#I needed to give her a break

[presidentdisastraofgallifrey]

Doctor Who?

The idea first came to Romanadvoratrelundar the day after exams finished. The other students, happy to be free and excited to be nearing the end of their school days, were acting wild and silly below her window. She pulled the curtains tight and turned back to finishing her makeup. It wasn’t her fault she actually valued her studies, or that she was good at them. It wasn’t her fault that the tutors could see her potential. One day, the others would regret this, one day when she was President and no one dared speak against her…

Of course, one day seemed like a very long way off when she got scowls between classes and her attempts at friendliness got her called cold. She had only offered advice, and she knew that friends did that. She could go down right now and sit in the filtered sun among their picnics and games, but it would do no good. She was doomed to at least another century of excelling and being hated. She could fail instead if she wanted, but she suspected it wouldn’t help.

Which was when the thought came to her: maybe she should just leave.

[poorly-drawn-mdzs]

Hello Madam. Sorry Madam.

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[elyasdoodles]

🫴

[spacedlexi]

some clem thru the years practice

[watermel0ns-dumb-cringe]

Oh Anya they could never make me hate you ☹️ughshjj bawls

[purplecatghostposts]

Concept: Mouse Holder Félix. He’s everywhere.

His powers allow him not only to multiply himself, but essentially control a hive mind of tiny versions of him? He immediately sees allll the things he can keep an eye on at one time.

Adrien opens his bag and yelps because a tiny Mouse!Félix is there like, “Finally, I’ve been waiting to talk to you for at least half an hour.” and Adrien is like, “You couldn’t have texted??” and Félix replies with, “No, this is more discreet. Also more dramatic. Anyways-”

Kagami is enamored with Mouse!Félix. She can hold him in the palm of her hand. He chills in her pocket. She can sneak him into any place she wants. There are many benefits to Mouse!Félix.

I also just imagine there’s like, a spy network of many Félixs watching the city and tracking down leads. However even if he manages to bypass the timer and not detransform, I do think he probably gets killer migraines from being in Multitude for too long due to needing to process what every version of him is experiencing at once and getting major overstimulation after a while. Do you see my vision.

[valgeristik]

Ничего не останется от нас, Нам останемся, в лучшем случае, мы

hi. hello. listen to this song

i have so many thoughts about these two. oh my god. maybe i will write it out some day, but for now drawing it out will do

translation will be under the cut! knowing the words does add to the work so i do recommend reading it. or just enjoy the art <3

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heres the translation, color coded according to how i broke it up for the art. just in casies

first page:

Love is scarier than war

Love strikes more true than steel

second page:

More true, because of your own volition

third page:

You run towards all the winds

Let there be pain and eternal battle

Not atmospheric, not earthly

fourth page:

But definitely with you

caption:

There will be nothing left of us,

we will be left with, in the best case, ourselves

[mulders-too-large-shirt]

thinking about how mulder loves to get scully a gift, usually terribly heartfelt, even if disguised as something flippant:

the superbowl vhs tape he brings her when she wakes up from her coma in one breath (and her deadpan "i knew there was a reason to live")

tickets for a football game to watch together in irresistible

bringing her flowers to the hospital in memento mori (he lies, saying he stole them from a guy with broken legs to make her laugh)

the birthday keychain in tempus fugit (and when she finds a meaning to it, he claims "i just thought it was a pretty cool keychain")

that is a man who is always thinking about her.

[nyan-1233]

I swear if i buy the next warrior cats book next month and they say that Starclan rejected Squirrelflight for any reason im going to lose my mind. I'm not even joking i will give up on the series

[stardust-moth]

In order to fully understand why it was so hard for Mike to express how deeply he loves El, and why his speech at the end of season 4 was one of the biggest, most important moments for his entire character, we need to look at not just who Mike is as a person, but also everything that has happened since he met her.

Every single time he opens up his heart to her, something horrible happens to her or she's taken away from him almost immediately afterwards.

1x08; he's an awkward little ball of feelings that are way too big for a boy so young. He makes a nervous attempt at confessing and asking her out on a date; when he can't find words that she'll understand, swoops in for a kiss instead. She lights up immediately and smiles. It's a brief moment of hope and pure happiness. Maybe they can have some semblance of a normal life and be normal kids after this is all over.

Minutes later, all hell breaks loose-- they're almost shot, El pushes herself too far until she can barely move, she's almost taken away by the Bad Men, the Demogorgon appears, and she uses the very last of her strength to sacrifice herself to save him and their friends.

He has to watch helplessly as she disappears.

He spends a year caught between believing she's dead and hoping she's still out there somewhere (but if she is alive then why won't she talk to him anymore...?). Kept silent under threat by the lab, he can't confide in anyone or even acknowledge her existence, not with anyone except those involved... but everyone else is keen on moving on and pretending it never happened. He can find some solidarity in Will, at least, who is in a similar kind of emotional turmoil... but it's not the same and it's not enough.

2x9; he is finally reunited with El, and she runs into his arms like she missed him too. She tells him that all those nights he called out to her, she heard him; she was there reciprocating his feelings the whole time.

In a burst of emotions that he's been forced to suppress for an entire year, he lashes out at the reason they've been kept apart (Hopper), screaming and sobbing. It's a massive catharsis for him, and for once an adult is understanding enough to hold him and not punish him for it.

Minutes later, she is going to go headfirst into a pit of monsters, the place where Mike had just firsthand witnessed dozens of people (if not more) get ripped to shreds only hours earlier, and she is going to attempt to close the Gate-- a feat that he knows may take every ounce of her power, just like last time. He cries. He can't lose her again. She promises he won't, and before she can seal that promise with a kiss, they're pulled apart again.

He has to watch helplessly as she drives away.

3x1; all seems to be okay now. He and El are happily together, and he feels comfortable enough to be playful, romantic, and intimate with her. It's the most emotionally open we've ever seen Mike thus far.

For reasons he can't understand (bc there's no way Hopper explained himself beyond "I'm in charge so do as I say or else"), Hopper is angry about it and threatens to never allow him to see her again: the one thing he fears most.

He panics big time and fucks it up in the process by lying to her. During a frantic attempt to apologize while also abiding by Hopper's rules, he runs into her at the mall. He panics again-- if anyone finds her here, and knows that he was here too, it's all over, and Hopper surely won't hear reason. El dumps him cold on the spot, spurred on by Max and her rebellious attitude (and without any context of course). He isn't given much opportunity to respond. He knows he's in the wrong for lying to her, so what could he even say...?

He has to watch helplessly as she drives away.

It's a hard blow, and he retreats back into himself, unable to get any joy out of playing D&D (which he clearly hasn't lost interest in), back to the deadpan sarcasm and accidentally snapping a little too harshly at anyone whom he feels would take El's place.

3x6; no one seems to understand the danger El is putting herself in. Everyone is berating him for worrying about her safety. He's seen firsthand what these monsters do to people, he's seen firsthand how El pushes her abilities too far. No one is listening.

The words "I love her and I can't lose her again" burst out in his desperation, perhaps before he's even had a chance to realize how deep those feelings run, despite whatever protective walls he's tried to build around his heart to keep it from getting broken again.

Soon after, all hell breaks loose. El is nearly killed several times over, her leg is ripped open, she pushes herself so hard that she breaks herself and loses her powers completely. Her father is taken from her. She's shattered by all of this, and there's absolutely nothing he could do or say to make it better.

She tells him that when he admitted he loves her, she heard him, and indeed she loves him, too... But now she's leaving.

He has to watch helplessly as she drives away.

4x1; they've been apart for a few months, and write letters back and forth to each other. El's letters paint a picture of an ideal new life: she and the Byers family are doing well; she's starting school and it's going well; she's made new friends, she likes her new home, everything is going well. She seems to be thriving. She sounds happy, maybe even happier than she had been living in Hawkins. Maybe Max was right, maybe she's better off being her own person without him, and maybe the respectful thing to do is step back... It's a small insecurity that creeps up subconsciously. In his replies he holds back, afraid of clinging too hard.

Though there's little logic in it, he's afraid that if he tells her he loves her again, another disaster might strike and this lovely happy life she's finally found might get taken from her. After all, that's what always seems to happen when he does.

4x2; after months of waiting, they can finally see each other again. He wears her favorite colors, picks a handful of flowers for her, and falls happily back into step with how they used to be. Soon that same day, however, reality becomes clear and the facade crumbles. People he was told were her friends show up to torment and publicly humiliate her. She had been lying. She isn't happy here, she hasn't healed, she is right at the edge of a breaking point that he doesn't see coming at all. He can't believe she would lie to him, she's not the kind of person to lie... especially not about something like bullying, something that she was always so understanding about with him.

On that logicless subconscious level, he wonders if it's all his fault-- he should have known somehow, he should have been there for her. She protected him from his bullies, he should have protected her from hers. He tries to come to her rescue. She runs away from him.

He's helpless to save her, again.

4x3; after a night to process everything that happened-- and deciding that the betrayal he feels from her lying to him is nothing compared to the turmoil she must be going through right now-- Mike approaches her in the gentlest way possible, wanting to listen and trying to understand. El, however, isn't receptive at all to his attempts at reassurance. She is at an all-time low, she's given up. She believes she is unlovable, irredeemable, a monster, just a thing that doesn't even have those superhuman abilities to compensate anymore. Mike can't believe what he's hearing-- doesn't she know that she's always been so much more than her powers? She's always been so much more than what she lacks in quote-unquote "normalcy"... None of those things matter, they have absolutely no bearing on whether she's worthy of being loved, because he loves her, completely regardless of any of these things. He always has...

El starts flinging his restrained words back at him, the products of his insecurity and trauma-induced fear. That fear takes hold yet again, and he stumbles, afraid of saying too much or not enough, because surely both could result in pushing her away-- she's retreating, hearing none of it; nothing he tries to say consoles her.

Moments later, local police come knocking. She's taken away in cuffs, and she's so broken inside that she won't even look at him when he chases the police car down the street and promises he'll get her out somehow...

Once again, he has to watch helplessly as she drives away.

4x8/4x9; after days of driving through the heat and dryness of southwest desert, having narrowly escaped being shot at with military-grade assault rifles, witnessing the death of and burying a man whose last words were that El is in danger... After watching dozens of people get mowed down by a sniper in a helicopter, and watching that same helicopter be smashed into the ground in a ball of flames...

There she is. Just as powerful and beautiful and alive as she's ever been. When he runs to her and embraces her, she looks at him like she can't believe he's real. She's beaming a smile right from her soul and it's like all the insecurity and self-doubt that have plagued them both just vanish from existence now that they're in each other's arms again.

Like always, however, the universe comes crashing down soon after. Max is marked for a gruesome death and all of Hawkins is in danger. They're miles away and helpless, and the only possible way for El to save everyone is if she goes in alone. She's stronger than ever, but so is her foe. Once again, she descends to face all the demons of hell on her own, and Mike can't do anything.

She's losing. She's choking. She's dying. He's helpless.

He must be cursed. He must be. Being with her, loving her, allowing himself to admit he loves her, it always brings only pain and suffering and loss. His heart is so full that it's aching, it's bursting out of his chest, and he can't contain it any longer.

She's going to die and it's going to be all his fault, because he fell in love, and it's cursed her.

Just before it all crumbles into utter despair, the earnest support from his oldest and dearest friend-- one who's always shared and understood his feelings of helplessness-- sparks a light of hope in him: "You're the Heart." You're not helpless. You can save her.

The words that come spilling out of Mike's mouth are truer than any he's ever dared to speak before, and it's the most terrified he's ever been, but he has enough courage for this moment. Despite all of the fears that have been building, stifling, choking him to death for years-- fears that the light of his life will inevitably disappear again, and there's nothing he can do to stop it-- despite it all, he pours out his heart to her.

He loves her. He's always loved her. He loves everything she ever was, is, and could be. He can't imagine a world without her in it. She saved him, in every way a person can be saved. And he needs her to live. He believes in her.

And it works. It's music to her ears.

[dykedvonte]

I think it’s so ironic that the Pony Express escapes a lot if not all blame in discussion. I can’t even say I am excused from it but it’s just how hard people circle back to the characters alone without considering the environment they were made to be in.

Why would they design a ship where only two of the rooms lock? Not the bathroom? Not the sleeping quarters? We assume that all the companies in the universe are this shallow and careless to their workers but we explicitly know the Pony Express in extra vile. They are fed processed slop pack they can’t even really cook and the ration of those pack is meager at best. They hired and made people with a plethora of conflicting demeanors and beliefs work together on a mission where cohesion is important if not an outright necessity and punish them for not being happy about it. There’s no social protocols, not chain of command other than Captain’s word/choice and the only way to enforce that is with a literal firearm. They don’t allow them to celebrate freely and even took away leisure activities that would make them less stir crazy. They are only allowed a few hours of sleep despite their being no other real responsibilities or work on the ship, no matter the position or its importance. With any crew, with any level of synergy, this was a powder keg waiting for a spark.

I’m not saying characters that made mistakes didn’t make huge ones, but I think part of the horror is that at least for some (this is targeting Jimathan) those mistakes are partly made by a force of the hand. There’s a running theme of lack of choice and being forced into something and the very nature of how The Pony Express expected them to function plays a big part.

[daeneryseastar]

“i, criston cole, a grown man in my early twenties (when the show starts), met the princess when she was 14 (in hotd) and 8 (in f&b), groomed her, and then had sex with her while she was intoxicated (and still a teenager) but my stans seem to believe that i, A GROWN MAN, was the one taken advantage of and raped.”

even though she was a child in f&b and these were unsubstantiated rumors. even though he’s been an adult since the show started and she was still a kid. even though he’s been her closest confidant for years and watched her grow up. even though the writers and producers and show runners and actors ALL AGREE that it was meant to be consensual in the show. CRISTON is the one who was taken advantage of? CRISTON is the one who was raped? either get real or get slapped because i have no time for that type of bullshit.

[poorly-drawn-mdzs]

An unbothered queen has entered, and subsequently left.

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[manderleyfire]

I will do all this, I will get all this blood on my hands, and you are able to plead naivety.

[itsybitsybatsyspider]

Astrid, Jamie, and Tooth Fairy designs for the Dragon Prince au

The Dragon Prince Au Masterpost

(design notes under the cut)

Astrid - for her design i tried mixing a bit of both General Amaya's armour and her HTTYD 2 costume. - since Astrid is a part of the dragon killing training program on Berk, i wanted to give her a mix of practical armour that she could wear casually (because she's always ready if shit happens) but also keep it comfortable enough for her to wear regularly. - hence the greaves, bracers, and small pauldrons. - her skirt and shirt were my favorites to draw and im really happy with how her hair came out

Jamie - Jamie's was also an easy one to work on. I mainly worked on interpreting his OG design into the Dragon Prince universe and i thought giving him a blue vest (like in the beginning of RotG) and orange shirt would do the trick. - I made sure to keep it simple though, because he is a commoner living on an outpost/village in Katolis, but still tried to give it the same level of depth that DP character designs always have.

Tooth - undoubtedly my favorite one to work on, and it was entirely because of the colors! - i gave her gold cuffs and earrings like we see in her OG design (even tho those are feathers) and the boots were probably my favorite part of the costume to work on! - her Elven markings are meant to be similar to how her feathers shape her face in her OG design, and the hair was so fun to work with and i think it really pulls it together! Thank goodness there are other Skywing elves with multicolored hair (i.e. Nyx) - the vest was probably the most difficult, i couldn't settle on which pattern to go with, but i wanted to make it look like the pants and vest weren't connected like a bodysuit. So the frilled collard shirt was a great help in distincting the two and the slightly different tones on the pants and vest helped to make it look like they weren't a part of each other. - so over all i'm really happy with how her design turned out!

[thoughtfulchaos773]

I just knew this scene looked familiar, so I watched Taxi Driver last night and did a deep dive. Did you know Martin Scorsese heavily influenced the editing style in the first season of The Bear?

Scorsese also narrates 3x09 Apologies at the beginning with a sequence of film and magic. The Bear is truly groundbreaking in making TV series look like cinema. There's also a scene similar to dissociation in Raging Bull as the main character is focused on his fist and the ice bucket. (Carmy stares at that ice bucket after the sauce.)

Both Taxi Driver and Raging Bull tell the story of the exercise of control (sublimation a fruedian concept). Pent-up emotions or desires are ideally transferred to a higher good like art. Or one can transfer such pent-up emotions into a more destructive act..