#I need to be crazy about this game more

[bbirby]

I fucking love starbound, people with starbound ocs please send them so I can draw them together

Also her again

[heartorbit]

i want to know everything that makes you happy! 💫🪐🎇

[seventh-district]

Making Incorrect H:SR Quotes Until I Run Out of (hopefully) Original Ideas - Pt. 4 - Nuthin' but Boothill Edition

[Pt. 1] [Pt. 2] [Pt. 3] [Pt. 5] [Pt. 6]

[sergle]

I know that animation in big blockbuster films is like not ever supposed to look good anymore and whatever, like it's almost intentionally bad, but from an artistic standpoint, can you imagine how hard it would have slayed if they made the minecraft movie purely with pixel animation?

[hellamorte]

another interesting piece of exchange between mhin and leander that caught my eye 👁

indeed, it seems baffling that leander, our reliable man, our nice guy, the nicest of the nicest, just forgets to warn mc about such a tiny little detail, easily forgettable for sure — that eridia's streets are unsafe at night 💀

he quickly covers it up by flirting — and boy, can i wait (can't, need this game right now) to see more of such instances, because he seems to master this craft, and it is working on most people, — hinting at mc's beauty and/or the intimate (and it is intimate for mc, whether you like leander or not) moment they shared.

but do you know the most important, tasty nuanced thing this tiny, blink-and-you-miss-it dialogue reveals? leander doesn't care about mc, about their life and safety; he's niceys, it's all just an act. sure, cap, you might say, we already know leander is a manipulative titty shit, what's new? but look at it another way: we know this because rss kindly backed us up with all this additional info and content so we don't starve to death while waiting for the release (rss, i would have gone through content drought anyway. this is not a shade, take your time, i love you). now imagine playing this game for the first time without a pile of lore stacked at the back of your mind and seeing these discrepancies in his behaviour (check out my previous post on this), foreshadowing that he's not as good as he seems and his path might be dark and gritty as hell.

and now, my fellow leander girls/gays/whoever else is there, imagine how it would feel when leander cares (faints).

[waterdroid]

There's this one stream from June where Hbomberguy plays Tactical Brach Wizards and chats with Tom Francis (the game's creator, writer and developer), and the whole thing is really interesting! They talk mostly about the development of the game and some of what Tom says is already on the Developer's Comment in the special edition, BUT there are some lore things/fun details that I found interesting:

Being a wizard in this world is regarded more or less the same way as being a doctor in ours ("It's impressive, but no one's like, 'oh my god, can i get an autograph'")

Jen's mom is an arcanist

Bank's heart "canonically isn't pounding" in the missions because "she's used to life and death situations"

Banks "cares about who lives and dies"

Tom mentions that Banks doesn't have as good of a relationship with the rest of the team, and that her and Jen's relationship is "hot and cold" (LMAO)

Darrell's hiding spots were all basically John Roberts' idea (the game's sole artist)

The world of Tactical Breach Wizards (as in, the geography and literal placement of countries) intentionally does not look like the real world. "The DSR resembles the UK and America in some ways", but isn't really a 1 to 1 so "they don't map to real clichés and dynamics of the world".

[dykedvonte]

I keep seeing fanarts of ppl's OC's being on the ship, so do you think that if there was 6st crewmember (specifically, another woman) Anya would've been more safe? Like, someone to actually call Jimmy's begaviour out, someone Anya might wanna trust? Is there a possibility something might have changed (even if a little) or it would not have mattered at all?

-💀

I feel like the game would make it part of the commentary on where she would believe and help Anya but still be sort of dismissive? Like the whole “don’t waste time crying and being scared keep going and move on, don’t let him win”. It’s supposed to be positive and reinforcing but sometimes it does more damage in those times of mourning and grief, it feels patronizing, like you don’t understand what you’re going through but they do. Even if they did call out his behavior it’s still on Curly to act and while another voice would help, it’s still 4 against 2 on guys that don’t get it until they have to vs women who always have to.

I don’t mind mouthwashing OCs but I do get a bit bored as they tend to be borderline saviors or like Jimmy aligned. They are either more complicit than Curly or just Jimmy haters for no reason, outside of what the creators know about what he did to Anya. I am never irked by OCs but in a story like mouthwashing you really need to think about what your character adds to the commentary, especially if they are there during the crash. It’s nice to have like characters on Anya’s side more whole heartedly and interesting to see characters who placate Jimmy but sometimes it’s one note.

I can’t and don’t want to police peoples OCs it’s never my intention when I comment on trends I notice, but I do feel like the way people make their OCs interact with these two characters and especially Curly, really show a grave misunderstanding of the narrative and these characters as people vs roles in the story. Still, I know people just make up characters for fun and that’s fine. Great even, but I guys I’m focusing more on OCs that are supposed to have those serious dynamics. My favs tend to be pretty-Tulpar or post-Tulpar au OCs.

The inevitably of the crash is on Jimmy. He did that not because he wasn’t stopped but because all his means to kill Anya were taken. The gun, the axe. Even if Curly did strip him of his co-pilot privileges and try to keep him contained there’s only so many people. An extra body helps but they have jobs they have to do, he’s the only one steering the whole ship and Jimmy would likely have an out: food, bathroom, etc. He’s not new and if he couldn’t crash the ship directly, who’s to say he wouldn’t sabotage something else? A clunker like the Tulpar wouldn’t take much. An extra person helps but it’s just another thing that prolongs what a person like Jimmy is willing to do to shirk responsibility.

It’s more than just needing someone to stand up to him and think that’s what is missing when it comes to inserting a character into the mouthwashing setting.

[autumnteawithfriends]

It’s hard being a Crashbox fan sometimes, you have to deal with the following

People associating it with Pedophillia because of the Daily Capper

People only knowing who Dora and Slob are (Dora because of the Daily Capper, Slob because of how infamously unsanitary he is)

People who want to fuck Johnny because he’s hot (he doesn’t count for the above point because I legitimately haven’t seen anyone talk about his personality or game, just about how sexy he is)

Eddie Bull vore jokes because those are totally the first thing people want to see when trying to find content of him

Reviews talking about how “scary” this show is and how it gave them spooky scary nightmares and how it shouldn’t have been for kids

How hard it is to find content for any character that isn’t Dora, Johnny, Rocket, Sketch, and maybe Bones

Crashbox being obscure because this show is genuinely amazing and I hate how bland ass anime shit and HH/HB are more popular than this show

[waspgrave]

Solas and Mythal’s relationship is that perfect blend of fucked up and tragic I have been wanting from them for a decade. The mother and her child, the two lovers, a queen and a general, the dog and its master, the servant and the lord. Love it. I knew I sensed fuckery with the way solas talked about her despite ‘burning her off his face’. Then to see him shrinking up in front of her, how he groaned ‘mythal’ in dread and even began to hold the dagger out towards her to take bc he knows he’ll do anything for her if she asks. man needs therapy for his absolutely disastrous and problematic situationship thank you for letting me watch your traumas unfold like that king

[redbean-nom]

din djarin, age 10: clone wars refugee child

boba fett, age 11: in federal prison for destroying an entire venator while trying to kill mace windu

[ultimateinsomniac]

hopping up on my special interest soap box to say: i think we as a fandom should discuss the satire in danganronpa V3 more.

idk if it is just me but i have always viewed this game as a satire, if only just because of the ending. it exagerrates the formula set up by the previous games to criticize the current state of media and media consumption. i know a lot of people in the fandom don't like V3, and i think that is by design. it is ridiculous, it is over the top, the ending is a punch to the face, but it's all on purpose. you're supposed to be uncomfortable because it is a satire. (of course you don't have to like the game, i just think it is intentionally like that)

the whole theme of fiction vs reality is put in there intentionally to make fun of the fandomization of danganronpa, as well as to poke at game studios and companies that put out media in general. tsumugi, in my interpretation, is representative of danganronpa fans (hence why she's the ultimate cosplayer). she is the mastermind. you aren't supposed to like her. her insistence on the idea that "fiction doesn't affect reality" is a direct criticism of that exact idea in real life fandom. the idea that this is the "53rd" danganronpa is directly making fun of other pieces of media "jumping the shark" because fans insist upon it. this is not to say you can't like tsumugi, i think you absolutely can, i just think her character represents some key ideas relating to the satire of the game.

this is why everything in the game is SO over the top. kirumi being the prime minister, korekiyo both having DID AND being a serial killer in a reference to the first game, EVERYONE'S over the top backstories (gonta and keebo come to mind), it's all acting as an exaggeration of common tropes (albeit highly problematic in several areas, not trying to excuse those aspects by any means).

and then there's kaede. they set her up as a strong female protagonist, only to kill her chapter 1 to be replaced by a male protag. on paper this is very misogynistic, but in the context of satire it is an exaggeration of the danganronpa formula. of course we couldn't have a female protag in a main line game, of course it would have to be a man. shuichi having a secret ahoge only adds to this; it's making fun of the trope. the best part is that i truly do love both of these characters, and their role in the satire doesn't diminish the excellent writing that went into them and the story.

this entirely shapes how i view this game. it manages to tell an incredibly compelling story with very complex characters while making fun of itself at the same time (as a good satire should). i know a lot of people have said they feel like the writers of v3 must have hated danganronpa, and while i see exactly what they mean i don't think that's necessarily true. i think it was an intentional choice as a work of satire.

i can see an intense love behind the writing of this game. the characters are rich and the story is compelling. the ending just serves to send home the point they wanted to make. i think it adds a really beautiful perspective to the danganronpa series as a whole.

[bigb-enthusiast]

Guys as a special holiday treat for me specifically can we include bigb into G stuff more pretty please

[gideonisms]

work crush who I thought was straight is actually bi I never lose

[corpocyborg]

(so... uh... how far into dai do you have to get before it starts being good?)

[licorishh]

i love og soap too much. my stomach hurts. i don't feel good.

[thedeadthree]

✧ — 𝐓𝐀𝐆 𝐆𝐀𝐌𝐄.

-`. 𝐭𝐚𝐠𝐠𝐞𝐝 𝐛𝐲 @carrionsflower and @loriane-elmuerto tytyy sm lori and airika!!!!! 🥀💌🐦‍⬛

✧ — 𝐓𝐇𝐈𝐒 𝐎𝐑 𝐓𝐇𝐀𝐓.

coffee or tea | early bird or night owl | chocolate or vanilla | spring or fall | silver or gold | pop or alternative | freckles or dimples | snakes or sharks | mountains or fields | thunder or lightning | egyptian mythology or greek mythology | ivory or scarlet | flute or lyre | opal or diamond | butterflies or honeybees | macarons or eclairs | typewritten or handwritten | secret garden or secret library | rooftop or balcony | spicy or mild | opera or ballet | london or paris | vincent van gogh or claude monet | denim or leather | potions or spells | ocean or desert | mermaids or sirens | masquerade ball or cocktail party

✧ — 𝐓𝐎𝐏 𝐅𝐈𝐕𝐄 𝐒𝐎𝐍𝐆𝐒 𝐎𝐍 𝐑𝐄𝐏𝐄𝐀𝐓.

𝐒𝐇𝐈𝐍𝐌𝐄𝐑𝐈𝐍𝐆 𝐖𝐀𝐑𝐌 𝐀𝐍𝐃 𝐁𝐑𝐈𝐆𝐇𝐓 — bel canto.

𝐈𝐌𝐀𝐆𝐎 — nostalghia.

𝐋𝐎𝐔𝐃 𝐁𝐀𝐑𝐊 — mannequin pussy.

𝐂𝐀𝐋𝐈𝐅𝐎𝐑𝐍𝐈𝐀 — chappell roan.

𝐃𝐀𝐅𝐅𝐎𝐃𝐈𝐋 — florence + the machine.

— 𝐭𝐚𝐠𝐠𝐢𝐧𝐠:

@sunsofdawn, @pavus, @happilyobsessing, @girliefailure, @alvsanne

@auricfog, @jamessunderlandgf, @weisshaupts, @grapecaseschoices, @risingsh0t

@shellibisshe, @florbelles, @full---ofstarlight, @fenharel, @unholymilf

@aelyosos, @anoramactir, @roofgeese, @cloudofbutterflies92, @griffin-wood

@southernreaches, @chainsawsangel, @leviiackrman, @tethrras, @rosykims

@tommyarashikage, @carlosoliveiraa, @courtana, @lilywatt, @kroganloveinterest

@shadowsofrose, @celticwoman, @shadowsofrose, @dialdrunk, @kissingwookiees

@neonshrike, @confidentandgood, @lavampira, @adelaidedrubman, @imogenkol

@kanos, @deadrlngers, @elluvians and you!!!!!! 🥀💌<3