#I near died

[maybesomemilo]

You can’t edit a ship to Gracie Abrams and not expect me to curl up in a ball and SOB

[sourkreem]

apparently, dick and jason's love language is to crash their baby brother's first date

[cutiesigh]

❤️🖤🩷

Wuthering Waves has taken over all of my free time recently, so here's a sketch of Scar!Ren I originally shared in da 14DWY Discord!!

[pawprintsonpavements]

No because I was rewatching nimona ofc and it just hit me full in the face that the director did not mean what we thought she meant when she said this.

In the beginning when, before the knighting, she says this to Bal, she's already rigged his sword, she means that the kingdom will see him as a villain, as someone who doesn't belong and who should never have been a knight. ShE'S TRYING TO SAY THAT YOU DONT BELONG AND I KNOW IT AND NOW THE KINGDOM WILL KNOW IT YOU FU-

Like i k this is probably obvious and I'm an idiot for not noticing before but oh god it just hit me so hard-

This re-watch is killing me and I am dying dying from holding back I want to talk TALK ABput this movie it's so GOod but I keep telling my friends to watch it and I have always given fabulous recommendations and yet they don't listen ugh

[poorly-drawn-mdzs]

Flagrant Favourism.

[First] Prev <–-> Next

[bluerosefox]

"Daddy! Mommy's is having Ellie!"

Everyone in the Batfam knows Jason keeps secrets.

Secrets he'd take to his grave a second time if he had to.

But to think one of those secrets would be about the fact he had a secret family.

And the only reason the Batfam found out was because apparently their secret (grand)daughter/sister-in-law Jazz/Jasmine was in labor and their (great)grandson/nephews Danny (Daniel) and Dan (Dante) called him while on a Red Hood job with the rest of the Batfam to panicky tell him their baby sister Ellie was on the way early.

Red Hood books it away from the fam to his bike while asking to put Kori or Roy on the phone.

Oh boy.

[slavhew]

what happened?

[at-what-cost]

hcs and more drarngs below the cut:

basically they first met during the early days of the revolution, when Raph was still there. He even encourage him saying "there's no way he's str8 with a v-neck that low" (it was a sleeveless hakama...) to which leo responds with "were at war, I don't think his sexual orientation is on our need to know basis" "JUST GET OVER THERE"

Sagi thought he's cute, duh its Leo. But he wasn't struck with the idea of romance at first glance. they become friends, competitive in developing their skills and leading their separate groups of the same rebellion. Usagi picked up the nickname fearless for Leo from the rebellion soldiers, He uses it (both for teasing and as an endearment).

Sagi's group had to separate in order to help other colonies prosper but before he leaves there was a vague confession of Leo's feelings. Sagi, (the ahole) only smiles and says that he "admires him equally".

they don't see each other for several years, but when they got back together they grow closer than ever. Thus, old married couple behavior...

thas all thank you<33

[carnivalcarriondiscarded]

Hey, I had a thought for the fantasy au! So on one of the previous versions of the WH website, there was a rhyme for the show that went:

A house is a place with four walls and a floor,

with a ceiling above and a lovely front door.

There's a bed to cradle you safely at night,

and windows to bring in the morning sunlight.

Your house is a mirror of just who you are,

A reflection that tells you to never stray far.

Which I thought might make a good incantation for when Wally properly summons Home (I can't remember if that's ever required for Warlocks but hey, it's still a fun poem regardless).

ohhhh this. i like this...

bonus og sketch! big ol eyes...

& no capalet because uhhhh eh nah and also i wanted Home's pendant to be on full display!

[companion-showdown]

Who had the worst time aboard the TARDIS?

TOURNAMENT MASTERPOST

[berryliciousjam]

💐Biggest Fan and Biggest Star💐

Me and @/AngurrSkurrr from Twitter collabed on this piece: We made individual sketches, then he did the refinement of sketches and lineart, while I did the color, rendering and final touches💖. Do follow my boyfriend if you have the time btw! >:3c. Hope yall love it and thank you 🫶💐

Fun Fact: This was conceptualized on our first day of hyperfixating on the ship so we are relieved that we finished this. 👍💗

[feroluce]

For some weird reason, I've always been fascinated by how wildly different Sampo operates in the Underground vs the Overworld.

Sampo is present in both places and even in official sources, he's not really counted as one side or the other- now that the theory has been confirmed in-game, he's generally just lumped in with the Masked Fools.

But there really is a big difference!

Probably the most obvious and well known instance of Sampo's...business practices *cough burglary and fraud COUGH* in the Overworld is from the Belobog Museum event. In it, you don't find out Sampo is the main culprit until near the end, because Pela has to set up a sting just to catch him in the act. And that sting is necessary all because the initial suspect they arrested, Norbert, had pretty much no idea of his partner's identity. Sampo wouldn't even speak to him face-to-face.

And whereas Sampo is normally very pleasant and friendly with the trailblazer...when he thinks he's talking to Norbert here, he straight up says that they are NOT friends. Like he really shuts that shit DOWN.

There's also an Overworld NPC, Chavez, who heads the "Dark Blue Scam Support Group." And he. Really really really does not like Sampo fjkdasjklfdj

Chavez clearly wants Sampo caught, and has literally no positive feelings about him. So. Why call it the Dark Blue Scam? Why not just out him by name? Chavez obviously doesn't give a single shit about Sampo's dignity or privacy. But he never once refers to him as "Sampo," and even the pamphlets he passes out make no mention of it. No one in the entire support group seems to know how to identify him or how to refer to him except by his hair color. If the trailblazer says his name, Chavez reacts as though he's never heard it before.

(I've seen people say this means Sampo Koski is an alias and not his real name? But Ray pointed this out, and honestly I agree; even the Fools call him Sampo, after all. I think it's just that Chavez never knew Sampo's name in the first place, and given his immense distrust, immediately assumes it's an alias.)

And then there's his characters stories, where he proceeds to pull off a heist in the Overworld while in disguise as Brughel Poisson the entire time. Literally his own stories don't mention Sampo's name even once.

So anyway, all this shows that when he's up in the Overworld working cons, Sampo is incredibly slippery and secretive about his identity. The only people who seem to know him are Pela, Serval, and Gepard. He doesn't get close to anyone else, and is even surprisingly unfriendly. Nobody knows his name. No one knows his face. He has zero qualms about backstabbing or double-crossing, and even plans for it in some cases.

Meanwhile, down in the Underground, I'm pretty sure literally the worst thing we hear of him doing is scalping tickets in front of the Fight Club. Which isn't even illegal in a lot of places (although it's certainly a dick move).

In Hook's companion quest, a vagrant miner steals Fersman's equipment and tries to sell it to Sampo. Even before the trailblazer and Hook jump in and out the vagrant as a thief, Sampo hesitates to buy it because it sounds like stolen goods, which he doesn't want any part of.

Even knowing that a geomarrow detector is rare and incredibly valuable in the mines, Sampo makes no attempt to double-cross Hook or profit off of her loss, and even tells her who to go to to get it fixed.

And my favorite example of Sampo in the Underground is the Survival Wisdom adventure mission. In it, Sampo starts up a business with Peak, another miner. And like. In wild contrast to all the cons he pulls above ground, Sampo is actually super nice and helpful here.

Just the same as with Hook's quest, Sampo talks to Peak face-to-face, with no disguises or barriers. When the trailblazer finds them, they're just in the Great Mine, no secretive meeting places. Peak knows Sampo, is familiar with him, and calls him by name. It's not even a con! There's nothing illegal going on; it really is just a business partnership. Peak is more than happy with their deal, he's even pretty enthusiastic about it, because thanks to Sampo he can now make enough money to get by while also accommodating his chronic fatigue.

The only person Sampo lies to in this whole ordeal is the trailblazer, who he manipulates into getting Peak's mining equipment back from the vagrants that stole it in the first place. And when it's done, he rewards them with a legit treasure map.

So when he's working in the Underground, Sampo is MUCH more upright and lawful. Part of this is probably to do with his "business" model- Sampo only takes advantage of the wealthy, and poverty runs rampant in the Underground. When he charges Peak an extra 30% (the same percentage he charges Norbert as a consultation fee in the museum heists- Sampo seems to go by percentage instead of a flat rate, which means his prices are more fair for lower incomes) for carelessly losing their supply, Peak literally starts counting out pocket change.

Dude's working for pennies and good will down there dknsmdmd

And you can twist this into a Robin Hood thing if you want- Sampo IS technically working to feed orphans and heal the sick. He says himself he's more than happy to make up the shortfall between the greedy and the marginalized- I mean he says it in the shadiest way possible, but I doubt the people benefiting from his work really care that he's a slimeball if it means they can survive another day. Even the two heists he pulls in his character stories are literally just him stealing absurd amounts of food.

Personally though I think it is solely because of Natasha, and Sampo is hilariously well-behaved specifically for her, because she keeps him on a short leash JSKZJMSMSKS

[royaltea000]

YO! Being a drawing, what’s there to be afraid of!

[notbecauseofvictories]

My best friend and I had a call recently---she’s back with her family for a bit helping out with some hometown stuff. As part of the stuff, she’s been going through a (deceased) relative’s scrapbook, compiled in the American Midwest circa 1870-1900 and featuring mostly cut-out figures from the ads of the day.

She talked about how painstaking this relative’s work was. (Apparently the relative was careful to cut out every finger, every cowlick; this was by no means carelessly or hastily assembled.) But she also she talked about how---the baby on the baking soda ad is ugly, it is so ugly, why anyone would clip this heinously ugly illustrated baby and paste it into a scrapbook? Why would you save the (terribly told, boring) ghost story that came with your box of soap?

(Why include these things in the first place? we asked each other. ”There’s a kind of anti-capitalism to it,” she mused.)

And we discussed that for a bit---how most of the images, stories, artists, and ads were local, not national; they’re pulled from [Midwestern state] companies’ advertisements in [Midwestern state] papers, magazines, and products. As a consequence, you’re not looking at Leyendecker or Norman Rockwell illustrations, but Johann Spatz-Smith from down the road, who took a drawing class at college.

(College is the state college, and he came home on weekends and in the summer to help with the farm or earn some money at the plant.)

But it also inspired a really interesting conversation about how---we have access to so much more art, better and more professional art, than any time in history. As my bff said, all you have to do to find a great, technically proficient and lovely representational image of a baby, is to google the right keywords. But for a girl living in rural [Midwestern state] of the late 1800s, it was the baking soda ad, or literal actual babies. There was no in-between, no heading out to the nearby art museum to study oil paintings of mother and child, no studying photographs and film---such new technologies hadn’t diffused to local newspapers and circulars yet, and were far beyond the average person’s means. But cheap, semi-amateur artists? Those were definitely around, scattered between towns and nearby smallish cities.

It was a good conversation, and made me think about a couple things---the weird entitlement that “professional” and expensive art instills in viewers, how it artificially depresses the appetite for messy unprofessional art, including your own; the way that this makes your tastes narrower, less interesting, less open.

By that I mean---maybe the baby isn’t ugly! Maybe you’ve just seen too many photorealistic babies. Maybe you haven’t really stopped to contemplate that your drawing of a baby (however crude, ugly, or limited) is the best drawing of a baby you can make, and the act of drawing that lumpen, ugly baby is more sacred and profoundly human than even looking at a Mary Cassatt painting.

And even if that isn’t the case....there was this girl in [American Midwestern state] for whom it was very, very important that she capture every finger, curl, and bit of shading for that ugly soap ad baby. And some one hundred years later, her great-something-or-other took pains to preserve her work---because how terribly human it is, to seek out all the art we can find that resonates with us, preserve it, adore it.

It might be the most human impulse we have.

[morganbritton132]

Eddie immediately forgets about his live-stream the moment Steve walks into the house so he can give him a beautifully wrapped gift.

Steve does the whole song and dance of ‘you shouldn’t have’ and ‘that’s so thoughtful’ like Eddie doesn’t know how much this man loves to get presents. Steve tears into the wrapping paper, looks into the box, and his smile immediately drops, “Absolutely not.”

Eddie: Baby

Steve, holding blue shorts and a sailor shirt in his hand: Where the hell did you find a Scoops Ahoy uniform?

Eddie: I had it custom made

Steve: Why?!

Eddie, unapologetically as he places the scoops hat on Steve’s head: Sex

[gdn7-dollopole]

Arthur’s last wish was to comfort Merlin as he died

Arthur couldn’t bear the thought of leaving Merlin knowing that he would be sad.

Arthur cradled Merlin’s head in his hand, with a small smile on his chapped lips, trying to reassure Merlin, knowing what was to come, and aware that Merlin would have been destroyed by Arthur’s death.

So not only Arthur let himself be held, because he wanted to, because, finally, he could ask that of Merlin, but he gently caressed Merlin’s hair too, and we can see how much Merlin had longed for Arthur’s tender touch.

Merlin rolled his head back to feel Arthur’s palm on his scalp, although the hand was covered by the glove.

Merlin knew, in that moment, when he finally had Arthur in his arms like he had always wanted him, but couldn’t have him and only stared at him from afar, when he let himself be touched like he had craved for all those years, that Arthur wouldn’t have been able to caress him anymore.

So Merlin leaned in the touch like his life depended on it, and we can see him wavering by the tiny, yet enormous gesture.

And Merlin knew he wouldn’t have had the hand in his hair ever again.

It wasn’t only Arthur’s wish.

All Merlin had ever wanted of Arthur was to be held by him too.