#I just really liked this author

[blackghostm2o]

Man… I fucking love Petronius.

So today we did and exam on Petronius’s Satyricon (basically translating Latin to Italian and answering some questions regarding the grammar of the text, probably fucked it up because I suck at it) and that story was hilarious.

The text was one of the 5 stories with a second grade narrator: the narrator here was a Liberto (a man who once was a slave and now is free) who probably was wasted on wine; in the story he and someone he knew (who was a solider) where outside late at night and there was a full moon. The two then went on a cemetery and the solider started pissing on some gravestones while the narrator was sitting and singing, then the solider went crazy and started undressing himself, pissing on his own clothes and then became a fucking wolf and run away. The narrator was so scared that returned home while swinging his sword and there all the sheep were killed by said wolf, which was hit in the neck. The next day the narrator went to the house of said solider and saw him getting medicated on his neck so got the fuck out and stopped meeting him.

The way this is narrated makes it much better also the fact that you usually don’t expect to study stuff like that at school makes this better.

Also the episode in which Trimalchio, while they are talking about death, brings out a whole ass skeleton made of silver and with working joints and throws it on the table where they where eating is great, lmfao.

Also the story of the protagonist who is in love with another man and then another dude comes out who loves the second dude and then also another one comes, all this chaos is so freaking funny, pure chaos and parody of your usual ancient novel (a FAITHFUL etero love story)

I really enjoyed those snippets of the Satyricon, maybe I’ll read all of it, but I need to find a good translation.

I also love how his death is described (not by him obviously). If you studied a lil bit of Roman history you know that Nero wasn’t a really good fella, after finding out of a plan to take his power he obliged some people to kill themselves (like Seneca and Lucano). Nero did the same with Petronius, but Petronius didn’t just hill himself: he slit his wrists and then opened and closed his veins whenever he liked it while talking with some friends about erotic stuff and then, when he wanted to, let himself die. He didn’t even do this to show courage, he just wanted to fuck with Nero and I love this soooo much. Maybe it’s not true, but I really like this story.

Sorry for the long post

[gentil-minou]

Everytime I see posts like this I get filled with such profound sadness

Cause you know who has the same brainrot as you? The same unhinged feelings as you after you've read the fic? The person who always wants to scream about the fic with you?

THE PERSON WHO WROTE IT

I never used to leave comments but since I got into the habit of commenting on everything i enjoy it's been incredible. Especially when the author gets back to me about it and we get to have a discussion of what other ideas they had. One writer replied to my comment with a 5 paragraph essay detailing the Floorplan of the building the characters lived in and it was incredible

Anyways this is all to say that if you find a fic that just makes you want to scream from the rooftops, leave a comment saying that to the author and maybe they will join you and you can scream incoherently together

[letmetellyouaboutmyfeels]

I am incredibly serious right now when I beg you all, please, and if you have Twitter or Tiktok or whatever to please spread the word: click on an author's profile on Ao3.

You want to know if an author has written more? Want to know if they're still writing? Want to see more from them? Want to know if they've written a trope or kink or sex scenario you enjoy?

Click on their name. And look at their profile.

I cannot tell you how many times in the last six months someone has read a new or newer fic of mine and said they (a new reader who has read nothing else I've done) "can't wait to see what you do next!" I've written 50+ fics and over a million words already.

"I don't know if you're still writing..." click on my profile. I am. I literally wrote a 128k+ fic for that ship last month.

"Would you ever do X?" "Please do Y!" I already did. Click on my name and look at my works.

Archive of our Own is a library. It's an archive. Not social media. It is your responsibility to fight back against the laziness that corporate algorithms have trained into you.

Click my author name. Just click it. Just click it.

Before you demand more, or ask if a writer will do XYZ, or wonder if the author still writing, or anything - click on their profile. Click on the author's profile.

I'm not trying to be mean or condescending or anything like that. I'm just exhausted. It's disheartening and frustrating to repeat myself ad nauseam, because someone couldn't take thirty seconds to do the tiniest bit of work to see if I've written lately, if I've written more for their ship, or scan my works to see if I've written what they're asking for. Please. Please. I'm begging.

Click the author's name, and explore before you ask.

[asthedeathoflight]

Still thinking about none houses left grief, and while I understand where people are coming from, "it took me out of the world" is just... Really not a relevant criticism here. Like, that line is SUPPOSED to be jarring. It is supposed to be kind of darkly funny, but the point isnt for you to laugh. Its not trying to be a punchline. The point of that line IS to "take you out of the world" because the point is that *this world isn't what you thought it was.*

[notherpuppet]

@/coma_0423’s cursed cat alastor will bring you happiness ♥️

Lulu scolds the cat

[tourettesdog]

I am begging people to be normal about completed fics, and in particular one shots.

I am begging people to stop demanding more from authors, and insisting that one shots need to be longer or have sequels.

I don't think yall understand how many fanfic authors are one more "where's the rest of it?" comment away from throwing out any plans they might have had to continue an idea.

Unless an author like specifically says they might write more for an idea, just-- assume something marked as completed is complete, and respect it as it stands, please.

[angry-kid-with-no-money]

"Nora doesn't know anything about the things she writes about" "aftg is terrible queer rep" "the queer characters in aftg are so problematic"

Idk guys maybe the book series abt problematic ppl set in 2006 and written in the mid 2010s shouldn't be expected to hold up against scrutiny of what we consider to be moral and correct now, in 2024

Idk tho, idk

[meteortrails]

mattfoggy from the like 2016 daredevil show were actually so crazy bc like. you’re best friends, you’re each others emergency contacts, everything that you’ve built for yourself as an adult is something you built together, and yet at the same time. your best friend has been lying to you since the day you fucking met. you know each other better than truly anyone else in the whole fucking world, and there is a fundamental piece of his existence that he never told you about. this shit could ruin everything you’ve built, could get him killed, and he didn’t tell you a word of it.

and on the flipside: here’s the one person you’ve ever gotten close to without getting abandoned, and you can’t even bring yourself to be fully honest with him bc how could he ever stay if you were. and he finds out and he leaves, bc of course he does, and you let him, bc it’s probably for the best and he can do what he fucking wants. you’re not gonna twist his arm to get him to fucking love you. but he comes back, and you both keep coming back through everything that follows, bc who else is going to know you like this?? what could ever fill the hole they’d leave behind??? everything you’ve built you’ve built together. how could you ever actually leave that behind?

[keferon]

What are your thoughts on a decepticon prowl?

Oh I'm all for it. But! Only if he's actually a Con. Like. Wholeheartedly.

Not "nnnooo we're doingg a bad thing and I kind of dont wanna do bad thing but I have no choice poor me".

You know how in canon he truly believes he's on the right side and makes everything to ensure that Optimus wins the war? You know how he's willing to make every tough decision so Optimus doesn't have to risk his reputation? You know how he literally makes Autobots look like shiny brave and clean heroes who did nothing wrong ever?

I want all that but the other way around. I want him to do that for Megatron and for the Decepticons. The implications would be so fucking dramatic I could write a whole essay.

Low rank Cons would hate him so fucking bad.

Starscream would try to murder him at least once a day.

Megatron would absolutely treasure him. Autobots would have it r o u g h

Can you imagine

[messrsrarchives]

the way yall genuinely theorise over whether taylor swift wrote atyd is a massive part of why fanfic authors are seen as these untouchable influencers instead of actual human beings that you can engage with. just, btw.

[tea-cat-arts]

Shen Yuan getting transported into pidw isn't "the system punishing him for being a lazy internet hater," but instead representative of "step 1 of the creative process: getting so mad at something you decide to go write your own fucking book" in this essay I will

[applestorms]

L can be such a possessive character at times. he always strikes me as the type of person who is deeply aware of everything that he owns, both in a more literal sense and metaphorically-- like, he knows what money he has and how to use it, what resources are readily available to him and what he has to be sneakier to utilize, the habits and tendencies and emotional states of individuals and world governments both. the DN musical really puts an emphasis on the more computer-y aspects of how his brain functions, which isn't as obvious in the manga/anime but i think still works well as a way to follow his thinking. it's kinda what near does too: everything is a factor to them, every tiny detail a new opening to optimize for the best results, every person and location and object a part of a puzzle waiting to be solved. and as a part of that, L is deeply aware of every and any little thing he may or may not have control over, and exactly to what degree.

his habit of stealing titles as depicted in the LABB murders novel is such a good example of this. ryuzaki, eraldo coil, deneuve. he eats people alive and then takes their names for himself like some kind of fucked up fae or trickster god, creating new masks and personas to hide behind from the remains of the people he's devoured. i have to wonder if he would've used the title of KIRA for himself had he won-- i can hardly imagine what kind of power such a title could hold if held in his hands. of course, he could've just used the defeat of KIRA as a way to build up the L title even further, offering up the body of a dead god like perseus showing off the head of medusa. but L is so emotionally attached to the kira case, i struggle to see him allowing it to fade from existence so thoroughly as near does, even if it is only kept close on a private level...

this is part of why i think it genuinely makes a lot of sense that L's ultimate win state would include capturing light to some degree. even if the memory of KIRA somehow manages to fully disappear from the public consciousness, there is no fucking way L is letting light yagami out of his grasp. honestly, the moment that L truly loses this game is not when he starts investigating misa while still under rem's watch, not when light gets back his memories, not even when he dies, but the moment when he allows light to be freed from the handcuffs. the moment when he allows the other members of the task force to turn off the cameras and keep him from watching light and misa talk in the lobby. the moment when he gives up, lets light yagami go outside of L's personal sphere of control, is the moment when L starts the clock ticking down to the end of his own life.

this is one of the key ways in which i see light as a true equal and parallel to L, as after L's death he, intentionally or no, continues the same tradition and takes L's title for himself, twisting the two sides together into the L-KIRA amalgamation. only, the L title functions a little bit differently than every other persona or title that we see in the series-- because L's true name is L. that's all that he is. on a literal, legal, and emotional level, i don't think that L is anything more than L. he is the world's greatest detective, he's an incredible, weirdo super genius, but he does not afford himself much more than that, barely allows himself personhood or humanity outside of his work. light was the one to ultimately defeat L because he did not just put a stain on his character (as BB attempted), did not just kill him, but stole his very identity and took it for himself.

one of the biggest contradictions of L's character that i think you must accept should you attempt to portray him accurately is that he is both deeply detached from humanity while also having all of his work and effort and life be focused around saving it. it's one of the ways in which he is an exact opposite to light-- where light relies on humanity for external validation, to be Seen, while also looking down on it as dumb and immoral and spineless, L is so separated from it that he barely exists as a person, all the while dedicating almost every action he takes to helping it. remember: for all the emotional turmoil that wammy's house and the legacy of L may put on the kids living there, ultimately it's entire existence is nothing more than L's logical solution to his potential demise. if he dies, the world goes down with him, all of the cases that are yet to happen and he is yet to solve being left in the air. he has the foresight to set up a fail safe, but not to consider the emotional implications of what being that fail safe might feel like, how high the price of your own humanity is if you are not already alienated from it, the inability to have your own name on your gravestone-- though perhaps some of the blame also falls on watari's shoulders in this case, philanthropic old bastard that he is.

imo, playing his game really got it right in presenting L and light as one and the same, synonyms on either side of the mirror. in every action they take they are both so selfishly selfless, playing the game for themselves and their own pleasure but plastering the needs and will of humanity on top of it. L isn't invested in saving humanity for the sake of humanity-- he just likes the thrill of having the stakes raised so high. hard to shit on ryuk for wanting entertainment when the humans he finds are just the same as him.

[lilybug-02]

This has happened to me way too many times for it be normal.

[kithj]

some stories are written precisely to elicit strong emotions from the reader INCLUDING negative ones. some stories and characters are meant to be upsetting, they are meant to challenge you and make you uncomfortable!! when a story makes you feel Big Feelings sometimes you are meant to sit in those feelings and ask yourself why! fiction is a great space to explore these emotions in a safe environment. you, as the reader, are meant to think critically about the art you are enjoying and that includes asking yourself questions like why has the author presented their art in this way and what are they trying to tell me. and then you get to have fun picking it apart and figuring it out and deciding what, exactly, the art means to you.

[starry-bi-sky]

*grips your shoulders* an eight year old is not gonna act like that. put the pen down. close the laptop. stop writing for a minute. volunteer at a daycare center for a week or smth. an eight year old is typically (unless they're purposely doing it, but at that point you'll be able to tell) not going to speak in one word sentences. that is a child with a possible developmental delay and should probably get an assessment done. that is a two year old with an MLU score of 2.0 who is struggling with their present possessive verbs. look up the average heights of an eight year old because i promise they're bigger than that.

if your six year old is still doing reduplicated babbling and it's not clearly an on purpose active play decision, then they should probably (re: REALLY) undergo evaluation because one of the first signs of a developmental delay is delayed speech. children begin speaking in two word utterances as young as 18 months old. three year olds on average can hold simple conversations with adults. four year olds absoLUTELy can.

i know it's super fun to write children as being dependent and clingy to their parent for your super fluffy found family child fic but that is not a six year old that is a worryingly large two year old with a mild speech delay. you don't have to be 1:1 accurate, god knows i'm not but please at least know that children on average are capable of holding simple conversations by the time they're 4, and are usually doing the baby talk stuff to be cute or as a play thing. which isn't a bad thing but if they're talking like that unironically and ALL the time, then there is likely a problem in their development.

[wanologic]

s1 alex