#I probably should have used a reference lol

[quartztwst]

Howdy Quartz! Say I'm curious, how did u draw ur persona in twst style? :3 I'm curious since I wanna do it with my persona!! ^^

heh can i say it takes a lot of tracing and some recoloring….…… HELFP because look

look what i did to riddle and kalim……….. but anyways uhhhh It was actually supposed to be a small edit until i got into it and did the whole body and redrew the face.

but it GENUINELY takes a lot of tracing or referencing lol

okay first GET THE SYMMETRY TOOL and ONLY readjust the sizes of the pictures you’re drawing over with the small toggles I DID THIS IN IBIS PAINT bc it has that feature

I suggest picking a twst character with the facial features or face shape you’re looking for to get the vibe and draw over it because you can see how different Epel’s and Floyd’s face struture is

i used riddle for mines and used kalim and an npc to get Quartz’ height

SHE LOOKS SCARY HELP

but you basically just draw over the body. i traced over her boots bc i was lazy. i made the body more curvier bc i felt it was too skinny for quartz. I also referenced Epel’s hands completely but you can trace those too bc probably nobody cares

But if you can’t draw, I suggest you need to try or just edit the body lol. a lot of people have edited some of the twst characters into looking like their ocs so it’s nothing bad

when coloring, I think you should know that TWST or yana’s hair highlights are drawn as these diamond shapes

ok azul is such a horrible reference for this but the characters have this

thats all i got sadly bc i dont know what else advice would help 😭😭😭

[swagbonkoperaweasel]

SONIC 3 POST CREDITS THOUGHTS

Spoilers obviously…

So as we now know, Metal and Amy are confirmed for Sonic 4. As an Amy fan, I am thrilled that we FINALLY get to have her in the movies, albeit rather late into the movie franchise. I wanted to talk a little bit about what we are seeing in this scene, as well as some of my hopes for Amy Rose’s movie portrayal.

As we can see, Amy’s combat seems like it will be different from her game self. Whereas game Amy uses her hammer and relies on her physical strength to defeat enemies, it seems like movie Amy will have some extra abilities with her hammer. In a way it seems to work like Thor’s hammer, where she can use it as a projectile against multiple enemies and summon it back.

Amy’s origin is that she uses her tarot cards and they basically tell her she will meet Sonic. This was something about her that had kind of been forgotten with Sega, up until recently. In Frontiers, Sonic make a few references to Amy and her fortune cards, and Amy actually uses them in the DLC. Some of her attacks also involve the cards.

It seems like in her portrayal, she will probably have some sort of magic, as we can see she appears to be able to float (or maybe she just jumped but it looks like floating to me). She very clearly has some combat experience and it’s interesting that the first time we see her, it’s a lot like Tails where it seems like she’s specifically trying to find Sonic. My prediction is that she will probably explain that she used her cards to find him, which is a nod to Sonic CD.

In terms of her seemingly having some sort of magical powers, I kind of have mixed feelings on that. I feel like part of what made Amy special is that she never really had special abilities the way others in the main cast do, but yet she’s still able to hold her own and be a hero in her own way. She’s also extroverted and kind hearted, which is why she’s able to so easily make friends and connect with others. I’m honestly scared that they’ll tone down those parts of her character just to make her more visibly “flashy.”

Her design is kind of perfect imo. At least, her face and hammer is. Im hoping she’ll have a similar outfit to her modern one under the cloak. It looks like they actually took a lot of Amy fans headcanons about her appearing in the cloak and decided to actually make that a reality. I’m sure the original fan who came up with that is gonna freak out when they see this.

As happy as I am for her appearance, I can’t help but feel very nervous for how her personality will be, especially when she has a reputation of being butchered. I really hope they don’t go the route of “girl character is stronger than the boy characters,” as that imo is actually more offensive than progressive. I am a woman btw so I think I’m allowed to have this opinion lol. A female character doesn’t have to be this overpowered character that is stronger than her male counterparts to be strong. I feel suggesting otherwise only implies that girls/women can only be alongside boys/men if they can prove to be better than them. That is simply not true. They can be equals. They can be strong in their own way. Amy does not have to prove anything to the Wachowski boys or to the audience. She is canonically strong and can fight. She is bubbly, she is kind, she is a romantic, she can be hotheaded, she is girly, and she is STRONG. All those things can and SHOULD coexist in her character. I don’t need her to be mellowed out into a stereotypical “I’m a girlboss who doesn’t need help from men” character. Amy’s crush on Sonic is important to her character because it shows that love is not a weakness, it can be a strength just as much as anything else.

My biggest ask for her character is to just LET AMY ROSE BE AMY ROSE.

[jevilowo]

It's me the timeline guy. Here are my many lore related grievances with the comic:

SPOILERS UNDER THE CUT tho most people have probably read it by now lol

FIRST OF ALL, the Administrator's plan. What happened to "plan so disturbing that several US senators pardoned her for the Poopy Joe incident?" What even was her plan actually was it just to keep the fighting going forever? Then what was the point of Australiummaxxing after Redmond and Blutarch died?

What's up with Zepheniah’s hooked up corpse. Isn't his ghost still around? He certainly is by the seventh scream fortress comic, which takes place during MvM. His will says he won't rest until he's done being mad at the world idk how that relates to anything.

OH HORSEMANN MY HORSEMANN. Why is Zepheniah claiming to be an only child? And it's not a retcon bc later on Soldier pulls up the family photo WITH SILAS IN IT. Where did he even get that. Anyways. The only explanation is either 1) some in-universe attempt by Zepheniah to write Silas out of history (implied by the two copies of the quarterly concern, one seen in a hidden page in the classless update and the other in the background of the Engineer update), or 2) ...i was going to say Silas was actually his cousin or something but that wouldn't make sense if the siblings of Zepheniah’s dad all died young. Urgh. I hoped the Horsemann would return and put to rest the implications dragged up by scream fortress two but alas twas not to be.

What's with the 3 different covers of a young Administrator? My theory is they're supposed to represent three possible backstories the writers were cooking and wouldn't commit to. Who knows.

CHARLES DARLING. The triplets' birth certificate claimed that their mother was a Darling (save me Bette Mann etc etc), and that had me convinced Charles was going to be at least RELEVANT. Why else would he, a joke antagonist introduced in the War! Comic, show up at all? Looking for Australium, no less? I tell you that flashback of him and Maxton had me CONVINCED something would happen. Especially with the two of them lowkey treating him like shit.

So so so much Admin stuff left unexplained. Seeing her child self in the Australium. The census dated back to 1850 with "HELEN" on it. Telling Engie "your family has already done so much for me". By that she could have just meanth Radigan making an immortality machine for Redmond as well as Blutarch I guess, but ??? I liked the Emily reference tho that was something one of the artists reffered to her as for the Engie Update Comic by mistake and later took back so neat callback lmao.

SPEAKING OF RADIGAN. Nothing on who the third Australium machine went to. Presumably Admin I guess? Not explained, never will be probably.

Who was the person in the torn Mann Family portrait? My main theory was always either an earlier version/design of Grey or a Darling, but in the picture Soldier shows (SERIOUSLY WHERE DID HE GET THAT) we can't even see the outline of a person around his thumb. It almost looks like they just made a version of the picture without anyone in the middle and called it a day.

TFI having other mercenary groups came out of fucking nowhere, even in comic six. The T and F presumably stand for "Team Fortress", fuck you mean "Team Citadel", "Team Vanguard", giant fucking statue of random epic looking mercs??? What is happening. They did NOT explain that shit at all. Multiple, seemingly incredibly competent teams are NOT "eighteen perfect idiots". Did Poopy Joe die for nothing.

One of the top posts I've ever made is the one where I point out the date Spy and Scout got arrested on that newspaper: September 7th, 1972. This means the rest of the comics should take place 5½ months later i.e. February/March 1973. Ergo, 1979 could not be "seven years later". The comics seem to think themselves that they're set in 1972 already, there's a few lines about it but for the life of me I can't remember. Something something however many years since Zepheniah died blah blah year the triplets were born. Whatever. It's on my timeline probably.

Smaller thing, but embarrassing lack of a full name reveal for Heavy and Medic. Spy also, but I wasn't really expecting that. They shall remain Mikhail "Mischa" Weponzgy and Fritz Ludwig (alias, he's a wanted man) in my heart.

SO IN CONCLUSION: the writers went in with no clue how to end the story, something made evident by the possibility of the 4chan leaks being an early script and also entirely fucking different.

Still, there were a lot of lore unrelated things I did enjoy: the fact that the mercs actually got a happy ending, for one thing. Sniper stealing a plane, Scout maturing and moving on from Pauling, Pyro literally just being overjoyed to see Engie again, babies!!! The fact we even got a comic! How crazy is that? At least we didn't have to wait another seven years.

I might draft a script for an alternate ending that tries to answer lore stuff more, but knowing me I wouldn't finish it. Still, I am working on making a website for my timeline and I'll upload the link here once I'm done with it. Oh and I'll update the doc version soon. Bitterly.

[inumbrapugnabimus-maybe]

Four carries around a glass of water just for this purpose

since the reveal I’d like to think Wild has a blast making cryptic comments on Four’s behavior

And a vio version hehe

Quote from this

[spiders-and-swords]

PERCEPTION [Easy: Success] — The lieutenant flashes you a smile that only you can see…

[cyanocophrenic]

Sweets (1/?)

The snugness was barely tolerable. She had overestimated herself. She looked surreptitiously over her shoulder and ducked around a corner. The only thing following her were her bad decisions, but she felt chased all the same.

Okay. Calm down. Breathe (but not too deep). Evaluate the situation. What are your options? Can you loosen anything?

She looked down at herself. Past her swollen breasts, past a fluffy roll of upper belly, she examined her waistline. Nope. The button was the only thing keeping the zipper together, and vice versa. For the millionth time, she lamented her morning. What a bright idea, interviewing for a job with a snack company. She was very well aware of how sweets affected her.

Could she find somewhere discrete to wait out her... little metabolic mishap? She looked around for a discrete nook to accommodate her fresh bulk.

The little atrium she had found had a series of plush benches around the walls. She sighed and headed for the one in the corner. She sucked in as best she could and sat down. Some horny little corner of her mind made note of how it felt as her tight belly shifted against her puffy thighs.

Sitting like this, only barely upright lest bending too far compromise her jeans, she couldn't ignore how her waistband was trying to cut her in half. She thought back to how she had done this to herself. The lovely HR manager had very explicitly pointed out the basket of the company's sugary offerings there in the middle of interview table. The woman had been insistent that she try at least one of each, gushing like any good salesperson about their rich flavors and subtle textures, occasionally even peeling one out of its wrapper and handing it to her.

How could she have done anything but eat what was offered to her? And by a beautiful woman, no less. She knew how her body reacted to food like this, but she had been desperate to make a good impression, to look good and eager and employable. A good girl. She ignored that last thought, and the accompanying shiver through her frazzled tummy.

She closed her eyes and tried to steady herself. Breathe in through the nose and out through the mouth (but not too deeply). All she had to do was calm down, and give her body a chance to do the same. Then she could find a back door to sneak out of, go home and hope that somehow that she hadn't blown the interview.

She opened her eyes again and caught sight of herself in a mirror across the room. Holy crap, she was huge. She had been her normal, narrow self, and her outfit had fit very very normally, when she had arrived. But now? Now it looked positively painted onto her. Her breasts were trying to spill out of her tastefully exposed bra and over the lapel of her blouse. She was more balloon than woman at this point. She ignored another tingle.

As she watched herself in the mirror, she noticed something change. Slowly but surely, the last wrinkle in her blouse smoothed out. Uh oh. That meant... she was still filling out. Panic. She tingled again.

No. No. Calm. Breathe (but not too deep). She closed her eyes again, and could feel her plump body quietly grow. Crap.

Panic. Calm. Breathe (but not too deep). Calm.

Maybe if she didn't look, it would go away. That had never worked before, sure, but there's a first time for everything, right?

As she rationalized to herself, she noticed the sound of heels clacking towards her hiding spot. Panic!

Maybe their owner would pass and not notice her?

No such luck.

The woman who had interviewed her rounded the corner.

"There you are!"

She struggled to stand. So tight.

"You left your purse upstairs. I get it, though. Interviews can be pretty stressful, huh?"

Like nothing had changed. Did this woman not notice that she was currently three times the size she was when she had shown up? Could this woman not hear every seam in her clothes creaking in harmony? Could the woman not see how wide and deep and round she was becoming?

"It's such a beautiful handbag, I almost wanted to keep it for myself!" The woman laughed. "Oh well."

She took the bag from the woman. "O-oh! Thank you!" Leapt out of her.

"Listen," said the woman, "technically I have to review a few other candidates, but I think you're a shoo-in for the position." The woman moved closer. "No one else has shown so much... enthusiasm." Closer still. She basked in the smell of the woman's musky perfume.

"Oh... that's great!" she managed to squeak out.

"In fact," the woman continued, "if you'd like to come back upstairs, we can have you fill out the onboarding paperwork now, so you don't have to come back just to fill out some forms if... when we give you the job." So close now.

"Um! Okay!" What.

The woman placed a gentle hand on the side of her massive, tight, growing belly. "Listen, between you and me, that passion you showed today will take you far with us. Do you feel like the offer is fair? We can negotiate further if you need." The woman's eyes were so sincere.

What was going on here? She could barely think.

The woman placed her other hand on top of her belly, well hidden by her burgeoning breasts. "I do hope you'll say yes."

"Um..."

There was a pop. Her button pinged away across the room from her overburdened jeans. It made a little thwack sound as it hit the far wall. Her zipper flew down, zizzing audibly. Her belly erupted through the breach. Her blouse retreated upwards. The tingling became a roar. All the while, the woman, as though no tectonic shifts were happening right there and then, continued to implore with borderline puppydog eyes.

The world held its breath with her. How had this woman not reacted to any of that?! What? Was the woman still waiting for an answer?

"...okay?" She tried. She wasn't sure if her brain was still working. "Sure?" Best to stick to small sentences.

"Yay!" cheered the woman, "I really think you'll love it here!" The woman launched in for a quick hug around her exposed belly. The woman's arms didn't go even halfway around her. And still the woman didn't seem to notice that anything was wrong.

"Well! If you'll follow me back to the elevators, we can at least get the formalities out of the way."

The woman took her by the hand and pulled, still gentle. She followed, mutely. Even the horniest, shamiest corners of her mind were silent, waiting with bated breath.

As they reached the elevators, the woman pushed the up button and stood to the side. "Please," said the woman, "after you!"

On autopilot now, she stepped into the elevator and... wedged into the door. Stuck. What. Panic? Calm? The elevator dinged again as if to say "I'm waiting!"

The cold of the elevator doors brought her back to reality. She put a hand on either side of herself and tried to pull herself in. As though this were somehow normal, the woman chirped "Oh, here, let me help!"

She felt a gentle pair of hands press into her oceanic bottom. Her horny brain thrilled again. She clamped down on those thoughts. No time to be a pervert.

Between the two of them, they muscled her into the elevator. She turned to face the doors in time to watch the woman press into her in order to let the doors close. Normally equipped for eight full-sized human adults, due to her immensity, it very barely fit two.

"We need floor thirty," said the woman into her barely contained cleavage. She tried to reach for the panel of buttons, but by now there was simply too much of her in the way.

"I've got it," said the woman, reaching behind her without looking.

They rode the thirty floors quietly. She could feel herself still widening, pressing towards the walls of the elevator car. Her embarrassment had burnt out, leaving only a kind of stunned peace in her mind. She tried to will her body away from the woman, but where else could it really go?

By the time they reached their destination, the woman was firmly pressed against the doors, still showing no indication of the extra-ordinariness of the situation.

As the doors opened, the woman stepped back, grabbed her hands, and pulled as she tried to wiggle through the door. Eventually she floomped through, and they set off toward the HR suite.

Full-on waddling now, she felt an inner tension release. She had stopped growing. Relief. If nothing else, at least things had stopped getting worse. Sure, she was almost round enough to roll. Tingle. Sure, her clothing had been reduced to barely covering her... rude areas. Tingle. Sure, a beautiful woman was acting as though this was all perfectly normal. Tingle tingle tingle. But hey, at least it finally wasn't getting worse.

The woman pushed open the double doors to the HR suite and welcomed her in with another glittering smile. They seemed to be the only ones there. The woman led her, patiently, to the front desk area. The woman ducked behind the desk, looking for something.

"Hmm, it looks like I'll need to go print off more some more copies of the forms. Shouldn't take more than a minute or two." Finally she'd have a moment to collect herself.

Then the woman produced a basket, laden with various goodies, from underneath the desk. "Here! Help yourself, sorry to make you wait." Uh.

"Oh, here, allow me," said the woman, picking out a chocolate confection, peeling it, and pressing it into her mouth. "I'll be right back!"

She chewed and swallowed the treat.

Uh oh.

[jichanxo]

me & you & the son we used to have [from nov/2023]

second image is based on this fanfic by snap which you should totally go read

[chibishortdeath]

Labeling this one mature cause it’s artistic nudity, which isn’t something I usually draw but yippie! Scar and anatomy reference! :3

I have explanations of where most of these scars come from, so I’ll go through them :)

The massive one covering his whole upper back is the one Dracula gave him and the one that bares the curse. I tried to make it kinda gnarly looking, but still distinctly claw marks. There’s a couple other scratches near it from other creatures.

The ones on his arms come from a couple things. I imagine he uses his arm bracers a lot to block things and sometimes hits are still enough to leave a mark under them. The scars also come from an effect of the curse: rotting. Rot usually starts at extremities and would leave some nastiness there, probably exacerbated by moving a lot. The first three images have the legs not visible but I usually put something similar there too.

Speaking of, the very large ones on his lower legs in the fourth image are burn scars from the scene of X68000 and Chronicles where the rooms before Dracula set on fire! I guess some of it might also be from walking in the cursed swamp too.

Most of the random smaller ones are just generally from fighting monsters. Tbh I’d be more surprised if he didn’t have any scars from having axes and bones and fire and fleamen thrown at him all the time lol.

In the third image there’s a couple bite marks and yeah those are from Drac too. I’ve seen some folklore about vampires being able to drain people long distance or while not being entirely corporal and yeah that sounds like something he’d do through the curse just to make Simon’s life worse. Idk, I have the novel Dracula and I should be reading it for other ideas for stuff tbh. This one might change entirely eh who knows. Either way, I think the curse’s ultimate goal was to make him suffer and then turn him after he dies from it so I wanted to add some more implications that he’d become a vampire if he failed to break the curse.

There’s some other things of note that aren’t scars. I try to make him look a little frailer and thinner in Simon’s Quest cause well yeah the curse. I don’t think it’s noticeable here since the fourth image isn’t the Simon’s Quest design and he doesn’t look much wider whoops. I’ll have to try to keep how ripped he is more consistent in later drawings 💀. Uhh I also try to make his eyes look significantly more tired, way larger eye creases and a bit of dark. If this was a colored drawing there’d be a little red under his eyes and he’d be paler than the last image. Just details to make him look sick ig.

Yeah, these are mostly doodles just for me to look back at and make sure I’m drawing him consistently d(^^ ).

[goldensunset]

the story may be silly but this stat breakdown is even sillier

[pt78195]

Just a sketch! Hope you guys like it 😁.

[unproduciblesmackdown]

ok another one in that i went over everything again expressly to pick up murder mystery clues, especially in the beginning

noted as the first appearance of mordecai, hanging out in the garage. to be perched on the hood of a car, leaning back, is so whimsical for him. jaunty. but also, being the earliest appearance in the comic / its own timelines, you know. more informatively, it sure seems like atlas was shot or something there. looks like it matches his design even from the mostly obscured look we get at it, and presumably there's any all the more unobscured view available to everyone in-universe. it's also presented as part of someone's file, so that's noted re: drago, though it may just be the required framing to present it as a photograph that'd exist at all

then introduced to mitzi in the next page, and i've helpfully added the arrow b/c i was looking for it like "well, based on this Theory that the basis of mitzi and mordecai being in cahoots and having an understanding about it is their mutually having a personal/emotional connection to atlas (at least on their end b/c we see so little from atlas and hear even less. even when people would usually say one is personally connected to their wife. are they)....might mordecai show up at the glimpse of atlas's funeral" and i'm noting how closely that design there aligns with mordecai's, even though this isn't high res enough to be absolutely certain. but: seems to have a shaded-in coloration, center streak in the ear, sharply triangular corner of face (especially a feature in these earliest depictions, rather than this triangularity incorporating a bit more waviness / curve later), light uhh muzzle nose mouth area, what could be the outline of the light stripe under the eyes, light eyebrows >:c ly arched, & pince-nez or just glasses if that's the only option when you're cats....there's a lot of "wow that really could be mordecai huh" design alignments that are otherwise just a lot of coincidences like, whoops drew this background rando who matches so closely one of the main cast members....characters. getting theatrical out here. and what's then also noticeable is: none of the other background randos resemble any other characters, even when if mordecai is simply here as an Important Employee, where's viktor, where's anyone else we know was already around, where's the employees who remained steadfast who are shown immediately after this, versus mordecai who, as an employee, did Not loyally stick around at lackadaisy, but as someone with enough emotional investment in atlas for that to indeed be the foundation of his and mitzi's murder mystery Understanding, to then also maybe be the only lackadaisy employee at atlas's funeral (presumably with mitzi's knowledge), to have left lackadaisy out of grief rather than professional interests....hmm

mordecai also in this picture, where again everyone's hanging out, next to atlas and singled out by being the only person not sitting. did he just get there, maybe. is he On The Job still, i.e. maybe by being something of an [almost always active personal bodyguard] here. seems he'd face more Away from atlas for that. but not like i know what he's up to otherwise, and Thee Point may be to more symbolically have him standing apart. with even viktor also there, sitting and chilling, to show how mordecai Might also be doing that....but isn't. also of course tingling with mystery senses about what mitzi was going to have said to wick here, about how she would hate to, dot dot dot...then changes her mind upon Considering Atlas

here's mordecai Standing Near atlas again while socializing is happening. while he is also distinct from a) mitzi, in that this is confirming (if somewhat implicitly) that mordecai was in fact already associated with lackadaisy & atlas before atlas met mitzi, and b) viktor, who was still stationed with the arbogasts' funeral home, wherein i'm also considering this relevant b/c naturally it emphasizes that the professional viktor & mordecai duo's existence doesn't make them interchangeable: backing up that mitzi sure may have had a reason beyond a coin flip for having this secret with mordecai rather than viktor (and, of course, the reason probably isn't just "i need to work with some lackadaisy employee who can fire a gun" in the first place)

a couple more points being

mordecai going on and on about professional approach all the time; could simply be his preference, could be an expression of the like precision / methodical perspective that makes him good at biting and killing, could be [that] plus just how he deals with his job being biting and killing when it's unlikely he was up to that before the train ride ft. atlas and atlas taking him on for that success....i also wonder if he took a Professional Approach to killing atlas / thinks of it in that way, even if that reason for [secret mystery involvement with mitzi on this] was an emotional one, and that being recent and tumultuous has him like tripling down on this. even though mordecai may not have killed atlas either, even presuming atlas Was shot and killed. and knowing that mitzi gave him a gun, or mordecai gave her the gun, or they passed it back and forth a few times for obfuscation

the pig farmers start wandering into a dark area of lackadaisy's caves and there's bones back there. what goes on in said caves....all this coming about b/c atlas opportunistically took advantage of the cave access, seems like the kind of environment with real potential for some figurative resonance. like also the rivers.

mitzi telling wick that atlas was the murderous one in the relationship....not necessarily that significant when like, technically who around here Isn't murderous. just like there having been "here's the body stashing cave section" isn't necessarily extraordinary in its literal existence, but with the symbolism of wandering into the caves and finding an area with no light, where you start walking on old bones, and are about to be killed yourself....hmm. and re: atlas's murderousness, sure is possible to team up to kill someone to protect a fourth party, even though like, who. and that would add another layer of "mitzi and mordecai care about the same person" on top of their presumed [handshaken] emotional regard towards atlas. possible, but like, who would that be. it seems unlikely atlas would, say, threaten ivy or something. and how would that incorporate that [there has to be the Mitzi's Asserted Culpability] element. but these things are sure noted

not directly related to the mystery but i will leave off again on the mordenico agenda. even though, also, it is a "bite me a zillion times, two zillion times shy on me" situation like, what are the odds the [inroad of intrigue over shaking up the glitter in your funny little guy who everyone usually just would rather ignore] situation is actually bound for working out. yet [Also Everything Else. like in this scene and the prior Hotel Room Fête encounters] and declaring yourselves as the same and trying to stay friends no matter what....we can dream

[ghosts-of-love]

not to be mentally ill but today when i went for a walk in a nature reserve i was climbing a hill and it was cold but so so sunny and everything looked beautiful and i saw so many cool things and i stood there and was like damn what's this feeling in my chest and why am i smiling so much?? my guy,, it's called fucking happiness. i was just present and content in the moment and couldn't contain myself so kept doing the silly arm shake thing i do and grinning at everything and then was like woah what's this feeling. fuckin, happiness dude.

[catparty41]

Perfect excuse to draw some wings <3

Hermitober day 16: feather!

[lconoclasts]

Can't add the exact timestamp (it's at the end) but they just??? Jump off screen???? Do they not die???

My general consensus with this fight is that it's just extra content and... in-between canonicity. They don't show up in the credits (in a scene) regardless if you kill them or not, and the pupils are alive(?) or possibly some other ones are alive as they could just look similar/be reused sprites

long speculation under the cut

Fitzroy is lore for sure which contradicts some of the implications about trancending that we get but like. Royal is kind of a dumbass AND is being told all of this from mother/one concern. There's multiple implications of the "ancestors" (both isi and Him followers) coming from somewhere else/resetting the planet and leaving instructions/tech for their respective people to use. Fitzroy seems to fit in the between stage before the concern has studied the tech, but AFTER the Ancestors arrived/reset the planet. In The Tower and the Bastion there are images of famous earth landmarks (taj mahal, new York, pyramids I think) implying that some sort of Earth was destroyed/minerals drained (more connections to the themes about environmentalism) and that humanity was "reset". RIGHT BUT CANONICITY. Fitzroy is more lore... If u want him to be. The true past of humanity is still foggy ESPECIALLY with conflicting views from Him followers and the Isi. The concern claims to have longer records of history, and has aforementioned images, but they shape it to their beliefs and leave out certain parts intentionally as well as only educate people deemed more faithful (concern staff) and censor/mysticize parts for the common folk and ESPECIALLY city one residents. Cough cough 'merica haha but not really I doubt he was thinking about Americans specifically. This is more likely a commentary on religion specifically they larger ones and how they shape societies views and history! (Remember when we used B.C?) I'm not going to say this is an effective commentary or a scathing remark on Christianity (I believe that Christianity is used as a reference as it's the poster child to westerners for what "religion" is. He probably intended for this to be about religion as a whole but like. Come on. It's definitely Christianity with a few changes to make it a "generic religion" especially with the focus on punishment and ascension to a "good place". They also use sin/sinners a few times but that may be for familiarity especially since he had a whole npc for explaining terminology) that aside. Canonicity. Again. The history behind the Starworm followers vs the Isi is intentionally left a mystery! Fitzroy and Leticia are real as fuck (if u think they're canon) and provide some ideas for what actually happened in history but who knows! I should get back to my conversation I got distracted haha.

[monotone-artist]

[id in alt]

the sisters! a lot of bad stuff happened in their childhood that led to montegracyn running away and mencie hating her for a good long time. mencie eventually learned forgiveness, but monty still feels a lot of guilt.

[mcnuggyy]

man having grown up in an abusive household makes it so hard to tell when something is a normal disagreement a normal family would have and what is a fight that is absolutely something a normal healthy family would never ever have… like…. 😐