#I love this show I need to rewatch sometime...

[cute-little-fly]

Every day I understand more why some people have trouble with watching Helluva.

A lot of details and characterizations are not explicitly shown, but are shown indirectly and you need to rewatch and dig deeper for yourself and catch those details.

I won’t enter into the debate of wether that is good or bad storytelling. Is just a way to do it, for some people work, for some don’t. That’s it.

One recent example: some people was puzzled why Blitzø saw a family with Stolas and Octavia, and they think is Out of character he wants that.

However, with small details they have shown that was Blitz’s driving force since the beginning. But even himself didn’t realized until now that he has opened his heart.

Examples:

If he was trully a cold blooded asshole he wouldn’t have adopted Loona. Never never… he would have adopted a more aggressive and deathly hellhound if he really only was there for the business. Immediately seeing her as his daughter for no reason.

Like, all his façade is just bullshit just bc of that… but I will tell you something else.

When we see his backstory at the circus we see how his life was. A family circus… a family business… having an office for a circus=having his family in better work conditions. He recreated this in his adult life.

Adopting people on the way because he connected with them. Of course, he brought Millie to the team because how amazingly good she is. But don’t you think he also felt a connection with her too? An special one? This is shown while they are fighting. He enjoys fighting with her. Wrath imps culture circules around fights. This is a way they bond. He wanted her there because he felt a connection.

With Moxxie was the same. The exact same thing. He is just there adopting people he feels this connection with to recreate the circus.

Now, the next step for that would be expand that family with his current SO and his daughter; because his wish hasn’t just been having the circus family kind again, he have always wanted a romantic partner too. He has been months regretting having lost Stolas. Months to think about what could have been, about how he is the person he loves and probably could have formed a family with if having the chance.

People are just not willing to think if they are not clearly shown something. Also, is an indie cartoon so they don’t have much time to show things and they need to progress the story.

But essentially the problem people have with HB is that one.

They have a problem with Millie because she is not directly shown having things outside the main cast because she isn’t usually focused. Her backstory episode was also an important Blitzø episode, so they think is as simple as saying: all her development revolves around men. As if Blitz’s development didn’t revolved around the people he cares.

They don’t think is important to her character that she is the one keeping them together in hard times. They don’t think this relates to how sometimes she doesn’t feel seen. She is the best in assassin but still… she doesn’t feel seen.

She was a regular assassins when she met Blitzø. She wasn’t one considered special or anything. Blitzø was the one who saw that potential and saw HER!

This is why he is her bestie.

[cheesecakemermaid1048]

One of the things I still love about buddy daddies is that it doesnt fall into the trope of"TWO GUYS RAISING A CHILD???ARE THEY GAY???"or something like that.

No one points out and questions their relationship in that matter,nor do they question if what they have is romantic or not.And there's no"No homo"moments for forced comedy....

They are two assassin trying to raise a kid,and I think that's sweet.

[nerdyfangirlingbooks]

"I can't stand by and watch him die" "Then don't look" is too raw a line to come from bbc merlin

[puppyeared]

i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you

[discocandles]

I haven't talked about my babysitter's a vampire in a bit, but it's october, so i have no excuse(or every excuse. whatever). this show impacted me a lot.

In mbav, i feel like vampirism is treated a bit differently than in other supernatural media. and maybe that's because its for a younger audience that a lot of other vampire media, aiming for pre-teens rather than actual teenagers and young adults. From what i remember of buffy, vampires aren't people anymore. The person dies when they get turned and are left as like demons, i think? its been a while since i last saw btvs. When turned into a vampire in mbav, you still retain your personality for the most part. there's just also vampire quirks next to it. and don't ask about the vampire diaries, i've never wached it.

like we only see people get turned in the mbav movie, and while we never see what Sarah was like as a human, we get a few ideas from erica, and it's not like she's unrecognizable after being turned(into a fledgling, but beside the point), just acting kinda weird and distant. Rory also doesnt act super different when turned, but almost made this whole post about him, and i have a theory about why he barely changed that i'll get into later. Erica's change was pretty dramatic but given the fact that the main thing the movie told us about her personality before being turned was her obsession with the dusk franchise it was pretty easy for her to have a dramatic change, and she still has elements of the girl she was before that come through from time to time, especially in season 2.

I think people don't change a lot when turned in mbav because they has a bigger sense of freedom to do whatever they want to due to all the power they now have at their disposal. We see this more in the show, because of the need to defeat Jesse takes precedent in the movie. In a lot of Erica's s1 plotlines, she's doing things because she's "hot now", or didn't have the courage to do, or just because she wants to. And with Rory, part of the reason he didn't change all that much is because prior to being turned, he already did whatever he wanted, and his wants are more aligned with publicly being a nerd rather getting more power. Like in the movie, he talked about his interests with Ethan and Benny, but as a vampire he's broadcasting those interests in the hallways in addition to that.

Sarah is a bit of a different case, especially as a fledgling, because she feels held back by her vampirism rather than her humanity. The thing Sarah wants is one of the few things her vampiric powers can't do: go away. she sees them as a shackle instead of as freeing. and she acts like a normal human should act like to cope, trying out for sports and getting a job or two. Scarfing down human food to stave off her bloodthirst. But in season 2, when she's fully a vampire, we see her sense of doing whatever she wants pop up a few times. it happens a lot in episode 1, when she dunks VP Hicks in the trash can, and especially when she's resistant to the Vampire Counsil. We also see her join activities that she's actually interested in, similar to Rory being even more outward about his interests after being turned. she joins the talent show and the school play, and she starts dating again. ironically, i think that's pretty similar to things she would've done as a human. hell, we even see her being best friends with Erica again, which hadn't happened since before Jesse turned her.

and speaking of getting turned, vampirism started as an allegory for like, losing your virginity before getting married. and it's not really present as a metaphor in the show(again, made for pre-teens), but there are a few moments that it's hinted at. Like Rory calling his vampire bite a "wicked hickey" or Erica leaving a bedroom with Gord looking really disheveled. It's the closest to a legitimate allegory with Sarah and Jesse, because the way he phrased him turning her into a fledgling is very very similar to that of sexual assault. it's very clear that Sarah did not consent to being turned, even if Jesse was her boyfriend at the time. its less an allegory for loss of virginity and more one for the importance of giving consent, and even then, it's not that exact of a metaphor.

away from that, also interesting is how different Erica is from Rory and Sarah. there were hints of her desire to rebel in the beginning("if i had a hot boyfriend, i'd totally ditch class too. what? i would!"), but they feel understated after everything she does after being turned. while in the movie, it's because she was one of Jesse's followers, but her morals also skew towards the gray area in the show, sometimes having Rory as a henchman to have do her bidding/hep her. it could be attributed to her vampirism, except the fact that Sarah and Rory don't often share that muted sense of morality is odd, especially since she was introduced as a straight As good girl that's really into canon's twilight. And in season 2, we see she still has some of her nerdy aspects in there that she's hiding, like when she geeks out to Ethan that the star of dusk is in town, or her chemistry knowledge, or her following instructions for vampire rituals on halloween. also, the way she acted around David in the werewolf episode seemed to call back to her nerdier side. idk it just fascinates me the ways that erica acts, because she will wholeheartedly do things that are at least kinda questionable morally, but hesitates when it feels nerdy or sees the guys are also doing it.

anyway, those were some of my thoughts mbav that i've kinda just had in the back of my mind.

[lylahammar]

I've been rewatching the first two seasons of The Bear so I can watch the third season that just came out and man the character writing in this show makes me froth at the mouth it's like some of the best arcs I've ever seen in a TV series

[novadreii]

netflix's the dragon prince: hey, we're here to ride the nostalgia wave from those of you who never emotionally recovered from avatar: the last airbender. we're gonna give you 7 seasons of a similar but insanely watered down formula depicting 4-5 different factions forced to work together for the fate of their world, while grappling with familiar moral quandaries such as:

growing up means not seeing things as black or white; they are actually shades of grey! every other theme in this show however, will contradict this. don't worry about it.

don't let the pain you endure turn you into a bitter old bitch. it's actually infinitely cooler of you to always, without fail, take the high road and be the Bigger Person.

since hatred and bitterness can't undo the wrongs committed against you, they are functionally useless emotions and you shouldn't have them. dummy.

we are all made up of Good and Bad, but only the actually Good Guys who tell the Bad parts of themselves to F off deserve to be happy.

retribution and revenge and violence are always Bad, and committed by Bad People only.

you can save everyone!

everyone is capable of change, they just gotta make the right Choices. Easy peezy.

everyone deserves to live, even killers.

also, there will be so many quips written into the dialogue that you'll risk breaking a tooth from cringing so hard. and lots of gay so we don't get shit from you all like the last time we had to bend over backwards to network TV LGBT restrictions. enjoy feeling good about being doormats, nerds!

[greensaplinggrace]

willow's corruption arc is one of my favorites like the way she fumbles her relationship with tara and gives in to her worst character traits and allows her ego to cloud her judgement is some of the most honest writing i've ever seen for character development like that

[sciderman]

I would say you’re more of a Mr peanut butter type yeah

doggy doggy what now?

[art--harridan]

[Image description: A traditional oil pastel drawing of Ash Williams from Evil Dead 2. It depicts his face with a confused expression. His eyes are squinting, his mouth is slightly open, and his eyebrows are starting to pull together. His face is covered in streams of blood, which stands out against the blue background. The colours used in this piece are bold and varied, though it gravitates towards blues, and some redder tones.]

[kuiinncedes]

ty for tagging me @justgleekout teehee 🥰🥰🥰🥰 it's been so long since i did smth like this lmao

Rules are post gifs from your 10 favorite shows without naming them, then tag 10 people.

also idk if i even have 10 shows i would like enough to put here but we'll see lol c:

that's 7 but i don't rly have others i would say are favorite tv shows atm so i'm just gonna repeat from these LMAO

beep beep boop boop i'm not gonna tag anyone bc i feel like i barely interact here anymore and i feel awkward abt tagging lol 😭😭😭 naur but if you see this and want to do it at all i tag you fr <33

[naivesilver]

Since it persists on being too hot to focus on my more useful OUAT fics, have a disgustingly self-indulgent Pinocchio Swap AU turned "Please Let Piccolino Have A Loving Family" AU moment 🙃🥰

"Grandfather," Pinocchio asks, standing on his tiptoes to peer over the worktable, "why are there so many clocks here?"

He half expects Mr. Marco to scold him for asking such a silly question, but instead the man just chuckles fondly and pats Pinocchio over the head, earning himself a giddy grin. "Ah, that's just because I like fixing them, lad. They need a more delicate touch than doors and plumbing, you see."

"But only one of them is working. Why's that?"

"That is because I don't have the time to spare for them all." Mr. Marco gestures vaguely towards the single working clock, hanging from the wall on the back of the workshop. "That one, though- August helped me sort it out, when he'd just arrived here. Do you want to see it?"

"Yes!" Pinocchio immediately interrupts his curious poking around the table, all but bouncing with enthusiasm. He likes learning about things August is involved with. August's always doing some really cool stuff, it seems.

As such, he lets the old man pick him up and lift him high enough that Pinocchio can see the clock from up close, and doesn't protest when the boy leans even closer, marvelling at the nice carvings in the wood - Pinocchio doesn't wiggle out so much to risk falling, which would for sure earn him a scolding, but still, it's the principle of the thing. He wouldn't feel so certain that he's safe being held like this, with some other people.

He thinks he knows a little of how things work in Storybrooke, now. Not everything, of course, but at least what he needs to get by on a normal day - he knows he can close the window blinds at night if he's worried someone will enter as he sleeps, and that he doesn't need anyone's permission to do so; he knows he can go crawl on August's lap if he's lonely and the man is writing or talking to someone, so long as he doesn't get too much in the way; he knows that if he wants to go pet Dr. Hopper's dog there are multiple adults who'll hold onto Gina for him, because dogs are so much bigger than her and she gets frightened easily around them.

He still doesn't know whether Mr. Marco is okay with Pinocchio calling him Grandfather or not, but that kind of thing is so confusing here, he's not sure he's ever going to puzzle it out. Back home he was supposed to address all older people like that, but Storybrooke? Beats him. Maybe it's too formal for them, who knows.

The clock ticks by another minute. Pinocchio squints at it, following the moving hands with his finger for a moment - the numbers are written a little different from what he remembers, but it's not too long before he can safely declare: "It says it's six minutes past two. That's it, right?"

"Very good," Mr. Marco praises him, and it doesn't feel like a mockery, even if he does sound genuinely surprised. "You know how to tell the time already, then? What a clever boy."

"Yeah." Pinocchio's chest swells with pride, and he points eagerly at one of the other clocks, the still broken ones. "That one's saying it's half past six, but that's because it's stuck. And that one thinks it's midday. Or midnight, I don't know."

"Yes, that's right. Good job. Say, who taught you so well?"

"An old man in a town. He said that because I had a nice watch, I should know how to read the time."

He doesn't like thinking about that too much, honestly. The old man, yes - he'd met a lot of nice elderly people in his travels, more than he did nice younger ones, at least - but the memory of the watch itself makes his chest clench painfully, like the time he was underwater without air before the dogfish happened.

He wonders what they did with it, after he lost it when he turned into a donkey. He's not even sure it still worked at that point, because it fell pretty hard, and the Coachman didn't give him time to check on it before leading him away with his rope - Pinocchio hopes it didn't break too badly, even if he can't have it anymore. It was a good pocket watch, nice to look at. He'd never owned anything so nice before that, and even though he's received lots of gifts since he came to Storybrooke, it's not the same thing. People are richer there than they were in his old land. They always seem to have something to spare for him, especially August and Mr. Marco and the gruff lady at the diner.

He must have gone quiet for too long, however, because the man gives him a little shake, if not a very rough one. "You alright, lad?"

Pinocchio nods, even though the picture of the golden watch is still flashing in front of him, as if it were the sun and he'd stared at it for too long. "Grandfather?"

"Yes, Pinocchio?"

"Can I see how to fix them, too, when you have time? Like you and August did?"

He's not really thinking he could manage it, honestly. He's not good enough for that. But anything's better than being stuck remembering the same thing over and over again, with no way to stop it. Physically doing something usually works as a distraction, like when he couldn't solve his math problems and he'd just up and start running.

For a couple seconds he worries he won't be able to explain himself if Mr. Marco asks him about it, but the old man doesn't, and instead simply nods, his mouth curling in a warm smile.

"Of course," he says, sounding a little choked up. "You're a smart boy. I'm sure you'll learn very fast."

"Really?"

"Well, yes. Why don't you go look for August and ask him, too? I bet he'll say the same thing."

Pinocchio nods again, allowing Mr. Marco to carefully put him down and darting away towards August's room as soon as his feet have touched the floor. He's not completely certain he didn't say something wrong yet, especially when he was distracted, but it's fine. He's fine. He would have been told, if someone was mad at him. That's how it works in Storybrooke.

And even if he did make someone mad, he can learn how to fix that. Just like the clocks. Just like the golden watch, stuck in another world that it might be.

[running-in-the-dark]

I want to be someone who has smart and interesting things to say about shows/movies that I like - like when I tried to convince my friends that they really need to watch Leverage. that would have been useful! instead I'm just like 'it's sooo good I like it so much I love all the characters they're all so awesome 🥰'

my thoughts are generally just like.

ooh he soo prettyyy. I want to braid his hair. hehe he punched someone. look at his lil face 🥰 baby boi. pretty smile his mouth is so nice I like his teeth. chest hair. hands! arms arms arms 🤤 his eyes are so pretty. oooh blood on his face, blood on his face! he's growling. annd his voice is all raspy again. I wonder [many many redacted thoughts]. ooh now he's in danger oh noo 😏

there's a bunch of 'she's so pretty' and 'I love her' somewhere in between all that too but mostly it's just. very, very stupid

[littlewetbeast]

how do you process how one of your favorite all-time shows has turned so bad it actually makes your stomach hurt a little

[flovverworks]

quick thoughts before i go back to watch dougdougs shuffle hell but reexperiencing sinos story + talking about it w/ matt lately has me thinking of the mhyk crossover i rly gotta write soon auurghh at least the hard mode idea cuz thats the most solid in my mind since its just.....akira<3 with some murr at the end<3

[thestarmaker]

Nothing like seeing a customer find one of if not your favorite movie and getting to gush a little abt it while cashing them out