#I kinda ran away with this

[kinardsevan]

what do we think about "darling"? I can see Tommy using that for Buck. It´s a little bit old fashioned but still so cute. I also need either one or both of them to refer to the other as "my man" at least once. bonus point if it happens with Buck getting possesive because maybe someone is flirting with Tommy

So I could absolutely see Tommy using darling as well. I don’t know that Buck would reciprocate, but he would love the way it sounds coming out of Tommy’s mouth. He likes it even more when Tommy uses it sarcastically when Evan is being a brat. I could also see Tommy using “dear”. Evan doesn’t like it at first because it feels antiquated and he’s like “we’re not 65 and retired”, but Tommy just slides it in every now and then. And then the first time he gets hurt on the job—it’s not even that serious, but he’s doped up on pain medicine—and Evan is emotional about seeing him in that state, he tells Tommy he can never get injured again, can’t die on him. And Tommy’s all “yes dear, you can go first”, and that makes Evan melt, come around on the name. Tommy doesn’t use it often, but occasionally he slides it into a text, or while they’re having dinner/dinner parties with their teams. Hen and Chimney are absolutely disgusted at how domestic that makes them sound, and it straight up nauseates Eddie because of how openly in love his two best friends are.

My man: Evan uses this a lot. Initially, just to irritate the shit out of Gerrard, and even at the behest (a little bit) of the rest of his team, because outwardly, Evan refuses to be seen as flappable to Gerrard. He’ll do anything to keep the attention off of Hen and Chim because they’ve suffered enough under Gerrard. And he absolutely refuses to see his best friend or dad be bullied.

Except, maybe he takes it a little too far. The others tell him to lay off when it starts to become clear that Gerrard doesn’t give a shit if anything happens to him (truly, he doesn’t care if they all die in a fire. Then he could have a brand new team and he’d ensure he could hand-pick het-cis-white men.)

But Evan being Evan, goes Full Buck when some kids get stuck in a fire (or something tragic like that), and nearly dies getting them out. And this time it’s Tommy freaking out at the hospital…until he lays eyes on Gerrard, who’s only showed up to make it look good to the chief when he comes asking about what happens. It takes the whole team to hold him back in the waiting room because he’s yelling at Gerrard that the man is only doing this because of him. Something to the effect of “you’d destroy anything that is mine. And he is mine.”

And then later, when Evan is settled in a room and can have visitors (because again, he’s injured, but it’s not serious), Chimney tells him to go get his man, and the comment makes him laugh a little, because Tommy realizes why Evan has been calling him that for weeks now. And when he gets into the room with Evan, he’s kissing both of his hands, wrists, arms, cheeks, just repeatedly telling him “you can’t break this because it’s mine, and I need it”.

As for when he would finally call Evan “my man”, he would use it in an entirely different context. While Evan uses it to everyone in lieu of Tommy’s name, Tommy uses it with strangers, any time they get the privilege of witnessing Evan go Full Buck. Handing out candy at a Trunk or Treat dressed in a full costume? “That’s my man”. Trying to do a bull ride for a full 8 seconds (Evan says it’ll help in the bedroom)? “That absolute idiot is my man, and I love him”. Making the rounds at one of their dinner parties (that Bobby and Athena somehow end up hosting), a cheeky “that’s my man” as Evan swoops around the group, being ridiculous with his friends. On the news while Tommy is on shift, talking about something the chief wanted press for, to his friends/colleagues “that’s my man” (because the probie dared to point out that he’s hot).

When Evan decides to testify against Gerrard in the hearings for his pension/job/etc., Tommy gets the privilege of also attending. Someone on Gerrard’s team dares to ask who this guy is. Post-hearing, Tommy is waiting for Evan to come out and he spots those people again. Proudly, “that is my man”.

[mroddmod]

villain and violent; infant and innocent

[eddiepeaches]

happy together <3333

[semisolidmind]

happy valentines day, vintage valentines upon ye

these two have a story

(takes place in a vague 50's themed world of toony folks and animal people)

our sweet lady here was once good friends (and maybe a lil something more) with the hysteric hare currently chasing her down, but due to certain prejudices on behalf of humans towards beastfolk...

...he was involved in a bit of a scuffle. a gang of humans who didn't like the look of a uptown gal walking around with a "glorified pet" decided to "teach him a lesson."

long story short, hare beats the stuffing out of them, they call the cops, prejudice dictates that the beastfolk is unjustly punished whilst any humans involved get off with nothing more than a slap on the wrist.

the gal can only watch as her companion is dragged away, muzzled, and tossed in the back of a paddy wagon; they take him away. she hears nothing more about him for a long, long while, no matter how much she asks. her parents and all her snobbish human friends tell her to forget about him, that she's better off without him around. she doesn't talk to them much after that.

while in the clink, the hare becomes more and more angry at his situation. he's treated like he's rabid while institutionalized, the muzzle never coming off for long before its strapped right back on. getting into fights with other inmates, one of his eyes becoming permanently damaged, picking up new injuries every day...he can't take it anymore.

with some careful planning and few murdered guards, the hare escapes.

he makes his way back to town, and back to the girl. when he finds her at a gathering in the park, he watches her from the trees. she's at a picnic with the people from her family's upper class social circle, the type that look down on animalfolk like him. she looks miserable standing there, making idle chitchat with humans that would sooner see him skinned and stewed than lower themselves to talk to him.

something breaks in the hare.

he creeps up behind the closest aristocrat and quickly snaps their neck. chaos breaks out immediately, with some of the men present trying to subdue him. but even the weakest beastfolk is still stronger than the average human, and the would-be heroes are knocked to the side.

the hare may not be a carnivore, one with claws meant to kill, but his digging claws are plenty sharp enough to cut through the upper-crust attendees like butter. he quickly loses track of his target, the girl having fled deeper into the park.

once everyone else has either run or been rendered immobile, the hare follows her.

he allows her some time to calm herself, let her think that maybe, just maybe, he doesn't know exactly where she is.

the hare knows how frightening he must look to her now, no trace of her sweet gentleman caller left in the murderous, blood-drenched, maddened monster hunting her now.

but he's fought his way back to her, and he's not about to leave empty-handed. they'll run away, and make a new life somewhere more hospitable to couples like them.

he'll carry her the whole way, if he has to.

[frownyalfred]

In eldritch horror / immortal creature of Gotham! Alfred AU: do you think the city requires her beings to have to give up someone, a sacrifice to maintain each of them alive and since Thomas, Martha, and Bruce became important to him, Gotham was going to take baby Bruce at first?

But then Thomas and Martha found out -not horrified of Alfred because they knew, and that there was no way out of it - thus they intentionally shielded Bruce That Night, and let Gotham take them instead?

They didn't want to live in a world where they lived and Bruce died, but also importantly let Alfred live with the guilt of having Bruce's blood on his hands? (I mean he gets blood on them anyway, years later... )

And Alfred subtly flinches every time Bruce says anything like "Gotham needs me" or "This is my city, its will sacrifice what I can for it". Cause he already did.

Since the Pennywaynes has been getting to me for the last 24 hours or so, let me propose: Eldritch!Alfred, deeply connected to Gotham, not quite her true face, but very very close. The Waynes know this, and accept this, because Alfred is Alfred and they know that he'd never hurt them.

But yes, eventually the bill comes due. The good they were funneling into Gotham (charity, new development, etc) sent things out of balance. It is a cursed city. There must be Balance. And so, the city knew that taking their child would hobble that goodness. It tasked Alfred to kill the boy, the heir, knowing that it would forever limit the ability of the Waynes to alter that balance ever again.

But Alfred had grown fond of the Waynes. He didn't know the boy yet, but the boy was sacred to them and what they wanted, he wanted. Inevitably. And so he told them, with the coldness, the detachment, of an assassin or executioner, what Gotham wanted from them. What he would be forced to do.

Thomas and Martha looked at each other, looked down at the sleeping baby in the bassinet, and bargained with the devil himself. They begged, and Alfred listened. He pleaded with Gotham himself, in private. But it was against his nature to do so. He dreaded the path forward, the one that didn't end with Bruce's blood on his hands, the sweet boy that Martha cherished and Thomas doted on.

Alfred was selfish. He knew the rules, and he refused. He didn't step into the shadows that night with a gun. But Gotham sent someone regardless. And this person took both of their lives, instead of just one. It took them instead, instead of the heir. It was a catastrophic blow to Gotham, one the city would never recover from.

Until Bruce came home, many many years later, and started speaking of his city. And there was a chill down Alfred's spine that only came from fellow Eldritch, fellow creatures, fellow non-humans. There was a strange weight in Bruce's eyes. This was what the city had been trying to prevent. This eventuality. And through Alfred's indecision, through Martha and Thomas' love, it had survived after all. Ra's had awakened it and the world had fed it. Gotham would hold onto him forever.

(this kind of identity porn -- Eldritch!Alfred and Eldritch!Bruce under the same roof, working against each other in Gotham's name, but with each other as people -- that makes me crazy)

[artuurle]

more doodles of this thing that haunts my brain and his boyfriend

More doodles centered around pre-godhood shenanigans under cut to keep post short for the sanity of others lol

tha legally mandated Only 1 bed trope ...

getting the old uniform out!

annnnd the obilgatory sad bonus U u U

[flovoid]

𝖄𝖔𝖚 𝕭𝖎𝖙𝖊. 𝕴 𝕭𝖎𝖙𝖊

I'll turn the TV on And you'll be there on Channel 9 Then you take the remote I'll get kicked out the house 'Cause you said this movie's just for guys

[minty364]

DPXDC Prompt #61 part 1

Danny didn’t like thinking about his old life. He was born to a family of assassins and as soon as he was out he never looked back. He had to fake his death and he changed his name, as far as anyone knew Damian Al Ghul had died on a mission to America. He was determined to keep this secret to the grave. Of course he knew who his dad was, Bruce Wayne was a prominent figure and he knew if we went there his secret would get out and he never wanted to be forced to be an assassin again. Once was enough. 

Danny knew he had a soft heart, his adoptive parents, the Fentons and Jazz had told him so. Jazz knew he didn’t have the greatest childhood or past but she never pried, she understood his business was his and wouldn’t let her own curiosity get the better of her. The only issue their family had was their parents obsession with ghosts. Damian never believed in ghosts, the entire thing sounded like a hoax. He probably never would have believed in them but then life happened. 

Danny believed, but it was kind of hard not too after everything that happened. When he had turned 14, his parents finished their biggest project yet. A portal to the ghost zone, of course it doesn’t work at first and his parents were very disappointed. Danny felt conflicted about the whole thing. On one hand he wanted his parents to succeed and he wanted them to be happy, on the other the portal was the reason he ate alone with his sister at night. He wanted a normal family life, something he was never allowed back at the league. 

He did something so stupid that night.

After his parents along with his sister were asleep, he crept down to the basement and stood in front of the empty hole in the wall. He looked around the outside of it first but nothing seemed to be out of place. Then he stepped into it and before he got too far into it something happened. He knew there were a lot of cords on the floor and thought he had avoided them all, but as he realized he was quickly being acquainted with the floor, he out of instinct held his hand out to catch himself on the wall. Right onto the ON button.

He didn’t remember much but pain after that.

A lot happened in the year after the portal was turned on but Danny thought he was taking things well. His sister found out about everything sooner than he liked but having someone to help him was something he didn’t realize he really needed until then. The ghost attacks were frequent and Danny was having trouble finding the time for school, friends, and fighting ghosts that the assistance helped a lot. 

Danny sat at as desk in Mr. Lancers class, who was going on about the play Hamlet. Danny was only half paying attention, he was preoccupied thinking about the latest conversation he had with Clockwork. Danny was recently crowned prince after his victory over Pariah Dark. He didn’t want the crown, ancients knew what Grandfather would do if he ever found out, but he had no other option but to accept. The conversation left him rather drained and it felt like every word his teacher spoke bled together. 

He eventually made his way to lunch and before he could make it to his destination a blue mist wafted out of his mouth. Sighing he ran out of the room to find a place to transform. Once he was Phantom he wasted no time finding the ghost. Of course it was Boxie. 

Before he had time to even fight though a portal opened up right besides Danny and he was kicked in by the Box Ghost. The world seemed to swirl around him until he landed harshly onto some pavement. The pavement was a roof and he appeared to be in a city. 

Not just any city he soon realized as he looked over to a bank that had the words ‘Gotham Bank’ brightly plastered on the front.

Shit… Danny wanted to avoid something like this, unfortunately the portal was already gone. 

After taking a moment to think about his predicament he decided the best course of action was to call Jazz.

He took a look around the rooftop he was on and when he didn’t see anyone he transformed back. 

Pulling out his cell from his pocket he pulled up his sister's contact on it and hit the call button. 

His sister took a bit longer than usual to answer but the hesitation in her voice caused him to pause, “H-hello?”

“Jazz, it’s Danny, we’ve got a code green,”  he knew setting up code colors with his sister would come in handy. Red meant he was gravely injured, yellow meant the ghost got away and he was in pursuit, blue meant he caught the ghost, and green meant he fell through a portal or something similar. 

There was silence on the other line for a moment and Danny was almost going to say something else but she spoke, “How do you know my name?”

Master Post:

Next:

[flowercrowngods]

based on this concept of steve and mike coming out to each other

🤍 also on ao3

The sun is setting in beautiful hues of pink and purple, tinging the town of Hawkins, Indiana, in a light of serenity and beauty it doesn’t really deserve. Steve’s hands are gripped tight around the steering wheel as he carefully scans the road and the houses he passes.

He almost misses the bike where it’s lying on the curb, carelessly discarded by the looks of it, and a tinge of worry shadows his frown. Worry that doesn’t quite dissipate when he spots the figure sitting on the roof, almost black against the lilac colour of the sky, but he breathes a sigh of relief. He considers grabbing the radio to let the others know he found Mike, but decides against it. Something tells him that maybe they’ll take a while. Something tells him there’s more to Will’s stunned silence and Mike’s sudden departure from where they were all hanging out at Steve’s after another successful Hellfire session. 

With a sigh, Steve cuts the engine and gets out of the car, keeping his eyes on Mike the whole time — ready for him to take off again, ready to go sit a while and wait for him to come back. But Mike doesn’t move, even after he shuts the door and approaches the Wheelers’ house. He doesn’t acknowledge Steve when he pulls himself up to the roof, easier this time than the first time he did this. 

There’s a snide comment in the air between them, a version of Mike that would have lashed out at him, made fun of and insulted him. But this one just sits there, hands in his lap, frown on his face, and stares ahead. 

“What do you want,” he asks eventually, though it doesn’t have the kind of heat that Steve expects. He barely even sounds like a teenager. Just sort of… dejected. Steve aches for him; just a little bit. 

“Just making sure you’re alright,” Steve says, shrugging, looking ahead as well so Mike doesn’t feel watched. Or seen, maybe. 

Because the thing is, Steve does see him. He sees the way he looks at Will sometimes, and the way his eyes fill with something that can only be described as yearning, or aching, followed by regret and fear. Which always, always turn into anger. Into frustration. Into snide comments and rolled eyes and walls that keep getting an inch added to them each day. It’s never directed at Will, that anger, and rarely at the rest of the Party, but Steve still sees it. Gets the worst of it and takes it, because he knows something about how that feels. 

He knows something about looking at someone like that, about feeling that fear, that regret, that worry that come with it. He knows something about never really daring to meet someone’s eyes for fear of what they would see. 

“I’m alright,” Mike says, sounding anything but. There’s a bitterness in his voice. Frustration in the way his thumb is picking at the skin of his fingers. Confusion in the tension of his shoulders, and Steve feels like he only needs to make one wrong move, say one wrong word, make a single sound that’s off key to the melody of this moment, and Mike will jump off the roof and take off again with his bike. 

So all he says, after a moment’s consideration, is, “Cool.” Like he believes him. Giving Mike room to breathe, room to pretend. He knows something about that, too. 

He knows and he sees and he feels. 

And suddenly he wants to say something he’s never said before, something he didn’t even get to tell Robin because she knew and saw and felt, too, taking something from him that he hasn’t yet been ready to reclaim for himself. 

And maybe it’s because he sees something of himself in the way Mike holds himself, in the way he snaps at anyone willing to listen, in the way he frowns in regret and barely meets anyone’s eyes except when it’s in challenge — and, most of all, in the way he never, never meets Will’s eyes. In the way he looks away when the other boy turns to him, and in the way his eyes will snap back and take in everything about his best friend when he’s not aware of it. 

Maybe it’s because the sky is pink and lilac and purple above them, allowing for a certain magic to happen, allowing for a bravery that doesn’t come easy to him; but as he sits on the roof next to Mike Wheeler, the only one of the Party he never really connected with, he closes his eyes against the breeze that catches in his hair and opens his jacket a little further, slithering beneath the fabric as if in a brief embrace, a nudge, a sign to take this leap, and takes a deep breath. 

His heart is picking up its pace inside his chest, taking this leap along wit him, and pulls up one of his legs to wrap his hands around it — just to have something to hold onto. 

He opens his mouth once, twice, three times, but the words never really come out. They don’t know how, and he’s beginning to tremble a little with it, tension building in his chest where the words are still locked away, hidden among layers of truth. 

Mike looks over with a frown and eyes him warily. It makes Steve want to laugh, this sudden change of pace, but he just keeps staring ahead; even when Mike asks, “Are you alright?” 

“Yeah,” Steve says. And then then dam is broken and breaking further, and with another deep breath, still not meeting Mike’s eyes, instead focusing on the tree tops in the distance that shine in hues of purple, he finally says, “I’m kind of dating Eddie Munson.” 

And just like that, it’s out. He’s out. 

He doesn’t know if the world still spins, if time still passes, if he still breathes, because for a moment there is only silence. Mike stops picking at the skin of his fingers, Steve stops trembling, and neither of them moves. 

It’s both anticlimactic and momentous, this silence between them when their eyes meet. When the words unfold and grow wings, when Mike understands, his eyes growing big with something that Steve can’t quite read with how tense he is despite his best efforts. 

The silence stretches between them, surpassing comfort and overstaying its welcome, and suddenly it’s Steve who feels like he’s about to take off if Mike so much as twitches his brows. 

“You… What?” 

Forget it, Steve wants to say. Nothing. 

But also, I’m in love with Eddie Munson. And I used to be in love with Nancy. And that’s okay. Both of that, it’s okay. 

He ends up repeating his words, though, because they know what it’s like to be spoken now. “Eddie. I’m kind of dating Eddie.” 

“But…” It’s Mike now whose mouth is opening and closing without saying anything. Mike who’s blinking, trembling a little, twitching, picking at his skin again, moving further along his hand this time to pinch the skin between his thumb and pointer finger. Steve almost reaches out to stop him, but he doesn’t really dare to. 

“But?” he prompts after a while, not quite comfortable with this loaded kind of silence. 

“Eddie’s a boy.” 

But Tammy Thompson is a girl. 

“I know,” Steve says, his tone carefully neutral, wanting to see, to wait where Mike takes this, to hear what’s on his mind, to watch the wheels turn and the gears shift. He feels awfully raw and open, vulnerable with someone who hasn’t been treating that with care yet. But there’s something about this moment that feels bigger than his own fears, bigger than the light nausea settling in his gut; far more important than the way he wants to run and hide, away from the scrutiny. 

“And…” Mike continues, still battling the words inside his head. Steve wonders if there are too many or none at all. “But you… You loved Nancy.” 

Ah. Smart boy. “I did,” Steve says with a small smile. “And it was never a lie. But I found that… Yeah, I can kinda like boys, too, y’know? And that’s, like, okay.”

A beat. A frown. A confused, hopeful, small, “It is?” 

Steve just nods, smiling in reassurance and relief at equal measures. Silence settles once more, now that the sky has darkened into a deeper, darker blue; but it’s not as loaded this time, not as tense. It’s an invitation. An offering. A promise of I’m here, I’m with you, you can take as long as you need. To get down from the roof, to come back, to come out of wherever you think you need to hide from the world. 

Mike takes it. He stays, pulling up his leg, too, mirroring Steve’s pose and staring ahead, but not as far away. He seems alert, seems to be thinking rather than dwelling, seems to be gearing up for something. Steve watches and sees and knows, remaining patient beside him, his chin resting on his knee as Mike learns to deal with this new world that has been presented to him. This new world that comes with opportunities and chances and possibilities that are scary and big and difficult to make. 

“Y’know,” Mike starts at last, interrupting the silence, playing with it, his voice hushed and quiet to keep it from disappearing completely. “Lucas, when he had that championship game? He told us, Dustin and me, that we didn’t have to be the losers this time. The nerds. The outcasts. Different. And all I wanted was to scream at him, because…” 

Mike swallows his words, keeping them from tumbling out of his mouth, and Steve aches for him again. He wants to reach out, wants to say it’s okay, tell him it’s alright, to take his time. But he waits in silence, lets Mike find the bravery he needs on his own, and waits. 

“Because how could he say that, you know? How could he, when… Will wasn’t there. And all I did, all I ever did anymore, was miss him. And I loved El, I knew I did. And she was gone, too, but…” 

He trails off again, and this time Steve picks it up. To let him know he’s not alone. To let Mike know he understands what he’s saying. He understands. “But she’s not Will. You needed Will.” 

“But I shouldn’t!” Mike explodes suddenly, riled up because Steve adds fuel to the fire, because Steve has that same fire, too; and because they are so, so similar when they want to be. “And now he’s back and it should be fine, I shouldn’t be feeling like this, it doesn’t even make sense! How can I…” 

Steve looks at him, at his expression that is nothing but lost — completely and utterly. He’s seen it on the bathroom floor at the mall; high out of his mind as he was, he’ll never forget the way Robin looked at him, the sheer crestfallen expression. All that confusion, all that fear and frustration and, in the end, resignation. He’s seen it in the mirror, and he’s seen it in those pretty brown eyes that he just can’t get out of his head anymore. 

He offers, gently, “How can you need him when he’s right there? How can you love him when a year ago you loved El?”

And Mike just looks at him before he deflates completely, his shoulders falling along with his face. He nods. Shrugs. Looks away and hides his face behind his leg. 

Steve sighs softly, watching the boy and speaking the words he wants to say the sixteen year-old version of himself. “I don’t know,” he says truthfully. “I really don’t, and it sucks sometimes, having this need to, like, decide. Or understand. Or stop and be like the rest of them.” Like Robin and Eddie, or like the rest of the world. “But I like to think, sometimes, that maybe it’s a good thing. That there’s just… I don’t know, it sounds corny as hell, but like, there’s just so much love to give, we can’t even stick to only boys or girls, y’know.” 

“That does sound real corny as fuck, man,” Mike says, and back is that long suffering tone of his, back is that eye roll and the twitching elbow, ready to nudge Steve in the side. It’s still tinged with that vulnerability, not quite Mike yet, but it’s an offering.

One of many tonight, it seems.

Steve grins, a bit lopsided and raw, shoving Mike gently as he remembers something he overheard once. “Sorry, mister Heart of our group, but I don’t think you have any leg to stand on here.”

That makes Mike freeze, though, and he stares at Steve wide-eyed; caught. Exposed. Reminded.

“What did you say?”

“Uh,” Steve falters, not sure where he went wrong — or if he went wrong at all. “I overheard Will calling you that, talking about you to, uhm. Someone. I don’t know. Why, what’s— What’s wrong?”

“Nothing,” Mike says, way too quickly, pulling away again with everything he has, hiding behind those walls once more, and Steve feels whiplash from it.

“Mike,” he says, his voice quiet and gentle as he turns to face him completely.

“No.”

“It’s okay,” Steve says. Promises, as much as he can.

“Shut up!”

“You’re not wrong or bad or broken. It’s okay, you’re okay.”

“I said, shut up, Steve.”

“You should see the way he looks at you, too. You should go talk to him. You—“

Mike lashes out, finally coming out from behind those walls again, only to shove at Steve, to push him away — hard enough for him to lose his balance and almost fall off the roof, clenching one hand on the edge, the other in the rainwater gutter with a bitten-off curse.

“Shit, I’m sorry!” Mike reaches for him immediately, snapping out of whatever anger Steve caused, and pulling him back until he’s safe again, apologising over and over, dead to Steve’s promises that it’s alright. “Fuck, I’m so sorry, Steve, I’m so—“

He pulls Mike against his chest, finally reaching out to hold the boy who always pushes people away when they get too close — quite literally, too.

But he doesn’t shove this time, doesn’t move out of Steve’s grasp as the mumbled apologies become heaving sobs.

“It’s okay, you’re okay, you’re so okay, Mike,” Steve tells him over and over as he holds him. The sky above is almost black now and Steve lets Mike cry into his chest.

It takes a while for Mike to calm down, but Steve just holds him through it, ready to let go whenever Mike wants to pull back and snap out of it again — but he never does, and Steve feels a certain kind of affection for the boy that is usually reserved for Lucas or Dustin.

At last, when he’s calmed down, Mike pulls back a little. “Do you really… Does it… Is it really okay?”

Can it be okay? Can I really like both? Is that not just me, being broken and wrong and bad? Will I get the chance to not be alone?

Steve swallows hard, and his voice is hoarse when he says, “Yeah. It’s really okay. ‘N’ I’m with you, yeah? If someone gives you shit for it. Or if you need a reminder.”

And Mike — puffy eyed, snotty nosed, so, so young — looks at him with those trusting eyes and nods, like he believes Steve. Like he trusts him. Like he hopes.

“Just don’t fucking shove me off your roof again.”

Ans just like that, the spell is broken, the tension is lifted, and silence has left them, as Mike almost chokes on a laugh and shoves at him again, lightly this time, before jumping off the roof so Steve can’t retaliate.

“Asshole,” he mutters, shaking his head as he, too, jumps off the roof, dusting off his pants as he watches Mike grabbing his bike. “Hey, Micycle,” he calls, cackling when Mike flips him the bird. “You want a ride back?”

Mike stops, considering as Steve casually flicks his keys into the air and catches them expertly. “What kinda music do you got?”

“The Clash, ‘cause Eddie hates them.”

“Yeah, that’s because they suck!”

Steve snorts, opening the driver’s side door. “Y’know, they’re one of Will’s favourites, actually.”

He watches Mike freeze with a grin on his face, knowing there’s no way the boy would take the bike.

“You’re so annoying,” Mike sighs as he brings his bike close to the garage and carefully lays it on the grass this time before hurrying over to Steve, getting in on the front, rolling his eyes when Steve cackles. “I don’t know why Eddie would date you—“

His words are drowned out when Steve turns up Train in Vain, drumming along on the steering wheel with a shit eating grin. Though the atmosphere is wildly different now, the spell broken and the bubble burst, it’s undeniable that something happened between them. Something big, something important.

Something that makes Mike’s annoyed, long-suffering expression be broken by the smile he’s trying to hide. It makes Steve laugh, elated and feeling something that’s much, much bigger than he himself ever could be.

It’s going to be okay. So, so okay.

Before they know it, they’re pulling up to Steve’s and he turns off the car, is about to get out when Mike makes him still again.

“Hey, Steve?”

“Hm?”

“I think it’s cool. You and Eddie.”

He smiles, relief and fondness washing over him. “Yeah?”

“Yeah.”

“Thanks.” He reaches over and ruffles Mike’s hair — a wild mane these days, but they could make it work with some care and some products. “Now go get your man, lover boy.”

“God, you suck so much, you’re so annoying!”

Steve’s cackling again when the passenger door slams shut and Mike lets himself into his house.

He spots a figure in the dark, their face lighting up when they take a drag of a cigarette — and Steve’s heart stumbles in his chest. He scrambles to get out, attempting to look calm and collected, even though Eddie always manages to see right through him.

“Hello, stranger,” he says, leaning against the wall beside Eddie, hiding away in the dark, where the world won’t see their shoulders touch, or their fingers tentatively playing with each other before they can’t take it no longer and lace their hands, holding on tight.

“Hi,” Eddie breathes. “How’d it go?”

“Fine, I think. But, uhm… I told him. About me. About us. That, uh. That okay?”

Even in the dark, Steve can feel eyes on him, but he just stares ahead, opting instead to give his warm hand a squeeze. He smiles when Eddie’s thumb begins to draw patterns on his palm.

“Hmm. Very. You think they’ll be okay?”

“Yeah,” Steve breathes, stealing Eddie’s cigarette from his mouth and pulling it between his own lips. “Yeah, I think they will be.”

[ryllen]

Look what came through the mail today! The letters & ( •̀ω•́ )σ 3 little gremlins from letterstoear.

Just wanna say i adore the flower stickers on the letters too much, they are that much worth mentioning.

[mourn-and-watch]

the gentleman & jester relationship is so funny to me especially in retrospective. i love gentleman embracing his new-found Crime Boss Dad role but when he met jester he was explicitly the Crime Boss without the Dad part and my guy unknowingly sent his own daughter to places nobody should ever go without a gun and mighty nein didn't get one until hupperdook and it didn't help much anyway.

so back to the point. do you think he ever reflects on the days when mighty nein were working for him but now thinking of jester as his daughter and not some random weird girl. does he ever wake up in sweat colder than usual remembering that one time when mighty nein did that ophelia job and he started to make out with her in front of his daughter dreaming of reuniting her mom and long lost dad and to make it even more embarrassing it turned out they lost their buddy so he shrugged and tossed his kiddo some extra money so she can go buy herself ice cream to feel better or something

[cappybawa106]

Rivals 🎼🍎🦔

Close ups + Extras:

[bi-focal12]

MHA tweets pt.10

[slyvester101]

Club au where the reds and blues work at a club that Carolina owns and totally doesn’t use as a cover for the undercover work she’s doing in the city with the Freelancers to take her corrupt asshole of a father down.

Church, being Carolina’s sister, hangs around the club basically every night since he gets free drinks and has become the official unofficial manager and recruiter for the place since Carolina and the Freelancers are usually too busy going on missions to take down warehouses or gang members working for her dad, planning missions in the rooms upstairs, or acting as innocent members of society that totally aren’t plotting to kill the Director and tear his illegal operations down.

The first of the reds and blues he hires is Sarge and Lopez, who are the club’s cooks. Sarge haphazardly tosses ingredients into a bowl and it comes out edible somehow? He doesn’t even toss in the necessary ingredients for the food; he put a chicken, a bag of chips, a whole bottle of garlic seasoning and a watermelon into the oven and out comes a beef burger with loaded fries. Lopez is in agony trying to figure out how he does it. But it always ends up good. In fact, it’s so good that it ups the club's foot traffic and creates a much better cover to all the cartel members coming in and out to talk with the Freelancers.

Grif and Simmons come next, Grif being the no nonsense bartender who gets to listen to all the juicy gossip going around the club as well as the annoying drama that gets dragged to his bar. He makes a damn good drink so the bar gets a little crowded when he’s clocked in and he complains endlessly to Simmons.

Simmons is a waiter/occasional assistant cook who can guess a person’s order just by looking at them (something about statistics and body language and a bunch of stuff that Grif calls him a nerd for) as well as know their intent and reason for being there with just a couple words. He weeds out a lot of undercover cops. They both get scolded since they constantly get distracted while flirting talking at the bar.

Tucker was next, a dancer with enough spunk and spite to fill the whole club and moves that leave everyone jaw dropped and star stricken. He loves dancing and loves entertaining the crowd even though he has to deal with a lot of shit (he can split-kick a sucker unconscious if they even think about touching him because unfortunately, people think they have the right to touch you when you show off a little skin and dance in front of a crowd. Sometimes people think they have the right to touch you just because you exist and they’re an asshole). But it pays well and he gets the freetime to spend with his son, who is the main reason he works hard for those extra tips to support him, so it makes up for the less favorable situations.

Caboose and Donut were hired one right after the other; Caboose being a bouncer who knows every patron by name (not always the right one) and can carry three full grown men over his shoulder with a smile on his face; Donut being a DJ/event planner/decorator extraordinaire and is basically just an assistant manager at this point with how much work he does with Church to keep the club up and running, but he refuses to take the title because it doesn’t “fit his vibes”.

All the reds and blues know some kind of illegal shit is going on with their bosses, but they stay willfully ignorant about it and only get involved when they think something will put the club at risk. They all love the club and all the people who work there so they work hard to keep it from being shut down by cops or blown to hell by a rival gang or whoever the fuck their bosses are fighting.

That being said, they’re all rather wary of the Freelancers despite Church’s insistence that they’re not bad people (mostly) and wouldn’t bring any harm to them (probably). Things are civil between the two groups, especially since the Freelancers are the one writing their checks, but there’s this underlying tension and nervousness that no one can seem to break.

The Freelancers are kind of disheartened that Church’s friends aren’t really keen to talk to them more than they have to, especially the dancer who hasn’t said more than a word to any of them and will literally get up and leave in the middle of a conversation to avoid talking to them.

This changes with the addition of Caboose and Donut, the two balls of sunshine giving the club a bit more energy, a lot more color, and a bit more balance.

No one is willing to anger the giant bouncer who can easily lift a table with one hand and the feisty DJ who can get you banned for life with another. There’s a lot less creeps roaming around and the whole club seems to relax at the changes Donut makes to the club and the safety Caboose brings.

Carolina seems to lighten up around Caboose, which in turn makes the reds and blues feel less on edge since she doesn’t look like she’s gonna murder one of them. York and North are finally able to get some more friendly conversation outta Grif and Simmons after Donut gets York and Simmons on a rant about hacking as North and Grif snicker at their geeky counterparts. (“I am not a geek! I am a nerd! There is a difference!” “The fact that you know the difference between a nerd and a geek makes you a geek.”)

Maine, who would sometimes work as a bouncer when not on a mission, finds Caboose rather companionable and likes to stand with him outside and listen to him chat during downtime. South comes by a lot more because Donut has somehow started a passive aggressive off between her, himself, and Tucker (and occasionally Church but he’s more overtly aggressive so he doesn’t really count). It’s a lot more fun than it sounds. Connie likes chatting with Donut and adores the gossip sessions she can get outta him, Grif and Simmons. There is a lot of tea to be shared around the bar.

Everyone agrees to keep Wyoming and Florida from meeting Sarge. That is a war crime waiting to happen.

Wash isn’t at the club often (none of the Freelancers are) and instead drowns himself in work with Carolina, planning and plotting and mapping and debating. He’s a bit more standoffish, a bit more gritty and a lot more like his Recovery One counterpart in canon. He’s cold, he’s calculative, he’s bitter, but he’s also patient and knows they can’t rush their takeover of the Director. It worries the other freelancers, seeing how mean and withdrawn he’s become, especially after knowing him as the upbeat, if nervous and oblivious rookie who did everything he was told with a smile and a lot of puns.

But he’s still convinced to come out for drinks to relax after a particularly stressful mission that went off without a hitch. For as distant as he’s become, he’s still a softy underneath and caves at York and North’s insistence that he needs to let loose a little after spending so much time under duress.

Wash hasn’t looked around the main level of the club since Tucker, Caboose, and Donut have been hired and is rather surprised by how lively and joyful the club has become. Caboose greets him with a smile at the door, happily introducing himself to the “new friend” coming into the club. He calls Wash “Mister Washingtub” and helpfully tells him that it’s performers night, so be nice and respectful to everyone who goes on stage or be kicked to the curb. Wash doesn’t doubt that with how massive the guy is.

When they walk in, he gets an armful of bright pink and a chipper blonde man guiding him and the other Freelancers to a reserved seating area near the front of the stage. York and North laugh at his face as he’s dragged by the hand of this upbeat man.

The whole club has changed since he was last there, much more open and welcoming, the decorations not as drab or outdated and the bar and stage have been renovated into something Wash can only describe as glamorous. Even the patrons and workers have changed, more smiles and jovial laughs echoing over the music, more people dancing on the floor or chatting at the bar. It’s so full of life and excitement that Wash is half convinced he walked into the wrong building.

He reacquaints himself with Simmons, the no longer skittish waiter with clumsy hands. He gets a polite smile from him before he rushes back to the bar to chat with Grif, the much more relaxed and not quite as grumpy bartender.

Wash is still reeling a little by the time the music stops and the man in pink is up on the stage starting up the event of the night. Singer after dancer after comedian go on and on throughout the night, entertaining the crowd and adding to the high spirits of the place.

It all comes to head during the final act, a dancer who has the whole crowd applauding before he’s even on stage.

Lavernius Tucker.

Wash is just as hypnotized as the rest of the crowd as Tucker swings and dips and spins around the pole on the center stage, showing impressive feats of strength as he pulls himself up and flips around with poise and precision. It’s beautiful and artistic and you can tell how much love and work has gone into the man’s routine.

The dance ends with thunderous applause and Wash sits there in awe at this graceful dancer taking bows and tips at the front of the stage.

Maybe he should come to the club more often.

[se-agapo-skywalker]

The Old Man and the Sea

Flashbacks are italicized

CW: age gap (dilf!Luke Skywalker), oral sex (f!receiving), penetrative sex (p in v), unprotected sex, usage of petname "master," mild degradation

WC: 4.4k

"You are no Jedi... nor am I." Luke's back faces you, his solemn eyes cast upon the sea. "I cannot train you."

You reach out to touch his shoulder. "Master, please-"

He flinches away from you, almost recoiling in disgust and shock, all the while keeping his face away from yours. "I already told you. That title no longer means anything to me."

"Then what should I call you? Sir?"

He sighs and shakes his head. "No, I'm not that old..."

"Mr. Skywalker?"

"Too formal."

You pause to think, considering your words carefully. "...How about just Luke?"

Finally, he turns his head to look at you. His eyes reflect a strange vulnerability, sadness and fondness all mixed into one, emotions he tries to keep as hidden as possible. He isn't doing a very good job.

Luke nods, silently, once again casting his eyes down to avoid your gaze. "Just Luke."

Snuggled up into Luke's side, you twirl a lock of his hair around your finger and sigh. His head is leaned back against the pillow, eyes closed, breathing slowly and quietly. You smirk to yourself at the sight of him laying there so peacefully--he's spent to the point of appearing fast asleep.

For a man of his age, his stamina is quite impressive--pinning you beneath him, driving into you at a pace that has you moaning his name over and over--but once he's out, he's out. It's rather cute, to be honest... yet you can't help but wonder if he drifts into sleep so easily because he can't stand to be awake.

You've found that when he isn't doing menial chores, Luke spends most of the day either staring at the sea, walking along the cliffs, or doing who knows what inside of his hut. Perhaps he's meditating, or sleeping, whatever an old Jedi does to pass the time when he so clearly hates his life--you almost feel sorry for him. Almost, as every attempt you make to connect with him is met with disdain or rejection. Usually both.

Still, the Temple Island isn't big enough for you two to ignore each other entirely, no matter how hard he might try. Your paths intercept too frequently, much to his chagrin and your delight. There's something strangely magnetic about him--beneath his gloomy exterior lies the remnants of his grace and discipline, the dignified power of the Grandmaster of the Jedi Order.

It's something you're determined to bring out again.

Luke stirs a bit, shifting in the bed slightly. With confirmation that he's indeed still awake, your hand wanders to his face, delicately stroking his beard.

"One more round?" you ask, voice sweeter than honey. You already know the answer--most likely a no--but it doesn't hurt to try.

He groans softly. "I don't know if I have it in me, starlight." Blue eyes squint open to meet yours, a smile growing on your lips, and he scowls. "What are you smiling about?"

"Nothing, I just think you're cute," you laugh, and he furrows his brow.

"Sweetheart, calling me cute is like calling the sky red."

"But it is red, during the sunset!"

"You know what I mean."

Knowing there's no reasoning with you, Luke relents to your will as you lean over to kiss him. He must think you're impossible--you're certain he does--but that's what keeps on drawing him back to you. At least, that's what stops him from turning you away.

Knocking on the door of Luke's hut, you wince. What were you thinking, coming to him like this, drenched in rain during the middle of the night? He's sure to think you're crazy, if he doesn't already. You shiver as the water continues to pour down, making your hair and clothes stick to your body like a wet tooka as it positively soaks you to the bone--you don't even know why you're here, if you're being honest with yourself.

Finally, the door opens. There stands Luke, your reluctant teacher, the man who's been avoiding your friendship for all this time, looking upon you with annoyance and confusion.

"Why are you here?" is all he says, eyes flicking across your wet form. You scratch the back of your neck self-consciously.

"I... I needed you," is all you manage to say in response.

"For what reason?"

"I don't know." You look down at your feet guiltily. "Something in the Force is telling me to be here."

He scoffs, clearly not believing you, but shakes his head and beckons you over. "Well, come in before you get sick," he grumbles, and you follow him inside as the door shuts behind you.

His hut is simple, not far from what you'd expect the living space of an old Jedi hermit to look like. Old sacred texts are scattered about, and so are his robes; he's currently dressed in simple nightclothes, ones that you briefly find yourself staring at.

No, no, you shouldn't look at him like that--especially not when he's standing right in front of you. But you could've sworn earlier that he looked at you the same way when you stood outside his door, wet clothes clinging to your body... You didn't mean to, well, approach him like that. But here you are, standing in his room and shivering before him as water dripped from you onto the floor.

Seemingly reading your mind, Luke finally breaks the silence--"You know, you should probably change out of those clothes and warm up."

"And change into what?" you ask, cheeks starting to burn.

A quick flash of embarrassment crosses his face, but he quickly conceals it. "I, um... something. This," he says, tossing his cloak to you. "I'll turn around."

You keep your eyes on him as he turns around and awkwardly goes to sit on his bed... and you swear you see him take a pillow into his lap. Slowly, you start peeling off your wet clothes; it's quite the thrill, being this exposed near him, something you'd never anticipate you'd do. If you were in your right mind, you wouldn't--but you aren't, and here you are.

After stripping out of the last of your clothes, you wring your hair out a bit and drape Luke's cloak around your shivering, nude form. It's quite warm, made of thick bantha wool, and it smells like him, although you manage to fight the temptation to bury your face in it. He's right in front of you, anyway.

"I-I'm done," you manage to say.

"Please, tell me... why are you really here?" Luke responds, not even turning around to look at you. "You're welcome to stay until the storm dies down, but if you're here to torment me, don't."

You grab onto the ends of the cloak, keeping them secure to preserve your modesty as you move to sit next to him. Startled a bit by your boldness, he finally looks over at you, and there's something in his eyes you can't quite recognize.

You take a deep breath and exhale. "Look, I don't know why I'm here. I don't know why it's storming, and frankly, I don't know why I'm naked, but here we are. But I think we've both noticed how we can't exactly stay away from each other, no matter how hard we try--how hard you try. I'm not here to hurt you, Luke, I only came to Ahch-To to find you, to see that you're still alive. And now that I know you, I..."

In a move that nearly knocks you off his bed, Luke slowly reaches out with his flesh hand to brush a wet strand of hair out of your face. "I know."

By some strange string of fate, or perhaps by the will of the Force itself, you find your lips meeting his. His beard is rough, scratchy. You wouldn't have it any other way. His lips, apprehensive at first, move against yours rather sloppily, either out of desperation or out of inexperience--although you wouldn't fault him for either. It's not like you're particularly experienced, you never quite had the time, and you aren't opposed to the two of you learning together. The student becomes the master, the master becomes the student...

"Master," you breathe out, "please."

Luke's lips trail from your lips to your jaw, and then to your neck, pressing plenty of ticklish kisses in his wake. His hands move to gently grip the side of your face and back of your neck, careful not to mess with the cloak. Part of you wonders if he ever will, if he's willing to go that far, perhaps even in this sitting. A Jedi would show restraint; yet he is one no longer.

In what can only be interpreted as him sensing your thoughts, Luke stops his advances to look at you, lustful eyes now showing with worry. "Are... are you sure you want this?"

You grab his mechanical hand--you quite like the feeling of the flesh hand on your neck--and bring it to the fastener of the cloak, not undoing it, but letting him know it's an option. "More than anything."

Luke's change in demeanor from grumpy to surprisingly gentle is intoxicating, shocking you in the best way possible--you knew this side of him was still there, you just knew it, and you're so glad you finally have confirmation of it. Peering over, however, you try to get a glimpse of the other confirmation of his affection that you seek...

Just as Luke begins to fiddle with unfastening the cloak concealing your body from him, you slip your hand between the two of you, first to carefully grip his thigh as you lean in to kiss him again, moving your hand further and further until-

"Stop," he interjects, grabbing your hand.

"I-I'm sorry, Master, I-"

His gaze softens, guiltily. "No, it's not you. I'm not ready for that--not yet." Flesh hand reaches up to cradle your face. "I want this to be about you. I want to make up for how cruel I was."

You bring the hand to your lips, kissing the palm, silently accepting his proposal to apologize. The Luke you first met on that cliff all those months ago is near unrecognizable--never before would you have expected him to ever apologize to you, let alone be this communicative with you. Well, communicative by Luke standards. From what you’ve heard of his past reputation as a Jedi, all those stories and legends about his vast accomplishments, he had always been quiet, guarded, only now amplified by his guilt in exile. But he’s trying, that much is clear to you.

“Do you want me to continue?” Luke finally says, breaking the silence with a rare show of humor. Smiling and nodding into his palm, you give it one last kiss, relinquishing your control over it.

Hands return to the fastener, and you feel your heartbeat increase as you're finally hit with the realization that this is going to happen. You have no reservations about it, you've fantasized about sleeping with him for quite some time now, but you must admit the actuality is a bit frightening--and absolutely thrilling.

You want this. Luke does, too, if the totally unsubtle tent in his pants has anything to say about it. But something tells you he's just as nervous as you are--perhaps he's worried about being out of practice, or, if he had previously pursued the path of celibacy, he's worried about having no practice at all. Either way, you don't mind, truly. All you want is him.

Finally, in one swift motion, the fastener is undone. Letting out a shaky breath, Luke begins to pull the fabric of the cloak from your shoulders, ever so slowly, exposing inch by inch of your bare skin to him. As the fabric pools at your waist, you shiver at the feeling of the cool air hitting your slightly damp skin. He notices, instinctively reaching out his hand to touch you--the sudden contact and warmth makes you jump.

"Sorry," Luke whispers, unable to look anywhere besides your face.

"Don't be... please."

Now is his chance to ravish you with his eyes, finally gazing upon--and practically devouring--the beauty that has been hidden from him for far too long.

"Stars, you're... you're incredible."

You blush, both out of pride and bashfulness, as Luke's eyes continue to trace your figure. He stares at you for quite some time, not daring to touch you aside from the hand he has gently caressing the flesh of your waist. It isn't until you grab said hand and move it to the swell of your breast that he finally gets the nerve to actually feel you.

Fingers trace around the soft skin of your nipple, coaxing the little bud into a hardened peak as Luke pinches it ever so slightly. He squeezes your breast, firmly but not painfully, and before you can even register what is happening, his mouth is on you. Beard hair tickles your skin as he plants an open-mouthed kiss at the center of your chest. Kissing, licking, and sucking, he marks his journey through the valley of your breasts by leaving your skin raw and marked--claiming you as his own.

You let out a high-pitched gasp as Luke's lips attach to your nipple, alternating between sucking and flicking with his tongue before switching to do the same to the other. He does this multiple times, only stopping when he leaves them visibly puffy and swollen, with you shuddering and moaning softly at the loss of his touch. As he had worked on you, your hands had found their way into his hair, carding your fingers through and tugging at it softly--he nearly bit you in response, and given the effect on him, you swore he almost liked what you were doing more than you liked what he was doing. Almost.

Your hands move from Luke's hair to cradle his face. He looks up at you nervously, waiting for your reassurance or your approval, hoping he hasn't done anything to upset you.

In a moment of boldness, you say, "Oh, I like that... there's just another place I think I'd like it even more."

Icy blue eyes widening, he nods slowly, taking in a deep breath as he prepares to obey your command. Gently pushing you back, he lowers you onto his bed, laying your head on his pillow--and he pauses.

"Are you sure you want this?"

Your first instinct is to pout, but you don't. He's very likely entirely new to this, and nervous about the fact, so the least you can do is have some grace. Reaching out for his hand, gently ghosting your fingertips over his, you tell him, "I want this. I want you."

With nothing more than a silent nod, Luke finally lifts the remainder of the cloak off you and pulls your thighs apart. His breath hitches at the sight of you--so tight, so wet, glistening in anticipation for him. Him.

Reading his emotions--you're becoming a lot better at that under his tutelage--you smile at him coyly through your eyelashes. "It's for you, Master. All for you."

You flutter and clench at the way Luke breathes out, groaning slightly. After a moment of just staring at you, piercing blue eyes locked onto your beautiful, beautiful core, he ducks his head to get closer. Whatever nervousness he had before has almost completely melted away, starting with light kisses to the inside of your thighs as he pries you open even more. You squirm ever so slightly beneath his touch, one that starts out hesitant but grows more and more eager, the rough hair of his beard nearly rubbing the skin of your thighs raw.

Luke pulls away, just for a moment, his voice deep and gravely. "Let me take care of you."

You shudder at the feeling of his breath on you. But you aren't prepared for what follows--the feather-light poke of his wet tongue, slowly licking a preliminary stripe from hole to clit as he slicks you with a combination of your own wetness and his spit. You had wondered, dreamed when this day would come, and now that it's here, you find yourself melting so readily at his every move.

Noticing the effect he has on you, Luke tentatively wraps his arms around your thighs, pulling you closer to his face so he can taste you more deeply. The new angle has you situated to where you could very well begin grinding on his face, and you have no doubts that he'd let you. This is what he wants--to be needed, to please, to do something, anything right. To have you spread out so beautifully before him is a miracle of the Force itself. He'll do his best to prove he deserves it, as much as he thinks he doesn't.

Alternating between gently probing you with his tongue and languidly exploring the contours of your folds, Luke's lips finally make their way to your clit, where he gently begins sucking. For a man who most likely has no idea what he's doing--although he would never admit it--he sure seems like he does.

Your hand instinctively makes its way to his hair again, albeit this time with far more urgency. Arching your back into him, you pull unapologetically on his greying locks, eliciting a deep groan from him.

An idea enters your mind.

"You like this, Master?" you moan, maneuvering to look at him working between your legs. His eyes flick up to meet yours. "You like finally being useful to someone?"

Your words seem to ignite a fire within him. Without even giving you a moment to process what's happening, Luke's mouth leaves your clit--drawing out an absolutely pathetic mewl from you--and he pulls your legs around his waist, lifting your hips off the bed. Using the Force, he swiftly pins your hands above your head, leaving you fully exposed and at his mercy.

"You think I'm finally useful, huh?" Luke practically growls, "Who are you to judge?"

You can feel his hardened cock brush against your sensitive core from beneath his nightclothes, and, desperate for friction to satiate your hunger, you try to rock your hips against his. But he won't have it--holding your legs still, he keeps you in place with an iron grip.

"Before I show you how useful I can be, you must learn patience. Now be still."

Luke's stronger mechanical hand--still gloved, which only adds to the allure--keeps a hold on you as his flesh hand moves to free himself from the confines of his pants. After a brief moment of fumbling where you pretend not to notice, he manages to pull down his waistband, and out it springs.

And it's... a lot. A lot more than you expected. Where you were eager to take him before, desperately aching for him to be inside you, you can't help but feel a bit nervous. Still, you can't take your eyes off him--large, thick, nice and veiny with a pink tip...

"Is this alright?" Luke asks, his voice low and husky, already starting to slowly drag it across your folds. Your body jerks slightly when the tip bumps into your still-swollen clit, but he's too busy lubricating himself with your wetness to notice. "Well?"

"Y-yes... I need you, Master, please," you practically beg.

Smirking to himself, he finally grants your request. Aligning himself with your entrance, he ever so slowly presses in, eyes screwing shut in the process as a low grunt escapes his throat.

"Maker, you're tight..."

You throw your head back and whine at the stretch. Luke is so much--almost too much--filling you in a way you never thought was possible. It stings slightly at first, but it's such a delicious feeling, one you never want to go another day without.

After giving you a moment to adjust, Luke's eyes meet yours--gently questioning, but still clouded by his need for you--and you signal for him to start moving. Slowly drawing himself back out, he starts a steady pace of deep thrusts, although they're a bit shaky at first. Amidst your ecstasy, you forgot that this may very well be his first sexual encounter--something he's doing a very good job of hiding.

In truth, it doesn't bother you at all. Luke sure keeps you on your toes--the more the night progresses, the more you learn so many seemingly conflicting things about him... and the more you realize you never really knew him at all. Perhaps no one did. He can be stubborn, and gentle, and firm, and vulnerable, a million different things all wrapped into one. And, slowly and surely, you'll peel back those layers to reveal who he truly is.

In the meantime, what Luke does show you is just how pent up he is--he isn't even fully out of his clothes, and he's already fully erect and fucking you into his mattress. The noises are borderline obscene, both the creaking of his bed and the squelching of where your bodies meet, with him loudly sliding in and out of you. While he was rather slow at first, he's since picked up the pace, snapping his hips against yours with a bit more fervor. If you hadn't known any better, you'd say he's just about as virile and libidinous as a juvenile fathier.

You moan and write beneath Luke, your hands still pinned above your head by the Force. After all his talk about its sacred rules and how one must respect and fear it, you truly never expected him to utilize it in such a way--but, knowing your Master, you doubt he cares. He looks down at you with those heavy eyes, his gaze filled with emotions you can't quite describe or even begin to understand. He's quiet, oh so quiet--you can't exactly say the same about yourself--that if it weren't for his borderline frantic rutting, you might not have been sure of his enjoyment.

Catching on to your concern, Luke reaches down with his flesh hand to reassuringly stroke your skin, gently tracing from your thigh to your hip, across your stomach, and all the way to the swell of your breast. Your nipples are still puffy and sore from his relentless sucking and pinching, skin covered in the evidence of where his beard had scratched you. He feels a bit guilty, having marked you up so thoroughly like this, yet he also has a strange sense of pride at how you let him. If things go your way, you'll let him again and again and again--until your hunger is satisfied, which you're sure it never will be.

For as much as Luke is thoroughly attracted to you, however, he can feel his hunger start to reach its peak. Whether it be through the Force or your own pleasure, you can sense this, too, and it only serves to bring you into the early stages of orgasm as well.

"M-Master, I-," you whine, not even able to finish your thought as Luke brings his hand back up to rub your clit. He may be stubborn, and grumpy, but he is by no means selfish, especially not as a lover. Like with all things, he's determined to do this right. And he does--each thrust of his hips and tight circle rubbed by his thumb pushes you closer and closer, until finally you're pushed off that cliff and engulfed by the force of your orgasm. Twitching and spasming, legs shaking, you cry out as it overtakes your senses so spectacularly.

Luke watches you, completely in shock that he actually managed to do this--although you knew he would. Feeling you clench around him so deliciously is enough to motivate him to follow suit. Speeding up his pace one last time, positively hammering into you, he chases his own orgasm sloppily, desperately. Perhaps he hasn't had one in a long time, hasn't even had the desire to touch himself, so having you here to offer him some much needed relief truly is a godsend.

You're too blissed out and trembling in the aftershocks of your own orgasm to notice the way his hips stutter, finally stilling as he spills thick ropes of his seed inside you. In that moment, neither of you really care about the consequences--you don't think anything could happen, anyway--nor do you even really pause to contemplate them.

Luke stands before you, panting and slightly dazed, sweat making his hair stick to his forehead. Lowering your legs and pulling out--hot, white liquid spilling out of you as he does so--he adjusts his clothing and finally collapses beside you.

"That was, I..." you start, covering your face with your now-freed hands. "What are we now?"

Luke sighs. "We're something, I guess... something the Jedi of old wouldn't approve of." A glimpse at his old humor appears as he winks at you. "But they aren't here now, are they?"

You open your eyes to the sight of Luke asleep in your now shared bed. His hair is sprawled out on your pillow, long-lashed eyes still shut as he snores ever so lightly. The morning light bathes his sleeping face in a surprisingly lovely way, illuminating the soft, vulnerable side of an otherwise stoic and dignified Jedi master. His arm is still around you, mechanical hand resting at the small of your back--he still prefers to touch you intimately with his flesh hand, but by instinct, he'll use his cybernetic. You don't mind one bit, and he knows this. It brings him peace. Hence where he is now: entangled with you, beneath your covers, mind somewhere off in the realm of dreams.

"Oh, Skywalker..." you whisper, careful not to wake him. You can't tell whether you're talking to him, or really just talking to yourself. It isn't important. Taking a moment to pause, to think, you take a deep breath and say it--"...I love you."

Luke stirs, and you wince. Was it too soon? Is that not how he sees your relationship? He could wake up any minute and reject you and-

"Love you, too," he murmurs, not even opening his eyes, face still buried in his pillow.

Relief washes over you, but so does a strange new feeling... surprise? Excitement? Fear, even? No, no, it can't be anything bad... So you decide to accept it for what it is: something you can't explain, yet something that brings so much hope, so much meaning to your life. And, for the first time in a long time, you're happy--and he is, too.

[g00seg1raffe]

So there was a post a while back about Ben Solo always being told "don't do (x), that's how uncle luke lost his hand" when he was a kid - and I raise you: Elrond and Elros being told "don't do (x), that's how Maedhros lost his hand"??

Like, at Amon Ereb when the twins were newly acquired and refusing to eat their vegetables and Maglor is Mag-mothering them until Erestor, feral half-sane clinically depressed anarchist Avari hostage/patient/infiltrator and Certified Little Shit, hits em with:

"I would listen to the Lord Maglor, winyamor, he well knows the dangers that come to young elflings who don't eat enough vegetables - after all, that's how his brother lost his hand."

Elrond looks conflicted. Elros squints suspiciously. "Truly?"

Erestor, practically comatose since the massacre but ultimately saved from Fading by the biological compulsion to fuck with you, lays a hand over his heart. "I would never lie about such a thing! Just what do you take me for? This is a true tale and a grave warning - the Lord Maedhros' hand was tragically lost in the days of his youth, whilst he was still growing as you are. He refused to eat his vegetables and so, cruelly deprived of the strength it needed to grow strong, his body started to fall apart! First his fingers, then his thumb, and then his palm and wrist - all turned blue and dropped off!"

"No!" Elrond gasps. Elros looks both terrified and impressed. Maglor's face is scrunched up into something that the twins probably interpret as pained - at reminder of the horrors of limbs falling off! - but is actually just him busting a rib trying not to laugh.

"Yes!" Erestor cries with relish. "And it never grew back. All because he didn't eat his vegetables. Isn't that right, Lord Maedhros?"

Maedhros, a looming terror at the head of the table, scarred and solemn and impenetrable as his fortresses, narrows his eyes consideringly at the unfolding shenanigans and the rascal behind it. His conclusion? Fuck it. He gives a slow, solemn nod. Completely deadpan and exaggeratedly formal, because it may have been centuries since he last had his brothers smothering laughter at political dinners but the Finwëan sense of humour, once caught, is not an ailment easily cured.

Maglor conceals his wheezes behind his goblet as Erestor nods sagely to the wide-eyed twins, who suddenly seem a sight more interested in their vegetables.