#I know some people don’t like it when characters get compared to one another

[yoroshiu]

Sora: Self-Esteem, Or Lack Thereof

I legit got struck with many thoughts when I woke up and decided to write an essay instead of going back to sleep. As in, this one's another long one ToT

Making Kingdom Hearts Stuff Until KH4 Comes Out (Day 13)

This is a topic that has been brought up a lot as of late but I found myself wanting to talk about it after reading some comments from some KH videos I was watching.

Specifically in Sora’s sacrifice scene in KH1 and his breakdown scene in KH3, it was interesting to see people say that they had just realized how low his self-esteem actually is, and I thought to myself, it must be interesting for them to look back and see how far back this feeling goes for him. I had my own thoughts as a result.

Sora grew up in Riku’s shadow. In the words of both of them, they agreed on the belief that Riku was the better one between them. It makes sense that Sora from the get-go had already taken blows to his self-confidence.

This is only added onto when it’s revealed that Sora was “just the delivery boy” for Riku, leading to the loss of the keyblade (which, for one, alongside the title of “Hero of the Keyblade” gave him a lot of confidence/assurance) and Donald and Goofy. This is a moment that stuck with him as shown in 358/2 Days is a memory that makes Roxas cry (in the same way seeing the Twilight Town trio made Sora cry). And while this is mostly supplemented by the manga/light novel adaptations mostly, Xion’s frustration in her encounter with Riku is reflective of that moment for Sora (especially in the manga).

In the perspective of the audience, Sora getting the keyblade back is a show of his own will and strength of heart. But in his eyes, since Donald and Goofy came back just a bit before, this is probably where the idea that his strength coming from his friends gets cemented. For him, the keyblade chooses him because he chooses to support others, which we will see rear its head in 3D.

One of the things that kept grabbing my attention when watching people play through 3D is when they get to the part where Sora says “I know the keyblade didn’t choose me, and I don’t care” because that ends up warranting confusion, and they usually say “but he was chosen though?” This is where that perspective thing shows up.

3D spent a notable amount of times mentioning how Sora isn’t the first choice. How the keyblade moved down the list (Riku to Sora), how the Organization moved down the list (Riku to Roxas to Sora). Xigbar even makes an attempt of mentioning such before Sora says the Thing. In Sora’s view, he wasn’t chosen for being special or having some kind of power but he was chosen because, in his eyes, his purpose is to help “those it [the keyblade] did choose.”

Even at his most confident (as he was on that KH2 victory high), he never viewed himself as “chosen” due to being worthy from his own merit.

And it doesn’t help that after 3D strips him of his power, he gets poked and prodded at for losing it. And that constant loss of power is something he’s aware of (“It’s always like this” line in Japanese). Others have mentioned it in other posts before, but Sora’s mistakes and failures weigh more heavily on his mind than the others who see his strength and victories over all else. Sora knows that he doesn’t understand everything and only does what he feels he can do in the situation for others. It’s kinda like everyone else sees him through these rose-tinted glasses (he gets through everything with a smile, he follows his heart /pos) but for him, he’s clawing through and following his heart /neg.

"It's okay, it's always like this."

This is all the buildup leading to his breakdown. It’s very in line with him, and it’s so fascinating seeing people realize that. Sora’s relationship with his self-esteem, alongside his trauma, are much more subtle arcs compared to other characters. It’s very much due to his style of coping being repression and smiling through everything until he can’t take it anymore.

This isn’t even taking into account other moments of his perspective like how he kinda blames himself for Donald and Goofy leaving him in KH1 (he puts it as “they had to leave” or that “they were separated” (in Japanese), never that they left or abandoned him. He usually doesn’t blame his friends if they’ve hurt him before. There’s even the tangentially connected topic of him being dehumanized.

Sora is both very straightforward and complex in his presentation and writing, just as his series is. His relationships with others are actually pretty complicated and are both the reasons for his strengths and his weaknesses (he and Riku alone are a whole doozy, being each others reasons for improvement but also their downfalls). Sora’s mental health is and will continue to be a topic of interest for me as we go into the next saga.

Someone please get him a nice hot cocoa and proper therapy…

[spookymoody928]

Another PSA For The ROTTMNT Fandom:

Hi guys, I know I already did one of these kinds of posts but I feel like I need to make another one so that I can actually get my point across, because SOME OF YOU are being hella stubborn and keep coming up with dumb excuses about it, so please take a look at this post and read through the whole thing. Thank you.

1.) FICTION. AFFECTS. REALITY. It doesn’t matter if a character is fictional or not, it’s not an excuse to do weird/nasty shit with them, ESPECIALLY IF IT’S A MINOR/YOUNGER CHARACTER. It’s super messed up and you clearly don’t have a good mindset at all if you think that it’s okay to do weird/nasty stuff with Fictional Characters, especially the Rise Of The TMNT Characters. So STOP BEING WEIRD/NASTY. It’s not that hard to be a normal human being and realize that what you’re doing is wrong (AKA Sexualizing the characters/Minor characters, drawing NSFW/Suggestive Art of the Minor characters, etc).

2.) None of the Rise Of The TMNT Characters have any sort of romantic feelings for anyone in the show, and that’s obviously not a major plot point in the show, which is completely fine, because in all honesty it doesn’t have to be. The show focuses on family dynamics/issues and that’s what makes the show unique compared to the other TMNT iterations, especially the 2012 TMNT iteration (honestly the TMNT 2012 iteration was hella messed up in terms of romance I’m not gonna lie). And if you’re gonna make an OC that’s just gonna be a romantic interest for one of the characters then it’s kinda pointless to even have an OC like that since the show doesn’t have any romantic themes (NOT EVERYTHING NEEDS TO BE REVOLVED AROUND ROMANCE, IT’S OVERRATED and some of you have a very weird idea of what Romance is for some god awful reason).

3.) If you’re following any problematic ROTTMNT Artists and you don’t know or realize that you are (or maybe you do and just don’t care), then I’ll put a list down below with proof of what they did so that you can unfollow them if need be (also if I forgot any then let me know and I’ll update this post and put them in here as well and I got most of this info from someone else btw):

• Donagotchi/Don-or-goober/Goobygnarp - Defending harassment and proshippers/interacting/friends/mutuals with proshippers. Withholding information about an individual he thought was dangerous due to following proshippers (which had since been resolved) and only coming out about it when someone drew fanart of their oc with his on a sketch page (both ocs were shipped with donnie).

• Pinetreevillain - Harassing minors, drawing aged up nsfw, showing cropped nsfw to minors, agreeing with proshipping values. making a whole document to call out a minor who had called him out for previous things, causing them to be harassed and threatened. He did not apologize, he did not amend this mistake.

• Pasteilian - Made many posts sending harassment to a minor, supporting PineTreeVillian and nsfw of minors (both aged up and uhhh), proship nuetral. Fostered a community of proshippers ready to attack anyone who is against it, including minors. Draws really suggestive shit of the turtles??? imo (This also goes for Donagotchi and Pines friends), Proship neutral. Was apart of Pinetrees harassment of a minor. Sexualises the turtles (minors). Gaslighting behaviour.

• InkyGeek - known tcester and is a groomer (primarily of Notjustdragons/turtles).

• Beebopurr - Strange behavior towards others (hyper aggressive). Breaking peoples boundaries. Also ships Rise AprilNardo, which is a Proship.

• Pegibruno / his supporters - interacted with a minor/s in such a way they ended up being desensitized to NSFW of minors/proship content. Has made nsfw of the turtles.

• TheColinStein - Supports tcest, has said/sent inappropriate things/images about tmnt in his server full of minors, doxxed another user, endangering their safety, stealing art and merchandise to sell/raffle off.

• Mousie - Is a Tcester/draws NSFW of minors.

• Stasik - Is a Tcester/draws NSFW of minors.

• PouringTheArtJuicys - Is a Tcester/draws NSFW of minors.

• Leeseechkeens - Is a Tcester/draws NSFW of minors. Was also apparently groomed by the previous 3 artists that I mentioned above this artist to draw NSFW of the Turtles/Minors.

• Donathan - Draws NSFW/Suggestive Art of the turtles, who are Minors.

[eclipsehos]

Their resemblance is uncanny

[eggsaladnightmares]

I love having an identity crisis again/s. I am fully aware it’s cause I never concluded the last one but I kinda thought it would just go away.

[bunni-v1]

OMGG you wrote the first years finding out reader was a girl so well! i love it :D could i maybe request the same thing but for thirds years? thank you so much and have a good day :)

Third Years Find out You’re a Girl?!?!? (NOT CLICKBAIT) 

TW: Rook and Lilia are creepy

Info: Trey, Cater, Rook, Lilia x Reader (platonic)

Tags: @kierancaz @danchann33 @arashrita

🍓Ahh, the third years… How I do love them. Please ignore my blatant favoritism in Rook… I just… I really <3 him. Truly, the third years are my absolute weakest character, but I hope I did them well. Remember, dorm leaders are on a separate post. Love you all, and enjoy <3

First Years

Ortho & Sebek

Second Years

Dorm Leaders

-Okay so, I know we’re all wondering, how the hell do you get away with hiding your gender for so damn long?

-Firstly, those ceremonial robes do great at hiding the figure. The only tell would maybe be your hair, but feminine men aren’t unwelcome at Nightraven College, so you mostly get a few questioning stares and that’s it.

-Secondly, Crowley wants to save his own fucking ass. He already has to hide from the press that he has a MAGICLESS student from ANOTHER DIMENSION here, he doesn’t need the fact that you are a woman ALSO on his plate. So, obviously, he helps you hide your gender from others.

-Grim knows, of course, and he keeps his mouth shut for a few yummy cans of tuna (and threats of being expelled from Crowley <3)

-Even when you were just a janitor, he couldn’t have the rumor that he put a “helpless” young woman to work. (Like it wouldn’t be expected.)

-So how do you two do it?

-Baggy ass uniform. Crowley gave you at least three sizes too big.

-Your figure is completely hidden. Sure, you look completely homeless, but at least you’re hidden.

-For your voice, you simply deepen it. After some point, you blackmail Crowley into giving you a potion to help with it, since it's so taxing on your voice. (Or maybe your voice is naturally deep!)

-Sam provides you (for an unfairly pretty penny (not too different from your original world…)) any feminine hygiene products you might need.

-Honestly, you’re set for being cared for, but it’s the adjustment period that’s the hardest part. 

-Truly, it’s very jarring to suddenly be thrown into both a magical world and be isolated in a man's world with nowhere to hide.

-At least in your world you had other women who could understand your struggles. Here though? You’re completely alone.

-You notice how… messy some of these guys could be. How some of them smell… really rancid. -How rough they were with you and each other.

-Honestly, it’s kinda eye-opening. The way men show affection to each other is oddly refreshing to watch and experience!

-Ace and Deuce specifically are a good… trial run.

-That’s not what we’re here to talk about though…

-For the most part, it's incredibly easy to hide yourself for the first while on campus. Everyone on campus is so self-absorbed that they don’t bother questioning you.

-Your only real risk factor is Savannaclaw, but it's easy to avoid those guys (minus Jack, of course).

-However, you can only hide your gender for so long… It’s mentally draining to keep up this facade all the time around people you care about.

-So… how do they find out?

Trey

-Trey is a very good middle ground compared to everyone else in NRC.

-He doesn’t find out immediately like some people, but he finds out pretty soon into knowing you.

-Trey has siblings. Specifically, he has younger sisters he helped raise alongside his mother and father.

-He’s good at reading women thanks to his sisters. He knows many tells of discomfort, displeasure, dislike, etc.. 

-It’s different from how his brothers would show it, how others at NRC show it. 

-He can’t even explain it, he just knows the differences and it makes sense to him.

-With you, he notices the tells. Notices that you deepen your voice and you shy away from the more… intimidating and touchy guys on campus.

-He’s not one to assume, though!

-He’s attended three years at NRC in the same class as Vil.

-He understands that gender expression presents itself in tons of different ways. 

-You clearly prefer using he/him pronouns, Ace and Deuce use strictly male pronouns, so it’s not his place to say anything.

-Still… the way your eyes glitter when he praises you for doing well on your tarts reminds him a whole lot of his little sisters.

-It’s not till a bit later, shortly before Riddle explodes when he asks Cater that his suspicions are concerned.

-“Cater, don’t you think the new guy in ramshackle is a little…”

“Girl? Yeah, it’s kinda obvs.”

“Is it now…?”

-Cater pretty much lays out everything he noticed about you, and it matches up pretty well with what Trey was thinking.

-Still! Trey doesn’t want to force the idea that you’re a woman on you! 

-What if you are trans, non-binary, or anything else? To assume something like that is completely awful, and he’s better than that. 

-He’s not a troublemaker after all.

-So, during one of Heartslabyul’s tea parties, (much like many others at NRC), he pulls you aside just to get confirmation.

-“So, this might seem a little rude, but I want to make sure I’m respecting you.”

“…kay…”

“Are you a woman?”

“Didn’t Cater tell you already?”

-Oh. Okay. Cater was right. He shouldn’t have doubted him. Noted.

-You make him swear up and down that he won’t tell Ace or Deuce, and you move on from it like it's nothing. (You’re not sure you can trust Ace and Deuce to keep their mouths shut at this point).

-And, really, it should be nothing. Trey should just be able to move on and relax… but his brotherly instincts sort of act up around you.

-He’s not overbearing in any way, it isn’t a creepy thing that suffocates you… it’s just a notable increase in intake of Trey in your life.

-He invites you over to “try this new recipe he made” (an excuse to ensure you’re eating, because he’s confident Crowley isn’t providing you nearly enough nourishment).

-Sometimes he shows up at Ramshackle to pick up Ace and Deuce and ends up staying and helping you clean up after the disaster freshmen.

-Most importantly, he checks in on you and your well-being considerably more than he does anyone else.

-He has, in fact, called you little sis before as well. He was incredibly embarrassed by it and refused to acknowledge it happened.

-Cater does not let him forget that it happens, calling you “Trey’s honorary sister” every chance he gets.

-It’s not so bad though. Especially at the start, you really needed someone reliable like Trey to lean on when you needed help since Crowley would only do the bare minimum.

Cater

-Cater finds out pretty damn quick after meeting you.

-It's not the exact second he sees you, but very shortly after your first interactions… he gets it.

-As we know, Cater was sort of forced into being feminine and girly by his sisters — something he was completely uncomfortable with, but later forced himself to embrace.

-When he looks at you… how big your clothes are, how you artificially deepen your voice, how you’re clearly uncomfortable with both of those things… he sees a younger version of himself.

-Still… it's super not his place to bother you about something like that. 

-He hardly knows you, and as your upperclassman, he should be a role model and not worry about superficial stuff.

-M’kay! It is no big deal for Cay Cay, he can leave it all behind him with no issue! Totally doesn’t bother him at all!

-…He’s a big fat liar.

-It’s not his fault okay! He just… can’t get that look of discomfort out of his mind. 

-You looked so miserable :( You looked like how he used to look :(

-So, Cater, far more impulsive and honest than good old Trey, straight up asks you. (Privately, of course, he’s not a monster.)

-“Heyyyy, so, weird question… are you a girl? It’s totally cool if you’re not, I’m just curious.”

“…How did you know…”

-It kinda freaks you out a lot. You thought you were hiding it so well.

-Cater, sweetie that he is, assures you that he’s different from others. 

-He’s got special circumstances that allowed him to notice what was going on.

-Promises he won’t open his mouth…

-He tells Trey less than a week later.

-It’s not his fault! He was on your trail already, he was gonna figure out one way or another!

-Other than the Trey debacle, he’s really good at NOT gossiping about it, believe it or not.

-He’s your reliable senpai after all :D

-He is your first official ally!

-Completely supportive of what you’re trying to do here, and is more than willing to be a safe space when you just need to… be a woman sometimes.

-You spend a lot of time with him after he finds out.

-His dorm is always open for you, even if Riddle hates it, m’kay! You can always come to your old pal Cater for help.

-He really helps you on selling the whole “I’m a man” act. 

-He shows you easier ways to hide your chest so you don’t always have to swim in your clothes and helps you keep your hair styled in a way that either hides it or makes you look more masculine.

-He’s like the best big brother figure to have, honestly, and he remains one of your dearest friends through your whole stay at NRC.

-He’s someone to vent to, someone who gets what you’re going through just a little, and someone who’s really there for you all the time.

-Also very protective of your secret. 

-The only reason Ace and Deuce don’t know for so long is because Cater is working overtime to keep them off your trail.

-He tells you all about his escapades and keeping them in the dark too, he’s so proud of himself. (Please praise him, he needs it).

-Seriously though, he’s such a sweetheart and he’s always there for you if you need him.

Rook

-Ah beloved lover of beauty Rook!

-He is quite the oddball, isn’t he? Always off in his own world spewing flowery nonsense all in “the pursuit of beauty” as he calls it.

-Most people on campus just call him a freak and move on from it. 

-You’ve heard about him, of course. The stalker-hunter from Pomefiore makes the beastmen on campus tremble in fear (or annoyance, in Leona's case).

-You knew he existed, but seeing him was never really common. In fact… seeing anyone from Pomefiore was rare.

-You guessed such an elitist dorm probably wouldn’t want to mingle with someone like you.

-In Rook’s case, however, you couldn’t be more wrong.

-He was quite interested in you from the very second you’d interrupted the whole opening ceremony.

-You were… striking in his eyes. Not quite as beautiful as Vil, of course, but very eye-catching.

-While Vil insists you are a pest not worth Rook’s attention, he disagrees.

-Truly, he’s fascinated by you and your story.

-You from another world, who goes out of his way to hide such natural beauty with baggy clothes and messy hair… Ah! How his heart pounds in excitement, he must know more!

-So he does the only thing he knows how to…

-He goes on the hunt. For what? He’s not sure yet, but his hunches are rarely wrong.

-He follows you to classes, watches you get yourself into trouble and out of it, stalks you through the windows of ramshackle, and laments about his findings to (a very unimpressed) Vil.

-You can feel his piercing gaze on your back, but you never see him. It’s chilling honestly.

-It’s not until he decides to follow you to Sam’s later at night that he figures it out.

-You had purchased a large box of feminine supplies…

-He had gotten you, little trickster :)

-Now, since he had gotten his solution, he laid back on the whole… creeping on you in your dorm thing.

-He is a hunter, not a pervert.

-Leading up to the VDC, when you’ve decided to try out officially, you suddenly see a lot more of this mysteriously creepy Rook character.

-And, honestly, he was really nice! 

-Sure he said a lot of needlessly long and poetic sentences, but at the end of the day, he would always wave at you in the hallways or offer to help you learn the dance for auditions.

-This was all a ruse to be able to get closer to you and uncover your inner beauty.

-HE convinced Vil it was a good idea for you to be manager, and HE was the one who offered to ensure you “didn’t cause any trouble.”

-And Rook, good as he is at hiding secrets, pretty much lets you know that he knows. Constantly you find him… flirting? Complementing? You… saying how badly he would like to see you cleaned up and in more fitting clothes.

-Nothing he’s doing is romantic… you think… he’s just very clearly interested in you.

-So, of course, you have to ask him.

“Did you… figure out I’m a woman.”

“Perhaps…”

“You’re… not going to tell anyone, right?”

“Little trickster, I am the master of secrets.”

-Honestly? It’s not so bad having him and the others in Pomefiore know. 

-You really get to be yourself with Vil and Rook, so it's nice! Besides, you haven’t been prettied up in a really long time. You kinda missed it.

Lilia

-Ah, Lilia… beloved elderly man.

-He won’t lie and say that he isn’t incredibly curious about you too. Who wouldn’t be?

-A human from another reality with no magic, no concept of where they are, and no idea how to get you back.

-Very curious indeed.

-However, he has no reason to get himself involved in your business.

-You are a confident young lad, and clearly strong and capable. 

-In the few interactions he did have with you, you clearly had your head on your shoulders and well-founded confidence in your own abilities.

-The only thing truly odd about you was… your face.

-He isn’t one to talk, he’s thousands of years old and he’s got quite (unnaturally) large eyes and soft skin.

-You, however, aren’t fae. You aren’t anything more than a human.

-Excuse his close-mindedness for just a moment, but if he wasn’t mistaken you look quite… feminine.

-Small(er) stature, baggy clothes, clearly discomforted by “manly” activities that your friends drag you into.

-It wasn’t his place to question, of course. He understands that gender isn’t easy to define, and his thoughts are only ideas from his past creeping up on him.

-Still… it raises some questions in his mind.

-He knows where his responsibilities lay, so he brushes his thoughts under the rug and moves on from the thought.

-That is… until he notices Malleus’… interest in you.

-The prince’s visits to ramshackle only seemed to increase after you arrived.

-As Malleus’ caretaker (and out of morbid curiosity), he must investigate you further.

-That's how you start… seeing a lot of Lilia. Like, too much Lilia. How in the world is he always there, it’s creeping you out.

-He’ll talk to you, sometimes, but most of the time you can feel his beady little red eyes watching you.

-You don’t know what you did to him, but it’s really starting to freak you out.

-You’ve seen his fangs, does he want you for a blood bag or something.

-You, being strong as you are, decide to just confront him one day in the library.

-“Okay, what’s your problem. You went from acting like I don’t exist to constantly staring at me like I’m your next meal.”

“Please forgive me, that wasn’t my intention. I’m simply… curious about you, and I didn’t want to scare you off by approaching.”

“I don’t think your solution to that problem was any less scary.”

-You give him the benefit of the doubt, and you realize this guy talks like your grandpa or something. He’s so old, it’s almost funny.

-You decide to start spending some more time with him, and you realize he’s really fun to be around.

-Despite his seemingly old soul, he’s rebellious and feisty, and he has an endless treasure trove of stories to tell you.

-He becomes a comforting force in your life, so much so you begin to confide in him your stresses and worries.

-Inevitably, you end up telling him how hard it is to hide being a woman. How only so many people know, and how exhausting it is to pretend to be something you’re not.

-“Does Malleus know?”

“Malleus…?”

“The man you meet in front of your dorm at night.”

“Oh! Do you mean Hornton? No, I don’t know if he’s good at keeping secrets or not.”

“He is not.”

-Lilia is more than willing to be a force in your life that keeps you happy and healthy. 

-He is more providing and giving than Crowley is, constantly giving you little gifts and ensuring you have enough money to keep taking care of yourself.

-You insist that he doesn’t need to do any of that, but his fatherly instincts tell him otherwise.

[earlysunshines]

fright night

kim minji x fem!reader

synopsis: in which your university’s halloween festival leads to you and minji beating around the bush — finally.

warnings: making out. like the best makeout scene i've written in a bit i think. ohmygdoajsdf ; minji is a loooooser but we all know this ; pining ; dumb gay women ; FLIRTING. they want each other SO BAD i was giggling writing this im ngl ; SO cute i loved writing this ohmygod ; anything else not mentioned ; not proofread

a/n: lately i’ve been going insane bc of minji like she’s just so gf… so… she’s so… i need her

kim minji is an idiot, she’s literally the dumbest person you know.

well, academically she’s actually a genius, but she’s clumsy and clueless nine times out of ten. unfortunately yet fortunately(?) for her, this is only more of the reason for you to be completely in love with her.

which is why your roommate is dealing with another one of your little attempts to deny your feelings again.

“i think i should just die.” you groan into yunjin’s bed. she watches you, your body lifeless after you roll over to face the ceiling. “everything was just normal.”

“‘just’ as in… a month ago…?” your roommate snickers, folding a t-shirt and placing it next to your torso. “i think you’re the only person i know who doesn’t enjoy being in love.”

yes: you’re in love with kim minji.

no: you do not enjoy being in love with her at all.

it’s not that she’s an asshole, it’s just the fact that everyone is also in love with her. she quite literally has a line of girls (and men, but none of them stand a chance) waiting for her. she’s kim minji, one of your mutual friends who happens to be the captain of the university’s soccer team—which is why the clumsy aspect of her is often overlooked. so to most, she’s just hot, but she’s more to you, much more.

and you? you’re just trying to get by. you’re not in the spotlight, you haven’t gotten hit on in months — you and minji are two worlds apart.

“this is a waste of time. she only sees me as a friend, she’s cute and athletic. compared to her the most astonishing thing i can do is make a t-shirt and wide-legged jeans to sell on depop.”

“you should make a t-shirt that says ‘kim minji i want you so bad please marry me—“

yunjin is cut off when her just-folded shirt is thrown right at her face. she groans and throws it right back at you.

“i hope you get the same fate as a side character in a horror film.” you groan, sitting up and glaring at her.

“aw, thanks.” she says dryly, rolling her eyes. “hey, speaking of horror… the halloween festival is soon. are you going?”

“i fear.” you sigh, shoulders sinking a bit.

your partner in crime outside of your dorm, danielle, had convinced you with a look filled with sparkly eyes and a sweet smile to help out with face painting. there would be a variety of people passing by and you were notoriously known for being able to draw really well despite being a fashion major. “art is art,” danielle had shrugged, and so she bribed you with some coffee to really commit to it.

“danielle got me to do the face painting stall.”

yunjin’s eyes widen as she sets down a sweater. “did she?”

“yeah. i’m the only one within the circle – other than hanni – who can draw more than a stick figure.”

“you’ve got that right.” yunjin snickers. “you think your wife will be there?”

“minji?” you tilt your head, to which yunjin responds with a raised brow. she got you there. “oh, um. maybe? why?”

“don’t act all unbothered now.” your roommate scoots you over so she can pick up a pile and stack them somewhere else. “if she’s also doing something for the event, i see it as an opportunity.”

“why would i willingly do that to myself? im going to look desperate.”

“minji is an idiot, we both know that. why would it matter? i think she’d be flattered to have you there. hasn’t she literally taken you home like… three times? girl, stop overthinking.” yunjin scoffs. “plus, you never look desperate. you’re a little too good at acting like you don’t care. don’t you think you’re driving her away? it’s like, you’re so normal and even distant in real life, i don’t want to say nonchalant because it’ll boost your ego, but unfortunately, that’s what you are.”

“you—“ yunjin raises both brows as you start to speak.

“she probably wants you too. i’ve noticed you guys talking more — don’t think i don’t notice you guys next to each other in between classes, even if it’s with your circle. kazuha asked if you were dating actually.”

“really?”

yunjin giggles, turning away from her closer and back at you. she stands right in front of you, towering over and looking into your eyes scarily.

“you want that girl so bad.”

“i can’t.”

“no, no. listen to me, you’re going to take this halloween thing as an advantage to make a move and also look hot. i don’t know how many more complaints about you being a bomosexual i can take.”

“i hate you.”

“okay then pay full rent.”

“i love you?”

yunjin laughs, picking up another pile of clothes and putting it away.

—

hanni is the one to text you out of nowhere the day after, something about “minji wanted you to eat with us, but heeseung is at the cafe.” 

you squint at the message. you had just reached your class, and now you’re being invited over to grab a bite with the girl you want so bad while the guy who wants you so bad is in the same area. there is no way you should be saying yes, you can’t. one: you need to get over minji. she’s out of reach, a mere dream. two: heeseung will be checking you out the whole time and might throw in a compliment or two. 

“i’ll be there in five.” you respond, sighing and pinching the bridge of your nose.

…

the café seems a little busy, but that’s not surprising considering it’s around lunchtime and the cafe is not too far from the university. the second you step in, your eyes find minji across the room. she’s mid-laugh with hanni, but the moment she spots you, her smile stretches wider, something bright and giddy in her gaze. it’s that soft, familiar look she gets sometimes—too open, too much—but you’re just as bad, trying not to look like you’re seconds away from smiling like an idiot as you walk up.

“hey, you,” she greets, her voice warm as she sidles closer, her shoulder bumping yours as you both look over the menu.

“hey loser,” you reply, nudging her back a little harder, a playful rhythm forming between you. she pushes back with a smile, and you retaliate, each shove barely more than an excuse to keep lingering in that small space between you two. she laughs, cheeks a little flushed, and you can’t help but feel like coming over was the better decision.

you order first, dismissing minji’s offer to pay for your lunch. she frowns but nonetheless lets you order first. you order a sundried tomato and mozzarella panini, stepping to the side after and glancing at minji, who’s still staring at the menu.

hanni and danielle have already ordered, so you wait near the counter for minji so the two of you can meet up with the rest together. 

much to your dismay, heeseung’s voice breaks through your little bubble. he steps closer, leaning against the counter a little too casually. “so, do you always come here, or did you just need an excuse?” his smile is easy, maybe a little too practiced, and his gaze lingers as he looks you up and down, more intense than friendly. 

you try not to visibly cringe, offering him a polite smile. “not really—just here with friends today,” you say, keeping your tone light but cool. but he doesn’t quite take the hint, his eyes not quite leaving yours. he definitely thinks there’s something in the air, something other than his cologne that is way too strong for your liking.

“you look cute.”

“oh um, thanks?” you purse you lips into a forced smile, watching him smirk confidently. 

“what are your plans after this? got class?”

before you can think of another way to steer the conversation away, you feel an arm slip around your waist, pulling you close, and you look over to find minji at your side. her smile is wide and a little mischievous, and there’s a hint of something defiant in her gaze as she looks right past heeseung, keeping her hand snug on your hip.

“oh, y/n!” she says brightly, voice layered with just enough enthusiasm to sound like a joke but there’s an edge that makes it feel like more. “i remembered something so funny, it’s about yunjin. you know, during practice she got hit in the head.”

she doesn’t even look at heeseung as she tugs you back toward your group, keeping her arm around you a beat longer than necessary. heeseung’s face twists slightly, frustration crossing his features, but minji doesn’t give him a second glance. she launches into a conversation about her classes, her hand slipping away from your waist as she nudges you with her shoulder once more, an unmistakable grin still tugging at her lips.

you two get the chance to converse with danielle and hanni, who are more than happy to have you there. you can feel heeseung and his group eyeing you from a mile away, but that doesn’t matter because minji is in front of you and keeping eye contact the whole time you complain about him.

both your order and minji’s are called out at the same time and for a second, it’s just the two of you again as you both walk up to the counter. her voice and her closeness are enough to erase the last few awkward moments.

 “you looked like you were having fun back there,” she murmurs, half-laughing, and you can tell by the gleam in her eyes that she noticed everything. 

you laugh, trying to shrug it off. “couldn’t have done it without you,” you say, brushing her shoulder with yours. she looks down, almost bashfully, a hint of pink coloring her cheeks as she smiles—a smile that lingers long after heeseung fades into the background once again and you two rejoin the others.

…

before you make an excuse to leave, although it’s not really an excuse more than a complaint about your professor assigning a grueling reading, you hug everyone. when it’s you and minji, you two hold onto each other for a split second longer than social norms until she pulls away. minji smells like flowers and vanilla – you could drown in her scent.

“are you going to the halloween festival this weekend?”

“oh, yeah. danielle is forcing me to volunteer.”

“that’s funny,” minji chuckles, “because hanni is forcing me too.”

“is that so?”

“uh huh, pumpkin carving moderator or something.” she says, biting the inside of your lip. “we should um, do you wanna walk around after? maybe drop your shift early and i’ll do the same.”

you grin, pushing minji’s shoulder with two fingers playfully.

“couldn’t find any other girl lined up for you to hangout with?”

“what other girls?” minji asks, genuinely confused. 

you’re being an idiot. yunjin would so punch you in the face right now, so you come to your senses.

“i– nevermind. i’ll see you around.”

minji waves. “bye.”

…

after you leave, minji settles into her seat beside hanni and danielle, trying to keep her expression neutral. she fails, the smile on her face noticeably smaller and her eyes a little more dim. her friends have known her too long; hanni catches on first, a knowing smirk spreading across her face.

“you look like a disappointed puppy,” hanni says, nudging minji with a grin.

“what? no,” minji replies, clearly flustered. “what are you saying bro.”

“you were practically glowing when y/n walked in,” hanni teases, leaning in. “and then suddenly turned into a sad little puddle when she left. you want her soooo bad.”

minji’s cheeks turn a soft shade of pink, and she tries to laugh it off, glancing at danielle as if for backup. but danielle’s watching her too, a gentle, encouraging look on her face.

“it’s okay, minji,” danielle says softly. “it’s… pretty obvious, you know? you like y/n a lot.”

minji rolls her eyes, looking away. “maybe i do. but it doesn’t matter. y/n’s just… she’s too… normal, you know? she’s always so unbothered, so unfazed by anything. she probably doesn’t even want me. i’m always chasing her.”

danielle shakes her head, a knowing smile touching her lips. “i wouldn’t be so sure, minji. just because y/n’s good at hiding her feelings doesn’t mean she doesn’t have them.” she places a reassuring hand on minji’s arm. “trust me, i think there’s more there than you realize.”

minji lets out a small sigh, her gaze dropping to her hands. “it’s just… sometimes it feels like i’m the only one who’s feeling this way, you know? like i’m the only one getting flustered or waiting for her to look at me like… like i don’t know, she see’s me as a good friend.”

hanni wraps an arm around her, squeezing her shoulder. “please. y/n’s about as subtle as you when you’re around. i don’t know how you don’t see it.”

danielle laughs softly, nodding. “give it time, minji. y/n might just need a little nudge, and besides…” she pauses, glancing around conspiratorially before leaning in. “if y/n didn’t feel something, you wouldn’t have caught her staring at you like that when she thought no one was watching. plus, the whole nudging your shoulders the whole time. you two are like fucking thirteen year olds in love, it’s kind of gross.”

minji looks up, hope flickering in her eyes as a faint, shy smile tugs at her lips. maybe, just maybe, she wasn’t imagining it.

—

“im literally going to kill myself.” is the first thing yunjin hears when you get home, followed by you dropping your bag and crashing against her on your couch.

“girl what happened?”

“kim fucking minji. she’s insane, she wants me to die, i can’t do this, i resign from being a lesbian can i please resign.”

“well!” yunjin laughs, pulling you in. you lean on her shoulder and cover your face with your hands. “do you want to tell me what happened?”

through your hands, your voice is muffled as you explain, “basically hanni invited me to grab lunch with her and dani and minji. she looked so cute and like, we kept bumping shoulders and she kept smiling when she did it and then i ordered and—”

“you’re rambling–”

“and then i waited for my order while she ordered and heeseung started flirting with me,”

“ew, heeseung?”

“the bane of my existence— yes. i told him i was a lesbian at least three times! oh my god, anyway that doesn’t even matter, i don’t even care because—yunjin. huh yunjin.”

yunjin blinks at you as you stand up, pacing back and forth on the carpet now. she can’t help but laugh at you when you stop in front of her and groan, “jennifer huh.”

“wow, this must be serious.”

“minji fucking grabbed me by the waist like some wattpad story and then kinda shooed heeseung away and yunjin her hands are so nice and they were on my waist and i want her so bad. yeah. i’m gonna just die.”

yunjin pulls you by the wrist so you’re back next to her. she looks at you with a raised brow, waiting for you to recover from your high (if that counts as a high, but maybe you’re just insane). 

“she wants you.”

“she’s playing with me.”

“you’re insane. you know hanni asked if me if you like minji earlier, right? talking about how minji looked so devastated after you left.”

“what?”

“oh my god. you know what, i’m done with you. you’re such an idiot that it’s pissing me off.”

you whine, pulling yunjin by her forearm and pulling her back, which earns a scoff. yunjin looks at your little pout and puppy eyes, but doesn’t give in. instead, she pushes you off, leaving you to deal with the events of the day on your own.

before she disappears into her room, she sighs, “you’re gay and useless.”

you sink into the couch a little more. “thanks.” 

—

the weekend comes by all too fast. even with your time consuming assignments, it feels like you’ve blinked and now you have to deal with the whole festival.

you’re in a snug white cropped baby tee that shows a decent amount of your abdomen, your hair is styled just a bit, and the makeup on your face is a little more glittery and highlighted than usual. on your back there’s angel wings that complete the look. 

(“she’s going to want you so bad, trust me.” yunjin assures as she does your eye makeup.

it’s nothing much, just some darker warm tones with a faint hint of purple and highlighter to make you really look like an angel.

“and…” yunjin adds a bit of highlighter to your cheekbones. she pulls away and gazes at her work, bringing her pointer to her lips and biting on it jokingly. “heyyy gorgeous.”

“shut up.”

“minji’s going to want you so bad.”

“shut. up.”)

yunjin drives the two of you to the festival, she also looks really good. while you’re an angel, she’s a devil, showing off her toned body from soccer so she can pick up some girls that night.

(“you’re such a hoe.” you groan, doing her makeup to make her eyes smoky and lips plump. 

she rolls her eyes while putting on her little horns in her hair, checking herself out in the mirror. 

“how do i look?”

“like a hoe.” you assure firmly, earning a shove. then, you slide a finger down her collarbone teasingly, winking at her. “a really hot one.”

your roommate chuckles. “save that for minji, y/n.”

“i hate you.”)

the halloween festival is lively, lights flickering under dark skies, and you slip through the crowd in your angel costume with yunjin. you’re not even sure if anyone’s noticed your costume details, but the reactions make it clear you look… well, good. or maybe that’s just yunjin who’s doing the attracting, but a man winks directly at you and you have to force back a look of disgust.

as you make your way to the face-painting stall, you catch sight of minji leaning against a booth, dressed as patrick bateman. she’s really hot, that’s for sure, and it’s nothing new. the loose, slightly unbuttoned dress shirt shows her collarbone, and you can’t help but think about how your lips would feel on them. the loosened tie around her neck makes her look really good; you feel like she’s pulling you in without trying. despite the purposeful tousled look, she looks effortlessly put-together, but the smudge of fake blood on her cheek adds a wild edge (and makes her look even hotter). 

her eyes land on you, and her expression shifts just slightly before she pushes off the booth, walking over with a slight smirk.

“wow,” she says, looking you up and down in a way that feels way too intense. “you’re really… pulling off that angel look. you look really good, y/n.”

you giggle, trying to play it cool. “you look pretty good yourself,” you reply, letting your gaze drift over her from the blood on her cheek to the undone buttons of her shirt. “i didn’t know patrick bateman could look this… hot.”

a faint flush creeps onto her cheeks, and she lets out a quiet laugh, rubbing the back of her neck. “yeah, well, didn’t know ‘angelic’ could look so irresistible,” she teases, but her voice softens as her eyes linger on you.

for a beat, the two of you just stand there, the energy between you charged. you’re painfully aware of the way she’s looking at you—like she’s holding back from saying or doing something, thouh—and you can’t stop yourself from mirroring that, a hint of want in your gaze. she clears her throat, shifting her weight from one foot to the other.

“well, i better get to moderating— i don’t want people accidentally slicing themselves instead of a pumpkin.” she murmurs, finally breaking eye contact but not before giving you one last once-over, her eyes lingering a moment longer than necessary. she brings her hand to your hair, using a finger to push away some of the strands framing your face. you gulp a bit, then again after she brushes her knuckles against your cheek. “i like this. the makeup.”

i like you. you fight back the confession.

“thanks.” you swallow, nodding. “well, i should,” you start, playing with her tie out of a burst of confidence. you tug on it just a little, catching her by surprise. her breath hitches just barely. “--get going. i’ll see you.” you say, dropping the piece of fabric in your hand. 

as you head toward your booth, the thrill from your brief encounter with minji lingers, leaving you more than a little distracted and hoping she feels it too.

…

you’ve painted more faces than you can count on one hand in only an hour, much to your surprise. if you were to do this full time you’d for sure develop arthritis the second week on the job. 

after your tenth person — some kid who just wanted two flowers on her cheeks — danielle taps your shoulder. you turn around, humming in response.

“you look beat,” she says.

your shoulders are drooping, your posture is much worse than when you started, and you’re moving your wrist in a every angle to stretch it out and relieve the soreness. 

“you think?”

“hanni says she’ll be over in a bit.” danielle assures, patting you on the back and massaging your back lightly. “the stall will close soon so we can all hangout after.”

“thank god. are the other activities closed?”

“not until before midnight – i think.” you sigh in relief, but danielle adds, “could you grab some stuff from the supply closet though? maybe some more white, blue, and red paint? maybe grab yellow and green too.”

she gives you those eyes again, earning a chuckle. “yeah, yeah. okay.”

“great! just go down and turn right, there’s a brown shed — it’s not creepy, i swear. it’s kind of modern actually.”

“something tells me you’re lying.”

“me? lying?” 

you roll your eyes and stand up, then you trudge on over down the gravel. you roll your shoulders back and massage your neck a bit, then fix your costume a bit. it’s funny; you’re at a whole festival and this is the only time you’re exposed to the groups of people, bright lights, and excitement all around — at least for longer than a minute.

turning the corner you reach a shed, one that matches danielle’s description. 

danielle isn’t a liar, she never lies — well, she never lies about anything serious. it’s quite modern inside, seemingly new due to the fresh paint smell. it’s lined with wooden shelves, each holding different items. the corners are filled with various decorations, ranging from not only halloween decor but also christmas and even valentines day themed trinkets. you laugh at the little cupid poster in the back, but recollect yourself and focus on the “task” at hand.

you have to rummage through the costumes in the corner to find a small box with face paint in it. the light in the shed isn’t on (there isn’t a switch, only some rustic-type light hanging from above in the middle of the building), so you use your flashlight to help you see clearer. 

it takes a bit more time to find the yellow bottle of paint, which is in your hand until you drop it from the sound of the door opening so suddenly.

you jump, gasping ever so lightly before turning around to see a very striking patrick bateman.

minji stands in the doorway, still looking as good as before, looking at you with a perplexed expression.

“what are you doing here?” she asks, looking around the area.

“minji,” you close your eyes, “you scared the shit out of me!”

“i’m sorry…” she says, jutting out her bottom lip and suddenly every ounce of fear is drained from your body. “i didn’t know you were in here.”

“danielle sent me to get more paint.”

“that's funny,” minji steps towards you, looking at the two paint bottles on the floor. “hanni sent me to grab trash bags.”

you don’t respond for a second because minji steps under the antique light above her. it illuminates her face in the best way possible, highlighting the smeared on fake blood and her features. you feel your throat tightening as you stare.

minji’s gaze softens, she steps closer.

“do you know where i could find trash—”

“yes, um, yeah, probably in the corner.” you choke out.

she chuckles, you swallow lightly. 

you take the stretch of silence to pick up the two bottles that had dropped out your hand and turn the flash on your phone off. you fix your tank top because minji is still within radius, but she’s busy looking for the trash bags, still.

“i’ll see you later?” you say softly. minji’s head whips around, and there’s a slight frown on her face. before she can respond, you hear a click coming from the door, then stare at the handle with furrowed brows. you reach over to twist the knob, but it barely budges. “what the hell?”

“what?”

“i think it’s locked. did you lock it?”

she shakes her head, her brow furrowing as she steps over, nudging you aside to try the handle herself. she pulls, twisting the knob a little harder than you did, but the door still doesn’t move an inch. 

“it’s locked.” she mutters, glancing at you with a hint of worry. “i think we’re stuck.”

you both stare at each other for a beat, the realization sinking in, and suddenly the small shed feels much smaller. you look away first, sighing before turning on your phone.

“i’ll call danielle.” you say, voice steady, though there’s a slight tremor as you dial.

“i’ll try hanni.”

you both dial. danielle doesn’t answer and you huff. you wait for minji, her phone against her ear, and the defeated groan is enough to tell you whether hanni answered or not.

“i guess they’re busy.” minji says, slipping her phone back into her pocket. 

for a moment, silence stretches between you both again, an awkward tension settling in. minji shifts, making a weird noise as she brushes dust off her shirt. you can’t help but find it cute. then she adjusts her loose collar, making you clear your throat and glancing around for any other possible way out; there’s none.

the only thing you catch is a window, a window that’s far too small and high for anything to happen.

“we’re stuck.” you mutter, looking back at minji.

“do you think dani and hanni will realize we’re missing?”

“they might be busy…” you pinch the bridge of your nose, resting your head against the door. “i have no idea how we’ll get out.”

you’re stuck with minji. kim minji. the hottest and cutest girl you’ve ever laid eyes on. the girl you think of way too much for it to be platonic. the girl who’s in a costume that genuinely has you considering ruining a friendship. the girl who’s leaning back against the shelf behind her right now, crossing her arms, and who’s eyes are flickering over you as she smiles.

“your costume is really something.” her voice is casual, like you’re not stuck in a shed. there’s also a warmth in her tone that isn’t hidden in the slightest. “i like it a lot. you look heavenly.”

if minji’s trying to ease the tension, she’s doing it very well. her stupid dad joke earns a laugh from you, and now you’re leaning against the door with one side of your body as you keep eye contact.

“thank you minji, your looks could really kill.”

she laughs, gums showing and eyes crinkling. you want her so bad. 

“that one was worse than mine.”

“no it wasn’t!”

she rolls her eyes. “it was.” she steps closer leaning her head against the same door and staring hard at every single feature of your face. she glances at your lips briefly, then back up. “bet you’ve turned more than a few heads tonight.”

“maybe,” you feel your voice growing quieter. “but i was stuck at the booth.”

“if i were at the booth i think i’d purposely stay just to see you. you look really pretty tonight y/n, i mean it.”

you blush. “maybe.” there’s a grin that you can’t keep off your face. “i’d say the same for you.”

she chuckles again, looking down at her slightly blood-stained dress shirt. “yeah, i think i took the pumpkin carving part a bit too seriously. got more guts on me than on the pumpkins.” she holds up her hands, still faintly stained with an orange hue, and shakes her head. “i’ll probably smell like pumpkins for a week.”

minji watches you turn to the side, covering your mouth to stifle a giggle. 

turning back, you’re mid-laugh when your eyes catch on a smudge of blood across minji’s cheek, just barely out of place. your hand moves without thinking, reaching up to brush it away with your thumb. the laughter fades, the shed shrinking around you, and everything slows, the only movement her skin warming under your touch.

minji’s gaze locks onto yours, intense and unblinking, and there’s something behind it that makes your heart skip. her eyes are barely liddied now, she swallows, biting down on the inside of her lip, before a slow, uncertain smile begins to take over her face. 

“you look so good right now,” she murmurs, her voice low, almost rough. her hand reaches up, covering yours, holding it there against her cheek, like she’s trying to commit the moment to memory, almost like it’ll end anytime – soon, or now.

you’re close enough to feel her breath, the slight catch in it. “good enough for you?” you ask softly, a smile playing at your lips, your words teasing, but your heart racing.

she chuckles, but it’s quiet, and her gaze doesn’t waver. “better than good,” she whispers, her hand falling from yours, trailing down to your waist, her fingers grazing the bare skin there, gentle, hesitant, like she’s testing the feel of you, seeing if you’ll pull away, but you don’t. minji smirks. “are you… seeing anyone?”

the question hangs between you, heavy and thrilling. you shake your head, your pulse pounding beneath her touch. “no one at all.”

she exhales, her voice barely above a whisper. “good.” her fingers press into your waist just a little more, her gaze flickering down to your lips, and you watch, almost dizzy, as she wets her own, her tongue darting out, just barely, the movement so subtle you’d miss it if you weren’t so close.

your hand moves from her cheek, trailing slowly down to the open collar of her shirt, brushing along her collarbone. her breath hitches, and her head tilts slightly, just enough for your fingers to press against her skin, her eyes closing for the briefest moment before she meets your gaze again. you don’t realize how close you’ve drawn until you feel her breath warm against your lips.

she glances at your lips for what seems the tenth time. you two are clearly vibrating on the same wave length, it’s evident.

then, with the faintest, almost imperceptible smile, minji closes the space between you, her mouth soft, warm, pressing into yours, a little unsure, like she’s savoring every second of it. her hand at your waist tightens, pulling you closer, her fingertips grazing the curve of your hip as she leans in, her other hand moving to cradle the side of your face, her thumb grazing your cheek. the world around you slips away, and all that’s left is her—the warmth of her lips, the feeling of her touch, and the overwhelming sense that every daydream you had is getting outdone by this moment. this real moment.

it’s so real when she pulls away with rosy cheeks. she looks at you nervously, as if she didn’t just take the oxygen from your lungs.

“was that alright?” she asks, sounding unsure. it’s cute, she’s cute, god she’s so cute.

“perfect.” you mumble.

your hand moves to where her tie is, it’s loose around her collar, making it easier for you to tug her right back into you. she gasps from surprise and groans into your lips, kissing you hard.

her fingers press into your skin and you shiver, parting your lips ever so slightly to sigh softly. minji smirks against your skin, trailing to your jawline with light pecks as you release your grip on her tie and snake your hand around her neck.

“i’ve–” a kiss to the side of your throat, “wanted to—” a kiss lower, “do this for—” and a soft kiss to the base of your neck, “so long.” 

your breath shakes after she finishes the sentence, she kisses your neck once more.

minji parts, moving you over so you’re is against some random, heavy box on the side of the shed and now both arms are around your neck. you’re a few more kisses in, mixed with content sighs and groans and handfuls of hair before you two almost bite each other’s lips off from the sound of the door opening. 

you barely have time to pull away, minji’s lips are still a breath from yours, her hand lingering at your waist. you both turn to see danielle, hanni, and yunjin standing in the doorway, eyes wide. you and minji spring apart, the movement so fast that it would be funny if you were witnessing the situation.

danielle’s shock morphs into a grin as she exchanges a look with hanni, and yunjin just has a hand over her mouth.

hanni’s mouth drops open before breaking into a smirk, her eyes flickering with pure satisfaction. 

“oh my god.” hanni breathes, relief in her voice. “it actually worked.”

before you or minji can respond, utterly confused considering they all look relieved rather than disgusted, yunjin takes one look at you and minji and bursts out laughing,

“i knew it! i knew you two would finally do something if we left you alone long enough.”

minji blinks, looking as if she’s still processing. you glance between them, your cheeks warm. “what?” you say exasperatedly, “what do you mean ‘finally’? what— what is all this?”

The three of them exchange looks before danielle nudges yunjin forward, her grin growing. “so uh, we might’ve had a little something to do with the door locking. maybe on purpose. maybe. perchance.”

“definitely on purpose.” hanni adds, crossing her arms. “we were all tired of watching you guys dance around your feelings. you two needed a push.”

minji stares at them with a mix of embarrassment and dawning realizaiton. then she glances at you, her face flushing before turning back to the trio.

“you all planned this?”

hanni nods, looking like she’s enjoying this way too much. “you guys are hopeless. you know? everyone could see that you two wanted each other except you two. who the hell nudges their friends like that? you both are like middle schoolers with their first crush.”

you exchange yet another glance with minji, who’s biting her lip. there’s a surprise mirroring on her face, and honestly it’s really cute. adorably cute. 

despite all the embarrassment, you can’t help but laugh, a little breathless.

“so… this was all a setup?” minji says, looking at them with a half-laugh, half-disbelieving shake of her head.

danielle shrugs, stepping aside to give you both room to leave the shed. “well, it worked, didn’t it?”

yunjin’s grin is teasing as she waves you both out, her eyes bright with excitement. “yeah, finally,” she echoes, a satisfied smirk on her face. you glance at minji, who’s still looking at you, and a shy, almost playful smile tugs at her lips.

and as you both step out of the shed, shoulder to shoulder, the knowing smiles of your friends after they glance behind, there’s a giddiness accompanying the space between you and minji.

they all explain something about your booths being over because you two were too busy making out — you barely listen — and minji nudges your shoulder again when they’re far enough to not hear her.

you turn, tilting your head a bit before she leans down a bit to mumble, “you know, i heard that if you don’t kiss me again, for at least an hour, bloody mary might show up in your room tonight.”

a laugh escapes your lips and you push minji, who’s grinning at you like an idiot. you roll your eyes and reach out to hold her hand, she squeezes yours excitedly. 

“that’s a new one. are you sure it’s true?”

minji quickly cups your cheek and steals a kiss, parting away to make sure your friends don’t turn around and tease you two relentlessly.

“that one just got rid of all the bad energy from before.”

“what bad energy?”

“the one that’s building up every second you don’t kiss me. it also builds up if you don’t go out with me for lunch tomorrow. or ever.”

you roll your eyes once more, then glance at your friends before kissing minji’s cheek.

“i can’t risk any of that, can i?”

[pandorem]

Genuinely find it fascinating from a writing perspective that Edwin’s propensity for playing trauma olympics is a well established trait of his that plays so interestingly into his relationships with Crystal and Charles and Simon especially, and how it works in his character arc and how it both plays into and CONTRASTS his incredible capacity for forgiveness. How it’s a flaw that makes so much sense with how much he’s suffered that it’s hard not to be sympathetic towards it or even agree with him sometimes, but that it IS a flaw and comes up at times that are less fair as well. Im not sure I have a real point to this yet, it’s just something I want to chew on for a while.

for one: Edwin’s tendency to put his trauma as worse than others’ (no matter how literally correct he might be) is set up directly to parallel Crystal’s own self centered tendencies and her character arc. They BOTH have a tendency to not consider other people’s feelings and pain until someone points out to them that they are being dismissive. They are mirrors of each other and I love them so much. I also wanted to push back a bit on some things I’ve seen about how Edwin’s reaction to her yelling at him in episode one was completely justified (“what she’s been through? I spent 70 years in hell!”) because of how their traumas interact and how she let David in the first time that feel too dismissive of Crystal’s trauma. Yes, their trauma’s with demons interact in ways that it makes PERFECT SENSE that Edwin reacted the way he did, and I even sympathize with him, but something being sympathetic does not mean it’s justified. Taking away the metaphor of the Demonic nature of it all, Crystal was just cornered and threatened by her abusive ex boyfriend who has succeeded in isolating her from her entire social circle/any safety net she might have had before the boys. And uh. We don’t say about people getting out of abusive relationships that it’s justified that people were mad at them for getting into the relationship willingly. So.

Also. While Edwin’s measuring of their traumas is more sympathetic in the first episode, the moment in a later episode where Edwin (nearly lightheartedly) dismisses Crystal’s nightmare about her abusive demon ex because “the living know nothing about true nightmares” is less so, and I think is there to confirm that this is a genuine, deliberately written character flaw that he needs to grow out of, just like Crystal needs to grow.

And that brings us to Simon. The character who Edwin is THE MOST justified to be angry at, to blame and to compare their punishments. When he rages that Simon damned him to decades of being ripped apart while Simon sits quietly crying in a room, getting paper cuts from tearing pages out of books, it’s honestly difficult not to agree with him, to not feel that same righteous indignation. But then despair lays it out for him: he was about to gloat over another’s torture. And even without yet knowing more about Simon, Edwin is horrified by the idea. I think it says so much about Edwin’s GOODNESS that the time this character flaw of his feels the most justified and right is also the time he works through and past it to empathize with the pain of the real person on the other side of that. It is after he comes back, needing Simon to know that he didn’t mean to gloat, that he is then able to see Simon as a real person, as someone he shares pain with, the pain of being closeted and terrified in the 1910s. Simon was a kid, same as Edwin, who was terrified of his own nature and let that fear and humiliation lead him to cruelty that ended in consequences that he never intended. And it says so, so much about Edwin’s goodness that once he is able to see past his own pain and empathize with someone else’s, he feels for and maybe even forgives the one person that he would be most justified in NOT forgiving. That connecting with him is literally what saved Simon’s soul in the end.

(It’s also worth noting- Simon thinks that Edwin is “another trick” when he first sees him. He says that “the headmaster will be angry”. In keeping with the theme that we shouldn’t compare traumas or decide that we know what other people are going through, it seems clear to me that what we saw- sitting alone and getting paper cuts- was NOT the entirety of Simon’s hell.)

And then there’s Charles. Now. Edwin has a lot of 1910s sensibilities that make him connecting the dots on what Charles went through a bit difficult for him. But Edwin never, ever suggests that his trauma is less or isn’t worth getting upset about. Because it’s Charles, and Charles deserves no amount of pain ever, in the world. I don’t think it would ever occur to Edwin if I’m honest. Of course it’s because he loves him and Charles is his favourite person in the universe, but also I wonder at the fact that their very first meeting, so soon after Edwin had escaped hell, was one of complete empathy and compassion. Maybe seeing the bullies made him see himself in Charles but it sort of circles the point I think I’m making- Edwin’s very real flaws contrast against and thus highlight his INCREDIBLE kindness and goodness.

[darkficsyouneveraskedfor]

Before the Dawn Has Come, I'd Block the Sun

Warnings: this fic will include dark content such as blood and possible untagged elements. My warnings are not exhaustive, enter at your own risk.

This is a dark!fic and explicit. 18+ only. Your media consumption is your own responsibility. Warnings have been given. DO NOT PROCEED if these matters upset you.

Summary: You discover more than you could have ever expected when researching your thesis.

Characters: Geralt of Rivia

Note: This is my fave so far.

As per usual, I humbly request your thoughts! Reblogs are always appreciated and welcomed, not only do I see them easier but it lets other people see my work. I will do my best to answer all I can. I’m trying to get better at keeping up so thanks everyone for staying with me❤️

Your feedback will help in this and future works (and WiPs, I haven’t forgotten those!)

I love you all immensely. Take care. 💖

The dry heat sops the moisture from your body, drawing it to the surface as sweat beads and shines on your skin. It’s so hot, the air ripples visibly, the old stone streets appearing more crooked than their ancient foundations. Your sandals hit the ground in a ragged rhythm as your bag weighs you down, your thumb leaving a smear across the screen of your phone. 

You slow as you read the hanging wooden sign and compare to the text on your phone. This is the one. If you weren’t looking for it, you might miss the marquee; hand-painted by your judgment. 

You black your phone and slide it into the loose pocket of your linen pants. Shorts might have been a better choice but you are on an academic mission, not vacation. You uncap your insulated bottle but in the heat of Grecian sun, it does little to keep the water cold. You don’t mind the lukewarm gulp as you tip it into your mouth. 

You slip the bottle into the side pocket of your knapsack and approach the tapered door. It looks as if it might have been placed in the medieval years. The white paint is split by the splintering wood and a curious red outline is streaked around the door frame. That might be something to look into; perhaps another superstition. 

You knock and wait. You wipe another sheen of sweat from your brow and fan yourself with your fingers. You stare at the door anxiously. You check your smart watch. You’re not late. 

Below the time, your heart beat pulses. Even at an easy pace, the heat has you in excess. You blow out a breath and look at the door once more. 

You raise your hand but before you can knock again, you hear a creak from above. You back up as the doors of the second-storey window push outward and hit the siding. The opening is shadowed by a wooden canopy built into the frame and a head of silver head peers out. 

“You may let yourself in. I will be down in a moment.” 

You’re surprised that the man speaks English. Most of the locals don’t know a word of it and your Duolingo crash course has carried you this far, though not without some miscommunication. You set your head straight and reach for the old hoop handle of the door. You push inward, cautiously, letting yourself in with a sense of reverence. 

Within, the entryway is narrow and a set of stairs winds down into it. There’s a mat beneath your soles, woven of wicker, and table to your write. A set of Grecian urns stand on it, symbols painted around their bellies and necks, some polished, others chipped; all in varying states of decay and resplendence. 

You stay by the door and fold your hand, your eyes exploring where your feet won’t. The stairs groan beneath a weight as you peer into the next room, shelves of spines looking back at you. You snap back as a large body descends to the bottom step before you. 

You’re surprised to find a face that does not match the head of silver hair. The man is not young but he isn’t old either. His square jaw is chiseled like one of the country’s famous statues and his form is even more verile and burly than any god of Olympus. But his eyes, they are a shade of amber so pale they almost look golden.  

You’re stunned by his appearance. You shake of that coy thought in your mind. Surely, you’re too deep in your research. After all, what you read about isn’t real, they are wives’ tales. 

“Geralt?” You greet as you extend a hand. 

“You are correct,” he shakes your hand firmly. 

It is just as warm in the house as without. The air curls around you with heat and weaves into your hair, speckling on your scalp. Despite this, he appears unhampered. He wears a linen shirt with an undone collar, exposing the top of his hairy chest, and the short sleeves show his rounded biceps. It is untucked from his grey pants that despite their wide cut, fail to billow around his tree trunk legs. 

“Thank you very much for having me,” you say as he lets you go. “Sorry, did you like English or Greek? I know around here...” 

“English is fine,” he assures. His accent would suggest it’s his first language but you’ve learned from the locals to be mindful. “As it were, I’ve set aside some translations for you.” 

“Oh, thank you,” you look down at your sandals. 

“Leave them on,” he affirms and waves you towards the door you’d only just been peeking through. “No time to waste.” 

“No, not at all,” you agree. “I was hoping to take a few pictures to bring back as well. For reference. I have a translation app that I use--” 

“Mm, none of my records are digitized, for authenticity.” 

“I wouldn’t share them,” you assure. He grumbles. You sense reticence. “Of course, I can just take notes.” 

“We shall see,” he utters as he takes you through to the next room. 

The walls are lined in crowded shelves. Books fill every inch, with some stacked along the edges of the long desk cleared at the centre. You can tell he’s made a recent effort of making room. For you, likely. A strike of guilt flickers. 

“You may work here,” he goes to the desk. “Here is what I’ve put aside,” he taps a thick folder with two fingers, “and these books will do fine for your inquiry. If you have questions or require more of my collections, you might let me know. No pictures.” 

“Um, sure, thank you,” you approach the desk and slip free from your knapsack. 

You glance over at him as he looms, watching you with his eerie yellowish eyes. His pupils pinpoint as his gaze flicks down to your neck as you wipe away the trickle of sweat that tickles you. He quickly reverts his attention to the books. 

“Interesting subject,” he intones. “You mentioned you’ve come from Romania?” 

“I’ve made a trek, for sure,” you open your bag and pull out your laptop and notebook. 

“Mm, I hope your battery is charged. I haven’t any outlets.” 

You look around and only then realise that the sconces on the walls are lit with real flame and that oil lamps illuminate the rest of the space. Hm. It seems a hazard with all this paper, then again, even the hotel you’re staying at is more a rented room in an outdated house. The curly-haired keeper and his wife told you not to plug in more than one thing at time. 

“Oh, right,” you leave it shut and open your notebook instead. 

“Well, I suppose you don’t need me lurking. If you require assistance, call for me. I won’t be far,” he says. 

In his accent, he sounds as if he’s reciting some Victorian script, and his cadence is like the strum of a cello. It sends a chill through despite the stolid air seeping in from beneath the drawn curtains. You nod and step in front of the chair, bracing the armrests but not sitting. 

“Thank you,” you say. 

He stares a moment longer then turns away. His movement is both smooth and stiff. It’s as if you can see a smear of colour with each motion. You shrug it off as another effect of the Grecian heat. 

He goes and you lower yourself onto the seat. The thin embroidered cushion stretched over wood offers little support. You’ve sat on worse in your pursuit of your thesis. You ward off the unease and focus on the wall before you to scale; the books arranged like a fortress to conquer. This will surely take more than a day to get through. 

📜

A day, turns into a week, turns into two.

Despite his standoffish demeanour, Geralt allows you to return to the slanted building on the corner. Each day you pass through the red door frame and sit at the desk. And just as often he adds more to the pile as if you keep you chained there. Yet, you can only blame yourself. You built this prison of academia. 

He doesn’t say much more than that first day. He doesn’t ask questions. He lets you through the door and you part ways. You only see him when he comes to tell you the time. He sends you off before the sun sets on the long Grecian days. You suppose for your own good. It isn’t any good to be walking alone in the dark. 

That day is different. As the moon cycle from a sliver to nothing at all, the night casts upon the Greek roof like ebony silk and the candlelight seems dimmer as you work in its haze. Diligent and distracted from the sifting of seconds through the sieve. Your eyes bore into the parchment as your fingers hover at the corners. 

Vrykolakas devour the flesh, with a taste for liver, though blood does nourish their unearthly being. With fangs like wolves and hunger to match, they are born of sacrilege. They are excommunicated of heaven and hells and all the wiles of humanity. They sleep in unconsecrated earth and feast on sheep when they cannot feast upon that of what they once were. 

In solace, the Vrykolakas find strength. As their hunger deepens, their power heightens, and with the fading of the moon, they float as wraiths upon their hunt to sup upon the flesh of the innocent. 

A shadow, darker than dusk, darker than ink, passes over you. You lift your head, groggy with the stain of scrawled writing in your eyes. You raise your head and blink at the pale figure that emerges into the flickering light. 

“It is after dark,” Geralt declares evenly. 

You flinch and sit up. You glance at the curtains. They look heavier before the deep silt of night. You turn back to him and give a sheepish expression. 

“Sorry, I must’ve lost track of the time.” You go to mark the page with the ribbon and he crosses his arms. 

“Much too late to be venturing out alone.” He girds. 

You pause, your hand in the crease of the pages. “My hotel isn’t very far.” 

“It would be... irresponsible to let you go. A village as small as this would suffer greatly if its only tourist were to perish,” he drones. 

You watch him, put off by his flat tone. His yellow eyes are red around the edges, as if he has not slept. You worry that it might be of your own accord. 

“I have a light,” you assure him. 

“You should stay,” he insists. “You haven’t eaten.” 

You hesitate. You often eat your packed lunch outside between hunching over the desk. He does not permit food around the books. No good archivist would. 

As generous as your other Greek hosts have been, he’s never offered you a meal. You didn’t expect it. After all, you’re there to look at old books. It isn’t a restaurant. 

“I’m fine,” you stand. “Really, I hate to impose any longer.” 

“It isn’t... an imposition,” his voice almost crackles. “I’ve made dinner.” 

“Dinner?” You echo. “Oh, well, if you’ve gone to the trouble.” 

“No trouble,” he assures.  

His teeth glint between his lips, shining and long. You only get a glimpes before he hides them again. You’ve been reading this lore for far too long. 

“Please, finish your reading and I will let you know when it is served,” he drawls. 

“Oh, uh, right,” you sit again. “Thanks. That's... kind.” 

He hums and says nothing else. He retreats just as he appeared, receding like a shadow into the hallway. You peer into the dark block of the doorway for a moment before you put your attention back to the ink. 

…derived of the ‘dlaka’, meaning strand of the wolf’s hair, the Vykolakas were once many. As the mortals upon which they feast, the crowned kings to lead them into their battle of malicion. One such, proclaimed the White Wolf, or White One, in whispered tongues as The Butcher, was the corrupt lord of Haute-Bellegarde. 

 The white liege met defeat by the hordes of the villagers in grief of their slain children, consumed by those which he claimed as his own offspring, better deemed heathens slathering at his cloak tails. In the sunlight he melted into the earth and upon his grave boils a pit of rotted soil. Though it is claimed by some that the Wolf remains, lurking and sniffing for blood, there is little evidence to feed such suspicion. 

“Dinner...” Geralt’s voice pierces like iron.  

Dizziness sweeps your vision as you draw back. That was quick. You think. Again, it seems in this dimly lit room that time is still yet never ending. 

“Come, I’ve set the table,” he slithers. 

You rise as if summoned by his invitation rather than your own will. You swallow dryly and cross the room. He waits and beckons down the hall with his arm. You notice his attire. A black silk jerkin without sleeves, trimmed with silver twine and buttons. His trousers are just as dark and his boots meet his knees. He is odd and out-of-time. 

You pass him and it’s like walking through a cloud of fog, dampy and chilly. You continue as he directs you with a point of his thick finger and a low tone, “to the left.” 

You follow another pulsing light. You’ve never been further than the reading room. Behind the spiraled stairs is nestled a dining room with a square table. The dark wood is framed with slender curlicues of red paint and at the center, the illustration of human heart beneath the foot of a candelabra set with nine long tapers. 

The flames only light the breadth of the table, leaving the walls to hang like ebon curtains. You hug yourself as the air kisses goosebumps to your skin. He escorts you to the table and pulls out the tall-backed chair. Your scalp tingles as the roots of your hair prickle. 

The urge to flee thumps in your chest and yet, you cannot make your feet turn back. You sit as if weighed down by invisible chains. Your heart races with inexplicable panic. The compulsion within overrides any thread of dread or doubt. 

You look down at the plate before you. He rounds the table and takes the seat across from yours. You look up as he rests his large hand around the base of a bronze goblet, the cup cradled by metal in the shape of talons. How strange. This room does not belong in the coastal Greek abode. 

“Please, eat.” 

There is no plate before him. Only the cup. The dish before you is neatly filled with rice pilaf and a strip of indeterminate meat glistening in sauce. It isn’t very appetizing, the smell both repulses and satisfies. 

“What about you?” You ask as you peer between the arms of the candelabra. 

“My hunger has not stirred as yet,” he says. “Please. It is only hospitable.” 

His words are unnatural, strung together with a purpose you can’t unravel. You pick up the fork and knife. You taste the rice first. It’s bland. You take a few more bites and he clears his throat. You know better than to insult him by leaving your plate full. 

You put the blade to the slab of meat. It sinks in easily, so easily it sickens you. As you slice into it, it seems to bleed as more sauce drips from within. It is dense but not tough. You pick up a morsel with the tines of the fork. 

You stare down the meat and push it through your lips as your stomach churns and your mouth fills with saliva. You taste it, the oily sauce coating your tongue as you nearly gag. What is it? 

You pull the fork free and it shines with your spit in the candelight. Your look at Geralt. His pupils are so large that his whole eyes seem to gleam black. You chew but can’t swallow. You reach to the goblet closest to you, that one plain and carved of what could be ivory. 

You drink but not deeply as the iron-laced contents add to your nausea. You wretch and choke on your mouthful. The meat seems to wiggle in your mouth and slides down your throat. Your body constricts as you force it to accept what’s been offered. 

“Is it tasty?” He asks. 

You can’t answer him. Your stomach is agonizingly full. Your heart is hammering against your ribs, and your hands are shaking. You squint at him as your head thrums. You can hear the air around you, as still as it is. You can hear it hissing around the lit tapers, you can hear the slivers of wood pressed together in the table, and you can hear that there is no breath coming from him. 

His chest does not rise or fall. He is perfectly still. Rapt by the maelstrom you find yourself sinking into. 

You look down as your smart watch flashes. The small heart flashes as it turns from orange to red. The number rises higher and higher. You whimper. 

Your breath sears down your throat and into your nostrils. He is calm as he witnesses your deconstruction. You are terrified.  

“Sheep’s liver,” he says. 

You contort in the chair, gripping the armrests as tendrils of pain weave through your muscles and coil around your heart. It’s throbbing inside of you. You look down and swear you can see it through your chest. Swelling bigger and bigger. 

Your eyes flick up at the recollection of the passage. 

‘...so the beast is borne of a man who eats the decrepit morsel of the sheep; that who dines upon the flesh corrupted by the teeth of the wolf...’ 

“No...” you waft, your voice like smoke, acrid and hot. 

He smiles, baring teeth like fangs, long and pointed like a wolf’s. Your neck bends to the side until you think it might snap and your legs twist out inhumanly. You twist and tie yourself, trying to fight the beast that consumes you from within. 

“It won’t hurt much longer and soon enough, nothing will hurt, precious,” he snarls as he sips from his goblet, pulling it back to reveal a trickle of crimson down his chin. 

“Wh-why...” you whine as you stare down at your forearms, tense as you cling to the chair. You can see your veins bulging through your skin. 

“You did not read that one. I did not translate it,” he says. “’With his curse, a prophecy, that his fate should be unleashed upon the day when he should mate. When the Butcher of Haute-Bellegade claims his bride, so shall he claim the day, and put upon the world and endless night. Dusk will consume as he does, and at his side, she will devour in turn.’” 

You moan and gurgle, your head hangs as you bawl and gag on your own tongue. Your bones grind together and your heart begins to miss its tempo. 

“’Upon a moonless night, their vow will be sealed, and all the fates of the world too.’” He recites it as if it is poetry. 

Your ears ring like a siren and your eyes blot with dark stains. Your blood boils over and your muscles knot and tangle. You fold in half and heave and expel a great deluge of guts into your lap. You turn inside out as the world mirrors your transformation. A flash of white then a bottomless black. 

All is still and silent. All is gone and born again. From nothing, there is a sliver. Red, dripping, leaking, pouring gushing. All is red. All is drenched and sodden. All is flooded in the taste of iron. 

A flicker between slitted eyelids. The scent of smoke yet you cannot inhale. You are weak but strong. Broken but unbreakable. 

Your lashes snap wide and you stare up at the peaked ceiling. It is dark yet you can see through it. The smoke wafts to you but does not creep into your nostrils. You turn your head and he is there. Waiting, watching. 

You lay upon the wooden table, naked to him and the night.  You look down your arm to the only vestige of your former self. The watch on your wrist. You tilt your hand so it lights up and the little heart is grey, next to it a dash. There is no heartbeat. You are dead. Undead. Reborn into death. 

“’And in consummation, they will birth the doom,’” he declares as he comes closer. 

He is naked too. Strong and resilient as his pale hair and eyes shine in the darkness. He climbs over you, holding himself above you as you remain unmoving. He lowers himself slowly until his nose touches yours. 

“’And upon their first kiss, the world wept,’” he grits out, lips brushing yours then all at once, covering them. He kisses you hungrily, desperately, eternally.  

As his mission is done, so is yours. You’ve uncovered the secrets of the undead. You know for sure that it is more than folklore; t he is more than just a myth. And you will have all the time in the world to regret that you ever dare to ask if he was real. 

The White Wolf. Gwynbleidd. White One. Butcher of Blaviken. Ravix of Fourhorn. The cursed Duke du Haute-Bellegarde. The bringer of the end.  

[ripplestitchskein]

Today I wanna rant talk about this

Versus

This

A lot, and I mean A LOT of people use these two moments as a way to compare Stolas and Blitzø with Fizz and Asmodeus. Specifically, Asmodeus with Stolas. And I get it, both Tiny Clown Imp with Giant Bird Aristocracy. Both dealing in different ways with the social hierarchy of hell. People keep using it as a “well Stolas HID while Asmodeus declared” and yes, that’s true but I don’t actually think we’re meant to be comparing Stolas and Asmodeus, at least not about this specific thing.

Blitzo doesn’t need someone to declare their love for him, he needs to declare his love for someone else.

People put the “Stolas is ashamed of Blitzo because of his station” on Stolas a lot and it is shown multiple times that it is not a factor for Stolas. He even like…sings about how it’s not an issue? Explicitly. The different stations was an issue for Asmodeus for awhile based on thier convos and the hiding. And it was for Fizz, though for different reasons I’ll get into in another post cause this is already going to be long as fuck. But this social hierarchy, famous person conflict is 100% Blitzo.

Blitzø is the only person who should be interpreting Stolas hiding his face as being because of the social disparity because that is a hangup of his. We, the audience, should know better because we’ve been shown the truth, or the reality of the situation in the scope of the show, MULTIPLE times. Blitzø is the one who harps on the class disparity, he’s the one who has the perception that Stolas is only looking for a fetishcentric fuck with the common rabble. The audience is supposed to see Blitzø’s reaction and know he is wrong, that this interpretation is because of one of his character flaws of feeling not good enough, and being compared to people, not because of the reality, because we have proof otherwise. Including the canon song where Stolas fucking says it outright.

There is a lot of talk about the “solution to Stolitz” being Stolas loudly and publicly declaring their relationship ala Asmodeus. But…Stolas already did his big public declaration at the BEGINNING way BEFORE Asmodeus. Stolas did it in The Circus flashback. He reinforced it at the Harvest Moon festival. He reinforced it at Ozzie’s.

His initial public declaration was following up a Imp leaving his bedroom in front of the Ars Goetia yelling “Sorry I fucked your husband” after a big aristocratic party by coming out well fucked and loudly screaming he was getting a FUCKing DIVORCE and ripping a banner in front of some of the most socially influential people in Hell. He then publicly thirsts over Blitzø at the Harvest Moon festival, multiple times and by name AND species. He takes Blitzo’s hand, and goes on a public romantic date with him, even reminding the doorman of who he was and who he was with and THEN when all eyes are still on them after the song at Ozzie’s, despite everything said, reaches out to him across the table and then gets up and leaves with him even taking his car home when he has the ability to just portal. No one who converses with him about Blitzø is left with any ambiguity that they are involved, not Stella, not Striker, not Octavia, he loudly declares he is into the imp to anyone who will listen, often in front of Blitzø, which he cringes away from and insists is just a transactional fucking.

The contrast to be drawn between Asmodeus making a public declaration shouldn’t be on Stolas but BLITZØ. He’s the one who needs to declare it, Stolas already has, repeatedly and out loud, and in public already.

Blitzø is the one who can’t say it out loud. He’s the one who shies away from conversations about it and dismisses it when anyone brings it up. He uses the excuses of social class and it being only for sex to justify his own inability to own it. There’s a reason all his exes are massively famous people who got famous after he destroyed the relationship. With Verosika it’s pretty clear she was super into him and he dipped. It’s not clear if it was because she was getting famous, that might be revealed, but the hints we have (her tattoo, his stealing her credit cards and disappearing) is that the end of that relationship was all Blitzø. When people find out he was in a relationship with her he is uncomfortable with the fact that she is famous, he goes out of his way to separate himself from her fame. Because people react exactly as he expected them to, incredulous someone famous could be into nobody Blitzø.

Somewhat ditto with Fizz, at least at first. Fizz was shown to be already pretty well known by the end of their friendship. Because of Blitzø’s self worth issues he doesn’t believe someone like Fizz could reciprocate his feelings, he sees him surrounded by people and doesn’t feel worthy to be one of them so he turns away and accidentally burns down a circus doing so. While a confession from Fizz first, if he felt the same way, might have prevented the catastrophe we have no way of knowing if Blitzø would have done the same thing to Fizz he did to Verosika and let his self worth issues eventually destroy their relationship too, especially after he signs on with Mammon. A big theme of their comments to each other before their reconciliation are about the disparity in fame, Fizz is also an imp so it’s not social class, but that Fizz is a beloved, famous figure and Blitzø failed at becoming one.

The Circus illustrates this so well, Blitzø is the failure who keeps trying his hardest and Fizz is the one who steps in and just kind of naturally does it. Blitzø’s dad makes no secret of the fact that Fizz is the more desired one. We also see Stolas appreciating Blitzø for who he is. Laughing against the crowd, just like during the sitcom taping, he doesn’t care about the public’s reaction to Blitzø, it doesn’t lessen Blitzø in his eyes at all.

We have also seen Blitzø be told very publicly a person loved him already as well and it STILL wasn’t what he needed. Verosika has it literally tattooed in a prominent place on her body, out there for everyone to see.

He doesn’t want a public declaration, he fears making one of his own and being compared to the one he declared for. “That guy is with THEM?!” It happens when Verosika steals his parking space and everyone realizes they dated, and it happens when the crazy fan goes after Fizz. People dismiss Blitzø in favor of the famous person he is with.

Hearing that, again, would invite the scrutiny that would just further validate that he’s not good enough, that he’s lesser and lower. That’s been his experience so far. Stolas declaring it would just put the spotlight on him once more, and I think it would actually make things worse for him mentally and emotionally. His reaction to Ozzie outing Stolas as his date to the crowd shows us this. I believe it’s why he split up with Verosika, the more famous she got the more eyes on him that could find him lacking. He’d be in the spotlight and his act wouldn’t be able to measure up to hers.

Just like at the circus with Fizz when they were kids, or during the sitcom, when eyes are on Blitzø he fails. Stolas gave him a bit more confidence each time. Not by loudly yelling “Hey, I like him!���to sway the audience, but just by quietly and genuinely laughing at his jokes and appreciating Blitzø for who he is. Stolas I think realizes this consciously, he sings it in Look My Way that the realm doesn’t appreciate what Blitzø is and because of this Blitzø built up walls around himself to protect from that lack of appreciation. Stolas tries to hype Blitzø up, he does so in the Harvest Moon Festival early on in their relationship but it makes Blitzø uncomfortable because the public declarations bring eyes to him. He has like….relationship stage fright in a sense. Imo the last thing Blitzø needs is another loud declaration.

Stolas though, he does NEED it. He has had one romantic partner publicly declare they don’t love him to all who will listen for like well over a decade, and now he needs a partner who will make it really really clear they do and I think preferably out loud where others can hear.

Stolas’s conflict and flaw is his family and his desire for reciprocal love. The shame of being an adulterer, of destroying the idealized family he strived for and the image he projected for so many years. And especially, the loneliness of his “romances” being one sided. With the exception of Octavia all of Stolas’s surrounding family and “friends” don’t give a fuck about him and he knows it. Why would Blitzø be any different? He also needs someone to choose him outside of a business or familial relationship. Stella was an arranged marriage to produce a heir. Blitzø was a sexual transaction for the grimoire. Octavia is his daughter. His relationship with his father shows that he isn’t special to him either. Paimon doesn’t even know his name. Stolas has no one declaring for him.

There’s a reason most of Stolas’s issues are told though “images”. The family portraits, the Sinstagram posts of Blitzø appearing annoyed or disinterested while Stolas does not see the picture Blitzø took, because that is his primary issue, he destroyed the image of himself he was trying to project for a chance at a reciprocal relationship. That image maintenance has nothing to do with Blitzø’s imp status, but more the public lack of perceived reciprocity in his romantic dealings.

He knows he looks like a fool, putting himself out there and not getting a confirmation back. This is why every problem Stolas had with his marriage seemed to come down not to attraction or status but mutual feeling. He doesn’t feel bad for cheating because Stella made it clear she didn’t care about him for him. Stella tells everyone loudly and publicly, even before Stolas cheated, how she feels about him. So as soon as Stolas can he jumps at the chance to say “HEY EVERYONE SOMEONE DOES LIKE ME! HE HAD SEX WITH ME AND EVERYTHING”and yelling out “THE ONLY MAN WHO CAN FUCK ME”. Flirting with Blitzø in front a crowd of people. He desperately wants to be publicly desired, to know he’s loved and for others to know he’s loved too.

I don’t think it matters to Stolas at all that who he cheated with was below him in terms of social hierarchy, or that people know about it, and he hasn’t ever indicated visually or with words that Blitzø being an imp was the root of those issues for him. Stella brings it up because she’s obsessed with status and EVERYONE KNOWS that her husband fucked an imp and is now divorcing her. Asmodeus brings it up because the entire Lust song at Ozzie’s is to distract the audience from his very real love affair with Fizz and maintain the public fiction that what he and Fizz have is just physical.

The whole social hierarchy issue is a deflection, and a misdirection.

This is further emphasized by the fact that Fizz and Asmodeus fucking isn’t even really an issue? People seemed to know they were fucking, like them being walked in on at breakfast and loudly declaring “ we are just banging, we are not in love”. The social hierarchy conflict as an external factor kind of falls apart on that alone but let’s move on. It’s not 100% clear if people outside of the household knew about Fizz and Asmodeus so we can maybe assume the public at large did not. But higher level demons being in a relationship with lower level ones doesn’t appear to be an issue? Like most of the powerful demons we see are actually in relationships with someone from a lower class. Even Mammon surrounds himself with imps and relies on one for his business.

Blitzø sure as fuck brings it up as a justification for why he’s not good enough. But Stolas doesn’t.

He’s even been shown visually and deliberately as forgetting that it’s even a factor, starting with his bowing to Blitzø as a baby owl and then again as an adult. So the comparison of these two moments as being about shame regarding social status for Stolas doesn’t make any sense to me. I don’t think it’s about social status at all really. I think that’s the excuse Blitzø uses to push people away and that’s just as much about social status as it is their fame. I’m not saying it’s not a larger theme of the show, but I think in this instance and for Stolitz it’s a distraction from the larger issues Blitzø has.

Stolas doesn’t need to publicly declare their relationship for an audience to solve their relationship issues because he already did, and I think we’ll see that the reason it’s such a huge plot point for Asmodeus and Fizz (beyond it being tied to their specific roles in Hell as the King of Lust and a public figure) is that it needled to be removed as an obstacle in BLITZØ’S mind.

Blitzø was the one present to witness the public declaration between Asmodeus and Fizz at the competition, not Stolas. If the comparison was between Stolas’s behavior and Asmodeus’s he would BE there, we, the audience, would have him there to connect that conflict in our mind as being rooted in Stolas. But he isn’t, because that conflict is 100% Blitzø. He won’t be able to use the imp versus demon thing as an excuse anymore as there is a very public example of someone even higher than Stolas loving an imp that he personally knows. Not only that but we see no indication in the episodes after Ozzie’s that there was ANY fallout for Stolas or Blitzø having their relationship outted so publicly. We see a big press todo about Stolas going to the hospital but not a single scene of like press asking Blitzø or Stolas about their relationship or the scene at Ozzie’s. Because no one but Blitzø actually cares? Scenes in media show us what’s important and if it was actually important to the larger world of Helluva Boss we’d have scenes to show that. There is no press coverage after the Not Divorced party, none after the Harvest Festival and none after Stolas officially makes moves to divorce Stella. He has assassins follow him around but not press. We DO get those press scenes when Fizzarolli and Asmodeus come out as being in love, because they are big public figures, but the only people who even mention Stolas and Blitzø are contained to Ozzie’s alone, and really it’s just Wally, Fizz and Asmodeus. The rest of the club is just interested in the spectacle.

The point of the hiding Stolas’s face behind the menu was not to tell audience he was ashamed of Blitzø, or that his being with Blitzø is a problem for him socially, but to reinforce Blitzø’s excuses to himself that it is, and highlight Blitzø’s self worth issues. This is further confirmed when Stolas reaches out to him across the table even though they are still in public and then later when he verbally expresses to Blitzø that he’d like to spend time with him without sex, tells him he enjoyed spending time with him outside of the arrangement, makes himself physically uncomfortable in the van just to spend more time with him. All of which Blitzø refuses to believe and dismisses. All of their interactions are shown as Stolas being the one to put himself out there, sometimes to a desperate cringe inducing degree, and Blitzø shutting it down and only expressing that his external protestations are not his true feelings by his avoidant looks, stumbling over his words and excuses, and his “protesting too much”. We as the audience see he’s full of shit through the reactions of others, Millie and Moxxie and Fizz specifically calling Stolas his boyfriend or being skeptical of the bullshit Blitzø spews to diminish the relationship.

For Stolas the song at Ozzie’s was a reminder that he had done something that fucked up his family and frankly his life as he knew it, tarnishing his image as a husband and father, and that fuck up has nothing to do with Blitzø being an imp, everyone knew that already for the most part from the very first time they had sex, but because Blitzø was the catalyst for the risk he took. He used to have the image of his family and his Princely appearance to hide behind and now we’ve shone a spotlight on who he really is, a lonely, soon to be divorcee, on a date with a demon who has acted completely dismissive of him, even outright ignoring him and ghosting at times.

A good way to highlight this issue with image is when Stolas nervously giggles and tries to over the top declare “we are having a perfectly normal date!” to the waitress by playing it off as being okay and trying desperately to get Blitzø to participate. He’s being publicly humiliated again and he tries to play it off and cover it up.

We see it again in his text messages from after Ozzie’s, he is so desperately trying to show Blitzø that it didn’t bother him, but that if it bothered Blitzø he’d like to talk about it. He tries to front it as “I don’t mind jokes about myself, it was pretty funny hahaha” but we as the audience see it for the pathetic attempt at faking it is. Laughing it off and pretending it doesn’t bother him is what Stolas does but he still made an attempt, he still tried. Stolas is from what we see extremely comfortable expressing his feelings, loudly and at length. It when he gets rejected for them that he pretends it’s not how he feels. And once again, he reaches out to Blitzø, gets shut down after putting himself out there and then acts as if everything is fine.

During the song at Ozzie’s , when the spotlight comes to Stolas, Asmodeus starts reminding him he “destroyed” his life, his family, and his image for a dude who does not outwardly appear to return his feelings, who is in fact just fucking him, and not even because he is interested in Stolas, but because he is using Stolas for the book. Every time Stolas tries for more he gets slapped back. He threw everything away for more of what he already had, a loveless business arrangement. He’s not shamed by the fact that Blitzø is an imp but that he ripped apart his picture perfect life for a guy who was acting distracted and ignoring him, who at times is completely turned away from him, and who is sitting across from him visibly uncomfortable at being called out as being on a date with him, and who he cannot get to agree to anything more despite his desperately trying.

Stolas’s part of the Ozzie’s episode opens with Gabriela yelling “Why won’t you LOVE ME ALEJANDRO” and then the man puts a streak in his hair to call back to it and people are still thinking it’s about status for him?

He just watched Blitzø stand up for Moxxie and Millie but when the focus turns to Stolas Blitzø cringes and makes himself small.

Lets break down what actually happens on screen because it is ALL in the visual choices made by the artists and what the song is actually about, lust being more acceptable than love because love is embarrassing and Blitzø hates to be embarrassed:

Moxxie starts singing, and after he sings “I loooove you” the shot jumps to Blitzø who CRINGES and shrinks a bit behind his menu. Publicly declaring your love for someone in public like that? Fucking Yikes. Bro.

Blitzø stands up and defends Moxxie and Millie but not necessarily to support their love, but their sexual relationship. This says a lot about which one Blitzø thinks of as being publicly acceptable.

Fizz turns his attention to Blitzø and the entire call out is about his bad love life, not his social status, and not even necessarily his level of fame but his failures as a romantic partner and the state of his relationships. It’s interesting that the song turns to this lack of love since just a few verses previously they act as though a romantic relationship is anthema to what they are all about. As soon as Fizz starts talking about his LOVE life Blitzø looks nervously at Stolas out of the corner of his eye.

Stolas is shocked as the song starts in on Blitzø but he doesn’t leave or shrink away immediately, he makes this absolutely hysterical face when Verosika is singing.

Blitzø does NOT like that Verosika is singing about their relationship. He crosses his arms and gets very sour pussed.

Then when Verosika starts getting more predatory, and going in on Blitzø physically, Stolas STANDS UP and looks as though he’s going to intervene.

The Wally Whackford yells “Are you sleeping with an Imp?” And Stolas remains standing, in the spotlight for several seconds. He doesn’t even start to move away to get out of it until Asmodeus comes up into his space and the scrutiny is all on him. He still doesn’t hide his face nor does it look necessarily shamed, it looks surprised and scared with where this is going and to have the attention on him but he does not look shamed. In fact, he doesn’t react to the imp comment at all, he is just as shocked and surprised as before Wally yelled as he is after. He keeps making this same shocked and scared face the whole time. We continue to see the crowd throughout all this and the scene is from a wide shot. It’s from the main POV, which is largely Blitzø’s.

The POV then switches to ONLY Stolas’s, we are seeing THROUGH his eyes and what HE sees is his family turning away from him and then they shove Blitzø in a chair, make him the center of Stolas’s vision and he’s left with Blitzø’s embarrassed, cringing face. The crowd, the club, everything else is painted out. From Stolas’s POV he doesn’t see or register the public, he sees and registers his family and Blitzø. They are center of his vision and the club and its patrons aren’t even present in the shot. If the issue was the social status we would have no need to remind the audience of Stella and Octavia by projecting their images and then having a sequence where they turn, walk away and burst into flames. Wally’s comment would be enough to establish it. The crowd would be visible because they would be what matters to Stolas. But it isn’t, we have to dive into Stolas’s POV, get a visual reminder of his family and see how Blitzo looks from Stolas’s POV.

We pull back to the outside POV and Stolas sits and stares for an entire beat after the POV shift (a technique used to tell the audience THIS was how Stolas saw the situation, now we’re back to the main POV), Blitzø is still shrinking away from him and THEN after Asmodeus says “you sold your life for a thrust” is when he hides his face. Yes, I did slow down the animation to actually see the sequence shot for shot and yes, it is a sign I have lost my mind.

But it’s important! This technique is really common in literature and media, you introduce one character’s conflict or flaw and then, to show that it contrasts with another character’s situation you jump into their POV, this is to remind the audience that there is a difference between them, that they are seeing this situation from two different places. The shots are wide for the social status implication that speaks to Blitzø’s issues with public declarations and his own self worth and we jump into Stolas’s just to remind the audience HEY, THIS IS ISNT WHAT STOLAS IS THINKING IN CASE YOU FORGOT ABOUT THE MAIN REASON THEY ARE NOT ON THE SAME PAGE, and then we just jump back to wide shots and bringing Blitzø back as the character whose flaw is being depicted.

The rest of the shots are from main POV and show Blitzo reacting to that. A deliberate contrast is set between what Stolas perceived and what Blitzø did. They present this direct visual contrast using a POV switch to show it. From Stolas’s POV he is being shamed not by the public, who didn’t factor into his POV at all, but by the loss or strain of his familial relationships and by Blitzø presenting himself completely differently when the focus is on HIS relationship with Stolas versus how he reacted to Moxxie/Millie and even Verosika.

From Stolas’s perspective and the audiences Blitzø was relatively okay up until Verosika pushed him, then we see Stolas’s reaction to that. That’s when Blitzø’s entire demeanor changes. He wilts, he shrinks, he makes himself small. Before that he winced a little but mostly he seemed annoyed. Until it gets turned on his date with Stolas. And we see this confirmed through Stolas’s POV, that we are seeing Blitzø how Stolas is seeing him looking sheepish and unhappy right in the center of the shot.

You sold your life for a thrust” is so important in this sequence, Blitzo just basically confirmed from his contrasting reactions and body language throughout the song that what they have is just sex, and we know from Stolas asking Asmodeus about the crystal and following up on it that he is really focusing on the transactional aspect of it and the situation he put an unwilling (at least in his mind) Blitzø in. This is just another bad arrangement like his marriage.

We don’t have onscreen confirmation, so this is more speculation but I imagine Stolas is probably comparing himself to Paimon a bit. His father purchased an unwilling imp to play with him as a child, the imp pretended to be into him to use him for the family treasure and now he’s essentially purchasing the same imp and that same imp appears to once again just be tolerating him for material gain.

Anyway, enough thoughts that depress the fuck out of me.

When we switch back to Blitzø after M&M finish their song we see the public again through their clapping and see his reaction. Now the issue at large is firmly back to the inferiority complex. Blitzø started shrinking and cringing away as soon as the famousness of his date was revealed, as soon as the crowd does exactly what he fears, comparing him to his partner and finding him lacking. Then we have Stolas reaching out, with no regard for the crowd who is back around them in the shots until the hand close up, and Blitzø shuts him down. Again. Once more we have Stolas visibly reaching out and trying to give Blitzø what Blitzø is outwardly projecting he wants (just like Stolas does with the dirty talk), and Blitzø being the one to say something annoyed or dismiss it. There is literally nothing Stolas can do to resolve this, because it’s an internal issue for Blitzø. Stolas externally declaring to every realm in hell won’t fix Blitzø needing to believe it and declare it for himself.

The conversation at Stolas’s house after reinforces everything, that Stolas is trying to do what Blitzø is projecting he wants. Blitzø appears to have an issue with their relationship being just about sex, the same person who goes out of his way to force all his non-familial relationships to be just about sex (even Moxxie and Millie, and when he turns a heartfelt reconciliation sexual with Fizz by asking to make out) and Stolas offers him multiple options for more of a romantic or comforting evening, because it’s what he wants as well, and Blitzø ignores that entirely, just outright refuses to acknowledge it. In the hospital we see Stolas tried AGAIN after Ozzie’s via text to work it out, and talk it out, but when Blitzø shuts it down again and when his initial approach didn’t work, Stolas tries just brushing it off and putting up that happy EVERYTHING IS OKAY image again.

So all this billion words and unhinged analysis to say that Stolas is not Asmodeus, he isn’t the one who needs to make the declaration, that won’t actually solve Blitzø’s problem and he already has put himself out there multiple times. Stolas is Fizz, obsessed with putting on a show.

Blitzø’s issues are internal and multiple people have tried to show him in external ways they love him and he either relates it back to sex, dismisses it entirely or physically removes himself from their lives. This is understandable considering when he does put himself out there he gets rejected, (circus audience, Barbie, his various gigs before I.M.P, Loona sometimes) or people act incredulous that someone could be with him. So the only way for him to complete this character journey is to internally reconcile and externally express.

Stolas is much more external about his issues, he tries putting on a happy face, laughing things off, trying to have a perfect day at LooLoo Land with a disinterested daughter, flirting outrageously with a disinterested partner, he wants the external situation to reflect what he feels inside but those around him don’t give that to him. He tries to have a perfect marriage, he gets a partner who throws obnoxious parties for what appears to be the chance to ridicule him publicly. He tries to have a perfect day at LooLoo Land to recapture happier times and accidentally alienates his daughter. He talks about how much he wants to bone Blitzø because that’s how Blitzø approached him and what he seems to be into in his relationships and is the only way he allows Stolas into his life at all, and in return he gets annoyed looks and insults.

“Or Is it Me?” In Look My Way makes me tear up every goddamn time because Stolas believes there is some internal problem within himself, that he cannot give Blitzø what he needs because he’s BEEN TRYING to be what Blitzø seems to want and gets nothing back no matter what approach he takes. No one will externally acknowledge him. Stolas doesn’t have an internal problem accepting his feelings and who they are for, regardless of status or consequences, he clearly says this in Look My Way and shows it before that with his over the top behavior, he needs someone from outside himself to acknowledge and reciprocate it.

So yeah, I disagree with the idea that Blitzø is the one who needs a public declaration. He might need a private one to take away his excuses but I don’t think he needs Stolas to do what Asmodeus did. What Blitzø seems to need is to be brave enough to declare his feelings for once and not shy away from the attention that comes with that. To accept himself as he is, like Stolas accepts him, and that realize he is just as worthy of love as the other people in his life. Stolas needs a declaration to validate his internal feelings, ease some of his loneliness with confirmed reciprocity and to have outwardly what he wants inwardly.

Thanks for reading if you did. I am sorry for being the way I am.

[otaku553]

Can we ask why you’ve distanced from Genshin? I’m thinking about it bc of the representation issues but was wondering abt ur thoughts

It’s a bit difficult to put this succinctly!

I have a lot of thoughts on this, so I’ll sum up a few on the topic of character design.

I think when most people talk about representation in Genshin, the first thing they talk about is skin tone, which is fair and definitely valid. I think, as someone who has grown up with a lot of East Asian beauty standards around me, what Genshin does is cowardly but understandable from a viewpoint of marketability. I’m sure that they know their lack of representation is controversial overseas, but either this controversy is just giving them more attention and free promotion, or they’ve calculated that the controversy generated won’t actually deal any damage to their profits. That’s mostly why I’m not vocal about it: at best, they scroll past an extra opinion that they’ll probably ignore, and at worst, they’re getting free unintentional advertising out of me.

I will say, though I think plenty of people have made great posts about the representation issues, I think Genshin’s problems with character design and representation go much deeper than just skin color, and have been a growing issue even since Liyue; it’s just gotten exponentially worse with the introduction of Natlan.

I feel like Genshin is actively making regions more modern just to avoid historically accurate cultural representation, and nowhere is this clearer than in Natlan. To begin with, Genshin introduced itself as a historical fantasy, and that is, I think, why it worked so well compared to, say, Honkai— you can tell characters come from the same game due to unified elements such as the Knights of Favonius’s crest as a motif, and the central idea of history. Though the idea of “historical fantasy” is kind of nebulous, since they don’t actually claim to be trying to replicate any real world locations or cultures, you can infer some things about the time period and general location based on the existing technology and architecture and stuff.

But it feels like the moment you get to somewhere not European or East Asian, Genshin starts making designs from a far more modern approach. Some of the Natlan and Sumeru characters, I don’t think I’d be able to place as Genshin characters if I hadn’t played the game. I actually thought that one of the teased Genshin characters for Natlan that I’d seen around online, Citlali, was a Honkai Star Rail character, and was super surprised when I saw her in the Genshin 5.1 trailer. When you can’t even tell that a character belongs to the game you’re designing for, then what are you doing as a character designer?

This is more speculation than anything, but it’s almost as if they’re avoiding proper representation of cultural clothing by making things look modern, and it’s clashing terribly with what they established the game as from the beginning. For fuck’s sake, Mavuika, who’s the archon, meant to represent her nation, is wearing a leather biking suit. She looks so incredibly out of place in the fourth anniversary art of all the 5 archons together. They seem to be losing sight of what made them successful with character designs in the first place just out of a fear to do proper research or make something less than “conventionally aesthetic/attractive.” That’s my main issue, to be honest— not necessarily the skin colors, but the clear lack of thoughtfulness in character design, not only for representation but also for what suits their setting and premise best.

I have a lot more thoughts on Genshin Impact so feel free to send another ask if you’re curious!

[batboyblog]

https://www.tumblr.com/batboyblog/763234650399424512/the-recent-chappell-roan-thing-is-why-i-absolutely

I frankly also get the impression that a lot of these people genuinely think another Trump term will just be “business as usual” or “it’ll only hurt the people who deserve to suffer” and that they’ll just be able to hide away from the consequences for four years before someone comes along and fixes the mess for them and they get to benefit.

I don’t think they have any realization of just how bad this is gonna get the second time around, because the first time Trump was metaphorically behind a chained fence and held back by strong rope. This time he’s being let loose alongside his fascist theocratic friends.

I've puzzled about this for some time, because like do people honestly not remember what it was like? what those 4 years were like? the fear, the chaos, the national embarrassment. Every day waking up and going "oh god! what did he DO! while I was asleep!" and how often you'd wake up to some story that he'd tweeted something scary and dangerous at 4am. I believe him threatening to nuke North Korea (the "Fire and Fury" tweet) was one of those very early AM specials that we all woke up to.

I mean for people like Chappell, its hard to remember, but Trump has been the more or less national main character for 9 years, since the fall of 2015. I mean an 18 year old first time voter could have been 8 years old when Trump came down the gold escalators told us all that Mexicans were rapists and he was running for President. So for anyone under 30, Trump is normal since every election they've been able to vote in, he's been the Republican nominee. I've spent 9 years of my life, across 5 elections fighting Trump directly or indirectly. Depressing thought that.

but past that there's been a national effort to gaslight us all into thinking "yeah no it was normal" I mean I remember the media coverage of 2017, the first year or so of Trump's Presidency, every few weeks or so there'd be some "is it time for the 25th amendment now?" story about if Trump's weird behavior this time for his cabinet to step it and remove him. (A quick google turned up CNN Oct 2017, New York Times May 2017, The Guardian July 2017, and Vox February 2017) compare that to coverage today? The term "Sane-washing" has been coined where when Trump says something bonkers it gets characterized as "sometimes meandering" rather than "incomprehensible" and "worrying"

figures in the media have gone so far as to claim there's just no point to covering new Trump scandals because "they won't move the needle" which really should not be a journalist standard. And we see that they do, take North Carolina's Mark Robinson. Caught in a massive scandal, involving sex, porn, and being a Nazi, he's now down massively in the polls after nation wide coverage. Trump just had new court documents opened that showed he wanted a riot on January 6th, that his reaction to a mob threatening the life of his Vice-President was "so what?" and they he knew full well that he had lost but was going to "fight like hell" any ways. And its not much of a story, indeed I'm seeing more news about a NY Republican Congress having worn black face (new story today) than Trump's effort to over throw the government and kill Mike Pence.

past the media's gaslighting of course there's been a major and on-going campaign to effect how we see reality. I know that sounds very woo-woo, but to step back for second, most of what we know about the world is stuff people tell us, so you know Joe Biden is the President because other people have said so, most likely you've never met him or even seen him in person. Well as more and more people turn away from traditional media, and traditional media turns more and more to making of money by confirming the bias of people, it becomes easier and easier to slip things that are not real into "facts we are told". So for example "Joe Biden is President, and also in decline" there's never been any real evidence of that, but if on social media you are bombarded with it 4,000 times a day... you start to take it as understood wisdom.

people are also getting worse and worse at not just taking what they're told if it confirms biases they already have. Former Vice-President Al Gore wrote a book nearly 20 years ago now, called "The Assault on Reason" which had a ton of very interest neuroscience about the ways that moving images, TV he was talking about, by-pass the logic centers of the mind, the way we relate and trust someone talking to us in a way the written word does not. I can't help but reflect on that with the rise of TikTok and short form video as a "source of information" (lol)

any ways this is a long winded way of saying bad faith players, Republicans, left wing grifters, and agents of chaos, have been very good at flooding the zone all through the Biden Presidency with stuff "student loan debt" remember when that was SO! important SO big and Biden "not doing anything" (untrue) was the biggest deal? well yesterday his newest plan got unlocked in court and 3 out of every 4 people with loan debt will get relief.... oh you're just now hearing about that from me? huh... funny... I thought it was the number one issue and reason we should never trust Biden and the Democrats... weird....

but there have been other issues pushed up as THE! issue, its all misdirection, its all meant to get natural Democratic voters to feel frustrated, upset, and hopeless, and not to vote their interest. The world is a big complex multi moving machine, and anyone telling you that one issue either fixes every other issue or totally totally outweighs everything else and should for everyone, is most likely BSing you and doesn't have your best interests at heart.

and lets be clear, Trump is a Rapist he's a lot of things, traitor, racist, scumbag, criminal, scab, tax cheat, fraud, etc but for me any ways, I'm not gonna vote for a rapist to be President and if other people aren't gonna do everything they can to stop a rapist from being the President I don't want to hear how much they care about progressive issues.

[anniflamma]

This isn't a question, but rather a love letter to your art<3.

Thanks to you, I've started enjoying Greek mythology and the Bible again (I mean from a point of artistic, mythological, historical, and theological analysis; my status with any kind of religion is being agnostic XD).

And I already enjoyed Epic the Musical, but I really love the designs you make, how you empathize with the symbolism and lore of the Gods when designing them, and how you make Odysseus so human with his crude expressions that makes me empathize with him (And he's one of the characters I hated the most from Greek mythology lol)

And then there’s your art about the bible, I have to admit that I tend to avoid the biblical religion because of the weight it still has on our daily lives, the damage it has done from the past to this day, and how they deny it with current hypocrisy (I live in Spain, there the official religion is catholic), but your lgbt drawings have really encouraged me to open the bible and see it from an objective and neutral point of view, and just enjoy it as another book and not as something I’m forced to follow.

Also I didn’t know there was so much LGBT content in the bible XD Seriously, thank you so much, if you had a patreon, I would pay you for the amount of happiness and culture you have given me (^///^)

By the way, reading your posts I found out that you recently experienced an internet drama that has become so popular lately. I just wanted to tell you that I'm sorry that both you and that poor artist had to go through this, that human hypocrisy has no limits or shame, and that I agree with everything you say. Just because we like a character or an author doesn't mean we agree with their crimes or ideologies.

I hope you have a nice day<3

Hi! I’m sorry it took me a while to respond! I mean it, I’ve read this over and over, and it makes me so happy. I’ve been thinking about how to respond, but sometimes it's hard to get it out into words.

It makes me so happy that my biggest interests make others interested in it too. Heck, when people ask questions, I get all giddy!

Talking about biblical/christian saints, greek myths, history, different cultural views and changes was kind of the whole point of why I started this tumblr blog. I have so many drafts filled with random info about LGBTQ+ saints..... Now… I post mostly thirsty drawings of greek gods with hairy chests... T.T

And I sympathize a lot when it comes to religious trauma. I consider myself lucky in these matters, my mom is Catholic, and she has her views that I don’t agree with and hurtful. Yet she still supports me in her way and watching my bible retelling animatics, everytime I post a new bible animatic, she writes me: "What have you done to Daniel..."

I also have my hurts and anger towards hypocrisies too, and I guess this is my way of countering that?

LGBT content in the Bible is something that really fascinates me. I think it's important to keep in mind that people from about 2,500 years ago had very different views when it came to gender and sex compared to how we see it today. In a way, the Bible does have strict social gender expectations, and if you didn’t fit in, then you weren’t considered part of that gender. But at the same time, it acknowledges that your sex. I think it’s in the Talmud were it discusses the fact that, throughout the Bible, there were about eight genders:

Zachar: male.

Nekevah: female.

Androgynos: having both male and female characteristics.

Tumtum: lacking sexual characteristics.

Aylonit hamah: identified as female at birth but later naturally developed male characteristics.

Aylonit adam: identified as female at birth but later developed male characteristics through human intervention.

Saris hamah: identified as male at birth but later naturally developed female characteristics.

Saris adam: identified as male at birth but later developed female characteristics through human intervention.

Some scholars even believe that Abraham and Sarah were Tumtum. A Tumtum is not considered to be very distinct but rather flexible between male and female sex/gender—"sometimes he is a man, and sometimes he is a woman." The simple fact that God said Abraham had a womb and from it, he would have children. Some say that this is why he is a Tumtum, while some historical linguists argue that ancient Hebrew didn’t have the vocabulary for male genitalia yet. Both arguments are valid, and I like them both!

There’s tons of stuff I could bring up—Joseph with his princess dress, Naomi and Ruth, David and Jonathan, and the discussions around whether Daniel was a Saris Hamah or a Saris Adam. We know he was called a saris, but we’re just not sure which. And then there's Jael, whose story is filled with a lot of phallic symbolism, and even her name is very gender-neutral.

I think I’m going to end here. I could yap about these things forever! But thank you again taking your time writing to me and I hope you also have a nice day! <3

[theresattrpgforthat]

How To Find Cool Games: On DriveThruRPG!

So disclaimer upfront: I don’t use the DriveThruRPG website nearly as much as Itch.io. Some of those reasons are practical (there’s no tagging system, the catalogue is rather D&D saturated,), while others are more… well, shallow (the website isn’t as pretty).

However, DriveThruRPG is a very good tool to have in your toolbox when it comes to finding cool ttrpgs, for a number of reasons, the primary one being that it’s for TTRPGS and only TTRPGs! Let’s get started.

The Search Bar / Categories.

You can start by doing a basic search for a game that you already know about, or by searching for a keyword, like “pirates” or “zombies”. You’ll get titles sorted by “relevance”, so things that have the keyword in the name will show up first. One of the biggest downsides of this strategy is that everything kind of gets lumped in here: supplements, maps, expansions, adventures, character sheets… the list goes on. However, you can narrow down what you’re looking for by using the toggles at the top of the website. I personally usually narrow down search results by selecting “Product Type” and then “Core Rulebooks”.

One nice thing DriveThru has compared to Itch.io is that you can combine categories, so if I wanted to brows say, Gothic Horror Core Rulebooks priced under $20, well I can do that! My favourite categories are for genre, but another set of categories that you may find very useful once you’ve familiarized yourself with some games is the Rule System category. There are categories for systems like the Year Zero Engine, Forged in the Dark, BRP (Basic Roleplaying), OSR, and so much more. There’s also “other systems” and “any system” categories if you want to find something that’s unique or that can be used across games.

DriveThru also has a lot of games published in different languages, and you can narrow your results to see what’s been offered in your language. I think there are more options on this website than there are on Itch, although you might benefit by finding one or two publishers in your language on DriveThru, and then check the publisher’s website from there.

The Homepage

Another reason to check out DriveThru regularly is the sales and promotions. The top banner of the homepage will typically advertise a few things: the Deal of the Day, current themed sales, and special offers that DriveThru RPG wants you to know about. Their homepage also has Bestselling Titles, Most Popular Games Under $5, Newest Games, Featured Titles, and, if you scroll down enough, Personalized suggestions. Unlike Itch.io, DriveThru does a lot of work to show you what’s new, what’s hot, and what’s a really good deal right now, which can all be really helpful things!

When you land on a game, you’ll be able to see whether or not DriveThru sells physical copies, some basic information like book size, rule system, publisher & author, and a blurb describing the setting and other general information about the game. DriveThru has a side panel with “Customers also Bought”, which is great for showing you things that you might like, either because they surround the same theme, they work for the same game, or they are in a similar genre. (Another thing that Itch isn’t quite as good at.)

You’ll also be able to see (and leave) reviews for game, including the ratings left by other people who have picked it up. Occasionally I’ll find really useful information in the reviews, as reviewers might talk about mechanics they love or loathe, or recommend styles of play that they feel the game matches.

Finally, like Itch, DriveThru will let you know if you’ve already bought the game, and provide you with a download shortcut.

Publishing House Pages

Larger publishing houses typically have their ttrpg content sorted very nicely for you on their publisher pages, to help you find the things that you want. Modiphius is a great example, sorting Star Trek, Dune, Fallout, and their 2d20 games all in special categories.

Many publishers also have a Community Content section, which is great if you’re looking for assets, new adventures, hacks of a game system and some very reasonably priced (or even cheap) game additions. Similar to Itch, DriveThru has a Pay-What-You-Want feature for many games, although, unlike Itch, most PWYW titles require that you pay a non-zero amount.

Newsletters

When you create an account on DriveThruRPG, you can sign up for various different kinds of newsletters. Some come directly from DriveThru itself: this includes the Follow Your Favourites and Deal of the Day options, as well as weekly/monthly newsletters carrying information about new releases, special promotions, and (often) a free ttrpg product of the month.

However, on top of that, when you purchase a game or follow publishing pages, you can also get emails about new releases specific to those creators, as well as updates if a new version of a game you bought has been added. Often if it’s a game you already bought, this means you own the new version too - something that DriveThru has in common with Itch!

The Follow Your Favourites announcements will line up with whatever you’ve chosen to follow on the website. I’ve asked for updates about new Core Rulebooks, and I also get updates from the Onyx Path and a few other places where I found games I really liked. I also check the Deal of the Day offers fairly regularly; sometimes there are really really good deals offered and if it’s a game you know or like, then you don’t want to miss out on a sale!

Wishlists

DriveThru allows you to add games to wishlists to look at later, and even gives you the ability to sort your wishlists, although the process feels harder to look through than Itch does; I think it might be a UI issue.

However, because it acts like a wishlist, you can move games from the wishlist into your cart and vice versa, as well as move the games to another list. One really nice thing about the wishlist section is that DriveThru will alway show you when something you want is on sale, and how much it is normally - Itch does this too, but in this case, DriveThru is much easier to read!

I mostly sort my wishlists into Core Rulebooks and Supplements, because I don’t have nearly as many games bookmarked on DriveThru. If it exists on Itch, I store it on Itch - but there are plenty of other, “someday’ games, that I want to be able to find again in the future.

Your Library

DriveThruRPG has an app that you can download onto your computer or your phone, and it basically acts as a library that you can look through. In both the webpage and the app, you can sort your purchases alphabetically, from new to old, by publisher, by whether or not they were updated, and using similar categories as the search bar on the store front.

Free things can definitely be found here, even if they’re harder to look for. On DriveThru, most free products are things like character sheets, playtest games, or Quickstarts. However, some publishers do put up their stuff for free. Whenever I can get a Quickstart of something interesting, or if I find something being offered for free, I add it to my library. Free games are how I got started in ttrpgs, and QuickStarts are wonderful introductions to a system that usually give you a good idea of what the game is going to feel like.

Conclusion

Overall, DriveThruRPG is great for folks who like certain big publishing houses, and folks who like a good deal. I personally usually end up on the site because something in my emails caught my eye, which is the opposite of how I navigate Itch. DriveThru was my home base before I discovered Itch.io, so I still have a little fondness for the website, even if looking through it is a little bit of a slog.

One thing that might be a bit of an annoyance is that if you own something from a certain company, they might be able to send you a lot of emails for every sale and new product. If this becomes too much, you can choose to opt out from those publishers.

If you don’t want to have to actively engage with the website as much as say, Itch, DriveThru’s email system is also a big help. You can customize your subscriptions to match what you’re interested in, and then just check your emails once in a while to see what’s on offer. After a while you’ll also learn about yearly events, like the Summer Sale, which often provides big discounts on a lot of different games.

DriveThru is also a great place to start if you’re looking for print versions of games: I don’t know what shipping is like to places outside Canada, but I definitely appreciate that it’s an option, and sometimes all you need to do is find a game or publisher - once you know that it exists, you can google that publisher, check out their website, and figure out the best place to order from there.

[asleepygremlin]

Pokémon scarlet and violet and its theme of isolation and overcoming that feeling

So I don’t know if people have pointed this out or not but I noticed with the main characters of Pokemon sv, they suffer from some type of isolation. This will only focus on the main characters which are Arven, Nemona, Penny, Kieran, and Carmine. This will discuss events of scarlet and violet and its dlc so spoilers will be in this post. I apologize ahead of time for my poor wording as I’m not good at putting my thoughts into words. (I also apologize if this theme was obvious and I just sound like an idiot for noticing it now)

Tl;dr the main characters suffer from some kind of isolation whether it’s visible or hidden

The most obvious one to notice in my opinion is Arven, first I’d argue he suffers from physical isolation as growing up, sometimes the one parent he has isn’t even home most of the time and at the very least had mabosstif. He has no parents in his life and the one that partially is, is now dead. Next from the way Arven latches onto the player later on especially when seeing how he acts in mochi mayhem and how he seems kind of jealous of the players new found friendship with Kieran. This to me also shows he doesn’t have any friends either (I believe he even says mabosstif is his only friend which is kinda sad). So in short Arven has no support figures besides mabosstif, but he doesn’t truly have any human connections. That is until he makes friends with the player, Nemona, and penny

Penny is the second one that I noticed, like Arven, she also suffers from physical isolation by locking herself in her room. She’s suffered from bullying which would obviously lead to isolation and has probably caused her to close herself off from everything, but at least she has her friends at team star right? Although she does, when she first was friends with them, her identity was anonymous. She knows and connects with team star but they will never truly know and connect with her until later events which finally allow her to bridge the gap.

For the next one, I’m going to skip Nemona for last and put the kitakami siblings into this one section (also this one relies the most on speculation since we don’t know exactly what their experiences were). Unlike Arven and Penny, both of them don’t suffer from physical isolation but mentally. Carmine and Kieran have both grew up in a remote village for most of their life until attending blueberry academy. The isolation they must have felt must have been staggering. Although from the sounds of it they eventually were able to find solid ground via the league club. Now with Carmine and her prickly attitude, that might have caused her to push others away and keep to herself at times (I admit I’m speculating, I wish the dlc was longer DX). As for Kiki, I admit it’s a lot more easier for me to speculate because I relate to him more I feel you get more insight into his character compared to Carmine sorry Carmine. He is a lot more introverted and shy compared to his sister and I bet his love for the ogre led him to being a bit of a social outcast and moving to blueberry academy most likely didn’t help with him, even just feeling like he was, an outcast, plus his already bad self worth. When he meets the player, he is still very shy but seems ecstatic to finally having a friend to talk to… until you have to lie to him. I could go on an essays worth on how Kieran’s self worth and paranoia caused him to quickly think he’s being betrayed and see himself as unworthy of the player’s friendship but that’s another story and this paragraph is already getting long enough already. By losing his friendship with the player, he further isolated himself from others and it’s even worse in the indigo disk. He now isolates himself by being a ruthless champion with everyone afraid to confront him. Now he’s not alone from being a shy outcast but instead from being champion and hiding his already fragile heart with thorns. Ignore the poeticism of that last line lmao and yep this section with Kieran is of course the longest. however while both were able to find some solace in the league club, I’d argue they were able to truly open with the help of the player especially Kieran who learned to accept himself as he is.

Now finally Nemona and one I find the most fascinating because she isn’t as visibly isolated as the others and admittedly is the reason I wanted to write this. First I’d like to point out something I think people forget often, just because people seem to have a great social life and friends doesn’t mean they don’t feel lonely. Nemona is champion rank, student council president, and is overall a star student. However because she’s at the top, some people are intimidated by her and in one area convo she mentioned how someone refused to battle her because she’s a champion and battle wiz that would wreck him. Then in another area convo, she laments over people thinking that battling is natural to her and ignoring the genuine hard work that she puts into her skills. And in her final convo in her dorm room, for this I’ll just copy and paste the quote from bulbapedia and let it speak for itself.

"People would tell me to my face that I'd only managed it 'cause I have some innate gift, or 'cause I was raised differently, or whatever. And suddenly I started to feel like there was this invisible wall between me and everyone else."

(Also I was also going to add more info from the scarlet and violet novel “after the rain with you” but it hasn’t been officially translated and the only translation I found was via google translate so I decided to take it with a grain of salt and not and any info despite it having the most insight on Nemona’s character imo, if you want to take a look here’s the link)

Despite being the at the top being up there can get pretty lonely… until she met the player and had someone standing right beside her.

Anyways if you’ve read this far then thanks. This was longer than I thought it would be as I mainly typed this in one go only taking a break to do more research for Nemona’s section so sorry again if it seemed kinda rambling at times.

Edit to add: rereading this I realized that Kieran and carmine in fact do suffer from physical isolation as they live in a remote region that resembles a traditional Japanese village which could add some cultural isolation. Another type of isolation I didn’t think about was class isolation(is that even a term?) coming from Nemona as she comes from a wealthy family which could also adds to the gap between her peers. I guess I didn’t think about it like that since in comparison Arven and penny’s situation is what would usually come to mind when you think of the word isolation, my bad.

[familiarscars]

Devil's Night | Bad Omens

adult content | minors do NOT interact.

One day I woke up and wanted to be chased to the sound of Milagre.

⋆ 𝐏𝐀𝐈𝐑𝐈𝐍𝐆. Bad Omens X Female!Reader.

⋆ 𝐒𝐘𝐍𝐎𝐏𝐒𝐈𝐒. It's devil's night and you've been invited to play. If you don't get caught by them, you win..

⋆ 𝐖𝐀𝐑𝐍𝐈𝐍𝐆(𝐒). Foul language, alcohol consumption, masked men, stalking, reverse harem, why choose, taking turns, explicit sex, fear games, submission.

It's okay to not agree with the characters' attitudes during the fic. It's good to remember that the story is fiction from the author's sick mind and of course they will make dubious decisions according to my fantasies. Nothing is done to be compared to reality.

Devil’s Night.

The first time she heard those words, thought it was just another excuse for parties and excess, but here, in Detroit, it’s different. People speak of this night as if it were a tradition, passed down from generation to generation, almost like a silent pact that no one dares to question.

Yes, it’s Halloween Eve, but it carries a taste of danger that goes beyond costumes and carved pumpkins. It’s not about trick-or-treating; it’s more like… a rite of passage, where each person lets their dark side surface, testing their own limits and those of others. And the entire city, somehow, agrees to turn a blind eye to what happens in the shadows.

In the alleys and empty hallways, you can feel something waiting, hidden between the walls and beneath the fog that stubbornly refuses to lift. The seniors, of course, love it. They create challenges, make absurd promises to the freshmen, as if they’re initiating them into some ancient secret. But it’s not a secret; it’s more like a warning.

I don’t know exactly who started it—maybe some group many years ago, looking for a way to release their frustrations, or perhaps the city already came with this curse built in. But, either way, everyone participates, whether in the role of the observers or those who get lost in the night.

You were about to leave home, dressed up for another Devil’s Night in Detroit. Your friends had invited you over to drink a little before heading to the Lions' party, the fraternity responsible for the highest concentration of players that night. At first, you were ready to turn down the invitation, wanting to go straight to the celebration and get it over with once and for all, but seeing the flyer advertising the Geordin’s pub attraction made you change your mind.

Bad Omens was the main act in an intimate show, and you felt a bit excited to know they were back in town. It had been a while since you last saw them—if you weren’t mistaken, on the last Devil’s Night.

"Don’t tell me you’re not even a little excited to see him again…" Ash nudged your ribs with a playful voice, snapping you out of your thoughts.

"They’ve grown so much since the last time I saw them, Ash. They definitely have no idea who I am."

"And what if I told you that’s not exactly true?" Ashley’s glittering eyes blinked behind her long lashes as if she had some valuable information. She rested her hands and phone under her chin while watching you finish getting ready in the mirror. "I messaged Steve; we chat sometimes, and when he told me he’d be in town, I didn’t fail to mention your name…"

"I can’t believe you did that!"

"I scored us four VIPs tonight thanks to my shamelessness. No need to thank me, babe!" Ash winked and blew a kiss at her own shoulder, ignoring when you rolled your eyes at her boldness.

You didn’t want to admit it, but a strange sensation was building up in your stomach, making you feel cold with every step you took out the door. According to your friends, you looked good enough to draw a crowd to your feet, and deep down, you hoped they were right.

Geordin’s was, as always, sweltering, packed, and filled with people dressed up in Halloween costumes. You were just in a short black dress and heavy makeup—this date was special, a night for vixens to leave their homes in their smallest outfits, best heels, and bold eyes to be, for one night, what they longed to be all year.

At the bar, you grabbed a drink and walked with your friends to the VIP area near the stage. With each minute closer to the performance, your stomach grew colder, while your friends chatted excitedly beside you, never quieting for a moment. It had been a long time since you last saw him, and you tried your best not to expect him to remember any fragment of the past Devil’s Night.

“Welcome to the show of bad omens, my friends,” said the recorded voice from the speakers, making the crowd go wild.

The lights went out, and your body froze in place as the intro to the first song began. His voice was still unmistakable and unique, pleasing to the ear, even live, weaving together with the guitar and drum solos as if they were one.

When you turned to the stage, Noah was gripping the microphone with his eyes closed, and you allowed yourself to take in the melody, singing along with all your heart as you remembered why this was your favorite band. At the end of the third song, he glanced over the crowd as if looking for something, seeming about to give up, until his eyes finally landed on you.

A jolt of electricity surged from your legs, coursing through your entire body. Noah gave a brief smile and bowed his head, waiting for the next song’s intro. You knew the setlist, and this wasn’t one of the songs played at previous shows. In fact, you recognized it instantly; it was your favorite track.

Careful What You Wish For hadn’t been played in recent shows, but he knew how much that song meant to you, and he’d included it in Detroit just to show that he did, indeed, remember you. Something damp threatened to pool in your tear ducts; this song reminded you of moments you’d rather forget, moments the band had made more bearable to face.

As the final song ended, the lights went out, and the guys left the stage to the applause of the crowd. Your heart was still racing from the mix of emotions caused not only by the show, but by the series of subtle glances he had thrown your way during the pauses between songs. You bit your lip gently, gripping your glass a bit tighter, wondering if it could be a sign.

But you quickly brushed off that foolish thought and shook your head, dismissing it.

You and your friends finally arrived at the fraternity party, and all of you, including yourself, were buzzing with excitement to start the real celebration. Everyone was in costume, music was blasting, the smell of marijuana filled the air, and alcohol was flowing freely.

It seemed like the perfect night.

“I wouldn’t recommend drinking too much,” Ash warned, pointing at your glass as you sipped the colorful drink through a straw. “The games start in a few minutes, and you won’t want to be throwing up during the hunt.”

You laughed, remembering what happened last year when you mixed a few drinks with cheesy snacks, resulting in a puddle of vomit that took you home before you even considered playing the traditional hunt.

Every year on Devil’s Night, the Lions held a hunt in the Shadow Woods. The game involved all the guests being released into the forest, blindly searching to capture as many targets as they could until they reached the other side. With no flashlights or any source of light, identifying anyone became nearly impossible as everyone wore masks to hide their faces.

A certain chill lingered in your stomach, and a tremor in your legs threatened to shake your confidence, but you preferred to think it was because of the drink, not the fear of who your potential hunter might be. Your mind raced through quick strategies to avoid being caught, though not knowing the Shadow Woods at night made it all the more difficult.

With your feet firm on the earthy ground, you were as ready as the other competitors. You looked around, feeling adrenaline pulse through your veins, filling your brain like a song made to build tension until reaching its peak. You felt ready for whatever the night had to offer.

The whistle blew.

Your legs pushed you forward, running as fast as you could, straining your vision to dodge trees and jump over branches. You listened closely to the sound of dry leaves and twigs that snapped underfoot as the predators ran. All of them were desperate, hungry in their hunt for prey. At the same time, it felt frightening; it was exhilarating enough to make you push for more speed.

Energized, you glanced over your shoulder now and then, trying to detect any approaching threat, but as you pressed on, you heard fewer footsteps. Breathless, you slowed down and marked the trees with your fingers as you continued to walk carefully.

Your steps froze in place when you suddenly heard heavy breathing. The footsteps behind you moved over the dry leaves, signaling that your hunter was approaching stealthily, like a snake. Slowly, you realized your feet didn’t obey the commands in your head—they wanted to keep running, but your body remained there, unmoving.

He knew there was no point in running. He knew you were lost. He knew you didn’t want to go anywhere.

“Good girl.” His voice whispered close to your ear, making you jump in shock. “You didn’t let anyone else catch you. You waited for us like a good girl.”

“She knew that no matter where she hid tonight, we’d find her.”

“We always find you…”

Through your peripheral vision, you counted all four of them, gathered in balaclavas, closing off any way out. Swallowing dryly, you felt your breathing falter as they each took a step closer, forming a claustrophobic barrier around you.

“Now you’re ours.” Noah’s voice echoed in your ear as you felt the fabric of his balaclava graze your cheek. “Once you lose the game, you become our prize.”

A brief jolt made you sit upright when you felt something wrapping around your wrists; he was tying your hands together with a rope. The remaining length of material was used to fasten another knot around your neck, this time slightly tighter.

In your mind, there was no room for doubt, because you remembered the main rule of Devil’s Night. You were free to make your desires real for one night.

Why not surrender to them?

Slowly, Noah pulled you along the length of the leash, and stumbling a little in your own steps, you followed him. He exuded a scent of sweat mixed with Savage cologne; his arms were exposed by the black tank top, and he wore cargo pants and boots. Each determined step he took made you tense up, fearing what was to come, and the walls in the form of men surrounding you added to your apprehension.

Your steps halted when the tall man pulling your collar from the front froze in place. The forest offered little light, and thanks to the moonlight filtering through the gaps in the trees, you could see the intricate tattoo designs on his back, partly covered by his tank top.

A breath, subtle but present, brushed your ears with warm breath from behind.

"How about a game?" Folio’s voice was so soft it seemed to dance at a unique frequency. "We’ll ask a question, and for each wrong answer, you lose a piece of clothing."

"A game is only interesting to me if both parties are involved. In that case, what do I get if I��m right?" You dared to respond, challenging him with a side glance.

"Don’t act as if you don’t like the idea of not being in control for a few hours…" Folio taunted, stepping closer with a deadly step. His body was too close this time. "All you desire is for the reins to be in someone else's hands, just for one night, someone who knows your dirty mind well enough so you don’t have to spell out what you need. Am I wrong?"

You weren’t afraid of anything and made a point to shake your head in defiance.

"Wrong answer."

"Not at all!" you contested without much conviction. Deep down, defying him and contradicting yourself with feigned reluctance was part of your game.

The cold wind touched your back just as one of their fingers slid the zipper of your dress down, exposing your bare skin. Slowly, you felt the fabric glide down your body, leaving a trail of goosebumps wherever it passed.

You shrank a little, feeling a hint of discomfort when you noticed several pairs of eyes observing your exposed form, but a tug on the leash immediately made you lift your chin.

"Don’t you dare lower your head, darling" another voice murmured as a finger traced along your chin, the wetness of a tongue brushing against the skin of your ear. "Not when you have a body like this. We can savor you without even touching. Consider yourself a goddess, displayed for adoration and worship."

Gently, he slid his hand from your chin to reach your cold-stiffened nipples, slow circular movements warming your thighs as Jolly’s voice stimulated you, his hands exploring your body without any rush.

They wanted you to surrender.

Indeed, you were already theirs.

For just one night, you belonged to them.

In front of you, Noah watched you with a tilted head, as if watching an intimate moment of pleasure was amusing to him. He wrapped the excess of the leash around his hands until it tightened, lifting your neck up toward him.

In one last visceral glance, Noah pressed his lips against yours.

A fierce kiss, charged with desire pent up since the last visit, filling every corner of your mouth, leaving you wanting for absolutely nothing. Between breaths, you let out a contained, low moan as those hands moved from your chest down to your hips.

His fingers, when they found your entrance, sent a current of electricity through the rest of your body. Jolly was warm and soft as a rose petal, he tortured you with the slowness of his synchronized movements on your clitoris and during the kiss you held Noah's lips between your teeth gasping a heavy moan.

Noah smiled, feeling how his body twitched in his friend's hands, he released his lips and dragged them down his face, allowing his moan to reverberate through his ears more clearly.

Just when you were about to give signs that you were going to collapse under Jolly's fingers they suddenly stopped. You panted and wanted to show that you were disappointed, but you didn't have time, Noah pulled you by the collar and turned you so that you were facing away from him. A quick scream escaped your lips at the surprise of the impact of your hips against his, you felt his bulge harden and let out some air through your nose.

A soft hand ran its thumb over her face, a caress similar to the one she felt on her ass as Noah explored her. At the same time they used their thumbs, Noah lifted your dress until you were completely exposed to prepare you, he dipped his fingers in your wetness and seemed to delight in it. Their eyes were fixed on the man before them, gently brushing strands of hair away from his face and lifting his chin.

“Good girl, good girl.” he whispered, sliding his thumb into your mouth, without breaking eye contact, you sucked his finger slowly until you reached the tip.

You watched as Folio grunted and finished sliding his cock into his free hand and bringing it closer to your face, passing it across your lips slowly. You moaned from containing the desire to take him in at once, and from having Noah playing with his head at your entrance in rotating movements. Little by little you relaxed and used your tongue to greet him and a smile formed on your lips when you saw him sigh once again.

Folio grabbed your hair with a little force and demonstrating that the provocation had made him lose his mind, he shoved his dick into your mouth at the same time as Noah entered you. Your screams were silenced by Folio's cock, you used your tongue to drool all over the compliment and without the help of your hands that were trapped you covered his head with the roof of your mouth. As you sucked him, you felt Noah bump his hips against yours in strong thrusts, pulling the collar from your neck each time he penetrated and stopped with his rigid member inside you.

Your legs shook from the force he used, you pressed him against the walls of your pussy and heard him mutter yet another curse due to the lack of space. Her head didn't stop for a single second, going down and up, sucking Folio's cock while he helped her with his hand in her hair.

With each of Noah's thrusts, you felt Folio's cock tear into your throat and you dedicated yourself to not leaving a single space without the contact of your tongue. He pressed your head down more and you enjoyed the taste of the skin trying to contain the entire volume. Noah grew harder and harder inside you and in an explosion of sensations for a few seconds your legs seemed to float.

This was the effect of the devil’s night.

It allowed you to fulfill even your darkest fantasy.

For one night.

[watchtowerindistress]

the empath and the eldritch horror (1/5) - ben hargreeves x empath!reader

Summary: Number 8 challenged him. Ben just needed to decide if he liked it or not. Nope, definitely hated it. There was no way in hell he actually liked the little Empath.

Word count: 3.1k

Series masterlist

Warnings: sparrow!ben is a warning in itself, language, violence, mental abuse (y'know Reginald's usual schtick)

Author’s note: I'm merely writing moments in the lives of these characters, since I don't know all the quotes. So the chapters are going to feel like snippets/best moments. I made this series shorter than I expected, but I'm cramming everything together as I wanted. (Set in S3)

I didn't feel like doing a lot of world-building, to be honest. I'm aware this isn't my best work, sorry, my depression makes me tired. I just realized when I wrote that dojo scene that I liked Sparrow!Ben so much because he reminded me of an older version of Damian Wayne. 😅 Please be gentle 🤗 I've never written for this fandom before. You want to be tagged or untagged, let me know. As always, comments and reblogs are very much appreciated.

“Where the hell is my brother?”

Your determined voice carried to the departing backs of Ben and Fei. Even walking through those corridors in this strange timeline felt utterly surreal. Not to mention, profoundly strange seeing this older version of Ben. After remembering the pictures of when he was still alive.

So, you could only compare this version with the stories Klaus loved to tell. A funny mess. And most of the time a little shit.

Judging by the sarcastic look Ben threw over his shoulder before he fully turned his body, this version of Ben certainly was willing to stir some trouble.

Ben smirked. Fei copied his arrogant demeanor next to him, silently watching this exchange.

“Relax, we just want to have a little chat, and then we’re done with you two.”

Just hearing him talk so unceremoniously about your lives like that simmered something inside you. Like the two of you didn’t matter in the grand scheme of things. Like Luther and you were barely a blip on their radar.

Your face contorted with anger. To infuriate him just a tad, with the way he infuriated you with his callous words, your body barely leaned forward.

“We’re not things you can just dispose of once we served our purpose.”

Ben tilted his head. There was something fascinating about rendering someone like him speechless for a moment. You weren’t foolish enough to think you were getting to him. Your fingertips twirled behind your back to get a grasp on Ben’s emotions, only to sense something akin to a daze tingling under the surface. Not trusting your own empathetic powers what you detected was real.

Barely turning his head, Ben spoke to Fei with a certain voice. “I can handle this one.”

Fei smirked to herself before murmuring, “I’m sure you do,” and leaving Ben on his own.

He laced his fingers behind his back while playfully dancing on the back of his feet. Ben pursed his lips. “Something I can help you with?”

“How about being the responsible one by having a real conversation instead of using people for your benefit by literally abducting them, huh?”

Ben nodded repetitively, like he couldn’t care less about anyone’s feelings. “Right.” He narrowed his eyes in thought. “What’s the name of the big guy again?”

You conjured a patient smile. “Luther. You know, your brother from another timeline?”

Ben crossed his arms, revealing a crooked smile. “As everyone keeps telling me. I wouldn’t call it an abduction,” he exhaled tiredly, shrugging slightly.

“Are we allowed to leave?”

Ben pursed his lips. “I think he’s starting to like it here. And, you know, you seem seconds away from falling for our charms. We do have things to offer that your precious Umbrellas can only dream of.”

Mocking laughter erupted from your chest before Ben joined in. “Right. Wow, someone’s really sold on themselves.”

“I mean, calling it an abduction? Sounds kinda judgmental, don’t you think?”

You clenched your jaw. Remembering Luther’s emotions brought you back to the park, like they were your own. “I felt his desperation ahead of me,” you replied, deciding to remind him.

At the mention, Ben pointed at you, remembering. “So, you’re the emotional one, huh? What’s your number again?”

“I’m not just a number, Hargreeves.” You placed your hands on your hips. “Not surprised that you would deem something like empathy barely a power. I’d like to see you handle an anxiety attack when I’m done with you.”

Ben waved his arms at his sides. His aura was literally shimmering with excitement as he smirked widely. “Oh, don’t threaten me with a good time.”

You rolled your eyes. It seemed like this version of Ben felt drawn to any sort of mischief, the more the better. “And I thought Klaus was the crazy one,” you muttered under your breath. With a normal voice, you inquired, “Where’s Luther?”

“Probably in the kitchen still miserably failing at charming the pants off Sloane.”

A sigh left you when you mutely walked away towards the direction of Fei’s departure. Truth be told, only to get away from Ben faster.

You had already walked away with brisk steps when Ben’s arrogant sing-song voice made you regret all your life choices. “Other way.”

You instantly turned, while grumbling under your breath, “Fucking smart-ass.” You didn’t need to spare him a glance to feel Ben’s arrogant joy coming off of him in waves when he leaned back against the wall, crossing his arms in delight.

“You know where to find me if you want to work on those powers of yours, … Number Eight.” Ben chuckled with mirth.

Self-loathing rippled through you just a tad for not letting your power detect Luther’s aura through the mansion to avoid this embarrassing situation altogether. And you blamed yourself for underestimating him. For thinking Ben wouldn’t have interrogated Luther about you.

“So, this is what you guys are doing in your free time, huh?”

Ben’s eyes remained closed when he performed his tai chi movements in the dojo, not letting himself appear to be ruffled by your presence.

“This tells me everything I need to know about your squadron of Umbrellas. How does it feel wasting your day away, not improving?”

You remained unfazed by his choice of insults. In the end, you were used to Reginald’s mental abuse. Your eyes followed his movements, content with watching his little ritual while leaning with your shoulder against the pillar.

“Depends. What’s it feel like when you’re not being a mascot for a Hargreeves empire?”

Ben scoffed in derision. “You think you can distract me?”

Grateful for his answer, you smiled in pure delight before sitting cross-legged on the middle of the training mat. “Oh, I know I am. Besides, I wanted to take you up on that offer which was made by a helpful Ben.”

He scoffed, shaking his head. “Don’t ever call me that. You’re delusional for thinking I want to help you.”

You dramatically pressed your hand to your chest. “‘Oh, Y/N, I just can’t live with myself if something happened to you. I’ll do whatever it takes to keep you safe, even if that means helping you advance your powers.’”

Forced laughter erupted from Ben’s chest. “Har har, and I thought Sundance was the hilarious one.”

“Klaus.” You reminded him diligently.

Ben rolled his eyes. “Whatever, Empath.”

You were strangely getting used to this Ben and felt truly like you were having a grand ol' time with him. Even if that meant ruffling his feathers. “You want to know what I think?”

“No,” Ben muttered with a gruff voice.

You continued as if you hadn’t heard him, “Someone’s really pretending that they don’t care about anyone or anything. Or, second theory-”

“I’m on the edge of my seat,” Ben interrupted you wryly.

“Maybe you don’t mind a distraction to take your mind off things.”

This time around, Ben turned to face you before he knelt down. Leaning over you until you could feel his warm breath on your skin. “You think you’re so smart, don’t you?”

“I’m the emotional one, remember?” You whispered before you pursed your lips when a thought hit you. “Not to mention, I can feel your curiosity, with a smidge of you itching for a fight.”

Ben snorted. “You’re adorable for thinking you can take me in a fight-”

An angelic smile tugged at your mouth. Your fingers brushed against his bare chest which was revealed underneath the dark robe. Your fingertips tingled before you let your power come to the surface.

The golden shimmer enshrouded Ben’s chest, pulling him backwards. No matter how many times you had done it before, your hands cautiously studied his aura once you heard his heavy breathing.

You still whispered soothingly, “That’s the sensation you get for being close to fainting. That feeling of vertigo tormenting your body and like your head can’t get enough air.”

The caring side of you stroked Ben’s feverish forehead until the dizzying spell lessened and was finally relieved.

You swallowed once you met Ben’s darkened gaze. He stared at you with glittering eyes, like he was truly seeing you for the first time. Ben licked his lips. “I think … I might have some use for you after all.”

“You may not know this, but my power doesn’t work like a medium,” you said, nervously rubbing your thighs to stimulate your senses.

Ben sighed, massaging the bridge of his nose. The Sparrow had changed back into a shirt after the impromptu training session. He leaned forward and warned through clenched teeth. “Do you want to be of help, or not? Get this done, and you and your brother can go back to whatever shithole you stay at.”

“Not with this type of energy in the room.” You widened your eyes at Ben’s glowering ones to make your point. Before long you sat down on Marcus’ bed, with a bored Fei leaning against the door jamb.

Ben’s sister twiddled her manicured fingernails. “Is this a waste of time?”

He clenched his jaw, facing her. “No, it’s not. I know what she can do.”

“Aww, Benny-boo, you believe in me. That’s so cute. Who knew you had a heart?”

Fei smirked, tilting her head. “Not me.”

“You guys are hilarious. Are we done with the ‘band together against Ben today’? I’m doing whatever it takes to locate Marcus here and you two are not helping with the situation.”

You pressed your lips together at Ben’s all too serious demeanor. “Just trying to lighten the mood since your tense atmosphere isn’t helping with the task at hand.”

Ben shared a close-lipped smile, caging your body in on the bed. Despite his threatening air, you remained steadfast and didn’t move an inch.

“Do you mind just doing the thing before I lose my mind and let my tentacles do the talking?”

You narrowed your eyes. Ben needed to work on his lacking social skills, if his only resort were threats. “Say please?”

You could breathe easier again when Ben straightened his body and crossed his arms. “Keep dreaming.”

You exhaled heavily. Half the time he was fun to talk to and other times, he wore you out. “Just give me something of his that holds emotional value,” you mentioned, patiently waiting. The awkward silence confused you to no end. Ben and Fei exchanged glances among each other.

“Why is nothing happening?”

Ben turned to Fei. “Get Sloane.”

His sister tilted her head, challenging him. “Oh, I can just summon my crows.”

The muscles on Ben’s arms tensed before his jaw clenched with his next words. “Fei, take a walk.”

Her shoulder shook with mirth when Fei left with relaxed steps.

Ben’s sarcastic voice pulled you back to him. “I’m guessing giving you one of his leather jackets wouldn’t count, right?”

Your elbows supported you when you settled back. “Wouldn’t get the desired effect. So, let me guess, you guys are just numbers and soldiers?”

Ben shrugged, leaning his hip against the cabinet. “Gets the job done.”

“And you’re content with that?”

“It’s the only thing that matters.”

You didn’t believe him for a second. Or at least, you couldn’t imagine someone being satisfied with being so shallow. “Right. Because being associated to a number is all that matters.”

Ben smirked crookedly. “Oh, there’s nothing better.”

“Right, Number Two,” you added, trying to get to him.

“You trying to flirt with me, Eight?”

You rolled your eyes, retorting, “You wish.”

Ben chuckled, pondering to himself. “Who’d have thought? Maybe I prefer calling you Empath more than Eight. It’s pretty close though.”

You shook your head, feeling your cheeks blush at being more intertwined with that status of Empath than a generic number. “You’re weird.”

The mood of his aura changed to something unfamiliar. At least to someone like Ben. He cleared his throat. “So,…”

“So…?” You teasingly copied him, putting the side of your head against your shoulder, watching his reaction.

Ben crossed his arms. “What was he like?”

“Our Ben? Why do you want to know?” To you, it seemed strange for someone like him to inquire about his alternate version.

He eyed something outside the window. “Just curious, I guess,” Ben said, still not looking at you.

“Why don’t you ask Klaus or the others? I only met Ben after he was dead.”

“Wait, what?” That finally got a reaction out of Ben when he rapidly turned his head to stare at you with a peculiar gaze.

You sighed, remembering the circumstances of you meeting your siblings for the first time. “Reginald called me ‘the replacement’.”

Maybe this was ultimately his plan to ostracize you from the others by using that term. At least, you had Diego and Luther at your side. Klaus soon joined that tight-knit little circle once you confided in feeling that sensation of an unfamiliar aura wandering the halls of the manor.

Sometimes it still hurt how everything progressed. Your siblings emanating their grief onto you didn’t bother you. It was their apathy, that they didn’t care about you.

“I was taken in after Ben’s death. I could only feel his aura around after he was dead. I can sense who someone is in a way. Feel what kind of a person they are. Ben was always…” You pondered deeply how to describe someone like him. How to condense someone’s life and traits into the essence of someone.

“Kind, intelligent, mostly mischievous.” You smiled fondly, whispering quietly, “I could never replace him even if I tried.”

You didn’t know what it was about your gaze that made the Sparrow avoid it again. With the shaking of your head, you dispelled your thoughts. The new aura close by tickling your fingertips was a fitting distraction.

You glanced towards the open door. “Hey, Sloane.”

Seconds later, said woman poked her head into the room, smiling with a delighted air. “Neat party trick.”

An expectant Ben raised his eyebrows, interrupting any further carefree moments. “Sloane, Marcus’ favorite stuff he liked to touch?”

You felt inclined to add something else before more inquiries could arise. “In other words, yes. Or something that mattered to him.”

“There should be a book in his nightstand.”

That was the only mention Ben needed before he opened the drawer. Ben shook his head with a scoff, inspecting the worn edition. He showed his sisters the found evidence. “Are you kidding me? The Velveteen Rabbit?”

Sloane waved her open palms soothingly. “Remember we just want Marcus back.”

“What a nerd,” he grumbled, carelessly giving you the book.

“Says you? It’s a timeless classic,” you admonished Ben lightly before reaching for the hardcover edition.

Ben smirked. “I rest my case.” He furrowed his brows when a second thought hit him. “And what did you just say to me?”

You chose to ignore Ben’s little angry outburst when Sloane sat next to you on the bed. “Will it be enough for you to build a psychic connection?”

You closed your eyes, trying to hone in on the source. With your fingertips brushing along the spine of the book, your search for the truth was soon answered with the first memory remnants hitting you. Shivers coursed through your body at the sensation of Marcus’ memories filling your mind like they were your own.

There was an abundance of wishful thinking contained into the book, the craving of a different reality when Marcus’ birth mother granted him this first and last gift.

“It should suffice,” you said assuredly. With a calming sigh, you leaned your head back against the pillows. The book was held tightly in your grip.

“Yeah, sure. Have a nap, why don’t you? Something else you need? Maybe some soothing music, a face mask?”

Your eyes remained closed when you murmured, “Ben Hargreeves.” To get the message across, you made a quiet coyote signal. Hoping it would calm his frayed nerves.

A ripple of Ben’s undignified frustration wafted through the air. His only answer was a harrumphing noise.

You stirred your head, biting your lip in confusion. “I can feel a strong enough remnant, but I should be able to sense his location.”

“What are you saying?” Ben inquired tightly.

You chose your next words carefully. “I’m saying, … I can’t feel Marcus.”

“What does this mean?” Fei’s strained voice shared Ben’s sentiment. “Are you saying he’s dead? Abducted?”

At last, you opened your eyes. The perplexity of this unsolved mystery still plaguing your mind even after. It was more than nerve-wracking. “I’m saying that I should be able to find him, but I can’t. It’s like he just … vanished.”

The air crackled with hostility. Anxiously, you swallowed, staring straightforward. You jumped back when Ben’s wrath reached you.

Holding you down with his tentacles, with one of them slinging around your throat. Tightly but menacingly enough to spell out his primal urges. Ben’s body draped over yours. Fury blazed in his darkened eyes. “Now, Umbrella, I’m done with your little mind games.”

Sloane stood behind Ben’s shoulder, raising her voice. “Ben, let go.”

“Not until I find out what her family has done to him.”

With a hoarse voice, you implored darkly, “Listen to your sister before your Cthulu tentacles get the memo about me too.” As a warning, you gripped the surprisingly smooth appendage around your throat.

You cursed your curious mind for even harboring the thought of wanting to know how the tentacle’s skin would feel like.

Ben’s smile grew tighter, the more his eldritch monster’s hold intensified. “Try me, Eight.”

Summoning empathetic energy from within to converse it as a kinetic shield, you blasted him against the cabinet and leaving small splinters of wood on the carpet.

With a grunting noise, Ben’s tentacles drew back into his body. “Alright,” he murmured reluctantly. Ben dragged his body upwards until he was leaning against the furniture for support. He offered a blood-stained smile in reverence before he wiped off the crimson evidence from his lips. “Little minx.”

A dull thud resounded when you dropped the book on the duvet. You stood up and with a quiet voice you told Ben in no uncertain terms, “Don’t ever threaten me again.”

Remembering the company of Ben’s sisters and the result of your outburst, you awkwardly glanced at them before your feet led you towards the open door.

Wordlessly, Fei turned her body to make room. Her gaze roamed over your body with fondness after your display of power. As soon as you left the room, her dry voice remarked, “I’d consider this a success.”

Tagging: @cherryinsalemverse @mellowstatesmanhandsempath @ravenmoore14 @blackmagicwoman @lelaamela