Yukine's journey toward acceptance of the life that was robbed of him, this time with finality, exemplifies the emotional and beautifully rendered arc that has defined his character.
Yukine finally accepting the reality of his death. Yukine stepping out from the fridge that contained memories of what was once his life. Yukine freeing himself from the shackles of his trauma. Yukine running to protect the person who cherished him the most in the world. Yukine standing up to an abusive father. Yukine wholeheartedly apologizing. Yukine's growth, and Yato tearing up as he stretches his little arms to pull him for an embrace.
Yukine's gratitude for what Yato did for him is evident throughout the series. He was given a name more precious than any other. He was treated like a human--an ordinary teenage boy. And life after that was one exciting journey after another. Now, Yukine can no longer be entirely consumed by the horrors of his past because he knows that his reality with Yato is so much brighter. Far brighter.
Yukine could break out from that refrigerator because of the true, sincere, and nurturing love shown by the only father figure in his life. Yato has said multiple times throughout the series that Yukine was his priority above all else, and Yukine was the only person he swore to protect the most. Hell, he even went straight to hug him after Yukine apologized for turning into that form! Yato did not need to summon Yukine. Yukine came to protect Yato on his own decision. As he always did.
The journey to their healing will be painful, and this chapter shows that Yato and Yukine will face it together. No more secrets and no more miscommunications. They will help and be by each other's side as they always have, not only as god and shinki but, this time, as family.
"I will not let him die. Not Yato. No matter what happens... I swear I won't let anyone take him from me!" -Yukine, Noragami Vol. 17 Chapter 67.
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lemon i hope you know (if you didn't already from your notification boom solely from me) that your prev hero au designs did something to me. fundamentally altered my brain somehow. im literally stuffing them in my mouth how did you do that
HHEELLLOOOO THIS WAS A LOVELY NOTIFICATION BOMB TO WAKE UP TO, HOLDING ALL THESE TAGS NEAR AND DEAR TO MY HEART
as for how (i'm seizing this as an opportunity to share a bunch of process work):
there was a butt load of trial and error
From what I can remember (this all started 3 years ago holy shit,,,) I worked on Kevin's design first. The only 2 ref images I've found are included in the screenshot, but I'm pretty sure I was looking at those in addition to all of the other Impa+Sheik designs from the games, OG Hyrule Warriors concept art for Impa+Sheik, and the Sheikah pages from BOTW's Creating A Champion.
here's Link's stuff and YIPPEE I HAVE HIS REFERENCE IMAGES 🙌🙌
(BIG BIGG shoutout to @/historyofhyrule btw for archiving so much concept art and everything from all of the zelda games. None of this brainrot would've been possible without them.)
butt load of trial and error cont. especially for the colour of his scarf omg (I was looking at some of the hero's garb colour variants from OG Hyrule Warriors, and was conscious of the two other scarf wearing Links in Zelda Not Canon)
I can't find Zelda's inspo/ref images either but I remember referencing Griffith and Casca from Berserk, Kushana from Nausicaa of the Valley of the Wind, Ashei from TP, some of the OG Hyrule Warriors concept art for Princess Zelda, and of course some of the other canon Zelda designs (ALttP, TP, HW, OoT, BOTW).
I'd say Kushana was and still is the biggest inspo for Prev!Zelda, even personality wise I find myself looking back to her and how she was in the Nausicaa manga and movie.
final design thoughts: I really REALLY wanted the three of them to look cohesive with each other SO,
I always carried over screenshots of the other members of the trio onto their individual canvases to make sure that any changes I made to one design didn't stand out too much from the others,
I'm also pretty sure I worked on Link and Zelda's design simultaneously, or at least flipped back and forth between them a LOT when doing their armour (I wanted it to be evident that they were produced by the same smiths of the royal family yknowww),
and finally I made sure there were a couple of shared colours between their colour palettes
Thankee Thankee for reading this far and I hope y'all enjoyed my process stuff :))!!!
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