#I rarely draw these guys and I wanted to have some art for them

[cinnamon-flame]

I wanted to try painting again and honestly I'm really proud of these!

[hardbass]

tale of asaliveaslenin dot tumblr dot com

[soularsss]

Drawing Likeness: with Tem!

okaay since a few people actually showed interest in me sharing a bit of what I've been doing to figure out how to really capture likeness, specifically Temuera Morrison, I figured id do my best to write it out

I am also going to entice you with some of my recent clone art! (oooh some of it is unreleaaasedd)

I am putting the whole thing under the cut because I have a feeling its going to be long:

Read more!!!

a couple disclaimers before we start

-This is not some definite post about how everyone should be drawing clones, nor is it in any way claiming that this is the right way. This is just my musings as I stare at a mans face for way too long and try to replicate it

-I am inexperienced. As kind as you all are to me, drawing real people is relatively new to me, capturing a persons identity through their features is difficult for anybody, and I am no different. I have watched many a video on likeness and had my share of classes, but If im being honest, i rarely put it into practice successfully. So there'll probably be errors in this post or things i will come back to in a few months and wish I had said/done differently

ANYWAYs you guys get my vibe im just here to ramble and today we are rambling about mr copy paste. I am doing this for Law, my clone boy, because I plan on delving further into oc fanart and I want to put effort into representing him correctly!

SO LETS BEGIN

Before even deciding what specific pose of a person I want to draw, I tend to grab a bunch of references and compile them like so

(all of these can be found on my pinterest)

Why so many? Well, we are about to delve into facial features, so when we are dealing with photos we have to take into account that there are an abundance of circumstances that will influence how a persons face will appear, some of these include:

focal length: All of these are taken on different devices, and focal length can play a big part in distorting faces

age will play a part, your face changes a bunch throughout your life!

lighting, while not as major, can muddy the waters and make it difficult to interpret facial planes and features

SO, to make sure we get a proper grasp of what's really going on, I like to make sure we have lots of options to compare and contrast with.

Next up! What I like to do is block out the main facial features with colour on different layers, the features I block out usually are the general face shape, eyebrows, eyes, nose and lips. But what you are looking for is the defining features of a person, so that could include other things! Maybe a scar, or some particularly prominent cheekbones.

I dont have any rhyme or reason when it comes to picking my colours, all that matters is you can see all the shapes clearly.

Now I may be biased, because Ive been staring at these for 4 hours, but notice how it still looks like Tem? :D

Anyways, now we can break these parts down, and you'll see what I mean about compare and contrast:

We'll start with isolating the facial shape, putting all these next to eachother you'll notice they arent exactly the same (partly because of my shoddy work) But the distinguishing features run through each shape! Namely the very soft rectangular shape I sketched out in the bottom right there. Along with his soft, wide jaw structure.

I did the same for the rest of his features!

You'll notice I highlight the prominent shapes and ratios,

When drawing anything, it is important to start from the very base shapes and build up.

When drawing something you want to look like someone, those shapes relative to other shapes is what makes it look like them.

I didnt use the same technique with his eyes and lips, but I wrote out some helpful info for them! More importantly for his eyes.

When drawing eyes, I find the most important part is where exactly I draw the creases, (along with the overall shape of the eye itself) it is important to understand where those will present themselves with hooded eyes.

NOW, with an understanding of his facial features in place, lets take a detour to colours:

before I start, a couple things to note:

-Temuera morrison versus the clone troopers in the animated shows:

While I love the animated shows they don't exactly stay close to their source material. Im going to link here to an excellent post discussing whitewashing specifically in relation to the clones.

Temuera is Māori, of Te Arawa (Ngāti Whakaue) and Tainui (Ngāti Maniapoto, Ngāti Rarua) whakapapa, and also has Scottish and Irish ancestry.

The Māori people are the indigenous Polynesian people of mainland New Zealand (Aotearoa). Māori originated with settlers from East Polynesia. Māori people often vary in skin tone, Skin colour doesn't determine ethnicity. There's often a correlation but it's not a requirement.

But that is a tangent! What we are aiming for is to stay true to Temuera.

Bringing back my reference photos from before, Ive colour picked a buncha values and theyre all over the place. Why doesnt this work?

Similarly to earlier, you have to take into account the photos themselves. Many things like lighting, colour grading (when it comes to filmography) and makeup, can alter how a skin colour presents in photo.

You can attempt to get true to life by swatching from certain places on the face. Here I've tried to pick some photos with good lighting, and I've also tried to avoid overly lit/shaded areas.

Tem has a very warm, tan skin tone, Instead of colour picking I tend to try and replicate it myself, but I do often bring in references to make sure Im staying true to the source!

a brief intermission to talk about colour theory, something I myself struggle with alot. Often, when putting in flat colours without a background, I will forget to make sure the colours i intend to use will work with the skin tone i have picked! (something that is apparent in older works of mine, not just in relation to clones, but in general, the colours I end up with stray largely from their original sources and it is something I am doing my best to keep in mind and improve in! Although I don't think i am nearly experienced enough in the topic to say I have succeeded yet lol.)

anyways back to Tem :))

Now we can put all of that into practice! Things to keep in mind when drawing out a piece next to a reference like this:

the distance between the eyebrows? how far down his face does his nose go? Basically just, in relation to eachother, where do all those shapes we found earlier, sit?

The screenshot above is from before I did it myself, but instead of directly tracing from the reference, a handy trick I use it to complete your sketch first, and then overlay a traced version to see where your inconsistencies are! Alternatively, you could move your sketch over the image, but I didnt do it that way so!! uh!! im sure it works exactly the same!!!!

When it comes to a final illustration, or any sketch that isnt a direct study, of course you can push and pull and stylise! You'll see below that I'm not exactly 1:1 to my reference photo either.

The important thing with stylisation, or at least my own personal understanding of stylisation is that you need to thoroughly understand the thing you are stylizing! "You need to know the rules to break them" and all that. While shapes, lines and rendering can change, when it comes to drawing someone, and making it look like them, you have to make sure to keep their core features true to source. Caricature can capture a persons vibe whilst drastically exaggerating features, but it will only look like them if you KEEP THOSE FEATURES!!!! SHAPES!!! AHHH!!

But that is just my perspective on the discussion of style versus realism, please dont take is as Law, I dont know what Im on about half the time!!

anyways, after fixing your sketch, add local colours!

I rexified him because why tf not! But this is where you can go crazy with that clone personalization!

And then here is a very very barely rendered version (if you guys want me to explain how i RENDER that would need to be a completely different post, and I havent had anyone ask about it yet so who knows! maybe one day) But I digress, hopefully you learnt something new through my ramblings! It has certainly helped me organize my thoughts and I have also found some areas I would like to focus more on in the future to improve my own art!

TLDR: In order to understand an object, be it a face or a building or literally anything, you have to break it down to its simplest forms, understanding LARGER shapes will help you immensely in the long run

If you guys like this sorta content do let me know! I'd be down to do similar things for armor/anything really, I am very anti gatekeep so really anything at all you want to know! Send me an ask :))

also if you see a spelling mistake.. i don’t know how that got there

[candyje11yfish]

ty! \(^_^)/ feelin good so ill try answer in detail for ya!!!! 

most of the time i just do basic cell shading. here ill explain my rendering process after i choose my base colours, ill try keep it short & sweet!! nvm warning buckle up its really super long.

flat colours -> fully shaded!!

⭐️Picking shading colours!

usually it's just the base colour with +saturation OR a hue shift! i dont really lower brightness.

This is what i mean by HSB, i never use the colour wheel i prefer the sliders!!!

i like my art to look super colourful so i do things like shading pink with blue instead of with a darker pink or red, as shown in the above callie piece.

examples ft lumity:

skin: i always keep it very simple & cartoony! over the nose, below the eyes, the neck & sometimes the tips of the ears is where i'll put shading

hair: as u can See, it's not darker than the base colour at all!! for dark hair like luz's, i brighten & saturate the colour, and for light hair like amity's i just shift the hue a little!

⭐️more kewl tips:

colourpick from yourself!!!! instead of making a new colour for everything, try using a colour u already have down!!!! like below: by limiting my colour palette, it looks more harmonious

really messy image but i hope u get what i mean. also the "off white / black" thing is a separate choosing base colours thing!! i can expand on that if anyone's interested 😙

shove halftones in wherever they fit. here are the 2 pngs i use!! there a rlly good alt to gradients, i used a LOT of them in that callie piece!!! clipping mask over where u want it & alpha lock to change colour.

⭐️here's a WHERE i put the shading:

look st the environment ur guy is in!! pick where your light source is coming from & look where that light will hit and where it is blocked by something.

bounce light: the sun's light is also shining on the grass! so powerful the green reflects right back!

this is kinda more realistic lighting now.

i kinda just put a circle wherever theres a corner!

and i put that Beautiful Shape a lot wherever. i change it a little depending on the character, sometimes its triangular or squarey but thats the base shape! i dont even know what its called but i love it.

look at this hello weird shape guy!!!

actually, my grandfest art are probably some of the most detailed art i have! u can see urself where i put shading & stuff - they do have more desaturated colour palettes though:

& here are some additional examples ^_^ flat colour -> shaded -> multiply layer -> lighting

in this one u can see the hand & leg at the back are completely in shadow too :)

anyway i think that's kinda it? i dont really know how to explain it, i just do what feels & looks right to me??? remember that im Not an expert & this is just how i do things :)

i will always repeat my no1 tips tho: keep drawing!!! and copy ur fave artists!!!!!! it really will hell u find what u like!!!!!!!!!!!!

i hope this post helps a little & answers ur question😇 never be shy to ask me anything cuz i love answering & chattin w u guys!!!!

EDIT: just saying these arent set rules or anything!!!! u can see just how many times i Dont follow my own advice LOL. my artstyle is super inconsistent, i rarely draw things the same every time

[kozachenko]

[Click for better quality]

Ok yay I'm back from my vacation yipeeeeeee. I started this drawing of Keiki before I left and I was half considering just giving up on it.... until I did a short study of facial planes and then got motivated to work on this again! I'm glad I didn't give up on it though, as I'm actually really happy with this one!

Artist's Notes;

So as I mentioned in my last post about Touhou 17, I wanted to finish this by the game's five year anniversary but with how progress was going I didn't want to rush this so I decided to take a long break from it. Mainly because of the face. For a while now I was kind of feeling like I was stagnating with my drawings, not really in the clothing but in the bodies. There was something about the way I was rendering them that I just wasn't happy with, and after talking with someone else about this issue, I realized that the reason I felt this way was because the faces were too flat and didn't match the rest of the drawing and that I needed to find a way to make the rendering of the face feel consistent with everything else. So after doing a short study of the plains of the face (I used this 3D head model from art station as a reference for my short study, please go give this person some love as they are a lifesaver) I went back into this drawing and applied what I learned here. It was only after that that I finally became motivated to finish the piece, and while it started off as just a simple character sketch like Saki and Yachie's were, the moment I added in Keiki's little fire dragon I knew I had gotten in too deep and now here we are with a full on background. OK it's not super crazy or anything, but it gets the job done and it's better than there just being an empty void behind her. It's rare moments like this when I use brushes other than the Clip Studio Default Charcoal Brush and use the Clip Studio Default Paint Brushes as well (god bless the oil paint and dry gouache clip studio brushes, they were amazing). I don't know why but painting fire has always been really fun for me, there's something oddly satisfying about it y'know? I do think that another reason for this problem was because I was drawing faces like I would in my more sketchy style that didn't mesh well with my lineless style, so I'm glad I've started remedying that.

After adding in the fire dragon I had an idea to kinda make it feel like splash art in the way the composition works... probably because I have been playing Reverse 1999 again and it has taken over my brain. I do feel like Keiki's tools get a little lost in the composition, and I didn't fully render the metal parts of them mainly because I didn't feel like they needed it, but that's just something for me to improve on later down the line.

If you guys are wondering where I went for my vacation, I went to New York and got to go to the MET and the Museum of Natural History. In both places I found Kofun period stuff and I was so happy to see it you have no idea. I remember one of the Haniwa I saw had some neat face paint under the eyes that I tried to replicate with the makeup under Keiki's eyes in my drawing, though I think I'll gave to figure out how to draw makeup on characters because this reads more like blush to me than anything. While drawing this I also looked up some references of Kofun period jewelry and really liked the stuff I found, which also meant that now she has proper Kofun earrings instead of earrings shaped like Kofun tombs. I put some of the things I referenced with a closeup of Keiki's face as well down below. I made her outfit more reminiscent of the outfit I gave her at the beginning of the year with the buttons and all, though I do want to try and draw her in some more period accurate clothing like the Haniwa I took a picture of at the Museum of Natural History. I wish I could find a way to make her handercheif look better though as I wish I made it a little bit bigger, though I think I'm saying this because I've looked at this drawing for too long lmao. Once again something to work on for when I next draw her. Also want to get better at rendering hair, as some details (like the little strands in front of her ears) kinda got unreadable due to the similarities in colour lol.

Now you may have also noticed the little cracks I added onto Keiki's face, and that's because I have fallen in love with the idea of Keiki's body being made from ceramic and that she crafted her body herself. While they aren't very visible I also tried to add some doll joints to her body, which is an idea I played around with in the past but never went to far with. I also want to get better at rendering cracks in ceramic, porcelain, etc, as I'm not sure how those read in the drawing. I also have a headcanon where the cracks in Keiki's face show up because of heightened emotions, and while Keiki is aware of this and does her best to make sure her face doesn't break off.... she will still end up with at least a few cracks during any given day, and she can often forget to repair her own body quite frequently so Mayumi has to remind her quite a lot. Mayumi even taught herself some basic sculpting techniques to help repair parts of her body that are so badly damaged to the point where Keiki can't repair them herself, i.e. if both her arms broke off, Mayumi would put them back together for her so Keiki can at least have something to repair herself with rather than nothing. I also like to imagine that if Keiki created her own body, if you took a look at Keiki from the beginning of her life she would look completely different compared to now.

BTW If you guys are wondering what a very very angry Keiki looks like....ok in order for this to make sense have any of you read volume 11 of Land of The Lustrous? Am I bringing back some memories for those of you that have? Ok good, glad we all got that mental image brewing in our minds, I'll probably draw a version of Keiki that is somewhat inspired by that one day as it's an idea I've had for a little while now. And to those who haven't gotten to that volume yet and are confused.... don't worry about it, just keep reading :)

[eternalfics]

Saiki with a talented gen!reader? Reader loves drawing but rarely focuses in school because of it. And they met due to them basically going up to Saiki and asking for his notes (they wanted to see him closer to draw him better, hehe)

saiki with an artist!reader

a/n: this request is SO cutee 🤭 u have no idea what you’re about to read ❤️❤️

summary: basically the title 🤪

warnings: mention of death

saiki automatically thinks you’re a loser when he sees you for the first time. he just thinks you’re a typical student, not interested in the lesson and would rather die than being there.

so when you sit across from him in the room he’s a little glad. but when the lesson ends, you quickly come up to him, making saiki sigh. you come up saying exactly what saiki thought you would say.

Scenario

“hey, saiki right?” you ask saiki, he looked like a person that you shouldn’t be messing with. it’ll be fine, he looks nice and you’re sure that his actual personality is nice too! he only nods. “um, okay,” you chuckled nervously, “I was wondering, can I borrow your notes? I just need to confirm some things..” you asked slowly.

saiki really was majestic! you could see his face more clearly, his intimidating, plum-coloured eyes were covered by his glasses. you wish that you could look into them more clearly without them and- he’s holding out a paper? oh! the notes.

you don’t really need them though. you looked into your notebook, only to see that it’s full with drawings. on second thought, maybe you do need it?

Headcanons

ever since you guys got together, saiki’s room has been full of the drawings that you give him. you thought that he started throwing them away as you started giving him a LOT. but the first time you went to him house- and in his room, you almost cried and saiki almost exploded.

you searched up how to make stickers one time with drawings, and you couldn’t stop making them! you asked saiki one time if you could put them somewhere in his room, he immediately said a huge NO.

saiki groaned as you begged for the 145th time and he finally gave in! it’s just one sticker, right? it couldn’t hurt.

. . .

saiki was wrong. you had put more than 10… he didn’t mind though, he thought that your stickers were pretty. but he’s not telling you that though!

he sometimes doodles with you (only when you ask him, he can’t be bothered to do it by himself) and you fill an entire page! for you that’s not much, but to saiki it was special. it was pure art, BETTER than the Mona Lisa. (he didn’t let you throw it away and he kept it in his room.)

“kusuo it’s not that special! we can always draw more, now let me throw it away,”

“no! it’s not like it’s that special just.. just let me keep it.

[biasbuck]

BiAsBuck’s ficrec Fridays

We're so back baby! Happy weekend everyone, apologies for the delay whilst I've been away travelling. I HAVE been reading lots on my trains however, so here's another round of the fic I've been reading this fortnight whilst not actively flailing over the glorious new episodes. As always you can find previous rec lists here. Some light spoilers for new episodes.

6 October 2024

still the bone remembers, still it wants by @eddiebabygirldiaz in which 'Eddie goes to therapy and learns how to want. Buck helps.' Ohhh I absolutely adored following along on this ride as a wip and now it's complete in all its glory! From his childhood responsibilities looking after his sisters, through the events of season 4 and 5, Eddie struggles with identifying what he wants in life, and Frank gives him homework to make a list of simple desires for just himself. What follows is a beautiful journey of unpacking what's in his heart, with the most gorgeously in love and enamoured Buddie. The imagery in this fic melted me, from the orange tree to dancing and more. Indulgent in the best possible way. I'm still swooning from how much they love and laugh together!

tell you my sins (sharpen your knife) by @sonofatoasterwaffle from sweetness to....Hot Priest Smut! (And yet somehow, still sweet?!) This is gloriously fun and filthy and a little tongue in cheek crack treated seriously, in which Eddie deals with his recognition of his feelings for Buck by fucking a Priest about it....and makes Fleabag eat her heart out. It's 'for anyone who dreams about reclaiming pieces of the religion that hurt them in a fun and sexy way.' Featuring incredibly funny Bobby along the way. Poor guy.

oh what a terrible honor it's been (to learn that my blessings are things you call sins) by @capseycartwright on the other end of the Catholic Guilt explorations comes this 'Hey God, it's me, Eddie. I hope you don’t mind that I’m sitting in your house thinking gay thoughts.' In which Eddie seeks various methods of support in dealing with the fallout from season 7, from therapy to a veterans group to reexamining his childhood and his relationship with God. Really beautifully achey and cathartic and uplifting.

Take My Oxygen (This Plane is Going Down) by @letmetellyouaboutmyfeels ahhh I had so much fun reading this! Buck is a succubus, and the firefam a mix of fae and humans in the know about the magical world. Eddie is a new recruit, and he can't help but find Buck mesmerising as they become best friends. But Buck has been coping with his inadvertently fatal (to his partners) natural state through a series of unhealthy mechanisms and it's taking its toll. When we say Eddie would step over the body to help support Buck...this is this fic! And yet it's also so supportive and sexy and a weaves in canon in such surprisingly effective ways!

the moon don't hang quite as high by @glorious-spoon in which 'after Bobby and Chris leave, Buck breaks up with his boyfriend, tries not to punch his new boss, and worries about Eddie.' I am so incredibly obsessed with the dialogue in this fic, it captures Buck and Eddie's voices and idiosyncrasies so well and the patter of their banter and friendly bickering, particularly how weird they are about their own and each others relationships (affectionate.)

The Write Way To Love by @spotsandsocks this was such a cute AU, in which Buck is an anxious children's fantasy author and Chris (and Eddie) are some of his biggest fans. Running an art competition for children to submit their drawings to be printed in his next book, the elusive E. Buckley makes a rare public appearance and bumps into single Dad Eddie, where sparks fly. Can Buck get over the voice in his head self sabotaging his path to happiness? This fic hit very close to home and I had so much fun reading it, and loved Christopher's voice in it so much!

a sweetheart (to hold when i'm alone) by @clusterbuck at all times on my Give That Man A Cat agenda, directly following on from the zoom call in 8x01, Eddie finds a stray in his back yard, adopts her and falls in love. Things might not be healed with Chris but perhaps they can take tentative steps forward. Eddie holding on to the mask even as it fractures, and yet not giving up, finding inner strength and outlets for all the love he holds in his heart.

cool dry place by @gayeddieagenda 'After a long summer, Buck and Eddie try to figure out if this is the right time.' Another which just nailed the voices so well, I love the patience of this fic, a really lovely look at restraint and allowing grace time to heal and feel surety, without punishing characters for needing time, and with a beautiful sense of precipice for a new relationship.

And finally two tumblr fics from @hotshotsxyz, the taste of iron a powerful alternate ending following 8x01 (what if Buck hadn't tackled Gerrard) with a brilliantly effective mirroring of the shooting arc, and a hilarious Brad Torrence POV fic from 8x02 this method acting (might pay our bills) in which we hear his inner monologue whilst riding in the back of the stolen fire engine with Bobby and Buck. Perfection!

That's it for this week, bee seeing you soon after Athena and Jem land this plane!

[kwillow]

Mail time. Theo clearly isn't the best candidate to lecture people on "good manners" but that's not going to stop him.

Also using this as a header for more LORE RAMBLES: THEO EDITION, because again I have more interesting asks about Theo than I can answer with drawings -- so REAMS OF WORDS it is!

Questions and answers under the cut...

Well, Theo isn’t terribly fond of the guy. He’s never met him, of course, but from his research into Old Kingdom history, he thinks of Ambroys as a conceited, shallow, disloyal, cowardly liar – and he’s not exactly wrong, ha.

If they met in the past, when Ambroys was his cocky, younger self, I think Ambroys would take advantage of Theo’s poor social skills and unpopularity by bullying him for some cheap points with other people who would find amusement in that. Ambroys wouldn’t have much use for him otherwise. Theo would spend far more time seething about Ambroys and plans for his revenge on that POMPOUS POPINJAY than Ambroys would spend thinking about Theo at all.

If they met in modern times – well that’s something we’ll address eventually, but Theo and Ambroys would not get along much better. Present-day Ambroys does not like mages one bit. Also, he is quite used to being literally worshipped. A little hater like Theo would not be looked upon kindly.

Thank you!! Now you too are present in a lore dump!

Theo is indeed a fan of the performing arts, and art in general (though he is, predictably, very particular in his tastes). Opera and such was performed during Ambroys’ time, and much of it was likely lost during the apocalyptic era between the time of the Old Kingdoms and the modern day, but I imagine some scant examples of the genre (and traditional plays by the likes of Furry Shakespeare, because Shakespeare is one of those people who just exists in every universe no matter how bizarre) would still survive into the Theo’s time.

Theo’s hometown of Northcrest would be too small and rural to have a real theatre, so experiencing “proper” performances would be rare treats for him, when he followed his mother on business excursions to the rich districts of Ironfrost. I love that you picked up on the fact that he would want his own private box, haha. He wants to observe, not be observed!

You’re right that musicals would probably still be in their vaudeville and burlesque era, and Theo would find them to be distasteful, vulgar pap suited only for the soft, feeble minds of the unwashed masses, not a refined intellectual like himself. (Which is funny because I think a real-world modern-day Theo would like musicals because in some ways, he is a theater kid without the charisma or confidence to actually perform.) While his mother did not enjoy theatre to the same extent he did (her tastes were more in feats of choreographry and human/anthro excellence like ballet), they would bitch about the decline of society together if they saw a poster for one of those terrible, gaudy cabaret catastrophes. In general, Theo hates anything modern and likes anything old-fashioned, and that shifts according to the decade he lives in. An Amaranthine Theo would hate swing music, but a real-world modern-day Theo would like it. Embarrassing!

Also, he will memorize and quote his favorite soliloquies at people for the faintest of reasons. Don’t test him.

No, I don’t think Hyden has strong enough arms or a sturdy enough back to lift an entire person, even one as little as Theo. Hyden might be large but he’s not as powerful as his height and bulk make him look. I think even Theo is more physically adept than Hyden is (and that’s not saying much).

Also, while he would learn to tolerate it from someone like Hyden (in the same way your cat might begrudgingly tolerate you grabbing their little feet), Theo does not like being picked up by people. I can speak from experience than when you’re a short person, people love to pick you up randomly to establish dominance and it’s not a very dignified experience. Theo has a hard enough time being taken seriously even without being lugged about like a wheezing sack of flour.

Theo would be the first to inform you he is not the person to consult on romantic matters. At the same time, he would still give his advice: stop being a fatuous little fool and turn your efforts to matters of greater importance, like work or supporting your family or collecting every edition of your favorite encyclopedia or hitting your head against a wall. All would be better ways to spend your energy.

(I think you’re alluding to a person with a crush on him – God knows why such a person would exist in his universe – asking him for romantic advice, but I feel compelled to specify that the message he’d give a man seeking instructions on how to deal with a lady would be akin to “GET A JOB. STAY AWAY FROM HER”)

(Or maybe you mean someone Theo has a crush on? Well, the answer would be the same. Theo isn't duplicitous enough or proud enough to try to swindle someone towards viewing him as a romantic prospect. But he sure wouldn't suggest they get with someone else. NO ONE IS ALLOWED TO BE IN LOVE. STOP IT, HE SAYS.)

Yes, those are self-inflicted injuries. He’s had a compulsion to bite and scratch himself ever since he was a kid. Sometimes as a punishment, sometimes as a ritual to quell distressing thoughts, sometimes out of the need to replace distressing sensations and events that are out of his control with one that is in his control, no matter how painful.

He does not particularly value his body nor its integrity. However, he is aware the scars are alarming, and finds them somewhat embarrassing reminders of his flaws in self-regulation. He deals with both the sight of the scars and the urge to harm by wearing his gloves, which is something he started doing in his late teens – they cover the marks and help redirect him by replacing the sensation of flesh with fabric when he goes to bite down.

On your question about Theo’s body-image: no, he does not care for how he looks. He likes that his eyes are grey (like mother’s) and that his fur is monochrome (like mother’s), and if pressed he might say the eyebrows aren’t bad, except for the parts where he’s pulled the hair out of them, but that’s it. He hates that he’s not just short but dwarfish, he does not like his heavy-set build, he would not choose to be born a rat, he despises his face, his teeth repulse him, he at least can make peace with the fact that he can’t grow facial hair because he’d never want a mustache like his father’s but it’s still somewhat emasculating, and on and on and on with the insecurities. He definitely feels physically inferior to other males. Your average man is not only much, much taller than him (and the world is cruel to a short king), but stronger and more classically virile as well. But he makes the best of that by dismissing those physical qualities as consolation prizes afforded to males who are obviously inferior to him intellectually, morally, and spiritually. He doesn’t care for brutes, but he doesn’t highly value machismo anyway… He thinks of himself as a gentleman whose best qualities reside in his mind and actions. A man who is reedy and petite but smarter or more charismatic than him is much more threatening to his ego than the bulkiest bruiser. (However, he will still try to fight both for dominance, either physically or verbally, and probably lose.)

Theo is highly offended and disgusted by nudity, both other’s and his own. Even states of mild undress are distressing to him, hence why he looks away when buttoning Hyden’s shirt. He’s willing to stomach some discomfort when it comes to helping a loved one, but only if it’s strictly necessary. He would pointedly not look and scold someone, even someone he was more comfortable with, if they were “too underdressed,” and freak out if they came into his vicinity in the nude. I think it would take years of gradual desensitization to lessen his negative reactions to nudity. It’s not just him being fussy, it borders on a phobia.

(Haha this shows how long I sit on asks before I get around to answering them SORRY...!!!!)

I don’t talk about it a lot because while the character’s sexual orientations do inform their lives and development, romance and sex are not usually at the top of my priority list when it comes to my stories… but I’ve alluded and mentioned directly that Theo is “canonically” bisexual (always feels weird to say “canon” about my imaginary friends, ha). But he is in denial/in the closet about it. Of course, he wouldn’t be aware of the concept of “bisexuality”, nor would that exact label exist in his world, so it’s not like he would identify that way even if he wasn’t repressing hardcore.

He is revolted by sex and intimacy, but that’s more due to his psychological baggage, his perception of his parent’s relationship and his cultural mores than something necessarily inborn or inherent to him.

(Hyden is actually Also Straight, possibly even straighter than Ambroys if we’re measuring by “creator’s admittance that character may be bi-curious one day.” I have a track record.)

Only if it’s karmic in some way, involving a person or persons he’s already predisposed to hating. Granted, dying of one’s own stupidity would be a form of justice in his eyes, but there’s limitations to that. Hearing about, say, an incident like Nutty Putty cave would not be amusing even though he would argue it’s the cave explorer’s “own fault” for going in there because it was such a gruesome and prolonged end, far outweighing the punishment Theo would find fair for such hubris. Of course, if the same cave explorer bullied him in prep school, then yes, it would be hilarious.

I don’t have a character named Herbert, so I am assuming you mean Theo here, from context. :’D

I’d like to draw Theo practicing his fencing some day! It’s on The List along with, er, fifty other drawings, ha. There’s just so much I need to make and so little time…

But besides that, Theo is not a particularly sporty guy. He doesn’t tend to enjoy competitive sports, either participating or watching. Physically he’s just not suited to them, and his schoolboy days did not endear him to them.

He does enjoy taking walks and admiring picturesque landscapes. He also hunted with his mother. One of the duties of the Norths is (or was, before he started shirking all his duties to focus entirely on his madness quest) to eliminate monstrous predators lurking on the outskirts of their territory before they could terrorize the mundane locals. Mages can sense magic, and thus are more capable of tracking down and felling corrupt magical beasts than your average person. Also, sometimes one wants a pheasant for dinner on special occasions. So, he grew up learning to hunt, and he’s decent with a rifle. He doesn’t go out to do much anymore, though. His mother’s death and subsequent self-imposed isolation exacerbated his already present issues with social phobia and paranoia, so he doesn’t feel safe outside his house. Someone could see him out there, and Something could happen. (He isn’t sure what exactly, but surely nothing good.)

During the course of Amaranthine’s story he is, of course, forced to go outside again and travel, so he’ll rediscover his hobby of killing animals again. …Good for him. I suppose.

(This is in reference to the tags I put on my post of Theo's romance meme: #ok one piece of commentary: brain problems + highly repressed upbringing = where i put theo on the kinky slider. it had to be there #you should think less '50 shades' and more '50 year old guys waxing poetic about quicksand scenes in old adventure films' for that one #he's not a quicksand guy. but that's the vibe.)

Hahaha, I appreciate your curiosity, but I’m not sure if it’s a terrific idea to share Theo’s “quicksand” equivalents. Alas, I don’t want to encourage the perception that my characters exist to be romantic or sexual wish-fulfillment, instead of the dysfunctional little narrative fidget toys they are, by going too in-depth too often on their hypothetical sex lives. Also, I get my (un)fair share of fetish-mining asks, and if I mention certain kinks, the senders of those asks might think they can wheedle that kind of smut art from me, which… is not the case, even if I did like the things Theo is partial to. Frankly, I don’t have time to draw smut art when I have so many comics of my characters angsting at each other that I ought to be drawing instead!!!

Anyway, complaining over. But I do know what Theo’s “interests” are, and don’t worry, they are suitably cringe. I find amusement in giving embarrassing proclivities to all my favorite characters, even if it will never come up in their stories. It keeps them humble.

The Theo befriending scenarios are becoming more elaborate…!

Magic can’t really do that in Amaranthine (it’s more limited than a lot of people think)! But even if you could, I think Theo might realize something was off eventually. Granted, he is blind to a lot of manipulation when he trusts someone, and for his own stupid reasons he trusts Hyden, so that alone would provide cover for some time. Being nice to him in Hyden’s guise might even fulfill some boyhood dreams of his, so that helps too. Still, I don’t think anyone but Hyden could manage to act like Hyden forever.

Theo abhors liars, manipulators, and traitors (I know, this is very funny considering I just talked about how Theo likes Hyden – again, Theo is not a great judge of character). While he would be mortified at his own gullibility, it’s not like he’d spare you any judgment for being the one to take advantage of his hospitality in the first place.

So, in attempting to befriend him, you would have 1) caused harm to someone he has charged himself with protecting by kidnapping Hyden, 2) committed the sin of deceiving him and 3) wounded his ego by exposing a huge vulnerability in his psychological armor. These are not crimes he is likely to excuse. Among Theo’s many faults are his capacity for spite and appetite for disproportionate vengeance. In other words, he would want to hurt you very, very badly.

Anyway, in summation, this is not a great way to try and win Theo’s affection. If befriending something hostile is what you’re after, I’d recommend purchasing a pet cobra or something, it would be more rewarding and less difficult to manage.

Ooh, this is another one of those “it depends” sort of questions… an Amaranthine Theo is completely unsuited for parenthood because he is just totally off his rocker and devoted to an impossible, nature-impugning, corruptive madness quest, so there’s not really much space left in his brain for any of the tasks involved in parenting.

Also, how well and in what way he would approach parenting would depend on if he has a partner and who they are, if the kid is biological (and therefore an extension of the North line) or adopted (and therefore might be spared some of those expectations), and what the kid or kids are like.

But, I’ll try to speak generally. He does put an importance on family so he would not be neglectful. In fact, I think he’d tend towards being smothering, way too over-protective. He would have high expectations for their academic career (despite flopping in his own) and would be upset if his children didn’t share his interest in intellectual pursuits. He lacks a lot of knowledge about life, and so he wouldn’t be able to pass that on to his children, despite desiring that they be self-sufficient and capable. He would try and keep them from being romantically involved until they could marry, which he wouldn’t think would be difficult considering how he himself is, but I think he would be disappointed and frustrated by the fact that most people (and therefore probably his kids) aren’t so averse to macking on other teenagers in their school days. His tendency towards being neurotic and temperamental would be an issue, and I think even if he tried to control his explosive tendencies around his children, they’d still pick up on it and be afraid of his moods. I think, with his immature development, he would have a lot of difficulty not descending to a teenager’s level of petty sniping if his teenage child did what teenagers do and started challenging him.

So… this is not painting a rosy picture. Don’t get me wrong, he’d try his best, and he would aim to be a good, supportive, and loving parent, but the man has issues. He wouldn’t be perfect. He might not even be good. He is Theo, after all.

Speaking of parenthood, let's get into some...

Family Matters

NO, they did not like each other. Their passive-aggression is as genuine as it is petty. They were the most divorced people to still technically be married.

Love was never in the cards for these two. The marriage was purely strategic, and all parties were aware of that. Leonard would have liked to have his wife love him, if only because it would be much more pleasant and convenient for him, but it wasn’t a requirement. He could seek love elsewhere if need be. He was always an opportunistic fellow that way.

Jo never held fondness for Leonard, either before or after their engagement. The marriage was at the behest of her father, and Jo had always put her duties to her family line above whatever selfish wants she might have had. She was willing to tolerate Leonard, which is about the best you could expect from her. However, he tried her patience too often to maintain even that level of camaraderie.

Leonard liked how Jo looked, and he liked the idea he had of her personality. Because Jo was deferential to her father, he assumed she would be similarly deferential to him. Hahaha. Not so. After her father passed, she inherited the Barony and thus, in her mind, the right to dictate the use of her family’s assets, the alliances she would forge with her noble connections, and the future of her estate. All her plans conflicted sharply with Leonard’s ideas of what he was going to do with the North’s influence, and he thought himself the keeper of their assets by patriarchal right. They clashed often and they both were too proud, power-hungry, and conniving to reconcile.

Leonard stayed because giving up the marriage would be giving up his avenue to social power. If he wanted to appear like he held the reins to potential allies and business connections, he had to stay in the manor, stay in Northcrest, and keep that ring on his finger. But he did take a very “I just live here” attitude to his home life. Jo stayed because her family’s long-held values maintained that it was her duty to do so, and to falter in her duties would be a permanent black stain on her good name. Also, it proved her superiority to the clearly weak-willed, dissolute Leonard, and that was an ego boost she wouldn’t pass up.

AHAHAH. THEO PEGGED FOR INBRED.

Yes, well, as you intuited, the Norths are one of those inbred noble families, like those you mentioned.

They’re a mage bloodline, and in the old days, mage nobility was a separate form of titled aristocracy from mundane nobility. Legitimate heirs had to have magical ability. If a mundane Viscount produced a mundane child, that was the end of the line of inheritance. Hence, noble mages in the Old Kingdoms only married other mages, to try to ensure their offspring could inherit their titles. While not all practiced inbreeding, it was a practice some families employed to try to “enhance” the magical ability and purity of their line, or just keep their wealth and power within their family (the Hyden family is another infamous example).

However, most magical lineages were wiped out during the fall of the Old Kingdoms, and those that survived were scattered to remote areas of the continent. Very few mages still exist, and the North family is one of the only lineages to survive “intact” to the modern day. They cling to their family’s history and their magical bloodline as their source of power and would never risk a union with a mundane. Like many other old traditions best left in the past, the Norths clung to the old ways, marrying within their line, inbreeding like an endangered species (which I suppose you could argue they were).

Of course, as the North’s numbers declined, the marriages shifted from pairing distant relatives to being cousin-cousin pairs. That level of consanguinity isn’t great for your offspring’s health or fertility, as it turns out, and further diminished their numbers (and options) until it came time for Jocosa to make their dying lineage limp along for another generation. By the time she was of age, there were no branches on the family tree left to harvest a husband from. Thus, the Norths needed to go further afield of the stagnant gene pool they’d been festering in.

Because of that, Theo is arguably a bit less inbred than previous generations of his family. The damage was already done, though. The fruits of the North’s unfortunate marriage practices have garnered them a deserved reputation for weak bodies, sick minds and dying young, and so far, Theo is two-for-three. We’ll see if he gets the triple.

Related to the above: if you haven’t realized already, the Norths are fucking freaks. Especially in the modern day of Amaranthine, caring about matching species in a marriage is seen as hyper-traditionalist, bizarre and absurdly impractical. But, well, the Norths are all those things. Jocosa’s parents were a stoat-stoat pair, their parents were stoat-stoat, and so on up the family tree, with maybe some rare exceptions where you might find a few polecats or minks scattered about in amongst the other long pointy-faced carnivores. Jocosa’s parents really would have preferred to have another mustelid marriage rather than wed their daughter to a rat.

But, that was a preference, and magical ability was a necessity. When Jocosa needed to marry, there were no other magical stoats, weasels, or even an otter for them to choose from.

That’s when an opportunistic young rat caught wind that there was a beautiful noble girl in need of a husband, just when he needed a rise in social station. Leonard was reasonably wealthy, and more importantly charming, quick-witted, and not afraid of lying his ass off to close a deal. He befriended Jocosa’s father and was able to delicately pick his way around or find loopholes in the Norths’ strict rules for marriage. Importantly for the Norths, Leonard had magical ability, albeit extremely weakly. You might say he was a sparkler while Jocosa was a flamethrower (in this analogy, in his prime, Hyden was an atomic bomb). Not ideal, but Leonard had enough magic to count as a mage for heir-producing purposes. Ultimately, Jocosa’s parents saw Leonard as the best option in a bad situation, rat or no. Preferable to dying out altogether, at least.

...

AND ON THAT, UH, HAPPY NOTE: thanks for reading and thank you all as always for sending questions about my little guy and being interested in him, even with all his slimy, weird, unpleasant foibles and flaws!

[randomyuu]

the way it follows you home, the stories i never told

My guy Vox once again graced us with lovely Goyuu fanfics, and the way it follows you home, the stories i never told, made me go FERAL.

Time travel? Two Gojou Satorus? Double affection for our sunshine Yuuji? Yuuji sandwich? What feels like possible continuation of (you'll whisper, serpent tongue) what you fear you have become???

FUCK.

I need to stop indulging my imagination too much. I should’ve been content with writing long-ass comments but noooooo, my brain goes “you gotta draw it”. DAMMIT VOX, YOU AND YOUR DELICIOUS WRITINGS HHHHHH

So… usually I should’ve picked a favourite scene that is within my drawing capability, but I just… love all three chapters??? So I made a questionable time investment? I can’t stop??? Help???

This is probably the most ambitious fanart project I’ve ever done so far. Fair enough, considering I might combust if I keep these welled-up emotions inside from reading Vox’s Goyuu fics. Fuck.

Fic info:

Title: the way it follows you home, the stories i never told

Author: @voxofthevoid

Pairing: YuuGoGo. Future!Yuuji, Future!Gojou, Teen!Gojou

(idk why I laugh writing YuuGoGo. I’m beyond help)

Currently, it is 3 chapters out of 8. And it’s gonna be NSFW chapter 4 onwards, so don’t forget to read the tags first, folks!

The drawings are under Read More, because I have lots of thoughts surrounding each chapter and drawings. It’ll be hella long if I didn’t hide it here. It was a mess down there. A combination of hours before, during, and after I read said fic. I’d say good luck finding the art among the sea of jumbled words but… you’ll find them easily. Don’t worry about it haha

SPOILERS FOR ALL 3 CHAPTERS! I highly recommend reading those first before diving into these drawings!

Also for the comics, read from right to left please!

From here on, I will be referring to the Future!Gojou as Gojou and the teenage one as Satoru.

Overall, drawing all these is fun! Really fun! This project pushed me quite hard, forcing me to test my limit (because I rarely draw this much back to back). Since this is a combination of drawings and comics, the coloring style will not be consistent. In a way, I want to try some brushes I never get to use, as well as try out my new graphic tablet. Drawing these got me giggling because I was finally able to let loose during line art. It's much easier to do so, and sometimes I just get to reread the fic and giggle to myself for the nth time.

CHAPTER 1:

Whooo. Whooooooooo—

Ok, ok, the premise is just that good. It intrigued me, fascinated me, and I just… oomph. I cannot refuse a Time Travel Yuuji Sandwich. Sign me up.

Honestly, there are two scenes that are just… a bit too clear in my mind when reading this chapter. That would be the one I drew above, and the other is when Yaga called Gojou to come outside of the class. I love, loooove how Vox wrote Satoru’s POV. And when Yuuji fucking giggles?

I lost it.

Can you imagine, drawing Yuuji grins, with shiny stuff, maybe some sunlight, just purely happy and indulging Gojou?

Help me, for I am drowning in my love and adoration for Yuuji.

Page 2 is an experiment on using harsh black as shading (kind of?). I really enjoyed colouring Yuuji, and drawing those buffalo skulls! I wish I can grasp the concept of contrast a bit better tho :v

CHAPTER 2:

This is probably the only chapter where I picture still images instead of comic panels. A bit like those cool chapter covers in mangas. The one I really, really want to draw is the scene with Satoru on the table. Can’t pass the opportunity to highlight Satoru being a brat, albeit a really cool brat.

Cool idea drawing always proves to be a challenge, because of course my artistic skill just so happens to be below the requirement. Thank you, Sketchfab, for the chair and desk’s perspective otherwise I’m screwed lmao

The second scene that I want to draw the most is this:

Gojou is one step away from climbing Yuuji. Also, I have a bit of a problem picturing a man pouting that makes him look crazy instead, so please have Gojou pouting adorably instead. Because, as Yuuji said (with love), Gojou is (also) a brat.

This is possibly my favorite art in this project, after Yuuji's in Chapter 1 page 2. It's clean because I don't have to draw background, and I was having a fun time drawing Yuuji. And Gojou's squishy cheek as well.

Oh, actually, there is a “manga” scene in this chapter. It’s when Yuuji said, “I love Satoru.”

I just—

AAAAAHHHHH YUUJIIIIIII YOU AND VOX ARE GONNA BE THE DEATH OF ME. That secure relationship between Yuuji and Gojou? Satoru’s description of how Yuuji’s smile could blot out the sun??? Not me screaming ���� I also see bits of hints of possible co-dependency, though I could be reading those wrong, but either way I’m good. Secure and possessive relationships are fun to consume hhhhhh

But yeah. There are too many wholesome Yuuji smiles in this fic, and I… I am not confident enough to draw genuine happiness. It’s too much for me ∠( ᐛ 」∠)＿

For this chapter, another reason why I chose these two scenes is just because I want to try and draw cover-worthy pictures of Yuuji and Satoru, and Yuuji and Gojou (cough)

CHAPTER 3:

We start the chapter with Nanamin. Ah, Nanamin. I forgot what his teen self looked like and was surprised to see his design again lmao

I want to draw Yuuji and Nanami scene because… I just want to, I guess. I have never drawn him before (Yaga as well) so that's an interesting challenge. I got two ideas on how I want to draw it. One is a bit painting-esque, and the other one is like another chapter cover. In the end, I chose the cover one because I want to emphasise the difference between teen!Nanami and the Nanami from Yuuji’s original timeline, and how the watch feels like a connection between the same (yet not) person. It’s a bittersweet feeling? In a way?

I’m not really good at explaining my intention ∠( ᐛ 」∠)＿

I love Yuuji’s answer to Nanami's question.

AND FINALLY.

A Yuuji SandwichTM scene.

And oh B O I do I love it. Have I told you I like every chapter? I probably have. But this one? Satoru’s curiosity, Yuuji’s on-brand self-deprecation, and Gojou come strolling down to show more of Yuuji to his mini-self. I want to draw this whole scene, from Gojou finding them, feeding Yuuji snacks, bitch-slapping Satoru into the backroom, to Yuuji growling. Them trying to hide a boner from Yuuji’s growl got me cackling so hard I LOVE IT 😭

I love it all. Please love Yuuji in my stead, Satoru and Satonyan :3

Oh! Also! 40-finger Yuuji sounds really, really cool! I’ll be happy with whatever Vox will give us in future chapters, but 40-finger Yuuji… possible scene with this timeline’s Sukuna… my god. The action! The drama! The bloodshed! One can only hope.

However, as much as I love that whole scene, it’s still too much for me :”) I’m still not yet confident in delivering the humour and action. Also my already-long drawing plan had my brain groaning in protest so I can’t push my luck :'D

When Gojou said "He looks sweet, but he's a bit of a beast", I kept picturing Yuuji staring innocently, but there was an edge to his look. As if the moment Satoru looks away, he will pounce. But in the end I just stick with innocent-looking Yuuji because I accidentally drew his eyes that way and I want to keep it in lol

Since Satoru points out how soft and cuddly Yuuji is, I also want to draw soft Yuuji :v

And the last one… is the last scene. For some reason, I read that both Gojou and Satoru share Yuuji’s lap and was having a frustrating yet fun time figuring out how it’s… physically possible, without having their butts on the ground because they both are not small at all. As I lined the art, I reread it again and… perhaps I read it wrong? Satoru is beside Yuuji, and not on his lap? So yeah, this one might be the least accurate, but hey, at least you can view it as a crack drawing or something :v

AAAANNNDDD I HAVE EXCEEDED TODAY’S BRAIN CAPACITY OF FORMING WORDS

Have I told you I love this fic?

…I probably have.

Have an amazing week (❁´▽`❁)*✲ﾟ*

[acidakerizo-47]

UR ART IS SO GOOD AAAAAAAAAA!!!!!

But also, have you ever drawn Gaz or Tak at all? I think they would look incredible in your artstyle!! ^^

THANK YOU AAAAAAAA I TRIED DRAW THEM BOTH TAKE THEM (with a little allien silly joke)

I have tried to draw them more than once and I want to tell you a little about their figures in advance so that there are no unnecessary questions.

as we could see in the show or in the comics, Gaz always loves to eat and eats a lot of food, what can we say about pizza which she simply adores — thanks to her love for food, her body already at the age of 13-14 began to acquire more "lush" and "soft" forms and this was to be expected but she watches her figure carefully and doesn't like when she is called "fat" or smth like this (she will bury you alive if you call her like that cuz she is moderately beautiful)

well and about Tak... except for her height nothing has changed — irkens do not have a reproductive system (Zim was an exception due to mutations/atavism as with some defects this happens but very rarely in my AU), and therefore mammary glands TOO, so her figure remains standard: narrow hips, flat chest, bony. she is often confuses with a guy but she doesn't care about it and Tak is glad that nothing in her except her height has changed over time (and she will also kill anyone who utters an offensive word towards Gaz bc she respects and appreciates her very very much).

[dragoncxv360]

Drew Sun in this outfit from twitter yesterday

The outfit is drawn by @/Potari_vt on twitter, I would link it but they have minors dni in their bio so I assume there’s nsfw on their account and I’d rather not link it to be safe, just in case

Also got other people to draw it too XD (idk who all plans on sharing their version tho, they actually made theirs before I made mine tho, I just shared the outfit saying I was gonna draw Sun and Moon in it and people went ham XD)

I’ll prob draw Moon in it too at some point since it was really fun, I def wanna dress them both up more

Also I used oobbbear’s brushes for this and it was super super fun (not tagging them ‘cause I’m too nervous atm lol)

Small note under the readmore

Also a small request, while Sun is genderfluid in this au and goes by she/they/he, I would prefer people use she/they when making general comments about her since she rarely uses he/him. I understand that most suns go by he/him and that it’s not technically misgendering but it still makes me a bit uncomfy ‘cause she’s transfem and those aren’t her main pronouns, so I figure I should say something rather than continuing to be uncomfy. (Using he/him in like fic comments where she’s actually using he/him is totally fine, it’s just when it’s general convos about her that I would prefer she/they used rather than he/him).

It’s not anybody specific doing this, it’s just a general assumption that people make that Sun uses he/him so I’m gonna start clarifying when posting art that she goes by she/they mainly. If you have used he/him before, there’s no need to apologize, I don’t remember any specifics of who has and hasn’t used he/him. I just figure since it makes me a bit uncomfy, I should say something rather than letting it slide because on a technicality, it’s not misgendering.

Tbh it’s less so the pronouns themselves that bother me and more so that I know most people who see the art without knowing the au and her gender say he/him thinking that Sun is a guy. Which is an extremely understandable assumption, canonically Sun and Moon seem to go by he/it, and they/them as Eclipse. I 100% don’t blame anyone for assuming my Sun’s gender or pronouns. Which is why I wanted to clarify things, so people aren’t confused and unintentionally/accidentally making me a bit uncomfortable.

[ckret2]

I know that this is probably because you don't render Bill's body hair (you specifically mentioned his unshaved legs in the text!), but for some reason I'm disappointed that we don't see any fuzz poking from the bikini. Not, like, for sexual or scandal reasons, it just... feels like he'd be showing fuzz. It's so hard not to if you don't shave. Possibly intentionally, if it let him put another yellow triangle on his body.

Yeah, that's a detail I specifically thought about. I assume that Gravity Falls is much like the rest of the US, in that the women shave/wax their legs, pits, and bikini lines, and the vast majority of the men don't.

So, since Bill doesn't shave either, I figure that (after excluding beards & chest hair) he looks exactly as hairy as the average man in Gravity Falls. Such as the hair on the pits, groins, and legs of all these men:

Notice that (minotaur fur aside), all their pits, legs, and happy trails are baby-smooth.

When Gravity Falls wants to indicate EXCESSIVE hairiness, they do it through chest hair and, rarely, arm hair, on occasion making that hair look as thick as fur:

And that's it. (Notice that in the fire hydrant scene, which was used specifically as a "Dipper Wishes He Was This Grown Up & Masculine" scene: still no pit hair.)

Manotaurs aside, I was only able to find two examples of men depicted with leg hair. (And, in Sprott's case, maybe pit hair, though it's ambiguous.)

In both of these cases, the leg (and pit) hair are drawn on as jokes about how disgusting these men's near-naked bodies are.

I doubt that every male resident & tourist in a rural Oregon town waxes his pits & legs. Stan, the Manotaurs, America guy, the cops, Old Man McGucket who lives in a junkyard?? They are not shaving their pits. All the men pictured above probably have normal quantities of body hair; they just aren't illustrated in the show, because that's a detail the show decided wasn't significant to illustrate—like irises, or fingernails, or half the characters' ear folds.

The only time men's body hair is illustrated is to indicate that it's excessive and the only time it's added to pits or legs is to indicate that it's disgusting.

I did my research before deciding how to draw Bill! Based on the visual language that the show uses, if I had drawn his body hair—pits, legs, bikini line in any combination—I would have indicated that he's hairier than everyone else in town, and that it's disgusting enough to warrant rendering in greater detail than anybody else's body hair.

And going "HEY EVERYBODY! LOOK AT HOW THE CHARACTER WITH TITS DIDN'T WAX HIS BIKINI LINE!! ISN'T IT UNIQUE AND NOTEWORTHY HOW HE DIDN'T WAX HIS BIKINI LINE? EVERYBODY CHECK OUT ALL THAT HAIR POKING OUT! THIS SURE IS WAY MORE NOTEWORTHY AND DISTRACTING ON A CHARACTER WITH TITS THAN IT WOULD BE ON ANY CHARACTER WITHOUT TITS, SINCE WE NEVER BOTHER TO DRAW THEIR HAIR—BUT LOOK AT THIS ONE'S HAIR! IT'S WAAAY MORE ATTENTION-GRABBING THAN IT WOULD BE ON SOMEONE ELSE'S BODY!"

... is the exact opposite of what I want to do.

And I offer that as free advice to other artists, because this is something I keep seeing artists do: if you're giving a character a detail that isn't usually depicted in your chosen art style—body hair's a really common example—ask yourself if you're adding that detail on to every character that has that detail. If you are, great! But if you aren't, and if it turns out it's only one or two characters whose body hair you've fixated on... maaaybe ask yourself why, and what signal you're sending by highlighting that detail with them and only them.

[ssunfish]

bc of a certain mutual. im not saying names ofc, i wouldn't do that. im not blaming or anything either. ...but im missing joongdok...

I do in fact have hands. and the ability to draw. but the reason i rarely draw ship art is i'm in fear of mischaracterizing my blorbos... how do i draw in a way that fits their characters. its /them/ that i want to kiss....not some strange ooc things i may have forced them into.. and by them I mean Yoo Joonghyuk, i dont want to ooc the guy.

i dont care about kdj however. if he didn't want to be mischaracterized then he shouldn't have been an unreliable narrator.

[illusioncanthurtme--art]

hello!!! im subbed to your patreon but i am Too Embarrassed to reach out on there lol

just wanted to say how much i adore your art?? its very rare to see someone posting as often as you do, and with PENCILS? holy mackerel.

your grasp of form and shape is amazing, i love your style, the way you draw... like, not to get hyper specific, but - the way you draw the zygomatic arch on people?? its really good 👍 personally, i can never figure out how to marry cartoon/simplified eyes with a solid face structure, so im just really impressed when i look at your stuff!

very very excited for the billford comic you're making on patreon to continue 👀 i wish you great luck and success

also i concur with the anon from a couple weeks back. u should draw ford licking bill's eye at some point lol

That is so kind oh my god!!! You got me grinning from ear to ear, no lie!!

It means so so much to hear that from you!! Having an actual patreon audience is VERY new to me, so I'm doing my absolute best to make stuff for you guys regularly, and as frequently as I can. So I'm very glad you think so!! I think I wanted to say this on my patreon last night after posting that comic: (and I probably will soon, but I don't like making a bunch of "update" posts cuz I think it might be annoying) I'm REALLY enjoying patreon!! It's a shit ton of fun, now that there's actually people there to see my stuff and leave comments. It makes things very exciting and gratifying for me! I'm always looking forward to sharing my next thing! And I've been on the lookout for a third social media to post to for a while now, and I feel like this has become it for me! I'm just having a great time and I want people to know that.

Dude I had to look up what that bone is and I've never given it a single gosh darn thought SDKHKJDSJKSD but to make your point, that bone is located at the spot between the eye and the ear. And I'm always super mindful of the amount of space that exists there. Sometimes I make it too big, sometimes too small... but I'm always thinking about it when I draw. 🤔

And THANK YOU!! I'm super stoked to keep working on that comic. I think I'll post the drawings as I make them to patreon, and when a "part" is done, I'll leave it on patreon for a week before sharing it elsewhere. For those who don't know what I'm talking about, I started a billford comic thingie, and I'm expecting it to be pretty dang long. It's a slow burn situation I've got cooking. So far I posted the first half of the first part to patreon. I'm really excited for it >:)

Dude, you are like the sixth person to want me to draw ford getting sloppy on that eyeball and I'm starting to feel like it's inevitable at this point DJKSDGFKLJFDKLFG oh god, what does my future hold :'D

[limabean42]

✎ Anxiety exploring art with an artist partner ✎

Anxiety won the poll on who I should write for next. I got a request though so I prioritized that but here you guys go!

-

• While Anxiety doesn’t think about art that often she can appreciate the dedication you have to it

• She first discovered you were an artist when she saw you painting at an easel near the window in headquarters

• You were painting a clown, like the one on goofball island

• “Why are you painting that?” she asked

• You shrugged and just said because you want to

• Anxiety was intrigued. She rarely ever had mental clarity to pursue a hobby. Always filled with worry about the future

• She just stood there next to you for a moment thinking of how you can actually have passions and interests outside of Riley

• I mean she knows the other emotions have a sense of self as well but you just seem more carefree about it

• “Would you like to try?” you asked her

• She thought for a moment, getting anxious about the what ifs. Like what if she gets too wrapped up in painting and misses a moment to help Riley?

• You noticed her overthinking and placed a hand on her shoulder making her flinch

• She finally said that she would like to paint with you

• You grabbed her an easel and canvas and she grabbed a paintbrush like it was a foreign object

• You took it from her and put it back in her hand the proper way

• Anxiety didn’t know what to paint so she asked you. You responded with whatever was calling her the most. It didn’t have to be something in person but anything she could think of

• After a few minutes she decided to paint you

• You were flattered and a bit shy but tried to play it off

• She studied you closely and painted a portrait of you painting a clown

• It was a beginner level painting as expected but very wholesome and cute

• Anxiety felt strangely calm while painting and proud of herself after completing her masterpiece

• Immediately she rushed to hang the canvas on the wall, declaring everyone should look at it and tell her what they thought

• You were proud of her and gave her a big hug from behind accompanied by a kiss on the cheek

• After that you both would paint together more often

• Art wasn’t her main focus but she did enjoy it

• Before she tried painting she saw it as a waste of time, for herself at least

• Since then she’s come to realize that she is her own person as well as a part of Riley

• She loves to watch you draw in your sketchbook and on your drawing tablet

• It’s fascinating to her how you can just visualize something in your mind and recreate it in real life

• “Can you teach me how to draw now?” she asked excitedly after seeing you on your tablet

• You call her over to the couch and teach her what to do and press to get her desired product

• Anxiety hyper focuses very easily on anything she’s intrigued by. Right now she’s fascinated by the way your hand moves, connecting lines to create a bigger picture

• The other emotions are glad she’s found something to occupy her time with other than sitting in her massage chair

• So much respect was gained for you once she realized how genuinely creative you have to be to be an artist

• As a gift you give her a sketchbook

• Most of her sketches are of you doing various things around headquarters. You joke with her saying it’s good practice for drawing hands

• She likes sitting with her massage chair on while she draws, even though the constant shaking makes the line work a little wonky

• When she’s stressed she draws what she’s feeling. These pictures are mostly considered abstract with various colors and chaotic swirls to represent her anxiety

• While she’s in her head you drop what you’re doing and start drawing with her so she doesn’t go through her paranoid thoughts alone

• Your sketchbook is filled with lots of things, including some cute drawings of her

• Even your drawings that aren’t of her have part of her in them. Like if your drawing is in the center of the page there will be a tiny sketch of Anxiety at the bottom with a speech bubble above her head saying something random

• It really shows how much space she takes up in your mind

• With most of her sketches being of you it’s safe to assume that you take up a big spot in her mind as well

• “I hope I can be as good of an artist as you one day so we can continue to improve together”

-

Thanks for reading! I hope you enjoyed and I’ll be getting to requests tomorrow :)

[tacoma-narrows]

Between the Sea and the Sky!

Hi everybody! Meet the TWO new guys I made between last night and today! Their names are Tarmac (an Aeromorph dog) and Soda (a pooltoy fox), and they've filled a desire for these two specific kinds of OCs I've had in mind for MONTHS lol. They were super fun to design and draw and I'm super excited to do more with them soon!! This piece is relatively simple but more so serves as their introduction hehe

See more about them, including refs and some additional pieces/information below the cut :] (it kind of turns into a huge braindump lmao)

Tarmac is an aeromorph, although a bit more towards the furry side of things rather than the plane side lol. His design is influenced primarily by the Concorde and the Space Shuttle! I couldn't decide for the life of me which of those two things I wanted to use so I thought "why not use both?" and here we are lol. I'm super happy with his design, with the black/dark gray markings mean to emulate the look of the Space Shuttle's thermal insulation tiles and then I really like how the red and blue stand out against the gray. I really like his icon too! I wanted to make it look like a stylized depiction of a plane (mainly a Concorde hehe) breaking through the sound barrier with a sonic boon! In terms of personality, I don't have a whole lot in mind yet. Mostly that he'd be the brave, adventurous type and since he can fly both in the air and through space, he's gonna be friends with Astro too :3

Soda is a pooltoy fox! I have wanted to make a pooltoy OC FOREVER (blame my mutuals for always posting/reblogging so many cool pooltoy OCs hehe). I finally got brave enough to actually give it a shot, and I love how he came out! I was mainly just thinking about summery themes and as I was just trying out different colors and stuff, I thought about orange soda, and that's the direction I ended up going! He's got a big stupid tail [affectionate] and can have either rounded bappy hands or have actual fingers, you're free to stylize that either way! I've only ever drawn a pooltoy character once ever before, so this was something way out of my realm of familiarity, but I'm so happy with how he came out! He's so shaped I love him so much already <33

So those are my two new guys! Making two new OCs at the same time is already a rarity for me lol. The only time it's happened before was when I made Rye and Pumpernickel back in August of 2021. And then making these guys when I had only gotten Astro about two and a half weeks ago means this is an exceedingly rare event for me lmao. My friends know how infrequently I make/get new OCs, so this just goes to show how much these guys have been bouncing around in my brain lately lol.

They are definitely gonna have some sort of connection to each other, but I'm not sure how I wanna go about that yet. Since I made them back to back, they are already connected in my brain, but I'm not sure how I wanna express that in a meaningful way. I don't wanna make them siblings bc, well, they're obv very different from each other lol, but they're kinda parallels (with one being in the sky and the other being in the water yknow), so as of right now they're definitely good friends with each other. I might upgrade that to bfs at some point in the future, but we'll see how things go hehe.

Anyways huge braindump of a post lmao, thank u for reading if u did! I'd love to hear your thoughts on these guys since they're so different from all my other characters! Also if anyone may wanna do an art trade of either of these guys (or Astro as well! I'd like to get more art of him too!) let me know hehe