#I just...needed to write it down

[special-agent-fiction]

The Cost of Silence

Full disclosure, I haven't written anything in literal years and I've never written for this fandom. And then this just...happened? I don't know what the plot is but I had to get it down.

The Cost of Silence - Thomas Shelby x Reader

For a man who bought silence with little thought to its cost, morally or financially, Thomas Shelby appeared increasingly concerned with how much it was going to cost him to hear your voice again.

Gifts had been arriving at Arrow House almost daily for a few weeks and each was met with the same disregard; a blank expression as you passed the newest Bentley parked on the drive, cold indifference to the clothes hanging in your wardrobe and an almost comical eyebrow quirk at an apparent sudden interest in art.

Today’s expensive gift was met with the same lack of interest as you closed the lid of the long red box that had become synonymous with a Shelby apology with a single finger and pushed it away from the pristine plate setting awaiting you in the dining room.

You cared little for the rows of diamonds that sat within the case. Cared less for the obvious displays of wealth that surrounded you. You were not born to be oblivious to the luxury that was your current life, years ago you would have ached for a mere glimpse inside the house you now resided in, but life in this increasingly gilded cage had numbed you.

You often longed to feel the soft notches of the table in Watery Lane as you ran your hand along the impressive mahogany piece you now ate at. Dreamt of the cobblestones under foot as you wandered the gravel driveway in twilight, longed for the ache of a day’s work in your bones.

Poverty was a strange thing to want, but with simplicity came an honesty that your life was currently lacking. You could not bring yourself to look him in the eye anymore, let alone share a smile.

You couldn’t pinpoint the moment you decided to silence yourself; couldn’t remember what atrocity had been the final straw. If anything, it had happened gradually, your voice ignored in family meetings, opinions disregarded as plans were formed, and so you began to hold back, bite your tongue and fade into the background of the life he had carefully curated in this countryside pile.

You knew it was irritating him. The thought brought a rare smile to your lips as he huffed softly from the doorway behind you, watching as your fingers skimmed past the new first editions in the library and landed on a well-worn, market-stolen title that you had brought to Arrow House when it was still new to you.

Words were not something you were able to find solace in in your life before here, your days were too busy to have the time to curl up and appreciate a book. Recently though they were you only companion in this cold house. He had noticed of course, he always notices. A newer, softer chair appeared in the parlour, a glistening tea set waited for you, the fire was stoked more frequently, and yet you remained on the hard, deep-set windowsill that offered you a glimpse at the outside world when your eyes tired of the page. Obstinance felt almost exhilarating these days.

The gifts changed from generically expensive to a more tailored selection; a new saddle, your favourite flowers planted under the bedroom window. And still you denied him. You kept your voice a murmur when talking to the staff, only laughed when he was away and refused to elaborate when questioned by visiting family.

It was noticeable now to anyone who visited the house. Family quirked an eyebrow when you walked away from meetings, their eyes flitting between you and Thomas as you sat silently through dinner, a low chuckle at their leader’s frustration. Thomas was a man who always won a battle of wills, and he was losing spectacularly.

And then he piqued your curiosity.

The office door left ajar when he had an important telephone call. Papers for the foundation you’d long planned to set up. Ledgers left open on the coffee table.

As much as you knew about how to irritate him, he knew about you. The bastard.

You stopped yourself many times; forced your hand down when reaching for a pen to jot a note in the margins of a memo, stopped yourself from adjusting a purposefully wrong number. It took everything in you not to help with the business you’d helped birth.

And then came the storm.

Gunmetal clouds filled the sky, the birds quietened, and thunder rolled in the distance. The drizzle of morning rain had dampened the estate, the heaviness in the air muffling all sound of life. When the first crack of lightening hit just outside the stable block you were already inside trying to soothe the enormous stallion that was an expensive new addition to the block.

You’d anticipated his jitters, had spent most of the afternoon gently grooming him, humming softly as he calmed. You thought you’d pre-empted the worst of it but even you jumped at the proximity of the bolt. You barely had time to register the piercing whinny or notice the beginnings of a rear-up before one leather clad hand was on the bridle the other sweeping you behind Thomas before he reached out to calm the steed. Your breaths were laboured as the horse calmed, your eyes wide as you watched Thomas whisper softly to the animal, its chest rising and falling in time with your own as you calmed simultaneously, Thomas’ soothing voice washing over both of you. It wasn’t the first time a horse had reared on you and wouldn’t be the last, it wasn’t the animal that spooked you it was the speed at which Thomas appeared. How long had he been loitering in the shadows of the stable block? Had he watched you lavish love on the beast he had bought as part of his apology accumulation?

You reached out to rub gently at the neck of your almost-trampler, eyes avoiding Thomas as you mirrored his actions, managing a brief nod at his question on your wellbeing. But for the first time in a while it wasn’t defiance that silenced you.

Gifts and gestures gave way to peaceful companionship. Where he had previously watched from the shadows and tried to elicit a response with baiting, he now stepped forward and joined your silence.

You walked together never sharing a word, rode side-by-side without comment, sat opposite each other with only fireplace crackles filling your evenings. You watched his eyes crinkle slightly as his nieces and nephews ran circles around the ground, watched his tight breath as he fought to keep composure on the telephone, smiled behind your book as he endured another ticking off from Polly. The office door stayed open, the flowers under your window bloomed and you remembered what made you want to share this life in the first place.

Throughout your silence, your morning routine had gone unchanged. Breakfast was often the only meal you and Thomas shared; the plate settings always formal in this grand room, letters gently set on a silver tray next to you and a newspaper ironed and folded next to his. This room had seen many a silent war between you both as you rejected gift after gift, unsaid words hanging heavily between you both, the house always gloomy in anticipation of the clash.

Yet this morning there was sunshine washing the dark floors as you descended the staircase. You could see blue skies in every window and hear the gentle movements of the staff as they worked. You entered the dining room to a familiar sight; Thomas reclined slightly, newspaper in hand, breakfast untouched. Your eyes landed on your assigned seat, danced over the freshly cut bloom sat in a silver bud vase and the absence of any other bribe at your place.

The jolt of surprise would be worth it, you decided. You would allow him the win. Afterall, you needed to rectify those ledger mistakes.

You fingered the soft petals as his usual greeting reached you, eyed the smudge of dirt on his shoe-tip for confirmation and took a breath.

“Good morning.”

In the end, it cost him nothing to break your silence. And that was the point.

[shouyuus]

18+, vi-shaped brainrot, mdni

consider college roommate!vi who is the star of the rugby team and just such a fucking jock about it, spends hours at the gym, has pre and post workout drinks and never closes her door when she's blasting rock music, leaves pink hair dye on the bathroom counter, stains the tub when she gets drunk and tries to redo her roots, calls you everything but your name -- sweetcheeks, dollface, cupcake, princess -- isn't shy about her hookups, doesn't even bother to apologize the mornings after another pretty cheerleader scampers out of her room, shrugs and winks when you come out of the bathroom with a tiny thong dangling off your finger that's clearly not either of yours.

college roommate!vi who does kickboxing on the weekends and teaches a kid's course at the local gym. the first time you go there to drop something of her's off as a favor, you can't help but stare at the way she laughs and chases the kids around, so gentle with her movements, so careful, guiding their punches, correcting their forms. and the kids love her -- it's so easy to see, the stars in their eyes, the color high in their cheeks, the way the girls cluster around her legs and the boys are constantly vying for her approval, how she tries her best to divide up her attention equally between all of them.

college roommate!vi who goes real quiet the first time you laugh in her presence, a real laugh, not one of those ha-ha ones you snipe at her when she's trying to get a rise out of you, or teasing you about spending all your time in the library, but one that shakes your shoulders and makes your whole face light up. who has to blink when you cock your head and ask if she's okay bc she was so busy staring at you, wondering about the weird thumping in her chest, the tightness in her throat.

college roommate!vi who's there for you when you're stressed about your dissertation, and she knew you were smart, but listening to you rant about it at 3am in the morning, she's starting to realize that... you're kind of a genius. to be so young and already doing a doctorate in mechanical engineering, and the things you're trying to do -- they could conceivably change the world one day. who freezes when you let your head drop onto her shoulder with a heavy sigh, telling her that you don't know what to do.

"you'll figure it out, cupcake. with a brain like yours? you always do."

college roommate!vi who realizes way too late that she's kinda got it bad for you, bc since when did she start getting used to the sight of you wearing one of her gym shirts in the mornings, making scrambled eggs, rolling your eyes when she yawns her way into the tiny kitchen, leaning an arm against the fridge as she looks you over before asking what's for breakfast. who's gotten so used to falling asleep to the soft clatter of your computer keys that when you leave to visit your family for a weekend, she tosses and turns and can't figure out why it's impossible for her to get to sleep, wanders into sliver of space you guys have crammed a couch and tv into to call a living room, slumping down there to stare at the ceiling, only to feel her fingers graze against something on the ground, who tugs out the thing from under the couch only to find herself staring at one of your bunched up socks with the goofy cartoon cats pattern, and she remembers (suddenly) finding you tearing your room apart the week before trying to look for it because it's your favorite pair of socks.

she finds herself chuckling, letting the sock fall again, but the tightness in her throat doesn't recede, and invisible fingers clench in her gut as she lets her eyes fall shut.

"well... fuck."

college roommate!vi who doesn't know how to act when you get back from your weekend away, when you throw yourself into her arms, your skin still smelling of the crisp fall air and something warm, and spicy -- it reminds her of the holiday market you dragged her to last year, the cinnamon and spiced apples, the hot, mulled wine, the way it burned all the way down when she took the first sip, the way it worked the most darling flush into your cheeks above your pink knit scarf.

"i've got a present for you!" you say, when you finally extricate yourself from her gasp, your arms still around her shoulders, her hands still settled around your waist.

"y-yeah? you didn't have to do that, sweetcheeks --"

"yeah, but i saw this in a store window and -- well i just... it reminded me of you," you say, pulling back to dig something out of your travel bag, and it takes everything in vi not to tug you back into her chest. so instead, she settles for knitting her arms across her front and coughing to hide the fact that her throat's just tightened over itself at your words. you? seeing something and thinking of her? gods, she was so far gone.

"here," you say, pulling a small black box out and offering it to her on the palm of your hand.

vi stares, before reaching out to take it, her eyes flickering up towards your face, only to catch you chewing on your bottom lip in a way that makes her mind frizzle out at the edges. she refocuses her attention on the box -- opening it, she finds a tiny little gemstone, set on a thin golden chain --

"oh..." she breathes, tugging out up to let the gem dangle from between her fingers.

"it -- it's an alexandrite stone," you say, your voice a bit reedy, but you push on as vi continues to stare, "it's uhm -- one of the rarest gemstones in nature, but the cool thing is it changes colors depending on what kind of light it's under --" you reach up to grasp her wrist, her lungs seizing at the contact as you tug her into the incandescent light of the kitchen. "see? it was light blue a second ago, right? and now it's --"

"violet," vi says, her voice soft and disbelieving.

you quickly let go of her wrist, pursing your lips and wrapping your arms around yourself, looking anywhere but at her face.

"yeah -- i just --" your shoulders shrug up as she stares at you, her sky-light eyes wide, "it... it reminded me of... you."

college roommate!vi who, ever since the "necklace incident" (as the rest of the rugby team likes to call it), hasn't really been the same. she's put on the necklace and not taken it off for even a second since the day you gave it to her, but now she doesn't really know how to act around you -- bc did you actually like her? i mean, the necklace is... a pretty big thing to just give someone, but what if you were just giving it to her as a friend? as a roommate? she agonizes over it to the point that the rest of the team are so, so sick of hearing about it, they lovingly tell her to just fuck her and get it over with already. but vi insists that she can't -- it's different with you.

college roommate!vi who's stunned speechless when she gets home to find you staring at your computer, your expression blank. and at first, she thinks something's horribly wrong, but then you're slamming into her, squealing about how you've done it -- your thesis defense went well, that you're a doctor now -- and she's picking you up, spinning you around, buoyed up by the effervescence of your happiness, pressing a kiss to your cheek --

"oh my god, congrats princess! i knew it! i always knew you could do it!"

"thanks -- god, i just -- i've wanted it for so long i... i don't know what to do with myself now that i've got it, y'know?" you say, still suspended in vi's arms, your feet lifted off the ground. it takes a moment before you both seem to realize the position you're in, and vi clears her throat as she lets you down, you looking away, pressing your palms to your cheeks to cool the heat gathering there.

after a brief pause though, vi chuckles, reaching out to slip a finger beneath your chin, tilting your face up towards her's.

"c'mon, put on one of those pretty dresses of yours. we're going out."

"out?"

"yeah. to celebrate."

you blink as vi pulls her hand away.

"but it's like... 4:30 on a tuesday."

vi cocks an eyebrow, a smirk twitching at her lips, "yes, and? c'mon cupcake --" her eyes catch yours and instead of looking away, she holds it this time, something flickering behind their powder-blue depths that makes your skin prickle with heat, "i'll show you a good time."

college roommate!vi who takes you to one of her favorite clubs, tugging you through the crowd, the jostling bodies, holding your hand in her's, trying really hard not to think too much about it (or the fucking insane little black and pink miniskirt you put on), telling herself that it's just to make sure she doesn't lose you in the crowd, grinning when someone knocks you into her chest, and she finds her arm wrapped around your waist, fingers scrunching the material of your skirt, your palms splayed on her chest.

she buys the both of you a round of shots, watching with a hitched breath as your tongue flickers out to lick the salt daubed on your wrist, the way your eyes squeeze shut when you take the shot and your lips wrap around the lime slice, tries to ignore the twist in her gut like a turning blade, the way her whole body flushes with heat, the dull ache caught between her legs when you wipe your lips, your eyes bright and a little blown out, your cheeks flushed with color as you giggle and lace your hands with hers again --

"come on! i wanna dance!"

college roommate!vi who is just drunk enough to let herself dance with you, to let herself lean in to the way you're twisting your body, fingers in your hair, your eyes closed, an indulgent smile on your lips, who let's herself imagine (just for a second), pulling you in to kiss you, how soft your lips might feel on hers, how silken your skin might be beneath her hands, who tries not to groan when you lean in closer, link your arms behind her neck, press your whole body against her's, who grips your hips just a little too tight, grinds you against her, sees the way you gasp, your eyelids fluttering as you eyes glaze out --

college roommate!vi who can't help how she groans at the sight, tugs you in by the back of your neck to mash her lips to yours, crushing you to her as she kisses you (finally, finally) and you let yourself he kissed -- your fingers tangle in her choppy pink hair, and she swears you make this sweet, mind-bending whimpering noise in the back of your throat that drives her up the wall and right over it --

but when she pulls back, she sees the look on your face -- shocked and little confused, but you're drunk, and she doesn't wanna do this with you -- at least, not like this.

college roommate!vi who pulls away, only to have you follow her all the way out the club, into this small dark alley, her shaking her head, feeling a strange, saltwater prickle at the back of her throat as she says --

"shit -- sorry. i didn't mean to -- i just -- you were just so -- and i -- fuck, i didn't --"

"vi -- vi -- no, violet, listen to me --"

it's her full name on your lips that makes her pause, makes her turn to find you walking towards her. your lipstick is smeared, your hair a waterfall mess around your shoulders as you corner her against the rough brick of the club's exterior. faintly, she can still feel the pulse of music reverberating from inside the club, but out here, the air is damp and cold and quiet.

"i -- i'm sorry i kissed you," she says, her voice cracking over the syllables. she bites her lips as you frown up at her, your eyes searching her's before you let out a soft sigh and a scoff.

"well. i'm sorry you feel that way. cause..." you take half a step back, your arms curling around yourself before you glance back at her with a hard, determined light to your eyes as you press back into her space, your cheeks bright with color.

"i was really kinda hoping you'd do it again."

vi's breath punches out of her chest; it takes a few seconds of sputtering before she gathers herself enough to speak.

"wait -- what? you..."

you crinkle your nose, rolling your eyes, "i -- i thought i was making it obvious -- i mean, with the whole necklace thing -- it doesn't take a genius to figure how i feel about --"

you squeak as she pins you against the opposite wall, her lips seeking yours out, her fingers rucking up the material of your top, making you hiccup as they tease under the wire-rim of your bra.

college roommate!vi who can barely control herself when you sink your fingers into her hair, tugging lightly as you gasp out a breath, her lips tracking fire along the side of your neck, intent on making you whimper again, just the way she likes, grazing her teeth along your collarbone even as you jerk at her hair --

"vi -- fuck -- vi, not here --" you swallow around the burgeoning desire, and when you glance down to find her looking up at you, her eyes so dark they're almost black, you fight back a groan, cup your palms around her cheeks and pull her up for a long kiss.

"let's --" you suck in a breath even as vi whines at the loss your lips, "let's go home --"

"holy fuck," vi swears, somehow managing to pull herself back just far enough to taste the misty night air. she stares at you, your chest heaving, a daisy-chain of hickeys blossoming along the long expanse of your neck, your makeup good and smeared, your hair a mess, your eyes bright and so full of love as they flicker over her face.

vi smiles, helpless to the loud, uncertain drumming of her heart as she says, "y-yeah -- let's get you home, princess."

college roommate!vi who barely waits for the elevator door to close in your building before she's got you shoved up against the wall, hoisting you up, her fingers seeking out the softness of your skin, tugging up your shirt, her other hand dipping into the waistband of your skirt, her mouth open and hungry as she kisses your neck, bites down at the junction of your shoulder just to hear you moan.

college roommate!vi who's way too good at undoing your bra with one hand the second you get back to your apartment (if you were more coherent, you might've thought it hot), the door slamming closed, the pair of you toppling onto the room, breathy laughs and panting whines as she hoists you into her arms and carries you to your bedroom, laying you down so gently, kissing up your stomach till you're whimpering, your own hands pulling your top off your body, leaving you in an undone-bra and a miniskirt, your cheeks flushed. you push yourself up onto your elbows, watching as vi peaks up at you from between your legs, shooting you a wink before she's tugging down your skirt and panties all in one, an eyebrow ticking up at the lil lacey thing you had on beneath the skirt all along.

"all this for me, pretty?"

you press your lips, eyes cutting away as she looks between the bra dangling off your shoulders and the panties caught round your ankles. her lashes flutter.

"oh, a matching set," she cocks her head, running her palms up your thighs, pinning them open again as you try to press them closed, feeling suddenly much too seen (bc you'd be straight up lying if you hadn't put it on in the vague hope that the night might evolve into something like this).

she clicks her tongue, shaking her head with a cocky, shit-eating grin that makes your heart skitter in your chest. her drops a light kiss to your inner thigh, savoring in the way you whine again.

"nope, keep 'em open princess."

college roommate!vi who takes her time with you, bc rly she's been waiting way too long for this, has imagined it one too many times, but nothing can compare to the way your hips jerk up against her mouth, the way your fingers tighten in her hair every time she licks up the seam of your cunt, the way your breath catches on her name over and over again, like you can't quite get the word out even though it's just a single syllable. she groans against you, too lost in the taste of you to care about what a mess she must look like, with her tongue fucking into your desperate hole, her nose nudging your clit, her fingers digging crescent moon marks into your hipbones.

she's sure that if this were an old-fashioned cartoon, there'd be big, balloon hearts popping out of her eyes. she can't get enough of you like this -- moaning her name, your legs on either side of her face, your skin littered with the remnants of her. she has the eye-rolling thought of you the next morning, of how all these marks will still be there to remind you of her every single time you see one of them.

college roommate!vi who doesn't expect you to flip over after she's literally eaten you out seven ways to sunday, to tug her in for a soft kiss (though she really does like pressing your own taste back into your mouth with her tongue), before your fingers are inching down the length of her body to tease at her hips, trailing circles down the lines of her abs, toying with the thin line of hair that leads into her black boxer briefs.

"what are you --"

you shoot her a look that has her mouth going dry.

"what? didn't think i can give as good as i get?"

college roommate!vi who's literally going to lose her mind with the way you're fingers (at first sight so thin and delicate, but gods are they stronger than they look) are pressing into her, curling up with the kind of precision usually only associated with doctors, and then a voice in the back of her head reminds her -- oh, right, you are a doctor now. but logical thought dies after that, bc you've somehow worked your way between her legs and are looking up at her with those big dark eyes of yours, smiling sunshine bright before you drop a kitten-lick against her clit and she's twitching, keening as she cums all over your fingers.

"jesus fuckin' christ, doll -- is that what you're learning in those engineering classes?"

she's breathless, cheeks flushed, and honestly just a little embarrassed at how quickly she came, but she has to bite back another groan as she watches you lick your fingers clean, grinning sweetly up at her as if you didn't just get her off in record time.

"no, but i did do my dissertation on human-based robotics, which included a lot of late nights memorizing anatomical models so..."

vi pulls you in for a kiss, laughing against your lips.

"you're amazing, y'know that?"

college roommate!vi who can't really believe how much she's lucked out, sharing an apartment with her girlfriend, who literally cannot shut up about you, but the rugby team all agree that they'd rather have this than the months of endless pining. who brags about her genius gf to anyone who'll listen, and looks for you in the stands of all her practice matches when you can make it, who kisses you in front of everyone even when you make a show of trying to wiggle away bc she's sweaty (you don't really care).

who loves telling the story of how you guys met bc she still can't quite believe it herself, and the story always starts with --

"well, actually -- we started off as roommates."

[xxplastic-cubexx]

personal happiness or what the fuck ever

bonus:

[confessedlyfannish]

Writing Prompt #12

Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.

Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.

Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.

While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.

These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".

There is a knife to his right, if memory serves (it does). In the next five seconds—

"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.

But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.

He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.

"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.

"What a shame," he says, placing it face side up on the table.

"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.

He doesn't look away from the man.

"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."

"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.

The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.

The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"

Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."

"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."

He offers Bruce the watch. After a moment, Bruce takes it.

"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.

"You can look left, Mr. Wayne."

Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.

"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."

"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.

"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."

"Him."

"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."

"Why me?"

"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."

This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.

"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"

"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."

Bruce bristles. "I bow to no one."

"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."

"A weapon you want me to bring to my city."

"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."

"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."

"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.

"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.

"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."

"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."

"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."

Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.

Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.

"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."

The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.

"We will not meet again for some time, Mr. Wayne."

Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.

"Ask your question, Mr. Wayne."

"I have more than one."

"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."

"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"

There is a pause.

"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."

"Resolve what?"

"It is not his future I mean to protect," the man says. "It is his present."

"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.

"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."

Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."

The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.

"I am not inclined," Clockwork says slowly, "To this future."

"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."

"They will have already muzzled him."

Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.

"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."

"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—

Clack!

"sluuuuurp!"

"Master Timothy, honestly!"

"Sorry Alfred!"

[emo-batboy]

A Wild Battinson (Social Media AU)

Part 43 (Masterlist)

(Part 44)

Me, to myself: I just think the series was better when I posted several times a week because the pacing felt more natural, and it translates better when people binge it.

Also Me, holding two jobs and a bat: If you try to post once a day again, I will disconnect your head from your shoulders—

@bruciemilf guess who’s back

Anyways, folks! :D So I'm thinking of a new upload schedule where I spend a bit preparing the next ten or so parts then post it all in two weeks? I think that would be fun (and much better for my creative process.)

I’ll be posting the next part very soon :) But it's going to be drastically different from what I've done before. Let’s see if anyone can guess why.

Yada yada don’t die LOVE Y’ALL

[aphel1on]

AURGH auwarghh the autistic parental trauma... the epi was wacky hijinks then dropped this on us out of nowhere... (sobs) laios... laiiiiooooos

[bamsara]

I love Arson he's my favorite heater but I should really get a cheap laptop one day so I can leave the house to write because the Noise. Is . Too Much. I need to go write in the forest

[quicksilversnails]

Took some notes from the Wild Life retrospective episode of the Imp & Skizz podcast featuring Grian because I thought the behind the scenes info was really interesting!

(3:15) The wild cards were all kept totally secret from the players (apart from Grian), with the exception of the superpowers and finale (as they required the players to set keybinds)

(3:45) The players were given files containing the required mods each week, which were named things like "creeper rain" to throw them off

(4:12) Wild cards were a combination of data packs and mods

(4:38) Grian told them not to read the folder name to avoid spoilers (which is kind of impossible), so everyone fully believed there would be creeper rain lol. Grian was saying it in jest but everyone took it seriously and were apologetic about having seen it, to which Grian told them not to worry

(6:58) Grian originally contacted a data pack dev called Brace for help with programming the wild cards. Some, like the shrinking/growing could be achieved with minecraft attributes, but the snails were too janky and unusable. Grian still liked the idea though, so he reached out to mod developers Henkelmax and Breadloaf, who designed the pathfinding/behaviour from scratch

(8:49) They had a debugging mode used to test the pathfinding of the snails, shown in the podcast and in Grian's credits

(10:09) Grian wants most of the credit to go to the development team and artists, as he was mostly in charge of ideas & organization!

(10:39) Grian's only regret with the snails was that they were too fast in session 3, leading to unexpectedly many deaths. They were apparently not so difficult to get away from during testing, but perhaps the testers were more used to them than the players were

(11:44) Grian: "We did develop to the lowest common denominator" ie. prioritizing how players would struggle over how worrying about if players would do too well

(12:56) Oli's voice for the snails was iconic. It cost Impulse a life because he intentionally stayed closer to it to hear the voice lol

(13:42) Danny was in charge of the snail models and animations

(14:11) During testing, the snails just sounded like Oli, which made it feel weird. They pitched up his voice so that it'd be less immediately recognizable

(15:18) The snails' jumping attack was meant to be clearly telegraphed: they would stop, wiggle, make a "ooeee" sound before jumping. Many players had their friendly creatures volume turned very low/off (as cows and other mobs are loud), which made this attack much less obvious for them

(16:57) The growing/shrinking had the least testing done for it, as it was the simplest conceptually and to program. This meant that the falling off of blocks due to the shrinking hitboxes wasn't anticipated

(17:55) Before the 1st session, Grian told them that he didn't think anyone would die to the wild card. Pearl's death made Grian pretty nervous, as he didn't want everyone dying too early in the season

(19:29) 6 lives were given, knowing that many of the death to the wild cards were unexpected/unfair. The intent was for ~3 lives to be allocated for wild cards, and ~3 for PvP.

(21:13) The developers were all fans of the Life Series!

(22:43) The shrinking/growing was intentionally pretty simple to ease players/viewers into the concept and build up toward more dramatic wild cards like the snails

(25:38) In the hunger episode, Grian didn't know which foods would be good

(25:58) Grian thinks that "it's unfair that Grian already knows everything" is valid criticism, but that it's important for him to be involved with the ideas. Having someone else do that is like having someone else record his videos: Life Series is his brainchild

(26:35) Well before the season began, while they were still developing the concept, Grian asked the other players for wild card ideas that would meet a few criteria. All of them ended up being unused for one reason or another. Impulse thinks his ideas were very "inside the box" because he was viewing things through what was possible in vanilla Minecraft. His idea was to have a scavenger hunt where the players would search to find a relic. The first person to find it would get a buff. Skizz's idea was for every player to turn into a random passive mob for every given interval of time. They would have to find every other player of the same mob type as them or else the whole group loses a life.

(29:44) The food qualities were weighted by the rarity of the item, so very common blocks like dirt and cobblestone would never give anything good. The other items were randomly selected

(30:23) Regular blocks/items cannot be made edible normally, so they had to circumvent that and custom code a fix for items not stacking correctly

(32:41) While a lot of players do want to win, the main priority is creating entertainment, which prioritizes playing recklessly

(33:20) The food wild card wasn't included in the finale because it would've felt like "too much". There was a higher risk of technical issues since it changed the data values of items, and Grian didn't want someone's last death to be because they ate their sword. In his mind, it was a good and fun wild card, but didn't need to be repeated in the finale. Impulse points out that they all would have collected more rare items by that point, removing the incentive to search for blocks to eat

(33:46) The wild cards in the finale were nerfed from their original sessions. The shrinking/growing had a smaller height range, the snails moved slower, etc.

(36:21) The personalized snail skins were a late addition by Danny, who made 18 skins very quickly

(36:49) Grian did not anticipate the snails becoming as popular with fans as they were. After the session released, they had the idea to release the snail merchandise, which directly funded the rest of the season

(39:20) Grian spent what "felt like every day" testing with the developers. They'd record the sessions on Tuesdays, meet up with the dev team, talk about what need to be done, testing, bugs, etc, edit and upload on Saturday, and would get a few days grace before starting again

(40:01) After the snail session, Grian was worried that the season would be very short due to all the deaths. They were considering toning down the later wild cards but ultimately didn't change them too much

(40:36) The time wild card was carefully balanced. If it had gone even a little faster, many players likely would have died because they wouldn't have time to react to threats like baby zombies or creepers.

(40:57) While sessions normally run for a variable amount of time, session 4 was hardcoded at 2 hours. Grian ended the session ~10 minutes early, just after they hit max speed, because he felt like things were getting dicey

(42:46) When the wild card first activates, it looks a lot like the server had frozen or crashed. Grian told the players before the session started that it would look like the game was broken, but that it isn't broken. Skizz tabbed out anyway and missed the beginning 😔

(43:30) Having the rain start just as the wild card began was a good visual indicator of time slowing down. This was a suggestion from the dev team (probably Brace)

(44:41) Impulse and Grian "cheesed" the end of the session by going branch mining. Grian wanted players to take advantage of the wild cards (eg. mining quickly, helping to kill someone), and not have them just be an annoyance.

(45:30) Keeping the client and server-side time stay in sync was challenging. The sky's motion was changed to be smoother on client-side. The players were also not as fast as the server (around 2x faster), the server was going faster than that, and the time of day was even faster

(46:56) The sounds were pitched up/down based on the speed to add to the effect

(27:46) In testing, if the players were made 7x faster, it would be basically unplayable, which was why it was capped at 2x speed. This made mobs very dangerous, as they were now faster than players and could catch up to you and kill you easily

(49:01) On several occasions, they had to extend the fuse duration of creepers to make them more fair. In the time session, their speed was only increased by ~10%

(49:39) Usually, Grian was the one to test the wild cards and notice when things like creeper speed would be an issue, since he was the one with experience making videos

(50:50) A challenge with balancing wild cards is accounting for the playstyles of so many players: reckless players like Scar and Skizz, "kind and gentle" players like Bigb who would stay off to the sides, and "the sweat squad" (Scott, Impulse) who play very cautiously

(52:48) Trivia Bot was the only wild card that was not planned in advance. Grian was struggling to come up with a wild card for that episode, and wanted to have a wild card available that could give people lives in case many people died to early wild cards without it feeling cheap.

(53:33) Trivia seemed a little boring on its face, so presentation was essential

(54:34) This one made Grian the most stressed due to all the moving parts involved in making it (coding and pathfinding mostly by Henkelmax, visuals by Hoffen, audio/music, questions)

(55:08) Trivia Bot's design was based on Grumbot and Mettaton from Undertale. Hoffen drew concept art shown in the video

(58:32) They show Trivia Bot's custom animation for becoming a snail and it's really cool

(59:12) The music was the most stressful part of the project. Grian spent 2-3 days looking through Epidemic Sounds for a Trivia Bot theme song and couldn't find anything good. He commissioned Zera @hopepetal for a theme song, which is played in the podcast. However, Grian realized he needed a full audio package, so he commissioned Oli late in development, who created the final soundtrack and many audio variations

(1:01:38) Grian wants to send appreciation for everyone who worked on the project, even if their work ultimately went unused

(1:02:58) Skizz was happy to give back however he could by staying on standby in the final episode as a zombie, as the players were able to "reap all the benefits" of the hard work of the development team

(1:05:21) Grian didn't know any of the trivia questions beforehand, which were done by fans of the series. The goal was for ~50% of the questions to be answered correctly, which was approximately met

(1:07:11) Players couldn't get questions about themselves because it would be too easy. This would encourage players to leave their bot, allowing other players to mess with them

(1:07:57) Grian felt a little left out from the discovery element of the wild cards, and decided to mess with Scar by hiding his bot. He wasn't expecting Scar to die from it, and could tell that he was genuinely a little upset by it. Grian felt bad about it, which led to a genuine in-game alliance between them

(1:12:32) Grian was very close to letting Trivia Bot give lives as rewards, but decided it would feel too cheap

(1:14:38) Mob swap was slightly toned down, with more camels and sniffers spawning

(1:15:07) Evokers didn't drop totems anymore. Instead, there was a minuscule chance a warden or wither would spawn, which would drop a totem if killed. Grian was a little disappointed that the warden got cheesed in the end

(1:17:45) Having the mobs start passive and turn hostile was mostly for the presentation, building anticipation, and so players could predict where mobs would spawn and react accordingly, making things feel less unfair

(1:20:32) There was no superpower made for Skizz (or Mumbo presumably)

(1:20:38) The superpowers were another late addition. There was a large design doc where Grian created all the powers, which were handed over to Henkelmax and completed over 4 days

(1:21:42) Grian avoided superpowers involving strength, that could cause someone to die easily. Most of the powers were social or movement-based, which couldn't be used for offence as easily

(1:22:25) Some powers were randomly assigned, others weren't. Impulse's was random. Cleo's, Bigb's, Lizzie's, Grian's were assigned.

(1:24:25) Grian gave himself the mimic because it could easily backfire (like in Grian's fall damage death), and because it would've been confusing for a player who wasn't aware of the other powers. They likely would've spent the episode just figuring out how everything worked and not actually using the power to its best ability

Lots of discussion about the superpowers and how they interacted in the episode itself, go watch if you're interested :)

(1:33:38) Talk on how the series "standard" rules evolved since 3rd Life. There was no keep inventory, and no restrictions on enchanting levels or potions, which created slow or unbalanced fights

(1:36:23) 3rd Life was designed to be an experimental series, which made Grian eager to improve it. For example, some people just weren't dying in 3L, leading to the boogeyman in LL, and so on

(1:37:17) The goal with the seasons isn't to one-up the previous one, but to create a different experience every time, which keeps things engaging for the creators

(1:38:31) At the end of each session, Grian would ask the group if they had fun and how they felt about the wild cards. According the Skizz, the answer was "a resounding yes"

(1:39:08) Grian had moments throughout the season where he personally felt like things didn't go well for him, and was anxious for the rest of the group's episodes. Things worked out while editing the raw footage, though. His issues were never with the wild cards themselves, but his own actions (traps not working, spending too long branch mining), but would always find funny moments in his footage

(1:43:41) Everyone in the Life Series cast genuinely likes and genuinely respects everybody else in the group. This allows them to make the show and get mad at each other, because they know it's all just in-character

(1:44:50) It'd be hard to top Wild Life in spectacle, and Grian doesn't want to start an arms race with himself. The next season could potentially be closer to 3rd Life, but Grian's not sure yet. For Grian, Wild Life was the most enjoyable

(1:45:20) Grian: "As long as people keep enjoying [the Life Series] then I'd love to keep doing it"

(1:49:35) With the finale, Grian knew how the wild cards played out the previous sessions and was able to adjust them

(1:49:56) Grian's goal was to create safe chaos where everyone knew what was happening and wouldn't die to them, which didn't go entirely to plan. The snails were 60% of their original speed and people still died

(1:51:03) Grian made a precise timeline of when each wild card would start/stop, it wasn't randomized.

(1:54:16) All the superpowers were randomized, with Bdubs' power being removed from circulation because it didn't have much use in a finale setting

(1:56:10) It was important for Grian that in the final moments, the wild cards were removed, so there were no interruptions. The timing worked out well because there were a few people left and it ended within ~10 minutes (this implies that the change wasn't based on # of players alive, as people had speculated based on Gem's death)

(1:58:48) The players all randomly switched to zombie skins throughout the session to mess with people on NameMC. Well-played :)

[plutonicbees]

we talk about "yj killed santa!" "yj watched santa die!" "yj let santa get exploded by an evil meteor!"

but we need to further discuss the fact that they then took it upon themselves to deliver all of santa's presents---and they weren't even able to finish until march

so, how do you think they went about it?

I imagine they really tried their hardest until the new year (or the end of somebody's winter break), at which point it just became a kind of chore list between school and missions and shit

there were probably spreadsheets and schedules to get it done asap but the thing about having to do all that on top of being a superhero and a teenager---is that a schedule would mean absolutely nothing; procrastination. world ending shit. weird ass super shit. the general maladies of being teen aged.

in my mind, they tried doing team deliveries via the super-cycle before realizing that they should really just split up, at which point the brunt of it fell to bart, kon, and cassie. cue cartoon image of bart running with a comically large backpack. but tim or cissie could take the super-cycle and carry larger deliveries and greta likes to tag along on those rides.

also, having to leave the house to do all that?? max would absolutely think bart is fucking with him and trying to get out of doing his schoolwork. helena would just sit down like. nobody told me having a superhero daughter would involve the aftermath of santa's fiery death. what did I do to deserve this. I can't even imagine this being a lie because it would be the most insane lie ever. I don't even care if you're just trying to go out with your friends because what was that story. and then there's tim on a faraway mission with dick or bruce just going "hey I need to make a delivery, dw abt it ahaha" and then fucking off to do his santa shit. absolutely does not bring it up.

do you think cissie was still on the team by the end of those 3-ish months? did they hold her to being a santa helper even when she left?

consider the implications !!!!

[crazy-ache]

I’ve been interacting with new fanfic writers and also been seeing some folks share the fact that they care about hits, bookmarks, and comments on their work as if they’re embarrassed by that fact.

I’m just here to say you shouldn’t ever ever ever feel that way.

Writing, in this case fanfiction writing, can be a very lonely journey at times. If you’re brave enough to post online, there’s nothing wrong with wanting to receive validation. Because when you don’t, I think that’s the equivalent of playing or singing a song and nobody claps once you’re done. Imagine the Olympics or local sports arena or little league game with empty stands. Not a single soul cheering at the end of a concert. Nobody shows up to the art gallery. Nobody eats the baked goods you made with love at the party. All of those scenarios undoubtedly hurt.

Yes, you did it for yourself. Because you love this passion of yours. Because you’re working on your skills. Because you’re proving something to yourself.

But there’s a reason so many of humanity’s passions happen in front of a crowd.

Art is meant to be seen, music is meant to be heard, and yes, fanfiction is meant to be read.

We all want to know our art made an echo.

And yes, we all want to know somebody clapped for us. It validates us, it encourages us, it motivates us to keep going when we’re burnt out. It’s also just plain fun. All of these apply to world class musicians or athletes. For fan fiction writers, the audience cheering is as simple as a hit or a comment. It’s someone engaging with our work in a positive manner. So if you’re feeling that way and you feel bad about it—remember you’re human. And your passion and hobby is just as worthy of receiving audience reception as anybody else.

Fanfiction is a communal space, not just a solitary act. Give love back. Engage wherever and whenever you can. Open yourself to viewing this as a two way dialogue with other writers and readers. Give yourself grace and compassion when you’re disappointed. And when it’s your turn—don’t forget to clap.

[poorly-drawn-mdzs]

Gaslight, Gatekeep, Girl found dead in a hidden room.

[First] Prev <–-> Next

[not-equippedforthis]

forever mourning how granada holmes never adapted the three garridebs. diabolical. unbelievable, even. 'if you had killed watson you would not have made it out of this room alive' but in brett's frightfully intense and low, biting, hissing voice. the violent, wild stare versus the gentle hand on watson's knee. all of that precarious control getting flung out the window. the humanity of it. gritting my teeth can you fucking imagine.

[artbribery]

Danny is summoned but tells each different summoner that he is a different being. 

He just gets fed up with it and says:

“No, I'm actually the fairy godmother and you don’t qualify as cinderella, unless you’re a young girl who wants to go to the ball, are you?” 

“Sorry, I’m a genie and I just lost my lamp, very sorry, didn’t rub the bottle, no wishes for you.”

“For the last time, I am not the ghost king, the lines on the summoning circle are all wrong, see, that right there means I am not of the ghostly category, I’m actually- yeah you got shit calligraphy Chad, will you let me finish I’ve been planning this one for a while--”

“So yeah I’m the easter bunny, what, you think the easter bunny has to be a bunny just because of the name? Not everyone gets an obvious name”

“I’m Batman” 

This last one probably backfires one day when he gets summoned into a cultist’s basement in front of the tied up Literal Batman and he goes double dare on the death by embarrassment by saying that one is a fake and how dare they, for shame, this poor cosplayer--

Bonus: 

He was summoned into the Watchtower by the JL. Danny is wearing a spacesuit costume and goes “Uh.. Houston, we have a problem.” 

[arthursfuckinghat]

So, I was nosing around the gang's tents and I thought that it was honestly so sweet that so many of them have photographs of themselves or of family right?

Little baby Charles with his parents, a young Susan, young Hosea and Bessie, but then I found something interesting in that pile of junk down the cliff just behind Arthur's tent-

Dutch actually writes notes for his famous camp speeches.

And if you've seen the speech that these notes are referring to, Dutch seemed to simplify it a lot when he recited it, almost dumbing it down for the gang entirely?

Writing notes for an important speech isn't the strange part, but the fact he dumbs them down and that these notes are hidden/thrown away out of sight is really strange to me. It makes me think that this is possibly a rough draft or early version of what he wanted the speech to be, sort of implying that Dutch practices and revises his speeches.

Which, if he ultimately dumbs them down for the gang, then what is the point?

The likely answer is that he holds himself to a higher standard because he feels he's above the gang members, in a way. He's the visionary, the leader, the man in charge, the one who reads philosophy books almost exclusively, to say that Dutch didn't think highly of himself would be a lie. And because the gang is 'below' him, he simplifies his speeches for them - despite majority of the gang being well educated and understanding. He doesn't think that the gang is as intellectual as him.

I made a post previously talking about Dutch and his Evelyn Miller philosophies and how he argues with gang members that don't agree or understand. It's especially interesting how Lenny, also an avid reader, disagrees so strongly with Miller's writings when that's what most of Dutch's philosophies are based on.

It solidifies that Dutch was manipulative from the beginning, and probably long before too.

[s0fter-sin]

vampire au where they can only drink the blood type they were before they were turned. other blood has an almost poisonous effect, burning them from within like acid and drinking too much of it can kill them

in the old days, before the knowledge of blood types, it made humans they could feed on absolutely precious. they're kept safe, pampered and doted on; a vampire’s most prized possession

attacking another vampire's human is seen as the highest insult; not only is it a slight against them, it also carries the implication of "i want you to starve"

it's also used as the cruelest of punishments; starving a vampire for months, until they're feral with hunger just for their torturer to throw in a random human, watching them desperately suck down poison, their instincts begging them to keep drinking even as it kills them

ghost is one of the few who survived it; thrown in a pit so deep, he saw stars in the middle of the day, left with nothing but the dried bodies of the humans roba drained without care, others with their throats slit, blood he can't drink spilled out around them

a taunt of the one thing he needs but will never get

but ghost hasn't survived this long just to give up here

he refuses to die in this stinking, rotted pit

ghost is a force of nature as he descends over roba's manor; killing any who wander into his path until the halls run red. until he gets his hands on roba and tells him a secret:

vampires can feed on the blood of any vampire, regardless of blood type

it becomes a legend in vampire high society; if you starve another, you'd best make sure they actually die

otherwise you might end up piled in a dining room, the vampire you left for dead lounging on a throne of corpses with his fangs lodged in your throat

ghost decimates roba's empire, burning it to the ground until no one dares to speak his name in fear of incurring his wrath. it's incredibly taboo for a vampire to feed off another but ghost's too powerful for anyone to challenge him and the other vampires are too scared to try. scared of what he's willing to do, the lengths he'll go to; not that they'll ever admit it

soap is the first human he ever brings to court; delicately bathed in the finest silks and jewels, his throat always bare so he can show off ghost's ownership, his bite framed in lace

he's not like the delicate waifs the other vampires show off; he doesn't cling to his master, demure and submissive. he shows off his teeth as often as any vampire, fully willing to rip out the throats of any who insult him or ghost

a feral master needs a just as feral pet

[mother-of-houseplants-2]

gallagher siblings beg their big sister to help them beat the final boss in their game 👾

^sketch version!

based on this image^