#I know no one else will reblog it

[beetlebabber]

Beetlejuice Beetlejuice (2024): Phone Popups Clip

So I uuhhh seen a post about this scene (will reblog) that looked like it could use some HD footage for, uhm, RESEARCH.

HERE'S THE GIFs OF IT AS WELL:

AND A COUPLE SCREENIES TOO WHY NOT:

乁( ◔ ౪◔)ㄏ Happy Beetlebabbing <3

[mercurymacaroons]

arrives 15 min late with a latte

......sup

[feroluce]

On Sampo's name (ALL of his names!)

I feel like everyone who's a fan knows the meaning of Sampo's full name by now- the sampo was a legendary item that could magically make endless supplies of gold, flour, and salt, all priceless items at the time! So it works perfectly for a scammer businessman like Sampo. ☆

"Koski" is the Finnish word for "water rapids" which might seem kinda random but actually makes sense for him, since Aha and the Masked Fools are also referred to with water terms:

This kind of analogy isn't specific to only Aha and the Masked Fools, but it does still tie them together. So water rapids fits perfectly! Sampo wants to stir the pot! He likes to shake things around and spice things up! He's taking that stagnant pool and turning it into water rapids! It would actually explain his ridiculous hair color, too; a dark blue wave tipped with white foam haha

EDIT: an amazing contribution from @ricochetlovebombs, who heard it from hoyolab user Rattaboy. If you interpret his first and last name together, instead of separately like I did, you would get something like "money river."

In other words, Sampo's name literally means CASH FLOW SKXJMDMDMD

What I really wanted to talk about is his drag alias name, though, Brughel Poisson, because to me that's where it gets really interesting.

So like in the English version, Sampo goes by Brughel Poisson when he's in disguise. Searching for just "Brughel" itself doesn't seem to get you much at first: a Flemish and Dutch Renaissance painter named Pieter Brueghel the Elder, who was famous for his landscapes and peasant scenery, especially Hunters in the Snow and The Blue Cloak.

He's referred to as "the Elder" because he had a son also named Pieter Brueghel (the Younger), and he began a long line of painters, all named Brueghel. Some of them did original work, and many of them created reproductions of the Elder's art to sell. The Elder was also famous as a printmaker. All of this is hilarious when you remember that Sampo is an infamous counterfeiter and has sold a relic called the Parallel Universe Printer JSKZJSMD

There is also something called Brueghel's Syndrome, named after one of Brueghel's paintings called De Gaper, which pictured a man yawning widely. It's a condition that causes the mouth to open and gape uncontrollably, twisting a person's countenance into a distorted mask of their usual face.

Tumblr doesn't have a way of censoring pics like twitter, so for the sake of the medically squeamish, I'm just showing De Gaper here. But if you look up Brueghel's Syndrome, you can find pictures of actual patients, some of whom really do make faces resembling Aha's comedy and tragedy masks!

In the Chinese and Japanese versions, his alias last name is a lot more silly- In those, "Sampo" is phonetically written as "san-bo" and "san-po." And in disguise, his last names are phonetically written as... "Bo-san" and "Po-san." The Chinese version uses different tones, but still. This smug asshole seriously just decided to write his own name backwards and called it a day NDMKXMDMD

In the English version, Poisson itself is kind of a reused Hoyo asset- it's also the name of Navia's fishing village in Genshin Impact. Which is a really silly name for a village, because it literally just means "fish" in French smzjxkdkdk but!

Again, more water imagery. And in English, if something is suspicious, we say that it's "fishy," which is perhaps the most fitting association yet for someone as shady as Sampo ☆

And for a good while I thought that was the only connection. But then. My beloved @hydrachea, who is an actual native French speaker, dropped this on me right after April Fool's Day:

Poisson is literally the word you use to pull an April Fool's prank.

[theshadowrealmitself]

Just a reminder to anyone with kids, your small children do not have the same basis for things that you do! There’s a good chance they aren’t trying to be rebellious, they just simply have no idea what you’re telling them!!

When I was small, I used to get in trouble all the time for not “walking in the crosswalk”, I had no fucking idea what a crosswalk was, the lines on the ground didn’t stick out at me, and when I tried to walk right by the adults because surely being right next to them would be the right answer, it put me outside the lines and just upset them further (also going nonverbal when stressed and having a face that doesn’t properly show emotion didn’t help me out)

If you tell your kid to do something that seems really easy to do to you, and they don’t listen, try phrasing it in a different way, instead of “walk in the crosswalk”, try pointing out the two lines on the ground, and let them know to walk in between those lines!

(Separate from the crosswalk thing, but also sometimes if it seems like your kid is being rebellious for “no reason” and they have older siblings, just,, make sure their siblings didn’t prank them by giving them false information)

[hplonesomeart]

HEYYY GUYS quickly hopping back on here, messily taping/supergluing my art onto the blog, and then promptly skedaddling right afterwards because OH BOY I need to focus this week and lock into my animation MAP part. The time crunch has gotten real!! AUUUUU!! But I had to get this image out of my system before anything else so here ya go enjoy some solitary confinement Puzzle appreciation. I’m sorry that it’s rushed!! Maybe once I finish this MAP I’ll return and make it less janky (specifically for the animated gif here because OOF that looks rough buddy. But it’s the best I can afford to do without getting totally side tracked on my goals. It looks real lazy and is low-key triggering me but I’m letting it slide—sir is mocking my perfectionism right now. Gotta focus all that energy onto the MAP instead).

Yea okay that’s all folks byeeee

Okayyyy so apparently not only is the animated gif janky in motion but also kinda broken?? It’s supposed to loop but that’s not working on Tumblr so guess the entire thing needs to be redone when I have spare time :P

I’ve decided to include a compressed version so you can at LEAST see what I was trying to achieve jksjsksp help this is a mess right now

[wonder-worker]

Thinking about Elizabeth Woodville as a gothic heroine is making me go insane. She entered the story by overturning existing social structures, provoking both ire and fascination. She married into a dynasty doomed to eat itself alive. She was repeatedly associated with the supernatural, both in terms of love and death. Her life was shaped entirely by uncanny repetitions - two marriages, two widowhoods, two depositions, two flights to sanctuary, two ultimate reclamations, all paralleling and ricocheting off each other. Her plight after 1483 exposed the true rot at the heart of the monarchy - the trappings of royalty pulled away to reveal nothing, a never-ending cycle of betrayal and war, the price of power being the (literal) blood of children. She lived past the end of her family name, she lived past the end of her myth. She ended her life in a deeply anomalous position, half-in and half-out of royal society. She was both a haunting tragedy and the ultimate survivor who was finally free.

[beatcroc]

hi. vore on main. no that's it that's the post this is straight up genuinely and unironically voreposting on main. mostly just a lot of cutsey dumb goofy shit, but monsterfucker brain did get ahold of me for a bit there so there's also a handful that are uhhhh Spicy. nothing explicit, but like, It's Vore Dude, so if you look under the cut that is YOUR problem ok? ok.

ok listen before i move on i have to put it out there look i KNOW i drew the funny rat skeleton comic with this guy but that was ONLY because it was funny. thats not my real belief, he doesn't have any organs at all he is just a sack of gunk. he is harmless. it's basically just the same inside as on the outside but slightly more damp since it's not exposed to air to give him that drier 'skin' layer.

also i already typed this out in my friendserver so im pasting it here now too. my stance on fp re: horniness is i really can't see him as a 'sexual' being, per se, especially with how non-biological he is, but also he really really really likes physical intimacy so if you are giving him permission to be weird and touchy on you in any context, let alone one both parties would enjoy, i mean. he's not gonna say no. this Could be about sex or w/e if someone wanted to fuck him but more relevantly here yeah it's about vore. i think that's categorically about the Most you can be touchy/in contact on a guy so yeah thats always what he's going to go for. tangentially he just thinks it's fun to make peppino* flustered so since pep does not particularly Enjoy being vored, fp has other options to Get Up In There for something else pep might enjoy *spoken generally for whatever theoretical partner, just peppino is the one that's readily available here and fun to use

also while im here id like to say. no peppino is not a monsterfucker are you kidding me. he is not going to ever go out of his way for weirdness. weirdness really has a way of finding him though, and he's shockingly tolerant of it as long as he doesn't clock it as a threat. anyway what im saying is if you got a big clingy beast around and al up in your business all the time shits just gonna kinda Happen sometimes. he's certainly not going to Encourage it but if hes already in that situation, might as well at that point.

[kjellerhjornet]

[mishy-mashy]

I said this in a whole reblog, but just copy-pasting to a separate post because I think it'll give some reading comprehension and reblogs don't show up in the search feature.. again, I'm reiterating what I said in another post.

Go check out @demidokuriya 's post for this; OP's post made me put this all down in like. 20 minutes. Mind went vroom vroom cuz HEY THEY'RE ONTO SOMETHING.

(They also reblogged the post with some hint to some behind the scenes of what led to the ideas if you wanna check that out)

Look below at how, when Mineta told AFO to spare Tokoyami, AFO specifically went "..."

He remembers Jirou and thinks, The braying howls of the weak...

He was going to take Tokoyami's Quirk. He took Hawks'. But after Mineta pleaded with him, AFO just straight-up left and didn't take anyone else's Quirk.

AFO saw Yoichi in Mineta.

These scenes are near-identical to each other.

Mineta and Yoichi (at that time) are both much smaller than the normal person at their age

They're both hurt, yet dragged themselves up from the ground to throw something at AFO, to get his attention and make their voice

Both are considered weak, even if they have a Quirk (Mineta's Pop-Off and Yoichi's undeveloped Factor)

The fact that Yoichi got AFO's attention here by throwing a can at him, while Mineta got his attention by throwing a Pop-Off ball; and it stuck.

Mineta's call for his attention landed and actually stuck to AFO. This is unlike when Yoichi and his can bounced off, and AFO kicked him, not listening to him; AFO listened to Mineta and left Tokoyami alone, technically doing what Mineta wanted—to not hurt this person.

AFO just went on to hurt more people away from Mineta's [Yoichi's] eyes so the small weakling wouldn't see.

Yoichi and Mineta both cried to AFO to not hurt in his ways, when AFO was intent on stealing people's Quirks

AFO even stole Hawks' Quirk during this time.

He had time to steal Hawks' Quirk, and though he could've tossed him to the side, he let Hawks stand in his way.

He had the energy. Right after this event, he flew off and left the scene. But he didn't go for Tokoyami immediately.

And this let Mineta play his part, and remind AFO of Yoichi.

"A putrid, festering Quirk Factor."

That sounds like Yoichi, AFO.

".. such garbage."

Hey hey hey, what did Yoichi throw at him when they were kids?

A discarded can. Garbage.

This chapter (385) where AFO listens to Mineta is literally called [A Youthful Urge].

Mineta told AFO to take his Pop-Off (hurt him) instead. But last time, AFO hurt Yoichi by kicking him; this time, AFO not only listened to Mineta to not hurt Tokoyami, but didn't touch Mineta at all.

Even though this time, Mineta [Yoichi] offered to take that place of suffering.

Yoichi didn't do that back then. AFO just turned on little Yoichi anyway.

Yoichi through his whole existence is literally [the braying howls of the weak]. AFO acknowledges he's weak and idealistic, yet he still loves him.

Side note about this panel, I think it's interesting that in this vision, this was the first time we saw Yoichi's eyes: when he was being defiant, despite being pushed down by someone much stronger than him.

Really characteristic of him, honestly. Yoichi's soft-spoken and frail, but it's always reiterated that Yoichi had a powerful will against his stronger big brother.

Mineta at this moment reminded him too much of Yoichi, because the two scenes are near-identical to each other. Parallels, really.

Reiterating something from OP's post that I reblogged this from;

"The reminder of his brother made him uncomfortable, so he hurried away."

AFO didn't want to hurt Yoichi again.

[wickmitz]

SEDGEWICK SABLE & MITZI MAY : an overall study, part two . part one .

discussing their individual characters, their relationship, their respective scenes, and a plethora of details found in-between.

now that we’re here at the second part of this analysis, we’ve finally reached wick once again in the narrative! in grindstone there are a few things to note, like wick’s haggard state, tired from the events of last night and curing his hangover with more giggle water -- working away on finances he needs to present to the investors before the start of the week. lacy is also there at his house, slaving away on a variety of things we hear more about in sneakthief. it’s noted today is potentially one of her days off, but the workload is potentially a little behind and big enough that she’s decided to lend an extra pair of hands even when she shouldn’t have to. they are busy at work in grindstone, hence the title! there is hardly any time for extra activities that don’t involve wick chained to his desk and slaving away, with him already in poor working condition ; he claims he can’t see a thing he’s writing despite having his reading glasses on, and not only disrupts his time but lacy’s in an attempt to ‘find’ them. he’s very much out of it and whatever work he’s doing will probably need some revisions at best, yet wick’s job is put on hold again when lacy asks if he’s expecting company, a comment which spurs him into hurriedly changing and telling her to stall mitzi at the door. again, we have wick confirming that him and mitzi indeed made ‘last minute plans’ to meet up today, even though he and lacy acknowledge that he has no real time for this. despite that, wick greets her warmly after he’s dressed, also adorned with a fond smile while hovering a hand over the small of her back when ushering her into the foyer so he may fetch the car for their outing. nothing seems too amiss here, though things begin changing come balderdash, where wick noticeably begins crumbling as a character for the first time.

to start off, i think people are rather generous with wick’s character overall. his flaws are limited to readers, to where the most common ‘bad’ traits talked about when referring to his character is : alcoholic ( not a trait ), hypocrite ( accurate! ), and he’s too kind or oblivious. while the latter two can still be something the character can have too much of or lead to genuinely bad traits, this is still an extremely small inspection overall, one that almost shies away from a harsher read. this can be attributed to how little we see of wick, but there are things we can infer via his scenes with mitzi as well as church’s words all the way back in caveat … words which come into play here. during the comic page balderdash, rocky is desperately trying to ward off wick from his beloved miss m, getting rather physical in the meantime -- he’s still seething after the events of last night and in his attempts to thwart wick from helping mitzi further, he decides to lean into the public shared narrative that this widow is dangerous and got her husband killed. we see how strong wick’s faith in mitzi is during this page ever so briefly, looking almost amused at rocky’s words while maintaining an aura of confidence when dismissing these rumors. he says, “i’ve known her a while, rocky. whether out of class or kindness, she wouldn’t harm a fly.” what wick clearly hasn’t considered, however, is what rocky implies next, which is the idea that wick’s paramour could’ve hired someone else to do the dirty work for her … an idea that very quickly disturbs him and shakes his view on mitzi and, perhaps, the lackadaisy, even when he tries verbally dismissing all this as a joke.

despite his dismissal, it’s rather obvious that rocky’s words stay with wick. throughout the date, wick is stuck in a state of doubting things that he’s never entertained before, with no way of discerning what’s appropriate to fret about and what’s not, and this is in no small part because of the verbiage rocky was using. wick thinks he’s doubting mitzi, that he potentially doesn’t know her as well as he thought or that he has a reason to be afraid of her, due to rocky’s claim that she’s dangerous and his insistence on throwing the carnage and consequences of rumrunning onto mitzi as a person. however, his true feelings are rather far from that. while it’s true that wick is riddled with doubt after rocky’s attempt at driving him and mitzi apart, i find it prudent to clarify here that his love for mitzi outweighs those doubts in large measure. wick’s sudden and unfounded fear doesn’t drive him to isolate himself from mitzi, and thus some part of him does still believe that she isn’t a cruel person and that she wouldn’t try to harm him. there’s no reason why he would think otherwise apart from rocky’s unsettling and instigating threats. wick’s fears are both similar and dissimilar to the ones zib voices in blood-money. while zib is worried about the corrupting influence of the life mitzi is leading, wick is more so afraid of the life itself. wick still views mitzi as every bit the charming, funny, and impeccably elegant woman he fell for, but he is now forced to wonder if he would ever be harmed because of her presence in his life. in essence, rather than questioning mitzi as a person, he is worried about the danger inherent in the life she leads and how that danger might directly impact him. unfortunately, though wick seems to at least subconsciously trust mitzi, his doubts stick around like intrusive thoughts, presenting a constant what-if that wick can’t shake, and it’s these very thoughts that continue to make the business-meeting-turned-date as awkward as it is.

now, it’s rather interesting how much the notion of mitzi hiring rocky to kill her husband shakes wick up due to how normal this sort of method is within gangster lifestyles ; with us even seeing atlas absent or abstaining from mordecai and viktor’s violent work ethic, his hands physically clean despite how its his order causing all this destruction and death. asa does the same! they have workers for a reason, ‘faithful operatives’ as rocky so lovingly calls them, and these men are utilized with complete efficiency. it’s not insane to think that mitzi hired another to kill atlas, and besides rocky’s bumbling incompetence, it’s not strange to consider him a likely man for such a job due to his utmost loyalty to miss m over anyone else, including atlas. yet wick acts as though this hasn’t ever crossed his mind, wholeheartedly believing that mitzi would have to kill atlas herself in order to get the job done, something he’s sure she doesn’t have the heart nor the guts to do. he is visibly shaken the rest of the date, one more distraction piled on his plate high, so suddenly paranoid through the haze of perpetual tiredness that he even snaps at mitzi over something as simple as the word bunny. for the first time, i believe wick is thoroughly beginning to question his part in all of this and is starting to reexamine these once harmless aspects now that the inherent danger has been shoved in his face so earnestly. while a part of this is naivety ( he’s far away from the criminal underbelly after all, as rich and comfortable as he is, a lackadaisy patron and nothing more ) i’d also point out that another aspect of it is a sense of subconscious invincibility. perhaps he is too content in his status and wealth and how well he’s been doing to even consider he’s hardly exempt from consequences, much less the side effects of hanging around criminals or dangerous establishments.

it seems rather strange and far-fetched of a claim, but think of church’s warning to him back at the start of the comic ; “you’ve done well lately … but don’t imagine it means you and your reputation are invincible.” it’s easy to dismiss church’s words due to how mean he often is, how overly critical, but he arguably knows wick better than the readers do, so i think it’s pertinent to take his words and to consider them. he’s also not wrong. everything church says in caveat is the god’s honest truth and wick, to some degree, knows this! it’s why he’ll practically regurgitate church’s advice in mephistopheles when rejecting mitzi and explaining why he must reject her proposal. so then why wouldn’t church’s read on wick be somewhat accurate as well? i think wick’s biggest flaw is that he’s too easily caught up in emotional throes while also struggling to think of every tiny detail, an issue that may or may not have to do with how excessive exposure to alcohol has affected his short term memory. he doesn’t bat an eye at the ruffians or violent gangsters who hang around the lackadaisy because they aren’t currently threatening wick himself, and he won’t dwell on it too hard that these men have to procure their hooch somehow, and that it’s said to be a bad business. if it’s not affecting wick and his enjoyment of the establishment ( or the woman he’s eyeing ) then it is not something he concerns himself with or feels the active threat of. has a simple mindset that sort of functions like : well, mitzi wouldn’t be able to kill someone with her bare hands! she’d loathe to get blood on her lavish garments, doesn’t have the coldness inside to see the life leave a man’s eyes! much less her husband’s! it’s ludicrous. imagine knowing the lady and thinking her capable of that, when she looks and acts as she does! …

again, it’s a rather closed-minded view of the whole thing. how could you not consider she has guns for hire? that the men she surrounds herself with are indeed dangerous individuals who are more than willing to watch the life leave another’s eyes for her? he sees viktor at the bar and in the pilot even appears intimidated by his stature and scarred face, yet doesn’t think twice about what a man like that is doing there on mitzi’s paycheck? even thinks it normal to take viktor to the hospital after hearing that viktor’s been shot at the lackadaisy, not at all considering that police and doctors would pry. wick is extremely privileged and short sighted here, a little full of himself and what he can get away with -- this is the very same man who actively showed interest in a man’s wife, for crying out loud, and didn’t at all consider that someone like atlas would’ve killed him had he known wick’s intentions. this is more than just being blind or oblivious. while i love wick for his kindness and loyalty, i can also admit that he’s still a capitalist at the end of the day, and a successful one at that. him getting too big for his britches and throwing himself into scenarios without considering how this will affect him is extremely likely for his character, and is exactly what he did when agreeing to meet with mitzi the first night in lackadaisy. i believe wick was too caught up in the passion and euphoria of finally getting what he wanted, and started making promises and plans he couldn’t necessarily deliver on, not thinking at all about the logistics or the next day and instead focused on some whimsical future. he loves the lackadaisy and he adores mitzi, so why not invest in it? sure, they can discuss the details tomorrow, he has time just for her … and then reality hit him like a train twice over, leaving wick scrambling around aimlessly. he knows what he has to do but doesn’t want to actually do it, which instead makes him seem completely disinterested and wishy-washy instead.

( i also want it on record that the potential of harm or danger really scares wick when he’s made aware of its presence, at least in certain scenarios. while he can brush off the pig farmers raiding the lackadaisy and viktor’s injuries, he can’t ignore rocky’s threat or its implications because this is shoved directly into wick’s face rather unsubtly. what wick gets from the lackadaisy is mitzi, it’s some strange sense of belonging, and a break from his stressful normal life -- it’s not the awful booze he’s interested in, it’s not the thrill of being in the center of danger, it’s the mindless company and vague sense of ‘i have a seat here, right here, around all these people who don’t seem forever irritated by my presence.’ it’s also the rocks but that’s less poetic. point is, wick’s horrific loneliness and ridicule from his peers is what has him drinking at the lackadaisy instead of in the wine cellar he has at home, which means him being perfectly blind to the danger the workers there face is all the more heartbreaking. he won’t ever truly be one of them until he’s actually breached their criminal lifestyle in its entirety. he may pose with them in pictures, but he’s still an outsider in title. he can’t choose them over his business because he needs and wants his business and, clearly, the lackadaisy needs that too. he can’t sacrifice his safety but he doesn’t want to sit idly by and allow mitzi and her employees to suffer because he is still a very kind man. it all exists in extremes and is what makes wick’s arc fascinating in my eyes … his character also becomes more interesting with this in mind, more human, and that’s exactly why i adore him and mitzi ( and their relationship ) as much as i do )

though here we are, finally done with the detours and event recapping to discuss the original question : what is wick’s and mitzi’s mindset during their date? we have all the tools available and any further information i may give later should be extra elaboration at this point rather than anything new. after all, in order to understand why the date went the way it did we had to understand wick and mitzi’s individual characters and what they feel towards each other, what they think they feel, as well as how their relationship has functioned so far. and with a multitude of misconceptions cleared up too, this section hopefully seems a bit more straightforward, though i suppose we’ll wait and see. now, we’ll be discussing the pages doublet, drollery, veracity, photomajig, briar-patch, and mephistopheles … plus some of the date’s aftermath much, much later!

at the start of doublet ( and carrying into drollery ) mitzi and wick are seated in a rowboat, with wick doing the rowing while she’s situated comfortably on a pillow and enjoying the view ; typical of their gender roles during that time. wick looks almost quizzical in the first panel we see of him, though some of that tenseness appears to leave his face by the time mitzi turns to look at him … only for such a look to return when she says, ‘let’s talk business, wick.’

throughout this page and the others it becomes obvious wick very much doesn’t want to discuss business with mitzi, despite that being the purpose of their little meetup at all. he’s extremely quiet when she begins rambling on about how wrong her approach had been last night, how she should’ve just sought wick out to begin with ( an interesting thing for her to say given how reluctant she was to use him initially ). there is a wave of compliments and flattery here from mitzi, an almost buttering up, and it’s worth saying that what works a genuine smile out of wick here is mitzi saying something as simple and as romantic as liking his face. it’s undoubtedly an earnest expression, still tired but softened considerably, and wick will continue to show that what he’s most receptive to are mitzi’s advances, her small flirty remarks and gestures. but once again, when she decides to come out and say what she’s trying to discuss with wick, ‘i’d like you to be my business partner’, he quickly shuts down. his expression falls and he becomes even more quiet than before, enough so to prompt mitzi ( who’s now rowing with him ) to ask if he’s lost interest overnight. all wick can muster in response is some hesitantly worded excuses, like how he’s a little tired and that this proposal is a lot to think about. i say these are excuses because i think wick knew from the start that he was going to reject mitzi’s deal, whatever it was, because now that reality has set in he’s come to understand church’s warning as pure facts. there was never a moment during the outing where wick was even thinking about mitzi’s offer, and he does everything he can to avoid discussing it because he knows his answer.

mitzi, similarly, only wishes to discuss business with wick here -- it’s what she came over for, after all, and she’s at the end of her rope after last night’s and today’s events. she needs this deal and wick’s money, to the point where she remains almost purposefully stereotypical throughout their entire outing. gone is the more genuine bond between them that we saw in rendezvous, because now every time mitzi does a romantic action ( or a sexual one ) it’s wooden and rather fake ; it’s her feeling as though there’s no other choice and being desperate enough to stoop so low if it means wick won’t reject her business. their wants and desires are complete opposites at this point, with wick wanting this to be a date and to be with mitzi while the woman in question is avoidant of any lovesick antics until she feels like she’s losing wick. there’s definitely some manipulation happening on mitzi’s end just as much as there’s some purposeful misleading on wick’s, with both of their behaviors rubbing the other party the wrong way ; wick is still on edge due to rocky’s comment and is prone to getting upset whenever mitzi so much as jokes about it, and then we have mitzi, who’s already dealt with a similar situation today with asa, someone who dragged her to an outing she didn’t ask for and then avoided the conversation she wanted to have with him. for perhaps the first time, neither wick nor mitzi are really seeing each other anymore, they’re instead doubting one another where there had once been ironclad resolve and are too blinded by their desires to have an honest conversation about any of this. add this on top of how exhausted and stressed they both are, it’s no wonder their ‘date’ was doomed from the start.

i also want it on record that mitzi is being extremely open and upfront here about what she wants from wick from the first page. she didn’t waste any time before making her intentions with him clear! this isn’t me dismissing her more manipulative behavior during the date, but she certainly doesn’t use wick to the extent some people act like she does. rather than asking him to be an investor, she tells wick she wants him to be her business partner who would get 40% of the revenue and a 40% say in her decisions regarding the lackadaisy. it doesn’t seem like much, but given how little wick actually needs this money back, it’s a rather generous offer all around, with it almost being half and half. while she’s still undoubtedly using him, there is still a level of respect here, i think, some kind of : well, if i have to use wick, let me at least make the terms as good as they can be. some fans act as though mitzi deceived wick from the start when i’ve more than proved she’s mostly been completely transparent with him outside of a few select situations, which happen to be moments where her desperation turns her impulsive and wholly selfish, as seen briefly in rendezvous and whenever she flirts with wick during their outing. an impulsive instinct that will only worsen come sneakthief, when mitzi is utterly humiliated, angry, and at the very end of her already thinned rope. to me, it’s important to understand that her reasons for her actions during this arc are understandable and, perhaps, a bit sympathetic -- but that and the fact that what she does is wrong can coexist. wick is in a similar boat, where i mostly want to present him through a neutral lens so we can understand that he’s also done some wrong himself and is hardly a perfect victim, but that these wrongdoings still don’t dismiss the fact he shouldn’t have been stolen from or had his affections used. but i’ve gotten a little ahead of myself, so let’s dive back into doublet and drollery.

doublet ends with mitzi cooing at wick in an almost teasing but fond tone, calling him a ‘poor bunny,’ a comment so unremarkable that she’s not at all anticipating wick to react rather aggressively. he’s sort of accusatory and defensive, as though bristling from the mere title alone. we quickly find out in the next page ( and from his mumbling before his outburst ) that he’s still unable to shake rocky’s threats from balderdash, to the point of internalizing the confusing metaphor he was given, which wick hardly understands but is still reactive towards. he’s tired and stressed and on top of that he’s suddenly nervous for his life, it’s little wonder why he’s so jumpy. mitzi, in turn, expresses utter confusion at his question and, when wick explains that rocky insinuated he killed atlas because she wanted him to, she begins making light of the situation … much to wick’s dismay. to her, it’s just not something to take seriously! and she repeatedly pokes fun at the mere idea, going back and forth between ‘i’m kidding!’s and ‘or am i?’s until relenting entirely, going on to tease wick for believing she’d do something so awful and for taking rocky’s words as something to be worried about. drollery is a deceptively important page, as it’s a great demonstration of how little wick and mitzi are understanding each other. it makes complete sense for mitzi to make light of the situation and to be unable to understand why wick is so afraid, considering that rocky idolizes her and therefore has never threatened her or even done so much as to appear annoyed around her. in stark contrast, wick’s emotional state here is frazzled and fraught, and he’s in desperate need of some sort of comfort. he seems to get that comfort when mitzi teases him about believing rocky, only for fear to take over once again when mitzi casually mentions, ‘rocky’s name is definitely not on my murderers-for-hire roster,’ implying that she still has one even if rocky himself isn’t on it. wick is noticeably so shocked or frightened that he stops rowing, and then there’s a brief timeskip before we see the pair again in veracity.

what i find most prudent to talk about during this page is the discussion of atlas may between the pair, with wick asking two rather wise questions ; if the talk about mitzi’s part in her husband’s death is false and, if so, why not speak up on it? her answer is rather similar both times, saying she didn’t kill atlas because she loved him, and that she doesn’t like discussing the circumstances surrounding his death due to how fresh it all still is. she begins fiddling with her necklace, a telltale sign that her late husband is on her mind, before offering something rather interesting.

as we know it, mitzi is a rather reserved and private person, and that goes tenfold for anything involving atlas post mortem, an aspect of her character that’s even referenced in this very page! so for this to even be offered, albeit hesitantly, is fascinating on many levels and can be read through two lenses. either this is a genuine offer from mitzi or a fake one in an attempt to garner wick into her corner, with the promise of a solved mystery in his pocket. both are completely valid interpretations of this scene given where mitzi’s currently at, and i won’t dismiss either one. however, i personally view her words here as an honest invitation, one she’s extremely reluctant to give but is willing to let it be out there regardless. she’s not promising that wick will get this information, it’s merely a possibility ; if such a question truly weighs on him so heavily, then perhaps she can find it in herself to someday tell him about atlas. i think mitzi is more than willing to give wick that sort of honesty in return if he decides to help her out -- which, in a way, is a blend of the two options i brought up earlier. i just don’t see why she’d bring this rather sensitive and personal wound up to wick at all unless she was serious about it, given how avoidant she usually is with this subject.

one aspect of lackadaisy that i rarely see brought up is the tangible theme of grief. mitzi is often interpreted without her grief being a factor, or her grief being a small obstacle that she simply needs to ‘get over’. this is hardly how grief works, especially not when a loss is sudden and violent, as atlas’ death unquestionably was. this is to say nothing of the horrific circumstances that followed mitzi afterwards -- while previously, she was a wealthy socialite, sheltered from harm and the particularly gruesome details of her husband’s work, she is now forced to wear shoes that are far too big and bloody for her to fill. i find it prudent to digress and harp on this a bit, as it’s hardly ever mentioned in the lackadaisy fandom that it can be incredibly difficult for a grieving person to hear the name of their lost loved one, especially when you’re someone as reluctant to share your feelings as mitzi is. hell, mordecai just hearing atlas’ name once was enough for him to flee the luncheon and squirrel himself away in mitzi’s car. and not only has atlas been brought up twice today already, he’s been used as a tool to threaten mitzi’s life. while wick could hardly know that his discussion of the rumors surrounding atlas’ death might have a serious impact on mitzi considering the context of what happened that day, he certainly belatedly realizes that his words have the very real capacity for hurting mitzi -- he just doesn’t realize how much. with this in mind, there is undoubtedly something to be said about how mitzi offers to talk to wick about atlas at all, with us being able to read into this as a testament to their previous closeness or miss may’s rising and almost animalistic desperation. wick’s response to this is rather telling too, with him immediately rejecting her offer due to mitzi not ‘owing’ him such an explanation and apologizing for bringing atlas’s death up at all, as well as expressing that he’s duly ashamed of himself for it. while this puts a damper on their outing ( and gives wick another excuse to try and avoid mitzi’s desired topic by ending things early ) there’s no denying that even when they’re on relatively strained terms, a glimmer of respect and care for each other keeps shining through. it’s either that or wick just has impeccable manners and an innate understanding that bringing up a widow’s murdered husband during what’s supposed to be a date isn’t a wise move. or, like always, it’s probably a mix of the two. this fondness and affection towards one another, as subconscious as it may be, is highlighted once again in photomajig! a page which i won’t talk about too much, but one that’s integral nonetheless.

realizing things aren’t going the way she wants them to go, mitzi spies an opportunity to prolong and ‘fix’ things when seeing a photo booth, one which she drags a curious wick to with a renewed smile upon her face. for the first three-ish photos, wick seems rather apprehensive about this situation, likely still feeling their earlier talk in its awful entirety ; only for mitzi to physically tug and pull at him in an attempt to help him loosen up, going as far as to pinch his cheeks into a poor facsimile of a smile for the camera. after this, wick gives more of an attempt during the next two pictures, mimicking mitzi’s pose both times and seeming to find himself having fun despite circumstances. there’s a noticeable shift in the photos where the two not only appear to be enjoying themselves, but are actively enjoying one another’s company. for a couple shots it’s almost like the current despairing state surrounding them disappears entirely as they silently fawn over each other and indulge in some harmless fun, with these three specific pictures being prime examples of this.

there’s no denying that wick is visibly smitten with mitzi here once he loosens up, burdened with an overwhelming attraction his face can barely hide once the date begins feeling like an actual date. mitzi’s more subtle, though there’s a lightness to her expressions that feel less forced and sad, actively engaging in ridiculous poses and naturally falling into more loving gestures without much orchestrated affections on her end. you can see what they could perhaps be like as a genuine couple if they could allow themselves such a future ; happy and silly and capturing memories to always keep … and this brief insight makes what happens at the end much more devastating, where we see mitzi ( who has, maybe, remembered herself and her goal ) throw this away to force herself onto wick again with a bruising force, attempting to take advantage of his good mood so they can talk about her business proposal again. just like that the moments are gone, as are their more honest feelings, and although wick still dodges the topic yet again ( which, as previously stated, he shouldn’t be doing given the true purpose of this outing ) he retains a more playful attitude than before. joking that he was planning on running away from mitzi until he begins looking rather smug and adoring while teasing her ‘ruthless’ strategy, and how it doesn’t leave him in an advantageous negotiating position. the page ends with them realizing they’ve cultivated an audience with their antics as wick laments he’d hate to disrupt them with business talk -- a sarcastic remark undoubtedly, but further drives my previous points home nonetheless.

now we approach the last stretch of this analysis, centering around wick’s rejection of mitzi and then briefly touching upon her stealing his money. briar-patch is an intricate dance between two exhausted parties, but this exhaustion is exactly what makes it so easy for them to fall into their normal styles of talking. the next time we see the pair, they’ve left the park and have since returned to wick’s home ; holed up in his wine cellar and enjoying some quality wine. it’s very interesting that wick has an entire underground room full of illicit beverages when he so often frequents the lackadaisy, though i digress. still sporting his improved mood, wick behaves rather coyly during most of briar-patch, rambling about the bottle of wine mitzi asks him about and implying he’s too socially awkward to properly entertain a lady … this is an obvious lie, and it’s one mitzi doesn’t hesitate to call out, but this doesn’t dampen his spirits any. once again looking smitten at the woman sitting in his lap, his tail seeming to curl slightly around her outstretched leg. it all paints a rather fond and romantic picture, in spite of its context.

just like mitzi with his earlier fabrication, wick sees through her attempts at getting him drunk until he acquiesces to her proposal, though doesn’t visually appear mad at mitzi for this. naturally, she denies the claim -- a little tipsy and not at all a good liar, instead resorting to a minor guilt trip -- ‘i’m starting to worry you’re leading me on,’ -- as another way to nudge wick into her desired direction. i’m sure wick knows what mitzi is getting at when she claims he’s leading her on, but he chooses to ignore her true meaning by saying that he couldn’t be leading her on because he’s been eyeing mitzi since she was married to atlas. and mitzi admits to knowing about his interest … making a slight remark that she’s surprised atlas didn’t have him killed for it. we see more evidence of wick’s avoidance towards the topic of murderers for hire in his very clear statement of ‘…that’s comforting. anyway’. wick goes on to immediately dismiss the very real danger he was in and confess that he ‘couldn’t help’ being attracted to mitzi. this highlights one of wick’s other flaws ; his belief that he is unable to resist his impulses and that this somehow absolves him of the consequences of his actions. he could very easily have gotten over his initial attraction to mitzi instead of constantly mooning over her and feeding his interest. he could also have thought through mitzi’s invitation and decided against sacrificing his investors and their reputations for his own gain. this flaw can be tied into his alcoholism as well, where we see that wick has poor impulse control yet again when, after just being scolded by his secretary for drinking, he then pours hooch into his coffee when her back is turned, not even waiting for her to leave the room. all of this is to say that wick has a penchant for ignoring the consequences of his impulsive decisions and struggles heavily with the awkwardness involved in taking accountability for them.

we then move onto the next page where lacy interrupts the two, asking if wick could drive her home since bix, wick’s driver, isn’t outside anymore. wick, who admits to essentially forgetting about her presence, promises he’ll be up in a second to take her home -- and it’s that scene which marks the end of the date. wick was more than content to drag this on as long as possible, having been all but relaxed and cozy earlier, in a manner of undress with mitzi ( who had taken her heels off ) and filling the air with meaningless conversation. these aren’t the actions of a man who is eager to push the lady out the door, but rather someone who enjoys this reality too much to do the right thing and end it ; to save them both the now wasted time because they both have businesses to run, and can’t afford pleasantries like dates that last hours … or, in mitzi’s case, this was never what she wanted at all with this meeting, and wick knew that deep down and purposefully withheld from addressing the topic until the end was near, and then there wasn’t much else he could do except finally come clean. his face falls and scrunches, initially turned away from his company before he begins to let her down, fidgeting by scrubbing his neck and avoiding her gaze again by looking into his wine glass. i think paying attention to wick’s body language is always important, because his tone and how he speaks is rather glib in nature.

wick is a character who doesn’t really speak emotionally with his voice ; perpetually stuck in a stuffy but charming sort of tone as seen in the pilot ( even when he’s noticeably angry at rocky’s implications of dynamite and machinery ) as well as here, where his words are so casual sounding that it’s hard not to view them as apathetic. starting his rejection with a polite but seemingly uncaring, “uh, i was saying … i’d love for this to work out … but, uh …” he sounds like he’s talking to a stranger, almost, someone who came up to him on the street with a business proposition rather than with a girl who he cares for and selfishly kept the entire evening once he could manage it. even his verbal hesitation can be viewed as indifference. he carries this normal air afterwards too, able to seem unfazed during sneakthief and chauffeur ; propped with a casualness to him and his words that make it hard to comprehend that the situation is as bad as it is. as mentioned above, wick is rather short-sighted and tends not to think through the finer points of things. he has a notable talent for dismissing schools of thought that aren’t immediately pertinent, and i’d argue that he has a penchant for self-soothing, burying his problems in fine wines and expensive toys. it’s not outside the realm of possibility that wick would immediately fall back into his glib, carefree tone, trying to soothe himself with the normalcy of bantering with lacy. it’s probably fairly easy to write wick off as never being too interested in mitzi because of this, but given the rest of his character ( along with the brief faltering we see in his expression here and there ) that’s likely not at all true. honestly, i believe he’s even less likely to consider the true consequences of what’s transpired, considering that he a.) completely dismisses lacy’s assertion that mitzi had been rifling through her things and threatening her with dismemberment, b.) is so tired he is hallucinating a duck and therefore can’t drive straight, and c.) is definitely drunk, having seemingly polished off two bottles with mitzi over the course of the date.

sedgewick sable, for all intents and purposes, is a businessman and a capitalist after all. and while he’s leagues better than his peers in terms of kindness, passion, and humbleness, there’s still no denying that he’s still a man made of money who has to spend hours of his day rubbing elbows with blue blood types. he may be an outlier, but he’s secured investors for a reason and isn’t new to the social games that are a part of that environment. can’t be, when he can act so confident and ‘better than’ when such displays are needed from him. i understand the narrative of wick being ‘socially inept’ or ‘socially awkward’, because he is to a degree, though i think some people have the habit of erasing him of any competency entirely. during quarryman, caveat, and quacksalver, wick does well when holding his own and is able to keep an almost smug look about him even when faced with ridicule or critique from his wealthy peers ; never letting their insults or boredom stick, and behaving as if he’s amused by their comments at best.

i don’t think wick truly feels unbothered by these events nor do i believe his constant pleasant tone is always genuine. there’s a case to be made here about masking : the practice of concealing or suppressing aspects of one's ( potentially ) neurodivergent traits or conditions, in order to fit in with the norms of the workplace or society. it may be a ruse, but it’s a damn good one, to the point where it’s potentially taken over how he speaks entirely. and it’d make sense given the themes surrounding wick’s character already, but i’ll just leave that there for now. what matters in the context of him rejecting mitzi and his behavior thereafter is that wick has a really bad habit of coming across as uncaring on occasion, something not only the reader could be fooled by, but mitzi as well ; in her already sensitive state, still angry and hurting from asa’s imposed lunch as well as last night’s many humiliating events. despite this, the actual wording of wick’s confession, as distant as it may seem, is rather purposeful in my eyes, because he says : “i’d love for this to work out, but, uh … not if it’s contingent on a business partnership.” here, wick makes it clear that he’s not rejecting a romantic relationship with mitzi, merely the business proposal itself. if she wanted to date him without the business part, than wick would be more than willing to indulge her -- and even during the rejection itself, he never comes across as mad or angry at her in particular, expressions-wise. just rather saddened about things, a little shameful, but he seems to hold little issue with mitzi even though he’s still uncertain of her motives.

it’s also worth noting that despite wick’s feelings for mitzi being ‘obvious’, it’s very likely mitzi has no clue what those feelings really are in nature. to her, it could be a physical interest and nothing more, and given how she acts around wick ( as in, being extremely touchy physically ) i think her views of his attraction veer towards more shallow waters than sickly sweet romance. something that adds further insult to injury here, and makes her rather aggressive reaction, where she essentially says this :

all the more understandable, and honestly a rather human reaction all around. people love to dismiss everything mitzi says as ‘manipulative’ or ‘fake’, but tracy herself has essentially called wick a hypocrite before too … so there’s more truth to her words here than fans are comfortable to admit. while cruel, there’s honesty to what she’s saying. wick is indeed, by definition, a hypocrite. he also has, undoubtedly, led her on throughout this entire date and did so on purpose. she has every reason to lash out at him here and to continue doing so afterwards, torn between being angry at him as well as desperately needing him in turn ; still throwing herself at wick in a last ditch attempt to save things, even though we know she regrets and loathes such actions. her shallow view of wick’s affections isn’t exactly helped when, in response to her still biting words, he calls her mephistopheles and draws attention to her curves. if you don’t know, mephistopheles is a demon who corrupts the souls of men, and in some interpretations is said to take on desirable and pleasing forms. while a rather mean remark ( something mitzi even points out ) wick’s lips are in a tiny smile, eyebrows raised as he stares at mitzi with lidded eyes … it reads more like a tease, an action that the two engage in often when talking to each other ( as can be seen here, and other such instances ), rather than being a scathing review of character like mitzi’s words previously.

still, despite mitzi’s tempting offer of the more sexual implication, wick holds his ground and stays true to his rejection. a rejection that was practically just church’s words to him word-for-word, might i add. the date ends here and they separate. but i’d be remiss to not even briefly discuss sneakthief and other events afterwards, since they’re rather major in nature. though i will only talk about these events briefly, since they’re an entirely other can of worms and this analysis is long enough as it is.

as we’ve thoroughly covered thus far, mitzi stealing a blank check from wick’s checkbook wasn’t her plan all along, nor was it even a malicious action on her end. it was pure desperation that drove her to steal, just like it was pure desperation that drove her to play the condescending, evil crime boss gig to lacy … a gig she’s scarily good at, and one she’ll probably utilize more in the future. and no, this doesn’t dismiss how awful these actions are, it merely explains them. mitzi is not some evil manipulative mastermind, she literally heard about the checkbook in lacy’s bag and instantly ( foolishly! ) stole it immediately thereafter, basically getting caught as well. mitzi doesn’t even seem to think about what she’s doing before she moves to do it, a side effect of her all consuming obsession and, again, her desperation. these are hardly the actions of a woman who’s thinking reasonably or with any level of coldness, even if her actions here are extremely selfish. still, there’s no excusing it, though mitzi tries to find some justifications for her actions in an obvious attempt to soothe her own mind and, perhaps, to make her actions more palpable to even herself. you see this in backalley, where she briefly touches upon her actions in a way she won’t ever do again.

she’s rationalizing it to herself, thinking wholeheartedly that she’ll pay it all back eventually, and that she isn’t intending to take this money without giving any of it back. this is rather shortsighted of her, since a.) she doesn’t know if she’ll be able to make this money back, enough so to be able to give it to wick, and b.) that’s hardly the issue here, when the real betrayal lies within the fact she’s done this to wick at all. like most things, mitzi’s clouded view isn’t allowing her to realize the extent of what she’s done … i don’t even think she’s understanding that by doing this, she has potentially lost wick as a friend forever. or if she has realized this, it hasn’t begun weighing on her yet -- which is understandable, given her fight with zib and his disappearance right after the fact, as well as her beloved necklace being broken. there are just other things on her mind besides wick sable! and that’s the tragedy, isn’t it? there’s no room for her to really evaluate her feelings about him or him at all when she’s so obsessed with the abstraction of her late husband and all he represents ; down to the pearls she wears of him and the bad reputation he kept. it’s still easy to justify things in this state, to talk in circles about how wick is too nice to be mad at her or send her to jail and how she’ll eventually pay him back, when there’s no clarity for her. mitzi knows what she’s doing is reprehensible but she doesn’t know how bad it all is yet, something tracy has, again, said about her before. the last we see of mitzi in the comic currently is her saying this, which isn’t the expression nor the words of someone who is feeling anything but awful, though has found company and comfort in it despite the pain :

and we’ve now reached the end of this analysis! i want to give an immense thank you to anyone who’s sat through and read all of this from beginning to end given its length! and i also want to say that i understand some of the things covered here are a bit vague when compared to other parts, so if anyone has further questions or wishes to discuss this further, please feel free to do so! i view this project as an overall analysis rather than one that’s extremely specific to certain topics, so because of that ( and for your sanity and mine ) there were things i was curt with on purpose. trust me when i say that there’s not one aspect of these characters or their relationship that i haven’t given immense thought to, or analyzed. similarly, to reiterate my earlier disclaimers, everything i’ve said here is said with neutral evaluation at best and with some bias at worst, a bias that pertains to both wick and mitzi. i adore them both equally and i don’t want my words here to be twisted as me saying one of them deserves ‘better’ than the other, because frankly i care very little for that argument. at the end of the day, they’re two extremely human characters : flawed and intense and existing in multiple extremes, good and bad, and that’s exactly why their relationship fascinates me. i’m not here to play the moral police on fictional characters who are actively in a morally ambiguous work, i’m here to merely observe them and hopefully give them justice in my readings of their dynamic and respective complex characters … especially since i don’t think the fandom has done a good job of that for either of them!

though this is still just my opinion and analysis of the text that’s been given to us, so to each their own. i feel like i have so much more to say or elaborate upon, but this is a nice little place to leave it for now, so again, thank you all … and thank you tracy butler for squeezing my brain for thousands of words worth of braincells that has went into studying her comic like the bible <3 and then actually writing those thoughts down like some insane person!

[onepiece-polls]

OPLA fan cast polls - Top 10 winners!

By far most of the submitted fancasts were accepted by the fans, having had a minimum of 50% yay votes. But which fancasts had the most fans behind them? Here is the top 10!

10. Karen Fukuhara as Tashigi with 82.4% of the votes.

Her experience with martial arts and sword fighting might have convinced the fans who weren't familiar with her previous roles yet!

9. Rhey Ripley as Charlotte Smoothie with 82.5% of the votes.

Her wrestler build probably convinced a lot of people she could pull this off. And maybe the lesbians went wild about her.

8. Peter Capaldi as Dr Hiriluk with 84% of the votes.

Once a doctor... (also, he just kinda looks like him)

7. Alexander Siddig as Nefertari Cobra with 84.5% of the votes.

This Sudanese actor convinced the fans that he could play another desert kingdom ruler!

6. Amber Midthunder as Laki with 85% of the votes.

With only 1 vote really against her (we will find you and hunt you down 😛), the fans think this native American actress is perfect to play Laki!

5. Jamie Lee Curtis as Kureha with 87% of the votes.

With by far the most submissions, I had expected her to come out on top, but 5th place isn't bad at all either! Besides, she has practically been cast already, and the fans seem to agree! If someone else gets cast after all, there'd better be a real good reason for that!

4. Hafþór Júlíus Björnsson as Brogy with 88.1% of the votes.

This tall strongman from Iceland seemed the perfect fit for the friendly giant!

3. Kevin Chamberlin as Tom with 89.1% of the votes.

Tom's a fishman, Kevin is human. And yet, look at their faces: the same. The fans could do nothing but agree with this fan cast (though they would also love him as Wapol).

2. Michael Jai White as Ohm with 89.8% of the votes.

Corporate needs you to find the differences between these two pictures.

The fans: "They're the same picture."

No one voted against this fan cast, so in that aspect you could say he should be the winner! However, a few more people needed to be convinced, compared to the number one...

And the winner...

1. Javicia Leslie as Miss Doublefinger with 92.9% of the votes!

Her looks, her acting experience (as Batwoman for example), and her experience with different (combat) sports have convinced almost all of the fans that she is a perfect fit! We are looking forward to see Javicia as Miss Doublefinger in the next season (?) of the One Piece Live Action!

Thank you all for submitting your fancasts and for voting on these polls! ❤

[robbie-lee-zombie]

mini ficlet I got inspired to do ( @fluffymary )

When the gang of smiling critters have a sleepover, you better believe they go big or go home.

Kickin was the first to pass out after the movie, hanging halfway off the couch at the start, but eventually slumped to the floor at an odd angle and still hadn't stirred. Crafty and Bearhug aren't far behind as they both yawn, drifting off on the far left of the couch, holding onto one another. Hoppy, Bubba and Piggy were huddled in their own pile on the other end, looking uncomfortable to anyone else but snoring all the while.

What about our final two?

One of our sweet little friends was having a horrible dream. Horrible enough to leave him panting when he awoke, checking around the living room frantically for any monsters that might still be lurking in the dark. Dogday knew he was being silly, but it still got to him, he just knew something was coming for him! Something waiting to come out and grab him, something to steal him away and no one would ever find him again-

"Hey, hey, it's okay. Look at me. Just keep your eyes on me, okay, pup?"

One, a night owl, someone who sleeps in the day because he guards the night. He protects his family, his friends, while they're vulnerable, so they have nothing to fear. Right now, his closest friend - his partner - had something to fear. Catnap couldn't have that.

"I couldn't run away- it hurt so much, Catnap-"

"Shh, shshh I know sunspot, you don't have to explain. I'm here. You're safe here."

A few beats of silence pass. Then, Catnap got an idea.

"I got it." Catnap lifts Dogday's chin to look him in the eyes more clearly. Smiling, sweetly, he whispers. "You want to hear a lullaby?"

Immediately Dogday's face starts to feel hot and he's pulling on his right ear, twirling and picking at the fur in a nervous fidget. His tail starts thumping behind him. "You- What if- You don't have to, I'll be-" Dogday whines a little. Embarrassed. Excited. Eager.

"Let me try that again."

Dogday's sputtering was immediately halted by Catnap's purring. He could feel it in his touch, in his paws any time he held Dogday's cheeks in his hands, it was a soft rumbling under the skin. It was soothing. "May I sing you a lullaby, sweet pup?"

Dogday willed his tail to stop wagging for a moment to respond seriously. He nodded. "Yes. Please."

Their positions are shifted to have Dogday leaning on Catnap's chest, slouching comfortably in case he were to fall asleep sooner than anticipated, which Cat had already dubbed in his mind would be no time at all. Dogday's tail wags without his permission, but neither of them mention it.

Catnap's claws make quick work of Dogday's ears, scratching at the base. Enough to tickle, enough to squirm and smile so wide Dogday's cheeks start to hurt, but not enough to laugh. Meanwhile, Catnap's tail traces along each of Dogday's toes that are tucked under the blankets. "Twinkle Twinkle Little Star~"

Dogday knew what lullaby this was. It's kept between them purely for Dogday's dignity and from dying of embarrassment. Not because they'd tickle the life out of him.

"How I wonder what you are~"

But because of how well it works. Plus, Catnap isn't the first one to go around bragging about his own singing voice as it is, he'd never hear the end of it.

"Up above the world so high, like a diamond in the sky~"

"Wahahait!!"

"Dogday, you made me mess up the song, now I'll have to start over..."

"No! Nonononohoho don't stahahart over, please-" "Well, maybe I won't have to start over... If you can tell me where my tail left off?"

"Y-Your tahahail?"

"Yes, giggle pup, I need to know where my tail was on the last verse, so I can pick up where it left off. I can't recall..."

As Catnap whispers aloud, his tail sweeps up and down Dogday's soles. Dogday throws his head side to side, trying his best to keep his giggling to a minimum, but the faster that appendage swipes, the more restless Dogday gets.

"Was it along your soles, those bright suns on your feet? While we said "Up above the world" or was it-" His tail switches to sliding between his toes. "Between your poor little toes, as we said "Like a diamond in the sky"?"

Catnap knows this. Catnap loves this.

Dogday could hardly pay attention as Catnap's tail was sawing between his toes. Before he was even aware of his own actions, Dogday was squeezing one of Catnap's hands in his own, bracing himself on whatever willpower he had to not fight Catnap's attack. The other hand was frantic, pawing at the ground, his own torso in a self hug, hiding his face, he couldn't decide what made it better worse.

"Dihihiamond!! You were on diamohohohond!!!"

"Ah, that's right! Thank you so much, my little tickle pup, I knew I could count on you~"

As much as the lullaby felt like it droned on for hours, it really was helping. It was quiet enough between the two of them that this moment never had to be seen by anyone else, it was a special time that let them hold onto one another, to laugh away the nightmares. Catnap's song was eventually interjected with his red smoke - with Dogday's consent being the agreement to the lullaby in the first place, they established that ages ago.

That's what really knocks Dogday out, but Catnap likes to wait as long as he can to use it, just to savor in Dogday's bright smile and pink face just a little while longer.

"A pretty orange and pink sunrise, just for me alone."

As the sun rises in the windows through the curtains, Catnap finally falls asleep.

[miwtual]

i think something that people miss about the "you should be reblogging creative work, not just liking it" stuff is that so many people who arent making these creative works are so in the mindset of QUANTITY of notes over QUALITY of notes.

maybe this is in part because of other social media (like instagram, twitter, and youtube) where the creator is rewarded based on the quantity of likes, but y'all have to understand that us tumblr creators, for the most part, do not care about the quantity of notes. yes, it's nice to know that 700 people liked a gifset we made! but it's disheartening to see that only, like, 5 people reblogged it onto their blog so other people could see it and enjoy it too. part of tumblr as a SOCIAL media is that we are meant to interact with each other here, and if you only like stuff, you're limiting the social aspect of a wide platform of users.

fic writers want to see your comments about how they wrote that one scene. fanartists want you to get excited about the way they draw your favorite characters. gifsets like what we have here on tumblr don't exist like this anywhere else. why don't you want to show these creators off to your friends and followers? don't you want to show off how cool these creations and their creators are?

reblog from us now so you're not begging for us to come back to you later.

[regal-bones]

I really am a fan and I love your work so I'm trying to say this in as nice a way as possible but you posted something yesterday (which I thought was really cool and reblogged when I first saw it) and then you reblogged it 10 more times in the next 24 hours and it's not even that reblogging it at all again is a problem I totally get why but that many times is just a lot

12 times actually ;] everytime I post something it goes into my queue to post once every 2 hours over the next 24 hours. Which may seem a lot but, this is my actual real job and whether or not I make rent this month is dependant on how many people see my artwork!

not gonna work for hours working every day and have people miss it! If you post artwork just once, that means most of the globe isn’t gonna see it thanks to time zones - and unless you’re followers are dedicated and constantly checking your page, they’re gonna miss it

I appreciate ur politeness, but I’ve been doing this for like 5 years and there’s stuff you gotta do if you want this to be your career! If you’re an artist reading this, this is your sign to go boost your most recent work!

[unopenablebox]

ugh this is so pathetic and embarrassing but. it might be helpful to me if people would tag horror movie content with 'horror' or 'horror movie' or 'horror film' or something. because unfortunately seeing a still image of a horror movie monster or body horror scene, or a gif of the guy from saw swinging a bloody hand down to implicitly cut off his offscreen leg or whatever even though onscreen he's just swinging his arm, or even just an overly zippy horror movie poster or overly descriptive sentence about the content of a horror movie, does in fact often cause me to get so stressed out and compulsively miserable that i cry

[ETA: sufficiently non-explicit/non-tone-preserving joke content, like the Thursday the 12th meme that has a picture of jason in the store, is fine. my line is weird and hard to articulate but "does this preserve the tone of the horror movie or is it ridiculous/an obvious joke" is a reasonable way to delineate things i might benefit from tagging vs things that won't bother me.

also like. i made it sound very bad but it's not actually such a huge deal for things that aren't "this is literally a gif of a horror movie" so if you would like to make the question you ask yourself "is this literally a gif of a horror movie" you will already be solving most of my problems]