#I just think they’re friends

[coloredlion]

Finally making fanart of them omfg they’re so silly

(facial studies below bc i only ever draw cartoon characters this was way too difficult)

[trash-baggins]

Pre time-skip “no Marimo, we aren’t going to talk about that, ever.”

[cosmosnout]

The most doomed siblings ever

[boobilby]

Being even more cringe than usual

Featuring my friends drawing of Joel, who I’m pretty sure they don’t even know, @dustystripe is the friend

[cassandracain52]

Reverse trope

where instead of the Bats forgetting that they’re adopted (something actual adoptees do on occasion and is hilarious) they forget that some of them *cough Damian cough* aren’t

_______

Jason in the heat of a probably ridiculous argument: Yeah well YOU’RE adopted!

Tim just as invested in said argument: So are YOU! We all are!

Damian who had previously been quietly watching this unfold while he drank his tea: Actually I’m not

Tim and Jason who didn’t realize he was there but are already DoneTM: …… Damian continuing to sip his tea entirely unbothered: :)

Damian: Because I’m not an orphan-

Jason: ok, yoU KNOW WHAT-

____

or like in their group texts (that we know they have thanks to Nightwing (2016) #79)

*Steph changed the group chat name to “Bruce Wayne’s Personal Orpanage”*

Jason: Really?

Steph: ¯\_(ツ)_/¯

Steph: It’s the truth Damian: Both my parents are very much alive

Steph: Shhh you don’t count

Cass: Mine too Duke: Technically so are mine

Barbara: I still have a dad so there’s that

Steph: YOU GUYS ARE RUINING THE JOKE

Tim: Stephanie aren’t BOTH of your parents alive???

Steph: KNOW WHAT? FINE

*Steph changed the group chat name to “The Technicality Police”*

Tim: well that’s more accurate at least

Steph: :)

_____

Damian in his 10th argument with Tim of the day: That’s- this is-

Tim in full Antagonizing Big Brother mode: I’m listening

Damian -a Gen Z and best friend to Jon Kent- extremely frustrated: This is such Motherless behavior!

Tim taken aback: [voice cracking] W-what-?

Damian who didn’t mean to say that but doubling down anyway because his bloodline doesn’t believe in admitting mistakes: THIS! This is such Motherless behavior!

The rest of the family who is also motherless: :O

Cass whose been spending way too much time with Meme Queen Stephanie Brown and not involved in the argument but finding it entertaining regardless: [nodding along seriously] Facts

Tim: [visibly betrayed] CASS WHAT-

A video copy of the interaction gets sent out anonymously to the entire family. Barbara is the prime suspect but there is no proof as of yet (and they will never find any)

Steph, Cass, and Duke continue to respond “Motherless behavior” everytime one of the bats does something they deem questionable/insane. It is said often

It only stops when one night in the middle of patrol. Batman is in full Dark Knight mode (possibly in the middle of threatening someone) and descends from the ceiling into the middle of a warehouse drug deal, dark cape billowing out behind him-

and Steph just automatically whispers “Motherless behavior” forgetting her com was still very much on

She immediately realizes what she said and frantically apologizes but it’s too late.

Bruce just- Blue Screens. Completely stunned into silence

Dick -who was unfortunate enough to be the one teamed up with Batman tonight- is fighting for his life to choke back his laughter

Jason doesn’t even try to stop his and has collapsed to his knees from lack of air from how hard he’s laughing. Cass try’s half heartedly patting his back to help to no avail

The criminals are terrified into surrender from The Red Hood just laughing hysterically at seemingly nothing while Batman just Stands There

Damian ends up being the only one still functioning enough to continue arresting everyone, though he is privately amused and strangely proud

Tim and Barbara have saved both the com recordings and cowl footage to at least three different servers and sent it to absolutely everyone before Batman even recovers

Duke finds out second hand the next morning and is furious he missed the chance to see it in person. He declares he is moving to the nightshift so it doesn’t happen again. (He is all talk and goes to bed by 9 pm)

Bruce bans the phrase for life and promises swift and server punishment to anyone who dares to use it again

[twinstxrs]

so much happened in this whole episode but i’m still on fig infiltrating ruben’s dream, making it look like the place where his friend was murdered, and then disguising herself as kipperlilly & repeatedly saying different variants of “somebody needs to take the fall for this, and it’s not going to be me. it’s going to be you.” while adaine as the elven oracle shows up next to her. can you imagine waking up from that, the idea of a horrible truth being pinned on you by your friend to save her own skin while the personification of fate and destiny stands there, almost as a promise that this is GOING to happen to you. we don’t even know if this kid is guilty. my god.

[my-darling-boy]

So a very unique purchase I made during hiatus… a pair of antique prosthetic arms I basically saved from being sold as lamps?? They were most likely made between 1900-1930, though one professor I reached out to says they might specifically be WWI era or thereabouts which is grand cos I’ve been getting very into WWI medicine, specifically prosthetics and plastic surgery, these past two years. Definitely a great addition to my collection regardless! They are two left arms produced for two different people but by the same maker in France and came with a swivel joint and hook, ring, and brush attachments.

[aestheticallynotdeerlightful]

I was gonna wait and post these till I had more doodles but I’ll just post them now it’s fine. I’ll just explain stuff in the tags as per usual

Some Raz poses and some Dion and Adam stuff

.

(Please do not use or repost my works anywhere without explicit permission from me thank you)

[intimidating-fettuccine]

Toby: I need advice.

Tim: With what?

Toby: With love. How did you know you were in love with Y/N?

Tim: . . .

Tim, in confused denial: I’m in love with Y/N?

[favroitecrime]

Palestinian freedom fighters breaking out of Gaza and reclaiming their occupied territories. They’ve taken over israeli tanks and have chased out the settlers that were on that land. They’ve launched rockets everywhere and the iron dome has failed to intercept. This is about to mark a momentous event in history.

From the river to the sea, Palestine will be free.

[stuckinapril]

I genuinely love not having a crush like I’m not over here feeling physically sick over some mid guy being dry to me I’m literally chilling

[criticalrolo]

I had a post a while ago about making sure your dnd character WANTS to be an adventurer a while ago, something else I’ve been thinking about is the importance of making a dnd character that WANTS to be in a group and have some sort of relationship with other PCs. the Group Nature of ttrpgs means lone wolves just aren’t feasible. if you really want to play a lone wolf or antisocial character at the beginning then I highly recommend telling your dm and the others players that you plan on forming bonds along the way and growing out of that mindset. otherwise why are you playing dnd, a group activity that involves cooperation and building relationships? Just Write A Book if you don’t wanna be in a group

[kalofi]

happy pride month here’s my contribution of trans nanami who didn’t transition until after he left jjtech and so when he comes back a brick shithouse it throws everyone for a loop. the group chat and i have dubbed this pre-t version of him nananiña. naniña for short

[canine-economy]

On Swansea’s (often understated) role in Mouthwashing

I say this as a big swansea fan but I don’t rlly understand why ppl are acting like he’s not also complicit in what happened to Anya? AUs where “Anya tells Swansea” and he jumps to violently defend her don’t make sense to me because canonically she does tell him, as he admits to Jimmy. But swansea represents another way of interacting with the capitalist heteropatriarchy that ALSO harms victims: holistic jadedness and resignation.

Swansea is across the board unkind to the Tulpar crew. We can’t forget that he calls anya a “so-called nurse”

and says this to Jimmy, which (if unintentionally) reiterates Jimmy’s own warped perception of Anya’s usefulness and competence. This allows Jimmy to feel justified in his imagination of the nurse’s inferiority. Swansea’s clear lack of respect for Jimmy does less to hurt Jimmy than his lack of respect for Anya harms Anya, because at the end of the day, Swansea’s attitude is contextualized by the violent culture it exists in and he does nothing to reconcile with that when Jimmy becomes the captain. His resignation can thus be weaponized even by Jimmy, a man who Swansea disrespects but whose power he doesn’t try to meaningfully jeopardize, because his across-the-board disdain punches people already marginalized by the environment twice as hard as it does those with power.

Swansea doesn’t position himself as an ally, he positions himself as willfully uninvolved in everything, an observer to the shitshow ride to hell. Just because he dislikes Jimmy doesn’t mean he aligns with Anya. He makes it clear that he’s not on her side, either. After a life of doing what he felt was expected of him, Swansea on the Tulpar looks out for Swansea and Swansea’s comfort. In trying to situate himself outside of the politics of it all as an older white man, he simply allows them to play out. The toxic culture keeps existing, playing out in the microcosm that is this freighter, and Swansea in all his experience recognizes that shit has hit the fan and elects to coast through it, even explicitly numbing himself to it by breaking his sobriety. It is, of course, hard to force yourself to be sober—to see clearly. But had Swansea forced himself to get involved sooner, he might have set a precedent for Daisuke to recognize Jimmy’s abuse, which could have saved Daisuke’s life as well as created a safe space for Anya. But Swansea’s inaction forces both victims to confront an abuser on their own, unable to reap benefits from his privilege and experience.

Jimmy is clearly intimidated by swansea in a way he is not by Anya, Daisuke, or a post-crash Curly (Swansea, for example, physically manifests as an aggressor in Jimmy’s “responsibility sequences”, and Jimmy ties Swansea up to avoid what he sees as the real possibility of pushback that he doesn’t conceive of Anya being able to do). Swansea has a power he does not act on or with until it is far, far too late. In fact, he acknowledges in his final monologue that he was dissatisfied with the discomfort with opening his eyes and living an exemplary “good man”s life. The best days of his life are ones in which he’s belligerently drunk—days in which he didn’t have to hold himself accountable. He regrets the life he spent performing for higher-ups and we watch him reject it by scorning Captain Jimmy, but he also doesn’t want to be held responsible for helping other people when it’s their turn to endure the expectations and violence from similar (if not the same) higher powers. Tragically, he possesses the hindsight to recognize that how he acted on the Tulpar consequently wasn’t what Daisuke needed out of a role model, leading to Daisuke becoming a victim. His hands-off approach to emotional engagement with his young male intern (another symptom of patriarchal gender norms) may have been to avoid Daisuke turning out miserable and jaded like himself, but it doesn’t actually indicate to an already-confused Daisuke what the dangers of that attitude are. Swansea never admits his own shortcomings in a tangible way which, had they come from a man with experience and prestige like himself, may have shifted that culture that failed Anya. She comes to him with the story not because he has situated himself as any earnest friend, but likely out of desperation on a ship Jimmy now controls.

When we allow “the machine” (Swansea’s own words) to beat us down to the point that we don’t find it productive to challenge unjust power dynamics, we become complicit. I think too many people get hung up on his disdain for Jimmy and Jimmy’s fear of Swansea as a marker of allyship with Anya, but the truth is that Swansea. Is a bad ally. He’s hardly one at all. His long stint in the demanding capitalist environment molded a perfectly complicit result out of him, as it aspires to do, even if Swansea bitterly recognizes that. Jimmy’s overt violence from a position of power is a different and much more brutal approach to abuse enabled by people who have been left too tired and bitter to care that he does it. A man who could’ve intimidated and even threatened Jimmy is too resigned to try until there is literally nobody but himself left to fight for, which is an attitude carefully cultivated among the lower rungs of hierarchies to keep the top safe. Swansea in particular seems very unhappy with the capitalistic, patriarchal expectations laid out for him as a father, husband, and laborer. His decision to just stop trying and spare himself the grief instead of questioning why those expectations exist and how they would hurt the others onboard only delays him being directly targeted by Jimmy and doesn’t interrupt the latter’s violence.

Not a single man in mouthwashing is innocent in Anya’s victimhood. This is a statement tentatively uninclusive of Daisuke, because I think the game very deliberately positions him outside of manhood through his youth and thus struggling with the concept of “fitting in” to the patriarchy. Curly, Jimmy, and Swansea all represent different failures that ultimately perpetuate Anya’s suffering and force her to defend herself and finally take her life into her own hands. A holistic analysis of rape culture in MW necessarily engages with all three of them. Only not being a friend and ally to rapists and other male abusers isn’t enough, and Swansea proves it.

[professorjirt]

I’ve discovered my favorite genre of Bagginshield art is where Thorin is a lovesick idiot who is Losing It and Bilbo is unbothered or oblivious to Thorin’s suffering LMAO

[veggiemist]

The trio ever

“What are you listening to?”