#I like seeing how other people draw the same photos

[3liza]

because most of us can't. the majority of subsistence artists, like sex workers, are in this line of work because we can't do other work. there is also a huge amount of overlap between sex work and subsistence artists and always has been. i have no clue why I continue to see it being discussed as something every artist is simply choosing to do out out some combination of stupidity and narcissism. i would cut off one of my toes to magically have the ability to show up to a normal job every day.

there is a huge blind spot about artists in Marxism and leftist discussion of labor generally because Marx literally didn't talk about them and they don't fit into the "owning the means of production = bourgeois" model unless you're dumb enough to call the guy doing tourist caricatures on the boardwalk "bourgeois", and no joke I have actually seen people try to argue this, but everyone normal understands they are stupid so it doesn't matter. we agree that the guy on the boardwalk with the easel or the bucket drums or the harp is not actually bourgeois.

if you have actually worked in the "creative industry" without support while paying your own rent and groceries and not being supported by parents or friends or a spouse, and you know a bunch of other people who have been doing the same thing for a long time, you are similarly confused by discussions along the lines of "why do artists simply not get other jobs if they hate being slowly fed into the social media meat grinder 🤔"

i can tell you exactly why. it's because I spend 25 days out of every month having to Lie Down, and when I tried saying the words "Americans with Disabilities Act" to various employers and school administrators like you're supposed to, I got shitcanned and failed so many times it was like a vaudeville routine. you will find that this is true of a great many working artists (not hobbyists and not students living at home, adult working artists), perhaps most, and I genuinely continue to be baffled by the fact that nobody seems to be aware that drawing things for cash (or dancing or writing articles or editing manuscripts or taking wedding photos or whatever) and other jobs without set schedules (like stripping, camming, etc) are careers a lot of people, certainly the ones without any starting capital, end up in when they can't get paid more for fewer hours. and you get paid more for fewer hours in basically any other job than these, including working at fast food or walmart.

surely you can hear how this sounds? "if you don't like it, why don't you just get a job that pays more?" where have we heard that before? stop. think.

[luckyartdrawer]

I'm messing around with Magma for the first time. I wanted to have an idea of how it works before trying any public art jams.

Take my first little test drawings and hold them gently, I will not be responsible if they bite though.

Any advice on how Magma etiquette works would be appreciated! I'm gonna look up some stuff myself, but hearing others experiences is always nice. :3

vvvv Moon close up vvvv

I've been seeing a lot of drawings where the crescent side is more like a mask while the left is more malleable and decided to give that design a lil try. :3

[non-un-topo]

Daily November crying sessions start today

[jinzouacting]

periodically people have to be reminded that you should be against these large generative ai models because its aggregate content theft and not because of like "laziness" or whatever

[nikoco11]

there is something horrifically grim to it, but illustrations for gaza and palestinians tend to catch more mass attention that actual photos of people. this made me feel incredibly helpless for a long while, seeing both how people would rather look at a neat drawing of red black green and white than look a human in the eyes, and how online platforms would rather push a viral drawing while suppressing those begging for help at the same time.

a way to cope with this feeling has been taking advantage of it to directly guide people to helping palestinians.

if art gets better traction, then there’s an incredible amount of good that can be done by creating art that immediately links to fundraisers. creating art of the many images of those who are asking for help.

within hours of posting my drawing, there has been jumps in the thousands for bashar from gaza’s fundraiser. it’s a small effort in the grand scheme of things. it’s not a fix it. but it’s something good. please take care of each other and do what you can. i think this could help a lot of people if a lot of people did it.

here is bashar. i’ve drawn him, spoken to him, and known him now for a few months. any shares help, any art helps. draw who you see, draw what you see. thanks all

[toast-on-dandelioms]

🕷️Just Another Neglected Story🕷️

[previous] - Part 4.1 - [next]

Any names that you find familiar, in this part, were taken (with permission) from the fanart made by @the-broken-truth, while some changes like description of what's happening were made by me then modified by my beta reader, my bbg, Jamie.

tw: Joker, angst/no comfort, small description of injuries, small description/mention of a panic attack (I am unsure if it was that, please tell me if I am wrong).

Weeks passed with you still being Spider and a 'normal' teenager at the same time. But some changes and new things happened in these weeks.

You got visited by Superman almost daily, or nightly since he always visited when you were patrolling at night. You never questioned how he knew where to find you, you didn't want to think about it and just let him follow you during your nightly patrols.

He also helped you train while using all of your strength because you usually held back in fear of hurting people, so his tips helped a lot  considering that he also had the same problem before.

Furthermore, now that you started to help with small problems around Gotham, like small thefts and gang problems, those problems started to slowly stop, giving you more time to train with Superman and help around the community.

You still didn't join the Bats or even the Justice League whenever Superman tried to propose it, you just didn't want to fight big shots like Joker or other super villains.

You liked doing small things and loved seeing the change it brought from you helping.

Just defeating super villains won't reward you with a pie from the nice old lady after helping her move her things in the apartment and give her groceries if she can't go to the supermarket, or getting drawings of little kids after you help them go home safely.

You also scored candies whenever the moms had them, which made you incredibly happy because they always had the candies you loved. 

So you were happy, especially since Alfred never mentioned your breakdown after that night and kept on the usual routine of leaving your food on the desk in your room so you wouldn't have to come down to the kitchen.

You did notice him acting a bit weird but you pushed those thoughts aside since you didn't really notice anything weird happening around the Manor so you thought he was just nervous for something Bruce did.

You gave him too much trust and sooner than later you will regret doing that.

But something did change around the Manor, you just didn't notice because you started to walk on the ceiling, without shoes or Alfred would kill you, to avoid annoying encounters with anyone in the house, even if listening to music while on the ceiling was a bit difficult but you’re managing.

Well, Alfred knew that if he walked to Bruce and told him about you and what you felt he would've been ignored, especially since Bruce barely remembers that you even exist in the Manor and that you're a member of the family.

And even if Bruce did remember that you exist he would be annoyed, especially since he clearly hated your mother and was only paying the child support because he had to, especially since your mother threatened to take him to court if he wouldn't pay when he first got the news.

Talking to any of the batkids would've also been useless, because he also knew that no one in the Manor remembers you, especially now that you could walk on walls no one could even see you.

He couldn't count how many times he almost got a heart attack whenever he could see you on the ceiling, just hanging out or doing your homework, even though he still didn't understand how you could work without gravity making everything fall.

So he decided to do it in small steps, starting with leaving photos of you around the house in places where everyone sees them.

He put almost every picture that he owns of you, like you at a dance recital as the lead dancer or you at a science fair to which you won first place with an invention of yours.

One thing Alfred knew by putting your photos was that every person would notice how in all your photos you were alone and how your face never showed any emotion.

He knew it was small but he couldn't wait anymore, he needed to take action now or before you decided to leave for the Kent family, he couldn't let you go after he heard you talk about Clark and Conner while he made food in the kitchen.

He just hoped it wasn't too late for you, especially with your break down. He hoped you could still let someone in after all these years of being alone.

He did try his best but he was only a butler and he couldn't change someone's view of another person if that view was filled with hatred.

And you never noticed thanks to your walking on the ceiling or walls, moreover, you couldn't care less if they actually noticed you now. You were finally moving on and having a new start thanks to Spider.

But now it's not the time to think of Alfred's attempt of getting you acknowledged by the family, you were getting busier thanks to all the work as Spider, school and also dance classes.

You also kept on using yourself as a test subject, just to check the process of the spider DNA that's now in your DNA and seeing if anything changed or you had some mysterious new powers, taking videos to record the process of your evolution with the now Spider DNA in your body.

One thing you acquired after a while was invisibility, or camouflage as you called it since invisibility sounded magical and you didn't want it to sound like you were a kid.

How you found out you could use it was not a good experience.

You were in the kitchen with Alfred, just hanging out with him while he cooked when Damian suddenly entered the room to ask Alfred for some food for a new pet that he adopted.

In your panic at the sheer thought of Damian seeing you and hurting you like he did in the past made you freeze up, squeezing your eyes shut in hopes that he would just disappear from existence. Praying to every god you could recall that Damian wouldn't find you, you tried to not breathe too loudly so he wouldn’t hear you.

After a few minutes of paranoia passed and you didn't hear anything around you, you slowly opened your eyes and saw Damian still waiting for Alfred to give him the food for a cat he adopted and completely ignoring you.

You were still scared he would see you so you stayed silent and waited patiently, albeit apprehensively, for him to go away before actually making a sound, which was a loud sigh of restrained relief as air poured back into your lungs. Somehow you hadn't noticed that you'd been holding your breath the whole time. Strange.

You slowly got down from the counter you were sitting on and walked up to Alfred, confused as to why the old man wasn't looking at you and instead was looking at the ceiling before softly calling out his name.

You got even more confused and slightly worried when he got scared since you were standing right in front of him but he, for some reason, couldn't see you.

After a bit of Alfred trying to explain that he couldn't actually see you and you not understanding why, you finally managed to make yourself visible.

You quickly went to work at the corporation to take a few tests to see what happened and didn't see anything with those tests but after a few days of trying to understand what happened and how you could make it happen again, you managed to go invisible on command.

It took a bit but you managed to do it, which got extremely useful to sneak into the kitchen when you need to get some snacks in the middle of the night so that Alfred doesn't catch you on the wall eating chips at 3 am.

Plus thanks to that time you found out that your eyes glow in the dark, which was a bit weird since the spider that bit you wasn't a bioluminescent one but you figured it was your own DNA that changed some things.

In the time following that discovery and training with Clark, you slowly started to join him in solo missions for the Justice League, but made sure to tell him that you didn't want to partner up with another person except him.

And you made sure that he knew you weren't an official member of the Justice League or of the Young Justice League, you just joined him so you wouldn't get rusty since Gotham is still filled with crime but fighting with teens or men who just swing a crowbar or knife is not really challenging.

You didn't want anyone except Clark to join those solo missions, not because you were scared of hurting another person since you learned to control your strength thanks to him and got pretty good with your spider senses.

You just hated being around people you didn't know or trust, especially if they were a member of the Wayne family, you absolutely detested them.

You refused to look at them and especially talk to them even though you had the voice modulator.

One of the many reasons you used the voice modulator was to not get recognised but also because you hated your own voice and the voice modulator helped when talking to lost kids or just kids in general.

You never told anyone why you hate your voice, you just refused to talk one day and learned asl to communicate with people and also used notes if people didn't know asl.

The mask was like a hearing aid, it changed your voice and helped you use it more so you could talk sometimes.

As time passed, the birdies (basically all of Bruce's kids, you just called them all bird to show how much you didn't care about them) kept on trying to talk to you and showing up where you were when you were patrolling.

You had a list of most annoying to less annoying since you couldn't really do much about them, especially since Clark forbade you to throw another one of them off a roof if they got too close to your liking or just breathed wrong.

They never sustained grave injuries since you always threw them to another building or a dumpster, or to Superman if he was around.

Most of the time in a dumpster to make yourself smile since you would take a photo then swing away before they could do anything, but they started to pose whenever you would take a photo, making you annoyed and ruining your fun.

The most annoying was Dick, with how persistent he was even if he was stuck on a wall thanks to your webs when he got too close or made you uncomfortable by continuing to call you nicknames that he would use with Damian and Tim.

You hated how he would just laugh and call you his little sibling, especially since he would never call you that if you didn't have a mask on and you felt that it was unfair that he suddenly cared about you just because of the mask.

It made you feel like you were getting ignored and forgotten once again but this time to a version of you that he likes while the one behind the mask is always getting ignored.

Just like at the Manor, the real you will never be appreciated and accepted with love.

The second most annoying in the list is Tim, it was gonna be Damian but Tim took second place with how creepy he is around you and how he knows too much of what you do.

Like, you knew he's the one who knows everything about every hero and villain since you saw him work on the bat-computer while you were stealing a few grappling hooks for your web shooters since they broke. (You were invisible and you got lucky that Cassandra wasn't there or she would've found you immediately.)

But seeing him open a folder and watching how many videos and photos he has of you in the bat-computer, like when you were fighting some gang members or when you were helping some nice old lady crossing the street.

If anyone else showed you their collection of you doing badass or just normal stuff while you were a vigilante then you would've felt impressed and very honored because you never thought someone would actually go out their way to be a fan of you.

But seeing Tim, someone you still had some respect for, having so many files, especially from when you first started and hit so many walls while swinging around made you weirded out and somehow violated, especially with how concentrated he was while staring at the videos.

Seeing that folder and all the information he had on you made you lose all the respect you still had for the boy.

Another thing he did was that, whenever you met him while patrolling or eating a few hot dogs with your favorite guy, he would always talk of things you did like he was there and creeped you out so much that you had to restrain yourself from throwing him off a roof or wherever you two were.

Most of the time you just tased him and went your way, paying the hotdog guy a little extra so he wouldn't stop selling you hot dogs.

You're also starting to think that hot dog guy is using you for the tips since you always tip him 50$ or more to stay silent and let you grab more hot dogs from him.

Third annoying but still so annoying that you want to punch his face is Damian. Mostly because he treats you like you're his older sibling.

Like he respects you and looks up to you. But you knew it was because of the mask since you also knew that if you ever took off the mask in front of him he would try to kill you.

You have to be supervised by Clark and even Jon since your only solution to get rid of Damian when he’s around you is throwing him off a roof without worrying about not using your super strength.

You hated the kid and didn't really hide it but he never said anything about it since he thought you two were bonding and you acting like you hate him is normal.

You wanted to tase him when he dared to call you his older sibling in Arabic, hating the look on his face that had so much adoration and admiration for you since it actually made him look like a normal teen.

(You learned some Arabic to get close to Damian when you found out where he was from when you were young)

Like he didn't create so many scars on your arms and legs with his sword and those batarangs. Like he didn’t make you so afraid of the Manor that Alfred had to assure you that he wouldn’t hurt you or you would get a panic attack by getting near the Manor.

Least annoying but still annoying is Jason Todd. You hate that mask he wears because you can't see his face and know what he’s really thinking about, and especially how he acts like you two are two old friends who meet up everyday.

You hate how he pats you on the head when you're distracted, since the spider sense doesn't really deem him a threat for you, and manages to evade your attempts to kick him away or throw him off a roof, laughing whenever you try to do so.

Like you two were just playing and you weren't angry at him and wanting to throw something at him but couldn't.

So your one solution was ignoring him and walking to the side of the building so he wouldn't reach you since he couldn't walk on walls like you.

Which did make you smug whenever he complained about it on the roof of the same building, finding it funny when he acted all offended when he understood you were smug by how you were acting even if your mask didn’t show your face.

Yea you and Jason did get along sometimes, most of the time if you were having a nice day and if he was the first one you would meet of the birds.

You had a decent relationship with Jason, yes you did have fun sometimes but you wouldn't call him a friend or even your brother.

Plus you never forgot about the years he would ignore you and especially when he punched you in the eye and didn't even apologize decently.

Or how he would complain about how terrible of a father Bruce is, or how annoying Dick is to anyone else while you would just stand there, completely ignored since he was probably talking to someone else or to himself.

And acted like he was the only one who's life was 'ruined' when Bruce got in his life when he's still loved even after everything he's done.

Even though he's still remembered every Christmas and given big gifts that means that the person who bought them thought of him, and birthday while no one even remembered you had a birthday and you always celebrated it with a cupcake or some friends.

So you preferred to ignore him or you would punch his skull if he tried to complain one more time about Batman and his death.

Not like Cassandra, Duke and Stephanie were any better.

Cassandra was annoying because of how silent she was. You always managed to see her but you knew she wanted you to see her.

Plus, 'hanging out' with her was just you doing your usual stuff while she followed since you couldn't push her away like the others.

And fighting wasn't in the option since she could kick your ass with just a hand and without moving, so you just ignored her, even though your spider sense was always going crazy when she was around since she was a walking threat.

Even five minutes with her would give you the worst headaches that you had to ask her to stand very far or you wouldn't be able to even walk around without wanting to puke.

You hated her because she was taken in by Bruce like you but instead of being hated because of her upbringing, she got accepted with open arms and he always loved her.

What did she have that you didn't?! Why does she get all the attention and love you always wished for while you're getting forgotten and hated?!

You saw her getting accepted, getting all the love you always wished for, seeing your father going to her dance recitals while he didn't even bother to even acknowledge that you do the same sport as her but in a different and smaller dance studio since you couldn't afford to go to the one Cassandra goes because of how expensive even one lesson was.

Stephanie was another person you hated. You knew of her past, you used the bat-computer whenever no one was in the batcave when you managed to control the invisibility.

You knew about what her dad did. You understood her reasoning to become a vigilante. You didn't hate her for her past, god you didn't even care who her father was.

You just hated her because of how loved she was by everyone. She was like Cassandra but once again, all the love was going towards the two and it never even touched you.

You did try to bond with her when you arrived at the Manor but she did look like she wanted to be everywhere but not with you.

Even when you only talked about things you knew she loved, it still wasn't enough for her. She still avoided you and preferred to spend time with either Barbara, Dick or Tim.

And after a bit you gave up and let her live her life without you in her way since she clearly didn't care about you.

The worst part was that everyone prefers Spider than you, since she also keeps trying to hang out with you when you're patrolling or spending time with kids and teens.

Or getting beat during a game of basketball since you sucked at that game and the teens you played with would tease you which made you laugh since you liked spending time with people the same age as you.

But it would be ruined when she would show up, wanting to play too even though she would just play with you and make it obvious she wanted to make you win.

Which ruined the game entirely for you and always made you leave after a bit with the excuse of being busy as a vigilante, which made the teens and also Stephanie confused.

Duke was the only one of them that you knew tried to hang out with you when you weren't Spider. That's why he was one of the ones you hang out with most if he came to see you while you were patrolling.

He came when you were almost 15, you didn't remember how old you were but you knew he was one of the ones who actually paid attention to you.

But after a while, all his duties as Signal, as a high schooler and as one of Bruce's kids made him too busy for him to spend time with you, to which he explained whenever he was late for something you two planned to do.

And you understood, you cheered for him from the back and always smiled at him whenever he was with you as Signal, even if he couldn't see it. And he did tell you the best places to get food during patrols so you liked him for that, but you remained loyal to the hot dog guy.

But then there was Bruce, acting like he was the savior from his kids that kept annoying you even though he wasn't any better than any of his kids, he was one of the worst in terms of how annoying he was.

He was starting to compete with Dick for the first spot on your list, which you didn't like since you just wanted to be alone, or with Duke and Jason.

Like he would keep on calling you kid and other nicknames you heard him give to his sons over the years, which made you sick because it reminded you of when you were little and that your biggest wish was to also get a nickname like your brothers and sisters and spend time with him as your father even if he never paid any actual attention to you.

But what you hated most was how he always smiled softly at you, even when you tried to kick him away and he would just grab your ankle like it was nothing, like you were his favorite child. Like he didn't tell you that he would never be a father to you when you gave him a father's day card when you were 12 and trying to bond with him.

Looking at you with so much love and adoration, making you disgusted since he was the same man who once looked at you with disgust and hatred just for entering his office because you needed his signature for something.

The same man who clearly told you to not expect him to treat you like his child since you weren't. You were just an annoying kid who had to come to his house since no one else wanted to take you in.

You wanted to puke whenever he looked with love, refusing to forget about everything he did just because you were a child of someone he hated.

You understood why Bruce hated your mother, you couldn't force everyone to like what you like, but you still didn't understand why he had to ruin your life by keeping you with him.

He could have sent you to a foster home, he could have sent you to boarding school all your life so he could never see the face of the one he hates. But he didn't.

No, he decided to accept you in his home and ruined your life, making you miserable by keeping you there and then basically neglecting you and forgetting you even exist.

You wanted to puke whenever he looked at you with love when you were Spider, you had to take so many showers and had to scrub your skin so hard it turned red by how hard you tried to wash away his touch whenever he managed to actually touch you on either the shoulders or head.

You found comfort in Clark since he never forced you to interact with the Robins and Batman and understood why you hated them since you explained to him who you were but didn't tell him everything.

He did annoy you whenever he tried to suggest you to come with him to Metropolis even after you explained that you couldn't just move to another city right in the middle of the school year.

Moreover you were still a minor and you would need Bruce's consent, which you refused to ask since you refused to acknowledge that he was supposed to be your legal guardian.

Plus you always had fun with his kids when they were around since they would throw you in the air and catch you, making you laugh like crazy since their throw was like making you fly for like 2 minutes before catching you.

Conner was more fun to be around because he understood what you were going through since he also had problems with Superman when the kryptonian refused to accept the clone as his son.

Plus he always made the best jokes and made you laugh whenever you would have a bad day after seeing your legal guardian and his kids having a fun outing together while you were at the Manor since they didn't even remember you existed.

Or when you had a bad dance practice and almost destroyed your pointe shoes with your strength because you thought you weren't good enough to be a ballet dancer which spiraled to thinking that because of you not being good at dancing then you weren't good enough to be recognised by your legal guardian and his family.

He was more like an older brother than Dick, Jason and Tim ever were for you. And you didn't even care, you loved him as a brother and loved hanging out with him.

Jon was nice but he was also friends with Damian and you didn't really spend that much time with him because of that. You were scared Damian would be with him and you didn't want to see the evil spawn.

But the times you did hang out with him were nice, he always brought cake that his grandparents made and shared it with you while you listened to him talk about whatever he wanted.

He was fun and very nice but you weren't used to hanging around a small teen who actually wanted to be with you and actively seeked you out for your attention.

You were more used to a small teen who would glare at you and attack you if you dared do anything, even just breathing in his direction, the scars on your arms and back proved that.

But you never said anything to Jon about what his best friend did to you, you didn't want Jon to feel like he had to choose between two sides.

And you knew he would choose Damian's side, no one ever chose your side. You knew no one would even dare to be by your side.

Well after a while of going to missions with Clark and him letting you do most of the work as training with his close by to make sure you wouldn't get hurt, you were finally going on a relatively simple mission with Conner and unfortunately with Jason.

You knew Conner didn't want him there but he probably got Batman to convince Clark and him, so you didn't say anything to him about Jason being there and just stayed by his side while you were in the small ship.

The whole ride was spent in silence, only stopped whenever Conner would check the coordinates or by the sound of you fixing the web shooters to make sure they wouldn't go haywire when you were fighting.

You finally landed in the spot where you were supposed to start your mission, near the villain's lair, if you could call it that since it was an unused bunker a group of cultists found and are now living there, which made you get down eagerly since you wanted to finally do a mission without Clark's supervision.

But your excitement immediately died when you saw Stephanie waiting for you there, making you let out a loud string of curses.

And yes, you did ignore the message on your phone from Clark that said 'language' and just walked past Stephanie and Jason, just wanting to get the mission done and go home with Conner.

Plus he did promise you his grandmother's best pie if you finished the mission and you could not pass up the opportunity of getting another slice of that delicious pie.

As you walked up to the lair with Conner, you patted him on the back before standing in front of the door as Stephanie tried to open it by picking the lock. You waited exactly 10 seconds for Stephanie to unlock the door before pushing her away, kicking the door down with your strength since she was taking too long for your liking.

You didn't even care if they were watching, you just glared at them all in silence for a few seconds before they were able to hear you say.

"Stay here and you two don't follow me, Conner don't try anything or I will tell Clark"

Then, right in front of them you became invisible before walking off, the only sound they could hear were of your sneakers walking down the metallic stairs.

(Switch Pov to Stephanie)

Stephanie knew she wasn't the best person. She knew of her father's evil doings and she knew she wasn't the best Robin or the best vigilante.

But when she saw Spider, she thought that they were perfect. They were always helping people and never too busy for everyone.

She, at first, didn't even know who Spider is because of how busy she was with her life and her vigilante job. But when she saw Tim researching them, she was amazed.

She knew there were other vigilantes in the city, it was a big city but she didn't know about a vigilante who didn't fight big villains like the others.

She saw Spider helping old ladies, stopping small gangs from forming by helping the teens and just being an image for the people to rely on.

She knew Bruce stopped high grade villains like Joker or others but Spider, Spider was different.

They didn't fight Joker, no they just fought the criminals who would bother people that couldn't do anything to stop them.

She admired the vigilante and wanted to be friends with them, maybe one day she could convince them to join her and her family at the Manor.

But what she didn't understand even though she craved to know was why they hated her. Why they hated her and the rest of her family.

She tried so much, she craved their validation so much that she trained so hard and tried so many times to interact with them.

But she would keep on getting ignored or she wouldn't be able to follow them by the speed of them swinging or when they walk on walls to avoid her.

She cried so many nights at the thought of her idol, the one person she wanted, no craved validation would hate her so much when she can't even remember or know why they hate her so much.

But when she heard of Jason joining Spider for their first mission, she was so jealous that she used the bat-computer to check where Spider's mission was supposed to be and followed them in another ship.

She wanted to show to her idol how brave she was, so maybe they will praise her and laugh like when they're with Conner, Clark and Jon.

Plus she wanted to wipe Jason's smirk off his face since he kept on bragging about going to a mission with Spider for days and how he was the favorite since compared to the rest of them, he was the one who Spider stayed the longest before leaving or throwing him off the roof.

But all her excitement and hope died the minute she heard Spider curse when they saw her, her head slowly lowering as she tried not to cry.

And when Spider told them to stay there, god she wanted to protest but strangely Jason held her back and just told her to hack in the security system to watch Spider with the cameras.

She didn't understand why she couldn't follow Spider to help them but did as Jason told her to, watching all the cameras with him and seeing henchmen getting knocked out or tased by Spider even though they weren't visible.

Plus she found it hilarious when a goon got knocked out by a flying metal tray and the others just stood there confused before also getting knocked out by a taser or a punch then getting tied up on a wall or floor.

As she watched the security feed, she noticed that Spider entered the boss's sanctuary, filled with small and useless artifacts that the Justice League used to trace the villain so they could capture him and stop him before he tried to grow his cult or summon some demon.

She kept watching and trying to find a camera inside the sanctuary, starting to get annoyed and also panicking a little because if she couldn't see anything in the sanctuary then she couldn't call for backup if something went wrong, especially by how far Spider was, and even if they were going to help them, it would take too long.

She kept on switching cameras and trying to hack into anything that was electronic, getting more frustrated as time passed since she could see the villain approaching the sanctuary with someone next to him, making her confused since he wasn't supposed to have partners that helped him.

She managed to switch a camera in time to see Joker next to the villain, the blood in her face draining as she stared at the clown on her screen in silence, her eyes wide like bugs and no sound could be heard from all three of the teens.

She went back to where Spider was and noticed a camera was on, to which Stephanie immediately tried to warn them by moving the camera a bit but it was too late and both villains entered the sanctuary and closed the door so Spider wouldn't be able to leave without getting noticed by the cultist and the clown.

She watched the feed without moving any part of her body in terror that if she even moved then the two villains would notice Spider and do something horrible to them.

She gasped when she saw Joker suddenly pulling out a gun and pointing it at where Spider was supposed to be, not managing to hear what he was saying since the cameras were old and didn't register any sounds, plus his psycho-smile made it difficult for her to read his lips so she couldn't even use that to her advantage.

As Stephanie kept watching, not noticing that she was holding her breath by how focused she was on Joker then cursed loudly when she saw the screen turn black, throwing the tablet in anger as she got up, making signs for Jason and Conner to follow as she ran into the lair.

She quickly jumped over any henchmen on the ground, needing to get to Spider immediately and save them.

She had to help. She had to stop that psychopath from hurting them. She needed to protect them.

As she ran, her vision was starting to get blurry by the tears threatening to fall as she ran. As she ran, she suddenly got blocked by the metal door that was blocking her from saving Spider.

She immediately called Conner, wanting to use his strength to open the door but unfortunately he couldn't even throw a decent punch that could leave a dent on it.

Even after a few tries Conner didn't do anything so she started to try to open it by using the panel next to the door, her frustration already growing by how useless he was.

So Stephanie sent Conner outside to call Superman and Batman while she and Jason tried to open the door as they waited for the two heroes to arrive.

As the three of them waited for Batman and Superman to come, Jason and Stephanie saw something coming out the door that made their blood cold.

Some form of gas kept on coming out the door and the only thing they were able to hear were some noises of something or someone getting hit and coughing.

Stephanie did smell the gas, trying to pinpoint what the gas was but she couldn't recognise it since the only thing she could detect was that it had a sweet smell, which was nothing like all the gasses she ever smelled before.

The only thing she knew is that the gas wasn't the usual gas Joker uses on his victims since she wasn't laughing or having a maniacal smile but she still couldn't pinpoint what the gas was.

Stephanie stayed silent, trying not to show how terrified she was while Jason was trying to kick down the door while yelling curses directed at Joker.

Conner was outside the lair to use the ship and communicate with Batman and Superman, knowing they were both on different missions and he couldn't fly to both of them to ask for help, especially since he found out that he couldn't even fly, making him even more desperate for them to come.

As they waited Stephanie tried to make Jason stop punching the door when she saw his knuckles bleed, not wanting another one of her siblings get hurt because of her incompetence before looking at the door.

The blood drained from her face, her knees giving up on her and making her fall to the ground as she heard a scream, the cold metal floor the only thing she could feel at the moment.

She knew the scream couldn't be of Joker. He heard him yell before and this scream wasn't his. She hoped for every god as she tried to hack the panel of the door, even though she already tried before, with a bit of difficulty, her vision starting to blur as tears started to fall and her hands trembling as she was trying to ignore the multiple screams she kept hearing.

She couldn't let Spider get hurt, she should've been there to help them. They didn't deserve the pain and hurt she and almost all of the Robins went through because of Joker.

She stopped when she felt a familiar hand on her shoulder, the realization that she was just messing up the wires and making it even more difficult for the door to be opened when she looked at her hands tangled in between the wires.

She looked up at the man and visibly relaxed, completely giving out on the floor as Jason helped her by cutting the wires tangled in her hands while Batman examined what was happening as Conner explained what he knew, Superman next to him and waiting for Batman to give orders since he knew that if he acted irrationally then Spider would be in danger.

(Switch to Bruce's POV)

Bruce knew he wasn't a good person and a hero like Clark and Diana, that's why he called himself a vigilante since heroes save people and stop criminals but he couldn't save everyone.

Sometimes he was too late and he couldn't save someone innocent that unfortunately crossed ways with a villain or a gang.

Another thing Bruce knew was that he wasn't the best father because he let his kids get hurt by going on patrols with him as a vigilante, not thinking about what could happen to them if they fought someone too strong or if he suddenly decided to make them stop being a vigilante by saying that it was to protect them, which made everyone sneak out to be a vigilante.

He had to bury his children too early because of vigilantism and couldn't help his son when he was being trained by the League of Assassins.

But when he saw Spider for the first time, seeing a child that looked no older than 14, maybe 15, made him think that maybe, maybe he could help this one become the best version of themselves.

And if he was good enough, he could be a father again and get another child saved from the darkness and evil that surrounds Gotham.

Even if the only evil Spider saw was him and his family.

One thing he hated was that he couldn't understand why Spider absolutely loathed him and everyone of the vigilantes who live or have lived under his roof.

He couldn't understand why and even after checking every mission he ever did that included helping kids/teens in Gotham, nothing gave him a lead as to why Spider hated him.

And the worst thing was that Spider decided, out of all the heroes and vigilantes in the world, and especially in the Justice League, to trust and get close to Clark.

To Clark! His enemy! He was supposed to be the one teaching Spider to control their strength! He was supposed to be the one laughing with them while eating hot dogs and sharing funny stories of stupid people they say during patrol.

(He knows about it thanks to a small camera he put on Clark’s costume after he found out that he and Spider got close)

He didn't trust letting them go on a mission even if Clark told him that they could and that they were ready.

He thought it was too early and that they weren't trained to fight villains like he and the others fight everyday, especially with Conner since he wasn't perfectly trained so he managed to convince Clark, with much manipulation and guilt tripping, to let Jason come with them if there was trouble.

He didn't know Stephanie would also be there, especially since he didn't talk about it in the batcave about the mission but he already guessed that Jason bragged about going so she also went to also see her idol, knowing about her obsession with Spider to which he didn't say anything but encourage it with his own obsession towards the arachnid vigilante.

Not that he minded, two of his kids were better than none and Spider needed all the protection necessary even if the mission was one of the easiest possible. Especially since he chose it as a way to make sure Spider wouldn't be in actual danger.

But the moment he got a message from Conner explaining that Spider was in danger because of Joker, someone who wasn't supposed to be there in the first place, made his world crumble as he ran to where his jet was, needing to get there as soon as possible.

He couldn't let another person, no he couldn't let Spider get hurt or worse, killed, by the clown bastard.

He needed to save them, he needed to stop that fucking clown and he couldn't let Clark beat him to it. He knew that if he was the first one to save them, to help them then they would trust him more.

He couldn't lose that huge advantage to Clark or it would be impossible to even be able to get Spider to trust him or any of his kids. Which was already difficult but he saw them being more comfortable with Duke and Jason.

He arrived almost 3 seconds before Clark did, even though the kryptonian made his presence known since he made a crater at his landing and looked extremely infuriated as he walked towards Conner.

Bruce was already next to the boy and listening to his explanation on what happened, his usual frown that always made him seem annoyed with everything since he didn't want to show that he was scared.

He listened to superboy as he explained what happened in detail as they walked in the lair, a small smile appearing on his face whenever he saw henchmen and cultists knocked out and all tied up in Spider's web.

As they walked he noticed Conner and Clark weren't flying even if the space was big enough for them to even float, so he approached the boy, knowing it couldn't be Clark since the kryptonian was flying just two seconds ago, to see if he had anything on him and saw a familiar glowing green stuck to the boy's shirt.

He quickly grabbed it and put it in a container to block its effect since he knew it was kryptonite, the result showing on both kryptonians because they now could fly again.

He showed the container containing the kryptonite when both Supers looked at him "it was on Superboy's shirt, not sure who put it on him" he explained, now confused but especially enraged to who dared to interfere with the mission and put Spider in danger.

When they arrived at the door he saw something that made him frown more but also worried. He saw Stephanie continuing to tangle her hands in the wires of the panel next to the door, probably trying to open it but he saw her shaking and sobbing, making him understand that the girl was too focused on trying to save the vigilante inside the room that she couldn't focus on the task she was doing.

He then turned to Jason and saw him kicking the door and punching it, small dents on it to show how much strength he was putting in it and his bloody knuckles showing for how long he was doing that.

Bruce quickly checked on Stephanie and Jason before telling Superman to get rid of the door, the silence around them being too suspicious and dangerous since almost 2 minutes before they arrived both Stephanie, Conner and Jason could hear screaming from inside the room.

Dividers were made by @cafekitsune so please check them out because they do amazing stuff.

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[glow-in-the-dark-death]

I Can Still Hear His Voice

~

Dani likes to travel, rarely staying in one place for too long.

But Danny worries for her being by herself especially with how young she is it doesn't matter how old she physically looks,

So Danny likes to drop by and spend time with her, but to not overly interfere with her adventures and the people around her, he tends to make sure he's always invisible to everyone and only talks to her in Ghost Speak.

So no one around him but Dani can tell he's even there.

Dani not caring about how it would look like for other people tends to interact with Danny just like anyone else.

To other people it looks like she's speaking to thin air, kinda in the same way a young child does with an imaginary friend.

Dani tends to jokingly refer to Danny as dad, with all his nagging and mother hen self.

People think Dani did not cope well with the death of her dad and these are the results.

Dani and Danny are just having fun exploring new places and meeting new people.

~

Danny pushing Dani on the swings: "Higher dad!"

Other people in the park only seeing her: "Poor child."

~

Dani joining an art class and doing the stereotypical scary little kid drawing with Danny drawn in his more eldritch ghost form with the word dad below it

The art teacher: (;ŏ﹏ŏ) " Oh...that's very nice Dani.."

~

Dani asked Martian Manhunter for a photo for her dad because he wanted to be an astronaut and explore space, but now he couldn't.

MM thinking she meant that he's dead:" Of course, no problem."

Dani: "Okay dad get in position!"

Martian Manhunter feeling just the briefest sense of cold settle next to him:

~

Just an Idea

[soon-palestine]

as an american citizen, you have the right to assemble. the police and other governmental agencies violate this right through mass arrests, illegal use of force, criminalization of protest and other means that threaten our right to free expression.

DO NOT TALK TO THE POLICE:

they are not your friends. they are not there to protect you, regardless of your race. their presence there is to protect the interests of the state.

what to do if you are detained or stopped by the police:

do not resist, even if you think they are violating your rights.

calmly ask someone to record.

ask if you’re free to leave. if you are, walk away.

how to stay safe during a protest:

write phone/legal aid numbers on your body. bring a sharpie for others to do this.

ALWAYS use the buddy system. don’t be selfish & stick to your own friend group. if you see someone alone, invite them into your circle.

don’t know where to seek legal aid?

before attending/during a protest, visit http://nlg.org/chapters/#massdefense.

NLG chapters are organized into regions. find. your region and write their number on your body.

encourage others around you to write that same number on their body.

4. if you are threatened with or under arrest:

you have the right to know why you’re being arrested. calmly ask. if they refuse to provide a reason, stay quiet and ask for legal representation immediately.

do not give any information or sign anything without a lawyer present.

what to do with your phone during a protest:

put your phone on airplane mode

disable face ID/touch, replace with 6-digit passcode instead

spreading awareness is great but avoid posting photos of people that include identifying features.

police want everyone to leave the area, what should that look like:

shutting down a protect through a dispersal order must be the last resort for police.

a clear danger must be present.

police must give adequate time for protesters to disperse and an exit route.

what are your rights if you’re being stopped or detained by police:

you do not have to consent to you or your belongings being searched. if you consent, anything can be used against you in court.

police can conduct a “pat down” if they suspect you have a weapon.

if you see someone being detained, what should you do:

record the interaction. police can not demand to view or delete any footage without a warrant.

use calming affirmations towards the person being detained. they are likely scared. be there for them.

use whatever privilege you have to protect others.

if you see a disabled person struggling, offer to help. find medics to assist people experiencing anxiety or having a panic attack. if you see a BIPOC being harassed, surround them.

personal note on using your privilege: i have seen white people, countless times, place themselves in front of BIPOC when police draw weapons/approach protests. it often works.

do not be a person that just acknowledges their privilege, use it for good.

10. remember that we protect us. ignite this chant as a reminder to everyone present if you have to. communities are supposed to help one another. don’t be a sell out, offer support, share resources, food and water. be a kind soul.

if you can not participate in a protest for whatever reason, you can still help! drop-off supplies! (water bottles, allergy-friendly foods/snacks with ingredients labels on them, sharpies, cards with legal aid numbers on them, masks, makeup remover wipes, hand sanitizer, etc)

sources/disclaimer: main source:

@ACLU and my own opinions. this is not legal advice. consult legal representation if you are in need of assistance.

stay safe, be on the right side of history. black lives matter, no one is illegal, we protect us, land back, all oppression is connected and free palestine. 🇵🇸

[hotchner-edu]

Down We Go | Aaron Hotchner

Synopsis: Aaron takes you shopping and you both find yourselves in a predicament when you run into his team and they recognize you as Jack's friend. — part 3 of (one and two)

Pairing: Aaron Hotchner x Younger (Of Age) F!Reader

Warnings: Age gap (r is over 22, Aaron is in his late 40's), fluff, best friend's father trope

"Not to alarm you or anything, honey, but you do realize how this looks to others, right?" You ask, voice tinged with unbridled amusement as you suppress a laugh.

Aaron blinks at you blankly, trying to figure out what you were talking about as the clerk shuffles away to bag up the necklace he was buying for you.

"Aaron, you look like my sugar daddy right now." You explain with a snicker, pinching his side as his eyes widen a bit.

"There's no way people are actually thinking that, right?" He asks almost incredulously as he glances around and curls his arm around your waist.

You shrug and lean into his side, "We're in the right age range for that to be an appropriate assumption." You joke quietly, not bothered by the lingering stares you could feel from other mall patrons.

"When did a man buying his girlfriend jewelry become a crime." He grumbles in false exasperation, thanking the clerk when she comes back and passes the gift bag over the glass display case.

You smile as he carries it for you, taking his hand as he leads you out of the store. "You tell me. You're the one that works with social taboos for a living, Mr. Unit Chief."

"You're going to be the death of me." He murmurs under his breath, a small smile accompanying his complaint.

"You love me." You grin cheekily and bump your hip against his as you both walk. "Now, let's go buy some more ties for you."

"What about that pretzel you wanted earlier?" His asks, already relenting to your sudden suggestion. He lets you drag him toward a multi-story department store at the end of the mall, the glossy floors and milling patrons drawing you both in.

"Forget about the pretzel, honey." You rush out, glancing back at him to see the familiar defeated smile on his face that you've grown accustomed to.

He gives a big sigh and tugs your hand back gently so he's walking closer to you again, pressing you against his side. "Don't think I'm not aware that you just want an excuse to see me wearing more ties."

"Aaron, if you were me, you'd understand this obsession that I harbor." You jokingly lament, looking down at your phone and scrolling past the very appropriately-timed flash of your lockscreen, a selfie (that you begged him to take) of him in his suit while he was on his lunch break.

Just as you both cross into the threshold of the department store, you hear a surprised call of Aaron's name. "Hotch?"

Both you and Aaron spin on your heels to see a small group of people staring at you both. Sifting through your memories, you quickly deduce that it was his BAU team, recognizing them from the various photos he's shown you.

"JJ... Hi." He says politely, nodding to the rest of his teammates who were now gawking at you. "Having a good weekend so far?"

The woman— JJ, nods and smiles faintly, eyes flitting to observe you for a millisecond. "Yes, we all decided to just walk around after grabbing brunch."

"So... gonna introduce us?" A man you recognized as Derek speaks up, sharing a look around the group.

Aaron pauses for a second before squeezing your waist reassuringly and clearing his throat. "Right... guys, this is Y/N. Honey, this is my team." He keeps the introduction short, clearly knowing they'd likely interrogate you anyway.

"It's nice to meet you, Y/N. Y/N..." Derek mutters your name softly after greeting you, trying to get a feel for its familiarity. "Huh, you have the same name as Jack's friend." He says, pausing as the last syllable leaves his lips.

You see JJ and Emily cringe a bit at his cluelessness, clearly having realized who you were a bit before him. "Ah, yes, that's me." You answer sheepishly, smiling and meeting his gaze evenly.

Penelope, who you recognize from her colorful jewelry and joyful disposition, is quick to recover from her shock as she gasps and looks at you. “Oh my gosh, I love your shoes!”

“Oh, thank you!” You’re quick to accept the sudden shift in atmosphere. “I bought them a couple of weeks ago.”

“You’ll have to come shopping with us!” Penelope excitedly says, looking as though she was already planning out the entire trip in her head.

Emily nods warmly,. “Oh please do, I’m dying for a new dress. Even if we barely have the time to go out these days.” She jokes and rolls her eyes playfully.

“I would love to. Though I think Aaron will be the first to tell you that the last thing I need to do is more shopping.” You jest back, feeling Aaron’s hand rubbing your back slowly.

“Whatever makes you happy.” Aaron speaks up to defend himself, amusement decorating his tone as he tries to hide his little smile.

“So it’s settled then.” JJ chuckles, motioning for the group to start walking as to not create foot traffic.

Penelope flashes you a bright grin, starting to walk. "No wonder you declined for brunch, sir. But worry not, all is forgiven!"

You direct your attention back to Aaron and you frown a bit, feeling guilty for causing him to miss a team bonding day. "I thought you said you had no plans today, honey."

Aaron shakes his head gently and swiftly wraps his arm around your waist again. "I wanted to spend the day with you."

You eye him a bit with faux uncertainty before catching Derek's gaze.

“So… I have to ask. How did this happen?” Derek says, motioning between the both of you as he walks beside Aaron.

Aaron looks to you and lets you explain, knowing you always got a good kick out of telling the story. “Jack accidentally set us up together on a blind date.”

Derek’s eyebrows raise up and he huffs out a light chuckle, shaking his head. Spencer speaks up for the first time, eyebrows furrowed as he turns back a bit while he walks. “Accidentally?”

“Yeah, he had an elaborate plan to set me and Aaron up on different dates at different places, but he accidentally sent me the wrong address. And much to his absolute chagrin, we hit it off.” You elaborate with a lighthearted tone.

“He set you both up on dates on the same day?” Spencer clarifies, looking a bit befuddled.

“Between you and me, I think he just wanted some peace and quiet.” You joke, smiling when the group lets out small laughs.

Derek crosses his arms and glances at Aaron, eyes glinting in playfulness. “So this is why you’ve been all giddy these past few weeks?”

You snort, the mental image of your no-nonsense boyfriend suddenly being go-lucky at the office popping into your head. “Giddy?” You ask and raise an eyebrow at Aaron.

“I have not been giddy.” He deadpans, seemingly trying to inch away from the group with every passing second.

“Oh, no, you’ve been pretty cheerful, sir.” Penelope chimes in from in front of you.

“Yeah, I mean he’s even going back home at reasonable hours.” Emily says to you playfully.

“Never thought I’d see the day where you’d leave the office with work still on your desk.” Derek adds.

You chuckle and squeeze his hand. “Really now? He’s still putting on the workaholic facade around me. He told me that he's just been getting less paperwork lately. Good to know you’re whipped, honey.”

Aaron rolls his eyes fondly and just sighs in defeat. You have been trying to instill a sense of self-concern in Aaron, texting him almost every night to make sure he got home before midnight.

You end up walking around with his team for almost an hour, swapping stories about Aaron and getting to know them. By the time you all decide to part ways, you've gotten the girls' numbers and been put into a groupchat with them.

"I'd say that went well." You muse happily and walk with Aaron to his car. "I was nervous they wouldn't be super receptive of the relationship. I was certain Derek would throw in a few quips about you being a cradle robber."

"Oh don't worry, Dave's already got that base covered." Aaron sighs to veil his fondness.

"A little office banter can't hurt." You tease, knowing about his bond with the older agent. "And I can't believe you really almost fought that death-row convict! With your bare hands, too!" You say suddenly, recalling Spencer's little anecdote.

He exhales through his nose as he can feel the carefully crafted line between his work life and his personal life blurring. "He was intending to kill me and Reid."

"Well, I'm happy that you're always ready to defend yourself." You reassure him, grinning when he gazes at you softly. "I feel like I learned so much about you today."

"I don't want to indulge too much into my work." He says quietly, leaving no room for question. "It's not something you have to hear."

"But it's a huge part of your life. I don't need all the grisly details, of course. I just want you to be able to talk to me when you've had a hard case... when you're not feeling great about something that happened on the field." You supply with a gentle tone.

Aaron stays quiet for a moment and you take the chance to continue. "You don't have to hold your burdens in, Aaron. You've always stayed strong for everyone around you, so lean on me."

When you both get to his car, he gently guides you to face him, trapping you between the passenger door and his body. He leans to kiss your forehead as an adoring look ripples across his expression. "Thank you, sweetheart." He whispers against your skin and brushes his thumb across your cheek.

"Just doing what I can." You speak quietly, rubbing his sides a bit.

"Will you stay tonight? At my house." He requests with a tender look in his eyes. Even if you wanted to decline, the vulnerable expression painted across his face is enough to have your heart swelling with affection.

You nod and pull him in for a chaste kiss. "Of course."

When you and Aaron make it back to the Hotchner residence, you're immediately greeted by Jack's narrowed eyes. "What are you doing here?"

"I just missed you too much." You say with sarcastic longing, opening your arms for him.

His face twists in playful disgust and he tosses a pillow at you. "Ew, what the hell."

"Kidding. I'm staying the night." You explain with a light chuckle as you duck away from the pillow.

The soft object hits Aaron's chest and he shakes his head, dropping a kiss to your temple and placing the pillow back on the couch before walking up the stairs. "I'll be in the shower, honey."

"What's that?" Jack asks, stuffing some popcorn into his mouth as he pauses the show playing on the tv.

You hold up the small bag in your hand and walk toward him. "This?"

"Yeah, what'd you get?"

You pull out the tissue paper and hand him the small jewelry box. "Aaron bought me a necklace."

"Please don't tell me you're his sugar baby now. That's my inheritance you're messing with, you know." Jack huffs, looking at the necklace with interest.

You joke and take the box back. "Oh don't worry, you're already off the will."

part 4 here

[ckret2]

please more evil ford please i stare with my puppy eyes for this i am obbsessed

Yeah all right, I've been working on some art. (For context, we're talking about this Evil Ford.)

Evil Ford is Evil as in "cheerfully works with Bill even after learning his full plot" and "is totally ready to conquer and/or destroy the world." But other than the shocking lack of basic ethics and the supervillain objective he's mostly the same guy—which means he still cares about his family. He's hoping to get them to join in on the world conquest plan.

Forty-odd years ago he went off to college promising someday he'd be a big shot scientist who changes the world and he'd make his family a fortune. If taking over reality doesn't qualify he doesn't know what does. The family can join him and his buddy Bill and rule the universe together. Pines Pines Pines Pines!

Unfortunately for him, the rest of the family still has normal moral compasses. And also they've met Bill.

Bill can't currently possess Ford due to Reasons; but even though he can't get in the driver's seat he still has permission to ride shotgun at any time. Ford talks to him pretty regularly. He HAS been caught doing this. Stan thinks he's just gone a little nutty from thirty years of isolation.

Naturally, since he was always on Bill's side, Ford's perception of events during Weirdmageddon is a bit different:

I finally made an official Evil Ford New Costume Character Design, check out his exciting totally different brand new look:

I decided that, since Ford is still basically the same person aside from his terrible life goals, he'd probably have the same fashion sense. And so... nothing changes except two tiny details lmao.

But he DOES have tattoos:

I traced a canon character model and took off its top to get a base to slap tattoos on, and then went dang... they gave him a big head and arms. He looks goofy. Anyway,

His forearms have less incriminating tattoos—just a birch tree and a sunrise. (The sunrise looks like the Journal 3 "The Muse Has Spoken" page.) The red text is the "triangulum entangulum" ritual; if anyone asks he'll go "it's uhh an ancient Sumerian poem about how great science is." It's not until he's topless that it's like "oh so he's a CULTIST cultist." The one exception is an unconcealed Eye of Providence on his right palm—but it's in an ink that's only visible in certain lighting. It's there so at any time he can point his hand at something and go "Bill are you seeing this BS?"

Of course, he still has the "hey now, you're an all star" neck tattoo. I didn't have room to draw it.

As you can see, he's made being Bill's right hand man a core part of his personality. Rather than spending 30 years scrabbling around the multiverse desperately searching for a way to destroy Bill, he spent 30 years chilling in the Quadrangle of Qonfusion as Bill's specialest favoritest Henchmaniac, and only scrabbling around the multiverse occasionally for fun & profit.

Here's a photo Bill & Ford took at a Nightmare Realm house party like fifteen years ago, three minutes before Bill started an argument and set the house on fire.

Most people have their wild party years in college, Ford has his in his 40s.

[gilverrwrites]

Bat Feeder

AN: I keep seeing those rich people social media posts where people fill Dollie’s up with snacks and leave them outside for delivery drivers, and imagining doing something similar for the bats. Bat-Fam/Reader, 1K words (Batman, Harley Quinn, Nightwing, Red Hood, Robin, Signal, and Spoiler) CWs: None, just a silly little fluff fic. GN! Reader

It starts small, just a tray with some water bottles, packs of gum, maybe some protein bars and a multi-pack of chips you bought but didn’t like. You write ‘For Batman, Robin, and other vigilantes; Thanks for what you do :)‘ in Sharpie on the front of the tray and leave it on your balcony, not really expecting much, it was just a silly thought after too much doom scrolling.

It goes untouched for weeks, you’ve almost forgotten about it until one night, at like 2 AM you hear the sound of heavy boots walking on metal grate, so faint you would have missed it if you’d been asleep. Curious, you peek through your curtain and there’s Red Hood!

He stands there for a long time, motionless as he seems to stare at it, helmet hiding any real emotion until he pockets a pack of gum and water before leaving, dropping down into the street.

News must spread amongst the other heroes cause within a few days the basket is nearly empty. Enthused, the next time you go to the store you pick up some new items, just a few extra bits that are within your budget; chips that don’t taste like cardboard, candy, and energy drinks.

Your efforts are clearly appreciated as you wind up having to restock every couple of days. The energy drinks are the biggest takers, and you worry you might be supplying the younger ones with high amounts of caffeine that they shouldn’t be having.

One day you’re scrolling through insta during your work break and see Spoiler has posted a masked selfie of herself holding up a chocolatey protein bar with the caption ‘Perks of the job! 💜⭐️ #thankyoukindcivilian’ or something like that. In the back of the photo you see your basket and you’re elated.

Another day you wake up to a note wedged halfway through your window, it’s from Robin, stating that he’s a vegan and if it’s not too much trouble could you cater to that. The same day you dump a bunch of fruit that you were never gonna eat anyway into the basket and hope it will hold over until your next trip to the store where you spend ages examining the dietary information of everything you pick up, eventually finding a couple of items you hope he’ll like.

Your efforts are appreciated because the next day you find another note from him offering his gratitude.

After the novelty has worn off it dies down, you fall into a routine; they never take too much, so you only have to top it up every few weeks. Until one morning you wake up to find it completely ransacked, your sign has been scribbled out, replaced by the words: ‘THX 4 THE SNACKS’, and a bunch of doodles. You suspect Harley Quinn since one of the drawings is her trademark 3 of diamonds.

Unsure how to proceed, you clean up the mess and bring it inside. You don’t want to attract danger, but you did enjoy doing it. The graffitied tray sits by the door for a long time while you consider what to do, more and more forgotten with each day.

That’s until there’s a knock on your balcony door in the middle of the night. Seems ominous, risky in a city like Gotham, especially after what happened with Harley, but just like that night with Red Hood, you can’t help but investigate.

When you poke your head around the curtain you find Nightwing staring back at you. He smiles and waves to you like you’re long-time friends and it does a lot to ease your shock.

“Um, hi. Can I help you?” You ask as you open the door.

“Uh, maybe, see, I came all the way from Blüdhaven cause I was told there would be snacks.” He replies, dramatically looking around your balcony as he speaks. “But there’s no snacks.”

“Yeah. I stopped after Harley Quinn vandalised it.” You gesture to the now discarded red and black tray. “But I have some chocolate, if you want some. Or do you like Cheez-Its?”

“You don’t have to do that.” He sounds disappointed.

“No it’s fine, it’s no trouble, wait here!”

You raid your kitchen before returning with a handful of snacks and drinks from your own supply and offer them Nightwing.

“Oh wow, Thanks!”

You didn’t have to, but you’re glad you did. He has such a genuinely giddy look on his face.

“Really though, we don’t do it for the free stuff, we appreciate it a lot.” He speaks between mouthfuls of M&Ms. “If you ever wanted to do it again, I wouldn’t worry about Harley. She's mostly harmless to civilians these days.”

He thanks you a few more times before leaving to finish his patrol, but not before warning; “Hey, don’t open your door for any more strangers in the middle of the night, yeah? Well, unless they’re as handsome as me.”

Harley being mostly harmless doesn’t fill you with confidence, but you figure if those guys are brave enough to risk their lives fighting crime, you can be brave enough to put a box of treats outside. This time with a new sign that reads “For Bats, birds, other vigilantes, and Harley Quinn ♥️”

You hope including her might make her less likely to lash out.

From there everything falls back into normality for a while, you even start adding seasonal treats for special occasions, until eventually, they seem to stop by less and less, perhaps they grew bored or maybe you’re not a convenient stop on their latest patrol route, you don’t really mind, you persist.

Every now and again on your days off you’ll spot signal stopping by, he always gives you a smile and a thumbs up when he sees you watching him.

After months and months, maybe a year or so it happens. The big one. You’re struggling to sleep one night, the flat just feels too hot, too claustrophobic. Overwhelmed by it you storm outside, needing the night sky and its cold air but when you get there you’re greeted by an imposing shadow of a man, Batman. He’s holding a half-drunk bottle of water and his entire body is so stock still, you’re not even sure if he’s real or a statue. After a solid minute of silent staring you quietly step back inside, count to 30, and re-emerge. He’s gone, completely dissolved into the darkness of the night with half a bottle of water and a snack pack of mint Oreos.

[gloomskulls]

LIMERENCE [tasm!peter parker]

pairings: tasm!peter parker x reader

part 2

warning(s): obessive peter, creep peter, stalking, masturbation, panty sniffing, dirty thoughts, breaking in, just peter being hopelessly in love. If any of this finds you uncomfortable, please click out do yourself (and me also) a favor. lemme know if I missed any! MINORS DO NOT READ

summary: For Peter Parker, the deepest secret is not being Spider-Man. It's that he likes you, no he loves you, wants you in any imaginable way possible. After years of quietly admiring you from a distance, everything changes after a biology project that partners you two together. Peter sees a glimpse of chance to get nearer to you, but the line of affection and obsession begins to blur

If you don't want to see my dark stories in the future please block the tag #madi: dark content

A/n: my first ever fic posted on Tumblr, yippee! This is also my first ever smut so it probs be equivalent to horse poo but anyways, this also takes place in tasm 2. don't steal any of the shit I've written or else i'm gonna turn you into Vicky from Terrifier/srs

Peter didn't understand what was so special about you, you were just a crush. Or that's what he convinced himself. Every single place you were in, Peter would carefully trail behind you, like there was a magnet strapped onto you, and Peter was the metal, he would always find himself drawing next to you. Peter Parker was no stranger to keeping secrets. It was, after all, the epitome of his double life. A mask, a costume, a name that wasn't his at all. There was one secret, however, that even the Spider-Man's mask couldn't cover—his growing infatuation towards you.

It started out really simple. You decided to give back the nerdy boy's pencil in sophomore year and defended him from Flash Thompson in his junior year, it was all simple really, something a person with decency and was taught with proper manners would do. But Peter took it as more than that.

Candid photos here and there, purposefully falling of his skateboard so you would help him, cryptic notes in your locker, sometimes a random flower if Peter was lucky to find any.

Limerence, as some might say

The first people who would ever notice Peter's strange behavior where the people who raised him. Uncle Ben would notice this girl in the screen of his nephew's computer, so did Aunt May when she saw many polaroid photos of the same face underneath Peter's bed. Peter shrugged it off, saying the same exact words to the both of them.

'she's just a crush'

Peter Parker was very good at being hidden in the open. Sure, he didn't want to be invisible, but it is what it is. One of the self-working "losers" with horrible punchlines and pretty much the face screaming "nerd". Well, it didn't bother Peter much. He had many other more important things to think about. You

It's been years now. It was already the last year of senior year, graduation was already nearing, still, he hasn't mustered up the courage to do speak to you, afraid that you won't reciprocate the same feelings he has. His been watching you from a distance, stealing glances in class and making mental notes on all the little things you did, like doodling on the corners of your notebooks or, how you tucked your hair behind your ear when you were concentrating. He knew that it was weird, creepy even, but Peter couldn't stop himself.

So, when Mr. Warren announced a paired project for biology, Peter's internal monologue kicked into overdrive.

"Pair work begins today," Mr. Warren said, his smile a gruff overture that still Peter thought unnecessary. "Choose your partners wisely, just choose somebody you will along with. You can really screw up over this project if you don't!"

The room broke out into a low buzz as students shuffled their chairs and moved toward their friends. Peter didn't move. He never did. Choosing a partner was like finding a needle in a haystack type of task for him

Alright, Pete, it is not such a big deal. You are not going to end up with her or anything. Just relax, find someone cool, and—

"Peter!"

Your voice broke through his thoughts, and he looked up to see you in front of his desk, clutching a notebook to your chest

"By any chance do you have a partner? My friends kind of made their own pairs" you asked, your lips curving into an easy smile.

Peter blinked. His brain short-circuited.

"N-nope. I'm totally solo. Flying solo. A lone wolf. A…"

"Awesome! Then let's team up."

Peter turned to you, his mind racing, he blinked, trying to absorb this. You were choosing him? He nodded frantically; his heart was hammering at a top speed that he was convinced you could hear it

You smiled at him, you fucking smiled at him

For the rest of the class Mr. Warren instructed everyone to plan for the project for the rest of the class. You kept bouncing ideas back and forth, and Peter felt a strange, thrilling sensation of in his heart. You were funny, clever, and surprisingly very easy to communicate with. Every time you laughed at one of his jokes, he felt like he was soaring.

When the bell rang, you packed your things and turned to him. "We should work on this at my place. Tomorrow after school?"

Peter nearly dropped his notebook. "Uh, yeah. Totally. I mean, yes. That works. Perfect. So super normal."

You laughed again. "Cool. Here's my address."

And with that, you scribbled it on a scrap of paper and handed it to him before walking away, leaving Peter frozen in his seat.

That night, Peter was sitting in his room staring at the address. To most people, that was just a little detail, probably not even worth a second thought. But to Peter, it was an invitation, or perhaps a key, even just for a second to get into your life. To know every little thing about you

Unfortunately, though, that's not enough.

He felt his hands shaking as he opened the drawer in his desk to reveal a small trove of hidden treasures; poorly taken pictures of you from a distance, bits of paper that you had thrown away during math class, and a small stash of hair strands that he meticulously collected from your hair comb when you weren't looking

This was love, wasn't it? The desperate consuming desire to be around her, to know everything about you.

And tomorrow, he shall get his chance.

You invited him, but Peter just knew it was really more than what you would ever willingly give.

His love was a web, and you were stepping into it, one delicate thread at a time.

Peter stood outside your house with a crumpled piece of paper clutched in his rather sweaty hand. The address on it was correct, but doubt clouded him. What if she had forgotten about this meeting? What if this was simply a joke? No, she would never do that, he tried to convince himself

Peter Parker was standing at your porch. Each thump of his heart sounded like one of the drums in the music club. He raised his hand to knock, hesitating for a moment. Maybe it was a terrible idea to come here after all; he could fake being sick, sending her an apology while rescheduling. Just then, the door swung open before he even had the chance to run.

"Hey, you found my house, I actually thought you would get lost cause I wrote the wrong color of the rooftop on the note" you said while stepping aside to let him enter.

"I was actually hesitant to knock, because it didn't look like the description" He quietly said. You actually got everything right, I was just being a huge pussy so I didn't come immediately, he thought to himself.

"Come in. I have started working on the diagram."

Peter plasted a grin and forced his legs down inside. "Well, look at you. Overachieving already. I guess I'll just sit back and let you do all the hard work."

You rolled your eyes and laughed, your voice making him feel that the world wasn't so bad after all. "Nice try, Parker. Grab a marker. You're on label duty."

"Come on, we can work in the dining area," you said, leading him across the house.

The dining table was already loaded with supplies, with textbooks scattered everywhere, colored pencils, sheets of poster paper, you name it. You positioned herself and gestured to him to join you.

You fell into a rhythm, your hand sketching the parts of the circulatory system while Peter scrawled out the labels in his neatest handwriting. He cracked jokes every few minutes, drawing out your laughter like a lifeline. It would be so easy to lose himself in the moment, pretend that you both were just two friends hanging out and not a guy hopelessly infatuated with someone who didn't even know half the truth about him.

Both of you had a relatively smooth first hour of working, few questions were asked here and there on the project. Peter kept his answers short, being extra cautious with what to share, but it seemed you did not mind. You sketched diagrams, jotting down notes with an ease that made Peter's hands tremble every time he made an attempt to help.

"So Peter," you suddenly announced after the silence, "why is it that you don't talk very much? At school I mean"

The question staggered him, rendering him blank while the colored pencil just hovered above the page.

Peter jerked up his head and looked surprised. "What do you mean? Talking is what I do. I mean, there's even people begging me to stop."

You smirked but didn't let it down. "I mean really, you're funny but I know nothing about you. What's your thing, Peter Parker?"

He didn't answer immediately but fiddled with the marker. "I'm just… some guy. Pretty boring, honestly. Not much to tell."

Your expression softened, "I don't buy that. You're not boring".

Your words made Peter's chest tighter. He wanted to believe you, yet the voice at the back of his mind reminded how wrong youwere. If you only knew the real him, the guy who had spent countless nights staring at your window, memorizing your every move, you wouldn't be smiling and sitting here before him.

"Hey, don't overthink it. You're cool. Let's just finish this masterpiece, okay?" you said, flicking his arm before he could answer.

Peter smiled forcedly

And when they finished the day's work, you walk him to the door once more, your smile as warm as ever.

"Thanks for coming over," you said. "You're actually a pretty decent partner, Parker."

"Decent?!" Peter gasped, clutching his chest in mock offense. "Wow. Don't hold back; tell me how you really feel."

And you laughed, shaking your head. "I'll see you tomorrow."

Peter waved. You waved back at him, as he strolled down the street, but he did not go very far. Instead, he found himself across the street in the same place, hidden under the shadow of the oak tree.

you were in your living room again, curled around a blanket and a pillow as you watched whatever was on your screen, your face glowing softly from the light of the television. Peter leaned against the tree with both hands shoved in his jacket pockets and simply watched.

How long he'd been there, he couldn't tell, but he didn't want to leave. This was the closest he ever felt with you, even if you didn't know he was here.

He knew this was crossing the line, but he couldn't help himself. He found himself sneaking into your house. Now he really felt like a robber trying to intrude a home, expect he wasn't really going to steal anything, or so he thought.

It was late at night, you and your family were already asleep at this point

Peter knew that the right thing to do was to head home. He knew for sure that this crossed a line even he wasn't sure he could come back from. But before he could stop himself, he was moving, slipping across the street and into the shadows of your yard.

His palms were slick with sweat as he scanned the side of the house. The metal trellis leading up to your window wasn't very solid, but it would hold him if he was careful.

He carefully climbed the trellis, not putting too much weight on it. And his heart was pounding as he got to your window, his fingers brushing against the cool glass.

It wasn't locked.

At that moment, his body froze. The rational part of him screamed to stop, to climb back down and pretend this never happened. But then his hand was on the window. And that soft sound of it sliding open seemed to be deafeningly loud in the stillness of the night.

He slipped into his feet and landed silently on the carpeted floor. Your room smelled of lavender and something warm and sweet like vanilla. A little bit of moonlight filtered through the curtains and brightened the room in pale silver.

There she was

You laid curled up in your bed, the blankets pulled up to your shoulders, your face peaceful in sleep. Peter’s breath caught in his throat. You looked so serene, so utterly perfect, that it made his chest ache.

He stood there for what felt like an eternity, just watching you. He wasn’t sure what he was expecting to feel—satisfaction, maybe, or relief. But all he felt was a strange mix of awe and guilt.

This was wrong.

He knew it.

But he couldn’t bring himself to leave.

He looked around your room, it was full of polaroids of either you or your friends.

He started walking around your room quietly, careful to not wake you up in your slumber, because God knows what will happen if you saw him in your room with all its glory, he couldn't even imagine the disgust on your face.

But one thing caught his eye

Your bathroom was open, and in your bathroom was a basket with what he assumed inside were dirty laundry.

He knew it was disgusting, heck, over the top creep award would probably go to him, but he found himself walking towards the bathroom. It was wrong, but he still did it, he needs to get help, he thought to himself.

One second ago he was walking towards your bathroom, next thing you knew he was rummaging through your dirty laundry, occasionally smelling some of your shirts. He cherished the way your scent overwhelmed his nose, he was in Cloud 9.

While he was rummaging, a little piece of clothing caught his eye. With shaky hands he picked up the piece of clothing, it was your pink underwear with little cherries scattered everywhere as design.

He brought it near to his nose. He suddenly sat down in the neat cold tiles of the bathroom floor, he smelt it as if it was his oxygen.

He let out a small moan. He didn't know if it was an invisible force making him do such things, but he found his hands unbuttoning his pants

Peter Parker sat in the rest room; hand clasped tight around the lacy edge of the pink panty. He took out his hardened length of his boxers. The scent of dirty panties wafted his nose.

He imagined you wrapped around his throbbing cock, he thought of the feeling of your tight little pussy riding his cock, he wanted the sweet nectar from your lips, while having a feast on your quivering hole. His cock throbbed in his palms, his hands were much faster now, stroking his hardened cock. He had to bite his tongue to keep himself from moaning

Why was he doing this? You were literally there, outside the bathroom, sleeping. And Peter was here, out in the open, jerking off to the smell of your used panties

He was drenched in sweat as his hairs stuck to his wet forehead. He fantasized about your perky tits; perfect little nipples erect in anticipation. Pumping the shaft rapidly, imagining you on all fours begging for more, the bounce of your tits while riding him moaning his name like a mantra, Peter, fuck Peter, Peter, oh my God!

Peter was breathing heavily, his release was near, he profusely pumped his manhood, his hands and cock covered in his sticky pre-cum.

He wanted to feel you inside him, want you to quiver in pleasure as he fucks you over and over again.

He felt a sudden wave of pleasure hitting him, before he knew it, he released a flooded torrent of jizz into sticky cum as it scattered all over the floor. He slumped against the wall, heaving as he tried to steady his racing heart. He looked outside the door, finding you in the same spot as you were. You were sleeping oh so peacefully

He gazed at you, his heart full of unfulfilled yearning. He desperately wanted to be part of your world, to be someone you chose to let in. Yet no matter how many jokes he made or how close you seemed; he knew deep in his heart that he was not enough.

A soft sound broke the silence.

Peter's eyes snap to the bed, and his stomach lurch at the realization that you were stirring. Your brows knitted, your breathing started shifting, just as if you were going to wake up.

He immediately threw your panties back into the basket as he stood up and fixed his underwear and pants

He felt panic surging him, he immediately sprinted near the window. It made a loud a thud, now he was fucked

He moved quickly and quietly without thinking as he quietly ran towards the window. Just as you were about to opene your eyes, he slipped stealthily past the fluttering of curtains.

He tried scrambling down the trellis and found the ground, shivering and shaking as he did so.

He was hidden in a shadow corner, looking up towards your window. You were sitting up now, rubbing your eyes and looking around your room with a sleepy confusion.

Peter's chest tightened.

What's the matter with him?

He hurried as he turned away, his footsteps quiet against the pavement

The cool night air wrapped around Peter Parker like a cold, suffocating blanket as he walked back toward his house. Each step seemed to slant further and further as if his sneakers were scuffing wet against the cracked pavement in a slow and deliberate rhythm.

It was as if the world had gone still—entirely quiet. No cars were heard, no distant chatter, no hum of the city. Just Peter, the quiet whistle of wind through leaves, and the pounding thuds of his thoughts.

With that, he shoved his hands deep into his jacket pockets, his fingers curling into tight fists. Replaying the scene, he heard the soft sound of your breathing, the warmth of your room, and the way you stirred in your bed as if you had felt him there.

What the heck are you doing, Parker? He hadn't intended to climb into your room. He hadn't intended for it to get this far. Watching from the shadows was one thing, but tonight… tonight he had crossed a line.

He stopped moving and leaned against the lamppost, his breath escaping him in short, sharp gasps. Above him, the light flickered, shining unevenly across his shadow on the ground.

"This isn't me," he whispered to himself, the voice trembling.

But wasn't it?

Hadn't he been staring at you for years, taking notes while you weren't looking, memorizing all of your movements, laughter, and smiles? He had told himself that it was just harmless admiration from a distance, but now it was clear.

What would you think if you knew?

He sighed, Peter threw back his head and gazed up at the sky. Above him the stars, though cold and distant, seemed on to him— judging him in silence.

With the words of Uncle Ben echoing in his mind, With great power comes great responsibility, Peter winced.

Peter's jaw clamped down. Not great power; not yet. But wasn't all this part of it? Taking responsibility for his actions, owning up to his mistakes before they spiraled uncontrollably out of hand?

It hit him like a gut punch.

He wouldn't ever be able to take it back. Nor would he ever be able to wipe away the fact that he'd violated your space, your privacy, in a way you might never forgive. But he could stop it from going any further. He could ensure that you never found out.

@gloomskulls 2024. DON'T COPY, TRANSLATE OR USE ANY OF MY WORKS HERE OR ANY OTHER WEBSITES. Photos don't belong to me

[abby-howard]

I'm going to be asking a lot of artists I follow this question, but how did you develop your style? It SEEMS like most people find their style and stick with it forever, just making improvements and iterations. I tend to work in a lot of different styles because I enjoy doing that, though I know there are things I gravitate towards as well. But I wonder what your journey was and how you got feedback and improved while staying true to what you enjoyed?

Hi there!

I definitely wouldn't say that I've found my style and stuck with it forever-- I feel like each of my projects has asked for a certain kind of art, and has presented new challenges that push me in new directions.

Some of that comes from seeing someone else's work and having something click into place that might fix errors/faults in my own, and then I might try to incorporate that, such as bigger outlines on my characters to help distinguish them from the background, or maybe a way someone else simplifies eyes that can help make mine look less weird.

When I first started drawing, I can see where I encountered certain influences because my sketchbooks suddenly switch to incorporating some new stylistic element that I liked from whatever I was reading/watching at the time. But it was never QUITE right, it was never just copying, there was always something ~wrong~ with it. And that wrongness was my style! As much as I hated it, that was what distinguished my art from being just a copy of someone else's. I hate it less now, and understand that other people see something there that maybe I don't, because it's just what happens when I filter other people's work through my head. My soul, if you will.

There are definitely through-lines with my work, driven by what I like drawing and what comes easily to me-- hatching is almost always a major component, and I like making expressive characters. Here's some of my earliest available stuff, from my old webcomic:

Then not long after that, I started The Last Halloween, which pushed me to challenge myself in both layout and style:

And here's the same comic, years later:

And here's a series I did for kids, where I had to use full color and lay off on the hatching, as well as learn how to reconstruct animals that we have no photo references for, which is definitely a place where style comes majorly into play, whether I wanted it to or not:

Then there was the horror book I did, where I tried to push my work to be less cartoony overall, and to work very hard on improving my hatching:

Then I started work on Scarlet Hollow, where I incorporated a limited/muted palette and had to once again push myself to make less-cartoony art, as well as learn more consistency so I could draw sprite sets. This was a big challenge for me, and has helped me grow as an artist so much!

And most recently, I wrapped up work on Slay the Princess, which required that I go back in the cartoony direction, but in a very different way than I was used to. This took a lot of sketching to figure out, and there's still a decent amount of artistic stumbling in Chapter 1 while I settled into it.

She's drawing on anime/Disney influence, but each Princess required a bit of stylistic variability. Some are more anime, while some are more realistic than even the Scarlet Hollow characters.

So I wouldn't worry too much, honestly! A person's style is often something that reveals itself over the course of their career, rather than something they choose and then try to stick to forever.

Even if you don't think you have a style, you do. It might vary a lot piece by piece, especially if you're trying to closely imitate another person's art, but the more work you do, the more you'll figure out your own strengths and interests!

[soularsss]

Drawing Likeness: with Tem!

okaay since a few people actually showed interest in me sharing a bit of what I've been doing to figure out how to really capture likeness, specifically Temuera Morrison, I figured id do my best to write it out

I am also going to entice you with some of my recent clone art! (oooh some of it is unreleaaasedd)

I am putting the whole thing under the cut because I have a feeling its going to be long:

Read more!!!

a couple disclaimers before we start

-This is not some definite post about how everyone should be drawing clones, nor is it in any way claiming that this is the right way. This is just my musings as I stare at a mans face for way too long and try to replicate it

-I am inexperienced. As kind as you all are to me, drawing real people is relatively new to me, capturing a persons identity through their features is difficult for anybody, and I am no different. I have watched many a video on likeness and had my share of classes, but If im being honest, i rarely put it into practice successfully. So there'll probably be errors in this post or things i will come back to in a few months and wish I had said/done differently

ANYWAYs you guys get my vibe im just here to ramble and today we are rambling about mr copy paste. I am doing this for Law, my clone boy, because I plan on delving further into oc fanart and I want to put effort into representing him correctly!

SO LETS BEGIN

Before even deciding what specific pose of a person I want to draw, I tend to grab a bunch of references and compile them like so

(all of these can be found on my pinterest)

Why so many? Well, we are about to delve into facial features, so when we are dealing with photos we have to take into account that there are an abundance of circumstances that will influence how a persons face will appear, some of these include:

focal length: All of these are taken on different devices, and focal length can play a big part in distorting faces

age will play a part, your face changes a bunch throughout your life!

lighting, while not as major, can muddy the waters and make it difficult to interpret facial planes and features

SO, to make sure we get a proper grasp of what's really going on, I like to make sure we have lots of options to compare and contrast with.

Next up! What I like to do is block out the main facial features with colour on different layers, the features I block out usually are the general face shape, eyebrows, eyes, nose and lips. But what you are looking for is the defining features of a person, so that could include other things! Maybe a scar, or some particularly prominent cheekbones.

I dont have any rhyme or reason when it comes to picking my colours, all that matters is you can see all the shapes clearly.

Now I may be biased, because Ive been staring at these for 4 hours, but notice how it still looks like Tem? :D

Anyways, now we can break these parts down, and you'll see what I mean about compare and contrast:

We'll start with isolating the facial shape, putting all these next to eachother you'll notice they arent exactly the same (partly because of my shoddy work) But the distinguishing features run through each shape! Namely the very soft rectangular shape I sketched out in the bottom right there. Along with his soft, wide jaw structure.

I did the same for the rest of his features!

You'll notice I highlight the prominent shapes and ratios,

When drawing anything, it is important to start from the very base shapes and build up.

When drawing something you want to look like someone, those shapes relative to other shapes is what makes it look like them.

I didnt use the same technique with his eyes and lips, but I wrote out some helpful info for them! More importantly for his eyes.

When drawing eyes, I find the most important part is where exactly I draw the creases, (along with the overall shape of the eye itself) it is important to understand where those will present themselves with hooded eyes.

NOW, with an understanding of his facial features in place, lets take a detour to colours:

before I start, a couple things to note:

-Temuera morrison versus the clone troopers in the animated shows:

While I love the animated shows they don't exactly stay close to their source material. Im going to link here to an excellent post discussing whitewashing specifically in relation to the clones.

Temuera is Māori, of Te Arawa (Ngāti Whakaue) and Tainui (Ngāti Maniapoto, Ngāti Rarua) whakapapa, and also has Scottish and Irish ancestry.

The Māori people are the indigenous Polynesian people of mainland New Zealand (Aotearoa). Māori originated with settlers from East Polynesia. Māori people often vary in skin tone, Skin colour doesn't determine ethnicity. There's often a correlation but it's not a requirement.

But that is a tangent! What we are aiming for is to stay true to Temuera.

Bringing back my reference photos from before, Ive colour picked a buncha values and theyre all over the place. Why doesnt this work?

Similarly to earlier, you have to take into account the photos themselves. Many things like lighting, colour grading (when it comes to filmography) and makeup, can alter how a skin colour presents in photo.

You can attempt to get true to life by swatching from certain places on the face. Here I've tried to pick some photos with good lighting, and I've also tried to avoid overly lit/shaded areas.

Tem has a very warm, tan skin tone, Instead of colour picking I tend to try and replicate it myself, but I do often bring in references to make sure Im staying true to the source!

a brief intermission to talk about colour theory, something I myself struggle with alot. Often, when putting in flat colours without a background, I will forget to make sure the colours i intend to use will work with the skin tone i have picked! (something that is apparent in older works of mine, not just in relation to clones, but in general, the colours I end up with stray largely from their original sources and it is something I am doing my best to keep in mind and improve in! Although I don't think i am nearly experienced enough in the topic to say I have succeeded yet lol.)

anyways back to Tem :))

Now we can put all of that into practice! Things to keep in mind when drawing out a piece next to a reference like this:

the distance between the eyebrows? how far down his face does his nose go? Basically just, in relation to eachother, where do all those shapes we found earlier, sit?

The screenshot above is from before I did it myself, but instead of directly tracing from the reference, a handy trick I use it to complete your sketch first, and then overlay a traced version to see where your inconsistencies are! Alternatively, you could move your sketch over the image, but I didnt do it that way so!! uh!! im sure it works exactly the same!!!!

When it comes to a final illustration, or any sketch that isnt a direct study, of course you can push and pull and stylise! You'll see below that I'm not exactly 1:1 to my reference photo either.

The important thing with stylisation, or at least my own personal understanding of stylisation is that you need to thoroughly understand the thing you are stylizing! "You need to know the rules to break them" and all that. While shapes, lines and rendering can change, when it comes to drawing someone, and making it look like them, you have to make sure to keep their core features true to source. Caricature can capture a persons vibe whilst drastically exaggerating features, but it will only look like them if you KEEP THOSE FEATURES!!!! SHAPES!!! AHHH!!

But that is just my perspective on the discussion of style versus realism, please dont take is as Law, I dont know what Im on about half the time!!

anyways, after fixing your sketch, add local colours!

I rexified him because why tf not! But this is where you can go crazy with that clone personalization!

And then here is a very very barely rendered version (if you guys want me to explain how i RENDER that would need to be a completely different post, and I havent had anyone ask about it yet so who knows! maybe one day) But I digress, hopefully you learnt something new through my ramblings! It has certainly helped me organize my thoughts and I have also found some areas I would like to focus more on in the future to improve my own art!

TLDR: In order to understand an object, be it a face or a building or literally anything, you have to break it down to its simplest forms, understanding LARGER shapes will help you immensely in the long run

If you guys like this sorta content do let me know! I'd be down to do similar things for armor/anything really, I am very anti gatekeep so really anything at all you want to know! Send me an ask :))

also if you see a spelling mistake.. i don’t know how that got there

[bweirdart]

#mARTch 2024

text version (with more info!) under the readmore! please check it out if you're confused about anything <3

F.A.Q

do i have to draw every day? no!!!! there are skippable days built into the event, please use them whenever you need them! i really don't want anyone getting a wrist injury!

can you share my art? yep! i try to share entries to @bweirdevents daily during the event!! the tags can get busy tho so i might miss some posts OTL sorry

what are the tags? #mARTch is the main tag, but this year you might find posts in #mARTch2024 too!

wait, i'm confused about a prompt... full breakdown of all the prompts below ↓ with helpful hints if you're stuck!

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INTRO WEEK

this week is all about your artistic identity ... technically, you don't have to draw anything new this week if you have some art that already fits. the starter days are:

1 ⭐ self portrait who are you? it doesn't have to be you IRL .. if you feel more comfortable drawing a fursona or mascot, that's fine too! if you don't wanna draw, you can also just share old self portraits today and talk about why you drew yourself that way!

2 🤍 inspirations see how this day doesn't have a star? that means it's optional and you don't have to do it at all! but if you really wanna- tell us all about what inspires you to create art! this could be anything from the people that inspire you, the shows you like, the pins on your big messy pinterest board, or concepts that you're drawn to! you can draw something about it, talk about it, or just post your inspirations! anything is fine

3 ⭐ fav thing to draw what do you like drawing most? backgrounds? animals? one specific animal? bust of your oc facing left? cars? the same anime boy over and over and over? no judgement!! show us :)

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STUDY WEEK

this is the week we actually start drawing from reference! polished art is not required at all, quick sketch studies are fine! please don't burn yourself out

4 🤍 plant

5 🤍 body

6 ⭐ animal

7 🤍 object

8 🤍 food

9 🤍 face

10 ⭐ hand

these ones are pretty self explanatory! you can do them as realistic studies, or adapt them into your own art style, it's all fine! you can reference from your own photos or from resources on the web.. have fun!

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COLOUR WEEK

this is the week for playing with palettes and working on your colour theory skills! if you're really struggling with these ones, don't worry about drawing scenes or characters, you can just have fun splashing colours around on an abstract canvas!

11 🤍 RGB a set or primary colours typically used in digital/screen art - red, green and blue!

12 🤍 CMYK a set of primary colours typically used in traditional/print art - cyan, magenta, yellow ... and key (black!)

for both of these days ↑ you can add in black and white. and feel free to combine the two days into one, if you're struggling with a three-colour palette! use all six!

13 ⭐ WARM COLOURS the warm side of the colour wheel, reds oranges and yellows!

14 🤍 MONOCHROME monochrome doesn't mean black and white ... it means one colour! that can be any colour at all- shades of red, shades of purple, shades of green .. or yeah, grey if you really want!

15 🤍 COMPLIMENTARY complimentary colours are the ones opposite each other on the colour wheel! they're kinda married

16 🤍 YOUR FAV COLOURS pick any palette that works for you! where's your comfort zone? what looks nice to you? what colour combos do you always go back to?

17 ⭐ COOL COLOURS the cool side of the colour wheel, purples, blues and greens!

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CREATIVITY WEEK

this week is all about vibes! try to create something that matches the mood of the prompt .. they're vague on purpose! don't overthink it, just draw from the heart!

18 🤍 SMALL you could draw something that's really small, like an ant .. or draw on a canvas that's really small .. or use a really small brush .. get creative with it!

19 🤍 DANGER try to capture the adrenaline .. the rush .. the fear that you associate with the word danger!

20 ⭐ SOFT soft colours, soft textures, soft vibes ... whatever makes you comfy!

21 🤍 MIDNIGHT darkness and secrecy .. spooky witchy vibes .. the tranquility of a forest at night .. the fun of a late-night party .. there's lots of ways you can take this!

22 🤍 POWER what does this word make you think about? superpowers? control and oppression? literal electrical power? something else?

23 🤍 CHILL chill as in calm? or chill as in cold? who knows .. it's up to YOU!

24 ⭐ LOUD try to draw something that feels LOUD! BRASH! IN YOUR FACE! how can you convey sound through art?

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FUN + GAMES WEEK

this week is just for enjoying yourself! take it easy and have fun! also .. another reminder! there are skippable prompts! if you're tired and struggling to get to the finish line, please don't hesitate to skip a day!!! or multiple days!! as many as you need!!!

25 🤍 TRY A NEW ART STYLE copy the art style of a show you like, ask a friend if you can try their style, draw the eyes a new way, develop a totally new style on the spot... whatever you want!

26 🤍 DRAW WITH YOUR NON-DOMINANT HAND righties, draw with your left! lefties, draw with your right! ambidextrous nation ... our time to show off!

27 ⭐ DRAW WITH YOUR EYES CLOSED don't peek! try to draw something without looking! if you really want, you can colour it with your eyes open after you draw the lines/sketch with your eyes closed... but please try not to cheat with the actual drawing part!

28 🤍 RE-DRAW SOMETHING OLD find some old artwork you like, or something you feel like you can do better on now, and give it another go!

29 🤍 RE-DRAW A MEME find a silly picture on the internet to redraw .. do you have any in-jokes with your besties?

30 🤍 DRAW A GIFT FOR A FRIEND create something for someone you love <3

31 ⭐ FREE CHOICE final day! you can draw anything you want today! show off your skills! draw something you've been meaning to draw! whatever!

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please refrain from reblogging this post after march ends - next year's prompts will be different, thank you! if you have any additional questions, don't hesitate to shoot me an ask!

[unteriors]

Since you're Australian, why are so many of the posts from the US? Did you start with Australia and then move onto other countries once you'd felt like you exhausted it? Or is the US particularly interesting for your purposes?

A big part of the reason is the enormous difference in scale. Australia has about 25 million people, versus 300 or so million in the US. Each of the 50 states has at least one or two major cities, most have many more than that. In addition to the volume of real estate imagery produced by this market, there are a few things about the US in this context which draw me in from an Australian perspective. One is how real estate listings weirdly embody how much more visually apparent the harmful economic forces of the past 50 years are in American society than they are here or elsewhere. Australia's welfare state was developed roughly during the same time as in the US, and has similarly been cut back since the 1970s. But it was always much weaker in the US than in Australia or Western Europe, and correspondingly the effects of its deterioration - along with other economic trends - have been much more visible than they are here. The way this is played out in terms of localised funding for public services means that many American cities have pockets (of varying sizes) where poverty and other forms of systemic oppression are concentrated and left open to the elements. The sort of stuff Jacob Holdt documented in his photos in the 70s, or that you see in a lot crime films and thrillers with location shooting. Gentrification and other forces since then have pushed these pockets into other areas and made some places seem less grim, but from what I've heard it seems like it would be hard for the average person in the US to ignore that these large, systemic problems exist. Conversely, in Australia, this kind of intense poverty has been pushed into the margins of society during the same time period - to remote communities (where people suffer from chronic diseases that have been eradicated in most other wealthy countries), country towns with shrinking economies, or to the fringes of larger cities (where people sleep in their cars in parking lots, or multiple families form sharehouses to afford $400-500+ pw rents). Though as things have gotten worse, particularly since COVID, it's getting harder to ignore. But still there's a substantial part of the population here who have grown up in ignorance of any of the larger, percolating structural problems in Australian society, and who proactively retain that ignorance into adulthood.

I think you can see these different perspectives play in out in real estate listings. In most American states, even in most of the towns I've looked at, you can see a broad spectrum of living conditions (and commercial interpretations of ideal living conditions) - from burnt out trailers, to overpriced renovated shitty older houses with cheap grey vinyl flooring and white walls, to clearly lived-in time capsules to McMansions to actual mansions. Some photographs are clearly shot by owners, others by real estate agents with a great variety of care and attention to detail (from elaborate staging to crime scenes). Rightly or wrongly, I feel like I get a broader, more honest (or at least more direct) feel for the housing crisis. It's a more honest horror film.

Australian listings, I think in part due to concentrations in corporate power in the real estate industry (similar to other monopolies that have formed in our economy), tend to more heavily adhere to the visual language of advertising and are more heavily regulated by agencies. The problems still exist, the housing market here is among the worst in the world and little effort is being made to address the underlying structural issues, but you can see the lack of will to acknowledge these issues in the level of gloss that's applied. You can look at a listing of an older house in Western Australia, for instance, and know for a fact that it's riddled with asbestos and probably has several other structural issues, but most likely enough time and effort will have been spent on staging and lighting and maybe surface-level renovations that it will seem otherwise fine. Lots of turds that have been polished successfully enough that you need insider knowledge to properly identify them as dogshit. Incidentally, I spent part of my childhood in a house built in the 1960s that had asbestos in the walls and ceiling.

I'm still interested in images from Australian listings (and other sources) though, I just look for other things that are interesting. Anything that runs contrary to the artificially positive, limited world view that advertising promotes. Even if its a poorly-lit time capsule that is directly aesthetically opposite to the ideal of house-beauty at the moment, or an obviously run-down house that has had every realtor photography trick in the playbook thrown at it until it becomes deeply uncanny. And it's always interesting to see what other people find interesting; I genuinely think the housing crisis underwrites every other political issue we have to contend with, its tendrils extend in many different directions, and I think this also means imagery like this can reach people in a diversity of ways. Aesthetically, nostalgically, inspiring fear and self-loathing and horror. All good sources of inspiration for creativity.