#I love these to too much for words

[erabu-san]

I enjoyed every second of this quest

[This art has platonic intention. Thank you for not tag ship!]

[sceletaflores]

come on into my bed with me (i know you want to)

pair: old man!logan howlett x fem!reader

wc: 4.1k

contains: 18+ SMUT MDNI, swearing, some sad vibes because i can't function without them, large age gap (but isn't that obvious by now? mid 20s/old as fuck), established relationship but only kind of, falls in the logan 2017 timeline but very loosely, LONGINGGGG, gratuitous nickname use (kid, baby, honey, ect), nasty dirty talk cause he's old and gross, not so dry humping, JUST THE TIP RAHHHH, porn w/o plot, no use of y/n.

nat’s note: this was heavily inspired by imogen heap's 'i am in love with you' because that song fucks so hard and it really gave me lots of old man logan vibes. i was just so overcome with nasty thoughts that the beat possessed me and i blacked out and listened to it on a constant repeat while i wrote this instead of doing my a&p work. kisses!

dividers by angel @saradika-graphics!

you can't sleep, logan left his door open...

Rain pelts at the smudged glass of your window, drops trailing down the span of the panes that you follow with your eyes.

It's been raining nearly all week, a rare thing in Mexico, especially somewhere as dry as Sonora.

You used to love the rain. You felt a special kind of comfort anytime night would come and there'd be a certain chill swirling through the air, that familiar scent of damp soil and wet stone rising as the first drops hit the ground.

In Sonora, rain is supposed to be a gift—a reprieve from the unrelenting heat, a chance for the dry earth to drink.

It should feel cleansing, like a reset of sorts, and maybe it would have a few months ago.

Now it just feels heavy, oppressive. Each raindrop splattering against the glass feels like a reminder of everything that's stuck, unmoving.

The soft noise of it was almost enough to lull you to sleep, but it was still no match for your wandering mind.

You’ve been finding yourself here a lot recently, shrouded in the scratchy sheets of your bed in the quiet dark encompassing your room, mind racing.

It was raining the first night he touched you.

You've been with Logan and Charles for nine months.

A runaway hitchhiker turned caretaker after you fled from the meaningless scraps of your life back in Texas.

Logan found you on the side of the highway coming back from a shift in El Paso. One stop with the hazards on and a hasty conversation through a rolled down window later, you were throwing your bags in the back of his limo and climbing into the front seat.

You didn't realize until much later that he never truly asked you to stay, or to care for Charles alongside him.

It was only supposed to be a temporary arrangement, a roof over your head in exchange for your help. Watch over his ailing father for a few days while he went out to get him more medicine, that's what you settled on.

Yet somehow, here you are, nine months later.

You cook meals in a dusty kitchen that always smells faintly of motor oil, listen to Charles’ stories about a world you’ll never fully grasp, and watch Logan patch himself up in grim silence after he’s returned from whatever trouble found him this time. 

It's strange how the days seemed to stretch endlessly, but the weeks have slipped past like a blink. You carved out a routine in this crumbling house in Sonora, built something that resembles a life even if it feels borrowed, like a second-hand coat that never quite fits right.

At first, you weren’t sure what kept you here. Maybe Charles. 

You warmed to him almost immediately, drawn in by his gentle demeanor and the way he seemed to see right through you without a hint of judgment. 

Even when his mind faltered, slipping into tangled memories or distant fragments of a life long past, he treated you with a kindness you hadn’t felt in years.

You’d come to think of him as a king, regal and noble. A king stripped of his castle, yet still wearing a crown, if ever so skewed—a king nonetheless.

You still aren’t sure, but you can’t shake the sense that leaving now would be like tearing off a scab—painful and unnecessary.

And then, one night, the rain came.

You remember it vividly, a torrent so sudden and unrelenting. The downpour soaking the dry dirt surrounding the plant. 

You couldn’t help yourself from wandering out, stood barefoot on the porch as the cool air nipped at the skin of your arms and legs.

“You’re gonna catch a cold standin’ out here.” Logan said from somewhere behind you, his voice rough and low after the silence of a long shift.

You hadn’t moved, hadn’t even glanced his way. “I like the rain.”

There was a beat of silence before he stepped closer, the warmth of his body radiating against your back. His hand had been hesitant at first, a brush of calloused fingers against your arm. 

You didn’t pull away.

The heat of his palm felt scalding, causing goosebumps to pebble along your damp skin. His thumb swiped across the circular scar just above your elbow, a cigarette burn, one of many.

He didn’t say anything as he turned and walked back into the house. You learned quickly that Logan’s not the type to fill silences with empty words, but you both knew something shifted.

He came into your room later that night. The squeaky mattress of your bed dipping under his weight as he slid his hand down your stomach, pausing just above the waistband of your shorts, a silent question.

He didn’t kiss you, but the rain pattering against the tin roof was enough to swallow your soft moans and gasps.

You settled into something undefined—a constant push and pull of need and silence. Logan touched you when he needed to, and you let him because you wanted to.

It wasn’t love, not then. It wasn’t even comfort. But it was connection. A tenuous thread in the quiet storm of your lives.

You figured that was enough.

The rain hasn't slowed. If anything, the howl of the wind is stronger than before.

The soothing rhythm of droplets hitting your window turned aggressively sharp, like darts thrown against a worn cork board.

The boom of thunder is nearly in sync with the pulse of your core, aching and insistent in its need.

It’s been weeks since Logan touched you last, his endless cycle of guilt stronger than it's been before. He’s never outright said it, but you know it’s there.

The silence between you both has stretched longer than you'd like to admit, a quiet that isn't comfortable anymore.

You know he’s got it in his head that he’s somehow taken advantage of you. A perverted old man falling weak to the pretty, young thing taking up space in the bed two doors over from him.

The thought stirs something deep within you, a mix of frustration and confusion. He’s not wrong, not exactly—but he’s not right either. You aren’t a child, and you aren’t helpless. You knew what you wanted, what you needed.

And that hasn’t dared to change.

You shift in bed, the sheets tangling around your legs as your body hums with a restlessness you can’t shake. The air in your room feels thick, charged, and suffocating, a mirror of the space between you and Logan.

He doesn’t understand that you want him too, that you weren’t some helpless thing to be protected or shielded from his darkness. It eats at you until your skin is practically buzzing with it, buzzing with the need to show him.

There’s only so much silence you can take before it becomes too loud to ignore. 

You swing your legs over the edge of the bed, the hardwood cool against your bare feet. You know it’s late, but you don’t care.

You walk through the dimly lit hallway, the creak of the floorboards quiet under you as you make your way to Logan’s door. It’s cracked open, a yellow glow spilling through to guide you like a lighthouse guides its ships to shore.

When you reach the beat up wood you don’t hesitate, you push it open the slightest bit, peering through the widened gap. 

He’s there, sitting on the edge of the bed, his back to you. He doesn’t turn, doesn’t acknowledge you, but you know he knows you’re there.

You cross the threshold, your heartbeat loud in your ears as you pull the door shut behind you, leaning your back against it.

“Logan,” you say softly, your voice rougher than you intended.

He doesn’t respond right away. Instead, he runs his hand through his hair, pushing it away from his face. The lamplight catches the sharp planes of his face, a familiar weariness etched into his features.

His fingers flex at his sides, and for a moment, you think he’s going to tell you to leave—to go back to your room where it’s safe, where you won’t make things more complicated than they already are. You almost brace for it.

But then he speaks.

“What’s wrong, kid.” His voice is nothing but a deep rumble, like gravel crunching underfoot.

You shrug noncommittally, hands messing with a stray thread hanging from the edge of your shorts. “Can’t sleep.”

Logan sighs long and slow through his nose, hands pressing into his thighs. “Thought you liked the rain.”

You smile faintly at the irony, chest swelling with something dangerous. 

You take a step further into the room, pushing yourself off the closed door. The familiar scent of him invades your senses. It’s a mixture of leather, earth, and something raw—something undeniably him. 

You stand there for a moment, letting the silence stretch thin and taut before you finally speak.

“Can I stay?” The words come out barely above a whisper, but they land like a crack of lightning.

You feel your heart thud painfully in your chest, not from fear, but from the sudden vulnerability that makes your skin burn.

The room feels smaller now, the walls pressing in as you step forward, each movement slow and deliberate. You stop at the edge of his bed, the sheets pressing against the bare skin of your thighs.

Logan’s gaze flickers over his shoulder, meeting yours briefly before he looks away again, like he’s trying to convince himself that the ache in his chest isn’t real.

“You should go back to bed,” he says, voice gruff. “It’s late.”

“I don’t want to go back.” You shake your head even though he isn’t turned around to see it.

Without thinking, you crawl onto the bed, the comforter making soft shushing sounds under your hands and knees. You reach out, fingers brushing the back of his neck, the muscles there tight with strain.

Logan flinches slightly, but he doesn’t pull away, and that’s all the permission you need.

You shift closer, pressing your chest against his back, and letting your hands settle on his shoulders. The heat between you is electric, charged with something unsaid, something raw and undeniable.

“Please,” you whisper, your lips brushing against the back of his ear, your voice a mixture of defiance and desire.

Logan stiffens, but this time, you feel the shudder that runs through him, the way his body responds despite the walls he’s built around himself.

You know he’s torn, that he wants to fight this. You feel it in the tension that radiates from him, in the way his body seems to be fighting against the instinct to turn toward you.

But you don’t care anymore. You’re done with silence.

Your fingers slide down his back, feeling the rough fabric of his shirt against your skin as you press yourself closer. Your breath is hot against his neck now, and you can feel the rapid pulse in his veins beneath your lips as you hover just above his skin, waiting.

“Logan…” Your voice is softer now, almost pleading. You don’t know what you’re asking for, but you don’t have to.

His hand comes up, brushing against your wrist as if testing, as if he’s afraid you’ll pull away. But you don’t.

Instead, you lean into him further, your lips brushing the curve of his neck, whispering into the tension that still hangs heavy between you. “Please.”

The last shreds of Logan’s resistance snap under the cloying weight of your touch.

He’s moving before you can even register what’s happening, rearing up with heavy hands that land on your shoulders to push you backwards.

You fall back onto the bed with a soft gasp, bouncing on the mattress once, twice, before Logan follows. His body settles over yours like a warm blanket, thick forearms braced on either side of your head to support his weight.

"Why couldn't you sleep, honey?" he asks, dark eyes boring into yours intense enough to get your stomach churning. The green of them is deeper than normal, like fresh moss growing over stone.

“I was thinking,” you whisper, breathless. Your pulse races beneath your skin, you wonder distantly if he can hear it too.

“Thinkin’ about what?” he presses, breath fanning over your lips temptingly. 

Your brows furrow, a soft noise escaping you. You can't help but tell the truth. “About you.”

Logan hums, eyes trailing along your face slowly. He slots a knee between your thighs, groaning softly at the wet heat that seeps through to his jeans.

You gasp, hips bucking down instinctively. Your pussy aches desperately, leaking arousal into the cotton gusset of your panties.

His jaw clenches at the sound, muscle ticking just beneath the grey of his beard. “Is that right? You been layin' in that bed, thinkin' about me, gettin’ all worked up?"

Your face burns under his scrutiny, but you don’t shy away. You arch your back, pressing yourself as close to him as possible, letting the heat of your body speak for you.

“Yeah,” you breathe, the confession trembling on your lips. “I need you, it hurts.”

Logan exhales sharply, like the words knocked the air out of him. His hands slide from your shoulders, rough palms gliding down the skin of your arms before settling right under the swell of your breasts.

“Where’s it achin’, baby?” he asks softly, words almost getting lost in the dark of the room. “Show me.”

You let out a soft breath, reaching down to take his hand in yours.

Without breaking eye contact, you guide his hand down your trembling body until his palm rests over the apex of your thighs, where the damp fabric of your shorts clings to your swollen folds.

“Here,” you whisper, voice barely audible above the rain pounding against his window.

A low growl rumbles from deep in his chest, and his fingers press more firmly against you, feeling the slick heat that’s soaked through the thin cotton. His eyes darken further, the green almost swallowed by the black of his pupils.

Logan’s thumb drags over your clit, slow and deliberate, coaxing a needy whimper from your lips.

“Jesus,” he mutters, his voice thick. “You’re drippin’ for me, aren’t you? Didn’t even need to touch you, and you’re already so fuckin’ wet.” 

You whimper softly, bucking your hips against his hand, desperate for more.

"I've been like this all night," you admit, your voice going high and needy. "Thinking about how good you make me feel. How much I want you."

Logan’s eyes lock onto yours, and there’s something new swirling through them, something you’ve never seen before.

A beat passes—too long—almost agonizing. His free hand lifts from your hip, gently cupping your cheek, fingers brushing against your skin, like he isn’t sure if he has the right to touch you like this. 

His thumb brushes your lip, his gaze flicking to your mouth before returning to your eyes, asking for permission, even though neither of you had ever really needed it before.

"Logan," you say, the sound a little breathless, unsure of how to navigate this sudden shift, but he doesn’t keep you waiting.

He closes the distance in a heartbeat, lips crashing into yours with a ferocity you didn’t expect.

It’s like the world around you falls away, leaving only the warmth of his lips, the taste of him, and the pressure of his body against yours. The raging storm outside dulling until it’s nothing but fuzzy background noise.

His kiss is rough, deep, urgent, but there’s something more in it, a slow unraveling. Like he’s trying to carve himself into you, a permanent mark, a reminder that he was here, even if he never says it out loud.

Logan tastes like rich smoke and whiskey, the sharp edge of him mixing with the sweet burn of need. It sends your head reeling, arms coming up to circle around his neck.

You can’t find the words to describe it, not with the way his fingers slide through the wetness gathering at your entrance, sending jolts of pleasure straight to your core.

Your hips thrust upward, begging for more, your body hungry for the release he’s just out of reach of giving.

“Want you inside me, Logan,” you moan desperately, slick lips brushing his with every word. “Please.”

Logan's body stiffens against yours at the sound of your pleading, his grip tightening on your cheek like he's trying to anchor himself in the reality of what you're asking.

“Shit,” he growls under his breath, his forehead pressing to yours as he closes his eyes. His chest heaves, the tension in his body palpable. "I—" he pauses, struggling to form the words, but you can see it in his eyes. He's conflicted, desperate, yet still hesitant.

You move against him, your body restless, your need undeniable, feeling the rigid outline of his hard cock pressed firmly against your thigh. A thick plane of heat that has your pussy clenching around the tips of his fingers.

You don’t want to push him, not anymore. But you’re past the point of waiting for permission.

Your lips meet his again, softer this time, coaxing, until he finally gives in, groaning against your mouth as he kisses you back with an intensity that steals your breath.

“I want to feel you,” you whisper, your hands trailing down to the hem of his shirt, pushing it over the swell of his pecs. 

His skin is hot under your fingertips, rough and familiar. Your fingers trail lightly across his chest, nails scratching through the salt and pepper hair dusted across his skin as you urge him closer.

“Just the tip,” Logan mutters under his breath, barely above a whisper. His voice hoarse, like he’s bargaining with himself. “Just to make you feel good, but that’s it, understand?”

You bite your lip, the edge of frustration gnawing at you. It’s not everything you need, not everything you want, but it's something. And right now, it’s enough.

You nod your head, hands already moving to the front of his jeans. You undo the button with shaking fingers, tugging the zipper down and pushing the worn denim away. 

His cock springs free, already hard, leaking with the same desperation you feel. You run your fingers along his length, feeling the heat of him, the steady throb of his pulse.

Logan peels down the thin layer of your shorts, cursing under his breath when he finds you completely bare underneath, your slick pussy shining under the dim light.

You watch him, chest heaving, as he stares down at you—his eyes dark and full of something primal, something raw.

“Fuck,” he breathes, his fingers tracing the outline of your wetness. He groans low in his throat, his thumb circling your clit once before moving down, dipping inside you just barely. “You’re perfect, baby.”

“Logan,” you whine, thighs spreading in a clear invitation. You patience is running exceedingly thin, your whole body alight with the feeling of a raging forest fire

“I know,” he mutters, placating. He takes the throbbing length of his cock in his hand, swiftly settling between your legs. “I know.”

The thick head drags through your folds, smearing pre-come along your skin and adding even more to the mess between your legs.

A quiet moan passes through your swollen lips, your muscles tightening as he slides himself along your clit. A slow back and forth movement that sends sparks shooting up your spine.

Logan grits his teeth, his breath shallow, as he finally aligns himself with your clenching hole. 

The air around you feels charged, a taut thread stretched between anticipation and restraint. You shift your hips slightly, just enough to encourage him, your eyes locked on his as you beg him silently with your gaze.

Then, with a low growl that vibrates through you, he pushes forward, just enough to make you gasp in relief, the head of his cock sliding home in your entrance.

And though it’s only the tip, the sensation of him inside you is enough to set your world alight. 

You can feel it, deep in your bones—the simmering, searing heat that makes everything else fade into the background.

Logan presses his lips to your forehead, his breath hot against your skin as he keeps his movements slow, deliberate, his hands holding your hips steady. "This is what you wanted, huh? Got you begging for it, honey," he growls softly. "Even if I’m only givin’ you a taste."

His hips roll languidly, staying true to his word and never sinking deeper than the thick head of his cock. His hand grips the base tightly, his fist fucking slow strokes over the length of himself to where he’s spreading your pussy open.

His scarred knuckles bump against your clit with every stroke, fanning the fire building in your lower stomach.

“Feel so fuckin’ good, honey,” he groans into the skin of your neck, the pace of his hips speeding up ever so slightly. “Feels like heaven.”

You claw at the skin of his back, touch wild and desperate. It takes everything in you not to shift your hips down, to sheath the rest of his cock deep inside your and lock your ankles around his back so he can never leave again.

Logan’s lips find your neck, teeth grazing your skin as he shifts against you. “Tell me you want this,” he says, his voice low, almost a command, yet laced with something tender. “Tell me you want me.”

You meet his gaze without hesitation, your voice steady despite the tremble in your chest. “I want you. I’ve always wanted you.” 

The words come out without thought, raw and honest, and you see something in his eyes shift—a flicker of relief, of something deeper than lust.

Logan groans like he got shot, his body shuddering above you as a low growl tears its way from his chest. He fucks into you faster, short, quick thrusts that steal all the breath from your lungs.

Sparks go off behind your closed eyes, bright white and glittering. You can feel yourself getting closer, your body trembling as you grind up against him, meeting him halfway, needing more, needing release.

“Logan,” you gasp, your hands gripping his shoulders harder, nails digging in. “I’m so close. Please—”

“Let go,” he growls, his pace increasing, his body pressing harder against yours. “Come for me, sweetheart.”

With his command, you unravel, the world spinning around you as the pleasure crashes over you, leaving you breathless, gasping for air, your body quivering beneath him as he holds you through it.

Logan follows, tearing himself from the tight grip of your pussy with a sharp jerk of his hips, your name falling from his lips like a prayer as he shoots thick ropes of come over your slick folds.

Your body shakes at the feeling, a breathless whimper pulled from your slack lips at the sticky warmth of his release.

He collapses onto the mattress next to you, his body shuddering enough to match your own. The room falls into a deep silence, the only sounds your mingling breaths and the distant sound of thunder.

A sick sort of dread bursts through the sweet afterglow of your hazy mind, settling in your stomach like a lead weight. You think that this is the moment where Logan will realize what you’ve done, that he’ll retreat back into himself and send you away.

Send you back to your own room and leave you to lay in the cold aftermath of your own recklessness.

You brace for it, the instinct to pull away, to protect yourself from his withdrawal, but it never comes. 

Instead, you feel his strong arm slide over your waist, pulling you closer, his body heat a stark contrast to the chill creeping in from the window.

His breath is warm against your neck as he shifts, his fingers tracing absent circles on your skin in a move that’s so endearingly human it has your chest aching.

"Stay here tonight?" he asks, his voice rough, almost a whisper.

Your heart clenches, tears burning at your waterline at the vulnerability of his tone. It breaks the dam inside you, relief and something dangerously close to love flooding your body in a bursting rush of water.

“Of course,” you murmur, your voice shaky.

Logan’s hand tightens around you, his thumb brushing over your ribs. He presses a soft kiss to the bare skin of your shoulder, settling onto the mattress with a slow breath.

You drift to sleep more relaxed than you’ve felt in years, even with the knowledge of the slow journey that lies ahead of you. It won’t be easy, it never is with Logan. You can’t find it in yourself to care.

Because even though the rain falls, the desert doesn’t bloom overnight. 

And neither do you.

tags are now in the comments! if you want to get tagged for any of my works just fill out this form!

[egophiliac]

Hello ! I positively adore the running joke of Idia unknowingly finding Lilia to be the coolest guy ever whenever he doesn't know it's him, like when Silver described his father, or obviously with muscle red. I can't say what'd be funnier, Idia finding out his online best friend is actually Lilia, resident spooky hyper fairy; or them both never finding out, and it'd become even more ridiculous as time goes on. How do you think it'll play out ? You're always so on point

(Also, though it makes sense, I'm still devastated bat boy didn't get a ticket for the Halloween skeleton train : ( does anyone mentions him at some point ? Like how he'd have fit right in with all those Halloween town little freaks, and how he'd have impressed them with his spooks and scared techniques; after all he's been every Briar Valley's children worst fear on Halloween for centuries. I'm on the eng server and I didn't wanna spoil myself by watching the whole thing on youtube)

Have a nice day !

you and me both, Idia and Lilia being oblivious online BFFs (+ Idia being incredibly intimidated any time Silver brings up his jock gamer dad) is my favorite running joke/subplot. 🤝 it's SO good, to the point where I also am unsure if I actually want it to ever be resolved or not...maybe, like, as a post-canon stinger or something? everyone's standing around covered in overblot ink, and Idia and Lilia's phones go off at the same time...

(legit I do think this is part of why Idia couldn't be present for Lilia's dream, because for some reason Lilia decided he was going to just. embody his past self online. he probably quotes his own battle strategies or whatever in the middle of boss fights. Idia didn't pick up on the whole "oh how weird that we both live on a super remote island" thing, but he would spend thirty seconds listening to General Lilia describing siege warfare and be like "w-wait")

all that aside, however it does end up happening, I do see Lilia being very blasé and all "oh! cool!" about it. y'know, taking it very much in stride! and Idia...very much not.

(can't tell if tumblr is going to chew this into illegibility or not, this will be a fun surprise ᕕ( ᐛ )ᕗ)

as for Lilia sadly missing out on Halloweentown shenanigans...he does get one little mention as part of an offhand reference to the light music club, but so far no one has brought up how this basically is just Lost In the Book of Liliatown (Sebek's been too busy yelling about not getting to be in the same group as Malleus). 😔 honestly though, it's probably for the best that he got left out, because he would just settle right in and refuse to ever leave. canon would shatter. we would miss out on all the delightful angst of episode 7 because Lilia is too busy eating poisonous shrubbery inbetween practicing his very best screams, and no one can pull him away from it.

(I can hope for a sequel next year though...)

[lunarlivs]

here is harry as fun kids i found on pinterest :)

[bacchuschucklefuck]

soon it'll be dawn again

transcript under the cut ⏬

page 01

Fig: no way? - you're still up?

Riz: Wh– yes?

Riz: Why'd I not be.

page 02

Fig: I me~~ean - that took.

Fig: whole day.

Riz: Yeah?

Fig: 'm beat.

Riz: you should sleep.

page 03

Fig: nah. my guy's still up

Fig: I wanna hang out.

page 04

Riz: That's really nice.

Fig: Hah! - Nobody ever expects an Archdevil rockstar to be nice.

Riz: … yeah. - 's just budget work tho. (the stuff I'm working on) - I've heard it's boring.

page 05

Fig: yeah, but you do it…

Riz: It keeps things going, right? - Nothing happens if nobody sits down and - does the thing.

Fig: That's right… - though. Yeah.

page 06

Fig: sometimes it's someone else who - doesn't want the same thing to happen.

Riz: … - mm.

page 07

Riz (off screen): …It took me a long time to get that not everyone likes doing what I do. - 's probably because you guys are so nice– - or. - kind.

Riz (off screen): to anyone too, not just. - the people you /love/.

page 08

Riz: that's not how it is elsewhere. - The world's– not. hostile. - but 's not like it's kind.

Riz: So I'm doing as much as I can now… 

page 09

Fig: Hey.

Riz: ?

Fig: Go dig some dirt with me.

page 10

Riz: [blank speech bubble] - oh you meant like - actual dirt. (not incriminating information)

Fig: o yea.

Fig: there's clay in the backyard soil. - sometimes when I'm sun deficient or something I go touch dirt for a bit.

page 11

Fig: here u go

page 12

Riz: uh

Fig: now we make a thing! - 'm pretty good at freehanding a bowl.

Fig: I'll show u

page 13

Fig: just– yep, flatten that out as evenly as u can, then–! - actually ur nails'd be so good at cutting out the strip. [larger than usual space] wait. - wait. wait u can carve patterns with them! we HAVE to try

Riz: uh - What. do I carve?

Fig: anything!!!

page 14

Fig: and– yep just seal the inside uh. seam?

Fig: yep that works - okay time's up! all contestant hands up

Riz: [blank speech bubble] - okay - wh. what's next?

Fig: haha - watch this.

(sound effect text): FWOO—MP

page 15

Riz: WH– DON'T JUST DO THAT???

Fig: Now it's fired!

Riz: THAT WAS NOT SAFE

Fig: (actually it's just dry. if u add water rn it'll dissolve)

Fig: ok catch!

Riz: [blank speech bubble] - careful!!

Fig: dw no need haha

page 16

Riz (thought bubble): oh - it's warm…

Fig: now I want you to throw this.

page 17

Fig: u gotta do it - c'mon

page 18

Riz: wh– - It's like 3AM right now

Fig: oh it's not /fired/ fired it's not gonna make a loud noise

Riz: And then just? leave a pile out here?

Fig: pour water over it & it'll be gone I told u

Riz: but

page 19

Fig (off screen): RIz.

page 20

Fig: I've done all this before.

Fig: Can you trust that at least?

page 21

Riz: no, I– - I do. - I trust you.

page 23

Riz: okay what happens now

(sound effect text): glob

page 24

Fig: we do it again!

page 25

Riz: wh. [larger than usual space] What do you mean. (this clay's too wet also)

Fig: see! you're already learning

Fig: [blank speech bubble] - there are flows that are futile to fight. - The world changes.

Fig: Things change.

page 26

Fig: I've learned my lessons with "forevers". - But - as an artist

Fig: I can give you one thing: - You can always do it again.

page 27

Fig: most of everything depends on the rest of the world, - but this. - making new. - that's yours as long as you want it.

page 28

Fig: So?

page 29

Riz: Yeah. - Yeah! - let's make another one.

[astronnova]

doodles (as i avoid work) of the super awesome you wouldn't like me alive fic by @ectoplasmranch which i binge read in a 7 hour sitting yesterday

[btsjk-biased]

Yoongi 🩶 Love Yourself: Tear (for @yooboobies)

[ video source cr. namuspromised ]

[qifreyplushie]

to wuming, hua cheng, san lang;

happy birthday, dearest a-hong. 🦋💘

DESSERT LATER !!!!!!!! 🧹🧹🧹🧹🧹🧹🧹(WHACK WHACK WHACK)

[frosted-co0kies]

hc that kris s teeth glow

stole from this post. Kris you are so weird (affectionate)

[edgeasaurus-art]

What several levels of exhaustion does to a mother fucker.

I was listening to the album grow again by Moe Reen while making this. specifically Why Deny (The Climate of Our Love).

You could admit it's all on fire And confess to loving me This world is surely ending soon, Our love is certainly something true So why deny the climate of our love?

Theres so much to say about them. The world is on the precipice of disaster and yet they found each other, the successors to the emperor and empress titans. Did the emperor and empress wonder what their successors would become? did they wonder about who their successors would be? did they hope that they would find the love they had? or did they think the story of the titans ended then?

When Fearne was alone with Nana Morri did she ever dream about the people she has around her now? about sharing a bed, with no other expectations other than waking up together?

When Ashton found themselves left behind after the nobodies left him, did he dream about a group of people who listened to what they said and respected their words? did they ever dream of someone wanting to be with them just because they liked being around him?

when they were at their loneliest, was the thought of each other a fever dream?

I still stand as a firm believer that both Ashton and Fearne have two hands, but watching them grow closer together has been amazing. And I hope their relationship continues to flourish, platonically or romantically.

[badxwolf]

"[Russell T Davies] made Rose an equal, not a sidekick. It is she who, on several occasions, saves the Doctor, rather than the other way round. As any parent with a daughter, I now look at Esme and think 'you could be the Doctor'. In 2005, as recently as that, such a thought would have been a pipe dream.

[Rose is] a woman with an independent mind, willing to confront received wisdom. Rose arrives on screen fully formed, one of the strongest female characters of any show, any year, painting a solid line directly to Jodie Whittaker. 

If you think about it, the relaunch in 2005 was actually the first chance to create the first female Doctor. Why not do it then? Perhaps we should be looking back on Billie Piper not as Rose, but as the Doctor."

- Christopher Eccleston in his memoir I Love The Bones Of You

[erabu-san]

I enjoyed every second of this quest This art has platonic intention, please don't tag ship

[adzy-drawz]

this is a day late and super rushed but i just had to make something for the 1 year anniversary of the pilot being out or i would've exploded, i love the hell out of this show and i am sososo excited to see more from it :3

thank you gooseworx and glitch for bringing me my favorite show of all time! keep up the awesome work!

uncolored and unblurred version under the cut cuz i like that one too

[egophiliac]

happy new year Ego!!! Just wanted to let you know that I absolutely adore your twst fanart and the tags are just an absolute pleasure to read! You are my greatest inspiration for my personal twst art and I just wanted to thank you for your wonderful masterpieces <333 if possible, may I ask what are some of your headcanons for the diasomnia family? If not for diasomnia then any other characters are fine as well!

thank you, and happy new year! 💚💜💚 that is amazing to hear; it's always a little bewildering but super flattering that other people like my silly little doodles so much!

I don't think I really have any really solid headcanons and also canon keeps validating me left and right (FLUFFY DOMESTIC DIAFAM IS REAL). mostly just kind of...impressions and general thoughts, if that makes sense! lately though I've been kind of obsessed with thinking about Lilia's hair, and specifically when/why he ended up cutting it. (l-look, we're bouncing around the timeline and I gotta make decisions about these things when I draw, it's relevant) (I mean I would probably be weirdly fixated on this anyway, but.)

I think I've settled on the idea that he kept it long until he went to NRC, partly because 1) I like drawing The Ponytail, and 2) I think he thought of NRC as a chance to reinvent himself a bit! he gets to go and be a wacky carefree teenager for a few years and have fun! (officially he's there to keep an eye on Son #1, but how much trouble could he get into, really.) so he gave himself a Cool Teen Haircut to go with his fresh new Cool Teen Persona!

also maybe he had some reflection on his hair's troubled past with three kids...

...and had to weigh his vanity versus the fact that he was going off to be around hundreds of kids on a daily basis, and. the choice suddenly seemed obvious.

[rottmnt-residuum]

Hi, I've read the Residuum comic, and I think the characterization of the boys is really good. I was wondering if you have any tips on how to write them? Especially Mikey, please.

I'd actually recommend re-watching the show with one character in mind. All my notes on the turtles come from doing separate re-watches for each of them. The key is to ONLY watch the character you are focusing on.

In the end, you'll probably be happier with your own personal interpretation. As we are with ours lol

TL;DR

Massive post under the cut

To preface: we'll be contrasting (this Mikey) against the fandoms version of Mikey, as our interpretation is very different. Don't worry if you prefer the fandom version, there's nothing… wrong per se with writing him this way. We just find him flat and uninteresting. (Main author: not me, I just hate him, lol).

Every reader or fan comes into a story with their own biases and experiences. A ton of our view of Mikey is based on how our siblings acted. We see Mikey as the young sibling that got preferential treatment from the whole family, simply due to being the youngest, but is now aging out of the privilege. Which all youngest siblings do at some point or another.

The fandoms version of Mikey is empathetic, naive, vulnerable, co-dependent and quite often a door mat who cries at the drop of a hat. And as much as the fandom like to say that people love him… when this particular character archetype is in other media, they seem to attract the most criticism. Mable pines, Bolin from Korra, people rag on Aang all the fucking time, and Steven Universe is a whole other bag. These characters don't deserve it, and yet it happens anyway.

To flatten Mikey to simply 'the baby' is a disservice. We don't see or write Mikey as the fandom “baby” version (cinnamon roll uwu). Part of this comes from having multiple siblings, so we interpret the times when Mikey does the puppy dog eyes as typical younger sibling bullshit, mostly by the way that the other turtles rarely react to it, if at all.

The other turtles traits can also get projected onto Mikey. Mikey being the fandom therapist is in the same category as this. He isn't a therapist, he's a psychology nerd who likes to psychoanalyze people and meddle in their relationships. (Donnie and Shelldons relationship, Splinter and Draxums...) he's not trying to resolve your emotional issues. Of the turtles, the character that cares the most about people's feelings is Raph. And Leo is more of a consoler than Mikey ever is. It flattens all the turtle's characterizations when you start doing this because you are ripping out parts that are integral to another characters' complexity.

Co-author has told me that they've seen people become confused when going into the show after only reading fan fiction or coming from the movie. They see his characterization as inconsistent and become upset when their view of him is contradicted. This also happens when a fandomized version of him becomes the primary characterization that they use. Sometimes when this disconnect happens (or if they just don't like the character), Mikey characterization is swung in the complete opposite direction.

They make him manipulative and abusive, or someone who is hyper violent and avoids being held accountable for anything. This is an uncharitable interpretation of him and can come off as pretty racist depending on the circumstances. (like if someone considers the turtles black or not)

Every version of Mikey is a shithead (affectionate), even this one. Especially this one, really. When Mikey not doing the "baby schtick" hes mean. If you pay attention to what he's saying, and just not his tone of voice, he's consistently saying pretty mean or condescending stuff. (You could take this as simply naïveté, but he still says mean shit pretty often regardless)

The times he does say genuinely nice stuff the turtles don't exactly expect it from him, at least, in the early season. And while he is mean, and seems to find saying mean things to be funny, Mikey isn't cruel. Nor will he ever be.

This shit-headery behavior is found in both 2003 and 18 Mikey. They have a degree of social intelligence that lets them use it to annoy people into doing what they want. 18 just has the advantage of being baby faced and having better tonal control. He's good at using people's perception of him to get what he wants.

Let Mikey have his problematic traits, but don't overexaggerate them. He doesn't revel in fooling people. He loves doing character bits, and the baby faced one just happens to be one of them. However, to infantilize or to deem him incompetent is to piss him off, he wants to be viewed as a competent part of the team and competent as an individual. He's not insecure about being young, he just doesn't want to be treated like he can't do anything.

Mikey above all is an optimistic character, he sees the brighter side quite often and is conscious of the harm his actions have on people. Mostly after the fact, but he consistently attempts to rectify the harm he has personally done to peoples lives. (Todd, Bullhop, Draxum). Food and shelter seems to be a thing that he considers to be a right. He doesn't cross a boundary twice once he learns of it, and he never pushes people too far (if he likes you, that is. if he doesn't know you or doesn't like you, he doesn't give a singular shit. But that is standard to most people.). He doesn't care about people's stuff, though. He breaks things all the time.

Mikey understands boundaries, but he doesn't automatically recognize them. He needs them to verbalized or for there to be a very obvious reaction to the boundary being crossed (unfortunately, for Todd and Donnie). Sometimes people mess up (esp. younger people), and it can take a while for teens to learn where boundary is, but he fully respects the boundaries he does know about. He doesn't act petulant when he's told about boundary, he apologizes, accepts it, and moves on. He doesn't dwell.

Mikey doesn't hold on to distressing emotions. He bounces between emotions quickly, but isn't effected in the long run. One thing Iv'e seen people often conflate is the difference between sensitive and vulnerable. Mikey is sensitive, but I have never seen him vulnerable to others. To be sensitive is to be easily influenced by the current situation. To be vulnerable is to hold that influence for a long time. Characters can have one, both, or neither of these traits. But Mikey is not vulnerable. It is the difference between compressing memory foam and a piece of metal until they deform. One will pop back, the other does not.

Those who are vulnerable but not sensitive will take longer to effect, but once you do, they will hold on to that emotion for a very long time. The vulnerable, are grudge holders. (leo). But like I've said, Mikey bounces back. What a character does has an effect on his emotions, but it doesn't make a lasting impression.

Forgiveness is another thing people like to push on him. It is not that Mikey forgives people easily, it's just that he doesn't hold grudges. He neither forgives nor forgets, but he does not ruminate. He's generally affable, first impressions seem to be a big part of how he views people. He is idealistic, and doesn't assume people are unchanging and/or evil, but he's not a mark.

Mikey isn't so much as naive or overly trusting… it's just that he's inexperienced. He doesn't get fooled by anyone in the series except meat sweats, and that's because Meatsweats is on Todd drugs. Mikey just didn't notice when he started faking. He's not… actually all that aware of people's emotional states, passively. He has to tune in to notice things like that.

Mikey isn't someone who really tries to regulate others emotions, either. The fandom like to make Mikey afraid of his brothers fighting and others being upset, but Mikey doesn't actually care. The most distressed we ever see him in a fight is in the movie, and he's not SCARED, he's just concerned (and then alarmed once it turned physical). If anything, outside extenuating circumstances (like the movie), Mikey actually seems to find their fights annoying.

(Mikey actually seems to have a pretty short fuse, but his bounciness doesn't really let it linger very long, lmao)

(One pet peeve of fandom Mikey is the constant crying, crying at fights, crying at insults, crying for no reason all the time. Sure, he tears up when he gets emotional, but when Mikey is genuinely crying It's when he's desperate, like when he's hungry, or when he's trying to save Leo from certain doom. Same thing, really.)

Mikey respects no one (we love him for this). He admires people, he admires his family: April, the turtles, his dad, Lou Jitsu. He admires Rupert Swaggert, but he respects none of them. No one is sacrosanct to the Mikey.

Above all, the way we write characters is to give them a past that informs how they act now. We view Mikey and the other turtles as teenagers that were kids, and that will be adults. Yes they all have “problematic” traits, but 1) good characters need flaws, and controversial traits are one of the best to use, and 2) they're teenagers, don't expect adult behaviors from them, also don't expect them to be kids. They're minors, not toddlers.

This is getting as long enough as it is, so we'll stop here, but this is a very broad overview of how we characterize him. There's a lot we didn't cover here, but if we even started on hobbies, or the real minutia of his quirks and ticks, or even how he feels about other specific characters... we'd be here all day. So I hope this is good enough lol

If there was something you wanted to know in particular, you'll need to get specific. Feel free to ask again ahahh

[eloise175]

I love these panels so much, I’m never getting over them not only because of how beautiful they are, but also due to their meaning and how it perfectly shows the characters' feelings.

It’s the part where Penelope tells Callisto she doesn’t love him and his face crumbles, he’s so taken aback by it but for all the wrong reasons, let me elaborate;

(contains some novel spoilers!!)

From the beginning, Callisto knew that Penelope’s confession about how she fell in love with him at first sight was bullshit.

He knows she lied to him on multiple occasions but doesn’t mind at all; it’s stated later on in his pov that despite all the rumors and her deception, Callisto too found it surprising how he didn't get angry.

They also had this conversation in the cave and many other occasions when he teased her about it and she kept on saying that she wasn’t in love with him anymore.

However each time Penelope claimed to not be in love with him, Callisto was either amused or grumbled about it playfully.

It’s the setting that changes things. Back then it was all teasing and her getting fed up with him and his successful attempts at eliciting some sort of reaction out of her.

As the story progresses, their interactions become more tense due to the friction and tension being products of their feelings for one another.

We can see the first signs of Callisto ‘wavering’ during his birthday banquet as Penelope is about to reject him.

He looked crestfallen when she brought up love because he still can’t make sense of it, convinced that his feelings of fondness can’t be related to love—or more like, he’s trying to convince himself it’s like that.

Knowing what is about to come, he shushed her, while admitting to the fact that he knew she was going to reject him, hence why he told her to give him an answer on her coming of age.

It’s all because Callisto hoped she would change her mind and her answer would be the one he hoped for, basically her accepting.

Then in the greenhouse things become more serious. The talk about Penelope’s condition had an impact on the build-up of it.

Penelope is completely serious and firm about her rejection, she is more apathetic due to the impending deadline of hard mode’s ending and things falling apart continuously.

She doesn’t have any control of the things happening around her and it makes her grow more and more anxious, to the point where it all becomes too much and it leads her to resign to her fate.

Callisto’s reaction to it is so strong not only because Penelope kept on pushing him towards another woman (which he doesn’t even know) when all he wanted was to be with her, but because she disregarded his feelings in the process as well.

Penelope goes on to say that she doesn’t love him, and that’s the real nail in the coffin, Callisto is actually in love with her but fails to realize it, but his subconscious seems to be aware of it given his reaction.

It’s a “…she doesn’t love me?” slap in the face realization.

I’m saying this because later in the novel, Callisto reveals that he hid his desire to be with Penelope behind the guise of an arranged marriage because he was afraid to admit being in love with her due to what happened to his parents. You could say he has always loved her from the moment they first met.

➺ chapter. 201 from the novel:

Anyhow, Penelope talks about her circumstances and past, saying how while wanting love she also needs and wants someone to take her out of the hell she’s in.

She tells Callisto he’s not that person and he’s absolutely devastated by that statement. He even gets described as dazed in the novel when this scene happens.

It’s a point of no return for Callisto because he still refuses to acknowledge his feelings as love for Penelope.

He can’t have her unless he admits to loving her, but he’s afraid to do so due to his past, he's convinced that if he confesses then she would end up like his mother.

Callisto needs a push, and that push is the fear of losing her forever which comes in the form of Penelope’s poisoning on her coming of age ceremony.

It all boils down to “don’t make any assumptions about my feelings” and “you don’t know what/how I feel” but we don’t get that since Callisto is suppressing it.

He’s angry and rightfully so and Penelope’s earlier apparent indifference doesn’t help either.

But yes, Penelope’s rejection hurt him so much because loves her.

Callisto is conflicted and in denial. It’s like he’s already having an inner battle about his feelings and then Penelope comes and deals the final blow, stomping all over his heart while pushing him away.

"I chose you, Penelope Eckhart. Not your household." and “Does my proposal mean so little to you?” are so telling because it’s clear that he’s been strongly impacted by all of this.

Callisto genuinely wants to be with Penelope and get her to the safety of the palace but went about it the wrong way.

They’re so miscommunication, it will be so long before they get to talk properly about their feeling and we get that love confession I’m not okay T_T

Thinking about all the things that will happen before that is making my head hurt, I’m going back to reading my comfort fanfics…see y’all tomorrow when the beginning of the end begins with more yearning and angst as Callisto will come back :,)