#I mean it’s set in wales
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Well I’m now going to let myself believe that torchwood will make an appearance or at least be refereed to in next weeks doctor who untill I’m proven otherwise
#doctor who#ruby sunday#torchwood#I mean it’s set in wales#and the last women’s voice sounded like Gwen to me#gwen cooper
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i really thought part 2 was going so mid due to the lack of creloise but then they give me both bi benedict and gay francesca??? okay okay i'll watch season 4 bridgerton, you got me there.
#and i'm still holding out hope for more creloise content#i mean eloise is going to be in scotland and cressida in wales#it's the perfect set up for pen pals#bridgerton#bridgerton season 3 spoilers
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About half the reblogs are about 73 yards and I'm sorry to break it to you but I don't really like 73 yards that much..
No hate to the episode I thought it was cool as an idea but wasn't really well done in my opinion
Firm believer that doctor who should get fucked up and unnerving on the regular
#absolutely not calling it bad. it has some killer moments and i absolutely loved the entire welsh pub segment#but as a whole although unnerving it kinda fell flat#it felt vague for the sake of being vague and not for any actual reason#i dont mind being left in the dark as too what truly happened but giving literally ZERO idea of what the fuck that was kinda sucked#like the doctor just going “idk fukin fairy circle” was a really lame ass ending#i liked ruby taking initiative and really showing off what she can do tho#ngl i know the whole jab in the pub was that everyone thinks wales is all witchy but i kinda wish it was actually some curse#idk i thought that would be sick#also the whole 73 yards thing relating to the tardis' perception filter was weird. like was it the tardis or was it not the fuckin tardis???#okay midway through writing this it clicked the plot is likely the tardis activating some emergency paradox thing and looping ruby#i think atleast? but then what about the fairy circle? where the fuck did the doctor go????#again i like a confusing story and i love the horror of the unknown but when im never given ANY answer at all in the end i feel annoyed#idk fucked with the vibe and set up but the plot lost me#if you think its amazing all the power too you because it is a pretty sick concept#but when i talk about getting weird and fucked up i mean 73 yards but borderline straight up horror film#also about that whole thing of people being scared of ruby what the fuck???#i originally thought it was going to relate to the one who waits but it never pays off at all???#theres so many ideas happening that i just feel dont blend well and it makes me confused and nauseous#maybe im just stupid but that's my feelings on it#sorry for ranting so long. again ZERO hate to this episode i just wish it was more coherent in its themes and storytelling#doctor who#dw
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I've seen little about it so, Just an FYI what's been unfolding in England today. Far-right protestors are literally trying to kill asylum seekers in hotels.
In Rotherham, Yorkshire fascists have tried to set a hotel on fire with migrants staying there. Some signalling cut-throat gestures at the people staying in the rooms.
In Tamworth, Staffordshire the very same thing is happening. Another hotel has been set on fire with asylum seekers still inside alongside racist graffiti.
Other similar protests that are going uncountered are happening in Middlesbrough, Hartlepool, Stoke-on-Trent and many more areas, chances are there will be one somewhere by you if things keep going the way they are. Nazis are literally strolling about unchallenged and these people are marching happily with them. There are more sensitive videos online which I won't share here but there are groups of nazis chasing down and circling black people in cities and beating them up, indian and chinese takeaways being targetted, turkish barbers being set alight and there have been incidents of muslims being assaulted and even stabbed.
BUT... There are success stories from UK cities where riots have failed due to no turnout or due to antifascists driving far-right pricks out of the city.
Cardiff, Wales - About 5 fascists turn up compared to 500 conuter-protestors. They failed to get anyone here despite trying two times.
Liverpool, Merseyside - A significant EDL mob is marched out of the city and fought against. Counter-protestors form a ring around a mosque being targetted.
Bristol, City of - antifascists block the entrance to a hotel that nazis are trying to get into as well as a fierce citywide push against the EDL and racism.
Nottingham, East Midlands - A huge antifascist counter protest outnumbers EDL and the far-right, preventing a riot from occuring.
There are many many more of these riots planned. If you're in the UK get organised and be prepared to fight alongside the people who make our communities stong and resiliant and make our country and cities a wonderful vibrant and friendly place to be. Help by whatever means you can. If you are not from the UK then please signal boost this because this needs to stop this nastiness from spreading and to make nazis afraid again.
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We had one of Steff's comedian friends staying with us on the weekend, lovely lad called Sam from Singapore. He had never been to Wales before, and he requested that we take him to a Welsh restaurant so he could try Welsh food
That's surprisingly difficult, actually. Like a lot of Welsh culture, our culinary traditions have not exactly been applauded over the years, so you don't really see them. But a lucky Google search revealed a brand new one has just opened in SA1 called the Welsh House, so great! Away we went.
Fuck me, they went all in.
It wasn't just the menu (though fuck me, what a menu - one of their 'for the table to share' options was little mini leek and cheddar Welsh cakes with salted butter and they were paralysingly good). It wasn't just that every alcohol was Welsh, even including the wine (surprisingly good btw, called 'Naturiol'.)
The table centerpieces were daffodils. All signs for the toilets were Welsh only. The walls had photos of Wales, modern and historical; the windows had the fleur de lis; the specials board (pork belly in Welsh cider and damson sauce with honey and wild garlic glazed carrots) had dragons on. I realise this is probably normal for country-themed restaurants, but I've never been to one for Wales before.
But the best bit, see, was the music
I clocked, when we walked in, that they were playing If You Tolerate This Then Your Children Will Be Next by the Manic Street Preachers (you always clock the Manics). Ah, I thought. A Welsh song! In a Welsh restaurant! Ho ho ho.
As they seated us, it became What's New Pussycat. Ah! I thought. Another Welsh song! Fu fu fu.
Then they played Monster by the Automatic and I was like my god are they only playing Welsh music?? That's so cool! What an eclectic mix that's going to be. We should suggest to them they should look into Welsh language music too, really mix it up.
And then they played Anrheoli by Yws Gwynedd and lads, Steff and I lost our shit. We lost our fucking shit. Sam's sitting there, utterly bewildered. The staff are nervously edging away from us. We don't care. It's the first time I have ever heard a Welsh language song played outside of a Welsh language setting. We're so excited.
"They're playing Welsh music!!!" says Steff. "Holy shit!!!"
"Imagine if they played Sebona Fi!" I say, humorously.
"Nah," says Steff. "You can't in a restaurant. There'd be a riot, it's faerie music."
"...what?" says Sam
We explain the cultural phenomenon that is Sebona Fi. The song changes: Primadonna Girl, by Marina and the Diamonds.
"She's Welsh??" says Sam.
"She's from Abergavenny!" we beam.
"I don't know what that means," nods Sam, who is from Singapore.
Next: The Bartender and the Thief, by the Stereophonics. We're in high spirits. The extraordinarily Welsh wine arrives, as does the rarebit on sourdough starter. Sam, a gay man, delightedly orders the faggots and peas.
They play Ben Rhys by Gwilym Bowen Rhys, and we lose our shit again. Sam is now used to this, because comedians are adaptable. "They even have daffodils!" I say, misty eyed. "Is that relevant?" Sam asks, fascinated.
They play Hiraeth, by PLU. Hard to explain that one. Very hard to explain the effect it has when it's played in a restaurant, but Sam looks around the suddenly muted room and whispers "Are we in church?"
"It's about Hiraeth," whispers Steff. "So kind of."
Next: the Masses Against the Classes, by the Manics. Utter tonal whiplash. This playlist is not remotely restaurant appropriate. It's perfect.
"You'd think they'd pick like... a genre," Sam says dreamily. "We just went from church to the barricades."
The faggots arrive. "I forgot it would be a western sized portion," Sam says morosely, of what to me is a normal sized plate of food. He tries one, and brightens.
They play Sebona Fi.
The place erupts.
#I am going back there#going to try the rarebit next time#and the popcorn cockles#WALES!#closed for cleaning on mondays
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op kindly only screenshotted the tags where it looks like I'm saying because the castles were not designed and built by the welsh (a reasonable interpretation of what the original post said) I don't think the welsh should get a say, even though I go on to mention that I don't think any money from them *should* be going to the parasites in westminster! But hey it's much easier, as I was inferring about nationalist takes like this on tumblr, to make me a colonialist boogie man.
In any case, the deeper thing bugging me that I didn't have the confidence to articulate (*signs tumblr death sentence in triplicate* haha silly me instead thinking it was fair to point out that op made it seem like these buildings, icons of welsh repression, were rather built by the welsh for the welsh) was that I don't know what money you think is going to the crown from this! The famously cash-loaded heritage industry, ah yes, they will surely solve all our financial problems if only we didn't have to send their vast profits to the stinking pigs in crowns...
They are doing their best to keep the buildings up. Guess what? English Heritage also manages stuff owned by the crown. Guess what? In England their public services are also fucked by nearly fifteen fucking years of tory austerity. It's not because of the castles. I'm delighted that visitor numbers are going up for Cadw and I have been to many of the sites they manage and frankly they do a better job than many of the sites in Scotland and England I've been to. I simply do not know where the idea comes from that they're rolling in profits that are being sent abroad to the crown?? If the crown owns these properties still I just rather think your petition should be aiming to bleed the fucking royals dry and make then pay for their upkeep!
Also I still think claiming the Welsh built the castles is absurd. You don't have to have built them to justify them being in Cadw's hands. That is the heart of what annoys me here I think: not the nationalist sentiment but the unnecessary distortion so many nationalist arguments indulge in, which undermines their arguments rather than supporting them, from my perspective (having already said in tags elsewhere that I am agnostic on devolution: it is a decision for the welsh to make not me. If you want my answer about a border poll in NI where I live then you'll have to prove you can be serious about things like pensions and health care provision before we talk about the effects of a snap poll and which way I would vote depending on the wording and the offers made).
MUCH more interesting and alarming from my pov is the money you're paying to the crown for the use of the seabed under your wind farms. If Chuckie boy believes so strongly in green energy why doesn't he do all he can to support the green sector in Wales and waive costs, or even maybe give Wales its own seabed back?
I am absolutely disgusted to learn that crown owns our castles and the profits are sent to Westminster. Wales is struggling, our economy is struggling, our people are struggling, our health services are struggling, and that money could go to the betterment of our lives - instead it goes to England.
despite the fact we maintain the castles and land, we don't own them. they are in OUR country. ownership should belong to us, the people who built them. we maintain them. we work in them. theyre ours and we should be able to use the profits generated by them to help welsh people, not allow the money be funnelled into the monarchy.
the fact the crown owns so much of wales is such an outdated and medieval concept and has no place in modern society.
petition here:
please sign. I am disgusted.
#this post raised so many ???? first thing in the morning ok#...... you're gonna claim this is a medieval set-up and claim the welsh built those castles?#the castles in wales meant to put down the welsh? the norman built castles and english built castles to keep the locals in line?#the castles built by the english to keep the welsh in line that are funnily enough still owned by the prince of wales??#i am NOT saying this is the ideal situation please ok!! i am also surprised that if cadw maintain them the money still goes to the crown#i think it would be excellent if the money that went to cadw stayed in wales actually#however it's not just the crown here - a LOT of what cadw maintains is in private ownership this is just their remit#unfortunately while you have the same parasitic royals as the rest of us in the uk you're gonna have bullshit like this#by all means nationalise the castles please do#but please remember that most of them were built to fuck up the welsh and not by the welsh for the welsh#i love you wales!! you do your thing by all means!! but nat bullshit is nat bullshit wherever it is#(*re: 'who built the castles' yeah probably some local labour was used but i believe the practice was to bring your own skilled stonemasons#etc with you. i'm honestly not interested in the %age of labour division in the C12th-C15th construction sites that we'll never know#the fact that op's response was just to claim they're ~welsh~ built despite the funding and the expertise that were likely not welsh#is just about what i expect tbh! i think there are interesting questions here about national ownership of heritage in the present day#the medieval ownership is beside the fucking point - which was more my point in saying the welsh hand in building them isn't significant#(don't@me about the value of labour i know i know but if you're edward i you can probably just get other workers from elsewhere if you need#and YES op it's right there you say this is a medieval concept#i'm mainly just picking nits about how people use 'medieval' to describe situations they don't like and then don't actually care about#the medieval reality itself#for god's sake i knew i shouldn't have bothered tag ranting on this#this is without getting into the legalities of the heritage industry in the uk and how the funding is split between cadw and the owners#i don't know enough about that to comment. but i do know enough about blindly emotional nationalist arguments to roll my eyes at them#signing my death sentence on tumblr by trying to introduce some sense of nuance and proportion into my feelings#about nationalism of all kinds YES even your righteous celtic nationalisms#oh well it was nice knowing you all#eta again: PIPE ROLLS. there are literal pipe rolls telling you who built the castles and what they cost!!!#the architects and skilled workers were not locals they were professional castle builders who came with the fuckung colonisers!#again#it's not a hill i want to die on the purpose of castles was to be on the hill and not die 👍
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could I please request a remus x reader that isn’t used to affection and cries at being called a pet name <3
—Remus calls you lovely, so you cry in his back garden. fem
You hold your hands out to the fire pit, relieved when heat kisses your palms and warms your arms to the elbow. Summer nights are supposed to be warm. Not in Wales.
The decking under you bends and groans as multiple pairs of feet cross it. Someone steps off by your legs and moves further into the garden. Solar lights warm the space and a battery powered lantern lights the patio table where Sirius hosts a championship of Speed.
A pair of shoes stop by your legs. They step down and a body sits next to you tightly, thigh to thigh, no want for space. “Hey,” Remus says. “Are you cold?”
“Not really.”
“Did you bring a jumper?”
“I’m not cold,” you laugh. “Of course I did, though, it’s upstairs.”
Staying with Remus and his friends has been fun so far. The idea of spending a few weeks of your summer between your second and last year of University at Remus’ house had felt daunting when they suggested it, but you’ve had nothing but fun so far. It’s nice to have friends. Nicer to have patient and gentle ones.
“You can have my jacket? Wear it over your shoulders like a cape.”
“No, thank you. Really.”
Remus takes your arm. Gives it a quick rub with his thumb until his hand moves down to yours. He feels your fingers, his palm soft, before he returns to his personal space. “You don’t feel too cold. I’ll ask James to put another log on in a bit.”
“All the food is keeping me warm.”
He grins. Brown eyes, brown hair, lashes of firelight on his cheek. “Are you having a good time?”
“Of course I am.”
“Yeah? Will you tell me if you’re not? I know it’s weird staying somewhere else. Even if it’s just that the bathroom makes you miserable or you need extra socks.”
“It’s like I’m on holiday with all my best friends,” you say lightly.
“You are on holiday with your best friends. I’m not, ‘cos it’s my house, but this is the definition of a holiday.”
“Thank you, for inviting me.”
Remus puts his arm around your shoulder, and he kisses your temple with a gentle smile. “I wanted you here, lovely. We all want you here.”
His arm falls away. It’s just amicable affection, you know that, but it’s more than anyone’s given you in a long time. You’re surprised he’d want to; you must feel a deep, deep tenderness for someone to call them lovely like it’s their only name, and to kiss their forehead with a smile already in place.
You pull the inside of your bottom lip between your teeth. It’s precious, to be wanted. To have someone as special as Remus show you what you mean to him plainly. You’ve had a great day filled with nice food and good friends, and now you’re warming your knees by the flickering fire pit in the Welsh countryside, stars emerging above you, the moon a pinky nail by the mountains.
You tip your face into your hands.
Remus brings a hand to your back and draws a shape without comment, but his hand flattens, and he feels it loud and clear when you sniffle. “Dove?” he asks softly.
You raise your head quickly, sniffling again as you wipe hot tears off of the hills of your cheeks. “Sorry.”
“Did I upset you?” he asks, sitting up straight. “I’m so sorry, what did I say?”
“No, no, it’s nice. It’s nice, you’re always so nice to me.”
“You’re upset because I’m nice?”
“I’m just not used to it, that’s all.”
“Not used to it,” he says, frowning. His brows set. He’s nearly stony.
“You’re the nicest friend I’ve ever had.”
“Can I give you a hug?”
You nod, shivering as he wraps an arm around your shoulders and pulls you into his side, no room left between you. His cheek smushes into the side of your brow, a heat like the fire warming you, the two of you listening to the sound of wood embers popping.
He makes a sound somewhere in his chest and pulls you closer again. Impossibly, he shifts, and his second arm comes around to turn his side hug into a proper one, as though he’s changed his mind about it just a few seconds in. You turn into him without apprehension.
“You’re not used to it. Do you like it?” he murmurs.
You press your face to his jaw and neck. Your arms act of their own accord, tightening behind his back.
“You should be used to it, someone like you. You should be so used to it that it bounces straight back off you again.” He rubs your shoulder. His fingers work into a tight muscle gently. “You lied about being cold, I can feel it now. Your back is freezing.”
You raise up off of the decking to hug him harder. He’s all for it.
“We’ll teach you exactly how to be part of the world’s touchiest friend group,” he promises. “You're already a good hugger.”
#remus lupin x reader#remus lupin x fem!reader#remus lupin fluff#remus lupin x you#remus lupin x y/n#marauders era#remus x reader#remus x you#marauders#remus lupin drabble#remus lupin blurb#marauders x reader#remus lupin imagine#remus lupin fanfic#remus lupin fanfiction#the marauders
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There are a lot of things about Taskmaster that feel very... culturally British. That mixture of extreme silliness with occasionally very dark humour for example.
Or the particular tone of affectionate bullying and the way it's (mostly) taken in good humour. (And expected to be taken in good humour, even when it hits a nerve. Something that caused quite a bit of bad blood between the Brits and the Germans in my former workplace, because we generally don't shrug off insults that easily.)
But I think one difference is sort of... simmering under the surface in ways that aren't immediately obvious to international audiences (and makes me wish I was still writing uni papers, because it would be a GOLDMINE), is how much of the humour is based on the British class system.
I mean, the basic premise of "tyrannical taskmaster makes people jump through arbitrary hoops for his favour and then belittles them for doing so" is already something only an audience with a slightly monarchical bend would accept unquestioningly. Add to that the way the Taskmaster/Assistant relationship is set up... Let's just say it fetishises a social dynamic that doesn't exist in quite the same way elsewhere.
Which I think may partially explain why so many people seem to be oblivious to the D/s undertones. -- Of course it's often kink-blindness on the part of non-kinky people, but I strongly suspect it's helped along by the cultural perception of what constitutes an acceptable power differential acting as a buffer to seeing anything off about it. The threshold for when it becomes weird is different.
Now, I think (and since I'm not British, do correct me if I have it wrong!) a key part of what makes the basic premise funny to British audiences (and differently from how it's funny to international ones) is the way cultural expectations of power vs submission are subverted.
Purely based on accent? Alex is the posh one. By miles. And Greg -- very pointedly! -- doesn't do the matching Fauxbridge that most viewers would probably expect from someone presented in a position of authority (or even just a "neutral" BBC accent). It seems bizarre from a foreign point of view, but I've found that this kind of discrepancy immediately and viscerally registers with Brits. (It's uncanny how little it takes, too -- ask your favourite non-TM-aware English person to just listen to the different ways they say "taskmaster" and they will extrapolate things you cannot even imagine.) Instead of just the regional connotation, there are always implications of class and social status to an accent that are absolutely baffling to the unaware.
Add the fact that Greg Davies is from Wales, and a lot of English people have a weird colonial superiority complex towards Welsh people to this day... It's enough to make all these obvious gestures of devoted subservience from Alex very unexpected and therefore funny.
(Also notice how it adds interesting layers to Katherine Ryan buying Greg a fake lordship title? And makes it funnier in a way she may not even have fully been aware of herself, being Canadian? It's delightfully irreverent and pokes fun at the whole system.)
My guess is that this is also why the studio audience's reaction to linguistics-based jokes is always so strong. Lets take the recurring bit about Alex correcting Greg's grammar. To an international audience, the main joke is that Alex is a nerd and cares too much about grammar, with maybe a side of him being a smartarse towards his boss in a potentially ill-advised way. But to a British audience, the level of audacious insubordination implied there? Much stronger. Wildly offensive thing to do. (And a level of arrogance that is extra hilarious coming from someone shown to be sleeping in a dog bed.)
The same mechanism also puts Alex's snide little asides towards contestants with regional or "urban" accents into perspective. Offensive dick move on his part? Oh yes, extremely. But the audience is very much not supposed to be on his side in this. He's being a bigoted little bully, and either the contestants get to humiliate him in retaliation (it's certainly not a coincidence that the Welsh and Irish contestants are generally the ones having the most fun putting him in his place) or Greg calls him out on it in the studio. In a society in which Alex's brand of micro-aggression is still incredibly commonplace and accent discrimination a widely accepted default, it's actually very cathartic to see it openly acknowledged and condemned.
I mean Tumblr obviously loves Alex, because he's cute and funny and we love the Greg/Alex D/s thing (I'm definitely guilty of this as well), but we have to remember that -- in the context of the show's premise -- his character is supposed to be pathetic and ridiculous, so when Greg does the "next to me a man who once told me while drunk that he thinks regional accents are inversely correlated to intelligence" intro thing, we're meant to see it as an asshole opinion that is actually unacceptable to hold and no one in their right mind would openly admit to. So Greg is humiliating Alex by (supposedly) exposing him as someone who would spout that kind of opinion. (Same as the jokes about Alex's misogyny. I see people criticise these jokes all the time, but I think that's because they refuse to understand how the underlying mechanism actually works and take them at face value as the real Alex's actual opinion, rather than something deliberately assigned to his in-show character to make a point about them being terrible.)
#taskmaster#meta#language geekery#take it with a grain of salt#I'm looking at this from a foreign point of view here
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October 28, 2022, 7:11 P.M.
For whatever reason I enjoy thinking about Diana Wynne Jones' writing as a whole and picking out unexpected or resonant trends. For example, some things that comes up often is:
She'll fabricate a world (right down to its cosmology), fill it with memorable characters, set one or two short novels in it... and then never touch it again. On to the next one. Rinse and repeat for her entire career.
The concept of multiple/parallel universes appear half a dozen times in different novels/sequences, but always in completely different ways. The multiple worlds of Chrestomanci function very, very differently from the multiple worlds of The Homeward Bounders, which themselves function so different from the Ayewards/Naywards of Deep Secret, or the walls between the worlds in Dark Lord of Derkholm. More importantly, all these approaches to multiverse explicitly contradict each other. There is no larger DWJ multiverse; there is no way to coherently combine any of them, much less all of them. I love her for this. Every book is its own project. Franchising be damned.
With one exception (which is the Dalemark quartet, oddly enough), none of these worlds are sealed-off secondary worlds. Our own Earth appears in all of them, though usually from the 'wrong' end of the telescope. Meaning, it's stuff like reading Charmed Life and assuming you're reading a magical secondary world fantasy for most of the book... up until the point when Janet is pulled into the story due to Gwendolyn's spell. The reader instantly understands that Janet is from our own world, from the 1970s when the book was written. She never makes it home, either. She never sees her parents again. She's a supporting character who becomes permanently stuck in the world of Chrestomanci, as a casualty of Gwendolyn's spells.
It is interesting, though, how there are almost no sealed-off secondary worlds in DWJ's oeuvre.
There are lots of neat things to say about how DWJ did this, and why she'd do it, and the implications in the storytelling. But tonight I'm thinking mostly about how it can be a moment, narratively, that makes you halt and have to recontextualize all these things you thought you knew (or were assuming) about the nature of the story.
In Ursula Le Guin's The Dispossessed, Urras is obviously the metaphorical capitalistic stand-in planet for our own Earth... up until a moment right near the end, where we realize our own Earth exists in this novel too and is an ecological wasteland due to unchecked climate change.
Urras may be the distorted-mirror, uber-capitalist version of our own world. But it's also a planet with a functional ecosystem. It's a planet where society is careful about maintaining that ecosystem. We're not going to be Urras, says Le Guin. We'll be lucky if we become Urras. To become Urras means we wised up in time to not go extinct.
And suddenly, little subtle moments in the worldbuilding around both Anarres and Urras—their shared attention to their own ecology—come into a different light. All because our own, devastated Earth turns out to be present in the novel too.
And in Howl's Moving Castle, Howl is a magician who fits into the fairy tale landscape of Ingary as naturally as anyone else—until the chapter when he has to go home to retrieve a lost spell, and you realize home is in another world, aka home is our world, aka Howl is fucking Welsh and found his way into Ingary by pure accident. And Ben Sullivan, Ingary's missing royal magician, is no native of Ingary either.
To Sophie, it just means that both magicians travelled to Ingary from the same enigmatic foreign land, which is as strange to her as any spell.
To us readers, it means "oh my god he's Welsh too? Just how much is Wales secretly connected to Ingary? Next thing you'll tell me Ben Sullivan's a rugby player as well—"
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Did you catch what rings Catherine is wearing in the various shots of the latest video? I’m interested if the ruby “promise ring” in particular shows up again.
Alright let's talk rings!
Birthstone Ring
The Princess of Wales started wearing this ring during university and it has been speculated that it was a gift from Prince William but never confirmed. The ring is a gold band set with garnets and pearls which you guessed it - are William and Catherine's birthstones. The last time it was worn publicly was 2013 and she always wears it on her middle finger not her ring finger. I don't remember it being called a promise ring back when they were dating but now when I look it up all of the magazines and entertainment news sites call it that. I guess calling it a promise ring grabs more attention.
Diamond Eternity Ring
In 2014, Kate added a diamond eternity band to her engagement and wedding rings. It is the Eclipse Diamond Eternity Ring by Annoushka which features diamonds set in white gold. The ring has been speculated but again never confirmed to be a gift from William to mark the birth of their first child the year before.
New Mystery Ring
In August, she debuted a new eternity style ring in a video congratulating the returning British Olympians and then wore it again for the video announcing the end of her chemotherapy treatment. There has been a lot of speculation about this ring and what it means. It seems to be worn in place of her sapphire engagement ring so my best guess is that the ring is set with diamonds and sapphires. As for meaning it's probably nothing deeper than her engagement ring being ginormous and wanting a more comfortable one to wear sometimes. I know a ring of that size would get on my nerves constantly.
There also looks to be a fourth ring in the stack now on the outside edge. The order is gold wedding ring, new mystery ring, diamond eternity ring, and new small ring. I'd like to get a better look at it but it could be nothing more than an guard ring meant to keep the others from slipping off.
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Alan Mathison Turing
Alan Turing was was an English mathematician, computer scientist, logician, cryptanalyst, philosopher and theoretical biologist and is widely considered to be the father of theoretical computer science. During the Second World War, Turing worked for the Government Code and Cypher School at Bletchley Park, Britain's codebreaking centre that produced Ultra intelligence. He led Hut 8, the section responsible for German naval cryptanalysis. He devised techniques for speeding the breaking of German ciphers, including improvements to the pre-war Polish bomba method, an electromechanical machine that could find settings for the Enigma machine. Turing played a crucial role in cracking intercepted messages that enabled the Allies to defeat the Axis powers in many crucial engagements, including the Battle of the Atlantic. in 1952 when Turing was 39, he began a relationship with Arnold Murray, a 19 year old unemployed man. In January of 1952, Turings house was burgled, and Murray told Turing that he and the burglar were acquainted, and Turing called the police to report the crime. During the investigation, he acknowledged a sexual relationship with Murray and both men were charged with "gross indecency" under Section 11 of the Criminal Law Amendment Act 1885. On the advice of his family and lawyer he pled guilty. In March of 1952 he was convicted and given a choice between imprisonment or probation with the condition that he undergo a hormonal treatment to reduce libido, aka as "chemical castration". Turing opted for probation and began the chemical treatments. Over the course of the following year he was injected with estrogen, causing impotence and for breast tissue to form. In a letter, Turing wrote that "no doubt I shall emerge from it all a different man, but quite who I've not found out".
On 8 June 1954, at his house at 43 Adlington Road, Wilmslow, Turing's housekeeper found him dead. A post mortem was held that evening which determined that he had died the previous day at the age of 41 with cyanide poisoning cited as the cause of death. When his body was discovered, an apple lay half-eaten beside his bed, and although the apple was not tested for cyanide, it was speculated that this was the means by which Turing had consumed a fatal dose. Many question whether his death was suicide or accidental but it is officially listed as suicide. In 2013, Queen Elizabeth II signed a pardon for Turings conviction of "gross indencency", with immediate effect. The Queen officially pronounced Turing pardoned in August 2014. The Queen's action is only the fourth royal pardon granted since the conclusion of the Second World War. Pardons are normally granted only when the person is technically innocent, and a request has been made by the family or other interested party; neither condition was met in regard to Turing's conviction. In September 2016, the government announced its intention to expand this retroactive exoneration to other men convicted of similar historical indecency offences, in what was described as an "Alan Turing law". The Alan Turing law is now an informal term for the law in the United Kingdom, contained in the Policing and Crime Act 2017, which serves as an amnesty law to retroactively pardon men who were cautioned or convicted under historical legislation that outlawed homosexual acts. The law applies in England and Wales.
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THE PRINCE OF WALES HAS GIVEN AN INTERVIEW AT THE END OF HIS OFFICIAL VISIT TO SOUTH AFRICA.
During the candid and emotional interview he admitted how the past few months had been ‘brutal’ due to the health scares The Princess of Wales and King Charles went through :
‘Honestly? It’s been dreadful. It’s probably been the hardest year in my life. So, trying to get through everything else and keep everything on track has been really difficult. But I’m so proud of my wife, I’m proud of my father, for handling the things that they have done. But from a personal family point of view, it’s been, yeah, it’s been brutal.’
Speaking about the Princess of Wales he said that :
‘She’s doing well. Doing well.’
Speaking about what it meant to host the awards in Africa, a continent he connects very deeply to as he spent time there following his mother's passing and it is the place he proposed to The Princess of Wales as well, he said :
'Hearing the Circle of Life. I don’t know about everyone else, but hearing the Lion King and things like that gets me quite emotional, So, when they started singing and I saw the clips from the top of Table Mountain and we were all there and it’s happened. I did feel quite emotional.'
He then spoke about his children watching the awards saying :
'I don’t know yet. I haven’t clocked in with them yet but I hope they did.'
William added of his relaxed demeanour in Cape Town this week :
'It’s interesting you say that ’cause I couldn’t be less relaxed this year, so it’s very interesting you’re all seeing that. But it’s more a case of just crack on and you’ve got to keep going. I enjoy my work and I enjoy pacing myself and keeping sure I have got time for my family too.'
He also spoke about his family's opinions on his beard :
'Well Charlotte didn’t like it the first time. I got floods of tears the first time I grew a beard, so I had to shave it off. And then I grew it back. I thought, hang on a second and I convinced her it was going to be okay'
He also spoke about his new role as the Prince of Wales and how he intends to 'royal' in a different way than his grandmother and father before him :
‘You mention the added responsibility and the freedom in the same sentence,’ he laughed. It’s a tricky one. Do I like more responsibility? No. Do I like the freedom that I can build something like Earthshot then yes. And that’s the future for me. It’s very important with my role and my platform, that I’m doing something for good. That I’m helping people’s lives and I’m doing something that is genuinely meaningful.’
William spoke about the BTS work that goes into setting up huge events like Earthshot successfully :
‘So, the Earthshot is a culmination if you like of all that put together. But it takes a lot of work, and there’s a lot of unseen stuff that goes on, a lot of meetings, a lot of people coming in, a lot of chatting and phone calls, letters, all trying to sort of make the Earthshot get to being the best possible entity it can be'
He talked about his frustrations over reluctance as well as more involvement from buisness & governments saying :
‘I’d like it to be more a team sport. And so, when you go and approach people...business...or even government...and say, listen, we’re building this incredible thing. Please come on board. Some people are extremely fast and keen to it. Others take a little bit longer and it’s those people who take a little bit longer, I’m like, guys, we just don’t have the time.'
'So, yes, I get a bit frustrated that it takes a long time to convince people that this is worthy of their attention. But I guess that’s the nature of a global environment prize, you start from scratch and it’s going to take a bit of time.'
On his hope for the solutions & the impact and his message to those who can invest, he said :
'So you guys have seen for yourselves the scale of the solutions. I mean, they cover all sectors in all walks of life. Brilliant people, some barely started, some been a bit more established and have a bit more money. But overall all doing fantastic work in the same direction. I think the key thing for us is how do we translate that into more impact, more scale, and ultimately, greater progress in tackling environmental challenges.’
On his hope for more involvement, ‘I definitely think so. We’re giving this amazing platform to all of them. And really it’s an amazing platform for business to come in and poach what they want. But if we keep waiting....we’re going to keep eating into time that we just don’t have. And so my message to business really is: hurry up and be courageous. Invest faster because we just don’t have that time.’
#prince of wales#the prince of wales#prince william#william prince of wales#british royal family#british royals#royalty#brf#royals#royal#british royalty#kate middleton#princess of wales#the princess of wales#princess catherine#catherine princess of wales#about catherine#about the waleses#by william#SA24#Earthshot24#InterviewEarthshotSA24#quotes#8112024#princess charlotte of wales#princess charlotte#king charles iii
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Propaganda
Hermione Baddeley (Brighton Rock, Passport to Pimlico, Mary Poppins)— An absolute mainstay of British films from this period. She’s an icon who never takes shit from anyone in any of her movies, dresses for the occasion, and has the best line delivery! Also she started out in silent movies, and was a close friend of Noel Coward. In a desperate attempt to appeal to a large tumblr fandom, I will also point out that her first husband and one of her children were both called David Tennant. You like that name, don’t you tumblr??
Glynis Johns (Mary Poppins, The Court Jester)—LISTEN, I'd let that woman's voice with all its gravely hoarseness (positive) wash over me all goddamn day, but if that's not enough she managed to play the straight woman to Danny Kaye's jester, all with her cleavage so plunging it might as well have been catapulted into the ocean right after Basil Rathbone
This is round 1 of the bracket. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.
[additional propaganda submitted under the cut.]
Glynis Johns propaganda:
She walks the line between sexy and cute. Her best role for me is in "The Court Jester as Maid Jean. She's fantastic as the soft but tough captain of the outlaw band and she looks stunning in every gown she wears throughout the film. And of course we can't forget her iconic turn as the suffragette mother, Mrs. Banks, in Mary Poppins! Also shoutout to her distinctive and beautiful voice, kind of smoky and husky. Extremely hot and set her apart from many of her peers."
"Listen, listen. I was raised on Mary Poppins and "Votes for women! (step in time)" single-handedly taught me how to be a feminist. Also The Court Jester is one of my favourite movies of all time and she is UNBELIEVABLY gorgeous, charismatic, funny, and clever in it. She knocks several men out. Absolute icon."
"Like Bette Davis she has eyes to die for. Unlike Bette Davis you felt comforted by them, even when she was batting her eyelashes at you. Would glady go to Downing Street with her and throw things at the Prime minister"
"She had this wonderful wit and charm to her no matter the role and the most distinctive, striking voice!"
"She was amazing in Mary Poppins (the Suffragette song is severely underrated) and apparently she was Welsh? National pride! And she advocated for arts funding in Wales, which is very cool. Also, she died recently (RIP) making her one of the last survivors of the Golden Age of Hollywood, according to Wikipedia. Also also, she just has a cheeky energy I like? And her eyes are beautiful!"
"I mean, incredibly beautiful and talented, can do drama can do comedy. And she was a mermaid."
"I love Glynis Johns. Most of the reason is The Court Jester where she's a sensible and capable foil to whatever what going on with Danny Kaye at the time. She was also the first star I based an OC on. An OC that I still have to this day! Anyway here have some YouTube links love u bye"
Mermaid clip: https://www.youtube.com/shorts/1jUEA03mYTk
Court Jester (sharing a bed trope): https://www.youtube.com/watch?v=5d_qG9i054U
Court Jester (seducing the king): https://www.youtube.com/watch?v=C-GuqFYElKg
"VOTES FOR WOMEN! Well, votes for this woman. Please."
Hermione Baddeley propaganda:
Propaganda for both Hermione and Glynis:
youtube
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Now that the dust has settled a little bit on the arrests around the coronation, I want to talk a little bit about what this means for the future of protest and policing in England and Wales.
Firstly, I want to caveat this by saying the police have always hated protests. Getting arrested at a protest has always been a risk. Getting beaten up by the police as they try to provoke violence has always been a risk. At a recent anti-fascist counter protest I attended, two arrests were made. One of these later turned out to be “mistaken identity” (neither person was charged), but this is what we’ve always been dealing with.
However, I do think this idea of arrest for conspiracy to cause a public nuisance is dangerous. It’s essentially a thought crime. We think you might do something criminal, therefore we are going to arrest you. It has the power to significantly disrupt all sorts of actions, and we do need to be wary of it. The fact you can be arrested whilst walking to a protest, carrying a sign or a megaphone, and that this arrest *may* be legal (I hope some of those involved today try to sue for wrongful arrest, but we will see) means potentially some actions will never get started, and that is not good for the future of protest in this country.
I would never blame someone for their arrest- their arrest is the fault of the police and the police alone. That said, we know Republic were talking to cops about their plans. This did not protect them, and may have made it easier for the police to locate and arrest them. I think, on here, we all know talking to cops is a bad idea, but let’s say it again, louder for those at the back “DON’T TALK TO COPS”.
Now, the police say that the coronation is a once in a lifetime event, hence their response- blah blah- the police hate protest. If they get away with this, they will do it again, they will push things as far as they can to try and shut down protest they don’t agree with. This means we do need to be careful around OpSec etc. I also know people who don’t understand why e.g. antifa groups conceal their identity. But this is yet another good reason to do so. Black bloc, grey bloc, staying anonymous online, secure communications all of this is increasingly important- whilst also obviously trying to ensure good turn outs.
If the police are going to arrest you for walking to a protest with a megaphone, then what’s stopping us from being more violent/aggressive in our protest? I know some people are ideologically wedded to peaceful protest, but these actions are now potentially illegal too. So what’s stopping us? What is actually holding us back? If holding a sign is too much for them, if that’s on the level of smashing a window now, then what’s to stop us smashing windows?
Finally, I want to talk to the organisers of peaceful protests about police monitoring and post arrest support. In the past, many groups have felt this wasn’t needed. But now, it could be. If you’re organizing a protest of any kind, I strongly encourage you to get in touch with the Green and Black Cross for advice, and to arrange legal observers. Print out bust cards and distribute them. I’d also strongly encourage you to set up some post arrest support. It’s far better to have it, and not need it, than need it and not have it. If you’re concerned about police behaviour, you could also contact NetPol for advice.
Green and Black Cross: https://greenandblackcross.org/
NetPol: https://netpol.org/
#uk politics#coronation#protest#right to protest#fuck the police#fuck the king#not my king#pcsc bill#kill the bill#peaceful protest
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Debunking Nonsense Against Jared
There's apparently some crap about Jared that is just absolute nonsense. Full of lies and bullshit.
It'd be one thing if people just didn't like him. It happens. Not everyone is likeable. You're not expected to like him. But don't pull up lies to explain why you don't like him. Especially when they've been debunked again and again and again.
1. The "racist" tattoo. Y'all, this is nonsense. It's been debunked over and over and over. It's not a racist tattoo. For one, it's lacking the logo of "Come and take it", which would make it a racist tattoo. But a lone star above a cannon does not a racist tattoo make.
Jared is a proud Texan. He also donates to many a charity and organization that help people, speaking out about them often. Not to mention, prior to pro-gun rights appropriating the symbol and logo, it stood for a proud history in Texas. Jared would've known.
So how about instead of focusing on a mere tattoo, come up with more proof that Jared is a racist? Hmm?
Besides, if you're mad at Jared's tattoo, are you then mad at Jensen's t-shirt, which did show the saying as well?
2. Fighting with fans online. Oh come on. Misha's done it. (Misha's done worse, in fact.) Danneel's done it. Jared doing it does not a bad person make. And I don't think he's done it in a long time.
And of course, people will go "Danneel was hitting back!" And? What's the difference? Jared was hitting back too. Danneel went a step farther most of the time, siccing her followers on them, threatening them with Clif, even ran crying to Clif because people were being "mean".
3. RE: Prequelgate. Give me a fucking break! Jared was right to be upset! He called and texted Jensen for hours before he gave up and responded to that tweet about The Winchesters announcement. Jensen also lied about not being allowed cellphones on The Boys set. When they weren't filming, they were allowed. (Of course they can't have their cellphones on their person during filming, unless it suited the scene!) Besides all that, Jared honestly didn't know about it! Kripke was even shocked when he learned Jared didn't know! Supernatural and its legacy is as much Jared's as it was Jensen's! The whole freakin' industry gave Jensen a massive side-eye for his unprofessional behavior. Kevin Smith, a man who has directed, written, and acted in the industry, thought it was uncool. Also, Jared wasn't drunk.
4. Supposed bully accusations. I'd need to see more of this to believe it, but outside of occasionally putting Misha in his bullshit place, I've never heard of Jared bullying anyone. Everyone he's worked with has sung his praises. The only one who hasn't is Misha and that's because Jared won't let Misha put him down. And in fact, has had to step in to stop Misha from torturing Jensen. So fuck off with your noise.
5. His fanbase. Is he now responsible for his fanbase? I never knew that. What about Misha's fanbase sending Jensen death threats for denouncing Destiel? Has Misha ever stopped that? What about AAs hoping for Jared to suicide after Walker was cancelled?
6. What about Genevieve? Oh come on! Do I like that Gen is featuring the kids a lot? Myself, no. But if Jared was truly bothered by it, I'm sure he would've spoken to Genevieve. And Gen isn't any different than many other mommy influencers. I'm not keen on exploiting the kids like that, but would you say the same about Danneel abruptly grabbing the kids at Wales Comic Con and dragging them out for a photo op? All because she had no one in line for her autographs and desperate for attention?
7. Jared's Hair. Apparently there are some claiming Jared had gotten hair plugs. My response to that is: So what? Misha's had plastic surgery (trust me, it's obvious--his eyes and clearly lip fillers). Danneel's had worse--her hair is fried, bad extensions, plastic surgery galore that has ruined her hair line because of facelifts, fillers, Botox, and breast implants (twice!). Jensen's likely had a bit of work too.
So. Fucking. What. About Jared's hair?
--
Come up with truthful reasons to hate Jared, hmm? Not bullshit.
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Rivals Interview & Photoshoot
CW for mentions of sex, nudity
Highlights from the article (abridged! Full article by Caitlin Moran here):
Jilly Cooper’s raunchy Rivals: ‘You will see a lot of willies’
It’s taken 36 years, but finally Jilly Cooper’s legendary bonkbuster Rivals is on TV. Caitlin Moran — who was such a fan, she changed her name to one of the book’s characters — meets the author and stars on set and asks: how was it for you?
Guess where I am.
Oh my gosh — I am in RUTSHIRE.
If you own one of the multimillion copies sold of Jilly Cooper’s infamous Rutshire Chronicles books, you will a) be as excited as me, and b) know exactly where I am.
Yes, I am standing in front of a beautiful, honey-coloured mansion.
Yes, it is a beautiful summer’s day.
Yes, the herbaceous borders are magnificent.
Yes, there are adorable dogs milling around.
Yes, there are champagne bottles strewn hither and yon.
And yes, everyone is dressed in alternately fabulous, or ridiculous, Eighties outfits, with gigantic hair.
The ladies have electric-blue eyeshadow and golden, heaving bosoms.
The men, meanwhile, have tanned legs, huge Rolexes — and, in many instances, their gigantic hair manifests lower down: in moustaches like that of Tom Selleck.
And yes, of course, there is drama. David Tennant — wearing a lavish, gold, silken man-blouse and sucking on a cigar — is furious. He is savaging a roomful of party people, all looking stricken — and all, incongruously, wearing swimwear.
“How the f*** has this happened?” Tennant screams, as all the tits and legs fidget, gaudy piña coladas abandoned. “Get the f*** out there and sort this out! And why are you all wearing bikinis?”
Tennant storms from the room, apoplectic with rage — and then sees me.
“Oh, hello, darling,” he says, all sweetness and light.
“CUT!” the director calls.
Today, David Tennant isn’t, of course, David Tennant. He’s Tony Baddingham, the infamous, nominative-determinist baddie of Jilly Cooper’s Rivals.
“So, is this fun?” I ask him.
The last time I saw him on set, he was being the Doctor in Doctor Who, in a floor-length coat, trying to save the world from being exploded. Again. In the rain. In Wales. At 1am.
“Oh yes,” Tennant says. “I mean, look at my blouse. It’s like my aunt’s! Actually, I think it might be hers — it closes right to left. Don’t men’s buttons close left to right? Am I wearing,” he asks the room at large, “a woman’s blouse?”
“We need to go again, David,” the director says.
“Back in a tick,” Tennant says, running back on set, sucking on his cigar. Getting ready to be really evil, and Eighties, again.
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When it comes to the atmosphere on set, I later talk to David Tennant about this subject.
“Yes — there was a lot of due diligence about only having … joyful people on set. Crew and cast,” Tennant says, carefully.
(Dominic) Treadwell-Collins - executive producer - is more forthright.
“We had a very strict ‘no arseholes’ policy,” he says.
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Your mother was a Jilly Cooper fan? And, therefore, presumably … a Rupert Campbell-Black fan?
“My mum, you know … blushed when I told her [I’d got the role],” (Alex) Hassell admits. “A lot of women blushed when I told them.”
I’m interviewing Hassell, 44, and Tennant, 53, together. As a former Doctor, Tennant has, of course, a lot of experience in playing a role women find attractive.
“Once you’ve made [Rupert Campbell-Black] flesh, I think a lot of people are going to find it difficult to interact with you, Alex,” he says, helpfully.
It seems Hassell is aware of this.
“Yes,” he says. “One friend, when I told her, said, ‘Oh, that’s a bean-flicker role!’ I said, ‘Ah, I see.’ ”
“Huh. I don’t think I’ve ever had anyone come up to me and say, ‘I’ve masturbated thinking about you,’ ” Tennant says, thoughtfully.
“David!” Hassell exclaims, hurt. “When we met, that’s the first thing I said.”
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“Tony’s from a lower class, while Rupert was born with an entire silver cutlery canteen in his mouth,” Tennant says. “So whatever Tony does, he never has that class advantage. Tony needs to taste the blood of his betters in his mouth to make him feel better. Rupert’s blood.”
“And while Rupert is, in many ways, a shit,” Hassell says, thoughtfully, “he’s not a bad man, like Tony. Tony is jealous of Rupert. He wants his house, his women, his life.”
Accordingly, this suit-based class war plays out as Campbell-Black tries to take over Baddingham’s TV station — and the backstabbing, shenanigans, shagging and skulduggery commence.
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The tennis court at Cooper’s house is the setting for one of her most iconic scenes — where Campbell-Black first meets his love interest, Taggie, while he’s playing naked tennis. He is adjudged to have lost a match point because something is over the line. Oh, why am I being so coy? This is Jilly Cooper. It’s his penis. His massive penis is judged to be over the line. A note to diehard fans: this scene is shot exactly as written. You will see a lot of willies.
“We’ve been equal opportunities in our nudity,” Treadwell-Collins says. “There’s a willy for every pair of tits.”
“That was my great disappointment over the TV show,” Cooper sighs. “The tennis court is a terrible mess — no one’s played on it for 20 years — and I thought [Disney] might be darlings and build me a new one.”
She looks around, hopefully.
“Do you think anyone here has some booze?” she asks. “It is the afternoon.”
Cooper has been an invaluable muse to everyone on set while filming. In one scene, she handed over an urgent note that read, “Rupert would never say ‘spouse’ — that’s very lower-middle [class]. He would say ‘wife’.”
She argued for particularly Cooperesque jokes and puns to stay in, and was firm that the whole “First of May” tradition remain.
“Oh, yes,” she says, looking delighted, and then quotes herself. “ ‘First of May, first of May — outdoor f***ing starts today. But if as usual it do rain, we f*** off indoors again.’ ”
This ribald rhyme kicks off a massive shagging montage, involving the entire cast. And all outdoors, of course.
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I can’t tell you what fun it is interviewing all the Rivals people. Because of the show, everyone talks about their memories of the Eighties (David Tennant: “No, my Eighties weren’t like a Jilly Cooper book — I was at school in Paisley with my glasses held together with sticky tape, and a very unappealing haircut”), and smoking (Hassell: “Everyone smoked everywhere, didn’t they? Even on planes. They’d draw across that little … health curtain, and everyone smoked behind it”), and how hard it was to leave Cooper’s world when shooting finished (Hassell: “No one was looking at me like I’m the most sexy man on the planet any more. It was tough.”)
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In the event, (Aidan) Turner, 41, is an absolute hoot — particularly on the subject of the massive moustache he sports on the show. It is a magnificent specimen of upper-lip pelt. It looks like a vole fell asleep under his nose.
It looks like the one Ned Flanders has on The Simpsons, I tell him.
Turner gives a huge, barking laugh.
“Ned Flanders? I mean, I was thinking more … Irish stag? Super-masculine?”
He starts giggling again.
Turner’s relaxed stance towards his sex god-dom comes with an interestingly meta twist. In Rivals, one of Baddingham’s TV shows is called Four Men Went to Mow — where sexy farmers, sexily stripped to the waist, carry out sexy agricultural duties.
Turner, of course, infamously stripped to the waist a few times in Poldark, for that scything scene or lying in bed or emerging from the sea. In a pleasingly postmodern moment, one scene sees Turner rail against Four Men Went to Mow — raging, almost camply, “TV can’t just be men taking their tops off!”
Rivals is on Disney+ from October 18
#i am looking respectfully#david tennant fandom#David Tennant#david tennant#rivals jilly cooper#jilly cooper#aidan turner#alex hassell#bonkbuster#good omens#crowley
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