#I love them so much that it's driving me insane

[wickjump]

a formal thank you to jakei for not blocking me for talking about cross 174832898 times a day. i probably would block me i'm really annoying. any way i very much extremely appreciate you andyour au.hhave a good break your so cool

love wick

[trashwithvariety]

so this has probably already been talked about in great detail since the end of the show (hannibal) but I just did a rewatch and I can't shut up about it. the incredible level of subtle details in this show is already insane but I noticed it much clearer in my rewatch during season 3 part two how quickly we see Will change.

during *The Great Red Dragon*, Will is back to mostly his pre-Hannibal self. We see him married with a family out in the country with his dogs and more specifically his clothes (I am going to be very specific about what he wears in this because it's these details that are so subtle but make his change so much more crispy). He's wearing very practical, warm weather clothes, looks like an outdoorsman.

like, reminder that this ↓

is how he shows up to meet Hannibal again for the first time in years. Glasses, coat, clearly clothes he would not think twice about wearing anywhere, kind of like how he dresses in season one. It's also in his expression and his stature (which bless Hugh Dancy for his portrayal of Will because I don't know who else could have done the subtle changes so eloquently)

now let me take you to the episode directly after (And the Woman Clothed with the Sun) he first sees Hannibal and has to come back to talk to him

i'm sorry??? Immediately with the crisp button down, tucked in, with the top buttons undone, hair slicked back, NO GLASSES and look. Look at how he stands and his expression and how comfortable he is, hands in pockets.

okay further evidence. And honestly arguably the scariest piece

it's the dead-eyed stare for me. We all know what happened to Chilton after this, and it's the fact that he knew what he was doing. God, Will was never more like Hannibal than he was at the end of season three. Clothes are not much different on purpose because he's playing the game now.

Sidebar that in almost all the scenes that he's bitchily talking to Bedelia, he's also very well dressed as if he's taking Hannibal's place in his manipulation of her.

By the time we see him in The Wrath of the Lamb, he has already decided that he wants Hannibal back. Vaguely suggesting to Jack to use Hannibal as bait for the Dragon, as if he didn't very well consider all the outcomes would likely lead to Hannibal escaping. The way they're looking conspiratorially at each other in the back of the van. How Will isn't even remotely surprised he walks out unscathed or how he doesn't question letting him drive them to wherever they're going to meet the dragon.

And once they get to the cliffside house, and they get settled and Will?

His shirt is tight, his expression is the SAME as the one Hannibal had in episode ONE season ONE, as he watches Hannibal BLEED OUT and wonders probably what they will do.

There are plenty of ways everyone that worked on this show displayed how Will was changing but I loved how they used his clothes to do it and how Hugh used his expressions to differentiate pre-Hannibal and post-Hannibal Will.

I could write a dissertation on this show it's insane and I will never shut up about my murderous gay husbands.

[schlattslonghairytoes]

omg wait i just sent in the baby it’s cold outside request and im now realizing that YOU PLANTEF THE SEED IN MY BRAIN WITH YOUR HCS WHEN I CATCH YOU!!

but if you don’t mind could you please go more into depth with that idea pls pls pls

the christmas spirit

you were sat on your sofa watching you boyfriends newest podcast episode, you were sorting through your own footage when you hear him talk about making a christmas album

now you knew he could sing, but an album worried you, he was no sinatra. so you decided to call him up and see what he was thinking

you clicked on his contact and began calling "jayjay😏" after 5 rings you really considered giving up, but you finally saw the word connecting

you again considered hanging up when he answered the phone looking like this.

"what." he groaned it a low pitched voice, you giggled before realizing what time it was by him

"jay why were you sleeping at five P.M" you squinted your eyes at him

"im tired." he deadpanned. you sighed before laughing again at his mad face, before you could speak he began to stretch and the angle where he dropped his phone gave you a full view of his beautiful body.

"do you know hot you are?" you ask admiring your boyfriend.

"ill hang up on you, slut." he never did like compliments.

"brat, anyways." you rolled your eyes "i just finished watching chuckle, you looked very cute, but what was this about a christmas album?"

his face lit up "i forgot to tell you! okay so remember my way, well i know you remember it but you get it, i wanted a new project to focus on so im going to make a christmas album!"

schlatt found it very hard to focus on one thing for a prolonged period of time, but he always loved singing so you believed this would be good for him.

"babe and how are you gonna do that?" you questioned, he began to pout as he walked to his bathroom and set down his phone on the counter

"what you dont beweve in me?" he asked in a weird baby voice, while alos having a mouth full of toothpaste

"gross. no of course i do, but i mean your gonna need a producer, a person to re-write the music so you can own it, a vocal coach, how much is this gonna cost you?" you voiced your concerns

"not as much as ill make from it" he laughed

"ugh i hate you" a sigh escaped you but he persisted

"and one more thing.. i want you to be in it."

-if there is one thing you knew about yourself, it was that you were not about to be one of those youtubers who started making shitty music

-so when i tell you it took a long time to get schlatt to convince you to be on the album, it took months

-but when you eventually came around schlatt was ecstatic

-and honestly you were kinda excited too, you would get to see your boyfriend after not seeing him for over a month

-and with this album drop, you both agreed it would basically be your own version of a hard launch

-you wanted to pick songs that would compliment both of your voices, but also make it pretty clear you were more then just friends

-you chose santa baby and baby its cold outside, but schlatt added another, your favorite song, something stupid by frank and nancy sinatra

-you were so excited to see him that the thought of having to sing that well didnt even cross your mind

-but you boarded your flight to LA without second thought, excited to see your favorite boy when you landed

schlatt fucking hates Los Angeles, its hot, the people suck ass, theres always traffic, and right now, the fact that your not with him is driving him insane.

your flight should be landing any minute, and hes sitting in an airport trying to hide and make sure no one recognizes him.

the reason that becoming increasingly difficult is because fucking jack manifold, tom simons, and harry tornado (average harry), waltz off the plane, into the airport, in los angeles.

where everyone is always looking for someone to recognize.

schlatt is hiding twenty feet away from them, but hes already gotten noticed four times, the man cant catch a break.

he just wants to see his girlfriend, not interact with his fuckass fans

that fact that your relationship was private didnt help, he would one hundred percent makeout with you in the middle of the airport, but now that you have planned your hardlaunch he has to contain himself.

harry and jack were taking a picture with a fan, and tom was pissing as usual when schlatt finally saw you

he launched himself up and flailed his arms around like a clown to you, when you saw him you bolted across the floor and threw your bags at harry, who fell over from the force.

like flat on his ass.

you ran and jumped your man “i missed you so much baby” you laughed

“there is a group of teenage girls to your left that have their phones out, i love you so fucking much but save it for the bnb.” he smiled down at you

you giggled and looked over at the six girls, who were activley ignoring harry and tom who were awkwardly standing by them

"holy fucking shit im your biggest fan, please please please can i get a picture with you ive been watching you since i was fucking ten." one girl yelled

"kezia shut the hell up your gonna scare her away." another slapped her

"alanna you dont understand." she wailed

"you look alot like our art teacher" another added

"renn arent you a patron of her podcast?" holy fuck there were so many of them

they all began yelling over eachother and fan girling over you, "do you guys want a picture, or we can make a tiktok or something, up to you guys." you said politely

"can i be in it?" harry asked quietly

"um, sorry, who are you?" tom and jack started hysterically laughing and slapping harry

you guys ended up making a funny tiktok in the middle of LAX and they told you they were all friends because of an art class they have together.

after you all said our goodbyes you all loaded into ted's truck that schlatt was borrowing to haul you all around

you got in the passenger seat as schlatt went over the plan for the week

"okay, we have an airbnb for all of us, but two of you have to share a room, theres three in total. so jack tom and harry two of you will have to be sharing a bed, no homo in my airbnb do ya' hear me?"

they all burst out laughing and agree to schlatts terms

"okay, today once all of you are back at the bnb, im gonna head to the studio to record my solo songs, tommora' im recording with tom and jack, harry you can tag along or whatever, wednesday me and you are together"

he rested his hand on your thigh as he looked at you, his eyes full of stars, looking at you as if you had hung them

"then Thursday, me ludwig, quackity and theo are gonna be down there, the rest of the week is scheduled incase we need to re-record anything or just have fun, everyone undertand?"

he squeezed your thigh as he drove, eyes locked on you

"eyes on the road buddy" you pushed his head foward and sat back in your seat admiring you boyfriend as your friends wrestled in the back.

"harry cut it out, tom stop touching his bum or whatever you britsh fucks call it. youre being gay man, what did i say about that." schlatt jokes, he told you privately that he was bisexual so you knew his jokes were simply just jokes

you watched him as he yelled at the monkeys in the back seat and all you could think is how good of a dad hes going to be, you've spoke about kids before, and your both on the same page which is a huge relief.

you thought about what features your kids would get from him, and god you hoped it was his nose, you loved his nose.

"can ya' stop thinking so hard i swear i can hear your thought." he laughed as he stopped at a red light, looking over to you again

"i just love you so much." you laughed

"ew mom and dad are gonna fuck!" tom gagged

"get a room you perverts" harry lent over the middle console and made smooching noises, schlatt grabbed his face and pushed him back into his seat.

"this is gonna be a long fucking week, im gonna kill myself i swear." schlatt scoffed

"take me with you then" you sighed and slouched into your seat.

day one. (six days remaining)

you woke up with schlatts arms wrapped around your waist, good start.

you both woke up early so you could get breakfast for you and your kids, as you walked up the streets of LA all you could think about is how you want to spend the rest of your life with this man.

"penny for your thoughts?" he laughed, but was one of his calm laughs that was so genuine and unforced

"just love you, love us y'know? i wanna have a big house, a cat, maybe a dog, some little you's running around, i just cant wait to move in with you next month"

"if you say anything like that again ill fuck you right here. dont test me, im gonna have to walk around witha' boner now you whore"

your laugh escaped you and you had to bend over and stop walking as you look up at your now tomoato colored boyfriend.

"c'mon keep it moving." he gunted, a small smiled appearing on his stone cold face.

you ate breakfast together then made your way back to the bnb to deliver food to your "kiddos", soon after they all left for the studio so you decided to start a little project of your own, a suprise one

since schlatt was going to hard launch your realationship through something he loved, you decided you'd do the same

a little video about the love of your life

day two (five days remaining)

you and schlatt repeated the same routine in the morning, you went and got breakfast, went back the bnb, got changed and finally left for the studio

on your walk there schlatt warned you about the homeless person right infront of the studio

"no im so serious, he actually tried to stab me two days ago, and when i finaly got away from him he started yelling how he could take me, and not in a fight. let me tell you, he was not my type."

you both walked into the studio to be met by a italian man named David, but it was pronounced daviday.

he directed you both to a booth were you were instructed to drink tea and blow bubbles into a cup

"babe im starting to get nervous, if i fuck up, or have a voice crack, and you laugh at me. so help me god im breaking up with you" you told him

"lemme tell you what happened yesterday" he sat down and began drinking his tea. "i let harry sing one line on jingle bells and his voice went up and octave and cracked. it was so funny holy shit, i have to get that recording."

you both contiuned talking about the recording process so far, until david told you he was ready to begin, starting with baby its cold outside and you were gonna do a full run through no matter the mistakes.

the music counted in and you started off the song "i really cant stay" you sang. then your boyfriend came in with "but baby, its cold outside" and your eyes widened at how good he sounded

you went through the full thing and after the last line you laughed until you heard davids voice, "both of you, that was shit, do it again."

schlatt didnt even seem fazed by this. holy fuck you were in for a long day.

once david was semi happy with that song you moved onto something stupid, and that one went by much faster.

but the song you were dreading most was next, mostly cause you had to carry the whole song

schlatt started off the ong with the iconic bu-bum, bu-bum' when your voice came in "santa, baby, just slip a sable under the tree for me, been an awful good girl."

as you sang your eyes looked up at him an winked before you focused on singing again.

schlatt continued through the song, but the moment you were done, he scurred off to the bathroom while you did certain lines and verses over and over

when he came back, his face was significantly redder, but you just laughed and moved on, too focused on perfecting your song

you had been recording for over 12 hours now, both of you exhausted.

when you were finally done it was two am.

you called an uber and headed back to the bnb

as you fell asleep on schlatts chest, all you could think about was how you couldnt wait to upload the album, and finally live with the love of your life.

[gabberpopsexclusive]

Id love to see u do nsfw alphabet

NSFW ALPHABET TIME!! WAHOO!!

A = Aftercare (what they’re like after sex)

after sex i think hes really gentle with you tbh, he seems like he would be really sweet, cleaning you up and cuddling you after you're done, telling you how good you did.

B = Body part (their favorite body part of theirs and also their partner’s)

his favorite body part is probably his arms. he likes how perfectly you fit in them!! he swears you're just the cutest thing when you're wrapped up in his arms. his favorite body part of yours is probably your chest, doesn't matter what gender you are, the man loves tits. your tits the most!

C = Cum (anything to do with cum, basically)

is it criminal to say i think he would be into creampies? am i projecting? maybe. i think seeing his cum just pump back out of you does something insane to him and makes him absolutely feral.

D = Dirty secret (pretty self explanatory, a dirty secret of theirs)

hes like unbelievably needy, and has an insane sex drive. that man can barely go a day without jerking off to you or fucking you, and there is NOTHING that can stop him from doing so. you aren't in the mood? its okay! he'll just hump your leg. anything works for him as long as he gets to feel good!

E = Experience (how experienced are they? do they know what they’re doing?)

decently experienced imo. not like hes had an insane amount of sex, but just enough to the point where he knows just how to make you feel good. he knows what hes doing, i feel like especially when hes eating you out, he knows exactly how to make you feel AMAZING while hes down in between your thighs.

F = Favorite position (this goes without saying)

i feel like hes a sucker for doggy style. but also, i feel like he really likes to see your face when you fuck, so missionary is a big hit with him aswell. hear me out on this aswell, 69-ing with him.

G = Goofy (are they more serious in the moment? are they humorous? etc.)

little bit of both imo. like hes not too serious when hes fucking you, but hes also not too goofy when hes doing it. maybe a bit more serious because he's so focused on making you feel good while u fuck.

H = Hair (how well groomed are they? does the carpet match the drapes? etc.)

i feel like hes decently groomed, not too hairy down there. i feel like his pubes match more with his beard color than his hair color (why is that so hot?) so theyre a bit more ginger-y the way his beard is.

I = Intimacy (how are they during the moment? the romantic aspect)

i feel like hes quite intimate with you when you're fucking, i feel like most of the time hes quite doting about your needs. he's typically praising you about how well you're doing and how good you make him feel.

J = Jack off (masturbation headcanon)

i feel like he jerks off to you alot (as i said) but even more when hes away from you. like when hes away from you for a while on tour, you'll get atleast 4 videos a week of him jerking off to you, telling you how much he misses you and how hard hes gonna fuck you as soon as he gets back.

K = Kink (one or more of their kinks)

i feel like he has a thing for nipple play, idk why exactly. doesn't matter if its him playing with your tits or you playing with his, he absolutely loves it either way. he just can't get enough of the pleasure it brings him.

L = Location (favorite places to do the do)

i feel like he likes more intimate and private spaces, but at the same time he'll totally do it somewhere like backstage in his dressing room after a show. depends on how much he needs you and how riled up he is in the moment.

M = Motivation (what turns them on, gets them going)

you. you get him going. it doesnt matter what you do, literally your presence will turn him on. he loves you so much he just needs you constantly! theres no saving him, hes head over heels

N = No (something they wouldn’t do, turn offs)

he may be a freak, but i dont think he'd be into piss. just doesn't seem like his thing. bodily fulids (beside cum, hear me out maybe a bit of blood but that might be too freaky) turn him off i feel like.

O = Oral (preference in giving or receiving, skill, etc.)

he LOVES giving you head but he also loves when you give him head. he eats you out soooo well, his tongue is perfectly skillful while hes doing so. he makes you cum so effortlessly when hes eating you out, its absolutely mind blowing. i also think he enjoys guiding you when you give him head, telling you exactly how he wants it and telling you how well you're doing.

P = Pace (are they fast and rough? slow and sensual? etc.)

little bit o' both, depends if hes domming or subbing imo. dom!joost seems a bit more rough and hard to me, and sub!joost seems like hes fast but gentle, just because hes so needy for you.

Q = Quickie (their opinions on quickies, how often, etc.)

he likes quickies when he needs you quickly, but i feel like he really likes to have real, slow, intimate sex with you when he can. i think he likes the connection of it better.

R = Risk (are they game to experiment? do they take risks? etc.)

he seems like the type to try anything once, and if he likes it he'll beg you to do it every time yall fuck. like the first time you pegged him, oh god he couldn't stop asking when you'd do it again, he just cant get enough.

S = Stamina (how many rounds can they go for? how long do they last?)

depends on how pent up he is. i feel like he cums like many times, and alot. he lasts a while unless hes needy, and edging him is an amazing experience. you can really see how needy he can get when you edge him.

T = Toys (do they own toys? do they use them? on a partner or themselves?)

if you own toys, he'll use them. he doesn't strike me as the type to have many, maybe like a fleshlight for when he has to leave you for a while. i can totally see him using a vibrator on you, and vice versa on him.

U = Unfair (how much they like to tease)

i feel like he does like to tease you, especially when he's subby. he gives me occasional brat vibes, just because sometimes he enjoys a hard punishment from you.

V = Volume (how loud they are, what sounds they make, etc.)

he's loud. he moans, he whimpers, he whines, the whole nine yards. don't even get me started on the ways he praises you when you're fucking.

W = Wild card (a random headcanon for the character)

i feel like he likes subbing a bit more than he likes domming. he likes to be comforted, and alot of the time he also likes being overstimulated. subspace for him is the perfect place for that to happen.

X = X-ray (let’s see what’s going on under those clothes)

i feel like he's a solid 7.5 inches (19 cm for my international readers). his dick has a bit of girth to it, but it's not unbelievably thick. it's like, the perfect dick. there's no other way to describe it exactly.

Y = Yearning (how high is their sex drive?)

his sex drive is so high. as i've said, he's constantly horny. he'll either jerk off to you or fuck you whenever he can, he just needs you constantly.

Z = Zzz (how quickly they fall asleep afterwards)

he's zonked out as soon as you're done. like, as soon as hes done with aftercare, hes out like a light. (preferably cuddling you)

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

gosh this took forever.. hope yall like :D

i am NOT proofreading this. any errors are my fault

[peppermintquartz]

Chris opens the door and embraces Deacon in a warm welcome. He hugs her back with one arm, the other holding flowers and a case of beer. It feels almost like old times.

"It's been too long, man," she chides. "Come on in. Street's so excited, he's gone out to get this amazing tiramisu we found on one of our dates."

"You didn't have to go to that much trouble," Deacon says, smiling. "Oh that smells great."

"My aunt gave me a surefire chili recipe. We've tested it several times, it's definitely good."

"And you look good. How's everything? The shelter doing okay?"

"Yeah," says Chris. "Thanks to Nichelle, I got in touch with some sympathetic ears and they've been super generous, and I've been able to find a steady roster of volunteers. Plus, with our rep, we're left alone for the most part, and anyone trying anything gets warned off fast by the ones running the block."

Deacon makes a face. "Not sure if that's the safest way to go about things."

"Gotta work both sides of the law now," Chris says with a shrug. Deacon means well but he's still a straight white man who has always lived in privilege. "But my girls are all on the straight and narrow. I've fourteen of them with me, and six have found sponsors to help them to get work permits, which will help with getting full documentation. I'm helping another two cooperate with police because they were smuggled here after being sold by their parents for cash, and the rest... well, we'll get there." She grimaces before grinning. "Sorry. I get excited talking about my work."

"No, no it's good. I'm happy for you." Deacon hands her the colorful bouquet and the beer. "It's great that you found your purpose."

Thanking him for the gifts and rummaging around for a vase or jug for the flowers, she asks, "So how come you're here alone? I was under the impression that it'll be you and Annie. Wine?"

"Water, please. I'm driving." Deacon sits down in one of the chairs around the dining table. She wonders what he notices about the place on his second visit. It's a cozy apartment, despite the industrial elements; she especially likes the new potted herbs Street has insisted upon, even though neither of them can tell a cabbage from a lettuce.

"I, uh, I wanted to chat with you, actually. Not, not chat." Deacon says as he rubs his wedding ring. "I want your advice on something that I need you to keep secret."

An odd feeling tickles the back of her neck. She sits down in the chair beside him, wondering if she should hold her friend's hand. "Sounds serious."

"I think it is." He takes a deep breath and blows it out slowly, like he's planning to dive into the deep end of a pool. "Chris, how and w-when did you know you're bisexual?"

Chris' eyebrows shoot up. That is definitely not a question she was expecting. "Uh. Okay. For me, I was fifteen and really into a boy, a classmate." Enrique Garcia, she recalls, lean and athletic with the cutest freckle on his right cheek, with a shoulder-length mop of gleaming dark curls. "And then, one day, I met him and his older sister Alina at the mall. She was really nice when we talked and my mind kinda went a little insane thinking how pretty she was and how much I'd love to kiss her."

"And that was... That was how you knew?"

She shrugs. "Some reading up and some very confusing dreams later, I kinda figured it out." She angles her head and studies Deacon. "Are you...?"

"Fifteen, wow." Deacon chews on his lower lip. The tips of his ears are red and he can't meet her eyes. "Maybe I'm too old for this."

"You met someone who's causing you to question everything you knew about your sexuality?"

He ducks his head, still fiddling with his wedding ring. "Yes," he admits quietly. "And I know, I know it's not good, I'm married and I have Annie, it's just really..."

Chris smiles and holds his forearm. "Confusing."

"So confusing," Deacon agrees with a brief chuckle. His voice sounds so unsure and lost that it's disorienting for Chris. That isn't the Deacon she has known for the past decade. "Annie is the perfect woman for me. Like, once I met her and got to know her, I knew she was the one I wanted to marry and have a family with. And I thought that was it. That that is all I would ever need or want."

"But now you've met someone. Some guy."

Ducking his head, Deacon bites his lip and shakes his head. "I'm over fifty, Chris. I shouldn't be having sexuality crises at this age. But, yes. I met some guy."

"He's that special, huh." Chris hopes she doesn't sound judgmental. Having been through this with her own family, she feels for him. And a part of her feels honored that someone she respects so much will choose to come out to her. "Am I the first to know?"

"Yes." He clears his throat. "I never thought I would be interested in a man like that. And yet... I feel happy whenever I see him. I worry about him at work. I hear a song on the radio and it'll remind me of him."

There's something that Deacon is hiding. After so many years as a cop and now helping scared women, she's learned to read between the lines.

Still holding his forearm, she says, "Thanks for trusting me with this, Deac. I'm so honored by your trust."

He sniffs and finally looks at her, his eyes dewy with a hint of tears. "Chris, am I bisexual?"

"You could be," she says. "I can't answer for you. I'm not some mind reader for queer people. You might be attracted to women in general and one guy in particular, and that's normal. Sexuality is a spectrum and the great thing is, you get to define yourself. It may feel overwhelming-"

"Understatement of the year."

"-but I can point you in the direction of some websites or resources you can refer to. Don't be surprised if any are angled at teens, though. Most people who are questioning tend to be young."

"Unlike this old geezer," Deacon jokes weakly. She squeezes his forearm as she grins, then lets go of him.

"You're never too old to learn new tricks, Deac." Taking a deep breath, Chris leans closer and says, "I'm gonna ask something that may be invasive, and you don't have to answer if you don't want to, but you may feel better if you do."

Deacon sighs like he knows what's coming and looks at her.

"Are you seeing this guy?"

The guilt that flickers over Deacon's face tells Chris enough.

"Oh, Deac..." She pulls him into a hug.

"I'm sorry, you shouldn't have to know about that," he murmurs.

She squeezes him and pulls back enough to smile at him. "I'm your friend, Deac. But you know you can't have him."

He nods, pressing his lips tightly together. "I know. I wish... I don't know what I wish. But Chris... Chris, I'm so happy when I'm with him." There's a waver in his voice. "I didn't know that I could even be this happy with anyone."

Not even with Annie.

The words are not said, but she hears them as clear as day. She hugs him again.

They hear the keys jingle and Deacon straightens, rubbing his thumb and index finger over his eyes while clearing his throat.

"Hey, Deacon!" Street comes in with an insulated bag and Chris stands up to welcome him with a kiss. His dimples deepen and his eyes light up. "Hey babe. Deac, come here, bring it in."

Deacon smiles and hugs Street. The mask has fallen back in place over Deacon's face and Chris makes sure hers is present too.

"I'll go plate up dinner," she says with a smile, kissing Street again as she passes him and takes the tiramisu from his hands, leaving the two men to catch up. Deacon won't tell Street what he told her; that's not the friendship they have, and she knows he trusts her not to tell anyone what he's revealed to her.

It's not her secret to tell, and Deacon will need time. He'll do the right thing, she's sure. She only hopes he figures out what the right thing for him will be.

[miraculouslbcnreactions]

I've been rereading your "Gabriel redemption/corruption/canon mess of ideas post", and I remembered an old idea of mine: Gabriel driven insane by the Butterfly miraculous.

This is an artifact that allows you to sense the negative emotions of All of Paris. And then mentally connect to the person in whom the negative emotions are currently strongest.

It's less about "can this power drive anyone insane" it's more about "is there a chance this power wouldn't drive anyone insane?"

Worse, Gabriel uses this power constantly. Gabriel uses this power for shady purposes. Gabriel uses this power when already in an unstable state after losing his wife.

From a storytelling point, this neatly explains:

1) why Gabriel could go worse and worse as time progresses

2) why Gabriel's behaviour may be inconsistent (consistent behaviour doesn't combine well with sensory-overload magical madness and he is saner when untransformed)

3) why Butterfly Miraculous is so powerful (because this power is balanced with the great risk of using it)

At the same time, it is a trope known well enough to work well even in children's shows. In fact, I thought this idea may be canon, but then season 5 happened.

What do you think of this idea?

P. S. As always, thank you for your analysis, you are a treasure for the fandom!

Thank you for the lovely words! I'm flattered that you enjoy the blog so much!

I'm on the record as saying that evil Kwamis are about the only way to fix canon, so of course I love you idea! That post was about fixing canon post season five, though, so let's focus more on the butterfly itself.

Canon doesn't really explain how the heck the butterfly works. We get moments like this one from Sandboy:

Hawk Moth: I feel an emotion of great intensity. So pure… (turns a butterfly into an akuma) Fly away my little akuma and evilize him!

But why this happens is confusing. The butterfly isn't the miraculous of Emotion. That's the peacock. The butterfly is Transformation. Which is silly, so we're ignoring that. The butterfly is absolutely written to be Emotion in terms of almost everything about how it functions, so as far as I'm concerned, it's Emotion. Gabriel senses emotions with it and is even implied to have to pick what powers he gives based on the person's emotions as we see in Risk:

Shadow Moth: I need a villain who will force Ladybug to take risks, and without even realizing it, (corrupts a butterfly into a Megakuma) she'll make a mistake! (Shadow Moth closes his eyes to search for any strong negative emotions.) Extra 1: Great, of course my keys disappear from my bag just when I have to go out. Xavier: Now even benches have empty pigeon spikes on them? Oh, my poor friends... Froggy's Dad: Froggy, come back! It's too dangerous! Froggy: Why are you always scared of everything? I want to ride my bike without a helmet, without training wheels! Shadow Moth: (Open his eyes.) Perfect! Fly away, my Megakuma, and plague that deceived heart!

You could absolutely take this setup and use it to craft a narrative where Gabriel's actions are at least partially driven by the effects of feeling everyone else's emotions weighing down on him. This is extra true when you remember that Gabriel is supposed to be grief stricken. We are rarely at our best when we are mourning profound loss and the show really failed to lean into that fact even though the writers clearly wanted Gabriel to be sympathetic.

In my own rewrite, I heavily rely on these elements to shape Gabriel and Nathalie's characters. She may not use the butterfly, but she's also supposed to be mourning Emilie (or, at least, she is as of season five. I'm pretty sure that's a retcon, but it's something I changed to make her character work, so I'm cool with it.) That is a much stronger basis for Nathalie supporting Gabriel than the tired old trope of women doing stupid things because of men. (Don't get me wrong, we do, I just find it boring in most situations. It would only work in canon if the love square was supposed to be positive romantic love and Nathalie was supposed to be toxic romantic love, but the love square is toxic as hell and even "ends the world" so bleh )

I will peel back the curtain a little bit and give you one of my favorite ideas for making something like this work: if you have Emilie in a coma and not dead, then her brain would still be active. She'd still be experiencing emotions. Doesn't it make perfect sense for Gabriel to stay transformed 24/7 so that he can sense what is left of his wife, assuring himself that she's still there? And if the magic needs to stay secret, then of course that would mean that he never comes out of his home office because that's the only safe place to transform. And if you add in Gabriel being weak to the emotions of others, well, I think that has potential for something interesting, don't you?

[pharmaciacatholica]

Someone once told me that suicide isnt like a "you're going to hell rn" situation because its often done under extreme stress/altered mental states and people aren't always in full control of themselves. I am sure the "instant hell" sentiment is probably a protestant thing but do you happen to know more on this?

I actually have a post in my drafts about this but is a subject that I do not love to speak on because it is inherently sensitive and it can often be difficult to express hardline truths without coming off as callous.

The cool part about being Catholic is that I often do not need to wade into the waters on my own. For the most part, I am able to point to the words or a far more learned and pious man than myself. In this case, I have the written words of Pope Saint John Paul II:

Suicide is always as morally objectionable as murder. The Church's tradition has always rejected it as a gravely evil choice.(x)(x) Even though a certain psychological, cultural and social conditioning may induce a person to carry out an action which so radically contradicts the innate inclination to life, thus lessening or removing subjective responsibility, suicide, when viewed objectively, is a gravely immoral act. In fact, it involves the rejection of love of self and the renunciation of the obligation of justice and charity towards one's neighbour, towards the communities to which one belongs, and towards society as a whole.(x)(x) In its deepest reality, suicide represents a rejection of God's absolute sovereignty over life and death, as proclaimed in the prayer of the ancient sage of Israel: "You have power over life and death; you lead men down to the gates of Hades and back again" (Wis 16:13; cf. Tob 13:2).

Evangelium Vitae (paragraph 66)

So you are partially correct and partially incorrect in your assessment. For some people, and I’ve seen this before, to go around telling those who have had a loved one commit suicide that they are burning in hell is completely insane and unjustifiable. It is also extremely dangerous to play off suicide as something that isn’t a grave sin or that every time it happens the person isn’t culpable for their actions. Suicide is one of the sins that landed Judas in hell, because he chose despair over repentance and mercy. I also think G.K. Chesterton spoke very poetically on the subject here:

Not only is suicide a sin, it is the sin. It is the ultimate and absolute evil, the refusal to take an interest in existence; the refusal to take the oath of loyalty to life. The man who kills a man, kills a man. The man who kills himself, kills all men; as far as he is concerned he wipes out the world. His act is worse than any rape or dynamite outrage. For it destroys all buildings: it insults all women. The thief is satisfied with diamonds; but the suicide is not: that is his crime. He cannot be bribed, even by the blazing stones of the Celestial City. The thief compliments the things he steals, if not the owner of them. But the suicide insults everything on earth by not stealing it. He defiles every flower by refusing to live for its sake. There is not a tiny creature in the cosmos at whom his death is not a sneer. When a man hangs himself on a tree, the leaves might fall off in anger and the birds fly away in fury: for each has received a personal affront. Of course there may be pathetic emotional excuses for the act. There often are for rape, and there almost always are for dynamite. But if it comes to clear ideas and the intelligent meaning of things, then there is much more rational and philosophic truth in the burial at the cross-roads and the stake driven through the body, than in Mr. Archer's suicidal automatic machines. There is a meaning in burying the suicide apart. The man's crime is different from other crimes - for it makes even crimes impossible.

Orthodoxy

This is just the writing of an overrated layman poet, but it really drives home the point.

[passthepittcola]

was reading o brother (a "twins in time" au) and augggghhhhhh. tiny ford and big stan WILL drive me bananas.

seriously any combination of younger ford and older stan is just. adorable, incest or not. (i am the incest though so i will speak of it🙏.)

12yo ford + 18yo stan?

unmatched. insane. stan is so happy his brother wants to play with him again AND so guilty about not knowing where 17yo ford or 12yo stan have gone. SO guilty knowing he's lying to ford about what happened when the stans were 17. 12yo is much more interested in stan's new physique. he's so.. strong and muscled and- so ford becomes stan's little coach, funnily enough, just because he wants to watch him sweat through his tight, white shirts and watch them become transparent. stan realizes only when he catches ford jerking to it. and soon, little ford has stan wrapped around his extra finger <3.

12yo ford and 28yo stan!

stan is a nervous wreck and tries to protect ford as best he can. ford appreciates it and.. wow, stanley's.. so much bigger than him now... stan definitely jerks it in the shower and eventually ford joins him. they're SO co-dependent after awhile it's not even funny. 3 months in and they both start cryin' if they loose eachother in walmart. their relationship sexwise switches often because they both want to give and receive support, and they're very romantic with eachother compared to other young!ford x old!stan duos.

12yo ford and 58yo stan!

this is... VERY strange, because depending on the time/setting their relationship could change drastically. if it's before old!ford comes back, 12yo ford doesn't even know it, but he has stan quit working on the portal for a while. i think that would end mostly platonically.

during/right before weirdmaggedon would be incredibly strange and i don't think they'd have time to properly bond, so 12yo ford would have conflicting feelings about stan, similar to dipper did right before and right after canon ford was brought back.

i think any romantic/sexual feelings would only come up between them post weirdmaggedon. stan gets or has his memories still, reconciles with old!ford and bonds properly with young!ford. by day he's with young ford and by night he's fucking old ford into his mattress ;3. until young ford finds out and wants some lovin' too.. stan CAN'T resist the pines puppy eyes, especially if from ford. DEFINITELY lets the kid fuck him silly, but i think they'd both prefer stan take the reins. aaaa they're so cutesy

17/18yo ford and 28yo stan?

is someone cutting an onion in here? SO much angst. ford is pissed, but stan is.. stan is NOT doing so good. i think this ford would be very conflicted about whether to be angry or guilty, thinking 'did stan put himself here, or did i?' personally i need BOTH of them to comfort each other. hold eachother close. ford holds stan's hands again, for the first time in nearly a decade. stan starts crying. stan is a MUCH more solid weight and him laying on top of ford when he needs that pressure is so comforting. he knows stan will always be there. CRIES. it might take a while, but they might start getting into a relationship if ford starts appreciating what stanley would do to protect him, or if one or both of them get buzzed off smth and confess or fuck around a little <3. dubcon central!

17/18 ford with 58yo stan

at first ford might be angry, but we all really know he's just sad. and he hasn't had time to trick himself into hatred, so once stan breaks down those walls i think these two would be SO sweet to one another. stan SPOILS his boy and ford is incredibly into it. ford loves making stan cry and by jove does he turn it into a PROFESSION. (<- meant in a sweet way but dubcon or noncon is so fire.) i just think they'd be real sweet on eachother. this ford DEFINITELY calls stan daddy, i know it in my soul.

28yo ford with 58yo stan

DUBCON BLAST‼️ this ford is angry as hell (to cover his true feelings), meanwhile stan already knows what ford really thinks so he's a GIANT tease. ford says it's hatesex and stan calls it making love. ford calls him a pest in public but if stan pulls him into a secluded place. well. let's just say ford changes his tune after being edged for too long. stan is so mischievous with this ford, but then he'll have sex so gently it makes fords head spin. ford has told himself they hate eachother for so long that it's VERY hard to accept that stan loves him, actually. ford is wrapped around stan's finger and he doesn't even realize it keoejfoajdk.

bonus; 58yo stan twins

is ford physically older than stan? yes. but bigger? absolutely not. stan gets a kick out of how ford squirms when his "big brother stan" takes charge to get him to take care of himself (in more ways than one ;3). unsurprisingly, subspace is very helpful when ford hasn't eaten or slept or showered for 3 days, too jumpy or too focused on research! (don't worry, ford takes care of stan, too)

[respectthepetty]

Chen Yi is wearing the hoodie Eddie wore the first time they had sex

They are the worst

I hate them

[espikola]

[demaparbat-hp]

Oh, Lala...

[nubelo]

Sasuke thinks about that kiss every fucking day I just know it.

[finncakes]

I came here to say, if you are there, maybe you can talk to my friend Orym and try to say that we're okay and we're alive and hopefully we'll see you soon.

A Prayer Answered

[secriden]

*cracks knuckles* Okay lets talk about the elephant in the room: Style going to the support group for those who've suffered loss and telling what appears to be a fake story about losing his pet dog.

I'm going to point out a few things that I think provide a framework for Style's actions here. Not because I think it excuses what he did, but because I think a nuanced read is what the character deserves.

Point 1: An irresistible opportunity

The subs put the "Support Group for Loss" on the image in the notebook, but I'm not sure there's anything to suggest that Style would've known that was what this image represents until he showed up and saw the sign on top of the door.

In episode 2, Bison says, "He plans everything down from years, months, weeks to days" and then tells Kant:

So Style is literally just going to addresses/locations at given days and times, potentially not knowing what to expect. And as much as Fadel is certainly attending this meeting as a response to having that heartbreaking flashback (😭), this is also something he attends regularly and has planned to attend way in advance. So Style has no reason to think Fadel is attending this meeting because of a recent resurfacing of his pain.

What we, the audience, and what the characters know are very different things.

Now, should Style have turned his cute ass right around once he realised what this meeting was? Of course he should. But that wouldn't have been true to Style's character. We've been told by his best friend that he is "crazy" and been shown repeatedly that he lives right up to that description.

Style is impulsive. He's all base instinct and he acts on his desires without thought or contemplation. And by this point he is desperate for a deeper connection with Fadel. He's fascinated, captivated by the mystery that is Fadel and this is an excellent opportunity to finally see behind the wall Fadel so carefully maintains.

When Style sees the sign above the door, Style looks at the notebook (which, again, shows nothing but people sitting in a circle with the words RISE UP) like he's just realising what it means. He then gets this amused, almost rueful look on his face (like he's thinking "am I really going to do this?") before it shifts to determination and he walks through the door.

(My soul for the ability to once again gif something because FUCK Dunk is doing SO MUCH in this show!!)

To Style, this is just too good of an opportunity to give up.

Because let's be real, Fadel is so clearly lying and hiding something:

Fadel is shady as FUCK. He is simultaneously actually a really good cook (Style finally tries his burger so he knows, now), and also has the skills to work at a strip host club, and also can take on 3 guys in a fight, and also can break a man's arm with his thighs. Can you honestly blame Style for losing his mind just a little bit about wanting to get his hands on something, anything, to figure this man out?

Style is being absolutely consistent in his persistence to understand Fadel. This isn't about the car or about finally 'winning' the fight (thank you @airenyah for giving such a detailed framework to understand what Style's been doing until this point) anymore. This is about Style wanting to know Fadel himself.

Point 2: The potential implications of the setting

Now, what might give us a bit of insight as to why Style is this way? I have a theory (albeit one that could prove to be very wrong, but hear me out). I think this whole entire show is set in what could potentially be quite a small town/suburb.

There's a few things that make this theory plausible:

(1) Fadel and Bison are in hiding after Bison blew their previous cover. They're probably on the run from some section of the authorities and so it makes sense to settle in a quiet/out of the way place.

(2) Style seems to be really familiar with the people in the area. Like he grew up there and its the kind of small town where everyone knows everyone and everyone is in everyone else's business.

(3) Style is clearly the darling of the market aunties and uncles.

Style just lost her a sale and potentially a loyal customer, and she's still rooting for him? In episode 2, when Style asks the uncle to let him borrow his cart, it takes nothing but his word for the uncle to give Style his entire cart of produce for his ridiculous scheme.

Style is so clearly someone they all know well and have great affection for, and a very plausible explanation for this is that they all watched him grow up and the entire market (town/village) is fond of him.

And honestly?? Yeah, we see the way Style is actually quite sweet in that careless, guileless, thoughtless way. He goes the extra mile to fix his mistake with Fadel by replacing his car parts for free in episode 1. He helps out by taking orders in episode 2 without being asked and takes it seriously. In episode 3, he tries to drive more business to Fadel's store (bless him, he so clearly does NOT understand how restaurants work, but he MEANS well!!), and can we all acknowledge that it works?? He understands how to appeal to potential customers in the area because he knows the people there. It's not (entirely) his fault that Fadel wasn't remotely prepared for an actual rush crowd and Bison was off getting kinky with Kant and not doing his (fake) job. He is so clear about not judging Fadel's host job and tries his hardest to help him (to absolutely NO effect, but still) when the 3 guys gang up on Fadel.

Style is so loved and more importantly so very loveable.

Point 3: What this could mean for Style's character

So, potentially, Style is someone who grew up in a small town, who has been well loved, potentially spoiled and coddled, but also very much kept within the confines of the narrow viewpoint that a quiet, country town places on you.

It's in the way his dad scolds him as if he was still a child when he's at least in his mid to late 20s. It's in the way Style was so mad at Fadel for scolding him ("thanks for the lecture, dad"), like that hit a sore point for Style. It's in the way no one in the market takes him seriously; they're fond, but he's still a kid in their eyes. It's in the way he has an abundance of free time like he doesn't REALLY need to work at his dad's shop. It's in the way he sees Fadel beat 3 guys up with ease, starts wondering if Fadel is an assassin or a hitman, and is completely unfazed like he doesn't quite have a handle on reality.

It's in the way his best friend is a man who has no qualms about lying to him and putting his life in danger, and how Style seems to have no other friends or people (aside from his dad) in his life.

@wuxian-vs-wangji made a comment to me about Style being desperate for a meaningful connection, and I think she hit the nail on the head. Because along comes Fadel, a mysterious stranger with a suspiciously versatile set of skills who is also very hot and keeps giving Style these wonderfully complex reactions? Who sometimes wants nothing to do with Style, but at other times seems to be at war within himself about desperately wanting him? Who treats Style with anything but apathy?

This is catnip to Style; he never had any hope of resisting this.

Breaking news: Style is a complex and imperfect character...

Here's the thing, though: he was never going to try. The show has been incredibly upfront about who Style is as a person. Regardless of whether I'm correct about why he is this way (ie. that he is very much the product of the environment that didn't know how to handle a kid with Style's personality), episode 3 shouldn't have surprised anyone about Style. He's been incredibly consistent and true to himself.

He wants Fadel and he's "crazy" enough to go all in, no holds barred about it, and the Support Group was the biggest doorway to finally discovering something REAL about Fadel.

And its not just about sex or to prove his superiority anymore. Because if it was just that, then Style would have reacted very differently to their first time.

In this scene, Style is pleased and evidently enjoying himself, but he isn't exuberant. He isn't overcome with joy. If anything, he was more happy and excited when Fadel let him help out in the diner (I mentioned this in the tags in this post too) than he was when Fadel is literally fucking him. He lets Fadel set the pace; barely moves to touch Fadel except to hold him close. Almost like he doesn't want to accidentally mess this up, like he's worried he'll take too much, so he'll take what Fadel gives him and no more (please appreciate @braceletofteeth's amazing tags on this post). For a character that has been so aggressively on the offensive, this is shocking until you realise that sleeping with Fadel - while it's a step in the right direction - isn't Style's end goal anymore.

And he makes that abundantly clear in this episode:

Does Style even fully realise the weight of this desire? I doubt it. But I do believe that Style is in earnest. He doesn't fully understand his own feelings, but he also doesn't really care to either. All he knows is that he wants Fadel, wants his attention and his passion and his focus and his heart.

...but Style is also kind of, sort of, perfect.

Because he's exactly, precisely, breathtakingly exactly what Fadel needs.

Because Fadel is hurt and broken and bleeding inside. Because Fadel is barely holding it all together for Bison's sake, but has already given up hope for any true happiness for himself. Because Fadel can't trust anyone or anything in his life, when he's been used and used and used by the family who should've loved and cared and protected him.

Because it's going to take nothing short of this kind of unwavering, unshakable, uncomplicated determination to give Fadel even a chance of healing and opening his heart to love again.

[raionmimi]

Blizzard can't just say Lifeweaver used to watch Symmetra practice dancing for hours on end without giving them matching skins and synced emotes

Do you think she's taught him the steps to several duets that he'd do on his own anytime he missed her more than anything over the years because it felt like she was still with him

[wildstar25]

[ The Kiss ]