#I mean other characters too of course but also

[tossawary]

Historical dramas keep on not giving their leads hats, because something something modern beauty standards and distractingly ahistorical hairstyles, and I'm finding it increasingly annoying.

Like, there's the historical accuracy / faithfulness angle, of course. Personally, I think it's more fun to be immersed in an entirely different time and place, even if that means fashion that looks a little weird to audiences now. Hat styles can make interesting statements in a story about culture and class and personality. And there's also the in-universe practicality angle. Hats serve important purposes such as protection for hair and from the sun, and it sometimes breaks my suspension of disbelief to see characters climbing windy hillsides without getting repeatedly smacked in the face by their loose hair and so on.

But, something that's been bugging me most of all lately, is that some of these fits just look BAD without a hat or some other headwear or a complicated hairstyle. I can forgive some degree of historical inaccuracy or impracticality if the outfit fucks, but some of these hatless fits just do not fuck, sometimes specifically BECAUSE they are missing the matching headwear. The character's head looks too small when bare, especially when their hair is relatively plain, when paired with some enormous, ornate dress. The overall silhouette sucks. The coordination / balance of the character design looks broken.

It's especially egregious when there are background characters / extras who ARE allowed to wear hats and other headwear and have elaborate hairstyles. I might not even know what historical accuracy is in this context, fantasy dramas especially are not always going to have anything to be strictly faithful to, but it's increasingly disappointing when Background Extra #7 looks like a coordinated fashion icon here and your lead just looks inappropriately underdressed and that's not meant to be intentional.

[girl4music]

Those last 2 episodes. Appropriately titled ‘Heart Part 1’ and ‘Heart Part 2’ because my heart is so full. I have so much to say and have no idea where to start with it.

So much happened. Every lead character’s individual arc was thoroughly concluded in a very satisfying way. Even some of the recurring ones got an endgame so there’s a lot to cover in this recap of a fantastic finale and I feel so fulfilled on great storytelling and great representation packed into a neatly tied up ending.

MAJOR SPOILERS: do not read this if you have not seen the finale of ‘She-Ra and the Princesses of Power’.

I guess I’ll start with Shadow Weaver because she had an endgame that I had predicted. Well, sort of. I said that Shadow Weaver’s arc can only go in 1 of 2 ways. I said it was either personal attainment (villainy) or personal sacrifice (heroism). So I wasn’t surprised when it was the latter. But I wasn’t able to trust in her going that way sincerely until she started attacking that monster, told Catra that she was proud of her, took off her mask and then told them both ‘you’re welcome’. I couldn’t trust that she was sincerely helping them to achieve releasing and channelling the Heart of Etheria’s magic… which by the way, is what almost brought them to the brink of destruction the first time they tried to do it. However, I understood that because She-Ra was the conduit for that, that it could have a different outcome. Still destructive but destructive only to the opposition. I think anyway. I might have to rewatch that part again because I don’t think I fully understood what was going on there. But yes, Shadow Weaver went out in a heroes death rather than was the cause of her own demise out of hunger for power and a desire to attain the magic of the Heart Of Etheria for selfish aim. I was happy with it.

Glimmer and Bow: I decided to talk about these 2 lead characters together since part of their arc involves each other. It was no surprise to me that they would declare their love for each other. I mean Glimmer has always had a crush on Bow and they’ve been the very best of friends since they were children. I wasn’t sure about Bow at first but I knew intense romantic feelings would develop and I’m glad it was Glimmer who said it first. I am a bit disappointed that there wasn’t a kiss on the lips but I think I understand why that was. I’ll get there. Be patient. There’s way too much to talk about first and I really want to save Catradora until the very last section because I’ll have the most to say about them as a lot of their arc informs well… pretty much the whole TV show.

Glimmer individually had more of an arc in the TV show than Bow did so a significant amount of my meta goes to her. It was mainly how she was fairing as Queen but also how useful she could be to the team because of it. Then of course there was Micah. Reuniting with him but having to battle with him because he was an unwilling agent of Horde Prime. I laughed with pure joy when the influence on him ended and he said “Hi, I’m your dad.” I really felt for Glimmer when she was desperately trying to heal him and she said “I won’t lose another parent!” So it was so satisfying for me to realize she healed him and that she poured all the love she could into that heal and when she succeeded, the proud smile that he wore must have made her feel like Queen of the world, never mind just her little town of Brightmoon. She deserves it.

Likewise it was wonderful to see how proud Bow’s dads were of him when he gave that rousing battle speech to the reawakened masses of Etherians, telling them to be their own warriors and fight for their home. It was right that it was Bow to do that rather than Adora or Glimmer because that is what he had trained himself to do from the beginning. He wants to be an archer battling on the side of the greater good and not a historian. So to see his dads holding each other, proudly watching him… it brought a tear to my eye, I have to admit. So beautiful!

Hordak and Entrapta: I had no idea that I would get a closure for Entrapta, let alone Hordak. I did and I’m so happy about it because even though she was only a recurring character, Entrapta buried her way into my science, tech and engineering loving heart (with a spanner and a blowtorch? You will never know 🤣) but I am glad that she got over her obsession enough to focus on what really mattered. Saving her friends.

The fact that what stopped Horde Prime wasn’t Adora or Glimmer or who you would expect, but Hordak and Entrapta? That hit so hard with me. To give THEM the hero moment of defeating the villain. I was like “Oh my god! That’s brilliant!” Because it is. Think about it. Who do you think Horde Prime tortured the most? His Little Brother! I still don’t know if that was literally or not. 🤷‍♀️ Was he actually related or was he just another clone because he did call Catra his “Little Sister” too? That’s still so creepy to me. But yeah, for Hordak to get that moment of retribution was absolutely delicious for me and then for Entrapta to reach him when Horde Prime tried to take over through the Hive Mind? So, so, good! That made total sense and it was brilliantly executed!

Scorpia and Mermista: The only reason to lump these 2 characters together is because they were chipped and controlled the longest that they caused significant damage to Etherians. There’s not really much to say about them other than that they’re going to have huge headaches now that this is all over due to how far gone they were. I mean I’m glad that they were able to save them but I just don’t know what the aftermath will be for them or whether they will be the same ever again.

From the way I watched and interpreted the TV show, I understood that one of the main narrative themes of it was psychological conditioning and I’ve been in awe that this children’s show was brave enough to tell that very dark story,… let alone see it right through until the end because it’s an ambitious, elaborate and difficult narrative undertaking. Especially to do it properly,… which they definitely did. To tell the darkness of… well… basically radicalization and genocide but to do so in such a way that it could teach and motivate kids to develop on their innate judgement and discernment so if - god forbid - they ever end up in that situation, they’ll know exactly what to do about it. With team She-Ra being their idols, they’ll be able to fight conditioning. I can imagine that’s what the creators intended with this and I cannot acknowledge and commend them on it high enough. I think that ND Stevenson and the entire creative team are incredibly courageous and amazing to make this a main thematic narrative all throughout this TV show and handle it with skill and compassion that it does not once come across as too much for PG.

Catradora: (Yes, I’m using the ship name because the way they tie up their individual character storyline arcs seamlessly also ties in with their romantic arc and you do not know how hard it is to find this with WLW ships.)

First off, I want to point out something that may or may not have been pointed out before with Catradora but this is just how it came across to me in the narrative given I interpret psychological conditioning as a main theme within it. To me, a lot of the reason why Catra is the way she is as a villainous character when it comes to receiving love and affection has do with this factor. She’s so closed off and repressed to the point that she cannot even see that she’s corrupting and sabotaging herself. She is a lot like Xena in this way. But a major striking difference for Catra is that she physically loses the one person in the world that stops her from doing this, whereas Xena physically gains that one person. Trust issues, abandonment issues, parental issues all tie in together - but that was all tolerable when Adora was around her. As soon as Adora leaves her behind in the Fright Zone and, furthermore, begins to oppose her as the hero of Etheria, she spirals so hard and so fast that all of those issues - which were always issues caused by the abusive treatment from Lord Hordak and Shadow Weaver - come crashing down one by one on top of her because she no longer has the person who makes those issues just inconveniences for her. Not only that but … it feels like personal betrayal for her that Adora fights her. She genuinely does think that Adora hates her. I mean who wouldn’t if they were in her shoes (paws?) and had the “upbringing” and “nurturing” backstory she’s had? So Catra has this preconceived notion that Adora never cared about her and left her because she thought she was better than her and was chasing after heroic glory and believes that she was too weak to go with her. In a way it’s a personal vendetta out of misunderstandings Catra has against Adora and those feelings are intense not just because the Horde brainwashing is that deep and severe but also because her love is that deep too and she can’t differentiate which feelings are which. So she becomes She-Ra’s mortal enemy because in her mind, She-Ra is what has taken Adora away from her.

But obviously, from Adora’s side, She-Ra was sprung on her, Etheria was sprung on her. In fact her entire world upended once she recognized her life for what it was. A lie. That she was the villain brutalizing innocent people. She couldn’t go back to them even if she had wanted to because everything she had ever knew was fraudulent and she had been coerced and deceived into being a weapon. And what I really like about Adora’s individual arc is that eventually this was revealed to be true on both sides of the war. She was a weapon for evil and for the greater good. But all she wanted - as all heroes do - was just to protect and defend her loved ones. That’s it. Catra could never see it that way though and it makes sense that she couldn’t given her conditioning was even worse as it involved one-on-one attacks from Shadow Weaver as well as whatever the treatment was with the entire group. Catra’s psychological conditioning was much more personal, intimate and isolated so what was ingrained into her had much deeper and stronger layers added on to it. Hers was a solid brick wall built trauma complex. Those are always much harder to recognize and escape from but with the right therapy,… it can be done. Given her issues weren’t so bad when Adora was around her but got much worse when Adora left her… it is clear that Adora represented a sort of therapy for her. Adora helped her keep all the crippling thoughts of self-doubt and self-contempt at bay. But they were on full volume when Adora left and kept attempting to kill her.

Okay, so let’s finally get on to their romantic arc and how the finale not only concluded their individual character representation and development arcs but also ended their ship slow burn. It wasn’t until the fantastic episode of ‘Save The Cat’ did I realize they were going there. See,… to start with, I knew that they were going to become a canon WLW couple at some point otherwise I would have never started watching it. That was the draw for me. That they were both lead characters in a canon WLW ship in a children’s TV show. That floored me. But I was not prepared at all for what I got to see in the finale. It was groundbreaking. It was phenomenal. In fact I’m sure it was life changing for many queer kids to see that kiss happen the way it did. Or… just happen on-screen at all. Look, I am so used to the “implied” and “assumed” and “disguised” when it comes to WLW physical intimacy that I just do not ever expect blatant leaves-absolutely-no-doubt-whatsoever kisses. I certainly don’t expect WLW kisses written and portrayed as “the power of love” kind. It’s extremely rare. To see it in a children’s show nailed me to the floor. But furthermore - added on to that astonishing feat - is that both lead characters overcome all their issues and obstacles through that very act like… a fairytale story. It’s like… when the Princess kisses the Princess, all is well… there’s no stopping either from that point on. It seems corny but it all just depends on how it’s done. But the fact is you don’t see it done between WLW at all. So to see it done WELL alongside seeing it done at all… I mean Indy knew that he had an assignment with this but the phrase “he understood the assignment” doesn’t cover or justify what was accomplished with this and I can’t believe it’s took me this long to see it.

Every TV art/entertainment creator should watch this TV show and regard this finale as the perfect example of what queer representation can and should provide in TV because this was just the epitome of what true love is. But the fact it was between 2 female lead characters.

I can’t even begin to explain how much it meant to me but I will spend the rest of my life trying to express it because this really was a groundbreaking achievement and I will be adding this WLW ship to my very short list of WLW ships that shape and satisfy every piece of me.

I have had the best fucking time watching this TV show and I will be doing reruns of it for god knows how long because I am sure there is so much more there for me just like there is with Xena, Buffy, Charmed, Dragon Ball Z, Wynonna Earp and Arcane. All these beloved shows are timeless to me for a reason and She-Ra is the same.

I hope you all enjoyed reading my recaps of my very first watch of ‘She-Ra and the Princesses of Power’.

Merry Christmas and a Happy New Year to you all. 🎄

[bulgariansumo]

I see a lot of people in the tags feeling like they can't share their original work until it's complete and published since there's no place like AO3 for original stuff. But there are! Here's a few of the more popular options.

(Note: Traditional publishers tend to not want stories posted anywhere before they do, so keep that in mind.)

Tapas

Tapas is a most known for its webcomics, but it allows webnovels now, too. The most popular types of stories right now are Romance Fantasy (specifically Isekai Regency Romances), Action Fantasy, and BL.

There are slightly different genres available for webcomics, but for webnovels, the genres are: Romance, Romance Fantasy, Fantasy, Action Fantasy, Action, BL, GL, LGBTQ+, Drama, Mystery, Thriller/Horror, Science Fiction, Comedy, and Non-fiction. Stories are allowed to have three genres, but the first one determines where it shows up in searches and rankings. For example, my story is LGBTQ+, Science Fiction, and Slice of Life, but it only shows up in the LGBTQ+ section.

You can tag your story anything you want. Individual chapters are taggable, but that's just for fun, it does nothing for searchability.

Tapas emphasizes bite-sized content, so novel chapters are only able to be up to 15,000 characters (a little over 2,000 words) in length. Users can like and comment on each.

Images go a long way on Tapas, even if you're writing a webnovel. On your story's page, there's space for a banner, the cover (of course), and every chapter can contain a different thumbnail picture. Here's what mine looks like:

Personally, I like to switch the thumbnails with each full mini-story in my novel. I know someone who switches thumbnails based on PoV character, and I've seen people keep the same thumbnail throughout their whole story. It all depends on what you want!

Tapas has a full ban on AI-generated images and text. Mature content is allowed so long as it is appropriately tagged. They're a little stricter on images than text. As long as you're not writing porn without plot, hate speech, or something illegal, you can write pretty much whatever.

There is a Tapas Forums and a Tapas Discord. Personally, I find it easier to chime in and talk shop in the forums. However, the Discord is where Tapas announces contests and offers feature opportunities.

Royal Road

Royal Road is a website that caters to fantasy, sci-fi, and other speculative novels, with a current emphasis on LitRPG Isekai. But you can post other stuff there!

The site has a list of preset genres and tags. You can select up to four genres and however many of the tags you want. Here they are. The images are a little blurry without zooming in, but I included alt text.

If you hover your mouse over the question marks beside each label, it'll show you its definition just in case you're like me and don't know what some of these tags mean.

Your story goes through a 24-hour approval process, and if the moderator decides that it's fit for the site, it goes through.

Just as a heads up, this site has a reputation for being very strict about sexual content, even when it's appropriately tagged. The FAQ doesn't mention there being a limit, but among authors, it's understood that only 10-15% of the words (or chapters??) in a story can contain explicit sexual content. Sometimes less. So be aware of that.

Instead of likes or kudos, stories have the option to be reviewed on a 5-star system. These reviews are either be a short overview of your opinions on a story, or a more in-depth, "Advanced" review rating Style, Story, Characters, and Grammar separately. This helps (or hinders) a story's visibility. However, if you're friends, family, or live in the same house as the author, you MUST state that in the review, or the author could get into trouble.

Readers can comment regularly, but there's also an option to make it so that they can select passages to point out grammar mistakes and things like that.

You can insert images in chapters, but only if they're hosted on a different site, like Imgur or here on Tumblr. You can also put a poll in each chapter.

Royal Road allows AI-generated stuff on its site. There's an option to mark stories as being AI-generated or AI-assisted (using something like Grammarly to spellcheck or clean up wording). The site does have an in-depth search system that allows you to exclude stories tagged this way. However, there's still a lot of stories that use AI covers.

The site also has forums with a bunch of different sections. There's one specifically dedicated to swapping story reviews, but some people there will read, comment, and review on other people's stories just for fun.

Wattpad

Wattpad is probably the most well-known original writing platform. Its most popular story type seems to be any romance involving a rich and/or powerful guy. Sometimes he's a werewolf.

Its list of genres includes: Action, Adventure, ChickLit, Fanfiction, Fantasy, General Fiction, Historical Fiction, Horror, Humor, Mystery/Thriller, Non-fiction, Paranormal, Poetry, Random, Romance, Science Fiction, Short Story, Spiritual, Teen Fiction, Vampire, and Werewolf. You can only pick one of these per story, but like Tapas, you can also tag it anything you want. Each story is allowed 25 tags.

Pictures can be added to chapters, along with a picture, gif, or video above each chapter. Chapters can be commented on and liked. Wattpad's most standout feature is the ability to do in-line comments, where you're able to comment on specific lines or paragraphs. Also, you can see a chart breakdown of your readers' ages and genders.

Wattpad allows AI covers and AI text, and unlike Royal Road, there's no way to filter it out. The site used to have forums but got rid of them mid-2020. It also got rid of DMs earlier this year.

Archive of Our Own

The average person reading this knows more about Archive of Our Own than I do, so I'm just gonna say: AO3 allows original works so long as they're "fannish in nature," otherwise, they'd prefer you not post them there. Original works are tagged under the Original Works fandom.

General Tips

Do not under any circumstances join Webnovel. It's well known for predatory business practices.

If anyone DMs you on one of these sites wanting to sign you onto another, ignore it. It's probably sketchy.

Read other people's stories if you have the time. There's a chance they might like yours too.

If you don't know where to start finding other stories to read, participate in Read for Reads (Review Swaps on Royal Road). Not every story is gonna click with you, but I've found some of the coolest hidden gems from those.

Forums on novel websites are usually full of other creators. Advertising might get you a new reader or two, but not many.

Some of these sites (especially Royal Road) fall victim to web scrapers posting stories to another site. The good news is that they also copy usernames, so the authors still get credit. Also the views and likes on the other sites are often made up. No one really visits these them except for the authors who found out they've been stolen from. I don't really know what the end goal is... I think Tapas might the safest from this, since you can't copy-paste text from there, but that's just a hunch.

Was wishing there was a positivity post for original fiction writers since I see so many about how fanfic writers are doing so much for their communities even when they're not actively writing, and then I thought:

Be the change you want to see in the world.

So this is a positivity post for the writers out here who are working very hard on stories with no established community. Who can't talk about their blorbos and plot lines and brainstorming to anyone and expect them to know what any of it means. Who don't have much to share publicly, but are hoping they will one day.

You're doing a lot of hard work, and I recognize and appreciate what you're putting into the world, even when you're resting.

[couldsewyouastitch]

Stories We Haven’t Written Yet

a/n: hi @tea-reads i am your secret santa!! when i got your prompt i was so happy because i have been wanting to write something like this for a long time. and i usually need days, weeks to complete something like this but for some reason, these words just poured out of me. you said i can pick the character myself so i went with Frankie because, Frankie is just... Frankie *sighs affectionately*. anyway, hope you enjoy it! Merry Christmas and Happy New Year!! a big thank you to @pedrostories for the amazing event <3 also, @tea-reads i hope you don't mind me giving the cat the most obnoxious cat name that there is. xx

pairing: frankie 'catfish' morales x fem!reader

c/w: reader is she/her, description of the reader (story is written with a specific person in mind), other than that some cursing, implication of intimacy, and the rest is pure fluff.

The faded red bricks of the old brownstone are cool as Frankie Morales steps outside, cradling a steaming mug of coffee between his hands. Taking a sip, he lets the warmth bleed into his fingers, into his chest, where sleep still weighs heavy. The bitter taste bites at his tongue, but he likes it—it feels real, more real than the hazy remnants of the dreams he’s trying to shake off.

Then, a flash of movement catches his eye. There, across the narrow street, framed in a first-floor window like a living portrait she sits—a girl with a tangle of dark hair hunched over a book. Her fingertip traces the page as she reads. Frankie thinks of the whorl of her fingerprint, oil and ink, the silent shape of words in her mouth.

He's seen her before. Hard not to in a neighborhood like this where everyone knows everyone and their grandma, but they've never spoken. Never had reason to. He doesn't even know her name but he likes to call her bookworm. Imagines her with papercuts on her fingertips and the smell of old pages clinging to her clothes.

She looks up just as he's lifting his mug to his lips. Catches him looking. He could turn away but he doesn't. He lifts a hand in a wave and he's close enough to see her lips twitch into an almost smile before she disappears behind a curtain the color of clouds.

—

The cat is an ink-stain sprawled across the pale tiles of Frankie's kitchen floor. He stares at it. It stares back wholly unimpressed by the world—or by him. A chill breeze from the open window ruffles its fur.

"Alright," he mutters, running a hand over his face. "I don't know how you got in here, gato, but you’ve got to go."

The cat remains unmoved.

Frankie sighs. Scrubs a hand through his hair. Remembers too late it's still tacky with pomade and now his fingers are too. "Look, it’s not that I don’t like you," he continues, his voice edging toward something that sounds suspiciously like resignation. "It’s just—well, I’m not exactly living the kind of life where I can keep a pet right now. You know how it is."

The cat, of course, does not know how it is. Nor does it care. It blinks lazily, as if to say, Who asked you?

Frankie glances at the open window above the sink, then at the clock on the wall. He’s going to be late for his shift at the garage if he doesn’t leave soon. “Fine,” he mutters, shrugging into his jacket. “Have it your way. Mi casa es su casa and all that. But when I get back, we’re having a serious talk about boundaries.”

The cat yawns, a pink tongue curling delicately, as if it already knows how the conversation will go.

Frankie snatches his keys from the hook by the door. “I mean it,” he grumbles, more to himself than the cat. “This ain’t a hotel.”

The door shuts behind him, and somewhere in the quiet of the kitchen, the cat blinks once, slowly, as though conceding that perhaps it is.

—

Boundaries. What a joke. He'd forgotten that talk as soon as he'd clocked in. Then it was nothing but oil changes and timing belts and that persistent rattle in Mrs. Goldberg's Buick that refuses to be located. By the time he drags himself up the two flights to his apartment, the cat is the furthest thing from his mind.

Until he trips over it in the dark, nearly braining himself on the coffee table.

"Shit!" He fumbles for the light switch. Blinks in the sudden flood of brightness. The cat is sitting by the door, tail lashing. "Oh, it's you. Thought we had an understanding."

The cat meows. Loudly. Like an air-raid siren.

"What? What do you want?"

Another yowl, claws scrabbling at the wood. And okay, Frankie may not be Dr. Dolittle but even he can translate that.

He groans. Pinches the bridge of his nose where a headache is brewing. "Alright, alright, I'm going."

—

Never let it be said that Frankie Morales isn't a man of his word. He's going. 

He's just not sure where. 

Standing on the cracked sidewalk, one hand stuffed in his pocket, the other clutching a very disgruntled cat, he scans the darkened windows of the brownstone across the way. No sign of bookworm.

The cat squirms and he tightens his grip. "Cool it, Houdini. I don't see your owner around."

A throat clears behind him. He spins, the cat held out like a furry shield.

And there she is, close enough to touch. Dark eyes wide in a delicate face, perfect lips parted on a startled breath.

"Um, can I help you?"

Christ, even her voice is perfect. Soft and low with a husky little catch. Frankie's tongue feels too big for his mouth. He thrusts the cat at her. "I believe this belongs to you."

"Bukowski!" She takes the cat from his unresisting hands, cuddling it to her chest. Rubs her cheek against its head and it purrs, traitor. "Where have you been?"

"My kitchen, apparently."

She peeks up at him through a curtain of silky hair, teeth sinking into her bottom lip. A hot curl of want licks through him. "I'm so sorry. He's never done that before."

Frankie shrugs. "It's no problem." It is, a little, but he's not about to say that. Not when she's looking at him like she's braced for a lecture. He sticks out his hand. "I'm Frankie, by the way. I live...right there." He points at his window like an idiot.

Her lips curve and this time it's a real smile and fuck, he's a goner. Her hand is small and cool against his roughened palm. Her fingers feel like bird bones. Delicate. Breakable.

He gentles his grip, struck by the sudden urge to bring those slender fingers to his lips. Press a kiss to her knuckles like some old-fashioned gentleman. He doesn’t. Instead, he drops her hand, stuffs his own back in his pocket where it can't do anything stupid. "Nice to officially meet you."

She ducks her head, hair sliding forward to hide that pretty flush climbing her cheeks. "You too. And thanks for bringing Bukowski home. I should..." She gestures over her shoulder, already backing away.

"Anytime." 

He means it.

—

After that, of course he sees her everywhere. 

Or maybe he’s just looking for her now. 

Either way, it starts at the library. 

He’d ducked inside to escape a sudden downpour, the sharp scent of wet pavement still clinging to his jacket, and there she was—bookworm. 

Her hair was pinned loosely at the nape of her neck, a pencil tucked behind one ear, her hands deftly sorting books into neat stacks. She hadn’t noticed him at first, too busy rearranging the circulation desk into some private order only she understood. But then she glanced up, and their eyes met, and Frankie forgot for a moment how to breathe.

She’d smiled—a small, polite curve of her lips that didn’t quite reach her eyes. He’d managed to nod, maybe mumble something resembling “hey,” before retreating to the nearest aisle like a complete idiot.

—

Later, he’ll think maybe he conjured the whole thing. Like he wanted it so bad, so deep-down-in-his-bones bad, that the universe finally caved and handed it to him. A gift wrapped in irritation and crossed arms.

He’s just gotten home from a late shift, his body heavy with exhaustion, when a knock sounds at the door. His heart does a stupid little flip, a hopeful leap he’ll deny later. It’s gotta be her. Girl Scouts don’t hustle cookies this late, and Santi’s under strict orders not to bother him unless someone’s bleeding out or already dead.

When he opens the door, there she is, a stormcloud expression in place, arms folded tight across her chest. Her mouth is a taut line of annoyance, but even like this—especially like this—she’s too damn pretty.

"Hey." He leans casually against the doorframe, or at least he tries. His pulse is a drumbeat in his ears, frantic and unsteady. "What’s up?"

Her eyes flash, all dark fire and frustration. "Bukowski got out again." The words are clipped, each one edged with irritation.

"Shit, really?" He glances at his window out of instinct. Still shut tight. He scratches the back of his neck. "I haven’t seen him."

She exhales sharply, a sound somewhere between a sigh and a growl. "Well, he’s not in my apartment, and your place is the only one he’s ever snuck into before, so."

Frankie drags a hand over his face, more to hide the grin tugging at his lips than out of frustration. "Alright. Gimme a second." He grabs his jacket from the coat rack, shrugging into it as he pulls the door shut behind him. "Did you check the alley? Sometimes I see him poking around the dumpsters back there."

Her nose wrinkles, a delicate crinkle of disdain that’s somehow unfairly adorable. "Gross."

A laugh startles out of him. "Hey, don't knock it till you've tried it. Dumpsters are like catnip to alley cats."

"Bukowski," she says with a frankly alarming amount of dignity, "is not an alley cat."

He holds up his hands, fighting a smile. "My mistake. Lead the way, princess."

—

They find the wayward feline sunning himself on the hood of Frankie's shitty third-hand Corolla, fur black against the rusting blue paint. Frankie eyes the fresh scratches on the driver's side door with resignation. Makes a mental note to start parking on the next block.

She marches up to the car, hands on her hips. "Bukowski Theodore Hemingway, you are in so much trouble."

It's official. She's the cutest thing he's ever seen.

He watches as she scoops up the unrepentant cat, fingers sinking into thick fur. Remembers the cool slide of her palm against his. The delicate veins in her wrist.

"Looks like he's got a taste for adventure," he jokes, sticking his hands in the pockets of his sherpa jacket to stop himself from reaching for her. "Regular little escape artist."

She frowns, shifting the cat to get a better grip. "I just don't understand why he keeps coming here. It's not like you're feeding him or anything."

Frankie shakes his head. "Just my rampant animal magnetism."

That startles a laugh out of her, bright and unconscious. He thinks he could get drunk on that sound, learn to crave it like a drug.

She looks up at him from beneath her lashes, something almost shy in the tilt of her mouth. "Must be."

And God, he wants to kiss her. Wants to pull her closer, hook his fingers into the belt loops of her jeans and erase the tiny space between them. Wants to let his hands map the curve of her waist, thread into the dark silk of her hair until she’s sighing against his mouth. Wants to find out if her lips taste as soft as they look, if the heat of her blush runs all the way down to the hollow of her throat—

She clears her throat, studying the top of Bukowski's head with sudden fascination. "Well. Thanks for helping me look. And sorry again for the trouble."

"Anytime."

He keeps his hands to himself.

Barely.

—

Things go back to normal after that.

Or at least, his version of normal, which mostly involves work and sleep and precious little else. He goes out drinking with Santi and Benny a couple times, flirts with any woman who looks his way out of habit more than actual interest. But his mind's never really in it. He always finds himself watching the door like he's waiting for something.

Someone.

He tries telling himself it's pathetic, pining over a girl he's barely spoken to. That he's building her up in his head, spinning some kind of bullshit fairy tale out of a few chance encounters.

But then he'll catch a glimpse of her through her living room window, hair spilling across the pages of an open book, lips moving soundlessly as she reads. Or he'll hear her laugh drifting through the open window as he drinks his coffee and a rare smoke on the fire escape, soft and secret in the velvet dark. And he thinks maybe it's not so pathetic to want something real for once.

—

When Bukowski shows up again, he's ready.

He leaves his window cracked just wide enough for a determined cat to squeeze through. Starts storing spare cans of tuna on the top shelf of the pantry. Feigns surprise every time the furry little monster appears like a grouchy apparition on his kitchen counter.

These days, his girl barely makes it through a cursory lecture before she's sighing and rolling her eyes, resigned to her pet's delinquent ways.

And if their hands sometimes brush as he passes the cat over, lingering a beat too long to be strictly accidental...well. That's just a bonus.

—

"Thanks for this," she says for what must be the dozenth time, sweet mouth curving ruefully as she tucks a wayward strand of hair behind her ear. "I promise I'm not sending him over on purpose. He's just..."

"Got a mind of his own," Frankie finishes, tearing his gaze away from the tan curve of her throat. "I get it. You can't control who you love."

Something flickers across her face too quick to catch and her smile slips, a brief dimming that makes his chest ache. But it's back before he can blink, smooth and distant as rippled glass.

"Still. I'll try to keep a closer eye on him from now on." She hitches the cat higher on her hip, slender fingers sinking into dark fur. "See you around, Frankie."

—

After that, he leaves the window shut tight. Pretends he can't hear the plaintive yowling from the alley below. Bullies Benny into taking the extra cans of tuna cluttering up his shelves.

It was stupid to think this thing between them could be anything more than a few scattered moments. A collection of almost strung together with foolish hope.

Girls like her don't end up with guys like him. He's got no business wanting what he can't have. No business dragging her into his mess of a life. 

So, he stays away from the window. Throws himself into work, picking up extra shifts until he's too tired to think straight. Ignores the sharp bite of loss in his chest whenever he catches a flash of dark hair from the corner of his eye.

It's better this way.

—

He almost makes it a week before she corners him on the front stoop, arms crossed and eyes snapping.

"Did I do something wrong?"

He stares at her, momentarily speechless. She's a vision in the golden wash of the porch light, cheeks flushed and hair tumbling wild around her face.

She's never looked more beautiful. Or more pissed.

"What?" He finally manages, feeling wrong-footed and awkward in a way he hasn't since he was a pimply fourteen playing spin the bottle in Rosie Alvarez's basement. 

Her mouth firms. "You're avoiding me."

It's not a question but he shakes his head anyway, instinct urging him to deny. "No, I'm not."

"Bullshit." She steps closer, close enough that he can smell her. "I thought we were..." She pauses, worrying her bottom lip between her teeth. "I don't know. Connecting, maybe." Her shoulders hitch, just a little, and his heart squeezes painfully behind his ribs. "But now you won't even look at me."

Frankie doesn’t know how to respond to that. He’s never been good with words, not the kind that matter, not the kind that don’t come out clumsy and wrong.

When he says nothing, she crosses her arms tighter, like she’s holding herself together.

"I don’t even know why I’m here," she says, pacing now a little, her arms crossing and uncrossing like she doesn’t know what to do with them. "I’ve been talking myself out of this for days. Weeks, maybe. Telling myself I’m being ridiculous, that I shouldn’t care, that I don’t need this."

"I'm not good at this, Frankie. At flirting or...or making my intentions known. I've always been alone and I thought I was okay with that. Content, even. But then you showed up with your stupid handsome face and your awful secret cigarettes on the fire escape and suddenly I'm lying awake at night wondering what it would be like to have someone. And I thought maybe you..." She trails off, scrubbing furiously at her eyes. "God, I'm so stupid. Of course you don't—"

Her name comes out low and rough, like it’s been scraped from the deepest part of him, and it cuts her off mid-sentence. Her gaze snaps up to his, her eyes wide, shining with a mix of anger and embarrassment and something heartbreakingly soft.

"You talk too much," he murmurs, his lips twitching into the faintest, most lopsided smile.

And before she can respond—before she can talk herself in circles or tear herself down anymore—he cups her face in his hands and kisses her.

It’s not a perfect kiss. He’s too rough, too desperate, his calloused thumbs brushing against the softness of her cheeks as his mouth finds hers. But the way she melts into him, the way her hands grip the front of his jacket like she’s afraid he’ll vanish if she lets go, makes him think that maybe perfection doesn’t matter.

Her lips are soft, warm, and she tastes faintly of peppermint tea, like she’s been drinking it to calm herself down. But he doesn’t think either of them are calm now. He’s trembling, just a little, as he tilts his head to deepen the kiss, and she makes a soft, startled sound in the back of her throat that just about undoes him.

When they finally pull apart, her cheeks are flushed, her lips pink and kiss-swollen, and she’s staring up at him like she doesn’t quite believe what just happened.

"Sweetheart. You have no idea how much I want you."

She blinks up at him, dark lashes spiky with tears. "You...you do?"

He has to laugh at the genuine confusion in her voice. Has to kiss her again, soft and slow and so sweet he aches with it. "I really, really do."

—

When Frankie wakes up the next morning he finds her watching him. Her hair is a tangled mess around her face, cheeks still flushed with the fading imprint of his kisses. 

She reaches out, traces the curve of his jaw with a fingertip. "Hi."

His throat feels tight, crammed full of words he doesn't know how to shape. He turns his head. Presses a kiss to her palm. "Morning."

She smiles, slow and sweet as honey. "For a minute there, I thought I imagined you."

"Oh yeah?" He tugs her closer. Fits his body to the warm curves of hers. "Hate to disappoint, but I'm very real."

A laugh shivers through her. He feels it everywhere they're touching. Everywhere they're not. "I can see that."

He kisses her then. Can't not. Feels like he'll die if he doesn't get his mouth on her. She arches into him. Makes a noise that shoots straight to his groin.

He rolls her beneath him. Smoothes his hands down her sides. Over the dip of her waist. The flare of her hips. She gasps. Clutches at his shoulders. Nails biting into his skin.

A sudden clatter breaks the hush.

Frankie's head snaps up. There, silhouetted in the window. A familiar furry face.

Bukowski blinks. Yowls.

Frankie barks a laugh.

"Guess he was playing matchmaker all along, huh?" he teases, his voice a low rumble.

She huffs a laugh, her smile widening, her eyes bright with mischief. "Guess so."

Another yowl interrupts them, louder this time, and Frankie glances back at the window. The cat sits there, tail twitching impatiently, clearly unimpressed by their lack of urgency.

Frankie sighs dramatically, his face twisting into mock exasperation. "Alright, alright. I can take a hint."

He disentangles himself reluctantly. Pads naked to the window. Opens it just wide enough for Bukowski to slink through. The cat immediately winds around his ankles. Purring.

"Yeah, yeah. You're a regular Cupid." He scoops the furry devil up. Dumps him unceremoniously on the bed. "Now scram. We're busy."

She laughs. Reaches for him. "Come back to bed, Frankie."

He goes. Willingly. Eagerly.

Somewhere in the tangle of the sheets Bukowski meows.

Once. Twice.

Neither of them hear it.

[ropebunnykant]

Apologies for the incoming essay... Re. Kant and choices and him choosing to involve Style - look, nobody's out here trying to say Kant's eligible for best friend of the year! But there does seem to be a lot of retroactive woobifying of Style, attempts to exempt him from the current tangled web, etc., when, lest we forget, he agreed to try and seduce a man FOR A CAR. He then proceeded to stalk said man, and to disrupt and exploit a grief counselling session FOR A CAR. Of course Kant shouldn't have involved him (but when your options are limited and you're desperate, you're not always thinking straight), but it was Style's own a) automotive greed and b) bruised ego (after their vehicular run-in) that got him where he is today. It was a bargain that he himself suggested - it wasn't even Kant's idea! Let's be honest, he could've just said nah mate, you're alright, and what could Kant have done about it? Style is not untouched by the taint! And that's okay - let him be messy too (the fact that he'd already had a couple of fraught encounters with Fadel even before Kant introduced them was a deliberate decision on the writers' part)! He had his own agenda going into this which he'd need to apologise for regardless of the added assassin shenanigans, and once he's in the know, he becomes as responsible as Kant for what happens next - they're both faced with the same choice: confess in order to try and keep the brothers out of jail, or stay schtum, despite their misgivings, out of fear for their own lives. And they both chose the same path. All four of them have been lying to each other from the get-go, for multiple complex reasons, some maybe more valid or understandable than others, but point is that none of them are squeaky clean and ALL of them bear at least some responsibility for the colossal shitshow that they now find themselves in! And that's what makes it good TV!

(I'd also like to point out something I find interesting, which is that Kant's rhetoric with Style has always been about looking out for number one - he tells Style he's doing it to clear his record, get those charges off his back, outside the restaurant he talks about having to prioritise saving your own skin over everything else, even though that makes him sound a bit cold...but he's not doing it for himself, is he? He's doing it for Babe. He's doing it because of the repercussions that would fall on his little brother's head if anything were to happen to Kant, whether that be jail time or an early grave (though I'm not saying he'd be a-okay with either regardless!). Babe has been his driving force the entire show (as yours and others' beautiful meta has explored) - Kant does the OPPOSITE of prioritise himself, and has done so since his parents died, and that's why HE'S in this mess in the first place. But, to the best of my recollection, he never invokes Babe when he's trying to win over Style, and I can't decide if that's because it's a line he won't cross (though he did sort of cross it when using Babe as an excuse at karaoke, or does that not count cos it was a lie?), or because he truly doesn't see himself as self-sacrificing so wouldn't even think to frame it in those terms to someone else. Or a combo of both!)

I think part of the reason the Kant slander (by which I absolutely don't mean legit critical analysis or taking the well-earned piss out of him!) bothers me is because I'm conscious that First is, at least to a degree, aware of the negativity (and tagged into some of it because ppl suck), which is why every time I look online he seems to be apologising on his character's behalf. And yes, it is in jest, but, knowing he's an inveterate people pleaser, I also get the sneaking suspicion it's also partly genuine, which makes me sad.

yeah, aaaabsolutely agree with everything you’ve said here. like i think the argument about style has more merit too it, but at the same time im still sat here thinking, what was kant’s other option? because bison gives him this stipulation: if you want us to date, you have to find someone for fadel. and kant cant just cut his losses and say okay, then i guess we won’t date. he has to get close, he has to get this information. so he has to involve someone else, retroactively. and we can argue about if he should have told style the full truth from the beginning, but not only do we see the captain specifically tell him not to do that, but i think kant is well aware it would not have worked if he did. style would have blown the operation out of the water way too soon, if he even agreed in the first place which the odds of him doing without having some investment into fadel would have been very slim! like it sucks, but realistically, what else could kant have done that would have allowed him to do what he needed to? what other choice did he have?

and like you said, style is far from innocent! none of them are innocent in this! thats the whole point! and that’s the big thing, too, because it’s meant to be this complicated messy thing. they subbed in the women from taming in the shrew for assassins because it allows for this intense sort of courtship that was brought on by misogyny in the play, while also allowing us to understand that fadel and bison aren’t innocent, either. that they’re all fucked up and messy in their own ways.

and yeah, i think getting into the babe of it all just isn’t something kant is willing to do for the most part. i think he tries to keep babe out of it as much as possible, but using him as an excuse to get out of there was the most realistic thing he could do, especially when bison has already seen that protective brother side of him. and i also think that kant just doesn’t view himself highly in general. he doesn’t think of himself as selfless or self sacrificing because he knows the awful things hes had to do in order to keep babe safe and in his custody - and while maybe for other people knowing it’s for babe would help his case, he doesn’t feel that way. because obviously he wouldn’t change it, but it doesn’t mean he liked doing any of it, that he likes the lengths he’ll go. especially when i think he thinks if babe knew, he wouldn’t like any of it, either. babe already didn’t like just the lying to bison. can you imagine what he’d think if he knew kant had drugged him once? if he knew all of it was built on a false start? kant probably thinks babe would hate him for it all as much as he hates himself for it.

and as for the first of it all, i do hope despite the media literacy some people lack in it all that he knows he did a fucking incredible job with kant. i say this as someone who has been making detailed posts about first’s acting since the eclipse, but i genuinely think this is his strongest and most nuanced performance. hes made kant so, so clear and easy to understand if you’re paying attention, and i love him so dearly for it.

[mj-ackerman]

I was able to catch up with the latest chapter of Dandadan, and I really enjoyed reading the manga. There are so many things I love about it but the thing that I love the most is that there are no boring chapters /arcs (at least for me) probably because they start the new arc right away after just finishing the other, like the story is not being dragged longer by having a chapter where nothing really happens, and it feels like the genre of the series changes every arc which is really interesting, it's crazy it's like you're reading a different manga with the same characters everytime . Also I love that the arcs always ends with them eating dinner together after going through a life threatening battles.

As for the characters, I really love Momo and Okarun so much and of course the whole gang but I'm gonna be biased, Momo is my favorite from all of them. I just love female characters who looks like a mean girl but actually is the nicest person you'll ever know. I actually thought she was mean until she defended Okarun, who she doesn't even know at that time, from his classmates and it made me like her even more when she apologized to him when she realized she said too much and was being mean to him. She's also a girls girl, like girlie was literally attacked by Aira, she also spread a nasty rumor about her and even claimed that she's a demon yet she still rescued her and helped her. Even when she got jealous of her, she was mainly mad at Okarun and not her. It was also the same with Vamola's case, she was jealous and upset that she kissed him but that jealousy didn't stop her from taking care and looking after her, she was mainly mad at Okarun that time too lol. I just love her so much I can't put it to words.

I love Aira and Jiji too, I hate how the fandom exaggerated the hate and villainized them (over a ship too). When I first saw the hate about them, I really thought they're the most vile evil character only to find out that they're actually not that bad, and after reading the manga I can say that they do not deserve to be hated. Yeah, Aira was mean and a two faced, but she's slowly changing and started being true to herself, she was just a delusional teenager who wants the attention to herself. I love her and Momo's dynamic so much, they're like friends who can't stand each other but still good friends who's there for each other when they needed to, while Jiji is just a cringe flirty guy who does random poses and looks like he's happy to be there, he's a genuinely good person to boot, I can't believe there people who seriously hate them, they're just silly teenagers.

There's so much more I want to say but it'll be spoiler lol.

[somerandomcockroach]

PLEASE WHEEEEEEEEZEEEEEEE

*DYING BIRD SOUNDS*

YES. YES IT'S SWERVE GODDAM I CAN DIE PEACEFULLY

I am dead. I am so dead.

I LITERALLY CAN'T EXPLAIN THE LEVELS OF JOY THIS WHOLE THING IS GIVING ME RIGHT NOW

YES. YES THIS NERD IS VERY GOOD AT IT PRAISE HIM Had a whole new full life on the other planet - "I got carried away"

PLEASE HE RIGHT AWAY KNEW WHAT TO ASK PFFFHT. Get all transformers to pass exams. I bet 60/40 not pass

WHEEEEEEEEEZEEEE OH MY GOD I LITERALLY. THEY. IT'S. THEY WORTH EACH OTHER WHEEEEZEEE

PLEASE SWERVE. TRUE HUMAN IS HORRIFIED AT THE IDEA OF THEIR BROWSER HISTORY, YOU PASSED THE TEST PFFHTTT .... OF COURSE AHHASGAH UM. HE IS ALIVE! I'M HAPPY HE IS AT LEAST ALIVE! *Nods* Onslaught is a genius indeed AH here comes plot

I continues reaching new levels of dead

Please it's.... how the hell... why... he almost burned to death, he needs a rest or at least to properly look after his skin... not this....

*looks in the distance* Pilots need a fricking tiktok or whatever to show their life to become a new group face

*inhale-exhale* THIS GUY OVER HERE ISN'T A SPOILER BRAT AT ALL. AT ALL. I DON'T KNOW FROM WHICH SIDE SPOILED BRAT WOULD DO IT ALL.

*Looks at Jazz* You need to talk Next phrase is him talking to Prowl and Jazz *Sitting back*

*incoherent sounds*

*EVEN WORSE INCOHERENT SOUNDS*

*goes out of the room*IT'S TOO GORGEOUS TO NOT POINT IT OUT BUT ALSO SO HORRIBLE Blurr... my sweet... ahh I love people under painkillers but I have a feeling the same would happen anyway pfffht. Imagine all of problems and now the thoughts of someone dying because of you ahah... great.... P[OFPGOFPIGOIPSEIES JAZZ YOU ARE TOO FRICKING GOOD AT READING PEOPLE, I'm sure he didn't change the mind about Swerve's reason of absence XDDD

DANG IT. DANG. DANGG. FEHJGEDWJHGBJMCW I'M 'BOUT TO PULL YOUR "GHOST" ASS IN FRONT OF HIS FACE FOREVER BEFORE HE ACCIDENTALLY DIES OR SOMETHING. FOR THE GOD'S SAKE *ROLLS ON THE FLOOR FLORRS WALLS LIKE A ROTATED 980 DEGREE SPIDER* HE SAVES HIM, HE GOT OUT TO SAVE HIM HERE. TAKE IT. TALK HIM DOWN. SHOW WHO IS THE TALKY BOSS HERE WITH THE LIBRARY OF A NERD

HMEWDBNBMCHMNBCHMHMHDSHSSHS *SLAMS ON THE KEYBOARD WITH THE HEAD* NO DON'T SHUT UP, BLABBERS, NEVER SHUT UP HELPA DHJGA Don't you love it when two characters blend it and play a bullshit game of no context to get attention out? You better love it because personally I am dying for one more reason It's so IRONIC even to use NORMAN name *BREAKS THE TABLE* HE IS REAL!!!! YEAH!!! MY NERD KNOW MORE ABOUT HUMANS THAN HUMANS DO. PHARMA, GET OUT OF HERE, BLURR HAS A PERSONAL DOCTOR ....Wellllll I mean TECHNICALLY you already failed at keeping all possible secrets, Swerve.....

I'M SORRY I JUST KEFERON, KISSING YOU IN EVERY POSSIBLE KISSABLE PLACE I NEVER THOUGHT I CAN GO THAT CRAZY OVER THIS SPECIFIC PART GOING ON AND HOW THE HELL ARE YOU SO GOOD AT ALL THIS I AM IN SHAMBLES AND SHAKING I LOVE IT TO DEATH AND WANNA PRINT IT

Chapter 2 of Blurr storyline >:D

“Actually” says Swerve ”I'm an alien.”

“Heh” giggles Blurr ”sorry, my head is all cloudy, I thought you said you were an alien.”

Part one

Holy shit I actually managed to finish it…..Oh. My god.

Under the cut⤵️

Is it stupid to miss someone who doesn't even exist?

Probably yes, but hey, Swerve already has several degrees, might as well get another one. A degree in Stupidity or something. Who cares?

For the first few days after waking up from his coma, he feels like he's going crazy. Everybody has realistic dreams, right? The ones where you can scrutinize every angle, memorize every face and smell and sound. The ones that make you lie still for a while after waking up, grasping at every thing you can. Trying to memorize everyone you meet, imprint them in your head.

Because apart from your mind, they don't exist anywhere else. So that's your only way to keep them.

It never works. Obviously. Details slip away. Impressions fade. Just a couple days, and you won't be able to recall anything but the main events from memory.

Wait, hell, not days. Cycles.

His life is a weird, pathetic, fantastical circus. Earth term. Heh. There are no circuses on Cybertron, haha!

But Swerve remembers. And the word circus, and the smell of asphalt, and rains that were made of water not acid. Remembers the English language. Can speak it fluently, even if you wake him up in the middle of the night.

Remembers his work schedule and remembers which company makes the best details. And Tailgate with his bright blue uniform and Wheeljack with his endless experiments and Swindle with his expensive coat and of course...yeah, no, don't think of Blurr, don't think of Blurr, don't. Don't.

He'd heard about it. Read about it, too. Mechs waking up from comas and doing wild things. Some forgot how to speak at all, some gained a new skill, some lived a whole life while they slept.

Articles tell Swerve, don't worry, what you've experienced isn't unique. The doctor tells Swerve that the same thing has happened to others before you, it will be okay, it will pass.

Swerve isn't sure he wants it to pass.

He's been in a coma for who knows how long. The medic said it was caused by an internal trauma that decided to suddenly get worse. One minute he's recharging , the next he's gone. Internal injuries are insidious.

So it turns out. One day he just disappeared from the world because he was busy slowly dying in his room and no one noticed until a thief tried to sneak in. The only one who came to him was a Mech who wanted to steal his stuff. Huh.

That feels revolting. Swerve liked to think he had enough friends. Or at least enough good connections. Enough those who should have noticed his absence, right?

Apparently not. His shifts at work were reassigned, his contacts never texted him first, his...

His small persona wasn't important enough for anyone to notice his disappearance.

Would his human coworkers notice? Would Tailgate have noticed? Or Jazz? Swindle?

Jazz would have noticed, he was always surprisingly attentive when it came to his friends. And he was friends with just about everybody.

Swindle would probably get upset about the money he'd lost.

It's amazing how much his brain-- wait, no, his processor. How much his processor could create to entertain him. It's a more elaborate world than the most complex series Swerve has ever known. And that scrap had forty-six seasons and fifteen encyclopedias!

People, Earth, a bunch of new languages and rules and all for the sake of the end being like, OOPS! ...it was all a dream. Hilarious. Worst plot twist ever. Swerve hates it when stories go in this direction even more than when they kill off their characters.

In his humble opinion, death is better than the revelation that none of the experiences made sense or had any value. In terms of writing scripts obviously. Haha.

He's busy roaming haphazardly through his own memory. He's looking, comparing, trying to find inconsistencies or things that don't make sense. All the stuff that usually gives away the fact that what happened was a dream.

Most of his memories are occupied by--No. Frag.

Don't think about Blurr, don't think about Blurr, don't think..

He's thinking about Blurr. A lot.

Blurr occupies a surprisingly important role in his comatose dreams.

In the time he spent just looking at him, you could hand-build an entire Mech. Maybe even three. Swerve remembers picking up every bit of merch he could reach with his paycheck. Watching hundreds of videos and buying every new themed drink even if it was a flavor he didn't like.

Then spent a surprising amount of time resenting Blurr for not living up to his fantasies.

Blurr's behavior hadn't helped either, of course, but now, looking back at the past himself Swerve thinks that.. Oh wow. You weren't just annoyed at him. You blamed him for ruining your beautiful fantasy. You were having so much fun entertaining yourself with thoughts of this marvelous image, and he came along and corrupted it. Poisoned the well you drank joy from.

But that's not quite true, Swerve thinks.

Blurr was more complicated than that. But exactly how, he'll never know. All he has are his memories, and those memories are cut short at the most interesting point.

Swerve knows this plot twist. The asshole character that no one loves at the last second turns out to not be what everyone thought, but it's too late.

Oh no, he's not an evil jerk, he's actually traumatized. Oh no, he wasn't bad, he was actually secretly helping everyone. You thought he was awful? Well now you're going to feel awful reading fanfics.

Serevus Spayne didn't actually betray the main character's dad, no no, he was in love with him! Bam. Drama.

Swerve isn't a big fan of this stuff. He likes his characters developed properly. But he can't deny the appeal of a character leaving behind a bunch of questions you thought you knew the answer to.

Uggh.

The doctor was wrong. These thoughts don't go away. These memories don't dull.

Swerve just boils in them, constantly getting stuck in his own head. Sometimes he puts English words into his speech and everyone looks at him strangely. Sometimes he reflexively says some inside joke and no one gets it and he's left standing there with an awkward smile. Because. Guys, you don't understand, if my coworkers were here they'd think it's hilarious. I promise, in my fantasy world, it's funny.

When he gets a job on one of the Autobot ships, he accepts it thinking it might be a good distraction from his thoughts.

When he happens to see Prowl with a tiny human on his shoulder in the corridor of that ship, he thinks he's lost his mind.

The whole thing. The whole load-bearing structure on which his picture of the world has been held suddenly gives a lurch. Living your life in a super realistic dream is wild, but meeting a character from your dream in real life??

Freaking cursed.

Jazz looks puzzled by his reaction, but all Swerve can think about are two things.

One, if Jazz is here, does that mean everything else was real, too???

Two - holy shit, Jazz is tiny.

It never occurred to him. But he didn't really know what size humans were. Well, sure, he could measure it in numbers. But he was among humans himself. And about the same size. He was generally even shorter than most of them.

If Jazz is so small, he can't imagine how tiny Tailgate would be. Or--

He can feel his spark freeze. In fact, he can almost hear the sound of a string breaking in his processor. Does that mean Blurr is real too? Real and just as tiny and currently dead? Because Swerve was there but was too convinced it was all just a dream to help?

He's going to get sick.

He needs to talk to Jazz right now.

____________

Swerve taps his fingers nervously on the countertop. Come on. You're good at talking. Talking is your greatest skill. All you have to do is tell someone else about your comatose hallucinations and hope they don't think you're crazy.

They're sitting at a table at the bar. More specifically Swerve and Prowl are sitting at the table, and Jazz is sitting right on the table. (God he's so small).

“So uh. I got injured a while back and...uh...well, it got worse, turned out important systems were affected and I kind of. I was in a coma. For a really long time.”

Jazz frowns

“Oh. I’m sorry to hear that.”

He speaks in a mildly wonky Common, Swerve notes to himself. He waves his servo a little too cheerfully in response.

“'Ay it's no big deal really. I saw a whole other world while I was asleep and like. See, I thought it was just my fantasies, but it seemed very real and...”

Swerve mentally crosses his fingers.

“And it was about this planet called Earth and about people who were building their own inanimate huge robots to fight huge aliens and their boss wanted to launch Mechs into space, so he picked the best of the pilots named Jazz and sent him on this test mission and...”

Jazz looks at him with huge eyes before switching to English in surprise.

“Mech, what the hell?”

“...And we lost him...” finishes Swerve with a sad smile.

Before thinking for a bit, and adding.

“I'm going to show you a trick I can do.”

And then projects his holoform onto the table in front of him.

This. It's weird. Not in a way that would tilt it in the direction of unnatural. More like walking around in his comfy indoor pajamas right in the middle of the street. Being human is familiar to him, but being human amongst huge Cybertronians? Strange. And a little creepy.

Prowl looks confused.

Jazz looks absolutely frantic.

“SWERVE????”

Swerve doesn't even manage to respond, only to smile in relief before Jazz rakes him into his arms. In his holoform, Jazz feels right again. He's taller than Swerve and oh boy, he's alive and unharmed. To think everyone thought he was dead, staying up nights trying to find what was left of him, and he was on the other side of the universe the whole time?

Swerve chuckles into Jazz's shoulder. Then picks him up and spins him around a couple times just because he needs something to get his energy out. Man, it's nice to hug people. Warm and soft, eight out of ten.

Jazz pulls away but still stays standing very close. Swerve can literally see the happy stars in his eyes.

“Dude, I'm not complaining but what...how???? You just kinda..."

Swerve laughs and twitches his eyebrows playfully.

“I still speak English, you don't have to torture yourself with Common.”

“Oh thank fuck.” Jazz throws his hands up dramatically “you're my favorite person right now.”

There is a polite click of the vocalizer resetting above their heads.

“I” Prowl says “very glad you two are happy but I'd like some explanation”

Swerve presses his head into his shoulders guiltily. Prowl has the unique ability to always sound like you've done something wrong in front of him.

Although Jazz doesn't seem to feel the same way?

“Short version - I sleepwalked my holoform to another planet.”

He pauses dramatically.

“The long version is...”

Jazz raises his hand

“What's a holoform?”

Swerve sighs.

“It's a holographic avatar that I can project using a holomatter generator. Sort of like a remote controlled game character.”

Jazz whistles impressed. And then immediately turns back to Prowl

“Have you been able to do that all this time too?“

Prowl hums

“I can create an avatar, but it takes a lot of practice to make it at least believable. And to fully perceive the world through it takes even more. It's a whole new technology. What Swerve does is essentially an art form. Sophisticated and impressively detailed may I add.”

Swerve shrugs shyly. He's still using the holoform to stand on the table next to Jazz. Looking up to speak to Prowl isn't exactly comfortable, but Jazz definitely looks like he's been missing the human presence. Swerve isn't human, but he might as well be.

“Thank you. Yes! Uh. Anyway, it seems while I was in a coma my processor projected my avatar onto Earth and I...let's just say I lived there for a while.”

Jazz laughs

“Dude. So you're telling me you were basically sleepwalking the whole time?”

“ I was.”

Prowl frowns.

“But the range limit of the holomatter generator is only four hundred miles...”

“.... I had a lot of practice...”

Jazz claps his hands.

“You learned a whole other language! Got an ID!. You had a job!!!”

“I got carried away,” Swerve admits.

Jazz scratches the back of his head, still looking very amused

“How many degrees did you get? Haha wait no, I have a better question, did you pass your driver's license?”

“Two. And I failed my driver's exam.”

“Dude you are literally a car without a driver's license!” collapses Jazz on the table with laughter.

Swerve blows the hair out of his face

“Says you who retook the physical several times. You couldn't pass the "being human" exam.”

Jazz just wheezes incoherently in response. Prowl looks alarmed.

“Don't worry, that's him getting excited. So...where have I been...”

Swerve nervously shoves his hands into his pockets

“...Do either of you two know where Earth is?”

Prowl twitches his door wings

“No. Since Jazz was teleported we don't have much clues.”

Swerve grimaces. Scrap. Of course nothing's going to be that easy. He's also been, like,....teleported.

He stands there for a couple minutes and just feels fifteen different emotions rise up in his head at once. A crooked, unsteady smile creeps across his face.

He's thinking.

Oh hell, yeah! I knew it wasn't a dream!

Then he remembers the mess he left behind.

Oh, no, it wasn't a dream.

Jazz puts a hand on his shoulder.

“Swer... Swerve? Dude, are you okay?”

“Ah frag..” Swerve says weakly ”it wasn't a dream.”

Jazz looks...puzzled.

“Is that bad?”

Swerve remembers his friends. Remembers the Mecha program. Remembers fire and smoke and screams and rumbling and crackling flames. Ashes flying through the air and the smell of burnt wires. He remembers blood and debris and...

“It's...complicated.”

This wasn't just a stupid plot twist he'd dreamed up because he'd watched too many shows. This wasn't a hallucination or a disembodied fantasy that just happened to linger in his head. This was real. His friends exist out there somewhere. His work and his collections and his little apartment...

And Blurr. Was real. Or still is? Swerve doesn't know. Blurr wasn't a product of his imagination. He was real and what he did was real and Swerve left him there alone, bleeding and trapped in rubble and tiny and...

Hahahahah oh fUCK.

He doesn't like this plot. It's too much. Too much to handle, too complicated, too ambiguous.

It's also probably too late.

But he can't leave it like this, right? Blurr went into the damn burning building just because of the possibility that there might be someone alive in there.

And Swerve doesn't even have to go through the flames. He has to look. He has to try at least.

Jazz glares at him with a worried look on his face

“ That expression you have...”

Swerve puts the smile back on his face.

“I need to get to Earth.”

___________________

Swerve is not an idiot.

Or maybe more accurately an idiot, but with several degrees.

He's well aware that finding Earth in space with only a description of it is impossible. Which leaves him with two options.

Ask the Quintessons. Or look for it himself.

The first sounds like death. The second like coma. Swerve has exquisite enough taste to know which is better.

He just needs to do some preliminary reserch.....

Jazz, now back inside his Mech looks doubtful.

“You're not going to die suddenly and for no reason, are you?”

Swerve laughs.

“Pfffff what, no of course not, would I kill myself hah. No no, look I'll just put myself in stasis for a bit. Send myself to Earth. And try to figure out where it is from there. Get the coordinates. If I'm lucky, I can see what Space Bridge the local Quintessons use. All you'll have to do is wake me up after a while.”

“It's not harmful?”

Swerve makes an uncertain gesture with his hand...servo.

“If I have enough fuel. And an additional connection to an external generator.”

Jazz tilts his head

“ Why are you so eager to get to Earth? Don't get me wrong, I miss it too and want to go back, but.”

Swerve bites his knuckles.

“ I have some unfinished business?”

“Pshhhh you sound like a ghost.”

Swerve only laughs in response.

_______________

Concentration is tricky.

Swerve tries to think about Earth. And not to think about the fact that he doesn't know where it is. If he's already been there once, he might as well go there again yes? In theory? Perhaps?

Except for the possibility that his sleepwalking just takes him to random planets. That would be very inconvenient. It would be a whole new level of lost

Shit. No. Earth. Think Earth.

What's he even gonna do when he gets there? How far away is it? Swerve is very talented with his holomatter generator, but if it's really far away... maybe he should reset some settings.

He mentally starts going through his options. Does he need tangibility? Probably not. Come to think of it, it would only make him more vulnerable and take a lot of energy. Yeah, the tangibility has to go. What else? Touch, too. Sight and hearing should stay, that's not even a question, but colors and textures are not really necessary.

The amount of detail and picture quality can be reduced as well. His holoform will become colorless and grainy and will probably ripple with static, but he'll survive it.

After he finishes making changes to his holoform he thinks about his old stuff left in his house. Then about the posters. Then reminds himself that he needs to focus on the goal or he'll never find Blurr and...oh FUCK his phone! Where was his phone when he disappeared? Was it found?? There were so many personal things on that phone, he's hoping the phone was burned under the rubble. Either that or the arriving investigators will find his browser history and he'll go into another coma from pure embarrassment.

He blinks dazedly when he realizes he has loads of rocks in front of his eyes. Oh..Did he screw up? Did he end up on the wrong planet? Is it a cave or--

Then he notices the odd shape of the “rocks” and. Oh, no. It's not a cave. It's charred concrete debris.

This is the place where he was last.

He hastily looks around. Anxiety creeps up the back of his neck, makes him feel like something slippery and cold is crawling over his skin. There is nothing but ruins all around.

Blurr is not here. The place where his Mech was lying is empty.

Which means he was at least found and dragged out. Dead or alive.

Swerve's bites his knuckles. Okay.

All right.

He's got things to do.

_______________

He's trying to stay out of sight. Which isn't hard, considering he's just a hologram. At first, he just sneaks around in the quiet areas. Then proceeds to do a facepalm and start teleporting. Think, Swerve. Did you read all those comic books for nothing? Superheroes who couldn't really use their superpowers creatively always annoyed him. And he does, in fact, have a superpower. Gotta get creative, right?

He stops and looks at himself again. His holoform is going static and is a dull white color. He thinks for a bit, and then shrinks himself. Thinks some more, and makes himself almost transparent. There's no way he could pass as a normal human right now, so he'd better just do his best to avoid being seen by anyone.

He looks around thoughtfully. Hmm. Even if he's going to be absolutely tiny, he needs to make sure no one sees him, otherwise the whole base will think the Quintessons are now spying on them through holograms or something.

Breaking the rules feels...it's exciting.

All his ..human life here he hadn't thought about it, but if he threw away the rules he was used to about what people could or couldn't do...

He looks up in a sudden rush of sly genius. All people look under their feet when they walk, but how many look up? And how many of them notice the barely visible tiny holoform hiding just behind the blinding lamps?

The answer is probably none.

Swerve projects himself onto the ceiling and mentally pats himself on the shoulder for his impressive intellectual accomplishments. A creativity degree should definitely be a thing.

A degree in spying on the Quintessons' ships wouldn't hurt him either.

Fortunately sneaking onto their ship turns out not to be that difficult. Swerve makes himself absurdly tiny and hides in the darkest corners that no one would ever think to look into. Why hasn't anyone thought of using holoforms for spying before? Could he be the first to think of it? He doesn't know, but he mentally decides to patent the idea.

Finding the Space Bridge is surprisingly easy. The local Quintesson fleet is clearly used to being the dominant force in space. And that's generally logical. Even if humanity collects a mountain of money from somewhere to throw a dozen Mechs into space - there will be thousands of monsters waiting for them. In such a situation, you don't have to hide, the guards are enough.

Well done, well done, don't hide, Swerve thinks, copying the coordinates and address of the space bridge to himself. You have absolutely nothing to fear here, he thinks, so stay where you are and don't move. Please and thank you.

Once the coordinates are obtained, he... has some freedom to explore. And he uses it for probably the most boring-sounding thing in the world. He returns to his usual workplace.

It’s simple. As damning as the Mecha program was, Swerve loved his job in it. He loved his position in the assembly shop. And he missed his friends.

He quickly teleports through several rooms, continuing to hide close to the lamps. Tailgate is here. Alive and unharmed. Wheeljack is too, though his face has some scars added to it. It's great to see them again, even if he can't talk to them right now. No one will probably react well to a grainy unexplainable hologram. He's just glad to know they're okay and honestly, the last thing he needs is paranoid Onslaught installing extra signal jammers.

It takes time to find Blurr. Partly because Swerve is terrified of what he might find if he started looking. So he goes to check the death lists first, and only after flipping through and re-reading them three times does he finally exhale in relief.

Blurr's name isn't there.

So his smug, shiny ass must be around here somewhere.

He checks the hangar. Flips through the Mech launch logs and feels an uncomfortable knot begin to form in his chest. Blurr's Mech has never been repaired or launched even once since the incident. Its plating has been replaced with new, well polished, and put in a prominent place where anyone who wants to can take a picture of it. But all the internal systems are destroyed. This machine hasn't been used for anything other than being a beautiful exhibit.

That's...something's wrong.

He checks offices and schedules as well as eavesdropping on a few conversations and ends up secretly following Swindle, who is arguing loudly with someone on the phone. He says something about deals and how he doesn't need anyone meddling in his business. Then he talks about how he's got everything under control and the person on the phone is “a dumbass who's making drama out of nothing” and that “he doesn't need anyone's handouts". Then he sighs and says, “you know how celebs are. Dumb and dramatic. You can't take their words literally.”

Then drops the call and for a couple seconds looks like he's just had a large bill taken right out of his hand. Curses again, but in a quieter voice. Leafs through his contacts and stops at the one signed 'free ice'.

“Blurr? Where are you? Wha...ah, no wait. No, the advertising agency called. No, liste...Can you shut up for one second?Where are you?

Uh-huh....... Uh-huh.Okay.

Give me half an hour...okay, yeah.”

This is it, Swerve thinks.

He shrinks himself further and teleports under the collar of Swindle's coat.

He wants to take a look. Just. Just a peek. Make sure everything's all right. Then he can go about his original mission in peace. He watches Swindle get in his car and drive off somewhere. Swerve doesn't recognize this part of town. The houses here are much nicer than where he lived. The streets are cleaner.

He tucks himself further under the coat collar. He's not going to be a stalker or anything, but he's worried and he doesn't have time to wait for Blurr himself to show up for work. Just one little look and that's it.

Swindle's car stops outside a beautiful, shiny hospital. Swerve nervously tries to bite his knuckles, but remembers he's disabled touch in his holoform. Shit? Shit.

Shit. Shit. Shit. Shit. Shi

Blurr looks like a mangled corpse.

Okay, not really. His left side that faces the door to the hospital room looks like a mangled corpse and that's the first thing that catches Swerve's eye when he's inside.

Blurr is pale and thin and his hands are covered in bandages. The left side of his face has been turned into an absolute ugly nightmare. A piece of his ear is missing. In the place of the left eye is a creepy empty hole.

Suddenly Swerve realizes why Blurr didn't show up for work. You can't even show him to his coworkers like that, not just to the public.

Blurr turns his head and the spell breaks. His lips stretch into a cocky smile.

“'Got bored without me Swindle?”

Swindle doesn't show the slightest emotion at the gruesome sight. He casually pulls a chair over to the hospital bed and sits down.

“Shockwave is trying to sneak a new project into the program. And he's slowly swaying investors to his side, using you as an excuse. Tells everyone you're a poor martyr he can save if only he's given the green light from above.”

Blurr wrinkles his nose.

“Not that he's wrong. The doctors say I need to pick a new career because with this...” he jerks his head to the left implying his damaged half, ” neither racing nor piloting is an option for me anymore. I'm out of your project.”

Then he stops talking for a few seconds and raises an eyebrow curiously.

“You wouldn't have come here in person just to say that. Why are you really here?”

Swindle adjusts his glasses

“Have I ever told you why I made the contract with you?”

“Because you like money” Blurr says without hesitation.

Swindle lets out a quiet chuckle.

“Fair point. But money wasn't my only priority.”

He pauses for a second. Gets up. Draws the curtains in the room. Checks to make sure no one is outside the door.

Goes back to his seat.

“You didn't see what the Mecha project was like before. Brutality and absolute disregard for human rights multiplied by a thousand. People were desperate and no one cared to maintain any decency.”

He raises his hand when Blurr rushes to say something.

“No no, listen to me. If you think things are bad now, you're right. But it used to be much. Much, much worse.”

Swindle sighs and adjusts his glasses again

“Vortex was taken as a boy. He wasn't even out of high school when they shoved him into the lab. Me and Onslaught were pulled right out of the college exams. The others were no better, although they were usually a little older. My point is that it was allowed. It's what the superiors could do and no one told them no.”

Blurr tilts his head and gets a little all turned around to see Swindle better with his right eye.

“But you... found a way to change that, didn't you?

Swindle rubs the bridge of his nose

“I have no power over my own superiors. But Onslaught and I have come up with a plan. Look. I'll put it in simple terms for you. Above me is my boss, and above him is another boss, and so on but at the very end of that chain are people from the government. The investors. So we figured out a way to cut through the chain of command and influence them directly. Make them worry about us. It's a kind of social shield. Onslaught is a genius.”

Blurr blinks.

“Why are you telling me all this.”

Swindle takes off his hat and just. Crumples it in his hands. The back of his head shows numerous scars and the glint of tiny metal implants barely visible behind his hair.

“You're that shield right now, Blurr. You can't leave.”

Blurr's eye widens

“Is that why you insisted on ‘befriending’ me with all those bullshitters?”

“I needed to make sure that in their minds we weren't just a military unit. To keep them thinking that we're as human as they are. So I gave Project Mecha a face.” He tugs on the hat again, “Your face.”

Blurr runs his fingers through his hair

“Shockwave can't do whatever he wants cause...because of me his efforts would risk going public and people wouldn't like it and it would ruin the reputation of our investors-and-they'd-cut-off-his-funding.”

Swindle puts his hat back on.

“Exactly.’ That's why he's being so persistent right now. He knows you're vulnerable and he wants to capitalize on the opportunity. Make you part of his new project and tell the world about it. Make publicity his weapon, too.”

The lamp above them flickers faintly. Blurr takes a breath. Long and tired and exhausted and. a bit doomed.

Swindle puts a hand on his shoulder.

“Please. Don't leave. At least not now. And don't let Shockwave get to you. That would open the way for him to get to the rest of the pilots you represent.”

They just. Sit in silence for a while. Blurr quickly taps a finger on his knee. A rapid tap-tap-tap-tap-tap-tap-tap-tap-tap-tap.

Swindle moves his hand away and gets up from his chair.

“There's a press conference coming up. I need you to be there. I've told everyone who needs to know that the problem is exaggerated and you're fine but they need to see you.”

Blurr smiles sourly.

“My lawyer is going to charge you such a handsome sum for that stunt.”

Swindle laughs, but his cardboard advertising smile doesn't reach his eyes.

“We’ll see about that. Seriously though. I need you there.”

Blurr bites his lip.

“I..don’t know...”

Swerve...doesn't know what to think of that.

Blurr shows up for the press conference. Late, but he makes it. Just as Shockwave is presenting his new project in his amazingly well-pitched voice. Blurr swings the door open and waltzes lazily inside, skillfully pretending not to notice the many cameras and eyes instantly directed at him.

Swerve, whose memory is still fresh thinks for a second that no, no this can't be the same person. Past Blurr looked like a wreck. Past Blurr was tense and tired and hunched over. Present Blurr couldn't look more alive. His shoulders are squared proudly, there's that cheerful springiness and grace in his stride. He moves with ease and confidence. Smoothly.

The left side of his face is neatly covered with fresh white bandages. Carefully, without leaving the even the slightest gap through which his injury could be seen. His hands are hidden under a fancy jacket. He smiles wide and bright and squints playfully toward the table.

The very embodiment of nonchalance. The few pilots sitting in the audience roll their eyes.

Swindle breathes out a barely perceptible sigh of relief. Swerve, once again using Swindle's collar as a tactical cover, can't help but let out a silent triumphant laugh. Maybe slightly more nervous than he is supposed to be.

Blurr sends Swindle a sly, sharp smile and even knowing it wasn't meant for him, Swerve feels his cheeks heat up.

Ah, damn it.

Swerve breaks the rules. He tells himself that peeking is fraught with consequences when it comes to military organizations, but he can't stop himself from being curious. And from worry, too.

And now that he knows where to look, he sees things he'd rather not see.

Blurr ... is crumbling.

Swerve doesn't know all the details and consequences, but that incident did leave a mark.

But every time Swindle calls him and says “I need you at some place in two hours” he gets up and assembles himself into a human being. Like a goddamn puzzle. Tapes and covers the burned half of his face. Covers up the bruises and hides the stitches. Fixes his hair and sets off on shaky legs to pretend he's fine.

He smiles so bright and carefree, laughs so sweet and beautiful that no one would ever think that even standing up sometimes hurts.

And continues to act like a jerk of course.

The only difference is that this time Swerve mentally gives him the presumption of innocence before he starts judging.

Blurr does a lot of things that seem rude. He also does a lot of things that are actually rude and figuring them out without resorting to alien superpowers would be nearly impossible.

When the pilots see Blurr sitting right on the table while negotiating with investors, they roll their eyes and make comments about his terrible manners. Or when he stops showing up for even the most basic, rudimentary training.

Or when he develops that stupid habit of leaning his elbows on people standing next to him.

It's the model behavior of a rich, spoiled brat.

It's also an inconspicuous way to stay upright.

Employees say “that dumbass has never heard of personal space.”

Investors say, “I think he likes me.”

Blurr leans on Swindle's shoulder and through a charming smile says “Don't move or I'm gonna fall.”

Swindle also keeping up the smile discreetly holds him back, pretending it's a friendly half hug.

Swerve feels like yelling at both of them, but he's not sure what for exactly. For one thing, Blurr in his condition is very VERY VERY contraindicated to even get out of bed, let alone participate in social activities.

On the other hand, without Blurr, everything is going down the pit.

Without Blurr, all the government sees are dry reports and spreadsheets. Without him, all the high command has is numbers and a sense of impunity. Swerve is sickened by how easily people tend to forget that numbers represent other people.

Most pilots are able to draw a parallel between deteriorating working conditions and Blurr's sudden fondness for staying home instead of working. But they think the rich jerk got scared and ran away. Considering the way Blurr has always behaved at work - Swerve can't even judge them too much for it. They assume Shockwave getting more freedom is the cause of Blurr's absence, not the result.

Blurr's influence only becomes noticeable when it slowly starts to fade away. It's like switching from expensive tea to a cheaper one. The awful flavor only becomes noticeable in contrast.

Blurr doesn't lead the development of new technologies or go out to fight in the field. He doesn't make plans and reports, he doesn't participate in drills, he doesn't cover anyone's back in battle.

But he's the one who puts his hand on the government's shoulders when they're about to sign the next piece of paper. He's the one they have to look in the eye before they have a pen in their hands and a document authorizing Shockwave to stick more needles in people's brains.

It makes a difference. Small one. But still.

It turns a disembodied imaginary “combat units” into a tangible person.

From “do you want to accelerate the combat training of new soldiers” to “are you willing to tell the living, breathing guy standing in front of you that shoving poison under his skin is an idea you approve of.”

More importantly (And Swerve actually admires Swindle for this) Will you be able to explain anything to your families later on, when this same guy is on TV all over the country saying that's what you did to him?

There have been two fronts here all this time, Swerve realizes.

While the pilots were protecting people from monsters wearing teeth and armor, Blurr was protecting the pilots themselves from monsters wearing ties and lab coats.

After another conference, Shockwave stops Blurr in the hallway.

“Good show.”

Blurr laughs. Soundly and proudly.

“Thanks darling~ Sorry I interrupted you. Your speech sounded like something important, but I don't really know much about nerd stuff.”

Swerve, hiding on the ceiling again, snorts.

Shockwave doesn't move. Doesn't give any indication at all if he's offended or upset or whatever.

“It must have been hard getting here with your injuries.”

Blurr shrugs and lazily turns his head around distracted.

“It's just a few bruises here and there. Not the end of the world.”

Shockwave nods slowly. His voice and posture and all, Swerve thinks, looking very uncomfortable.

“Of course it isn't. But hardly good for your career.”

Blurr freezes.

No, Swerve thinks. Shit. No, don't listen to him, don't listen to him, don't listen to him, don't

“Your brilliant achievements have always been a source of admiration to me” continues Shockwave “it would be a pity to lose them.”

Blurr makes an indifferent face and tucks his hands into his pockets.

“Like I said. Not the end of the world.”

Swerve imagines choking Shockwave. Dropping a lamp on his head. Maybe jumping on top of him himself. Shut up, he thinks. Shut up, shut up, stop fucking talking.

Shockwave with a nice, slow gesture pulls out a notebook from somewhere and flips a couple pages.

“Multiple burns, cracked ribs, poisoning from carbon monoxide and combustion products of toxic chemicals...”

Blurr visibly shivers and looks away.

“...loss of vision on one side...” Shockwave continues reading, ”and partial hearing loss. Finally, the impact of neural link malfunctions. And this, if I'm not mistaken, is on top of the already existing memory problems?”

Shockwave takes a step closer. Not fast enough to make it look threatening, but enough to hover.

“It may not be the end of the world, but it is the end of you.”

He writes a set of numbers on the same page, tears it off, and hands it to Blurr.

“You are broken. I can fix you.”

Blurr frowns, but takes the piece of paper.

“That fixing would involve giving you consent to mess around with my head, wouldn't it? It's brave of you to think I'd go for that.”

Shockwave tucks the notepad into his pocket.

“I can assure you, neither I nor anyone else is interested in your brain. I just want to give you back what you're truly valued for.”

Blurr flinches.

“I don't need your help.”

“ If you say so,” Shockwave agrees easily. Nods, slowly and smoothly. Then starts to walk away “But you do need your fame.”

...

“By the way, you might want to wipe the blood off.”

Blurr waits until Shockwave's back disappears around the corner, then quickly pulls a tissue from his pocket and brings it up to his nose.

____________________________

Swerve wakes up looking up at the ceiling of his room. The high, metal ceiling, of a metal room on a metal spaceship.

Holy shit...

Jazz pokes him gently on the forearm

“Are you alive? You've been gone for like quite a while...Did it work?”

“Hey Jazz” frowns Swerve “what do you know about Blurr?”

Jazz laughs

“What are you fanboying over him again? Still??? Dude's smug and arrogant. Good boss though. I was hired to perform at his parties before I became a pilot.”

Swerve sits up and rubs the back of his head.

“Ah...”

“So it worked?”

“Wha...ah! Yes! Yes, it worked! I managed to get the number and codes from the space bridge the Quints used on you. We just need to find another space bridge and we'll have a pretty much direct route to Earth...well. Or rather, to the Quint ship that's located near Earth. You get the idea.”

Jazz rubs his hands together happily.

“I'll take it.”

Swerve jumps to the floor and heads to grab an energon cube. Man, these holoform exercises are burning energy like crazy.

He stares at his metal hands like an idiot for a couple minutes. Just...Contemplates how non-human they are.

He has eight fingers again instead of the human ten. Huh.

Prowl downloads the information he's gotten and immediately runs off to plan a route to the nearest working space bridge and for a while Swerve is just.

Left to himself.

He tries not to think about Blurr. What would he even say to him? Hey, look, I'm sorry I accidentally set you up, see, I'm actually an alien who was sleepwalking and thought you were fictional, surely this won't affect our non-existent strictly professional working relationship? Nah, screw that. If he's going to sound crazy, he needs to at least come up with a good presentation for his insanity.

....

Is it weird to think humans are beautiful if you're not human? If you're kind of human, but only in your soul and only half human?

He looks at Jazz and Prowl.

“You two get along really well.”

Jazz chuckles, sitting on Prowl's shoulder.

“Right now, yes. But we got on each other's nerves quite a bit when we first met.”

Swerve looks up at Jazz's chattering legs from his height and thinks. This is working somehow.

On the other hand, Jazz is the exception rather than the rule. He's friendly with everyone, he's easy to get along with, he's the soul of any company and most importantly, he was a little too much into robots before he discovered they could be alive. If anyone could find common ground with the Cybertronians, it would definitely be Jazz.

_____________________

”Are you a ghost?”

Swerve shrieks in fear and gets covered in static. He hadn't planned on talking. He hadn't planned on being noticed at all. Blurr was supposed to be asleep! And Swerve just wanted to close the curtains and leave, because there's some noisy party going on outside and bright illuminations are very bad for a patient already suffering from neural connection withdrawal.

He freezes in place like that dude from Jurassic Park. Like if he's still enough, he won't be noticed. Oh, or was that from another movie?

“I'm just uh” he awkwardly reaches up and closes the curtains “Lights. Bad for...you...now.”

Blurr chuckles. It sounds suspiciously joyful. His whole posture and facial expression. He looks very relaxed for someone who had a ghost materialize into the room out of thin air.

Swerve traces the line of the IV with his gaze. Oops, that looks like painkillers.

“Yes I am. Uh. A ghost watching the curtains. And now the curtains are fine, so I guess I'd better go?”

Blurr squints amusedly.

“You can walk through walls?”

“Uh, I can teleport into the next room?”

He backs up his words by making himself disappear and reappear in another corner of the room.

“Cool!” says Blurr cheerfully.

Swerve is involuntarily infected by his mood and makes a couple dramatic bows as if he were some kind of magician.

“ Show me more?”

“Hehehe okay eh” Swerve spreads his arms like he's presenting something and then makes himself the size of a soda bottle and teleports to the edge of Blurr's bed “Ta daaaa~”

“Wooooo look at you, you're like an action figure~”

Blurr immediately makes an attempt to touch him, but fails to reach and drops his hand back on the blanket.

Swerve chuckles and steps closer. It's funny to see the usually incredibly agile Blurr struggling with something so simple and ridiculous.

“They really drugged you huh?”

“It's not the drugs” snorts Blurr ”...it's my eye.”

He raises his hand once more and hesitantly pulls it towards Swerve until it bumps into his hair

“... depths Per…percen.. ah, shit. I can't tell how far away things are.”

Swerve just. Lets Blurr fidget at himself, while starting to feel really bad at the same time.

"If you can't tell how far things are, how are you going to drive?

Race???”

He must have a plan right? Something? Let’s-prove-Shockwave-wrong tactic???

Blurr drops his hands back on the blanket

“I won't.”

He freezes when the all too close fireworks rumble outside the window. Then points to his head.

“With this. I can't drive, I can barely walk at all, and I look like horror movie material. Pathetic heeh.”

Swerve sits down quietly cross-legged on the blanket.

“Well...at least you're alive....”

Blurr shakes his head.

“If I had died, it would have been epic. You know? Dharm...dramatic! It would be big news and everyone would be talking about what a hero I was or...or something...”

“...”

“Swindle would be so angry, but he'd figure out a way to make money out of it. He'd make a commercial about how people should be heroes. I'd be remn..remembered for being cool and brave and stuff.”

Fireworks can be heard from the street again. Swerve notices that there is a thin slit between the closed curtains through which a slim, flickering strip of multicolored light streams into the room.

Blurr frowns and leans back against the pillow, looking up at the ceiling.

“I've turned into a boring wreck. My records will be beaten, my career forgotten , and all the guys from work will remember me as a brat. In a--in a--in a way, it's worse than death. Shockwave's right.”

Swerve isn't sure what exactly would be an acceptable gesture of comfort, so he kind of just. Places his hand on the blanket covering Blurr's lap.

“Hey, don't say that. I think what you're doing is great.”

“Liar” smiles Blurr crookedly ”You hated me. I saw your posters collection.”

Oh shit. The ones he ripped off the walls and destroyed in a fit of fan frustration? He didn't even hide them, just shoved them in the back corner. Aw, man...

Swerve folds his arms awkwardly across his chest.

“I can be mad at you and think you're cool at the same time. I'm a multitasker.”

“You're a very specific kind of ghost.” says Blurr. Then, apparently inspired by the painkillers, decides to drop the conversational equivalent of an atomic bomb on Swerve's head “You died because of me?”

Swerve stiffens.

“I...Wwhat?”

“You know.” he makes a gesture with his hand that's ..unclear what it's supposed to mean. “You were working there with everyone else, and then there was that fire and I was sure I saw you down there under the rubble.”

He's silent for a couple seconds before he hesitantly continues

“And then no one could find you so most assumed you either burned or ran away. And now you're here with all your weird ghost stuff, so you must be dead.”

Swerve has.No idea what to think about it. And what to say? He's been so busy blaming himself for Blurr getting hurt that it hasn't occurred to him to think about what it looks like from Blurr's own perspective.

“Actually” says Swerve ”I'm an alien.”

“Heh” giggles Blurr ”sorry, my head’s all cloudy, I thought you said you were an alien.”

Swerve wants to run around and bang his head against the wall.

Instead, he gets up from the hospital bed. Carefully.

“You're high. I'm not going to explain things to you while you're high, you won't understand or remember them. Go back to sleep. It's the middle of the night.”

“You'll tell me later?”

Swerve hums quietly and pulls the curtains all the way closed.

“If future, sober Blurr would want my company.”

---------------

Jazz looks at him. Very intensely.

“Are you going to tell me who this mystery person you keep coming back to Earth for?”

Swerve snorts.

“What makes you think it's anyone in particular?”

“You're right, you're right~” raises his hands in surrender Jazz “So are you going to tell your friend the whole thing?”

Swerve crosses his ..metal arms over his metal chest.

“Is it that big of a deal? He thinks I'm a ghost or something.”

Being a ghost...somehow better, he thinks. If you're a ghost, it kind of automatically implies you're human. Or was a human.

“Sooner or later, he'll put the facts together~” says Jazz in a chant.

Swerve laughs.

“That's unlikely. He's got a pretty bad memory.”

_______________

His plans to stay out of anyone's sight combust with a dramatic pop the next time he projects himself to Earth. He doesn't plan to interfere, he doesn't even plan to linger. He just wants to see what's going on.

He actually just quietly sneaks into the hospital to make sure nothing's happened to Blurr since last time, but when he finally finds him then...oh shit, is that Pharma in the same room with him??? This can't be good.

They don't speak, but Pharma has clearly locked his eyes on Blurr and starts making his way towards him with the relentlessness of a industrial metal press.

Swerve does some rough math in his head. If he briefly gives his holoform back its detail and voice, will that be enough to fry his processor? He's not sure.

Pharma gives a believable impression of a shark getting close. The staff, as if sensing something untoward is about to happen, leaves the room in a hurry.

Blurr looks indifferent, but Swerve's attention is drawn to the way he squints tensely. Man, the lamps are too bright in here.

Pharma smiles sweetly and reaches out for a handshake

“Mind some company?”

Swerve's mental processes fly out the window. Oh no no. Not Pharma. Not in his fucking fanfic. He quickly changes his work clothes into a slightly more business-like looking shirt. Thinks for just a moment and adds a cap to his head to blend in more strongly with the attendants and hide his face to an extent. And then projects himself around the nearest unoccupied corner and runs out of behind it looking as anxious as he feels.

“Blurr!!! Sir, there you are!!! I've been looking everywhere for you!”

Pharma wants to say something, but Swerve doesn't even let him start. He stands in front of Blurr separating him and Farma expressively waves his hands trying to keep his head down.

“The guys you were talking about didn't bring the new hydraulics! It's a disaster, we'll have to use the one on the old models!”

Blurr, to his surprise, backs up his act almost instantly

“Really? But I thought there was nothing to take from the old models?”

“That's exactly the point! I got the paperwork this morning and...oh those assholes are going to screw it up if you don't step in as soon as possible!”

Pharma tilts his head

“Can it wait? We were actually talking here!”

Oh no, thinks Swerve I'll show you who's talking.

“Sir, no offense but this is a matter of extreme urgency. Are you implying that the safety of your patients is not important?”

“What do you mea...”

“Old faulty hydraulics, that's what you want?” raises an eyebrow in horror Blurr.

“No I'm just...”

“I had a better opinion of you, to be honest.”

“I...” opens his mouth Pharma “...WHAT...?”

Swerve shakes his head.

“And I thought his profession was to help people, can you imagine?”

“Wh..”

Blurr rolls his eye.

“Any idiot can get an important position these days.”

“Wait..”

“Tell me about it. Especially doctors.”

Pharma looks like he's about to start pulling the hair out of his head.

“Can at least one of you shut up??”

Swerve adjusts his cap in a businesslike manner

“Sir, I understand you're a bit detached from reality spending so much time in your department, but you need to take better care of your reputation.”

He raises his eyebrows knowingly

“Wouldn't want the rumors about you to turn out to be true. You know what I mean?”

Pharma doesn't even answer anymore. Pharma just looks like a discarded fish.

“…..Wha....there's rumors?”

“Of course” shrugs Swerve ”Ask Norman, he usually knows everything about everyone. And about your interesting tricks with safety, too.”

He leans in conspiratorially, effectively pulling all of Farma's attention to himself

“So if I were you, I'd stay out of any more things you don't understand.”

Pharma wants to say something. Swerve can tell by the look in his eyes. Pharma tries to come up with a witty and context-appropriate response, but this whole conversation has no more context than a typical episode of Teletubbies.

“Where does this Norman guy work?” finally finds the ground beneath his feet Pharma

Swerve shrugs.

“Block C, if he hasn't been transferred yet. He's already been fined several times for spreading harmful information you know? The guy can't keep a secret.”

Pharma throws his hands up angrily and storms away. Probably looking for context. Or revenge.

A quiet cough sounds behind Swerve's back.

“So. Should I be worried about Norman's health?”

Swerve feels the hair on the back of his neck shiver and slowly turns to face Blurr while still looking somewhere on the floor.

“Uh...only if you're concerned about the fate of fictional characters. I made up Norman's wife, she'll be upset if he gets fired for gossiping.”

Blurr chuckles. Then goes silent. Then, after a couple seconds, starts laughing again. That's a good look for him, Swerve thinks. It's not like Blurr's usual velvet-smooth laugh that he uses at social events. It's more like a quick, jerky giggle, and in Swerve's subjective opinion, it's pretty damn cute. He can't help but grin.

Blurr snorts one last time, cutting off the laughter.

Then he reaches out his hand to him.

Swerve reaches back, expecting a handshake, but Blurr ignores his hand and instead goes for his cap and lifts it by the brim.

Swerve, not expecting this, freezes with his hand outstretched.

Blurr freezes as well, still holding the cap in his hand and looking...like he's rethinking his life. A little.

Ugh, and how to explain it all to him....

“Uh...you...uh...probably don't remember me. I...it's...”

Blurr shifts his gaze from Swerve to the cap in his hand. Then back to Swerve.

“You're real???”

Swerve awkwardly waves his hands in front of him

“Ah not.., not really. Do you know why Pharma was looking for you in the first place? He doesn't work with patients anymore, he's been reassigned to the research department, right?”

Blurr shrugs.

“Last time I saw him, he said I might have implant rejection in the third ..uh..what? stage? or something? I think he's trying to get me in for a checkup.”

Swerve twitches.

“Third??? How are you still standing???”

He then quickly reaches up with both hands to Blurr's head and tilts it so he can see his face better. Using one thumb, he pulls his lower eyelid slightly and mentally catalogs. Temperature normal, pupil normal, eyes are steady, no darkening or trace of blood on the eyelid. Implants? He puts both palms up and gently feels the places behind Blurr's ears. No signs of rejection or malfunction.

“No no no” sighs Swerve ”You're fine, it's only stage two. I mean, second sucks too, migraines and all, but you just need to rest and no bright lights and...” he finally notices his hands are still on Blurr's head and pulls them back as fast as if he's been burned ”I MEAN I'm uh...sorry, I didn't mean to, I...”

Blurr laughs quietly.

“I'm glad you're back.”

_____________________

He wakes up in his quarters and can feel his face burning.

When he goes out to get the energon, Jazz throws him a look.

“Is something wrong? You're all kinda...shaky.”

“Hhhhhhuuuuuuuuuuuu” imitates signs of life Swerve “Say, doesn't it bother you that Prowl isn't human?”

Jazz smiles

“ Oh, I went crazy when I found out. But we figured it out.”

“Like...on a scale from ‘bad grade in school’ to ‘an asteroid is coming to Earth’ how crazy was it?”

“Worried about what your human friends will think?”

Swerve swings back and forth on his heels

“Pfffffffffffffffffffffffffffffff. Whatnooooo, no of course not. I'd be worried if I planned on telling them at all.”

Jazz frowns

“No offense, but keeping secrets isn't your strong suit.”

“Haha” Swerve waves his servo “ Watch me.”

[itsallmouthwashing]

Tulpar- Band AU, Character descriptions

I cannot draw- so have some written descriptions and tidbits about the members of Tulpar! I'm planning more bullet points tomorrow but contemplating how much I want to give away ;)

It's very late, I want to add more but I also want to get these OUT! I have much much more planned so don't worry all the details will come out

Bullet Points here

ANYA

Our goth bhaddie

Mid-short black hair, undyed (a NATURAL goth queen)

Usually with purple eyeshadow and black lipstick. Her makeup isnt too intricate, but sometimes she likes to do a classic goth look (white foundation, black EVERYWHERE, the works) when she’s feeling fancy. Later when their band goes much more hardcore, she rocks the look more often. It makes her feel powerful and confident on stage!

YES she has Doc Martens. NO she doesn't wear them. They make her FEET HURT!!!

Still likes jogging! Is that jog to the nearest Burger King? Sometimes! 

Her first tattoo is the one she gets with the crew when Tulpar gets signed :)

Has her ears and her bottom lip pierced. She plays with her lip piercing when she’s studying

She picked up bass at 12 

Does Daisuke’s and Curly’s makeup sometimes :)

Perfer’s purple nail polish :)

DAISUKE

I put in my Ghost Adventure’s AU that Dai would have dyed his hair pink or purple, so this barbie has pink hair :) He’s got a purple fringe :) Probably short-- think about base game Sims 4 short emo hair-- that one!

Loves to paint his and the crews nails, especially for concerts! It happens so often that it becomes ritual and start times will go over if they aren't finished in time. Daisuke WILL get this hand right and the fans WILL understand (they always do!)

Loves to pair undershirts with his collection of Hawaiian shirts. Of course, his pink hibiscus is a staple, but so is the mesh/fishnet unders he puts on when he starts to transition to an alternative style. 

picked up drums around 15, but got really focused on it and mastered them fairly quickly before they went pro

Prefers his nail polish to match with his shirt that day!

JIMMY

Does not have dyed hair either, but he likes to keep it long-ish. It hides his face better but also gets in the way when he doesn't want it to. 

Had a battle jacket, but the sleeves got damaged when he hosted a bonfire and he did not pay attention to the fucking bonfire. That's alright though, he turned into a battle vest!

Overall more of a grunge aesthetic/style

YES his crust pants are REAL stop ASKING HIM !! 

Songwriting has been a part of him since he was little. it was his way to vent, a way to cope, a way to be in control of the narrative

Didn't know when he was younger, but Jimmy has perfect pitch. When he figures this out, he boasts about it in his guitar classes

Buuuuuut it just means the other kids asked him to turn their guitars. That stopped very quickly after he smashed someone's guitar.

Picked up guitar when he was 8. His dad was going to throw it out, but little Jimmy insisted he keep it and that he would find someone who would buy it off of him. Maybe a teacher at school or something.

But instead go buying it from him, a teacher sits him down and teaches him how to play. He gets so lost in it, he begs the teacher to keep it here and teach him more after school. That teacher also teaches him how to write music!

Learns how to do makeup because he’s jealous of Anya- always touching his face so gently to fix his makeup. Quickly learns that all he can really do is his own eyeliner, and even then it’s mid

He’s trying though! (when Jimmy clams the fuck down he eventually goes to Anya and asks her to teach him. They have a nice bonding moment. (the worms demand more, so more there will be- here when I post)

Prefers black nail polish, demands he does it himself (Curly convinces him to let Dai do with Jimmy can't get his hands to stop shaking before a concert. Dai continues to do them after)

Bracelets and chains out the waazoo. When he warms up enough, he lets the band borrow some for shows. (Dai does attempt to actually steal one at some point. Jimmy breaks his nose over it (The worms have plans, you’ll find out why!)

Will! It! Boof! Welcome to Jimmy’s favorite game show! Can it be smoked? He’s fucking got it baybeeee!!

That is to say, he smokes cigarettes, vapes, weed, carts, dabs- yeah man. At least the things that wont get him in serious trouble with the law (at least… not for a little bit…) 

CURLY

The oldest of the group, beside Swansea when he makes his appearance. 

Mid-short blond hair, also undyed. He does get a perm sometimes. When Jimmy does missing, he has a full breakdown and dyes his hair black, but that's later that's later thatslaterthatdlater

Has snakebites and an eyebrow piercing 

Nipple piercings WHO SAID THAT 

When the band goes pro, Pony Express records demands the front man have a certain image because thats what’s hot with audiences and they need to bring in as much revenue as possible with their first album or they get dropped 

Picked up guitar freshman year of high school when he was accidentally enrolled in a guitar class. Some kid said he had perfect pitch, and Curly thought he would be the perfect person to ask about turning his guitar

Only he misunderstood. Though he asked him to tune it for him- Maybe he heard someone ask him about that earlier? He took the guitar with a smile, then smashed It to the ground like he was killing a bug.

The end of freshman year, just before the final for the class, some kid came up to him to tell him his instrument was out of tune. and that he could show him if he'd like. So he doesn't get bumped a letter grade, ya know?

The kid tunes it- just in time, because Grant's name was just called from the now empty class room.

Sophomore year, Curly is enrolled in a choir class, where he discovers his love and talent for singing. Sometimes when he does solos in the classroom, he feels someone watching him from the window in the door.

Prefers yellow nail polish! He loves the contrast of his nails against his outfit since he’s usually in all back 

Wears mostly suits. It's what his parents put him in growing up, so he has a ton and they just feel natural. Does it hurt when Jimmy convinces him to rip them up for a concert? Only a little ;-; Does it make the audience go wild? Only a lot :) 

Wears Jimmy’s chains way before the rest of Tulpar have access to them 

SWANSEA

Tulapr’s manager before and after they get signed with Pony Express Records. 

Usually wears a track suit or something, very casual around the crew. After they get signed though, hes always dressing in P.E records merch, ad later Tulpar merch when PER authorizes it!

Keeping his backstory mostly the same, his struggle with addiction does come into play with the story I have in mind 

Used to be really into the punk scene. If you loook really close, you can see the holes from his snakebites and brow bars. No one can see it, but he also used to have a septum piercing. 

He has a stash of his old clothes on the bus when Tulpar is tour-ready! He also becomes the resident seamstress if a costume rips or malfunctions :)

[sunnysidesevenup]

I am having Arlo/Neige thoughts again so. Here is some rambling and headcanons about their relationship!!!

tagging!! @jadelover69 @kirexa @lallopsyou @miriaocs @jovieinramshackle

- Arlo is originally only interested in photography but after talking with Neige so often, he ends up getting into film making. However all of his films end up weirdly sad at first and make Neige cry so he has to ban him from watching them lmao. Eventually he starts making happier things!!

- once they’re adults Neige ends up getting Arlo to do most of his photo shoots, mostly because Arlo prioritizes him being comfortable and happy and other people tend to not really care about his opinions as much.

- they go to the movies literally so often. so many movie nights. Neige is the BIGGEST fan and it’s infectious. they watch stuff and then talk about it for hours afterwards.

- when they first start dating Arlo is initially really nervous about coming off as too intense, and Neige IMMEDIATELY dispels that fear by buying him a bouquet of flowers for three dates in a row.

- they share clothes a lot, and Vil is SO MAD every time he has to see Neige’s sweater 😭

- previously thought to be incapable of hating anyone, Neige hates Arlo’s entire immediate family lmao

- following up on Neige thinking it would be fun to play a villain, he expresses this to Arlo once who says he can’t really picture him like that and would be interested to see if he could pull it off. Cue Neige jokingly acting out a villain character and Arlo immediately becoming so flustered he can’t speak. (He likes every version of Neige, but this one was just unexpected, okay?!)

- Arlo only takes photos of his own volition if he thinks things are beautiful, which usually means he never takes photos of people unless he’s asked to for a job. He doesn’t try to hide this, either.

- Neige invites him out to see cherry blossom trees at some point, and while he’s looking at them he hears a click and turns to see Arlo taking a picture of him. “Sorry, I just wanted to.” Arlo doesn’t realize it’s actually a big deal at first until Neige gets really flustered and happy about it.

- Neige gets asked in an interview once who his ideal partner would be, to which he answers “someone charming, sweet, and passionate!” Arlo immediately breaks a vase in pomefiore and then picks a fight with a third year lmao

- while NRC students tend to get pretty angry and chase out RSA students when they visit, Neige can visit all he wants because he’s with Arlo (who has a reputation similar to the Leech twins, just with a different vibe)

- Occasionally, when Vil is particularly annoyed, he’ll drag along Arlo to his joint shoots in hope that it will distract Neige. This works but also frequently backfires, because Neige then puts in extra effort.

- Neige is VERY public and vocal about how much he loves his boyfriend once they start dating (with Arlo’s permission, of course). He posts a ridiculous amount of pictures with the two of them, and nearly every time he has to talk in an interview he somehow manages to mention how much he loves Arlo 😭

- Arlo definitely cried over this a few times. He goes from never believing anyone at all will love him to having a partner who literally tells every single person at any opportunity how much he cares for him. It takes him a while to process it’s real.

- Despite no one thinking he would be, Arlo is a very, VERY supportive partner. Neige tells him about a charity or cause he’s trying to raise funds for and you KNOW he’s going to stand menacingly behind his boyfriend and glare at anyone who thinks the charity is pointless or stupid. You WILL donate.

- Neige now has scary dog privilege but the scary dog is actually the tiniest piranha merman ever. rip my boy for being 5’2. (He can still bite with razor sharp teeth with force 30 times his body weight though, so like. run?)

[hooman4ever]

Slashers x Christmas HCs

Feel free to request other characters for this prompt today.

Includes: GN Reader, Michael Myers, Bo Sinclair, Stu Macher

Contains: Slightly NSFW (Just nsfw gifts), Canon Typical Murder

Michael Myers

Christmas is something Michael is very aware of in the psych ward they’d always celebrate Christmas. The staff would put up snowflake cut outs and other imagery on the walls as well as festive music that Michael didn’t care much for. 

While Michael wasn’t much for the music, he loved the trees they’d put up. He enjoyed how the ward would smell like pine instead of the harsh chemicals it usually smelt like. When it came to decorating the tree the ornaments the staff could hang were limited to simple paper and felt cut outs Michael always loved when they would get to make their own ornaments. 100% you will catch this man making ornaments when Christmas time rolls around in the middle of the night. 

Don’t expect any help with the cooking (besides decorating cookies of course) or other preparations besides the tree and opening the gifts. Speaking of gifts, it's something Michael also enjoys. What do you get a stabby murder man who has everything he needs in life though? Knives or a new jumpsuit basically. Getting him a variety of weapons would be so thoughtful. (I personally would get him a gun imagine Michael Myers running around with a fucking gun)

Michael will get you gifts too although they won’t be the best quality. Expect stolen items from the people he’s offed sometimes it will be jewelry and other times random trinkets he thought looked interesting. One time he even gave you a half-used candle he found burning in the home of someone he killed. 

The glow from the tree was soft from the kitchen where you and Michael stood. Both of you surrounded the kitchen countertop looking ahead at the slaughter that lay before you both. Michael’s way of decorating cookies was extreme to say the least. Heads were missing and red frosting was everywhere it was a gingerbread massacre with no survivors. “Crunch,” beside you the culprit was dining on the massacred bodies of a full day of baking. Red stained Michael’s lips as the frosting slipped past his lips. “Are the cookies good?” you asked, eyeing the frosting, he nodded before taking another bite. “Well, at least they taste ok.” Sighing, you leaned in giving Michael a peek before licking off the frosting that stained his lips. “So sweet-” 

You were then shot 78 times in the chest. 

Stu Macher

Stu loves Christmas, well he loves all holidays really, and why wouldn't he it being a holiday means he'll get to throw a party after all. This man will never miss out on the opportunity to be over the top festive which means his home will be fully decorated with a giant tree and gorgeous ornaments. 

His home will smell like cookies and baked food when Christmas comes around. You know those Instagram photos where people have a huge counter covered end to end in deserts and food that'll be his kitchen come Christmas morning. The amount of alcohol will also be astonishing to say the least. 

Stu loves Christmas music and will blast it all day as soon as he wakes up. This man child will also make sure you're woken up by a speaker blaring Christmas music as soon as the sun peeks through your window. (I like to imagine him with a blunt in his mouth also because who doesn't love Christmas wake and baking before doing some baking)

Presents are always plentiful in Stu’s house thanks to his parents being so rich. He’ll adore anything you give him just excited to spend the holidays with someone he loves while being able to spoil them. After all, if he really wanted something it's not like he couldn't just go and buy it himself. 

Stu would love to give you gag gifts and just plain embarrassing ones. He would be the kind of person to give you lingerie or toys during friendsmas and God forbid someone asks you what you got because Stu would waste no time showing it off while laughing his ass off. 

Slender hands were intertwined with yours as the chattering of your friends mixed with the christmas music softly playing in the background. Gifts were being passed around quickly and Randy shouted names, throwing boxes left and right. “Stu, this ones for you from your special someone, how corny.” Randy said with a sharp smile on his face. “It’s only corny because you're here alone, where's your special someone buddy?” Stu shot back laughing as he grabbed the box from his hands. Ignoring the middle finger Randy flipped him. 

“It’s not much but I thought you’d like it.” your words were soft as you curled into Stu’s side resting your head on his shoulder enjoying how warm he was. The hand he had wrapped around your body only pulled you impossibly closer to him. “I could never hate something you give me,” he stated, unwrapping the box quickly. Inside was a gold watch with his and your name inscribed on the back. “It’s beautiful Y/n.” Stu muttered to you the alcohol on his breath potent. 

“Oh, Y/n this is from Stu,” Randy handed you the box and you were excited to open it. Stu stood up as you removed the last layer of wrapping paper stating how he “Had to get another beer,” and to“not wait for him and just enjoy your gift.” That truly should have been your sign to discard the gift. Inside the wrapping paper it was a simple brown box. You removed the tape and lifted the first flap only for yourself to be doused in glitter. In the doorway of the kitchen Stu stood laughing his ass off. You were quick on your feet trailing glitter as you ran after Stu “COME ON STU GIVE ME A HUG,” Screeching he ran apologies and pleads for mercy flying from his lips. 

Bo Sinclair 

“Christmas? Why would we need to celebrate that?” That’s what Bo would think about celebrating Christmas. Cut this man some slack though the Christmas he knows is far different from the loving way you plan to celebrate it. Growing up Christmas meant working at the museum to get it Christmas ready as well as constant fighting. Every little thing would turn into pure stress as his parents would go catatonic at the slightest problem. 

Bo would celebrate for you though. If you begged enough he’d help with the decorations but don’t expect them to be very aesthetically pleasing. It would honestly be best for you to leave the decorating to Vincent. 

Decorating cookies is something Bo would also not be very good at but he’d love to do it with you. Expect some frosting fights or Bo trying to sneakily eat the cookies as you're decorating them. Please make this man eggnog. He'd love it and probably will drink too much by the end of the night.

For gifts Bo would keep a little list throughout the year of things you like/want and he’d go to the nearest town and see what they have that would suit your hobbies. He loves getting you jewelry and clothes he thinks you’d look nice in also. I like to think of him getting you a special made locket in your aesthetic so you could keep a photo of the both of you close to you at all times. 

When it comes to receiving gifts Bo never expects much or anything really. Growing up he was never given more than lumps of coal so when you surprise him with a new rifle or something else he’s quietly ecstatic. He’ll just hold whatever you got him marveling at it. 

His favorite part of christmas is when he gets to have you cuddled up next to him the tv playing some old christmas movie in the background. Those moments make Christmas special to him. 

Warmth enveloped you as Bo’s arms held you snuggly to his chest. His chin rested on your head, and you could smell the alcohol on his breath. The tv made good background noise as some old Christmas movie droned on filling the silence. Bo’s chest rose and fell in a steady rhythm, his heartbeat right next to your ear. It was a calming rhythm you found yourself getting lost in. Your eyelids felt heavy as the warmth around you seeped into your bones making your body go limp as sleep overtook you. “Night Y/n and merry Christmas,” You felt Bo’s lips press into the top of your head as you slipped into sleep. 

[98chao]

ohhh yeah i was iffy on whether or not pv was supposed to be awakened pv (also the fact it was specified to be a costume made me think its not awakened pv) and i mean like, ovenbreak has quite a few costumes of what-ifs for characters becoming corrupted like dark choco and wind archer, so kingdom making a costume like that isnt off the table 😗 it also seems too close to his regular outfit as u said... no AOD pv sadge

and it COULD be a simple swap and not precorrupted shmilk, even tho there are similarities it is different from the beast yeast trailer, buuttt like u said they did redesign precorrupted spice so... we'll have to see ☹️ ahhg im so nervous abt it, of course shadow milk is getting a costume at release even tho the other beasts dont have any 😭😭😭 im just excited for matching shadowvani fits tho, we really won

i think someone at devsis ships them

[cryingoverpalta]

Ok so I was thinking, what if PIDW wasn't a novel, but a drama available on streaming platforms? So when SY transmigrates into SQQ's body, he perceives everything around him just like the audience is seeing it on their screens: with the low-budget fighting scenes that had him obliterating his keyboard with bad reviews, the soundtrack (that is pretty well-done and he actually enjoys it, but that doesn't mean he likes to hear the same silly song every time something embarrassing happens to him), the landscapes that are obviously made with green screen… Even the fabrics of his costume look cheaper than they should, considering the status of his character. Also, for some reason, everything that should be off-screen in a normal filming set (be it cameras, directing staff, or make-up artists) looks like a blurry continuation of the background, making the whole transmigration thing even more nonsensical than it already is.

But nothing disturbes him more than the fact that, just like everything around him is made out of an artificial project, the people also look just like in a drama, because SY suddenly is surrounded by literal celebrities acting like they belong in the pages of a badly written xianxia novel. And ok, to be fair just this time, he's aware they are currently living in a xianxia setting, but his brain can't deal with this logic sometimes. Like, yes, Sha Hualing is a badass character and is always a pleasure to see her fighting choreography in first person, but SY can't take her seriously after seeing her face plastered on a big advertisement while waiting for the train home the other day. And don't even mention Liu Qingge, whom SY can't even look in the eye thanks to the sexy, shirtless photoshoot his actor was part of (that SY saw against his will, because he obviously wasn't searching for handsome shirtless men on the internet. The photos were everywhere; it was a matter of time for him, a chronically online nerd, to see them after going viral the way they did, thank you very much). God, he can't even stand his reflection without panicking a little over his new handsome face, wich also happens to be the face of the actor that always plays the most brutal villains, but is just a chill guy in real life—starring variety shows and giving autographs to the older ladies with a warm smile on his face; that kind of chill guy. If he's as trash as the villains he plays, SY will never know.

And the worst of it all is: Luo Binghe. It doesn't bother him too much at first; his white lotus era makes him look really young and sweet, even though there's an obvious layer of makeup covering his real age, and their feet are always blurry when they're together, probably hiding an uneven floor to make 15-year-old LBH look much shorter than him. But then the abyss happens (and GOD what a shitty green screen that was), three years pass in a literal blur, and the white lotus isn't a fake teenager anymore. And ok, SY can be straight, but he isn't blind; the actor was chosen as LBH for a reason. The man is gorgeous, with that strong jaw, intense eyes, and the height of a supermodel. AND he's talented; SY has seen his other roles and is a genuine fan of his work. So of course, he nails his acting as blackened LBH so much that SY is incapable of perceiving it as acting anymore.

Imagine his surprise when the show turns into a BL and he's suddenly kissing LBH with tongue and all! Sure, it has been a while since he can't see the man as anything other than LBH himself, but he still looks just like that handsome actor that even his little sister had a crush on at some point! What's with this nonsensical plot twist? Wasn't the stallion protagonist supposed to be papapaing the eleventh wife at this point of the plot? Hello?? System???!!!!!

The funny thing is: not even the papapa can escape from the blurry off-screen logic. Yes, SY knew the scenes were typical soft-porn with too much emphasis on doing close-ups of LBH's manly muscles and the wives soft, big chests (he went through a lot of those while watching the show, mind you), but he never thought their papapa would be just them being naked with poor illumination and blurred genitals. So SY never gets to see the Heavenly Pillar. But he feels it. Thoroughly. And for the first time in months, he wonders if it was just a PIDW thing or if the actor truly is talented in all areas of his life.

[lucky-luffy]

So every now and then I see a variation of a post that essentially boils down to "Law is actually just like Doflamingo", which is to say, a cruel and antagonistic person. But honestly? I’ve never really bought that. Like, I get the appeal of framing Law as this colder, more ruthless character, and I have no doubt that he must have seemed that way for One Piece fans that were around back when he first appeared on Sabaody. But following him from Dressrosa, through Wano, and up to what we’ve last seen of him in Egghead? I just find this take genuinely confusing. It’s true that Law, much like Luffy, isn’t always the most altruistic guy unless it’s in service to those he cares about and, often times, Corazon('s memory) and what he perceived to be Corazon’s will of stopping Doflamingo. But it’s clear that he genuinely loves his crew enough to sacrifice his own life for them. It’s just that he’s also, for lack of a better term, a tsundere. He acts gruff around people, rarely smiles, and talks in a sort of commanding manner, his speech pattern always lacking honorifics (with the only exception being Cora-san). He’s not one for showing emotion, but that doesn't mean he can’t feel things deeply. He tries to bottle up his pain and insecurity, and he usually has a pretty decent poker face that only really slips off when he’s frustrated (typically at Luffy or his own crew’s antics). He won’t talk about his dead family. Telling Luffy about Cora was framed as him opening up about something deep at a vulnerable moment, because he decided Luffy deserved some context (it was also necessary for him to say it out loud because the readers also needed this information).

Does Law have similarities to Doflamingo? Sure, he even admits that they share a willingness to kill, even though Law later says in Wano that he doesn’t like to. He’s a doctor, after all. It’s not so much Doffy’s influence as Law’s own past experiences making him see the world as this cruel, cut-throat place and Doffy seeing this as genuine common ground. And he likely could have molded Law into a truly vile and selfish person, if Cora hadn’t intervened. But Cora did, and that's what makes Law’s backstory so uplifting, despite being so tragic. He got a second chance. Of course, Cora couldn’t erase all of his trauma. Law still bears a pessimistic view of the world, and of people, other than the few he lets in. And he doesn’t let anyone get too close because what if he loses them, too? I see Law as someone who wants to love others but is deathly afraid to, and that couldn’t be more unlike Doflamingo as a person.

[s0ft-d3cay]

Heart Strung Words

Leon Kennedy x Male Reader | This one has been passed around in the drafts for FAR too long. Also Happy Crises if you celebrate it!

WARNINGS: FLIRTING(I mean it, I pulled out my best lines for this one), cute rambles about reader, Leon telling reader how much he means to him, re 2 Leon, lots of kisses(I need more practice in writing kiss scenes so, here), mentions of reader wrestling with self-doubt, this is disgustingly cute, not beta read, Y/N is used

WC: 511

"Yes, you're cute all the time." A blush blooms across Y/N's face, rough fingers gliding down from his hair. Trailing over his neck, shoulders, and arms. Leaning towards the warm press of lips, soft light kisses pressing with purpose. Y/N’s now kissed stained hands were moved before Leon breathed out a huffed hum.

Foreheads against one another as the blonde continues. "You mean so much to me, without you I don’t know what I’d do," Cheeks blooming warmer and heart racing in appreciation and sweetened affection. "You’re too damn sweet.” He replied, pausing as he tries to find the right words.

"Now you're just spoiling me." Of course Y/N knew he meant something to Leon, that puppy dog face alone was proof enough. Still, doubts held his heart behind bars and decade-old vines, with everything else it did. That selfish side of him wanting it to be true, yet that leaching weight, circling his brain, and trembling hands. Scared to lose Leon, scared to end up alone again. So much had changed and Y/N was still…

Chest tightening, unsure if asking was the right thing, words caught in his throat. Leon's head shakes with a small smile, softly pressing their lips together. The gentle kiss turns tender as he deepens it, pulls away, head resting on the other. Heavy breathes intermix with one another, eyes closed in bliss. Leaving another kiss to Y/N's lips, this one light and quick.

Bright blue eyes open with an affectionate gaze, breath lost. "How could I not." The blonde whispers, passion flashing through his eyes. Y/ N trailed his fingers down Leon's face and shoulders, everything about him was just so perfect. Leon kisses the base of his throat lightly, "Perfect voice…" Leaning up to kiss his forehead, "…perfect brain…" He then leans down to his chest, kissing over Y/N's heart. "…and a perfect beat that keeps you alive."

Feeling as Leon kisses him, chuckling nervously at his affectionate state. Heart beating out of his chest at each kiss, as if trying to escape towards the man. "Oh, don’t go speechless on me now." He teases breathlessly, playfully mouthing the base of his throat with a low chuckle. "Come on baby, I wanna hear that lovely voice of yours."

His expression soft and adoring giggle once more before kissing Leon. Their emotions practically spilling out between the two. "You sure are touchy this morning, not that I’m complaining." Y/N grins, fingers chasing his warmth over his flesh. "You know, you really just-make my heart go all crazy." Y/N mumbled sweetly against his lover's lips, indulging in a few moments of silent kisses before continuing.

"I never used to think about eternity, never understood why anyone would want to live to see something forever until I met you, then I understood.." The sincere and truthful words Y/N spoke, all so heart warming to. "Figured I'd wake you up with breakfast, you know it being Christmas and all but…" Appreciation showed in his voice, how could he have been so lucky. His smile widening and eyes gleaming, hands caressing his face as Y/N kissed his nose.

"Think I might just keep you here all day instead."

DISCLAIMER: I do not own the rights of any of the characters I write about, all the rights go to their respective creators.

[butterysalt]

ORV self insert community are u there cause I finally started reading and…….. 🧍‍♂️

[lgbtlunaverse]

So I've said multipe times now (here and here) that thinking nmj is just so blinded by privilege he doesn't undertand that acting out of line gets people killed is, in my opinion, a misunderstanding of his character that ignores the part where he's, you know, actively dying the whole time and thinks that's a good thing. But that doesn't mean I don't think privilege plays no role at all in how he views the world.

Specifically, his view that death (at least premature or violent death) means something.

Death isn't always a tragedy to NMJ, but it is always meaningful. If you kill an evil dangerous person for your righteous cause, that death had meaning. There was evil in the world and now there is less of it. Similarly, if you die in the pursuit of your righteous cause, that death has meaning, because the sheer dedication you gave to it that you were willing to die for it will further that cause, and your bretheren will be invigorated by your sacrifice to fight even harder.

If a death isn't meaningful, that's an injustice and it is up to the living to give it meaning. That's what cuts so deep about his father's murder. There were no consequences, no changes, no meaning. Wen Ruohan was just going to get away with it! He fights and wins an entire war to make it mean something, to make it so that the unjust murder of Nie Mingjue's father is part of Wen Ruohan's downfall.

But this is a view he can only hold because he's the kind of person who's death will be meaningful. Most ordinary people's deaths are meaningless. Not ontologically, not inherently, but they are made meaningless because no one cares. For death to be meaningful you either have to be so powerful that anything you risk your life for will be impacted in some way. (Like, say, if you sacrifice a long life for immense martial power in a faustian bargain with a blade) Or if people with that kind of power care enough about you to do so for you. For most people, this isn't true. A starving street kid has no power to change the unfair world that put them there, even if they risk their life trying, and no one will do it for them once they die.

Nie Mingjue knows this in abstract, and of course rightfully believes it's wrong. But all that does is make it yet another righteous cause people should be willing to die for. Everyone's deaths should mean something, we'll make it so or die trying!

This is what the conflict between nieyao is about at its core. Because Jin Guangyao, fundamentally, cannot conceive of his own death as meaningful. Nie Mingjue grew up around powerful men who could change the world but refuse to do so because god forbid they risk a single hair on their perfect heads. Meng Yao, on the other hand, grew up in an environment where no one of importance would blink twice if you died. He was surrounded by meaningless death. Indeed his entire early life is defined by that lack of care.

Meng Shi dies and no one cares. Meng Yao gets thrown off a flight off stairs and no one cares. He has to be the one to do the caring, and once he's gone no one else will do it for him.

So he has to live.

Jin Guangyao eventually gets far enough that he actually does aquire the power to change some things... as long as he's alive. If he changes too much, holds on too tightly to his ideals, he'll die and it'll all be for nothing. He can't sacrifice himself for his goals because doing so would immediately render those goals unobtainable. No one will care about what he tried to do. He won't be a heroic sacrifice, he'll just be trash that finally cleaned itself up.

And well... Nie Mingjue dies, and someone makes it mean something. Makes it mean so much that the entire story of mdzs would not exist without it. Jin Guangyao dies and it doesn't mean anything. Most people are glad to be rid of him, and the few that are not don't do anything to change that.