#I like where it's going so far. and I'm attached to the characters

[lykegenia]

2024 Writing Roundup

tagged by @juneiper-art - thank you!

words posted: 73,510

additional words written: between all the buffer chapters in my longfics plus a few sundry bits it's at least 30k

grand total of words: just over 100k altogether, I think

fandoms: Dragon Age, The Wayhaven Chronicles, and a backstory short story for one of my DnD characters

highest kudos: Rosemary and Citrus, a Rookanis slow burn retelling of Veilguard that's already grown far past its original scope

highest hit oneshot: He Makes Her Cry (He Doesn't Like It), my first foray into MasonxF!Detective from TWC, set during Book Three

new things I tried: I mostly stick to my habits, though with Rosemary and Citrus I've been posting as I go and trying to stick to a proper schedule, which is unusual for me.

fic I spent the most time on: As The World Falls Down, my AU retelling of Dragon Age Origins in which Alistair was raised by the Couslands instead of going to the templars

fic I spent the least time on: He Makes Her Cry, but only because it's so short compared to the others

favorite thing I wrote: This whole upcoming chapter for As The World Falls Down, really, but here's a sneak preview:

Cautiously, he wended his way through the shadows to Eamon’s office, girded by his imagination and the knowledge that getting caught couldn’t be worse than whatever fate was being decided for him just beyond the door. Even before he rounded the final corner, he caught the timbre of angry male voices spilling out into the hallway, and as he edged closer along the wall so that the squeak of floorboards would not betray him he strained his ears to make out the words. “– told her he sleeps in the kennels, that he gets only scraps from the cook! There is no answer for it.” The voice held a note of familiarity, but one that Alistair could not place over the shock of hearing himself so vehemently defended. “Regardless of where you get your information, this is not a matter within your purview,” came a terse reply – Eamon, in a tone low and deep with disapproval. “That is your concern here?” demanded the first voice. “I made enquiries after what I saw that day. I must say, you kept him well hidden, but that does not excuse you. Had I entrusted one of my children to the care of another, only to find them so poorly mistreated, the person responsible would find themselves very sorry indeed.” “You told me the boy was cared for.” This was a third voice, the second stranger who had ridden into the yard. “You assured me it would be so.” “I have done more for him than any would rightfully expect me to, given the circumstances,” Eamon retorted. “I have even secured him a future in a role worthy of respect –” “You wanted to make a problem disappear and thought the templars would be the easiest way to explain it.” “How dare –” “Enough!” The third voice sounded angry, and weary. “Eamon, I should have been consulted before you spoke with Knight-Captain Renwick.” “Consulted?” the second voice scoffed. “Forgive me, Your Majesty, but –” All three went silent. Too late, Alistair clapped his hand over his mouth. He backed away from the door, the imaginary echo of his gasp ringing in his ears. Whichever way he tried to run, the hallway was too long, he wouldn’t be fast enough to get out of sight before –

favorite thing(s) I read: I've done a lot more reading this year, but I'm limiting it to three:

Kiss Me Moonstruck by @theluckywizard - I'm in love with this Garrett Hawke, who manages to be a famed mercenary at the same time as a complete sap and a passable wit, and the premise of the story happens to tick all of my favourite romance tropes

Attachment Theory by @thee-morrigan - Everything about this Natex F!Detective AU is rich and delicious and the imagery is gorgeous

Sanguine by @effelants - If you want an Alistair whose characterisation is on point, then this is the fic for you. The Changes to the plot of the game keep the story fresh, and the mystery around Moira is a very compelling dive into the lore around magic and spirits

writing goals for 2025: be more consistent with actually writing, try to get my word count up, and actually go back to the longfics I've been neglecting and start posting again

new works:

Patience, And Words, And Waterfalls - TWC, musing on Leah's inability to tell Nate how she feels

Mercies - The battle for Haven, with the feelings starting to show between Cullen and Maighread Trevelyan

He Makes Her Cry

Rosemary and Citrus

Tagging forward to everyone already mentioned, plus @vela-ad-astra @athenasdragon @serenpedac @naiatabris and @lalizah - no pressure!

[multishipper-baby]

The urge to get people into JJK vs the worry that I might not like it as it progresses and thus my efforts will be for naugh

[necrotic-nephilim]

I started in DC by reading fanfics, but as I began to read actual comics, I started to be unable to read the actual fanfic that got me into it in the first place because it's so out of character.

But there are still some stories that I love to read because I love the found family trope so much, even if it isn't really accurate to the source material.

As a comics purist (sometimes), are there tropes that you like enough that you'll still enjoy a fic even if it's not accurate to canon?

oh my god this is SUCH a fun question. bc while i started with the comics, there were certain characters and/or character dynamics where i was exposed to the fanon before the canon (just bc it's hard to read everything when you start out just to read some fanfic) and so i've definitely experienced the fanon to canon transition. (*especially* with Jason Todd. i had only read 80s/90s stuff where he was already dead or the New-52 bc that was on-going when i got into comics and man. the fanon misunderstandings i had about him before i got frustrated and sat down to read all his pre-Flashpoint stuff were absolutely bonkers.) and aside from that, whilst i tend to prefer canon over fanon, i'm not past giving fanon its flowers for occasionally having really interesting insights. occasionally. so some of my fanon "guilty pleasure" tropes would probably be

Morally Grey Tim Drake - this is one where if you try to back it up with canon, i *will* get salty about it. of everyone in the Batfam aside from maybe Bruce and Cass, Tim has the *most* black and white morals. often his internal conflicts are routed in such an inability to compromise his moral views and it can cause him to clash with other characters. he's *very* stiff and rigid in his beliefs and is *rare* to compromise in even the smallest ways. i mean, DC has repeatedly used Tim Drake of Tomorrow/Savior/Gun Batman!Tim for a reason. it's to demonstrate that of everyone, Tim *cannot* have his morals compromised. there's no grey area for him. he's zero or a hundred, so if he tips over the edge of "too far" he tips *all the way*, and doing so is one of his worst fears, how he could go "too far" if he let himself. a couple panels out of context from Red Robin (2009) (which was a grief spiral for Tim to begin with) don't change that. now that said. if it's done *right*, i sort of love Tim being morally grey in fanfic. it takes a specific flavor for me, and it's incredibly important to include that mental spiral along with it, of him struggling to justify it. i don't have any interest in "Tim Drake is loosy goosy with Bruce's morals and has the highest kill count and no one knows teehee" bc it doesn't play with the interesting parts of making Tim morally grey, which are fracturing his psyche. but all in all, i think it's fun to put Tim in a morally grey area and i will read it in fanfic and i enjoy writing it a lot

Joker Junior!Tim Drake - i've not written it on this account (yet) but on my main ao3 account one of my biggest fics surrounds this concept. this is one of those "well *technically* it's canon but only in a specific very divorced from the comics universe and would not work at all in the main timeline" so, i categorize it as fanon in that 95% of fics exploring the concept are not doing so within the Batman Beyond universe, but the main timeline. i just love it. I'll take any excuse to whump Tim, but this concept is so fun. psychologically breaking Tim will always be my favorite pastime. there are so many ways to explore the long-term effects this could have on him, how it could affect the Batfam. i'm not a fan of it being used as a "gotcha" to Jason or Babs' trauma with the Joker to paint Tim as the Ultimate Victim, but it is fun to see how their relationships would be affected by being mutual victims of him. (i have a vague JayTim idea where TIm fully retires from being Robin after being Joker Junior and killing the Joker, making Steph Robin for most of his typical Robin era and Jason still tracks him down out of curiosity bc he wants to know what happened and all. very underbaked but i've got thoughts.)

Renegade/Apprentice of Slade!Dick Grayson - this is another one where yes, this happened *sort of* in canon, but i highly doubt most people writing Renegate!Dick have read or are actually pulling from Nightwing: Renegade. it's just an exploration fo the concept fo Dick being Slade's apprentice and i will always eat it up in any capacity. whether Dick grows up with Slade from a young age, or chooses Slade for whatever reason later in life. it's not anything that works in canon bc it compromises Dick morally (similar to the above with Tim) and therefore will always come across incredibly fanon in most fics. but i can't say i don't enjoy it. it's fun to make Dick a little morally fucked up and see what you can make him under Slade's tutelage.

Jason & Damian Meeting in the League -there's no world where i believe this could work in the canon comics. (maybe in the Young Justice cartoon i suppose, but even then i think it's iffy) i would go as far to say it's wildly unrealistic. i don't see a world where Ra's would let Jason anywhere *near* Damian, bc Jason was Talia's pet project that he didn't approve of. that all said, there's something very interesting about how they *could've* met and them potentially bonding during that timeframe. them being somewhat brotherly during this time because Jason sees Bruce in Damian and sort of latches onto the kid and Damian is full of wonder hearing real stories about Batman and Robin, then that getting violently ripped away by Jason leaving the League is fun to me. it's fun how that could affect them within the Batfam and all. it's super fanon to me, but i do not care. i will eat it up

Bad Dad Clark Kent/Good Dad Lex Luthor - i will admit as a late, i've been less and less kind to this particular fanon bc of everything i've argued with people about, *this* one seems the most pervasive as misunderstood fanon. i don't mind when fanon exists, my gripe is when ppl try to claim it's canon. and the *arguments* i've had over this with people who can never seem to cite an actual comic are... frustrating. but that said, i think there is something fun to this strictly in fanon. the duality of who you expect to accept Kon and who you expect to hurt him being flipped is just sort of fun for the occasional guilty pleasure fic. it can make Kon's internal conflict a bit more interesting. the same goes for the Jon favoritism from Clark, it's not a canon thing (and i rlly wish ppl understood how complicated the timeline of Kon and Jon is and any distance from Clark toward Kon isn't malice, it's that Kon is from a timeline that Clark does not remember in the current canon so Clark just straight up doesn't know the poor kid.) but it's sort of fun to give Kon that complex of being overlooked and forgotten sometimes. making Kon just a *bit* more Luthor than Kent will *always* appeal to me in fanfic, especially if he *knows* it's wrong but craves approval from anyone who will give it.

Good Dad Bruce Wayne - i'll die on the hill Bruce is canonically a shitty father. maybe not to the extreme some people write him as, but he's not great at it. that said, i enjoy it in fanfiction. sometimes, i just want silly fluff or hurt/comfort where Bruce finally gets it right and manages to comfort whatever Batkid is in the fic. one of my favorite fics of all time is hinged on Bruce being a good dad, so i think it's just fun to explore how good the relationships *could* be, if Bruce was slightly less of an asshole. i usually prefer him as an asshole, but there are times i want low stakes nonsense.

Gotham Rogues Having Soft Spots for Robin(s) - just about every Rogue in Gotham has done something absolutely irredeemable, and most of them don't like or care about anyone in the Batfamily. but if there's a fic where one of the Robins inexplicably is sort of close with a Rogue and they have a cute silly relationship out of it? I'll eat it up i fear. Steph and the Riddler are besties? I'll believe it. Tim and Scarecrow get along pretty well? give me ten of these. Rogues protecting Robins just hits a spot. the unexpected nature of the relationship, as well as the fact they see each other regularly, can make a lot of good fodder.

[astrolotte]

augh . this show

[dbphantom]

So those death flags on Roberto eh... Meryl is definitely using that derringer after he dies, right? It's her signature gun, there's no way she won't...

[cursedchildofchaos]

Generic non spoilery thoughts for Moonvale.

I have feelings, both good and bad about the new game. Some things, I like better than Duskwood. Some things are disappointing

[smol-tired-binch-blog]

It baffles me sometimes how Yakuza 0 is about the weight of taking a life and how death and killing is a big deal and then the rest of the series it's like lol no.

Female character? Kill her off with little fanfare and development. Helpful side character? Dies for the protag. Antagonist? Have them off themselves.

Characters whose deaths could've and probably should've carried more weight but we don't get enough focus or development on their character. Potential is often squandered. And yes, there is something hard hitting about losing a character before they truly had the chance to flourish, but when it keeps happening? We can't build on character bonds, that'd mean cutting down on substories!! What do you mean we've done this one before it's different now!!!

Not to mention when the franchise decides that completely fatal wounds Are Fine Actually They're Alive And Well All Along. And, y'know. The Heat Actions. Akiyama has kicked many men to death and you won't convince me otherwise.

Idk I like the franchise but I feel there's a bit of lack of tonal cohesion here and there. Notably.

[welcometogrouchland]

Okay I think I actually love the Brazilian dub of toh (<- I do not speak Portuguese)

[elianzis]

SOOO...WHAT THE HELL IS THIS

First off, I apologize for tagging artists, but you should know about this shit.

I'll quickly bring you up to speed.

YouTube has slowed down in Russia and the authorities are "recommending" to move to domestic platforms like Rutube, which of course can't compete with YouTube in any way.

So, even earlier my friends and I faced that our work was reuploaded to Rutube without our knowledge.

And this afternoon kind people, threw a couple of screenshots with reuploads to RuTube also other artists. I will attach all these screenshots to this post. Among the artists I know are: @anniflamma @gigizetz @wolfythewitch @mircsy

Unfortunately, RuTube has a very shitty system of copyright reports, where they ask you to provide your personal data (passport, address and DOCUMENTS that prove your copyright), so last time with friends this situation was let go, because there were no serious hits there.

Unfortunately, the only possibility now is to try to throw technical reports, but this is also unlikely to work. I will also attach links here for some animations

I'm very sorry for this..

[vaguely-concerned]

the more I play the more I think lucanis basically knows it's illario who betrayed him right from the beginning (he's had a year in the ossuary to think. not that many people knew where he was going. when you ask him 'did Illario know you'd be on that ship' his only answer is the hardest flattest 'yes' you ever heard). so it's not so much about figuring out who the traitor is (because that's ludicrous. we all know. immediately. they didn't really bother to hide it lmao) as about methodically closing off every single avenue of denial lucanis has clung to that whole time with as much or little gentleness as you might prefer until he has no choice but to admit it. because the moment he has to admit it, he'll have to do something -- feel something -- about it. and that's such a catastrophic event in lucanis' inner landscape (he has had TWO people in this whole entire world up until now and will do anything to hold on to them with a heartbreaking child-like desperation, even at and especially through the detriment of his own self) that he'd rather just. not. what if we quite simply. didn't. what if we just stayed here in the emptiness where we can both pretend you didn't hurt me in a way I should never forgive. I have so much practice in that with caterina already it's always worked out great for everyone so far. (press x to fucking doubt but that's trauma logic for you lol)

after everything illario did, so much of the storm of lucanis' emotions around it is 'what the FUCK did you get yourself tangled up in this time and how do I get you out of this mess safely'. what's worse: the fact that your brother murdered you, or that he put himself in horrible danger doing so and thus exposed you to the risk of losing him forever. lucanis' heart certainly has an opinion here and it's fucking unhinged (affectionate)

the themes of dissociation in lucanis' character in general makes me feel nuts. allllll these contradictory messy things he needs to cut off from each other because they can't coexist or be easily reconciled inside him. but all remain stubbornly true separately anyway and will have their due one day. love and resentment. tenderness and fear and rage. terror and longing. love and freedom don't coexist. the burned out golden child anthem is playing in the background. he was always caterina's favourite and he has to keep striving to deserve that dubious honour with every breath he takes and then, presumably, mercifully, some day he will die and be excused and can rest. and until now he's suppressed all the -- natural, healthy, protective! -- negative feelings that threaten the few attachment relationships he actually has, at the cost of ever actually having his needs for connection and safety met and leaving his core self imprisoned and compromised. and spite goes 'what. no. that's dumb fuck that' (*spite voice* I do not understand that and even if I did I would not respect it) and does not allow him to fall back into that, which I think is what saves his life, ultimately. it took being possessed by a demon for lucanis to even contemplate telling anyone he loves 'no' in any way, but hey. whatever gets you there right lol

lucanis is dealing with the freeze response allll the way down baby. and he was even before the ossuary, that just turbo powered it and brought it to a breaking point way before it could happen naturally. but something was going to break eventually no matter what, and I'm just glad that in the end, through the power of friendship and also pure spite, it doesn't have to be him

[workingwhileidream]

Okay Burrow's End had me thinking some thoughts... So here are my favorite Dimension 20 moments that rotate like a rotisserie chicken in my brain (in no particular order other than the order I thought if them).

- Riz goes into the butthole of the Corn Ooze Monster (Fantasy High). The first absolutely insane shenanigans move anyone makes on D20, setting the tone the show will have forever.

- Raphaniel kills Queen Pamelia (Ravening War). I think I saw Brennan's soul leave his body briefly when he got that How Do You Want To Do This from Matt. Time was an absolute flat circle that day.

- Hank convinces Brennan to let him role savvy instead of sneak (Mentopolis). Hank is one of the most famous content creators, having him on the show was phenomenal to begin with. Then right out of the gate, he pulls this move in his first episode. And it just works. Hilarious, instantly iconic.

- Jet Dies (A Crown of Candy). When Lapin dies, it is shocking but I wasn't attached to him as a character. Lapin was a bit antagonistic and his death happens early in the season. On the other hand, Jet is instantly likeable. Emily and Siobhan are amazing as siblings, their performances this campaign are some of my favorites. I have siblings and I am very close to them, so this hit me like a ton of bricks.

- The entire epilogue of Burrow's End. "Are you pitching and Air Bud ending?" is one of the instant hall of fame quotes from this show. I started crying I was laughing so hard.

- Ylfa's bottleneck and the TPK (Neverafter). There are so many close calls for total party kills in Dimension 20 history, but this is where it finally happens and it's only 3 episodes in. I was on edge, expecting another TPK at any turn, for the rest of the campaign.

- 3 nat one initiative rolls for the battle that literally opens the season (A Starstruck Odyssey). The beginning of a new season is always full of excitement. This season was extra special, having everyone back in the dome after the pandemic and the season being based off Brennan's Mom's comics. The zoom energy is still in the air and I still think about this season opener a lot.

- Mother Timothy Goose breaks Snow White's concentration with a cantrip (Neverafter). Only Ally Beardsley could and we all damn well know it. Still didn't stop me from being so far in disbelief that all I could do is laugh.

- Hob's "You will never know another lonely day" speech to Rue (A Court of Fey and Flowers). I will still cry about this if I think about it for too long. Rue and Hob's romance is the heart of this season to me. I won't be over it ever.

- Gertrude convinces Nyruth to give the Questing Queens very powerful boons after the Queens tried to rob them only a few hours earlier (Dungeons and Drag Queens). The fact that this season exists drives a level of serotonin into my brain that is unimaginable. This is the definition of a big swing and when Bob rolls well, Brennan has no other choice than to honor it. This is one of the moments I have made a meme of. I cannot wait for season 2.

- Wuuvy shows up to the duel and she did not come to play (A Court of Fey and Flowers). Aabria has talked about how Wuuvy is one of her favorite NPCs and I feel the same. Wuuvy and Rue's relationship has such a great arc and this moment is so pivotal.

- Fabian's no good very bad day (Fantasy High Sophomore Year). An iconic moment in D20 history that was truly wild to watch live. For everything to go so fantastically bad for Fabian and Lou was unprecedented. There is a reason why people still talk about this moment to this day.

- Amathar survives being pushed off the castle (A Crown of Candy). Brennan tried to kill Lou so many times in this campaign. I really thought Brennan had gotten him with this one, my stomach sunk. But Lou pulls it out and Amathar lives once again.

- Pib plays "Smoke on the Water" (Neverafter). "I stepped out to play 'Smoke on the Water' " is also a hall of fame quote to me. This list could be all Pib moments if I'm being honest, he's my favorite Zac character. And the fact that Zac doesn't roll well makes this moment funnier to me.

- Buddy Bear gets planted with the All Blossom (Dungeons and Drag Queens). Jujubee and Brennan owe me a therapy session for this one. I sobbed. My cat is my baby and I will be ruined the day she leaves me, so I get it. I really do.

- "Eat your dice, Brennan" (Fantasy High Sophomore Year). A great bit made physically possible by Siobhan. I hope Siobhan gives him gummy dice or something like that so that Brennan can continue to eat his dice for Junior Year.

- Orange Top Hat Fairy (Neverafter). It's a horror season and the cast is doing bits about how hot a mini is the entire finale and the Adventuring Party that followed. I felt the stress and off the walls energy through the screen. The Smooth Criminal pin was the first piece of Dimension 20 merch I bought.

- Viola's epic takedown of Phoebe (Burrow's End). Watching Rashawn absolutely crush it her first time in the dome was amazing. I loved Viola from the jump, her arc was so satisfying and fun to watch. Also the idea of a tiny stoat kicking a gun just the right way to get it to fire is hilarious. No notes other than please have Rashawn come back on every season she possibly can.

- Evan Kelmp warns the Rosemont student not to duel him (Misfits and Magic). Brennan's deadpan warning matched with the reactions of the other players and Aabria really make this scene. An underrated Brennan moment for sure.

- Stacey Fakename turns out to be real (Mentopolis). This was such a good reoccurring bit, so to have Stacey be real at the end of the story was too funny. In a season of bits, tropes, and puns - this one has the most payoff to me and is definitely my favorite.

[couldeatthatgirlforlunch]

For the yandere! Justice League x assistant reader, how would they react if they had Deadpool as a friend? Like he randomly shows up. They would try to keep the reader as far away from him as possible, but it's Deadpool. Lol. How would Yandere Justice League feel if the reader liked Deadpool because he's funny and makes the reader laugh even if in a tense situation, randomly just talking about nonsense and/or making funny jabs at some of Justice League members? Not only that, but he would just annoy them for his and the reader's amusement. I can also imagine Wonder Woman or Superman trying to kill/critically injure him but finding out he has a super healing ability. LOL. I can imagine the scene where Deadpool punches Colossus, but his hand breaks, then he tries again while saying, "Cock shot!" but his other hand breaks. Instead, he does it to Superman and says, "Oh, your poor Lois Lane!" I feel like that would make the reader laugh out loud.

I finally saw the Deadpool & Wolverine movie, and I loved it! So now I want to see more content about Deadpool. I forget how funny he can be. I would like you to add a Deadpool & Wolverine, but I don't know if you have seen the movie yet. But I recommend you go and watch the movie.

A Day in Life: Best Friends Forever

Synopsis: A day in your life where a visit from your friend ends up in Deadpool losing his thumbs and re-attaching them back.

Pairing: Yandere!Justice League X Gn!Assistant!Reader; Platonic!Deadpool

Tw: 18+; No spoilers from the movie; Some violence; Light gore descriptions (not really); Some sexual comments (it's Deadpool); English is my 2nd language.

Word count: 830

Requested? Yes.

Extra notes: I loved this request, saw the movie on like the same week it came out, sorry this took so long</3

General masterlist | A Day in Life - Series masterlist

— So that's what happens when I’m not around, huh?! — Hal Jordan snarked, faking amusement by the sight in front of him, but being very much not amused.

How? Was the question going through everyone's minds, as they watched their dear assistant (Y/N), in the middle of Hall of Justice, chatting away with a very infamous criminal known all around the hero-villain underground, who every single soul despised, and yet, there you were, choking your laughter and in tears with Deadpool, acting as if you've been friends all your life.

Diana was the first one to approach, followed by the rest of the Justice League.

— (Y/N), is this man bothering you? — She squared up and stared directly on Deadpool’s blank white lenses. That grounded you and helped you come back from the stories your friend was telling you.

— B-Bothering me? — Your laughter slowly died down, and you wiped your tears. — No, we’re just talking. — You shrugged and sniffled, so happy that a genuine smiled was fixed on your face, hypnotizing all the heroes for a moment.

— Wonder Woman! — Deadpool gave little fangirl jumps. Diana swallowed a groan. — It’s amazing to see you again! I’m even wearing my fanciest anal plug and thinking about you, all in your honor. — Diana couldn't control the disgusted and astounded expression on her face, while Wade saluted her. You bite your lips to not giggle.

— Don't be silly, Pool. Not everyone understands your humor. — You lightly slapped his shoulder and he sighed.

— I know! That's why I'm so introverted and depressed! — He shook his head. — That's why Disney sold me to DC, they couldn't handle my deep and complex character. Let's hope James Gunn knows what he's doing now. — Everyone, including you, furrowed their eyebrows, but no one decided to question what the hell he was talking about, since the mercenary was known for being insane. — And just after my third movie with Wolvie came out! Unbelievable. — He threw his hands in the air and shook his head while looking at an empty space as if there was someone there. He did that sometimes.

— You seem… Close. W-When did that happen, (N/N)? — Flash looked between you and Deadpool, biting his lower lip, slightly anxious. You blinked.

— Oh, well. Like, a few months ago? He sent his curriculum because he wanted to be part of the Justice League. There were no records of him in the system so I Interviewed him. Obviously he didn't pass, but we became good friends! — You shrugged with an easy smile.

— That's… Great, (N/N). — You narrowed your eyes on Hal Jordan.

— Hey… — Deadpool's mask gave the slightest hint that he was furrowing his eyebrows, and he pointed at Green Lantern. — (Y/N) told me about you. I don't like you. — He took his guns out of the holsters and pointed at the brunette. You gasped and stepped back, slightly regretting having told Wade about that. — STEP BACK WORST RYAN REYNOLDS SUPERHERO MOVIE OR I’M GONNA BLOW YOUR BRAINS OUT IN 4K R-RATED! — Hal raised his arms. He was already on thin ice with you, and beating your bestie would probably be a bad idea to start over.

Batman grunted for someone to cover your eyes and threw two batarangs that disarmed Deadpool before he could react. Deadpool gasped and looked at the ground wide eyed. His thumbs had been chumped off in the ordeal (Batman was jealous and also knew he would just regenerate).

— WHAT? WHAT’S HAPPENING? — You blindly yelled, since Superman had zoomed to just behind you and was covering your eyes.

— HE CASTRATED ME! — Deadpool cried, reaching back for his swords, but since he didn't have thumbs anymore, he couldn't even hold them, making him just cry more from frustration. — THE DADDY ISSUES JUST GET WORSE! AND JUST BECAUSE I WAS READY TO BE ADOPTED BY YOU! — Batman furrowed his eyebrows at the mention of him having more than just one kid.

— Guys, we should all just calm down. — Flash tried to play the pacifist, standing in the middle of the chaos with his hands up, but Wade’s cries were covering his voice.

— WHAT'S HAPPENING? — You tried to tug Superman’s hands off, but he didn't let up, and started trying to sooth you.

Deadpool got to his knees and pathetically tried to push one of his thumbs into place, trying to accelerate his healing process, and after 30 seconds of chaos, he perked up when the thumb got attached again. He did the same to the other one.

— The sight is gross, (Y/N). You do not want to see it… — Wonder Woman mumbled, eyes fixed on the scene, feeling a mix of grossed out and impressed.

— Gross? This is natural. Like the birth of a little naked newborn baby. You wanna know what's real gross? My roommate Blind Al’s stink! She might as well be dead at this point… Uh, oh… — Wade slowly got up. — (Y/N)... Call me an Uber. I need to check on someone.

Like, comment and reblog 🥰

[nymph-ette111]

Hi, could i ask for some headcanons for Toby, Ej and Ben with a S/O who gets easily lost, like even getting lost in the most absurd places

(♡) Authors note; my first request LET'S GOOO 💪 I'm still not used to writing headcanons but I really want to, and I realized that I started quite blindly :') I should've made some character analysis or aus beforehand but oh well. I'll do it another time but for now, here you go <3 also not proofread so ignore any mistakes

TOBY;

- this man is the embodiment of attachment issues. It took a pretty long time for him to crack open his protective shell, and once he did he swore to never leave your side.

- I imagine this happening whenever you two are outside, which rarely happens. I mean...he finally found a lover, he won't risk them running away because let's be honest, he probably kidnapped you but that's another story.- you two were just taking a stroll in some area and then all of a sudden you're gone. Completely out of sight.

- low-key panics once he realizes that you're not beside him anymore.- will literally search the whole entire place for you, calling out your name multiple times. He doesn't care if some passerby hears him. He will find you.

- once he catches a mere glimpse of you, he's immediately running over. It's clear that he's upset, he really thought you took the chance to run away since he finally warmed up to the idea of going outside and not keeping you locked up in his stinky ass cabin (please get this man a proper home he really needs it)

- good luck convincing him that you just wandered off because he would not believe you. After a while he might let it go but best believe the little walk you two planned is cut short. He's taking you back to his place as soon as possible.

- it might take him some time to let you go outside again since he's still a little suspicious. And now he's even more clingy but hey, we're not complaining. Who wouldn't want Toby by their side 24/7?

EYELESS JACK;

-quite similar to Toby, this cannibalistic demon finally found someone who actually loves him (which he still doesn't get what you see in him) let's just say...he wouldn't be very happy about the situation.

-would also think you were running away from him. After the whole failed cult sacrifice thing and him losing his vision, his other senses are now heightened. He'd use that to his advantage to find you.

-which isn't too hard for him, you didn't wander far since he probably heard you as soon as you walked away.

-he isn't angry, just worried. He starts to look after you more often, always keeping an eye out Incase you get lost again (...he doesn't have eyes:3)

-it becomes a little thing where whenever you start to walk off, he's dragging you back by the collar of your shirt so you don't get lost again.

BEN;

-this isn't much of a problem for him, sure he'd be quite confused at first because where the fuck are you going?

-this little fucker probably finds it amusing, not even doing anything about it just to see you get lost.

-eventually guides you back to wherever you two were originally. Like I said, it isn't a problem for him and he won't panic like the others since he is literally a ghost...he could just teleport to you whenever.

-most of the time he drags it out to see you get scared once you realize you wandered off again and can't seem to find your way back but he'll still help you. Just after a long time because he's an asshole like that.

[fizzlo-and-the-cubes]

uoghoughghg bloodbender au follow-up

(idk if any of you watched rottmnt and caught the reference here but i'm making this phil act more like a draxum-type character. there will be more references to draxum in the future. this is a threat.)

extra notes under the cut vvvv

phil wont get attached to these kids, he's a warrior after all (he gets attached after like a month lmaoooo)

missa first only came to the human world for it's music - he hates humans actually. after chayanne and tallulah showed him kindness though he started street performing and gave his earnings to the two of them

missa doesn't pull the wet cat act with phil here he gives that man passive aggressive hell

maybe phil disturbed something in the spirit world and it pissed missa off?

phil's plan is to move around unpredictably in order to evade someone and the kids follow him (to his irritation)

if i ever make this into a full on story i imagine they'd go to the earth kingdom first, where foolish and tubbo are building a city of their own that phil wants to seek refuge in

they go undercover most places (hence the different outfits) because phil is wanted in literally every country

cellbit is being held in a prison in the fire nation for bloodbending. while scouting ways to break him out, roier found pepito and brought him back to foolish

bagi is also a bloodbender but she barely uses her abilites. chayanne might seek her out later on in the story

roier carries a spool of metal rope and uses it to swing between buildings

charlie is a water bender and lives in the foggy swamp with juanaflippa

vegetta and willy are combustion benders

jaiden baghera and carre are air benders

etoiles can bend lightning

pepito is taught earth bending by foolish and roier, water bending by cellbit and juannaflippa (sometimes), air bending by carre and fire bending by leonarda

no dead eggs there will be no sadness (there will be sadness but i like the dead eggs and they cant bend if they're dead)

tallulah thinks chay wants to meet cellbit to learn blood bending, but in reality he wants cellbit to remove his bending entirely

if you've read this far you're being perceived YOU'RE BEING PERCEIVED OOGABOOGABOOGA NIGHTMARE NIGHTMARE-

please bear in mind I'm not an expereinced writer in the slightest and i've never had the balls to make an au before so please bear with me as I get a better understanding of the qsmp characters. there are dozens of people to account for and i want to be fair and accurate with who i portray. k thx luv u all /platonic BYEEEEE

[specialagentartemis]

ykw i am having so much fan watching you be a hater, that i’ve decided to ask for more. PLEASE give us a rant about a book you hated.

Haha aw I'm honored. And uh I hope you don't have any particular attachment to Becky Chambers. Sorry in advance.

But A Psalm for the Wild-Built won a Hugo and I do not get the love. Book 1 was nice enough, yeah. Book 2 had me tearing my hair out.

Sibling Dex is a restless Tea Monk who serves the God of Small comforts on the science-fantasy planet of Panga. I genuinely love the idea of a tea monk - part therapist, part confessor, travels around to the different towns, mixes tea blends for people, lets them talk about their worries and fears and stresses, and gives them, if not advice, then sympathy and a listening ear and some calming tea. This is meaningful work but they're unhappy. After doing this for a while they're still unsatisfied with their life, so they go into the woods searching for self-actualization, and meet a robot named Mosscap, a wild robot that lives in the woods. See, hundreds of years ago, all the robots "woke up" and became sentient one day, then they staged a quiet rebellion against humanity's greed and industrialization by walking into the woods and never coming back. Now, the continent is split in half: humans stay on the Human Side, and robots stay on the Robot Side. The Robot Side is kept wild and humans are discouraged from going in there because humans can't be trusted not to ruin Nature. The rpbots are welcome to come to the Human Side, they just never have. Dex is the first person in a While to venture into the woods of the Robot Side, and the first human since the great walkout to see a robot. Mosscap gives Dex a lot of philosophical pep talks about not pushing themself so hard, about allowing themself to just rest and appreciate the world without feeling like they need to be Providing A Service to justify their existence. It's a nice theme. Underbaked, imo, but nice. Relateable.

Book 2 was a goddamn mess.

Book 1 mostly takes place in the wilderness of the woods, so it's okay if the nice utopian human community Dex comes from was sketchily-built. It Just Works, and everyone Is Just Nice, this is a science-fantasy parable. There were some issues I had with it - like the strict ideological and physical divide between Nature and Humans, and the fact that Dex's religion seems to be the Only Religion In The World, and it's vaguely secular-humanist with the gods being not "really" gods but names given to primordial forces and philosophical concepts, and the religion not really making any demands of its adherents in any way except to become their best selves and devote themselves to what they like... it's potentially interesting, but overall kinda lazy. It felt like Becky Chambers was aware of the idea that having an enlightened-atheist sci-fi utopia is Problematic, so she made there be a central religion, but she also didn't want it to have any of the ~icky~ things religions have, like belief in anything supernatural, or dietary restrictions, or creeds, or codes of behavior, or expectations to make any kind of sacrifice in any way. All the gods "ask" is that humans observe and appreciate the world. But whatever.

In book 2, Dex and Mosscap return to Dex's society, and the book seems to want to explain how the world works, and oh my GOD is Chambers not prepared to do this.

"Observe and appreciate" is all anyone is asked to do. Book 2, A Prayer for the Crown-Shy, is an ode to ultimate virtue of Doing Nothing. There's this attitude I see in a LOT of utopian fiction, where the author is bluntly just not a good enough author to imagine a utopian society where people act like people, so in the world of Panga, utopian society is achieved through 1) homogeneity 2) no one giving a crap about anything.

As far as I can tell, there is the one religion. Most people are Fine with this. Most people are Fine with anything. There are no characters with distinct personalities. There's no money, except there is, except it's not real money and no one will deny you anything if your balance is in the red, even though your balance is available to be seen by anyone - this does not cause any kind of shame or pride or competition in any way, and Dex doesn't understand why it might. There are no hierarchies or governing bodies, people just volunteer to step up when things need doing (this is portrayed as great and not deeply concerning). There are different communities, but in them, everyone is uniformly nice, friendly, and helpful at all times. There are some parts of nature, like the seashore, where people are not allowed to go because they'll ruin the environment, and this is accepted as correct and necessary. Most people live in hippie, pro-recycling, high-tech, end-of-history green communities; there's one group they visit, however, that doesn't trust technology, and lives in a vaguely sci-fi-Amish way. You might think, Dex travelling around with a robot, this might cause conflict! It does not. The people from this community calmly explain their anti-technology position, Dex calmly explains their pro-technology position, and they politely respect each other. "Not bothered either way" is a phrase that turns up in various permutations a lot and is held up as the good, mature, responsible way to be.

There's a scene where they catch a fish for dinner, and instead of killing it, the scifi-Amish guy says "We let the air do that for us, and they let the fish slowly suffocate to death in the air while they all look on solemnly and sadly. This is portrayed as a deep, beautiful moment of them witnessing and honoring the final moments of a living being's life. And not. y'know. them torturing a living being to death so they can keep their own hands clean.

This is what I mean about the valorization of passivity: observing is all you are ever obligated to do. Letting a fish die in the air is better than killing it quickly and humanely, because doing things gets your hands dirty, while letting things simply happen is the Correct way to do it.

At the end, Mosscap and Dex blow off all their promises and appointments and just hang out at the beach chilling out instead, because do what you want forever, you don't have to do shit. This is the happy affirming ending. Mosscap you fucking said you'd meet with the city leaders as the robot ambassador to the humans, did you tell them you were blowing off this commitment because you didn't feel like doing that anymore??? Did you even let them know??????

It is SUCH a baffling book. The theme wants to be "you are more than your job, you deserve to just Be" and ends up feeling like "you don't have to do anything ever, and no one can make you do anything you don't want to do if you don't feel like it, and you don't owe anyone anything and searching for a purpose in your life is just making you stressed out so chill at the beach instead."

The thing that drives me crazy is like. Mosscap cheerfully tells Dex about robots that spend twenty years in a cave watching stalactites form because they think it's beautiful, and those robots are just as much a valued part of society as anyone else. Appreciating beauty and wonder is good enough, you don't need to be productive. And I'm just. fuckin. like. Humans are not robots! Robots don't need to eat or sleep! Humans need food, and clothes, and shelter, and medical care, and if we don't have SOMEONE working to provide that, we Die! Nice as it would be, we CAN'T just all do nothing forever until we feel like it! We can't do that!

And at the same time, the book bizarrely treats wanting a purpose in life as like... almost disordered. If you are seeking a purpose in life it's because you just haven't let go of your guilt and relaxed enough. It's bizarre. Valorization of passivity. Humans aren't meant to be in nature so we just Shouldn't. Doing nothing and having no strong opinions is the most self-affirmed you can possibly be. Letting a fish suffocate is more moral than quickly breaking its neck or spiking its brain. Someone else will do it. Who, if we're all supposed to be resting and only doing what we feel like? Don't worry about it.

"The heart of this book is comfort [...] There is nothing in it that can hurt you." YOU LIAR BECKY CHAMBERS THE FISH SCENE STILL DISTURBS AND UPSETS ME TO THIS DAY

[topazadine]

Things that immediately turn me off a fiction book

I'm pretty picky with what I read, because the time I spend reading is time that I could spend writing. I generally know if I will like a book within the first chapter, and I feel no shame in giving up if I'm not vibing with it.

And no, I don't believe in the "oooh read further it warms up" because does it? Does it really? Do I want to waste time finding out?

Frankly, at this point in life, I read more nonfiction than fiction because there's just so. many. bad. books. that are getting published. Worse than fanfictions.

Anyway, here are the things that make me give up. Maybe hearing this will help you as you write your own masterpiece.

Too Many Proper Nouns

Three characters maximum in the first chapter or two. Do not throw dozens of people at me. I will get confused and give up. Let me get to know the main character, by themself or with a few of their closest companions, before you make me remember everyone else. And go deep with those characters! I want someone to stick with!

You can reference other characters, to create a sense of a deeper world, but do not go all-in on them. Make it clear that they are just there to provide a bit of context, and we don't have to remember them yet. We should only be meeting three characters maximum.

Throwing Us Immediately Into a Dramatic Action Point

This is controversial I know, but I hate when something immediately starts with a battle. I don't care if any of these people live or die. I don't know them. I haven't grown attached to any of them.

Even just a page or two to get to know them first will help. You can have them gearing up for a battle, thinking about what's going to happen, maybe talking to their friends, maybe checking their armor, whatever feels natural for them. But do not just start with stabbing people! I don't care about them yet!

Too Many Details

Many this is just me, but I simply do not care about every piece of armor your character is wearing. I don't need to hear a play-by-play of every single color of every single thing because I don't care. Pick out a few specific things for me to focus on and that's it. Stop overloading me with colors and patterns and armor styles.

Yes, yes, you've done your research on historically accurate gear. That's great. It would be good for a movie. But if I have to look up different armor pieces every five seconds, I am glossing over it and moving on. I don't care. I'm here for the story. If I wanted an infodump about medieval armor, I would simply pick up a nonfiction book (and maybe I will).

White Space Syndrome

Tell me what the overall scene looks like instead of all these hyperspecific details of certain objects, like carts or emblems or whatever. I want to know where I am!!

Don't just say "a forest." Tell me what kind of forest. Tell me if it's a young forest or an old snarly forest or a swampy forest or a cold alpine forest.

Don't just say "a castle." Tell me if it's a bustling castle or a gloomy castle or a rundown castle.

Don't just say "on the sea." Cold sea? Tropical sea? Far far away from land or is land in sight? These are the things I want!

Too Much Backstory

For the love of god do not explain the entire history of this culture in the first chapter. The first chapter is for getting to know the characters we're going to be following. You can introduce those things slowly and carefully as the story unfolds.

I get that fiction writers are delighted by all the worldbuilding (or research, in historical fiction) they have done. But the reader does not care right away. They need to get invested before all those little specifics matter at all. My eyes glaze over and I give up because I don't want to have to remember all of that all at once. It's like you just threw a college textbook at my face.

Plus, if you're doing third-person limited, you have to remember that the character is not going to be thinking all of that! They won't say all of that either! Because they know all of that!

Even a general on the brink of a major battle is not going to go "yes, this all dates back to when we took Iuanfutila back in 181, when the brave Iuanfutilans protested the rule of our Yawwbaawnwhryr leaders ...." They are focused on the present moment, and they may discuss the backstory later. Tell us what we need to know now because that is what the character would be thinking too.

"Oh, but Topazadine, how will the readers understand the context if I don't tell them??"

There's a battle. Two groups are at war. Or something was stolen. Or two people are fighting. Whatever. We understand those things. We can get the basic gist of how things are going to play out by just showing us these things happening. Then, as we have gotten a feel for the characters, you can tell us more about the context.

If you walk into a store that's being held up by an armed robber, do you give a shit about his backstory, or do you only care once that person has been arrested and you have to testify? I think we know the answer. You're not going "ohhh why is he doing this??" at first. You're going "HOLY SHIT THERE'S A GUN WHAT'S GOING TO HAPPEN NOW???" and then you'll care about the other stuff later.

Too Much Play-by-Play

I also do not need a play by play of a fight scene. I need to know the general movements, and then the overall atmosphere. I want to feel what the character feels rather than feel like I'm watching a football game.

Your reader will fill in the gaps if you give them enough information, but when you overload them with every single action, they're now trying to keep track of what went where instead of how this moment is supposed to feel. And now the action and drama has gone out of the writing because it's become a manual of fighting techniques.

Pointless Dumb Conversations

"Oh, could you turn around for me? I want privacy."

"Sure, of course, I'm a respectable man." Manfred knew that a lady-in-waiting would be unsettled by the presence of a strange man, so he wanted to be respectful.

"Thanks."

"You're welcome."

Oh my god no one cares!!! No one!! We don't need this exchange. Cut it. This is stupid. Unless something is actually happening or something is meaningful about them saying this, shut up.

How to Not Write a Horrible First Chapter That Makes People Ragequit

Can you tell I'm mad today? I started and stopped three different books because they were all so bad.

Three characters max in the first chapter, with deep discussion of each. (One or two is better.) General appearance, demeanor, profession, whatever.

Restrain the urge to infodump! Dribble it out over the chapter!

Give the setting more attention than random little details that ultimately do not matter. I don't need to know the pattern of the curtains on the horsecart that's about to be burnt. Don't care.

Do not give a play by play of every single action that a character takes because it's boring and no one cares.

In media res is great but do NOT start with a big climactic intense battle or fight or whatever because we don't know these characters and don't know who to root for (or why we should care).

Your character is not going to give us a history lesson in why this conflict is happening. Do not do it yourself either. Give us just enough to get intrigued and no more. Think how your characters would think and what they would prioritize in discussions.

If a conversation is just pleasantries and has no purpose, drop it, we don't care.