#I mean this isn't that important

[bbybearcubbs]

Any of my moots see this, I'm here, I'm online, I'm just not interacting. I don't have the mental energy too right now. I feel bad cause I see your responses to my asks(before emotions mental health happened) and I wanna rant and rave about how great your stories are but I can't do it right now. Sorry to all of you, but I'm here, I'm doing...okay, this happens often and it'll be over in a few days...hopefully this time. So don't worry or anything okay?

[tzarrz]

to all people who said PART 1 made them laugh - i lov u 💗 this is for u

[serpentface]

Faiza performing the Kagnoma Odo (pretty literally 'lion dance'), a weapons dance and one of the more important ritual duties of Odonii priestesses. A relatively new addition to this traditional dance involves the musket as the primary weapon, which is fired mid-twirl into the ground at the climax of the dance. Faiza is experiencing an 'oh fuck' moment because her shot is more than ideally diagonal, but she’s being so cool with it.

This is a wholly ceremonial performance at the onset of the pilgrimage, performed in full regalia and lion skin (of the small, semi-domesticated strain) but no armor. It’s also distinctly a display of political allegiance between the powerful and beloved Odonii priesthood (and its loyal military) with the increasingly reviled and destabilized imperial family, with Faiza prominently wearing a bracelet of the royal serpent, which was gifted (along with the musket) by the usoma Stavis Amanti himself (Usoma is the Wardi word for king, which has been retained in the context of emperors).

The Kagnoma Odo is the ultimate demonstration of the Odonii as an embodiment of the Lion Face of God and living vessel of military might and sovereignty, demonstrating her fitness and proficiency with weapons and as a spiritual unifier for soldiers. It is accompanied by drumming and occurs in stages, running through the three keymost weapons used in war- the spear, the sword, and the musket. The musket is of the most significance, given the weapon has developed a particular esteem as the ultimate embodiment of might and superiority. Assistants (almost always other priestesses, occasionally high ranking soldiers) load and prime the musket to be fired at the climax of the dance, where it is shot into the ground as the priestess leaps out of range of the shot. The firing signals the end of the dance and the rite itself.

While not the utmost exemplar of trigger discipline, only fully inducted and senior (and therefore very thoroughly trained) Odonii are permitted to perform the dance, and injuries during actual performances are quite rare (though are known to occur during training, more than a few Odonii have burns and wounds on their feet).

The most important renditions of this dance are performed upon declarations of war and before battles (in this case, generally done in full armor along with the lion pelt). It is also done during some trainings (while a dance, it is carefully choreographed to include naturalistic maneuvers of the weapons involved and helps soldiers limber up and learn to move their weapons). It is regarded as an impressive and motivating sight and a morale booster, and, seen at a distance, potentially intimidating to enemies.

A special variant of this dance is performed as means of fully incarnating the Odomache, which is done in full nudity with the body covered in the blood of the freshly sacrificed lion and cloaked in its raw pelt (the lion has become the corpse of Odomache in the moment of death, as part of its recreation of God's sacrifice). Her public, full nude appearance once (and only once) in this act is what allows the Lion Face of God to incarnate within her. Those in attendance see the spiritually vulnerable, naked human body obscured with the sanctified and deified blood and cloaked in the sanctified and deified skin. It is a merger of the contradictions of mortality and divinity, the boundaries between the two indistinct in flickering firelight and the flash of musketfire. She is witnessed by her people, dangling in between humanity and divinity and leading them in dance, and and is thus transformed.

[fluentisonus]

working in a factory has you thinking so much about the insane chain of labor & transport that goes into making literally anything

[uncanny-tranny]

Social transition being seen (by some) as this super easy thing that isn't as hard as real transitioning (medical) is bullshit. Be critical of the idea that there are some trans people who just "have it easy" because they are trans or because they are trans in ways you may not be.

Social transition is just as difficult, hard, and rewarding as medical transition. Maybe it is not as hard for some, sure, but that is not the same as thinking that social transition is inherently easier or lesser. If you're socially transitioning, your voice still matters.

[deoidesign]

"what do hands mean about a character?"

Their hands mean they love eachother

(webcomic)

[renarin-spren]

you know while I'm at it!! I'm sick of people not letting Rlain stand on his own as a character. of course his whole thing in WaT (and to a certain extend RoW) is that he's finally found acceptance and a place he fits in with Renarin, and I love that! I love rlainarin as much as the next person!! but it's driving me up the walls bonkers how the majority of the fan made media I see about him is solely in the context of their relationship. like can we please get more love and appreciation for him as a character? or does everyone else just love him because He's Gay ??

[stealingpotatoes]

I feel like sw as a whole puts a decent amount of effort into making sure charecters are out of the picture for major events (Ahsoka being presumed dead during tot, Ezra vanishing into wild space, all of rouge one, etc) it mostly happens with force users for obous reasons but...

Idk I feel like they don't nessacarally need to do that? Like there's an easy answer to "if x was alive why didn't they show up during y event" and it's "they were busy" they don't need to be dead or presumed dead to be otherwise preoccupied. We didn't even see all that much of the rebelion in tot (at least as far as named characters go) and there was other stuff to do even with the death star.

"Where were all thease people during tot why didn't they help?"

Maybe they were doing other stuff off screen, or running other mishions? I really don't get why this question is such a big deal?

this is a lowkey insane take i love it, like "why weren't you helping destroy the planet-killer?" "oh you know, my hamster needed a haircut"

[crookedfivefingers]

3.13 | ᴛʜᴇ ʟᴀꜱᴛ ᴏꜰ ᴛʜᴇ ᴛɪᴍᴇ ʟᴏʀᴅꜱ

link to the post I accidentally wound up prattling endlessly about in the tags 💀

[zevranunderstander]

number #1 tactic that people use to not sound as racist as they are when they talk to black people: 'uhh so you AMERICANS need to stop pretending everything is about YOU. why should i know this im not from the us :/' (= is talking about like. a phenomenally internationally well-known black artist)

[scimagic]

we all miss him :(

he still deserved what happened (except for the whole being institutionalized i think that was a bit harsh) (to me id have just put him him in therapy and arrest him for a bit (house arrest on the LOWEST SCALE) and get him people to hang out with that he DOESNT hate rn)

I'm gonna hold your hand when I say this and please don't break it but I genuinely think you guys are taking the institution thing a bit too seriously

[undead-knick-knack]

[swordsonnet]

lately, i've seen more people in the online autistic community acknowledging the struggles of people with higher support needs, which is of course an important development. but for some, that seems to come with the implicit assumption that low needs autistics "have it easy" or experience no stigma at all, which is just wrong??? people with low support needs are still disabled by their autism and still face discrimination because of it. sure, they are impaired to a lesser degree than those with higher support needs, but that doesn't mean you can just erase their struggles, y'know?

[just-an-enby-lemon]

Nothing will be more hilarious to me than the party's - specially Ben's - outrage about Alex's sneaky reference to William Shakespeare slowly fading as they remember that half of the NPCs are actually historical figures. Like they are genuinally going "what's this assassin's creed? You put Shakespeare in the gift Augusta Leight gave to our honorary party member Oscar Wilde while waiting for Ada Lovelace and Nikola Tesla to see if we can talk to the brain of Charles Babbage about the mission Albert Einstein teleported us to? Shakespeare a whole historical person? "

[pinballlizard]

I haven't seen anyone mention it but -

[backpackingspace]

Okay but consider post Canon over protective Athena who is sick to death of her most devout being raped.

Athena sticking close to the whole family and promising penelope that she'll keep a close eye on odysseus the first time he has to go into the market and penelope can't go with him. (She was going to go anyway. She's never actually going to let any of them out of her sight ever again. And it's an easy promise to her dearest weaver who seems so distressed to have odysseus leaving her side.)

Athena fully manifesting in the market when someone grabs odysseus with godly flashes of snakes and owls and the drums of war to scream /release him/ (odysseus is feeling indulgent for both his patron and his wife it's so cute that they're this worried it's not like he couldn't defend himself just fine. Especially from whatever poor fuck just grabbed him who definitely doesn't deserve a goddess screaming in his face. Hes trying so hard not to laugh if he did athena would send him flying.)

Athena telling all the other gods that yes she knows odysseus is the favorite barbie doll she choose him well after all and to back the fuck off if any of them bother him again they will have made an enemy of her.

Athena disguising odysseus only as an old beggar from here on out instead of an irresistibly tall and handsome man. Because she saw how uncomfortable nausicaa's attention made him.