#I just want justice for her character and also I want people to be uncomfortable

[5-turtleducks-in-a-trenchcoat]

I really wish more Frankenstein adaptations would lean into how fucked up Victor and Elizabeth's relationship (and generally the entire family) is.

I admittedly don't know much about many adaptations but from what I can tell Elizabeth is pretty much always portrayed as just Victor's love interest and all the messed up parts of their relationship are left out.

But I feel like utilizing them could add so much to the story.

How both are being pressured into marriage from a young age on even though they don't really want to but Victor's parents did so much for them, their marriage was his mother's dying wish and after all it's what they've been told all their life, so there can’t be anything wrong with it, right?

All the fucked up things in their family could be used to make the characters and mostly the audience uncomfortable.

I bet there’s a way to show how their lives are being controlled by others and not having the autonomy to freely decide how to live their life (especially for Elizabeth) in a way that makes people a little uneasy.

I really want to see their fucked up family dynamic used as a source of horror instead of ignoring these undertones in the book and taking everything said by Victor (who's an unreliable narrator) at face value and making them into a happy little family and also Victor and Elizabeth into a loving couple.

There's so much potential there and in my eyes that would be a lot more interesting than what I perceive to be the common understanding of the book in both adaptations and people's minds in general.

[dark-konohagakure2]

hii, can i request noncon madara capturing tobiramas virgin daughter during a battle and then using her as his personal slave? sorry if this isnt a request you're comfy writing !

tw: noncon, age difference, size difference, kidnapping, enslavement, abuse, breeding, rough sex, degradation, sadism

All characters depicted are 18+

There are very few people that Madara can claim to loathe with his entire being, but if he had to pick one person, it would be Tobirama Senju. Not only had the man constantly discriminate against his clan, but he was also responsible for Izuna's death. Now Madara wants vengeance, and he already has the perfect plan to make Tobirama feel the same pain as him.

During the Uchiha's next battle against the Senju, his main target is not Tobirama, but his daughter, and capturing such a weak girl is almost laughably easy. Madara thinks it's only fair, Tobirama stole someone he loved, and now Madara will steal somebody he loves.

Despite his stoney face, internally Madara feels as giddy as a child on Christmas morning, he now has his hands on not only Tobirama's daughter but Hashirama's niece as well, and he has complete and total power over her, and he plans on using that to his full advantage.

Once he has her in his grasp, Madara will do everything in his power to strip her of all her human dignity, stripping her of her clothes, slapping her around, and treating her like less than dirt, tearing her apart with his harsh words and razor sharp tongue as he makes use of her.

"Shut your mouth you Senju whore. This is what you deserve for having such tainted blood running through your veins, so be quite before I rip your tongue out."

Madara is very rough with his newly acquired slave, holding her down roughly with his bigger body, using his full weight to force her thighs against her chest as he ruthlessly claims her virginity, almost animalistic with the intensity he employs as he breeds her.

He is a much bigger and stronger man than most, so Madara can easily hold her down or lift her up as he takes advantage of her. He'll twist and bend her body in uncomfortable positions to increase her pain and his own pleasure. Madara doesn't care about her comfort, he believes that she deserves every bit of suffering she gets for daring to be a Senju.

Madara doesn't just use her for sex, but for labor as well, making her do demeaning tasks such as cleaning the blood off his weapons and armor whenever he returns from another one of his "dances", he'll even gloat to her during this, telling her with relish about how the very blood she's cleaning off of him is the blood of her fellow clansmen.

Whenever Madara is done with her, he leaves her broken and bruised everytime, his seed leaking out of her holes and her body trembling in equal parts fear and pain. Madara enjoys her pain, knowing that he's not only hurting the girl herself, but her father as well by proxy.

"Does it hurt? Good. That's just a fraction of the suffering your damned father caused me when he killed my brother. Get used to it, bitch. This is your life now..."

Madara sees this as a twisted form of justice in a way. Tobirama took a family member from him, so Madara will simply make himself a new one, and he'll use that Senju bastard's own flesh and blood to do so, the thought of having a half Senju child both disgusting and exciting Madara.

[blu3n]

Hola! May I request a Jason x reader where he sees his crush (or gf up to you) dressed up/glammed up for the first time. Maybe for Wayne gala or something like that? Thank you!

THE LOVE

Hey anon, I hope it is what you asked for.

CHARACTERS: JASON PETER TODD X FEMALE READER

SYNOPSIS: JASON TODD WENT CRAZY WHEN HE WENT TO BRUCE'S PARTY, THAT OLD SHITTY MAN BUT LUCKILY YOU WERE THERE

Bruce had organized the party to benefit yet another of his Wayne donations, he had invited his entire line of friends and family, as well as several members of the Justice League and their relatives. Jason had also been invited, so as not to feel left out, but deep down no one wanted him to be there, not from his brothers who convinced him to go. And of course he invited you to go; he would be crazy not to let you go with him to that angry party.

You looked so beautiful, that red dress that you knew drove him crazy, your hair (your way), your makeup. Your skin matching the dress.

"Damn, you look hot" Jason says shamelessly taking your hand and proudly leading you to the boring party. giving a smile so shy and perfect that it almost made him fall

"If you're bored, we'll come home," Jason says, huffing through his teeth, already seeing the evil looks on him.

"It won't, love, and if it does, we can leave like you said." Her voice always calmed him down like a delicious drug he was addicted to.

People had been whispering about his presence all night. He was so uncomfortable that he clutched his hand, trying not to freak out in the middle of all those suited jerks.

His brothers all gave him apologetic looks. The air felt so heavy and bad. Jason felt like screaming and crying but when he set his eyes on you - his wife - he felt so damn relieved.

Bruce made a half-hearted and ineffective attempt to shut down the gossip. As usual he didn't do a damn thing.

He needed an escape, and what escape would that be if not bragging about his girlfriend? The one who was by his side no matter what the hell.

"You look beautiful" he says softly just for you to hear, he wanted to see that beautiful and wonderful smile on your mouth, he wanted you to show him that he was nothing like what others said he was.

Your smile, oh that smile you gave him, the one that made him go limp, feel his chest tighten and quicken, feel that nice tightness in his stomach.

"I love you," she whispers, seeing his beautiful eyes not with fear, not with anger, not with disgust, not with repulsion, but with love. With everything that, for him, he didn't deserve.

God, how he loved you.

Your wonderful perfume

Your charismatic way

Your abundant love for him, he felt everything he had to feel possessive, obsessed with you, breathing, wanting to feel, wanting to kiss you.

Oh y/n.....your dear y/n.

help: I read it somewhere, I don't know where.

DON'T COMMENT HATE, DON'T COPY

[skywalkr-nberrie]

Fake Anidala fans saying that Padmé needed Anakin’s “whiny ass” as way to undermine her character and sort of bash her for loving and needing Anakin will never be true Padmé understanders. Padmé needing Anakin ≠ her needing a man and isn’t independent. Padmé literally never liked or wanted anyone before Anakin. She didn’t NEED a man to complete her. She was her one person and IS her own person even with Anakin. She crafted a successful career for herself at a very young age, became queen and led a whole planet at age 14. Then become a well known public figure of justice, and served as one of the most high ranking Republic senators in the galaxy. Padmé falling in love doesn’t take away from any of her individuality and independence. There’s also absolutely nothing wrong with her needing Anakin. It’s because she loves him so much. They both needed each other like that equally. Yet it’s only ever talked about as if it was “one-sided” and Padmé is some helpless lovesick damsel in distress who needed a man to fulfil her, while her hero didn’t give two craps about her. NO! That’s NOT their story. 

Padmé loved Anakin so much, and needed him just as much as he needed and loved her (I mean, take a look at where he ended up just because he thought she’d die.) people would call this “co-dependency” in reality, but I’m going to get a little controversial here and say that’s the point of their love story and even be the first to say that it’s not framed as a bad thing either. Because under the lens of fantasy and not reality, this narrative is acceptable. Anakin and Padmé are based off classical love tragedies, and essentially their so called “co-dependency” as people say (not me) isn’t supposed to be viewed as “unhealthy.” It’s supposed to be viewed as a testament to how much they love and need each other. It’s part of the “Star Crossed Lovers” narrative, in literally every single piece of media that includes this trope. What they have wouldn’t even be considered “co-dependency” either within the context of their story, it’s just naturally how they love one another. However, I’m only using the word because that’s what people have referred to them as.

While we’re on the topic of “unhealthy and toxicity.” That’s another misconception of Anidala’s relationship I’ve seen the shippers themselves say against their relationship. First off, Anidala isn’t abusive, and it’s getting tiring to keep hearing that. “Yeah but he choked her.” Yes. Because that’s what happens when you fall to the darkside. You get twisted and corrupted. All your good traits fall away and it strips you from your true self. It makes you behave in a way that’s completely unlike you. Compare the affect of the darkside to a the addiction of a drug. This is how the darkside works canonically. Anakin was never awful nor abusive towards Padmé before this point of no return. They were madly in love. That’s why his actions are considered (in universe) to be so unlike himself because Anakin would NEVER hurt Padmé. Everyone can connect Vader’s redemption to Luke, and say he’s the person who always believed in his father, but Padmé was the one who started that. Padmé was the first to have unwavering faith in Anakin, even after what happened. Because that’s how strong their love was. Anidala was always meant to be seen as “true love” that it transcended and reached their son.

It’s okay if they make you uncomfortable and their kind of love isn’t your cup of tea, but don’t paint them under a narrative that has never existed.

[maxwell-grant]

The Penguin Episode 4: Cent'anni Breakdown

She goes through all these different levels of all these different personas: excellent daughter, overachiever, and this horrific feral state in Arkham. And it's not until the yellow dress that she finds the one that fits.

Kind of like sharks can't stop moving or they sink. It's that relentless pursuit of justice.

This changes her forever. She never comes back. Something so much bigger than her takes over in order to survive - Cristin Milioti

This was pointed out to me by my friend and, show of hands everyone, who else thinks it's unbelievably fucking sick that it is Sofia who gets to show up at the Falcone dinner table, wearing a thematically appropriate embodiment of her childhood trauma, and do a "None of you are safe" speech?

(Episode 1) (Episode 2) (Episode 3) (Episode 5) (Episode 6) (Episode 7) (Episode 8)

It probably felt odd to spend time with Sofia when we’re in a show called The Penguin. But I think it’s just as important so you can understand Oz psychologically. Even though I don’t view Oz as a hero or a villain, he is a greater villain in the show than anyone else. And for you to feel that way, I think you have to understand his primary antagonist more. And that’s Sofia.” - Lauren LeFranc

I gotta say I'm generally not enthusiastic about Penguin being depicted as overtly disgusting, like drooling and eating raw fish and all that Burton stuff (actually I do think the black bile is cool, but only so far as as that version goes), but for that opening scene, that was a spectacularly well-placed bit of grossness. Like this sheer craven animalistic ugliness of DeVito's Penguin descending for a second to show us how Sofia sees Oz, and even how right she is to do so at the moment because holy shit hahahahahaha

From what we can see of Sofia's pre-Arkham life, she was basically the Meadow Soprano of the family: The smart, overachieving golden child, whose social standing and eligitibility for leadership wouldn't even be up for debate if she was born a man like her loser brother (love AJ, relate uncomfortably to AJ, he's not at all morally comparable to Alberto, but he is very much a loser). Socially conscious and sticking up for victims but only if you don't poke too closely at her victim-generating family business, aware of some things but willfully blind to her own hypocrisy and insistent that daddy is still in average a good man who isn't as bad as people around her may say he is. I'd even say that the Sofia we see here is a more moral person than Meadow, although obviously being the daughter of Carmine Falcone is a much scarier, more isolating and horrific prospect than growing up the daughter of Tony Soprano (the ways in which the two Sopranos kids diverged and majorly prefigured American socio-political developments that kicked off after the show is a topic for another post).

(Also, I don't really want to bring up Sopranos comparisons because the shows are similar, they're really not, but I finished The Sopranos yesterday so they're gonna come up still)

I think Mark Strong does a really good job here filling in for John Turturro's role, even if he's not quite as good in it as Turturro. I think he plays the character differently in a way that works really well for this being a past version of Carmine, filtered through Sofia's vision. He is imposing and quiet and mighty, a lone titan of unquestionable power over the entire world, not even remotely someone to be defied or displeased. Turturro's Falcone was charismatic and affable and oozing with unspeakable yet casual cruelty, and I would have liked that here, but I like the idea that we're seeing a Carmine from before he was invincible, when he still needed Sofia to help him get Congressman Hill on the phone and still worried about the future of the family at Alberto's hands, a Carmine from when the Maronis were still around and he wasn't the sole ruling power in Gotham, who could still possibly lose even without vigilante intervention.

He is larger, more imposing, a stern and stoic father who had little use for pleasantries, and with no mirth to be had at the expense of the little people who think they can do anything against him that matters, even if he is getting there. I think the difference here adds a nice little arc to Carmine: there was a time where he needed to keep up appearences, there was a time where he raised his voice above a whisper to get things done, and there was a time where he wasn't the real mayor of Gotham. There was a time where he was a "proper" Don, when he acted like his comics counterpart, and none of that really became necessary over the following decade, when he grew more and more invincible and isolated and comfortable in this nightmare he made the city into.

They also confirm here that apparently the Iceberg Lounge/44 Below existed way back when Oz was just Sofia's driver, and it was already Carmine's prostitute slaughterhouse even then and Alberto knew about it. Possibly explains why Oz was handed the club in the first place, because the Falcones already called him Sofia's penguin and putting The Penguin in charge of the Iceberg Lounge would fit their idea of a laugh (and given how much Oz hates being called Penguin, he would hardly come up with the name himself)

Lmao, those dog comparisons I keep making really don't stop justifying themselves.

Credit again to Mike Marino and the prosthetics team for this younger Oz make-up, he strikes a very nice middleground between current Oz and the one we see as a kid.

Really like what we see of Sofia and Oz's dynamic here, again reinforcing that for all intents and purposes he was the sidekick in her HBO protagonist life. We see how Sofia likes his company and how she even kinda defends him from the family, but she really cannot bring herself to respect him very much and disdains him from the same very upper-class perspective the rest of the family does, she's just nicer about it. And in turn we see parts of where Oz's resentment to her comes from, and also the extent to which Oz was always lying in wait for an opportunity to get ahead regardless of her, his justified grievances as well as him being a conniving fuck. The really thin line this treads though, is that it establishes that neither of them were lying about how they meant something to each other, even if it doesn't help.

Sofia did have her life ruined partially because of Oz, she did endure horrific things while he got a promotion because he ratted her out to Carmine, and he very much did in part because he wanted to get ahead and saw an opportunity to do so. But also, Oz genuinely had no idea that this is what Carmine would do, and I think in large part this was also about keeping himself safe. It's not even that unbelievable that he was genuinely looking out for her, because holy shit you do not talk to the press about Carmine Falcone, daughter or not, and he tried warning her in the car before she rebuffed him and insulted him pretty deep for good measure. If Sofia talked to the press and would not stop talking (since he didn't know in the car that she rebuffed Gleeson) and shit started happening because of her snooping around, he would have absolutely gotten punished/murdered for it, it is not at all a stretch to assume that Carmine would have done something to Oz as punishment to Sofia.

Oz didn't plan any kind of misfortune, at no point did he mastermind her admission into Arkham (or even help keep her there with the letters, like the rest of the family), he just told Carmine something he shouldn't have, and neither of them expected anything too terrible was gonna come out of it. They both wildly underestimated what a complete scumbag Carmine is, but with Carmine (and the others) gone, there's nobody else to turn those grievances to.

Even if Oz could claim deniability for the Arkham thing, which he kinda can't but Sofia even tried to grant him anyway, he sure as shit can't for everything else he does in the opening minutes.

Oh hey it's Mr Mustache With The Broken Nose.

A thing that came to mind when I was watching the episode was the story of Rosemary Kennedy, JFK's sister whose father arranged for her to be institutionalized and lobotomized at age 23 as a reponse to "difficult" behavior. I'm not recounting it in more detail here because the rest of it is just too horrific, look it up yourself if you're curious. I remembered it because reading about Rosemary Kennedy ruined my fucking day and it still pumps up the breaks in my train of thought every now and then, so it came to mind watching this story about a young woman horrifically institutionalized and butchered for the sake of her wealthy family's image. Later I heard the podcast, and turns out that actually was exactly what Lauren LeFranc based Sofia's story on, which was nice. I'm glad it also fucks Lauren LeFranc up and that we both agree she should have gotten to wreak revenge on the entire family over it, thank you Penguin Show that continues to be made for me, this was nice.

Oh hey, Magpie. Just the name, yeah, but that was another nice surprise. I used to have a bit of a soft spot for Magpie, occasionally I thought there was something to get out of her and Penguin together, so a part of me likes that they put Magpie in The Penguin show even if just in name. Yes, she only exists to be annoying and die, but that's what she already tends to do anyway. And y'know, much as I may like her, she is still a John Byrne character, so she doesn't really deserve much more than that

Jesus Christ this episode gets uncomfortable.

I like that this establishes that Julian Rush kinda did make an effort to help her and kinda felt bad about it, but not nearly enough, and that he is very much a complicit contemptible creep who has it coming as much as any of the people who put Sofia in there.

Cannot state enough how much I appreciate that they didn't put any actual named Batman villains in the Arkham Asylum episode, guarantee a lot of creators would not resist the temptation. I mean okay I guess there is a Ventris already in Batman but, come on, you know who I mean. This did not need any references to like, Jeremiah Arkham or Jonathan Crane or Hugo Strange or any of that, and that's not a diss on any of those guys, it's just that unlike pretty much every other Batman story, this episode does not undercut it's point about the horrific institutional horrors dehumanizing and destroying Sofia by pinning it on a chief boogeyman supervillain that Batman is going to fight later. Dr. Ventris is not responsible for the systemic rot that got her there nor is he the sole orchestrator/perpetrator of the abuse it's inmates suffer, he simply answers to those, and thus perpetuates them, by doing his job in a mental institution.

I am still haunted by the inmate committing suicide with a fork. It is so fucked up that Sofia was tortured and goaded by the doctors into murdering another inmate, and when that failed, they tortured her again and again and again until she snapped. The whole point was to push Sofia beyond the breaking point to justify further incarceration. The doctors just standing there letting her kill Magpie.

I want Dr.Rush to die.

I have more thoughts on Arkham, but I'd call this the most horrific take on Arkham so far, because it is the most honest take on Arkham so far. Even at it's most run-down and monstrous, it is usually never at all into question that Arkham Asylum is necessary, because if it wasn't there, all the crazies would run rampant in Gotham. Over the years, it's monstrousness has always been tied directly and specifically to it's inmates, and whenever people have pointed out the shoddy conditions and inhospitable environment of Arkham as a factor for repeat offenders, it's pretty much always as a fandom joke outside of Batman stories proper, and if there is anything wrong with the way the Asylum works, it is always the fault of particularly evil villains attached. A Lock-Up, a Jeremiah Arkham, a Hugo Strange, etc. Arkham Asylum is in general a Batman concept that's raised a lot of discussions and calls for revision over the years, and a lot of the issues with it tie into larger issues around superhero depictions of the carceral system, that @artbyblastweave went into here.

Here, in large part because this is a realistic world and a Gotham without a rampaging supervillain contingent of repeat offenders who can magically break out constantly, it is never into question that the patients are the victims of this system, and if they are being turned into potential supervillains, it is because of Arkham inflicting this on them. This is an Arkham Asylum that remains a nightmarish, horrific force in this world, but not because it's Castle Dracula where all the crazy villains hang out, not even just because the rest of Gotham is hopelessly rotten and corrupt, but because it's a mental institution and depicted accordingly. It gets to dig into the real life horrors mental institutions inflict on it's patients without having to justify those measures as benign or necessary to keep crazy crimes from happening. Frankly, this take on Arkham Asylum has been long overdue.

In every form of Batman media, just about the worst thing that can happen at any given moment is Arkham Asylum falling and it's inmates escaping into the streets, that's generally what happens when Batman needs to deal with apocalyptic stakes (which is why of course it happens all the fucking time now). Here, that scenario would be regarded with cheer, because the worst thing that can happen in this universe is being sent to Arkham Asylum. It isn't just Batman's unofficial personal prison / punching gallery, if anything it massively raises the stakes on this Batman's next adventures, because now we know this is what's waiting for him if he gets caught and unmasked.

I like that Sofia and Oz are both trying to save/protect those they see as younger versions of themselves, while inflicting on them the kinds of tragedies that ultimately created them

Oz reached out to this poor disabled kid from the streets and is showing him the ropes, while also belittling him as a nobody and distorting his worldview and dragging him into life or death cornered scrapdog situations chipping away at his morals. Sofia saves her little niece who laughs at bad table manners and doesn't quite do what her family says, gently lulling her to sleep so she can kill her mom and her entire family.

Extremely important that Sofia Falcone makes her formal arrival as a villain by showing up dressed in a sexy yet fitting extension of her trauma / cultural reference (The Yellow Wallpaper / the walls in her mother's bedroom), before putting on a mask and enacting Gotham's first Mass Casualty Gas Attack, we love to see it.

I was frankly already calling Sofia one of my favorite Bat-villains even before this episode, I'm just glad everyone seems to be on the same page with me now. I'm seeing a lot of posts on Twitter and Instagram talking about how they're rooting for Sofia instead of Oz, that she deserves to win this war, and good, fucking amazing that they're doing this, again, this show is hitting home runs I could not have foreseen.

It is incredible what a character they've made out of Sofia, and the fact that we now see Oz as her antagonist as much as we see Sofia as his, and the fact that if Penguin wins, he will win this as a villain. He will steal a victory he does not deserve and rub it in your face and he will make the children of the world cry for it as any villain worth his name should be doing, and it frankly wouldn't be much of a fight if Sofia wasn't every bit the complicated, engaging protagonist he is. Lauren LeFranc claimed that she sees Sofia is the closest the show has to a hero even if she is not, and this is the episode that sold everyone on it.

Halfway through the show and it's only gotten better and better, can't wait for what's coming next.

[artslovergirl]

art & patrick at mark rebellato academy

[headcanons]

notes: i really enjoyed writing this because i just genuinely adore these characters and this movie so much. there's so many interesting little details and nuances there that i could just talk about forever and ever. i truly hope i did them justice here lol (also writing this made me jealous of people that are good at writing character analysis' and thinkpieces bc wow it is hard!) but yeah enjoy!

wordcount: 3.4k

they met at age 12 during their first day at the mark rebellato academy in their now shared room. 

when art came in with a duffel bag (that looked comically big next to his scrawny kid body) patrick was already sitting on the bed he had claimed(the right side next to the door) all by himself, his parents didn't have a very tearful nor long goodbye as they sent their son off to boarding school.

in contrast art’s mom and grandma seemed keen to embarrass him in front of his new roommate with their cooing and hugging him goodbye. 

it wasn't even like his mom and him were really all that close though. she just seemed to want to squeeze in all the moments of a loving mother-son relationship into the small segments of time she actually spent with him.

the goodbye hug and small ruffle of his hair from his grandma felt a little more genuine. embarrassing all the same as he could feel the other dark haired boy try not to crack up at the display.

"mom. please." he pleaded with her as she gave him a kiss on the cheek. "i’m sorry, artie, but i need to make up for all the time i'm gonna miss with you!" yeah, he bets.

a few minutes later and a tear or two from his mother they did finally leave him be. as soon as he heard the door shut though, the awkward silence enveloping the room almost made him miss them. 

he threw his duffel bag on the left bed and sat down on the edge. he fidgeted with his bottom lip, a nervous habit he's had for as long as he could remember. 

the brunette boy shifted on the bed so he was now facing him. his mouth pulled into a toothy grin "so you're...artie?" 

art groaned and hid his head in his hands, slumped over his knees. "no, that's..just my moms nickname for me. sorry you had to see that." he says in a squeaky broken voice which didn't help the embarrassment he was already feeling.

the other boy just brushed right past all that and said "i’m patrick." and then as an afterthought, "zweig."

"uh." art leaned back up, still avoiding his gaze. it was weirdly intense. "yeah, i’m..art. um, donaldson." he said the last part like it was a question almost.

patrick began to swing his legs a little. it was clear to him that art was the quiet type even if they had just exchanged a few words so far, but luckily patrick didn't mind talking. it was something his father always hated about him. he almost talked enough for both of them which after a little while finally seemed to break the ice of art's shy exterior. 

art didnt know what he thought about patrick yet. he was pretty..confident that was for sure. even a little arrogant, maybe. art scolded himself internally for being so judgemental. it was quality he hated about himself, but seemingly couldn’t get rid of.

despite all of that he had to admit that patrick was easy to talk to. there was never an uncomfortable gap in conversation with him. which art liked since those kinds of things made him want to crawl out of his skin sometimes.

that first night he spent staying up with patrick, slowly realizing how much they had in common while simultaneously being complete opposites, is one of his fondest memories and probably always will be. he never experienced another connection that felt anything even close to that.

their room wasn't too small but with the way patrick would just constantly toss his clothes wherever he pleased it seemed a lot smaller. 

it's not like art was insanely neat or anything, he was still a teenage boy. patrick was just exceptionally messy.

"patrick, this shit is so gross, i told you to use the hamper." 

patrick groaned, "youre such a neatfreak, fuck off." 

at that response a pair of dirty boxers were thrown at his head, courtesy of art. "i don't want to see or smell your worn underwear. that doesn't make me a neatfreak." 

patrick just tossed it back in art’s direction, to which the blonde quickly scurried out of the way to dodge it like his life depended on it. 

"you know if tennis doesn't work out for you, you'll make a good housewife." patrick grinned mockingly.

“ha-ha.” art just rolled his eyes, stuck up his middle finger and let the door slam behind him with his racket bag slung over his shoulder. 

trying to get patrick to do anything was like trying to teach a cat to do a trick without any treats. borderline impossible. so by age 15 art finally gave up.

...until he realized a year later that patrick would clean his side of the room whenever they had a girl over so..

yeah, sometimes he did lie and tell patrick that a girl was coming over just so he would clean his side of the room. 

you can judge him all you want but you never had to room with patrick zweig

 and after the third time that trick stopped working anyway. art was never a good liar. or maybe patrick could just call his bullshit way too easily.

they didn't fight too often, it was more like they constantly got into little tiffs

except for that time where it got so out of hand that they duct-taped a line dividing their rooms into two sides. (i know this is giving sitcom i'm sorry but tell me i'm wrong)

eventually they kind of forgot what they even fought about in the first place but they were too lazy to take the tape off of the carpet, so it just stayed on there for like 2 years till it peeled off.

like i mentioned in my other post these two were BITCHES

they would def talk shit all the time. they were not even trying to be secret about it tbh. (see: them staring at anna crying at tashi's party)

they sat in the bleachers watching one of their classmates play a practice match

“dude, look at that forehand. it sucks.” art muttered. patrick nodded, “i know. no way she’ll even make it through the semester.” “i’ll be surprised if she makes it through this match without fracturing her wrist.” patrick snickered at art’s comment.

actual mean girls LMAO

and to be fair, they were fucking amazing at tennis, especially when they played together

so it's not like anyone could necessarily insult them back

but it also wasn't bullying or anything

they were just judgy and loved to talk shit

art had some decorum about it or felt bad about it sometimes. not patrick though. 

man has no shame. never did. as art so lovingly puts it “the part of his brain that feels shame withered away a long time ago.”

art wore glasses from ages 12 till 14 

he then switched to contact lenses because patrick said girls dont like guys with glasses and that they make him look nerdy

they weren't allowed to have any sort of electronics like computers or flip phones at the academy. not even mp3 players. 

now obviously patrick completely ignored that rule. he had like three flip phones under his bed in case his actual one ever got taken (it did)

he also smuggled in 2 mp3 players (one was for art, patrick is so kind… he did charge him 4 dollars for it though. that rich asshole. lmao)

honestly i would like to insert here what i think they would have listened to but..i was like..a baby when they wouldve been at the academy so..feel free to drop your music headcanons in the reblogs or comments 

they were only allowed one weekly call to their families from the communal landline.

neither patrick nor art were very fond of these calls so even though they weren't supposed to they would always go into the phone room together.

patricks mother always insisted on speaking in german with her son. he thought she only did it because it made her feel more connected to his father’s side of the family. not like it would fix their fucked up marriage though. 

“nein, mama, ich habe mein deutsch nicht vergessen.” (no, mom, i havent forgotten my german) he sighs. art sits on the floor next to him and flicks a rubber band at him. “ja, verstanden. ja, ich weiß.” (yes, understood. yes, i know.) he rolls his eyes. 

art understood a few of the basic words since patrick taught him some german after art asked how to correctly pronounce his last name. 

“..bis nächste woche. tschüss.” (talk to you next week. bye.) he hung up. his mom said i love you but he knew she didn't mean it so he didn't say it back. 

patrick groaned and stretched out his legs that were seemingly getting longer by the day (art secretly prayed for a growth spurt that would make him taller than patrick. right now he was still pretty short for a guy his age.) 

he handed the phone to art. “she always talks so much. it's like i'm not even on the other line.” patrick scowls. art just nodded. he knew that by now.

art called his grandma but his dad picked up instead. it was okay. talking to his dad felt a little like talking to some distant uncle that he only saw once a year, “how's it going, champ?” “good.” “great.” that kinda stuff

the phone call lasted 5 minutes. he stood up and hung the phone back on the receiver. 

“wanna smoke?” patrick asked already reaching for the two loose cigarettes stuffed into his jean shorts pocket.

art nodded. he didn't really like smoking, and he kind of only did it because patrick did. and whenever he did, all he could think about was how bad for him it was. 

he was always pretty conscious about that kinda stuff, it was a little drilled into him by his dad who was the most adamant about art becoming a tennis player since he used to be one when he was younger.

so sugar and fats (basically anything that tasted good) were pretty much banned in the donaldson household 

which kind of resulted in art subconsciously believing that anything that brought him joy or pleasure must be inherently bad for him or followed by a feeling of guilt and shame to make up for it.

needless to say art wasn't the best at indulging. he was a little jealous of how patrick never seemed to have any issue with that sort of thing.

patrick didn't care about maintaining a good diet or depriving himself of life's pleasures for the sake of tennis. he took what he wanted like life owed it to him. 

maybe that's why he smoked with patrick. to try and be more like him?

also because it gave him a nice sense of rebellion.

most things he did with patrick gave him that feeling.

at the academy they were the definition of ‘not sold separately’

if you saw one the other wasn't far behind

its not like they didn't have other friends. they did. they were pretty popular actually

but none of those friendships were anything like what art and patrick had.

especially when playing doubles.

it felt like they could communicate telepathically 

patrick knew when art was going for the ball before the other team even served and vice versa.

tennis felt different when they were playing together. better.

and it felt so easy, it felt like nothing they needed to work on. their friendship was the same. it was so easy, so natural.

after about a year or so of being friends they started being in sync. literally.

they cross their legs at the same time, they pick up their rackets at the same time, they adjust their forehand grip at the same time, they walk at the same pace, they sit down the same etc etc you get it

also that isn't really a headcanon, like this is canon in the movie. and it makes me SICK that they were still in sync in 2019. after not talking for 12 years. shut up that’s some soulmate shit

now let's talk about something else that is canon…the pushed together beds.

yes!

now, i think patrick is a person that is pretty open with his body in general in terms of like being physically affectionate. or just being physical. 

i don't know if art is, i think he's a little more reserved. (repressed if you will! i will!)

but patrick touching him so casually does fill a little tiny (gaping) void in him that yearns for touch.

he is a professional yearner as we all know

and patrick never had an issue satisfying those yearnings for him. (i think we saw that in the fact that patrick taught art how to jerk off ok next topic)

patrick would sling his arm around his shoulder, lay his long legs over arts lap, ruffle arts curls (“stop that, you're messing them up.” “no, i'm not they always look like this”),he would barge into their room after practice flopping his tall sweaty body on top of art to annoy him.

they were very physically affectionate it was just all under the guise of shoving and tripping each other and just general teenage boy roughhousing shenanigans. that counts as a love language to me ok!

art got used to patrick touching him very quick and even reciprocated sometimes 

also i do think that sometimes patrick would smack art’s ass as a joke. lol. (that's inspired by that video of the two doubles players doing that…do you guys know what i’m talking about)

OK SO!

the beds.

they were 16. patrick suggested it. “these beds are too fucking small.” he complained, laying on his staring at the smoke detector that he had covered with a shower cap so it wouldnt detect the smoke from his cigarettes. 

and to be fair…yeah. patrick stood at 1,80 cm right now and his feet were hanging over the edge of the bed.

art looked up from his book which he was only reading to impress a girl he had a crush on. patrick had told him to just pretend he read it but art said that was disingenuous and he wanted to know what she liked and why she liked it. 

“you know what we should do? we should push our beds together.” patrick sat up, grinning like he just had the best idea ever. 

arts features twisted up in thought. “isn't that a little close?” 

“nah, why, we still have our own beds. just more space.” patrick shrugged.

he glanced at their beds. “uhhh…i guess we can do that. the beds are a little cramped. although is that even allowed?” art began fidgeting with his lip like he usually did when he was in thought.

but patrick was already in the process of shoving his bed next to arts after which he let himself fall onto the two beds in a starfish position, with his gangly limbs almost stretching to every corner of the beds. “oh. great. and i’ll just curl up at the foot of the bed then?” art gave patrick a deadpan stare. 

“up to you.” patrick grinned in that specific way that really irked art. 

patrick did make some space for him once they actually went to sleep that night

even now they were two opposites making a whole

patrick always ran cold so he hogged all the blankets and art always ran hot so he immediately kicked them off of him as soon as he fell asleep 

that only made this new pushed together beds thing even better for patrick because he now got to have his own blanket AND steal arts every night

i wouldn't say they cuddled necessarily? i think it was more just like the regular amount of physical touching that happens when you sleep in the same bed

which is still pretty intimate to me idk about you guys

like their legs kind of thrown over each others, art’s arm occasionally draped over patricks chest (or literally on his face. art denies every time that he does it on purpose but patrick KNOWS he does it to annoy him. he knows.) 

one time art had a nightmare of being trapped under a rock only to wake up and find out that somehow patrick had rolled over in the middle of the night and was now laying COMPLETELY on top of art. right before he was about to push him off (because he was making art actively suffocate) patrick rolled over again and fell out of bed. he didn't even wake up from that. genuinely just slept on the floor that night. freak of nature that guy.

also patrick for sure twitches like a dog in his sleep

and i think it used to wake art up because he's a pretty light sleeper but eventually he just got used to it lol

when art went to stanford he never finished the last bite of anything he ate because he was so used to patrick being next to him and just stealing the last bite.

patrick really really wanted to get his ears pierced when he was 15. 

so naturally he asked art to do it for him.

you know…like how they did it in the parent trap. which if you asked them is a movie that they definitely haven't seen. ( but they did see it and art cried at the twins reuniting with their parents, oops.)

unfortunately for patrick art was very very squeamish with needles at that age (i think that mellowed down the older he got but he still refused to look whenever he got vaccinations or anything like that.) 

so now it was midnight, they were in their room sitting on the floor and arguing

“dude, just do it, stop being such a wuss. you're not even the one getting pierced.” patrick groaned, he had numbed his earlobe with ice but he could already feel a little bit of the feeling return to it, that's how long they had been sitting there with art squirming around because he hated even looking at the sewing needle.  

“that's worse though because i have to look at the needle going in your ear!” art argued

“ well, i can't do it myself.” patrick replied.

...

“are you wearing my shirt?” art squinted at him

“stop trying to change the subject.” 

“i told you to stop stealing my clothes. i don't want to do laundry that often.”

“can you focus?” patrick groaned

“dude.. okay, fine. just give me a second.” art took a deep breath.

“oh. my god. you're not performing open heart surgery.” 

“shut the fuck up.”

“you shut the fuck up.” 

and what do you know that response got art to get over his fear of needles for a second and stab that thing right through his best friends ear 

the little high pitched yelp patrick let out in surprise at that is something art didn't let him forget about for like two weeks after

it took about another hour for art to pierce patricks second ear and eventually they managed but then like a week later patrick forgot to put his earrings in and the piercings immediately grew shut

so all that drama was for nothing!

i think art has always kind of been the type of guy to want domesticity. 

i already posted about this somewhere but i kind of came to that conclusion because patrick said “he wants to spend time with his family” to tashi in the alley scene

patrick hadn’t spoken to art for like a decade at that point

and you could say it's a good guess but NO! 

patrick knows art like the back of his hand and patrick knows that art has always wanted a family and how much it probably kills him to miss out on time with them due to his career at that point in time (also just throwing this out there i think art always wanted to have a daughter more than a son, like that just makes sense to me. maybe bc i think his own relationship with his dad is so distant? idk!)

so yeah

also the sauna scene where patrick says that marriage isn't what he was for 

(to me) also implies that he is the opposite of art who was meant for marriage

anyway do i think that art shared his wishes for a family and marriage in the future with patrick? yes

do i think patrick jokingly made art promise to make him his best man? yeah

and furthermore do i think about the fact that patrick then had to read about arts wedding in some tabloid years later? yep!

i’m sure i could think of more in the future but that's all i've got for now! i hope this was coherent enough to enjoy because it’s not as proofread as my fics usually are lol! i just wanted to get these thoughts out there

if some of these seem familiar it might be because i took some of these from my twt!

i also have some more headcanons floating around on my tumblr that i didn't include here if you want to find those, or not, i'm not your mom! 

[valtsv]

This isn't a gotcha, so please don't take it as such, but would yuou be willing to explain what it is about VAL that makes her such a favourite of yours? I can't stand her myself, she comes across to me as a bully given god-like power that she abuses for her own amusement, and I've seen you acknowledge as much, but we draw completely different conclusions from that. I just want to understand your perspective.

i've been anticipating a question like this for a while now, so i'm more than happy to answer for you!

you're right, VAL is in some ways a "bully given godlike power" as you put it, and there's no avoiding that (nor do i want to). and yeah, i do like her in part because of that, because i have a fondness for horrible fictional characters and in particular "bad victim" archetypes, of which VAL certainly is one. but i think what makes her compelling to me, rather than repulsive, is that she is fundamentally a cautionary tale and a tragedy. in-universe, she's the scapegoat. the example. the "make the right choices or this could be you". she's inescapably, heartbreakingly human in her awfulness, and that makes her terrifying, but it also makes her deeply sad (at least to me).

i also strongly believe in rehabilitative/restorative justice, so for me, wanting better for VAL is about my real-world principles to a degree. i can't and won't argue that VAL doesn't function as an uncomfortable allusion to a lot of atrocious crimes against humanity (by humanity) within the narative, and that anyone who finds her upsetting or even hateful for these reasons is absolutely justified in doing so. however, she's still a fantasy entity at the end of the day. she's not a 1:1 stand-in for real-world abuses any more than, say, a vampire or werewolf, which plenty of people are more than happy to explore the nuances of. and there's also the question of what punitive measures would even achieve in her case, beyond personal satisfaction for the one administering or spectating them (which is not to say that wanting to punch VAL makes you as bad as she is, just that her arc is, among other things, about how cycles of abuse and violence perpetuate). the worst that could possibly happen to her has already happened. she's been tortured. she's been taken advantage of for her mistaken belief that working for and with the system has the opportunity to benefit her, and died for it. there's nothing to be "learned" from her punishment that hasn't already been shown to us. that she hasn't already internalised. if she were ever to develop a stable conscience, that would be punishment enough in my opinion.

despite being a victim of people not entirely unlike VAL, i personally am not her victim, so treating her with sympathy and kindness whilst acknowledging the elephant in the room that is her many (fictional) war crimes is not something that requires any cognitive dissonance on my behalf. i would cautiously argue that the narrative agrees with me somewhat in this regard - the few times VAL is treated to a genuine act of kindness with no ulterior motives, it shatters her composure and outward conviction that what she's doing is necessary for her personal satisfaction, and even prompts her to reconsider on occasion (sparing the woodsman comes to mind). i'm not saying anyone needs to hug her and tell her she's valid, but if all it takes is some genuine good intent to get her to engage in introspection, i'm willing to be the person to offer it.

[cherrieflavouredheadcanons]

Hello! Can I apply for a general relationship hc with Lyney?

Ah yes, greatest magican, aka the rizzard. I should say that at the point of writing this, I still have not played his character story and have evaded spoilers for it very well so far, so if anything is not that accurate that's why. But I hope you enjoy these headcanons!

CW: None GN Reader

Lyney Relationship Headcanons

Let me start this off by saying. This man is an absolute simp for you. If he could, he'd buy you everything you could ever want or need in life.

He lives to see you happy, a day where he hasn’t made you smile and laugh is a day he considered wasted. If the people of Fontaines believe in justice is the power used to energise the technology in Fontaine, then your laughs and smiles are the power to energise Lyney.

Lyney always gives you a rainbow rose before every date. Sometimes he gives them to you like a normal person, most of the time though he will give them to you with a magic trick. You have no idea what he does to the flowers, but he has to do something with them since they never seem to wilt away. You once asked him how he did it and all he claimed was “They will bloom as long as I love you my dear, which means they will bloom forever.”

Surprising you with magic tricks is one of his favourite activities. He comes up with so many ideas that it is impossible to carry them all out. And poor Lynette always has to help him set up the ones he does carry out and has to be his assistant for them, even if she is hidden somewhere so you won’t see her. She loves her brother truly, but by the Archons his love sick self could be annoying.

Speaking of magic tricks, for every one of his shows he has a seat reserved for you. He is aware that you can’t go to every one of his and Lynette’s shows, but he still reserves a seat for you anyways. So that when you are watching them you are always in the same seat and he can easily find your eyes amongst the many people in the audience. He will look at you, and his eyes turn soft and his smile grows a bit wider.

And should he ever need an assistant from the audience? Well lets just say that whenever you are watching the number generator randomly picks you every time. What a coincidence right?

Walking through the streets of Fontaine while holding hands is a must for him. He wants everyone to see what an amazing partner he has. If it were up to him all of Teyvat would know that he is taken and absolutely enamoured by you.

Though it should be said that despite being absolutely in love with you, Lyney would not be in a relationship with you if his sister or brother couldn’t stand you. They are a big and very important part of his life, and anyone who does not like them has no place in his life and heart. Luckily for you Lynette likes you, she sees how happy you make her brother. Freminet appreciates that you do not force him to speak when he is clearly uncomfortable and is also grateful for you that you treat them all with respect and love.

Whenever you aren’t paying attention to your surroundings, be it because you are sitting somewhere and reading a book, engrossed in the story, or because you are cooking a meal for Lyney, his siblings and well yourself, he will sneak up on you from behind and wrap his arms around you, kissing your cheek as he laughs. You want to be mad at him for scaring you, but how can you when he laughs so happily and his eyes shine with love?

While Lyney obviously has many magic tricks he works on to show them in front of a big audience and always has Lynette as his assistant. There is one trick that he is currently planning where he doesn’t want an audience or an assistant for. 

What is that trick? Well let’s just say it has to do with a ring sitting in a small velvet box ;)

[chillinglikeashilling]

At some point when it is not 1 am on a work night I'm going to make a proper post about why I think people who are really enjoying the storytelling of Misfits and Magic 2 should give The Maid and the Crocodile by Jordan Ifueko a shot but the most concise pitch I can give you is that TMTC is also a story about a magical world undergoing a revolution, that explores themes about systems of power and the ways those systems work to exploit certain people to the benefit of others.

The main character Sade is literally disabled by these systems and her love interest/deuteragonist is an obnoxiously beautiful man who has literally cursed himself in pursuit of justice against these systems.

Also for everyone who liked the shadow possession thing- they have a magical bond that let's him feel her emotions, which is absolutely necessary because Sade would rather die than admit to being uncomfortable. In fact Sade's willingness to accept discomfort (and the willingness of the powerful to ask her and others like her to shoulder discomfort so they don't have to) plays a pretty big part in the story.

Lastly, and this is actually an appeal to all my fellow Bob stans from PoL, there are a lot of songs involved in the magic in this book and the audiobook narrator sings all of them. Not in a very polished, instrumental backed way but just in a way that feels true to someone making up a song on the spot.

It's a standalone story in the universe of author's main duology so there's more to explore if you want but it's not necessary to understand this book.

[a-secret-bolton-vampire]

I finished arc 13 of Ward today. So far, arcs 9, 12, and 13 have been my absolute favourites. In finishing 13 it really hit me just how incredible this story is.

I was scared to read Ward at first, because I loved Worm so much and I wasn't sure how it could top Worm. I was also scared because it hit a lot of personal trauma triggers and became very much worried that it wouldn't do justice with it. In my mind, the worst things that Ward could do was try to get Victoria to forgive her abusers, that her bio family is the most important and she should reconcile with her mother.

My best friend (my co-author for Mending Constellations, etherealDesign) sang the praises of Ward and I eventually decided to try it out. I expected that it would be almost or just about as good as Worm. I'm more than halfway done, and I know how the rest of the story goes, but I honest to god think Ward is even better.

Taylor as a protagonist rules, she's one of the best characters I've ever read and she is insanely compelling and her arc is so beautifully tragic that I can't help but watch that tragedy unfold in awe. There are some parts of her I relate to, such as the bullying, the feeling of being a sort of social outcast, an introvert who loves reading and learning. I also really love the way her morality is written and it's so unbelievably rare for a female character to be written that way.

But Victoria is far far far more relatable. So many takes on her are so shallow and missing the nuances within her. She's so different from Taylor and yet so similar they work perfectly as foils. Taylor didn't have a social support network but had a loving family. Victoria had a social support network but not a loving family. The writing for her PTSD is so insanely on point as someone with PTSD that it hurts to read at times. I'm so happy the narrative is not punishing Victoria for not wanting to forgive her family, especially her mother and Amy, for what they did to her. In so many stories, so many that it actually boggles my mind, family is the most important thing and something that can transcend any and all hurts. Makes that moment in arc 1 where Carol wants Amy and Vic to reconcile mean so much in that context. Sometimes, a hurt cannot be reconciled with, no matter how close you once were to the person who hurt you.

I feel people who haven't experienced familial abuse might not get how much Ward gets right about it. For sure, she has a complicated relationship with her parents still, it isn't pure hatred like it is for Amy, but there is no doubting that the relationship is strained, to put it mildly, with her parents. And also, very very very much happy that there is no attempt at rehabilitating Amy's image to downplay what she did to Victoria. This is not something you downplay and even if Amy is still (somehow) a sympathetic or even relatable antagonist, this is something that just cannot ever be forgotten or forgiven.

Also, Victoria reads as unbelievably transgender. She spends 2 years as the Wretch in the hospital, and in Ward her forcefield makes her visibly uncomfortable with herself and her body. And then her costume is literally a dysphoria hoodie... Her and Sveta especially are such great examples of transgender allegories (and in the case of Sveta she literally, canonically IS trans). And on top of the PTSD, the abuse, the gender dysphoria, all these things that make me relate to Victoria so heavily... then there is the very blatantly textual dissociative plurality. There is no way that Wildbow didn't intend for Victoria, the Warrior Monk, and the Scholar to be all different people in a plural system. Not even a doubt in my mind.

Oh, and this is JUST talking about Victoria! I could go on and on about how well Ward writes mental illness, including some really, really vilified mental disorders. Ashley is (at least likely from what I've gathered from the notes Dragon sent to Vic's laptop) bipolar and definitely a clinical narcissist, but it isn't vilified, and in fact she is heavily, heavily humanized. Even Cradle, someone I'd call as close to pure evil in Parahumans as you can get, has some really really phenomenal writing that shows that he could have lived a normal life as a functional person despite a lack of empathy or remorse.

In general, mental illness in media is important to me as someone who has a personality disorder, and being able to show people who are narcissists or have antisocial tendencies as ultimately just being people and not inherently dangerous is very, very big for me.

There's so much more I could say, but Ward is nothing like I was initially led to believe. It's miles better in every way than I could've hoped for, and it has quickly come the vector for some of the best and most relatable writing of trauma and mental illness I've ever seen in media.

Ward is a story first and foremost about trauma recovery. The fact it is in the backdrop of a literal post-apocalyptic setting is not accidental. It's the best way to frame a sequel to Worm in my mind.

[keg-the-imp]

analysis/theories about the secretary character in long live the black parade below cut

i really really really want the secretary character to be a spy/double agent because: 1) historically there were lots of female spies in wars and ESPECIALLY in ww2 which seems to be roughly the aesthetic/time frame of this era so it not only would be accurate to the timeframe it would also be a nod to many important female heroes of the age 2) part of the reason why many female spies were so effective was because they weaponized an aspect of misogyny that so often has been to women's detriment; constantly being overlooked and underestimated. it is because of the enemy's bigotry that she defeats him, and while on the outside she is forced to be prim and proper and obedient and silent to the atrocities around her, inside she seethes with rage and power and a desire to fight for fucking justice 3) being a double agent like that would create such a complex, morally grey character that makes you wonder "is she just following orders? whose orders is she following? why didn't she act sooner? couldn't she have stopped all these terrible things from happening? what horrors did she let herself be a silent bystander to?" and frankly though i don't trust tumblr with morally grey women I PERSONALLY would eat her out i mean eat her up. eat her up thats what i meant.

and gods wouldn't it be such good storytelling if in every scene, she's always there, never speaking, only seeming to serve aesthetic value, banking on the audience's own biases to create shock when she's revealed to be a double agent, forcing people to grapple with why they didn't think of her, and briefly place the audience with the enemies in their shared shock, (hopefully) making people stop and be uncomfortable with the fact that they felt the same way as these fascists, that they were surprised the same way, that everyone, no matter how good you think you are, has the capacity for bigotry and evil.

[leoruby-draws]

Finally, I can introduce Indigo aka Brainiac 8! Last one, and with this I've done 8 straight days of posting. Not the best week (pretty shitty tbh) but posting these helped take my mind off all that horrible shit. Hopefully it helped a little for you too.

A villain turned hero (then villain again) who comes from the future and tries to make the future belong to Brainiac! She'll be fulfilling the superman role in the group! Best of all, she has pink hair! Yes that's important (no its not lol)!! You know how long she's been in the drafts? Since more than a year ago!

In my last post, I was considering making a oc that would fulfill what I would like for my superman expy of the group but decided against having an oc for that, but ironically I did find a character who was pretty similar to her. The fact that she was actually a 'child' of Brainiac made her, in a way, more perfect for the role. A lot of the kids on the TrWh Outlaw team tend to be stuck on the border between good and bad, so Indigo will have company in that regard. I think at a later point she'll also start making friends with her outsider teammates from the comics as well, I've got a couple of drawings of them as well. I'll post them later tho.

Indigo's personality is split, because just like in the comics, she actually has two sides to her. A sweet, inquisitive, innocent but manufactured side and her 'real' personality, an evil monster bent on enacting Brainiac's plans. Her entrance is similar to the comics, she comes blasting in from the future to try to kill Donna. Unlike in canon, Indigo fails. Cyborg helps rewire her and Donna tries to figure where to place her. Donna then thinks of those Outlaw rascals making trouble everywhere and gets an idea...

Here was where I was working out her costume, I gave her a black dress cuz of her canon black outfit, but it felt kinda boring no matter what I added to it. So I changed it up. I also gave her a human disguise, for whenever she wants to blend in. I also tried to give her a name of sorts 'Aryrl Dox', tried to make it sound like Ariel but don't know if it works.

Also her hairstyle, I kinda styled it after Yukino from KareKano. Yukino was someone who tried to create a secondary facade to fool her classmates into thinking she was perfect. Her obsession for maintaining two different personas gave her a similarity to Indigo, so I thought it'd be funny to give her hairstyle to Indy.

Also with Indigo being the superman of the group, this means Jason/Vanessa/Indigo are the trinity of the TrWh Outlaws. Seems like Vanessa doesn't feel too comfortable around Indigo.

And Vanessa isn't the only who's uncomfortable around Indigo. Karen, Kara, and Brainiac 5 seem rather apprehensive about her. I said earlier that the story that introduces her is similar to canon, where Indy flies in from the future to kill Donna. Since this happens earlier in canon, the plot point from Graduation has to be different. My idea was to have it happen in a ceremony where the heroes(Justice League?) formally establish Steph's and Tim's hero teams (Jason's team mostly rejected doing this, much to Toni's chagrin). A lot of heroes were there so a lot of people saw the destruction Indy brought, so she's currently got a pretty bad reputation atm.

Also I made Indigo's outfit more similar looking to Supergirl's, perhaps its her way to make herself easier for others to accept her.

More Indy's and a little moment between her, Jason and Vanessa. I imagine they're closer to 13/14 here. You can also see me putting her in her canon hairstyle, maybe I should've stuck to it, much easier to draw tbh.

Also here's a bonus little comic under the read more:

A fun comic showing how Indigo comes blasting into the team's life, Donna can't help but find this all rather amusing. As for why is Donna introducing Indy to the team? Well I figured it would just be like her to want to help this child, even if that child tried to assassinated her. Doesn't every child deserve the chance to make friends and be happy? It's a major reason why I like making this au, giving lonely young heroes a more happier life.

A little bit of an epilogue here. It was very important to me that at one point Jason would meet a character that basically 'beats' the shit out of him and then would make him laugh. Basically a parallel to his own meeting with Bruce, at least one meeting like this had to happen! What better character than the girl who doesn't know what humor is yet? I think they're gonna be great friends, lets hope these happy times last forever...

And with that, my 8-day streak of posting is over!!! My poor poor hands, I think I'll skip next week honestly.

Well, I hope you enjoyed all of that, and I hope you all stay safe out there!!

[loveromeo1641]

Ok I JUST finished persona 5 so here's all my thoughts and ramblings because I NEED to put this somewhere (none of my friends have played the game and I'm going insane) (I also currently don't have any persona 5 moots so you know......)

Major spoilers (obviously)

I despise Kamoshida. They did a REALLY fucking good job of making him hateable. Like for me personally, all the other palace-owners aren't nearly as detestable as Kamoshida is. I feel like it's because we see Kamoshida's actions directly hurting people in a way that no other palace-owner is shown, if that makes sense. Like Madarame's actions do hurt Yusuke very directly but it's just not the same vibes. I really absolutely hate Kamoshida and I'm glad he got justice.

I love the original group of four. I do like all the characters that come after them and join the group, but those four have a special place in my heart. They're iconic.

I love Ann's story during the first palace and I feel terrible for her BUT it grosses me out how the creators continue to sexualize her (and other female characters) for laughs throughout the game. Like why the fuck did they think any of those scenes were they have to wear extremely minimal clothing was necessary. It's so fucking weird. You can't just write a character who's plot point is that she's forced into uncomfortable sexual situations, and then force her into uncomfortable sexual situations for a joke. It's not only not funny, it's fucking disgusting.

Speaking of which, can Ryuji and Morgana stop making weird comments or suggesting weird ideas? I get it's supposed to be funny, but it's just uncomfortable.

Yusuke is the gayest man I've ever seen good god.

I want to date men in the game, Atlus, come on. Stop being homophobic, let me date a man. Let me date Ryuji please

I love Futuba. She's like my younger sister and I would kill for her. Which made me really fucking grossed out when the romance started happening. Like what the fuck was that huh. I'm sorry, you can't just have Ren (I think that's he's name) and Futuba have a siblings relationship like the entire game (not to mention their basically step-siblings), and then all of a sudden turn it romantic.

Speaking of which, it's kinda weird that you can date your teacher and doctor (and the other adults). Like not shaming anyone for picking those options cause the doctors hot as hell, but why would a teacher think it's ok to date their student or a doctor date their underage client. There's nothing wrong with choosing them to date, especially if you (the player) are an adult, but it's still weird that like four different adult women want to date you.

I've seen this said before, but the middle palaces are kinda boring. The story pacing falls off after Madarame's palace. Again, I love Futuba, but Kaneshiro's, Futuba's, and Okumura's palaces feel like there's much less at stake, especially Kaneshiro's. Not that I disliked the game at those points, but compared to the rest of the game, it's not as exciting.

The Nijima palace was my favorite. Oh my god, it was so interesting and well developed. The music was also FIRE. I liked going around and collecting chips to continue on to the next level, and I liked seeing a shadow that wasn't directly hostile towards the group. It was such an interesting concept. I also just love Sae as a character, I like that she's not directly evil and she has good intentions, she just got kinda lost at some point. I think that's a nice change of pace from the other palaces.

Ren and Akechi have the most romantic tension in the entire series. Like kiss already, jesus fucking christ.

I like all the phantom thieves except Haru. She feels so out of place. This isn't like an attack on her character or anything, but the issues with her Okumura Foods stock or whatever it was felt so... weird. Like I get she's in a tough situation, but she's also like a millionaire, so no matter what she decides, she would be set for life probably. I don't know, it just feels wrong to me

I cried when Akechi died :( I know he's technically a bad guy but come on. He deserved better. I want to bring him back from the dead and give him a hug. Have him and the other phantom thieves live a happy life being besties or whatever.

The ending felt weird. It was so much monologuing. I don't even know exactly what I didn't like about the ending, I just didn't like it. I also didn't play royal, I just played the original, so that might have changed it. I know that apparently I was supposed to talk to the wardens throughout the game and I just... didn't. Oops.

This is such a small thing but I hated the music for Shido's palace. It made me go insane and not in a good way.

I cried when I thought Ryuji died. And then I got mad when the cast beat him up for some reason???? Literally why did they do that????

I realized I didn't talk about Makoto at all but I love her. She's amazing. She can do no wrong idc

Ok final thoughts: I actually really liked the game. It's far from a perfect game but I generally enjoyed it. I'm glad I sat down and played it (for 100 fucking hours). Anyway, this is all just my opinions, I'm not bothered or anything if you don't agree with something I said. If you want to leave a comment either agreeing or disagreeing, I'd appreciate it as long as you're not a dick about it

[fairdale]

justice for elriel

already said this, but i feel like some people haven’t read the same books as me regarding elriel. and i don't particularly mean them as a ship, i mean that because of ships some people refuse to acknowledge the amazing characters that are these two (and how well they go together). i love them so much.

some talk of elain as plain, boring girl who is fragile and useless and i just don't get it. the poor girl has her life turned upside down not once, but twice. and yes, she doesn't react the same way feyre or nesta do, but she also fights. she helps them in the war. for the love of god, nesta and cassian are alive because she stabbed the king (with azriel's most special dagger that he never lent anyone but her, mind you). i'm sorry but that don't you touch my sister was one of the top moments for me.

and not only that, but i've seen people hate her. how can you hate her?? i just don't get it. she's growing out of her shell, she's blossoming into a strong, fearless woman. feyre herself said she believed elain to be the strongest because she remained hopeful even in hard times. and she sees the good in people.

sure, in acowar she was still processing everything, but in acofas and acosf you can see her being comfortable around everyone and more sure of herself, bolder, as cassian said. her hobbies may be quieter than her sisters', but that doesn't make her less interesting. plus it's obvious that she doesn't wanna be babied. she was willing to scry and help them fight the queen. she's ready to fight, to use her powers. to show who she really is.

and talking about azriel, i just can't believe some people talk about him as the "sad guy" and nothing else. they talk as if the whole inner circle and the archeron sisters weren't in love with him. he fights with everything he has for his people. he didn't care about the bad condition his wings were in during the last battle, he wanted to fight along his brothers.

he taught feyre how to fly because he understood the fears she may have. he never once judger her. he's always there for everyone. he may not be expressing himself with words easily, but you can see it in his actions how much he cares about his family.

he's also so smart and i love that. for me, he's one of the most interesting characters in the whole series, maybe even the most interesting one. he has such a hard past, but he overcame it. he despises the illyrians, but he loves his brothers and is one of the best three fighters they have. he has a lot of control, but he didn't hesitate to defend mor against eries or to go rescue elain. he cares, a lot.

(and please don't even get me started on the be careful how you speak about my high lady. this man is HOT)

and last but not least, elriel. these two have so many moments, even if they are subtle. you can't deny the connection they have from the second they met. elain inmediately felt more at ease in his presence and she asked him multiple questions. and he was so so kind to her, making sure she didn't feel uncomfortable. and let me remind you her dress was the color of azriel's siphons. i can't let that go.

in acowar, azriel is the one who says elain doesn't need anything when others talked about her as if she needed to be fixed. and he's the one who understands what is happening with her, that she's a seer. i think it's so important that he didn't doubt her. he trusted that she was capable enought to help, to grow, to be.

when elain gets kidnapped, he's the first one to say i'm getting her back. he didn't hesitate for one second, even when the rest told him he would die. he was getting her back. and he did, and they didn't want to let go of each other.

and elain kissed his cheek without caring about whoever or whatever that was going on around them.

and as i said before, azriel lent her truth-teller so she would be able to defend herself. he doesn't cut her wings. i feel like some people misunderstand his words acosf when he didn't want her near darkness. he was worried, but he never, once, tried to order her or tell her what she could or couldn't do.

he's also one of the few people who treats her as a capable, adult woman who is strong and clever. he encourages her, and so does she.

i also need to talk about elain saying his hands are beautiful. his hands, that he feels are always dirty and unworthy of touching something precious. she has never judged them or him.

oh, and please let's talk about them getting each other gifts for the winters solstice. multiple times. they're whipped. they're just so so cute to me.

offer and permission.

and no, i don't think azriel would be bad for elain or stop her growth. i don't think he would slow her down because he also needs to grow in his confidence.

and no, i don't think elain is bad suited for azriel because she may not be interested in fighting as her sisters are. elain is ready to fight her battles, to be an active part of her court. just because she chooses to do so differently, it doesn't mean is not important.

so, basically, these two are iconic and they're wonderful characters who deserve all the love and appreciation and i honestly think they have crazy chemistry and could have an epic (love) story. they're awesome, together and individually and i can't wait to be inside their minds. i really hope the next book is about them because the possibilities are endless.

they are that good.

[therealjammy]

After watching Act 1 for the third time this afternoon, and on a much larger screen than my laptop, I can say I've come to like the pacing. It was slower in season one because the audience had to be introduced to the characters and the worlds of Piltover and Zaun and the politics between the two; now we're fully immersed, and the stakes are so much higher, it only makes sense that the pacing is going to be amped up.

Now I'd also like to take a moment to talk about my girl Caitlyn and what her arc looks like so far. She has just lost her mother in an attack by a person from a city with whom Piltover was going to make peace. In the wake of grief, and the weight of the Kiramman name/legacy falling on her, it's so easy to drown in both, and far easier to be consumed by anger and revenge. Over the course of episodes 1 and 2, we see the latter two bubbling to the surface, and by episode 3, it has fully taken ahold of her and given her tunnel vision. Does this excuse her not thinking about recruiting Vi, or releasing the Grey on poor Zaunites, or physically accosting Vi in episode 3? Absolutely not. And I fully believe she's going to realise this at some point during Acts 2 or 3, at great cost. As for her stepping forward and accepting the role Ambessa Medarda literally cloaks her in, we must remember that people in power often prey on the vulnerable, promising that certain actions will heal hurts and restore things to "normal." Perhaps Caitlyn believes this, and believes, also, this is how she'll bring justice for her mother's murder and, by extension, the Kiramman name.

And remember, also, that there are still two acts to go before this story is wrapped up. We mustn't judge too hastily, either.

Finally, there is hypocrisy in stating "We want more nuanced characters" and immediately hating when one, or more, show up on screen and they aren't fitting into the Perfect Mould. Most especially queer characters. How are we going to achieve nuance if every character is "morally pure and good"? How can we achieve it when brilliant animators and writers and creators as a whole are bashed for exploring darker emotions, the darker aspects of the human experience? This is one of the many things season 2 of this incredible show is delving into. Take off the purity glasses. Allow these new perspectives to make you uncomfortable. Sit with it if you have to. It isn't a bad thing for a piece of media and its characters/themes to cause you to do some soul-searching. That's the beauty of art. That's the beauty of this show.

[weirdmageddon]

since hes open to feedback im considering talking to james roach about giving jade the justice she deserves after her narrative shafting in act 6 and one-dimensional ooc-ness (and also being a plot device deprived of agency) in the epilogues. if i do im probably going to link to this post……

so james if i sent this to you and you’re reading this, hi! :)

you say, “i want you to know if youre having problems with the story you can come to me with it and i will hear you out”. first of all you are such a good dude and have such a good open honest approach to the fans. i need to get that out there, because i know you’re just as much a fan of these characters and world are we are. secondly, i don’t know what your plans for homestuck beyond canon are, but dave and jade’s poor handling is a problem in both homestuck canon (act 6, even act 5 fucking them over with “tell, don’t show”; see the latter half of section 1 of the post at > Dave: Deploy cloning apparatus. and section 2) and post-canon that has yet to be addressed.

i understand the nuances of making things flow in a story; things that have already been established can’t be simply retconned. i wrote this post knowing that in mind and hopefully working around that into believably timed and justified/needed arcs gives it more potential

jade is a character i care about so much, and many fans also. her dynamic with dave was one of my favorites but the resolution to their separation…is not even really a resolution. it’s hard to talk about one without the other since theyve always been narratively intertwined. or at least jade has

remember how they musically collaborated more than the other kids? (crystalanthemums is their surprisingly tender song dont forget. i saw that the weird troll grub versions of objects make a comeback in the upd8; make music a relevant part of homestuck in-universe again too </3) dave sending her sbahj furry poster in the mail? the first ones to use a collaborative fraymotif in the comic? kringlefucker and conksuck boot? literally collaborating on creating the right seed for the new universe? and then dave died in jade’s arms and they were separated for 3 years and then that never gets touched on because of the retcon and all the other endgame shit going on (and lets be real grimbark jade from before the retcon wasn’t a satisfying reunion either). we get like, a brief exchange of dialogue at the very very end that made you want to see MORE of them after the battle but it. doesnt happen.

and then in the epilogues jade gets warped into this oddly hypersexual ooc one-dimensional character meant to narratively get in the way of davekat and it’s so awkward and uncomfortable for them. and even THEN in meat timeline gets her agency revoked by the narrative with alt calliope. and in candy dave realizes he’s gay (i thought he was explicitly bi? didnt he call jane hot multiple times both pre-and post-retcon, and once call roxy a “choice babe” in pajamas before he knew it was his ectomom?? if you’re actually gay and in denial why would you have these subconscious freudian blunders). and being married to jade gnaws at him because of it which is. unsatisfying i guess and isn’t consistent with dave’s established sexuality…and then he dies leaving his probably concerned wife and becomes a robot. even if the “point” is that the epilogues are metanarrative commentary about storytelling and candy represents the kind of fanfic that goes off the rails with fanservice it doesn’t feel good when i still care about these characters and their established canons. and a lot of people are in the same camp as me regarding this. it’s still an uncomfortable resolution for their relationship

i really want to see jade’s arc overcoming being used as a puppet by the narrative and the space aspect. just some things to think about / consider that have been running through my head: she’s a witch, right? isn’t what she’s supposed to do is actively bend the rules of her aspect? feferi bended the rules of life by asking the horrorterrors to create dream bubbles so the deceased could still sort of “live” which had a massive narrative impact. who exactly determines that being spacebound means you are fated to be passive and alone? the author? alt calliope? how do we know alt calliope can be trusted or if she’s just projecting her experiences as the most passive class possible onto jade, who ironically has an active manipulation class but is forced to be passive for some reason? normal calliope wasn’t right about everything classpect-related either.

ultimately these things are up to you. you’re still the director of course. but i’m speaking to you, as equally caring of these characters as you and everyone on the team, as a hypothetical suggestion or just something to consider for a jade arc: i think it would do such good to jade and the comic as a whole to see her speak to the manager and recognize the power she has and take back the reigns over her own life and dignity. jade is MAD that she had her own possibilities for socialization and agency taken away from her. and with floralmarsupial, my beloved mutual floral who i went to homestuck high together with, i KNOW the potential they possess to write a compelling arc for jade harley. i think everyone knows too lol floral is THE compelling deep jade harley fanwork big name fan. i dont know what we got to lose. with you guys in charge now, and with the last we see of jade in hs^2 (now hs:bc) fighting callie’s influence and advocating for her own agency, really the only way to go from here for jade is up. (assuming she doesn’t permadie of peanut but i doubt that’s going to happen since she’s one of the original kids and it wouldn’t be satisfying storytelling. and it’s homestuck)

this statement so ripe with potential to me ^ and we’re left on a cliffhanger with jade going in this direction

i want jade and dave to be close friends who care about each other a lot and do silly stuff together again. this isn’t even a call to make davejade canon; it doesnt have to be romantic—i dont want a davekat davejade war to break out, you know? i know you’re trying to balance fan demands. but i just loved their dynamic a lot and i MISS it so much, homestuck act 6 didnt give us this and i wish their reunion had more that went into it. we’re past that point though

i want jade and dave to have a talk that’s like old times. something that isn’t awkward as hell or about sexual relations or drama or whos fucking who. just something for the two of them. something that grounds them in what made homestuck so compelling in the first place: character and friendships and these kind of interactions

i want to see them collaborate again. an idea i have is maybe they start a band or something since they’re both musically talented and also live together so they can make stuff together in person now. you’re a music guy you get it. tangle buddies. jam buddies

and maybe something more serious that concerns just the two of them. post-retcon dave never talked to jade about his thoughts when they fought bec noir right? knowing that jade would inevitably kill him with bullets through bec, but he couldnt warn her because he knows she wouldn’t go through with it, creating a doomed timeline? so jade thought all that time she killed him by accident…..what about all that guilt she must harbor? the first person she had in-person contact with since she was probably four years old, her best friend online, and accidentally killed him within just a few hours of meeting him? and never got to talk about it with him, let alone anyone, after three years? hello?? :(

these are the final lines of the last pesterlog between jade and dave before their 3-year separation (and basically all of act 6)

so uh…..this exchange really openly invites some kind of talk to take place even if it’s long overdue. among other things maybe. they need to hug or something. jade’s touch starvation is real, but not everything needs to be sexualized about touch. she’s lonely and starved of affection but i feel like it would be more meaningful if it wasn’t sexualized. just really basic platonic primal cloth mother needs. just like..both being human beings and having basic needs like this that jade’s been deprived of. who’s the person she would feel most comfortable going to? who does she have the richest history with throughout the webcomic? dave, right? her online best friend since childhood that always cared a lot about her? they have stuff to talk about

i feel like that would address the issue people had with jade’s out of left-field promiscuity in the epilogues and even leftovers of it in hs^2. not only do i think primal platonic touch starvation would be a more meaningful and evocative type of interaction to give them at some point, it wouldn’t rock the boat or create any ship drama (davekat has long since sailed and most people seem to be on board with it) and it would probably be really positive representation of these sorts of things which not only throws a bone to aroace people but just depicting this sort of thing normalizes the fact that two people can be close and not necessarily in an official relationship.

this is a good transition point to this post also which is basically an extension to this one. it’s exactly the issues i had. it’s on the nature of what they had going and how much they mean to each other but how the storytelling held them back when it was unnecessary

this breaks my heart. mr. roach and hs:bc writing team please i miss my favorite blorbo duo being happy in each other’s company. they were such good friends but circumstances pulled them apart. i miss when they created music together and talked about their interests and exchanged quips. i am such a well of ideas for stuff like this. show us how much they mean to each other again

if youre still reading this james thanks for hearing me out. if you wanna pass on to the writing team to look at and get their feedback on this i’d be so so thankful

“and to think that after all this he still chose to save her, like always, probably knowing he had little to no chance, just because he cares for her, her life and who she is beyond this moment, really meant a lot for them. i really, really was mad that this would be the last time they would truly ever be together in a way that to me mattered” — vintagegamebro