#I mean I really have to figure out how to draw him

[bee-rosmyth-art]

Hi! I just came by to say I love your art!! Also, I love how you draw your human Wheatley, ridiculously long boy!

You really do encapsulate how I imagined him when reading Blue Sky!! But gawddamn he's a long ass boy, HOW TALL IS THAT MAN!?

By all accounts, I can't figure it out!

Aaahh thank you 🥺

Wheatley is 6'7"! Chell doesn't really have a canon height, but I've decided she's about 5'5", which means she comes up to just below his shoulders.

[sysig]

Growing closer than expected (Patreon)

[supernotnatural2005]

Imagine sending Jensen a thread of filthy texts whilst watching him perform a gig 👀

AN: This was purely based off of this gif set. Because hot damn!!! 🥵🥵

Warnings: Language, suggestive texts, smutty thoughts - 18+ ONLY

Main Masterlist

Jensen's Masterlist

You stood at the back of the crowd, figuratively keeping your head down as you quietly supported your boyfriend’s band, Radio Company. 

Jensen had a lot of fans, even in your hometown of Austin, and you wanted to keep a low profile so as not to draw any attention to yourself. You were not a celebrity by any means, maybe now by proxy because of your relationship with him, but still, you liked to maintain your privacy. 

Jensen just handled the attention better; he was a natural. Maybe it was for the fact he’d been in the limelight for the better part of over 3 decades, but you think it was also because he was just so genuine. You truly admired him for it. Supernatural had created such a loving and welcoming fanbase that exceeded even beyond the show's eventual end. 

It was incredible to witness and even be a part of for the last few years. So it was no surprise to you that they would support him with his other talents. 

You watched on in astonishment, as per usual, as he sang the last lines of their song—Drowning. One of your personal favourites because it showcased just how beautiful Jensen’s voice really was. He never ceased to amaze you, even now, nearing the 4 years you’d been together.

However, you too enjoyed keeping him on his toes. It was only fair. Though, the way he looked up there, glistening with sweat from his efforts and from the August heatwave up here in Austin; his sleeveless arms gloriously tanned and toned, his longer locks damp and slicked back with a casual hand and bearded jaw. He was only to blame for what you did next. 

You pulled out your phone as the band took a mini break to take a drink and talk to the crowd and opened your text thread with Jensen. 

‘You have no idea how hot I am for you right now.’ 

‘What I’d give just to kiss you, to touch you, to taste you.’ 

‘I’m so wet for you I can feel it between my thighs, every time I move.’ 

‘I wish you could come find out what you do to me.’

The words kept coming, flowing through your thumbs as you tapped away at the keyboard, sending one after the other, getting filthier and filthier with each one. 

‘Fuck, I’m so horny I’d let you fuck me in the restroom after your set.’ 

‘Would you like that baby?’

‘Feel your big cock slip so easily inside me?’

You bit your lip, blushing at your boldness and the increasing wetness between your legs. You were only torturing yourself at this point, but as you looked up, you saw your boyfriend’s frown and him reaching for his phone in his jeans pocket. 

Your heart began to race, heat, other than from the warmth of the room, licking up your spine, tingling your fingers through to your toes. You watched his face go from confused to bewildered to mad. His jaw ticking and the tightening grip on the device were telltale signs you’d pushed his buttons. 

His eyes flicked quickly to where you stood in the back, flipping you off with a look that would only intimidate the unexpected. But you knew differently. That was a look that said, “You’re going to be punished for that when we get home.” The thought alone sent another thrill of excitement through you.

AN: oof 🥵😅 just a quick little impulsive imagine that hit me. But can you blame me! Look at him! 😍 (also as a side note: i have nothing against his wonderful family, this is just purely fiction.) As always, feedback is much appreciated! 💕

[aura-dawn]

Tristamp Episode 12 spoiler art ahead!!!

Violet~

Second prompt for the spoopy month done! It was my chance to draw more Vash, so I took it at the last second when I was stumped on my original draft. Disappointed I didnt think of it sooner...

But here he is in all his purple-ness! Pink? Blue? I dunno

[deoidesign]

Hi, how did you learn to draw Steve's physique?

Ohh what a complicated thing to answer...

When it comes to how I learned to draw anything, it's hard to say anything too specific since it's always a culmination of many years of assorted study and practice... but I can try to do my best to explain some of the biggest things that helped me learn, some tips I keep in mind, and maybe at least some places to start/delve further.

(just a little disclaimer it's not like my drawings here are going to be 100% medically accurate.. they're just to illustrate concepts!)

The main thing about learning various physiques is understanding anatomy. Which feels obvious, but I don't mean proportions; these are important, but perhaps more important is understanding the skeleton and how it moves and learning where muscles connect to bones and where fat grows on the body. When you understand how these function on a more mechanical level, depicting form and movement in a way that feels natural comes in tow.

For instance, understanding things like the pronation and supination of the radius and ulna, as well as the fact that muscles can ONLY contract or relax, will help you understand a bit better which muscles will be flexed and which will not while someone moves. It's inherent to the positioning based on the structural makeup of the body... It's not like you NEED to memorize all the muscles and bones, of course, but understanding and gaining at least a passive familiarity with the concepts really helps.

In tandem with this concept is the way parts of the body flow into eachother. Muscles ALWAYS come in groups because they can only contract. Whatever muscle is there to lift something, there is a muscle on the other side to pull that bone back down. What this results in is a series of straight edges next to curves, which gives us a lot of really lovely "s curves" and dents and folds and so on and so forth just naturally occurring.

I would suggest at least learning the "bony landmarks", which are bones (usually) visible on the surface of the body. things like the iliac crest, the great trochanter, the 7th vertabrae, the acromion process... These can be used to help you understand the parts of the body as angles and relationships, rather than trying to remember lengths and sizes, which vary immensely... (since you asked about steve, he can be our model... also study these on your own don't just take my word for it haha, these are the ones I personally keep in mind)

I've done the same thing with body hair... learning where it grows and in which directions... It helps me make up variations without needing reference, because I have a set of rules I can follow.

The biggest thing that helped me understand all this on a much deeper level was my ecorche course. I sculpted this guy. We started by sculpting the entire skeleton to understand the bones, and then we added muscles on top. Not every single muscle, of course, but the "artistic muscles" AKA the ones which directly affect the surface of the body. Doing this let us see where muscles connect, because we would make a shape, put it on the bone where it actually goes, and then you get to see how other muscles overlap that.

This helped me, perhaps, more than anything else. But I also didn't just start with this course, I had been drawing for years before I even took it. I had been in school for years before I took it. Not that I think it wouldn't be helpful to someone just starting out, but I do think that the more you know going in, the better an in-depth course like this will help you and stick with you. Classes are also expensive, though so I'm not really like... recommending you pay potentially thousands of dollars to take one... But it did help me a lot, personally.

I also, of course, have done many figure, gesture, and master studies...

These just help you quickly gain a stronger understanding of generalized anatomy, and gives you real life examples of and practice with of how people move and balance.

What all this does when combined, is gives me a very solid ability to depict movement and form in a way that feels relatively natural from my subconscious without the need for reference.

The rest of how I've learned to draw his physique is honestly mostly just stylization. I understand the body, and this is how I am depicting it for his level of musculature.

And as I move into depicting him in other ways, either moving in comics or in animation, realistically rendered, or extra stylized, these concepts inform every step of that process for me! When he keeps the same/similar relationships between parts, he gets to still look like himself.

It ALSO really helps when putting clothes on, because the way cloth falls and bunches and lifts is all directly related to the form it is on... So the more you understand that form, the more you can depict clothing and movement in a way that feels natural.

This is all, of course, true when I draw anyone, you asked about Steve so I'm trying to mostly show with him! But because I'm just drawing from raw information of general anatomy rather than trying to study one body type at a time, it allows a lot more "give," I think!

Like, here's most of the cast from TTA so far... actually, they're not as varied as I thought they were nevermind LMAO ignore this part

But, it also makes monster and alien design much easier! It's a lot easier to come up with non-human anatomy when I understand human anatomy, because I can manipulate the knowledge I have...

There is infinite more to study in the world of anatomy... The complexity of the human body goes extremely deep. For our purposes as artists, we need only depict a fraction of it, but more information rarely hurts the process.

I'm sure there's something in here that's wrong on a technical level, I'm mostly going off of memory. But that's kind of my point - I understand enough generally and conceptually that when I am missing something and need to find reference for it, I understand what I'm looking at. It's much easier than trying to learn AND draw at the same time.

I hope even one thing in here helped you! Sorry it's so long.

[toytulini]

if you draw enough monster ocs, when you go back to drawing a human character, it feels like "sameface syndrome" everytime, by virtue of their face being. human.

[peachie5000]

Thought about Steven again blacked out woke up with art

[cuteniaarts]

Wine stains on porcelain

(Alternatively: @katkastrofa and I have created 5 OCs in 3 days and I suffer from chronic “I wanna draw the little guysssssss” disease)

[gilliontidestriderchampionoftheu]

guys i am slash gen so happy for grefgor and i am actually ELATED that arthur looks weird now

[semothekat]

head in hands heand in hands

[sysig]

Leftovers gone bad (Patreon)

[metzintli]

trying to figure out the prince of hoenn 💝💝

[charliesinfern0]

my type is a character that i would like to see flustered

[krynutsreal]

one day when I get the confidence I will draw myself with mondo except it will not have the same energy as the drawing I did with taka and I

[dbphantom]

bl3 h2o au is 167 pages condensed [no notes/plans, just pure writing without breaks- the actual document is about 260 pages tho]

ffxv h2o au just hit 145 pages condensed

SOON.

[exopelagic]

I know the world is cruel because I finally wanna draw again and yet I am forced to pack :(