving like a proper ninja of the clan) but didn’t care for it and lets them pretend about it. Sasuke’s family just thinks it’s cute and pay it no mind but occasionally feel sorry for Hinata seeing how she’s worked to the bone to become the clan heir. They do have certain expectations for Sasuke as well but view the Hyuuga’s methods as overkill in some areas. Also Itachi is the eldest so Sasuke doesn’t rly understand what the clan heirs have to put up with most of the time as he’s given more freedoms.

ANYWAYSSS

Hinata basically has had enough of the mistreatment and being underestimated and never being taken seriously so she’d rather turn to them so that she doesn’t have anything holding her back from improving herself and no longer needing to seek constant approval from anybody. Yknow, something like, she never gets to do anything she wants and constantly feels suffocated from having no control over anything she can/can’t do. Her family is so controlling that even if she finds ways in which she can get better she can’t use them because the clan is stubborn in the ways they want her to portray herself and act as a ninja.

I did add goofy bits of Orochimaru commenting on their hair. He cuts Hinata’s to be layered to give her a more mature look, and he hates how Sasuke never changes his lmao.

I kinda feel like making a art of Itachi being so big brother coded towards these two that when he sees Sasuke he’s surprised (bc duh he’s with the bad guys now and he was such a kind hearted baby) but upon seeing Hinata he is proud to see her take something for herself and be able to pave her own way. Idk lmao. I had fun drawing this and like the way I used some of the brushes.

Btw I plan to not have these two interact with each other with romantic intentions in mind but have those feelings sort of progress naturally amongst each other. She also does still have her crush on Naruto in this but realizes it’s not rly gonna go anywhere so she decides it’s best to forget about him and move on, especially with the fact that her lifestyle will become different.

[pancake404]

Catnap and Baba Chops Headcanons(?) + Artwork

So I made this collection of drawings with Catnap and Baba Chops. I think these two would be interesting as a pair whether friends or more.

Without text:

Now I had a couple of ideas regarding these two.

Now these two would make up an interesting duo as both seemed to be either described or behave in reserved ways and both are most likely introverts. However both share a morbid or creepy aura when interacted with or near, both seem to be the odd one out, and both have a history of them hunting or killing Dogday(in the factory).

Also both have their connection to more religious themes like with Catnap being about heretics and worship of the Prototype and Baba Chops, being a sheep which has quite a bit of connection to religion in their variety of ways.

They still have their differences such as Baba Chops being quite the surprise hunter and violent sheep while Catnap cares more about the Prototype worship than his own stomach.

These two tend to have a lot in common annd they are perfect to participate in a haunted house as they would traumatize the other critters.

I decided to add some of my headcanons/ideas of these two.

In my head, I imagine them to be critters who at one point before Catnap joined Dogday, used to be quite close. They were always together and they always understood each other, Catnap was one of the few that Baba was willing to open up to and wanted to hang out with.

But when Catnap joined the Smiling Critters(more or less specifically Dogday), they separated and Baba began have hatred over the dog who in her eyes, stole Catnap away. Due to this drift and other issues regarding beef between the Nightmare and Smiling Critters, their relationship began getting weird as Baba is more desperate to bring back Catnap, even started acting a bit aggressive and obsessive while Catnap struggles to decide between his new friends or Baba(as well as the other Nightmare Critters as he might’ve been friends with them too).

Whenever a rare physical altercation does happen(probably the reason being Dogday), Baba Chops’s usual weapon of choice is a scythe(you know…skull = death = grim reaper). Catnap also is dangerous in his own way and let’s just say these two are unhinged and dangerous in a physical fight.

To add further onto this, I drew a more demonic form of Baba Chops whenever she starts getting more frustrated or pushed far enough. She has many sharp teeth which she hides being her basic grin. Her claws showing looking similar to the Prototype claws.

Because the show introduces a dragon, a unicorn, Catnap’s mysterious red smoke in the show, and probably cartoon logic, I wouldn’t be surprised if there was some additional magic involved so I figured an idea where Baba Chops, the critter representing death, would have such a form.

Whether you see these two as a romantic pairing or not, regardless, here are them dancing. Baba Chops hates dresses while Catnap obsesses over the idea of “dress to impress” especially on special occasions like dancing. Of course he decided to wear white, opposite of Baba’s tendency to wear dark colors.

Now I haven’t seen a name yet(or I haven’t found one) of the pairing so I have an idea…it could be called “Sacrificial Sheep”….hire me(this is more of a joke).

Still, they have some pleasure and calmness with each other’s company.

I’m not sure if you noticed or not, but both their pendants have a glow to them or rather Catnap’s moon pendant does like it glows in a dark for a nightlight while Baba has her pendant have a black aura around it like it absorbs light instead of emitting it.

I hope you enjoyed the art and explanation. I was thinking of making my own Smiling Critters story/comic showing these ideas as I think there is a lot of potential with these characters to make something interesting.

I have some ideas I might introduce in the future but in the meantime, have a great day.

What do you guys think of the idea of Catnap being a former friend/member of the Nightmare Critters?

[rockybloo]

I feel like bitchin so I'mma bitch bc I always see people going on rants on their Tumblrs and I'm long overdue for one. Anyways, this is a long one so be aware you are gonna be scrolling for a good bit if you view under the cut.

ANYWAYS, I know that that rude anon from last week is old news but their whole "I'm sad that Glitter and Guilt is a m/f relationship" thing is just a part of a never ending situation I am going to experience til the end of time (or til I stop posting stuff online) just because I focus on primarily m/f relationships in my art.

And they aren't even straight m/f relationships, which is what annoys me the most about comments like this. They're all bisexual. But because people see bisexual characters as better than straight but less than same-sex attracted orientation, I will always have to deal with these passive aggressive ass comments.

I dealt with this typa stuff SO OFTEN in my early days on Instagram, especially when I posted some of my gender nonconforming OCs like Danny (my pink demon man who dresses like a bimbo Barbie doll). It got to the point I stopped sharing him over there for a bit because I would get comments where people were hoping he had a boyfriend in the past, or they were disappointed I "never" drew any Sapphic couples because they mistook Danny as a woman in a pic where he was kissing Karrie.

And I get the whole desire to want more representation. Trust me, I'm bi, black, and nonbinary. I am NEVER going to get any type of representation outside of the indie artists I find in small niche circles online. I completely get the whole "m/f relationships are EVERYWHERE in mainstream media" mentality because I also agree but only to a point.

There's a ton of trashy m/f media, but there's also good shit when you dig because you can find people who don't just shove a guy and girl together and call that a done deal - they actually give them personality and chemistry and a fun dynamic.

I'm a firm believer that the gender of a ship shouldn't dictate if it's good or not. An interesting dynamic is what motivates me to care about a couple of characters dating. That's why it bugs me whenever someone suggests any kind of series to me and simply tells me "It's gay" before telling me the actual plotline. I WANT TO KNOW WHAT A SERIES IS ABOUT! DO NOT WASTE MY TIME!!! (Please do not pop into my inbox after reading this and suggest me stuff btw because I've never been a big suggestions unprompted person - I typically find stuff myself bc I have weird tastes ANYWAYS BACK TO MY RANTING)

When it comes to my art, I draw m/f relationships as a primary focus because it's fun to mess with gender dynamics and flip them on their head, as well as to give younger me the food I wish I had. Growing up, before I realized I was nonbinary, I rarely saw any black girls in loving relationships in animated series I enjoyed. And occasionally I would get flash banged with the long despised trope of "Disposable Black Girlfriend". So I never felt like m/f relationships were oversaturated in my eyes because there were barely any good ones that featured a black girl with a happy ending - which means from DAY MOTHERFUCKIN ONE I was starving for content.

So that obviously means that when I grew up and adopted my "Make your own food" mentality, I started cooking. AND COOK I STILL DO! Because in the end, I make all this food to please myself. OTHERS MAY EAT OF COURSE - I am always happy when people come to my restaurant to dine because they enjoy my meals, but I hate how every blue moon I will get someone who waltzes into my little eatery and tells me that they wish I cooked the meal they get from other restaurants.

Because it would be so much more productive to just go eat AT those restaurants since they already got the food you like.

Having people comment their displeasure about me drawing a guy and a girl together in a healthy (and occasionally insane) relationship is always baffling to me. It's never going to make me stop, it'll only make me draw more Red Beans or more Licorice. It's also so baffling because I know that if the tables where flipped - and I was drawing primarily same-sex bisexual couples (OR JUST SOME GAY OR LESBIAN COUPLES IN GENERAL BECAUSE SOME PEOPLE JUST DON'T CARE ABOUT BI FOLKS AT ALL), it would be so fuckin' frowned upon to comment "I wish you drew more m/f! 🥺"

But because I draw m/f bi couples, it's totally free game. IT'S DEF STILL FROWNED UPON but one is way more likely to make you look like an asshole than the other. Because even in cases where people have said they agree it's a dick move to complain about m/f from me, there's still that vibe of it being more acceptable just because of mainstream media having so many m/f couples and that being the standard of offline society.

But I'm not mainstream media. And I disagree with a lot of standards of offline society which is WHY I poke fun at gender norms with my OCs.

That's why getting a ton of new followers is such a "oh boy here we go" thing for me, because with old followers that have been around for awhile, they know what's up. They understand what I draw, what I write, and how my OCs typically behave. They get that my m/f ships have rabies.

But new followers don't know this. And this has led to some real big "OOF" moments. Like people calling Jack and Nana a "het" couple. Yes, I know that that's a term that doesn't JUST mean "heterosexual" and can refer to them being different genders. It still feels hella weird for me - it's why m/f is my preferred descriptor because it lacks that confusion.

New followers are typically the ones that leave the passive aggressive comments about me mostly drawing m/f. OFTEN because they think I am one of those artists who will draw whatever it takes to please my audience. BUT I AM NOT - THERE IS NO AUDIENCE INFLUENCE HERE ☝🏾

I am not a taxi where I pick people up whenever they call me and I drop them off wherever they tell me.

I am a roller-coaster. Specifically those ones where you can see the entire track layout in the distance so you know what you're in for. You may sit in the front or the back or somewhere in the middle but that is the last input you got before I take off at my own speed (that will be stated RIGHT on the warning sign you read as you walked in) and once I am done, you may get off and carry along your merry way through the rest of the park OR you may get on to ride again.

This entire passive aggression towards m/f ships is just so tiring to deal with because there will never be an end to it. Even after I post this, I know days, weeks, months, YEARS down the line - someone will see some Jack and Nana art, or some Bitterbat and Sweetheart comic, or ANY of my other m/f couples, and type up some comment about how they wish the couples were same-sex. Or someone will lament over the fact they thought a couple was same-sex but it turned out the dude was just hella feminine.

Because it just ain't enough to have bisexual characters that are dating the same sex because then people will call them "straight passing" and not count them as being queer. And having all my OCs being bisexuals ain't enough to mark me as a queer artists in some eyes because "making all your OCs bi is just lazy" and not me representing an aspect of myself that I constantly see sidelined online.

Me drawing bisexual m/f couples is viewed as something that can be tinkered and tampered with so I can be more appealing and inclusive to others like I'm some mainstream Hollywood series and not just some random person online who draw the fictional beings in my mind kissing each other whenever I got the crumb of free time. Primarily drawing m/f couples means I gotta just vibe whenever I see a moot or a friend post or reblog some weird sentiment referring to how lame m/f couples are and I just gotta HOPE that they aren't including bisexuals when they engage with stuff like that.

I'm in this weird space where I am wedged between "You're not a straight artist" and "You aren't drawing enough gay stuff" online.

And I'm fine with this since I've been online for over a decade at this point. This isn't a vent post, this is a rant. I don't need cheering up or comfort after posting this. This is just some real talk because I typically post lighthearted stuff since I like to keep my blogs positive.

But I also like to keep my shit honest and I think it's important to just state a piece of my mind. I wouldn't say I'm being vulnerable, this is just some insight to why I draw what I do and why I get so annoyed by certain interactions with people and certain sentiments online that are antagonistic of m/f ships that put them all down without hearing them out.

Blah blah blah I'm tired of typing and I've said most of the main points I've needed uuuummm

If you read this long have some m/f fluff

[kwillow]

Mail time. Theo clearly isn't the best candidate to lecture people on "good manners" but that's not going to stop him.

Also using this as a header for more LORE RAMBLES: THEO EDITION, because again I have more interesting asks about Theo than I can answer with drawings -- so REAMS OF WORDS it is!

Questions and answers under the cut...

Well, Theo isn’t terribly fond of the guy. He’s never met him, of course, but from his research into Old Kingdom history, he thinks of Ambroys as a conceited, shallow, disloyal, cowardly liar – and he’s not exactly wrong, ha.

If they met in the past, when Ambroys was his cocky, younger self, I think Ambroys would take advantage of Theo’s poor social skills and unpopularity by bullying him for some cheap points with other people who would find amusement in that. Ambroys wouldn’t have much use for him otherwise. Theo would spend far more time seething about Ambroys and plans for his revenge on that POMPOUS POPINJAY than Ambroys would spend thinking about Theo at all.

If they met in modern times – well that’s something we’ll address eventually, but Theo and Ambroys would not get along much better. Present-day Ambroys does not like mages one bit. Also, he is quite used to being literally worshipped. A little hater like Theo would not be looked upon kindly.

Thank you!! Now you too are present in a lore dump!

Theo is indeed a fan of the performing arts, and art in general (though he is, predictably, very particular in his tastes). Opera and such was performed during Ambroys’ time, and much of it was likely lost during the apocalyptic era between the time of the Old Kingdoms and the modern day, but I imagine some scant examples of the genre (and traditional plays by the likes of Furry Shakespeare, because Shakespeare is one of those people who just exists in every universe no matter how bizarre) would still survive into the Theo’s time.

Theo’s hometown of Northcrest would be too small and rural to have a real theatre, so experiencing “proper” performances would be rare treats for him, when he followed his mother on business excursions to the rich districts of Ironfrost. I love that you picked up on the fact that he would want his own private box, haha. He wants to observe, not be observed!

You’re right that musicals would probably still be in their vaudeville and burlesque era, and Theo would find them to be distasteful, vulgar pap suited only for the soft, feeble minds of the unwashed masses, not a refined intellectual like himself. (Which is funny because I think a real-world modern-day Theo would like musicals because in some ways, he is a theater kid without the charisma or confidence to actually perform.) While his mother did not enjoy theatre to the same extent he did (her tastes were more in feats of choreographry and human/anthro excellence like ballet), they would bitch about the decline of society together if they saw a poster for one of those terrible, gaudy cabaret catastrophes. In general, Theo hates anything modern and likes anything old-fashioned, and that shifts according to the decade he lives in. An Amaranthine Theo would hate swing music, but a real-world modern-day Theo would like it. Embarrassing!

Also, he will memorize and quote his favorite soliloquies at people for the faintest of reasons. Don’t test him.

No, I don’t think Hyden has strong enough arms or a sturdy enough back to lift an entire person, even one as little as Theo. Hyden might be large but he’s not as powerful as his height and bulk make him look. I think even Theo is more physically adept than Hyden is (and that’s not saying much).

Also, while he would learn to tolerate it from someone like Hyden (in the same way your cat might begrudgingly tolerate you grabbing their little feet), Theo does not like being picked up by people. I can speak from experience than when you’re a short person, people love to pick you up randomly to establish dominance and it’s not a very dignified experience. Theo has a hard enough time being taken seriously even without being lugged about like a wheezing sack of flour.

Theo would be the first to inform you he is not the person to consult on romantic matters. At the same time, he would still give his advice: stop being a fatuous little fool and turn your efforts to matters of greater importance, like work or supporting your family or collecting every edition of your favorite encyclopedia or hitting your head against a wall. All would be better ways to spend your energy.

(I think you’re alluding to a person with a crush on him – God knows why such a person would exist in his universe – asking him for romantic advice, but I feel compelled to specify that the message he’d give a man seeking instructions on how to deal with a lady would be akin to “GET A JOB. STAY AWAY FROM HER”)

(Or maybe you mean someone Theo has a crush on? Well, the answer would be the same. Theo isn't duplicitous enough or proud enough to try to swindle someone towards viewing him as a romantic prospect. But he sure wouldn't suggest they get with someone else. NO ONE IS ALLOWED TO BE IN LOVE. STOP IT, HE SAYS.)

Yes, those are self-inflicted injuries. He’s had a compulsion to bite and scratch himself ever since he was a kid. Sometimes as a punishment, sometimes as a ritual to quell distressing thoughts, sometimes out of the need to replace distressing sensations and events that are out of his control with one that is in his control, no matter how painful.

He does not particularly value his body nor its integrity. However, he is aware the scars are alarming, and finds them somewhat embarrassing reminders of his flaws in self-regulation. He deals with both the sight of the scars and the urge to harm by wearing his gloves, which is something he started doing in his late teens – they cover the marks and help redirect him by replacing the sensation of flesh with fabric when he goes to bite down.

On your question about Theo’s body-image: no, he does not care for how he looks. He likes that his eyes are grey (like mother’s) and that his fur is monochrome (like mother’s), and if pressed he might say the eyebrows aren’t bad, except for the parts where he’s pulled the hair out of them, but that’s it. He hates that he’s not just short but dwarfish, he does not like his heavy-set build, he would not choose to be born a rat, he despises his face, his teeth repulse him, he at least can make peace with the fact that he can’t grow facial hair because he’d never want a mustache like his father’s but it’s still somewhat emasculating, and on and on and on with the insecurities. He definitely feels physically inferior to other males. Your average man is not only much, much taller than him (and the world is cruel to a short king), but stronger and more classically virile as well. But he makes the best of that by dismissing those physical qualities as consolation prizes afforded to males who are obviously inferior to him intellectually, morally, and spiritually. He doesn’t care for brutes, but he doesn’t highly value machismo anyway… He thinks of himself as a gentleman whose best qualities reside in his mind and actions. A man who is reedy and petite but smarter or more charismatic than him is much more threatening to his ego than the bulkiest bruiser. (However, he will still try to fight both for dominance, either physically or verbally, and probably lose.)

Theo is highly offended and disgusted by nudity, both other’s and his own. Even states of mild undress are distressing to him, hence why he looks away when buttoning Hyden’s shirt. He’s willing to stomach some discomfort when it comes to helping a loved one, but only if it’s strictly necessary. He would pointedly not look and scold someone, even someone he was more comfortable with, if they were “too underdressed,” and freak out if they came into his vicinity in the nude. I think it would take years of gradual desensitization to lessen his negative reactions to nudity. It’s not just him being fussy, it borders on a phobia.

(Haha this shows how long I sit on asks before I get around to answering them SORRY...!!!!)

I don’t talk about it a lot because while the character’s sexual orientations do inform their lives and development, romance and sex are not usually at the top of my priority list when it comes to my stories… but I’ve alluded and mentioned directly that Theo is “canonically” bisexual (always feels weird to say “canon” about my imaginary friends, ha). But he is in denial/in the closet about it. Of course, he wouldn’t be aware of the concept of “bisexuality”, nor would that exact label exist in his world, so it’s not like he would identify that way even if he wasn’t repressing hardcore.

He is revolted by sex and intimacy, but that’s more due to his psychological baggage, his perception of his parent’s relationship and his cultural mores than something necessarily inborn or inherent to him.

(Hyden is actually Also Straight, possibly even straighter than Ambroys if we’re measuring by “creator’s admittance that character may be bi-curious one day.” I have a track record.)

Only if it’s karmic in some way, involving a person or persons he’s already predisposed to hating. Granted, dying of one’s own stupidity would be a form of justice in his eyes, but there’s limitations to that. Hearing about, say, an incident like Nutty Putty cave would not be amusing even though he would argue it’s the cave explorer’s “own fault” for going in there because it was such a gruesome and prolonged end, far outweighing the punishment Theo would find fair for such hubris. Of course, if the same cave explorer bullied him in prep school, then yes, it would be hilarious.

I don’t have a character named Herbert, so I am assuming you mean Theo here, from context. :’D

I’d like to draw Theo practicing his fencing some day! It’s on The List along with, er, fifty other drawings, ha. There’s just so much I need to make and so little time…

But besides that, Theo is not a particularly sporty guy. He doesn’t tend to enjoy competitive sports, either participating or watching. Physically he’s just not suited to them, and his schoolboy days did not endear him to them.

He does enjoy taking walks and admiring picturesque landscapes. He also hunted with his mother. One of the duties of the Norths is (or was, before he started shirking all his duties to focus entirely on his madness quest) to eliminate monstrous predators lurking on the outskirts of their territory before they could terrorize the mundane locals. Mages can sense magic, and thus are more capable of tracking down and felling corrupt magical beasts than your average person. Also, sometimes one wants a pheasant for dinner on special occasions. So, he grew up learning to hunt, and he’s decent with a rifle. He doesn’t go out to do much anymore, though. His mother’s death and subsequent self-imposed isolation exacerbated his already present issues with social phobia and paranoia, so he doesn’t feel safe outside his house. Someone could see him out there, and Something could happen. (He isn’t sure what exactly, but surely nothing good.)

During the course of Amaranthine’s story he is, of course, forced to go outside again and travel, so he’ll rediscover his hobby of killing animals again. …Good for him. I suppose.

(This is in reference to the tags I put on my post of Theo's romance meme: #ok one piece of commentary: brain problems + highly repressed upbringing = where i put theo on the kinky slider. it had to be there #you should think less '50 shades' and more '50 year old guys waxing poetic about quicksand scenes in old adventure films' for that one #he's not a quicksand guy. but that's the vibe.)

Hahaha, I appreciate your curiosity, but I’m not sure if it’s a terrific idea to share Theo’s “quicksand” equivalents. Alas, I don’t want to encourage the perception that my characters exist to be romantic or sexual wish-fulfillment, instead of the dysfunctional little narrative fidget toys they are, by going too in-depth too often on their hypothetical sex lives. Also, I get my (un)fair share of fetish-mining asks, and if I mention certain kinks, the senders of those asks might think they can wheedle that kind of smut art from me, which… is not the case, even if I did like the things Theo is partial to. Frankly, I don’t have time to draw smut art when I have so many comics of my characters angsting at each other that I ought to be drawing instead!!!

Anyway, complaining over. But I do know what Theo’s “interests” are, and don’t worry, they are suitably cringe. I find amusement in giving embarrassing proclivities to all my favorite characters, even if it will never come up in their stories. It keeps them humble.

The Theo befriending scenarios are becoming more elaborate…!

Magic can’t really do that in Amaranthine (it’s more limited than a lot of people think)! But even if you could, I think Theo might realize something was off eventually. Granted, he is blind to a lot of manipulation when he trusts someone, and for his own stupid reasons he trusts Hyden, so that alone would provide cover for some time. Being nice to him in Hyden’s guise might even fulfill some boyhood dreams of his, so that helps too. Still, I don’t think anyone but Hyden could manage to act like Hyden forever.

Theo abhors liars, manipulators, and traitors (I know, this is very funny considering I just talked about how Theo likes Hyden – again, Theo is not a great judge of character). While he would be mortified at his own gullibility, it’s not like he’d spare you any judgment for being the one to take advantage of his hospitality in the first place.

So, in attempting to befriend him, you would have 1) caused harm to someone he has charged himself with protecting by kidnapping Hyden, 2) committed the sin of deceiving him and 3) wounded his ego by exposing a huge vulnerability in his psychological armor. These are not crimes he is likely to excuse. Among Theo’s many faults are his capacity for spite and appetite for disproportionate vengeance. In other words, he would want to hurt you very, very badly.

Anyway, in summation, this is not a great way to try and win Theo’s affection. If befriending something hostile is what you’re after, I’d recommend purchasing a pet cobra or something, it would be more rewarding and less difficult to manage.

Ooh, this is another one of those “it depends” sort of questions… an Amaranthine Theo is completely unsuited for parenthood because he is just totally off his rocker and devoted to an impossible, nature-impugning, corruptive madness quest, so there’s not really much space left in his brain for any of the tasks involved in parenting.

Also, how well and in what way he would approach parenting would depend on if he has a partner and who they are, if the kid is biological (and therefore an extension of the North line) or adopted (and therefore might be spared some of those expectations), and what the kid or kids are like.

But, I’ll try to speak generally. He does put an importance on family so he would not be neglectful. In fact, I think he’d tend towards being smothering, way too over-protective. He would have high expectations for their academic career (despite flopping in his own) and would be upset if his children didn’t share his interest in intellectual pursuits. He lacks a lot of knowledge about life, and so he wouldn’t be able to pass that on to his children, despite desiring that they be self-sufficient and capable. He would try and keep them from being romantically involved until they could marry, which he wouldn’t think would be difficult considering how he himself is, but I think he would be disappointed and frustrated by the fact that most people (and therefore probably his kids) aren’t so averse to macking on other teenagers in their school days. His tendency towards being neurotic and temperamental would be an issue, and I think even if he tried to control his explosive tendencies around his children, they’d still pick up on it and be afraid of his moods. I think, with his immature development, he would have a lot of difficulty not descending to a teenager’s level of petty sniping if his teenage child did what teenagers do and started challenging him.

So… this is not painting a rosy picture. Don’t get me wrong, he’d try his best, and he would aim to be a good, supportive, and loving parent, but the man has issues. He wouldn’t be perfect. He might not even be good. He is Theo, after all.

Speaking of parenthood, let's get into some...

Family Matters

NO, they did not like each other. Their passive-aggression is as genuine as it is petty. They were the most divorced people to still technically be married.

Love was never in the cards for these two. The marriage was purely strategic, and all parties were aware of that. Leonard would have liked to have his wife love him, if only because it would be much more pleasant and convenient for him, but it wasn’t a requirement. He could seek love elsewhere if need be. He was always an opportunistic fellow that way.

Jo never held fondness for Leonard, either before or after their engagement. The marriage was at the behest of her father, and Jo had always put her duties to her family line above whatever selfish wants she might have had. She was willing to tolerate Leonard, which is about the best you could expect from her. However, he tried her patience too often to maintain even that level of camaraderie.

Leonard liked how Jo looked, and he liked the idea he had of her personality. Because Jo was deferential to her father, he assumed she would be similarly deferential to him. Hahaha. Not so. After her father passed, she inherited the Barony and thus, in her mind, the right to dictate the use of her family’s assets, the alliances she would forge with her noble connections, and the future of her estate. All her plans conflicted sharply with Leonard’s ideas of what he was going to do with the North’s influence, and he thought himself the keeper of their assets by patriarchal right. They clashed often and they both were too proud, power-hungry, and conniving to reconcile.

Leonard stayed because giving up the marriage would be giving up his avenue to social power. If he wanted to appear like he held the reins to potential allies and business connections, he had to stay in the manor, stay in Northcrest, and keep that ring on his finger. But he did take a very “I just live here” attitude to his home life. Jo stayed because her family’s long-held values maintained that it was her duty to do so, and to falter in her duties would be a permanent black stain on her good name. Also, it proved her superiority to the clearly weak-willed, dissolute Leonard, and that was an ego boost she wouldn’t pass up.

AHAHAH. THEO PEGGED FOR INBRED.

Yes, well, as you intuited, the Norths are one of those inbred noble families, like those you mentioned.

They’re a mage bloodline, and in the old days, mage nobility was a separate form of titled aristocracy from mundane nobility. Legitimate heirs had to have magical ability. If a mundane Viscount produced a mundane child, that was the end of the line of inheritance. Hence, noble mages in the Old Kingdoms only married other mages, to try to ensure their offspring could inherit their titles. While not all practiced inbreeding, it was a practice some families employed to try to “enhance” the magical ability and purity of their line, or just keep their wealth and power within their family (the Hyden family is another infamous example).

However, most magical lineages were wiped out during the fall of the Old Kingdoms, and those that survived were scattered to remote areas of the continent. Very few mages still exist, and the North family is one of the only lineages to survive “intact” to the modern day. They cling to their family’s history and their magical bloodline as their source of power and would never risk a union with a mundane. Like many other old traditions best left in the past, the Norths clung to the old ways, marrying within their line, inbreeding like an endangered species (which I suppose you could argue they were).

Of course, as the North’s numbers declined, the marriages shifted from pairing distant relatives to being cousin-cousin pairs. That level of consanguinity isn’t great for your offspring’s health or fertility, as it turns out, and further diminished their numbers (and options) until it came time for Jocosa to make their dying lineage limp along for another generation. By the time she was of age, there were no branches on the family tree left to harvest a husband from. Thus, the Norths needed to go further afield of the stagnant gene pool they’d been festering in.

Because of that, Theo is arguably a bit less inbred than previous generations of his family. The damage was already done, though. The fruits of the North’s unfortunate marriage practices have garnered them a deserved reputation for weak bodies, sick minds and dying young, and so far, Theo is two-for-three. We’ll see if he gets the triple.

Related to the above: if you haven’t realized already, the Norths are fucking freaks. Especially in the modern day of Amaranthine, caring about matching species in a marriage is seen as hyper-traditionalist, bizarre and absurdly impractical. But, well, the Norths are all those things. Jocosa’s parents were a stoat-stoat pair, their parents were stoat-stoat, and so on up the family tree, with maybe some rare exceptions where you might find a few polecats or minks scattered about in amongst the other long pointy-faced carnivores. Jocosa’s parents really would have preferred to have another mustelid marriage rather than wed their daughter to a rat.

But, that was a preference, and magical ability was a necessity. When Jocosa needed to marry, there were no other magical stoats, weasels, or even an otter for them to choose from.

That’s when an opportunistic young rat caught wind that there was a beautiful noble girl in need of a husband, just when he needed a rise in social station. Leonard was reasonably wealthy, and more importantly charming, quick-witted, and not afraid of lying his ass off to close a deal. He befriended Jocosa’s father and was able to delicately pick his way around or find loopholes in the Norths’ strict rules for marriage. Importantly for the Norths, Leonard had magical ability, albeit extremely weakly. You might say he was a sparkler while Jocosa was a flamethrower (in this analogy, in his prime, Hyden was an atomic bomb). Not ideal, but Leonard had enough magic to count as a mage for heir-producing purposes. Ultimately, Jocosa’s parents saw Leonard as the best option in a bad situation, rat or no. Preferable to dying out altogether, at least.

...

AND ON THAT, UH, HAPPY NOTE: thanks for reading and thank you all as always for sending questions about my little guy and being interested in him, even with all his slimy, weird, unpleasant foibles and flaws!

[dragoncxv360]

Drew Sun in this outfit from twitter yesterday

The outfit is drawn by @/Potari_vt on twitter, I would link it but they have minors dni in their bio so I assume there’s nsfw on their account and I’d rather not link it to be safe, just in case

Also got other people to draw it too XD (idk who all plans on sharing their version tho, they actually made theirs before I made mine tho, I just shared the outfit saying I was gonna draw Sun and Moon in it and people went ham XD)

I’ll prob draw Moon in it too at some point since it was really fun, I def wanna dress them both up more

Also I used oobbbear’s brushes for this and it was super super fun (not tagging them ‘cause I’m too nervous atm lol)

Small note under the readmore

Also a small request, while Sun is genderfluid in this au and goes by she/they/he, I would prefer people use she/they when making general comments about her since she rarely uses he/him. I understand that most suns go by he/him and that it’s not technically misgendering but it still makes me a bit uncomfy ‘cause she’s transfem and those aren’t her main pronouns, so I figure I should say something rather than continuing to be uncomfy. (Using he/him in like fic comments where she’s actually using he/him is totally fine, it’s just when it’s general convos about her that I would prefer she/they used rather than he/him).

It’s not anybody specific doing this, it’s just a general assumption that people make that Sun uses he/him so I’m gonna start clarifying when posting art that she goes by she/they mainly. If you have used he/him before, there’s no need to apologize, I don’t remember any specifics of who has and hasn’t used he/him. I just figure since it makes me a bit uncomfy, I should say something rather than letting it slide because on a technicality, it’s not misgendering.

Tbh it’s less so the pronouns themselves that bother me and more so that I know most people who see the art without knowing the au and her gender say he/him thinking that Sun is a guy. Which is an extremely understandable assumption, canonically Sun and Moon seem to go by he/it, and they/them as Eclipse. I 100% don’t blame anyone for assuming my Sun’s gender or pronouns. Which is why I wanted to clarify things, so people aren’t confused and unintentionally/accidentally making me a bit uncomfortable.

[randomyuu]

the way it follows you home, the stories i never told

My guy Vox once again graced us with lovely Goyuu fanfics, and the way it follows you home, the stories i never told, made me go FERAL.

Time travel? Two Gojou Satorus? Double affection for our sunshine Yuuji? Yuuji sandwich? What feels like possible continuation of (you'll whisper, serpent tongue) what you fear you have become???

FUCK.

I need to stop indulging my imagination too much. I should’ve been content with writing long-ass comments but noooooo, my brain goes “you gotta draw it”. DAMMIT VOX, YOU AND YOUR DELICIOUS WRITINGS HHHHHH

So… usually I should’ve picked a favourite scene that is within my drawing capability, but I just… love all three chapters??? So I made a questionable time investment? I can’t stop??? Help???

This is probably the most ambitious fanart project I’ve ever done so far. Fair enough, considering I might combust if I keep these welled-up emotions inside from reading Vox’s Goyuu fics. Fuck.

Fic info:

Title: the way it follows you home, the stories i never told

Author: @voxofthevoid

Pairing: YuuGoGo. Future!Yuuji, Future!Gojou, Teen!Gojou

(idk why I laugh writing YuuGoGo. I’m beyond help)

Currently, it is 3 chapters out of 8. And it’s gonna be NSFW chapter 4 onwards, so don’t forget to read the tags first, folks!

The drawings are under Read More, because I have lots of thoughts surrounding each chapter and drawings. It’ll be hella long if I didn’t hide it here. It was a mess down there. A combination of hours before, during, and after I read said fic. I’d say good luck finding the art among the sea of jumbled words but… you’ll find them easily. Don’t worry about it haha

SPOILERS FOR ALL 3 CHAPTERS! I highly recommend reading those first before diving into these drawings!

Also for the comics, read from right to left please!

From here on, I will be referring to the Future!Gojou as Gojou and the teenage one as Satoru.

Overall, drawing all these is fun! Really fun! This project pushed me quite hard, forcing me to test my limit (because I rarely draw this much back to back). Since this is a combination of drawings and comics, the coloring style will not be consistent. In a way, I want to try some brushes I never get to use, as well as try out my new graphic tablet. Drawing these got me giggling because I was finally able to let loose during line art. It's much easier to do so, and sometimes I just get to reread the fic and giggle to myself for the nth time.

CHAPTER 1:

Whooo. Whooooooooo—

Ok, ok, the premise is just that good. It intrigued me, fascinated me, and I just… oomph. I cannot refuse a Time Travel Yuuji Sandwich. Sign me up.

Honestly, there are two scenes that are just… a bit too clear in my mind when reading this chapter. That would be the one I drew above, and the other is when Yaga called Gojou to come outside of the class. I love, loooove how Vox wrote Satoru’s POV. And when Yuuji fucking giggles?

I lost it.

Can you imagine, drawing Yuuji grins, with shiny stuff, maybe some sunlight, just purely happy and indulging Gojou?

Help me, for I am drowning in my love and adoration for Yuuji.

Page 2 is an experiment on using harsh black as shading (kind of?). I really enjoyed colouring Yuuji, and drawing those buffalo skulls! I wish I can grasp the concept of contrast a bit better tho :v

CHAPTER 2:

This is probably the only chapter where I picture still images instead of comic panels. A bit like those cool chapter covers in mangas. The one I really, really want to draw is the scene with Satoru on the table. Can’t pass the opportunity to highlight Satoru being a brat, albeit a really cool brat.

Cool idea drawing always proves to be a challenge, because of course my artistic skill just so happens to be below the requirement. Thank you, Sketchfab, for the chair and desk’s perspective otherwise I’m screwed lmao

The second scene that I want to draw the most is this:

Gojou is one step away from climbing Yuuji. Also, I have a bit of a problem picturing a man pouting that makes him look crazy instead, so please have Gojou pouting adorably instead. Because, as Yuuji said (with love), Gojou is (also) a brat.

This is possibly my favorite art in this project, after Yuuji's in Chapter 1 page 2. It's clean because I don't have to draw background, and I was having a fun time drawing Yuuji. And Gojou's squishy cheek as well.

Oh, actually, there is a “manga” scene in this chapter. It’s when Yuuji said, “I love Satoru.”

I just—

AAAAAHHHHH YUUJIIIIIII YOU AND VOX ARE GONNA BE THE DEATH OF ME. That secure relationship between Yuuji and Gojou? Satoru’s description of how Yuuji’s smile could blot out the sun??? Not me screaming 💀 I also see bits of hints of possible co-dependency, though I could be reading those wrong, but either way I’m good. Secure and possessive relationships are fun to consume hhhhhh

But yeah. There are too many wholesome Yuuji smiles in this fic, and I… I am not confident enough to draw genuine happiness. It’s too much for me ∠( ᐛ 」∠)＿

For this chapter, another reason why I chose these two scenes is just because I want to try and draw cover-worthy pictures of Yuuji and Satoru, and Yuuji and Gojou (cough)

CHAPTER 3:

We start the chapter with Nanamin. Ah, Nanamin. I forgot what his teen self looked like and was surprised to see his design again lmao

I want to draw Yuuji and Nanami scene because… I just want to, I guess. I have never drawn him before (Yaga as well) so that's an interesting challenge. I got two ideas on how I want to draw it. One is a bit painting-esque, and the other one is like another chapter cover. In the end, I chose the cover one because I want to emphasise the difference between teen!Nanami and the Nanami from Yuuji’s original timeline, and how the watch feels like a connection between the same (yet not) person. It’s a bittersweet feeling? In a way?

I’m not really good at explaining my intention ∠( ᐛ 」∠)＿

I love Yuuji’s answer to Nanami's question.

AND FINALLY.

A Yuuji SandwichTM scene.

And oh B O I do I love it. Have I told you I like every chapter? I probably have. But this one? Satoru’s curiosity, Yuuji’s on-brand self-deprecation, and Gojou come strolling down to show more of Yuuji to his mini-self. I want to draw this whole scene, from Gojou finding them, feeding Yuuji snacks, bitch-slapping Satoru into the backroom, to Yuuji growling. Them trying to hide a boner from Yuuji’s growl got me cackling so hard I LOVE IT 😭

I love it all. Please love Yuuji in my stead, Satoru and Satonyan :3

Oh! Also! 40-finger Yuuji sounds really, really cool! I’ll be happy with whatever Vox will give us in future chapters, but 40-finger Yuuji… possible scene with this timeline’s Sukuna… my god. The action! The drama! The bloodshed! One can only hope.

However, as much as I love that whole scene, it’s still too much for me :”) I’m still not yet confident in delivering the humour and action. Also my already-long drawing plan had my brain groaning in protest so I can’t push my luck :'D

When Gojou said "He looks sweet, but he's a bit of a beast", I kept picturing Yuuji staring innocently, but there was an edge to his look. As if the moment Satoru looks away, he will pounce. But in the end I just stick with innocent-looking Yuuji because I accidentally drew his eyes that way and I want to keep it in lol

Since Satoru points out how soft and cuddly Yuuji is, I also want to draw soft Yuuji :v

And the last one… is the last scene. For some reason, I read that both Gojou and Satoru share Yuuji’s lap and was having a frustrating yet fun time figuring out how it’s… physically possible, without having their butts on the ground because they both are not small at all. As I lined the art, I reread it again and… perhaps I read it wrong? Satoru is beside Yuuji, and not on his lap? So yeah, this one might be the least accurate, but hey, at least you can view it as a crack drawing or something :v

AAAANNNDDD I HAVE EXCEEDED TODAY’S BRAIN CAPACITY OF FORMING WORDS

Have I told you I love this fic?

…I probably have.

Have an amazing week (❁´▽`❁)*✲ﾟ*