#I just need my game to cooperate
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astoldbychae · 3 months ago
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List 5 facts about a favorite sim of yours, and send this to 10 simblrs whose sims you adore ♥♥♥
Hmmm...Let's see...It's been a minute since I've been able to check in on my bookie, so lemme go with TJ! She's just *bites knuckles* *swoons*
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She's Melo's cousin. They're literally inseparable (they're besties for real), so He's more like the older brother she's always wanted but never had. He's the reason she loves Basketball so much!
She's a shooting guard for the Del Sol Valley Suns (WSBA)
She's (secretly) engaged to/madly in love with Deijah (aka Bleu) BUT before that she had a lil something-something going on with Anya...🙃 [we'll get more of the inside scoop in the LoveStruck gameplay]
She has a gold fish names Pinto Bean (No comment 🤣)
Sushi is her favorite food (and Mt. Komorebi is her fave place to vacation because of it!)
Thanks for the tag honey bun! 💛
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trans-leek-cookie · 1 month ago
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listen I'm not gonna be a Curly apologist he did Fucked Up as captain but I genuinely recommend ppl watch a playthru that goes thru the game in chronological order. It kinda helps clear up the events and gaps between them, bc even tho u See the times, you still experience it out of order.
The stuff Anya says definitely sets off alarm bells but it doesn't seem like he Fully Understands what she means, and I'm going to be 100% honest I think she was trying to repress it herself. This isn't to say that she is AT ALL "at fault" for what happened after and she should've gotten help even if she wasn't ready to fully discuss the issue but I genuinely think she herself was still coming to terms with things, so she didn't necessarily process the full impact before talking to Curly, and a lot of what happens occurs after they're laid off- like this delves into personal interpretation but I genuinely think Anya only registered Jimmy as a serious danger after his outburst towards Curly. Ofc my interpretation is limited bc of the limited pov in game and not having gone through what she has, but it personally reads more akin to coercion over time than a singular Obviously Violent incident (like. Not to say that Sexual Assault isnt violent in nature, just that coercion often specifically works to obfuscate the fact it is a form of violence.) The layoff is a Massive catalyst for her bc of Jimmy, in that she now has a very clear understanding of his capacity for aggression.
To extrapolate a little from the "Dead Pixel" conversation, she starts by saying she Likes The Screen (even though it's fake). While Curly has his quotes about the pixel "not ruining the illusion" which. Y'know is Symbolic Of His Flaws. She doesn't say the pixel ruins it, just that she can't get it out of her mind.
If we take the pixel to represent her Or jimmy, either way the way she talks about it kind of downplays things, like it's a Minor Thing that's Slightly Upsetting, but she's still okay with the big picture. Idk I could be 100% wrong but that is my take
Besides that, Anya tells curly she's pregnant 2 days before the crash, and it isn't until she outright states it that he starts Putting The Pieces Together. I want to note, he says "I'd do anything" and "this doesn't have to go on our performance evals" 1. Before he knows shes pregnant 2. Under the assumption she might attempt suicide, and I doubt he even thought about her using the gun on anyone else before she brings that up. He says literally before the line where she tells him she's pregnant that "being laid off isnt a reason to hurt [herself]". Like I've seen ppl talk about the performance evaluation thing like it's about her and jimmy, but I think he's referring to (his belief) that she might attempt suicide or similar which might genuinely be a consistent thing he's seen her struggle with, given she's able to go through with it. Also just to note: assuming their society is like ours (hellish) reassuring her he won't blab Abt her mental health is like. Genuine reassurance- lots of mentally ill ppl will Not Open Up bc it could have long term consequences (like. For example. On employment) ANYWAYS I hope it doesn't come off like "Curly never failed Anya" but rather "Curly approached this specific situation without the context of why Anya is panicking and (possibly validly) assuming she's dealing with a very different issue"
Also let me say again the time frame is 2 days. We don't Really see what happens, but we know Anya tells Jimmy without Curly knowing. I genuinely believe he maybe didn't do a Great Job in those two days (the fact he says Anya should've talked to Him before telling Jimmy is uhhh. Mm. 1. Your job to create an environment where she comes to you my man 2. Weird to tell her what she should do with HER OWN PERSONAL INFORMATION) but like.
I get a lot of ppl want immediate consequences but consider that they can't really get rid of Jimmy (co pilot. Which is. Y'know it's Own Problems) but also like. Curly knows Jimmy, and we know that Jimmy tends to lash out. Curly should probably Not Confront Jimmy Unless He Knows Exactly How To Keep Him From Hurting Anya. Like I'm not an expert but this is something genuinely important- when confronting an abuser you NEED to take into account the impact it can have on their victim, and sometimes for the victims safety you need to wait until you have a Solid Plan. It sucks but it's important.
And theres discussion to be had about Curly kinda going along with Jimmy saying "well what if we all died" and like. I do believe he Didn't Realize What Jimmy Said. Like he was just processing/trying to keep the situation under control (and failing because he underestimated how willing Jimmy was to hurt everyone including himself).
Like he's definitely an enabler but I would say his problems are mostly before he understands the gravity of the situation, in that he's friends with Jimmy and assumes the best of a man with abusive tendencies, and fails to create an environment that can keep Anya and the others safe. Like, he definitely doesn't handle in game events perfectly (psych evaluation for one- he does do it instead of Anya which is actually helpful, but he still treats it like. Weirdly.)
Idk I have a lot of thoughts about this game and I don't necessarily want to defend Curly but more like. Anya's situation is very delicate (and light on details) so sometimes the way ppl talk Abt it feels like they aren't actually focused on what she wants and what it means to prioritize her safety y'know?
Edit bc I just now figured out kinda how I want to word it: curly is an enabler and making things worse bc he doesn't put a stop to Jimmy's BS, but in the specific scenario we see in game I think he's trying to use his Skillset of like, people pleasing not for Jimmy's sake but for the crews (like "if I nod my head and say I sympathize he won't lash out and hurt them") which like. There are situations which that is unfortunately the safest option (on an individual level yes, but sometimes it's also necessary to prevent abusers lashing out in response toward ppl who are more vulnerable) but it was the Wrong Choice.
It's like. I think Curly was trying and had good intentions, and understood that he needed to protect the crew, but he didn't have the toolset/experience to realize he can't Just go along with things and that he needs to be able to set hard limits, even for ppl he likes and trusts. Like he failed but the failure was "for want of a nail", where it began way before what we see (for want of an understanding of power dynamics I guess.) Again, don't think this makes curly more forgivable or whatever, I just think he's a good example of trying to make the right choices when you never realized you'd have to make these kinds of decisions and therefore are unprepared and/or unaware
Second edit: personally I don't think you can really incapacitate jimmy without there being serious risk (again he's the copilot) but curly should've given Anya the gun when she told him Abt the pregnancy
#Mouthwashing spoilers#Rape ment#Suicide ment#SA ment#Yeah. Pronouns were kicking m fucking ass in this post. Names also bc I once called curly jimmy#if I write to much my brain stops cooperating with words#Idk. The way she brings up the locks in my mind sounds a little less like#Singular Incident and more. The lack of locks is a Very Important Boundary That's Missing#That feels like it often leads to the erosion of other important boundaries especially when someone abusive#Is specifically pushing those boundaries. Idk again. My take on it#And while Anya says ''i told you'' a part of me thinks she told him like. Y'know vaguely about the situation but probably didn't#Characterize it as assault (bc even if he didn't believe her I don't think he would ask ''who'' if he remembered her telling him#That his friend assaulted her) and was maybe not interpreting it as assault herself bc she was trying to rationalize it#Bc she's in a very isolated situation for over a year in a place where Two Whole Rooms Have Locks.#Realizing she was in the cockpit (has a lock) when Curly is assuming she's suicidal (or at least going to hurt herself)#And then she's in the medbay (has a lock) when she actually. Y'know#Idk I'm fully up to debate this. If someone has good reasoning why curly is actually worse than I think he is I'm all for it#I'm just trying to like. In the context of my beliefs understand the actions he takes and how they fit in within the timeframe#But legit watching a chronological playthrough helps A LOT bc like. Game is super impactful nonlinear#But like. That's not how the characters experienced it and it really fucks with the timeline of events intuitively#Anyway again. If u hate curly that's entirely understandable I just want to try and organize my thoughts while keeping#The timeline and my view of events relatively straight. Feel like there's sometimes a lil too much focus on how the men failed Anya#When we should focus on what Anya's needs and wants are. Which ofc from our POV characters are Hard bc. It's curly and jimmy#But still it's worth trying to understand her better than they do#Game that makes you think so much your brain becomes mouthwash
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quins-makeshift-menagerie · 9 months ago
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The process is a bitch and I want to fight it
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dandyshucks · 9 months ago
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i have decided the worst thing about high fatigue days is that I am too fatigued to even draw my beloveds -_-
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electricpurrs · 1 year ago
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i miss my beautiful 3 weed smoking girlfriends nintendo 64, playstation 2 and xbox 360. i still have them right here i just never figured out how to make them work again
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puhpandas · 1 year ago
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need to make actual designs and flesh out Daniel and Marla
I just need to make a full ref sheet for everybody in The Vanishing of Gregory Cooper!! since it's my favorite fic I've written I'm suprised I've only drawn for it once and it was in my sketchbook
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cjcroen1393 · 2 years ago
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Five minutes into The Way Home in Pokemon Violet:
Arven: CJ, is this really necessary?
Me, trying to take a picture of all four of us together because we never have this opportunity: I JUST WANNA CHERISH THE MOMENT, OKAY?
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kalloway · 1 year ago
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you know, at this rate my Necromancer numbers amongst my custom heroes are growing in a way that isn't unlike how they can multiply in the actual game... lmao
anyway, WIP of Theodora the Blighted - my human Necromancer who is just blatantly evil all the way thru. Destruction master and Shadowborn adept and as much as I love Mina's design... Theodora has better synergy with the class itself since it leans all-in into Evil hahaha
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ambreiiigns · 2 years ago
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i wanna be someone who listens to misfits full time again wtf is ghost
#i used to be so cool. i used to be my brother's inspirations and goals. now he sees me and cringes and he's right#hsnckajdja joking. but also no#i feel like i finished the main game (cool iconique music) and now i'm doing the silly but way funnier side quests (ghost)#i mean ghost is not a bad band by all means. but they are so silly. i for one cannot take them seriously. never could#i thot they'd sound like repugnant back in the day then i heard like ritual and dance macabre and pissed my pants at the contrast between#the sound and the look and the purpose of the contrast. i respect them and love them but God they are so funny#i don't know how to phrase this. i don't even know what point i'm trying to make#but i do miss the music i listened to in high school. i lost so many songs#<- cons of only listening to music by downloading it to my phone is that sometimes when changing phones or sd cards you mess up#bc you're stupid and useless w technology and lose 500000000 songs and the thought of having to find them again is#anxiety inducing so you kinda give up on listening to them ever again. lol#like i was listening to so much guns n roses... misfits.... iron maiden..... metallica.... tool.... idk just those cool person bands#and now i hardly ever hear them and i actually miss them a lot :(#thankfully my brother has been following my footsteps so far and he's currently in his pink floyd tool era so i'm re-living those days#thru him but. i just miss it. i need to download everything again someday#the only bitch who survived the changing phone & sd card purge was alice cooper. i went and downloaded everything again#i will NEVER give up on that old man he's my favorite music guy in the world#i also was just starting out w him when it happened tho so i didn't have a lot of catching back up to do but STILL. alice cooper forever#and ever 100 years alice cooper love that guy to death and hell#oh nay#ignore this. i've been feeling nostalgic
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nightingaletrash · 2 years ago
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finished my second pass of Coteries, this time just focusing solely on the coterie members because I hadn’t realised that the whole game operates on a time limit the first go around, which honestly kinda frustrates me with this game. Last time, I only finished D’Angelo’s route and barely started the others before being booted directly into the endgame because I wanted to check out side stuff and thought I had time. At least in the Choice games, it felt like I had time to explore the optional stuff. You don’t have to do anything other than deliver packages in Night Road, helping the local Kindred sort their shit out is pretty much optional just like the DLC stuff is, but if you choose to engage, it doesn’t then lock you out from other stuff.
The ending still doesn’t really sit right with me, it’s less of a punch in the face this time, but it still feels kind of unsatisfying to me. I know Arturo’s whole thing is that he’s an architect and he used that to construct this whole scenario for Reasons, and in any other type of game or medium it’d work just fine, but this game hinges itself on choices and in the end, nothing you do changes the ending. Maybe that’s the point, but all throughout the game you make choices that have consequences. You can fail to recruit Coterie members, you can fuck up their missions. Some things are doomed to be fucked up anyway, like poor Sana, but you still have a choice.
Honestly, if we at least got the option to Accept or Refuse Arturo’s offer at the end of the game, it’d at least improve the feel for me. Accepting gets you Blood Bonded, refusing gets you destroyed, so it’s still a ‘all the options fucking suck’ situation, but there’s still a choice on how you go out.
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madgoat212 · 28 days ago
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funny little tidbit
in dnd 5e if you play a shifter with the hermit background thats at least two levels ranger and has the druidic warrior fighting style you can play a wish.com druid
shapeshift for combat
spells for combat (id rec shillelagh and magic stone, hit people with sticks and throw rocks at em)
you can take some good utility, healing or attack buff spells
you get a lot of the expertise in your environment (work with your dm and its even better!)
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sleepy-aletheas · 4 months ago
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the eternal suffering of wanting to talk about genshin lore (specifically about seelie) and the ancient greek myths that could be the inspiration for the whole fate/origin of teyvat, but to have a singular braincell to somehow translate this knowledge into a comprehensive thing to be able and follow is...a lot. i just wanted to give some love to nabu malikata and sybilla, is that too much to ask for?
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sol-flo · 4 months ago
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i need and want to implement my vn's translated build (!) and beta read my friend's comic and draw some last artfight attacks and probably a million other things i'm forgetting but instead today i investigated the origins of the expression "bullet heaven" as a name for survivor-clones. results inconclusive.
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wildevenusian · 6 months ago
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todays affirmation: i am very brave and i will not get fired
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goldfades · 2 months ago
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SCREAM QUEENS──NICHOLAS CHAVEZ
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free palestine carrd 🇵🇸 decolonize palestine site 🇵🇸 how you can help palestine it's crucial that we stand in solidarity with those who need our support. right now, the people of palestine are facing unimaginable hardship, and it's up to all of us to do what we can to help. whether it's raising awareness, donating to relief organizations, or supporting calls for justice and peace, every action counts. we can amplify their voices, shed light on their struggles, and work towards a future where every individual can live with dignity and freedom. your support can make a difference! FREE PALESTINE!
for this request!
─ summary | after filming Scream with cooper and nicholas, you and nicholas develop a slow-burn romance filled with subtle tension.
─ pairing | nicholas chavez x fem!actress!reader, platonic!cooper koch x fem!actress!reader
─ warnings | sooo sweet and soft!! literally nothing except fluff and a few kisses at the end.
ok love u bye!!! pls send me requests!!!!!!
⇨ missing out on updates? check out my masterlist!
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The red carpet glistens under the flashing lights of countless cameras, and the hum of excited voices fills the air like an electric current. The Scream premiere is your first big debut in a film of this scale, and it feels like you're stepping into another world. Your breath catches slightly as you look up at the towering poster of your character, Sydney, splashed across the theater behind you. It’s surreal.
You smooth your dress—a deep, rich burgundy that makes you feel powerful, but in a quiet way, like you're not here to scream but to be heard when it matters. A few feet away, Nicholas stands in his sleek suit, posture rigid yet calm, looking every bit like he belongs. Stoic, as always. But there’s something in the way his eyes shift toward you when he thinks no one’s watching—a softness, a quiet admiration hidden behind his mask of indifference.
Next to him, Cooper is an absolute ball of energy, talking animatedly with an interviewer, his hands gesturing wildly as he laughs, completely unrecognizable from the unnerving, cold-blooded Stu he portrayed in the movie. His warmth is contagious, and you can’t help but smile, even though you’re more used to blending into the background at events like these. Still, this is your night too.
The interviewer finally reaches you, and your stomach flutters—not from nerves, but from the anticipation of sharing this moment. "How does it feel to be a part of such an iconic horror franchise?" they ask, their microphone hovering in front of you.
You glance at Nicholas briefly, his lips curling into the tiniest of smiles as if he’s silently encouraging you to take the lead. The smallest gesture, but you catch it. You always do. You gather your thoughts, tucking a strand of hair behind your ear before leaning in.
"It’s… unreal," you start softly, your voice measured. "Scream changed the game, and being a part of that—it's hard to describe. It’s like stepping into a legacy, but also bringing something new."
You pause for a second, letting the weight of your words settle, and then continue. “It’s not just about stepping into Sydney’s shoes—it’s about understanding her fear, her resilience. Horror is… more than just jumpscares. It’s psychological, it’s emotional. It’s about survival, and I think that’s what makes Scream different.”
As you speak, you feel the lights and the noise around you blur into the background. Your focus is on the moment, on articulating what’s been buzzing in your mind ever since you landed the role. Sydney was never just a scream queen—she was a fighter, an anchor in the madness, and playing her was like learning how to channel that same strength in yourself.
The interviewer nods, visibly impressed, and moves on to Nicholas. You shift slightly, glancing at him as he takes a steady breath. His expression is the perfect picture of composure, but you can tell from the slight twitch of his fingers that he’s thoughtful about what to say.
“Well, Billy’s not exactly the hero,” Nicholas begins, a small chuckle escaping his lips, eyes narrowing with that subtle sharpness that made him perfect for the role. “But I think what’s interesting about him—and about the film as a whole—is the way it plays with the audience’s expectations. Horror has always been about tension, about twisting what you think you know. Scream does that, but on a deeper level. Billy’s... manipulative, sure, but there’s a layer of humanity there, buried under all that chaos. And that’s what makes him so terrifying. You don’t just hate him—you understand him.”
He doesn’t say much, but his words settle like a weight in the air, his voice low and reflective. You’ve always admired that about him, the way he can strip away all the noise and say something that matters, something you’ll still be thinking about long after the conversation ends.
And then, of course, there’s Cooper.
The moment Nicholas finishes, Cooper bounds into the spotlight, his energy bright and overwhelming, making everyone laugh before he’s even answered the question. “Oh man, playing Stu was wild,” he says, shaking his head with a grin that’s far too friendly for someone who spent the entire movie butchering people. “I had to turn off my brain to even think like him. I’m pretty much the opposite in real life, so going to that dark place took some effort.”
He laughs again, carefree, but you’ve seen it—the way he can flip a switch when the cameras roll. One moment, he’s this ball of sunshine, cracking jokes and keeping the mood light, and the next, his eyes go cold, his smile sinister. It’s what made his portrayal of Stu so chilling, so disturbingly real.
“But honestly, I think the best part was working with these two,” Cooper continues, throwing an arm around both you and Nicholas in one smooth motion. “We were like family on set. Every scene, every rehearsal, we got closer. There’s this... chemistry we developed that I think really translates on screen.”
You feel a flush of warmth at his words. Cooper’s enthusiasm has always been infectious, and you can’t help but nod in agreement, even if you’re not as loud about it as he is. The connection between the three of you—Nicholas, Cooper, and you—had been undeniable, a sort of unspoken understanding that had only grown stronger as filming went on.
The interviewer seizes on that. “It sounds like you all bonded a lot on set. Can you talk more about your dynamic? What was it like working together?”
You’re about to respond, but Cooper jumps in first, unable to help himself. “Oh, totally! It was a blast. I mean, there were some intense scenes, obviously—especially for Nick and her,” he says, nodding at you. “But between takes? We’d be laughing, hanging out, keeping it light. It’s the only way to survive a horror film without going crazy yourself, right?”
Nicholas smirks, leaning into the moment with his usual understated charm. “Yeah, Cooper’s energy definitely kept things interesting.” There’s that subtle warmth again in his tone, a softness in the way he talks about you both. “I think we balanced each other out in a lot of ways. You”—he nods toward you again—"you brought this quiet focus, and I think it rubbed off on me. It’s easy to get lost in a role like Billy, but watching you... I learned how to ground myself.”
The compliment, though wrapped in his usual casual delivery, sends a faint flush up your neck. Nicholas had never been one for big declarations, but when he did speak, it was always with meaning, as if he had chosen each word carefully, deliberately.
You find your voice again, wanting to contribute before the moment passes. “I think we each brought something different to the table,” you add softly, your gaze flicking between them. “Cooper has this incredible energy that keeps everything light, but he can flip a switch when it’s time to get serious. And Nicholas...” You pause, considering. “He’s... steady. There’s this calmness about him that keeps you anchored, even when the scenes get intense. It’s hard to explain, but it made working with him feel... safe.”
Your words hang in the air for a moment, and there’s a flicker of something in Nicholas’s eyes—a glimmer of appreciation, though it’s fleeting, quickly hidden behind his usual cool demeanor. But you catch it. You always do.
The interviewer, sensing the dynamic between the three of you, smiles warmly. “It sounds like you all formed a pretty tight-knit group. That’s rare in an industry like this.”
Cooper nods enthusiastically. “Oh, for sure. We’re stuck with each other now,” he jokes, but the sincerity behind his words is unmistakable. “I mean, how could we not? We’ve been through the trenches together.”
You smile, unable to suppress the warmth that floods through you. He’s right. Despite the long nights, the emotionally draining scenes, and the weight of stepping into such iconic roles, the bond you’ve formed with these two has been something special—something real.
As the interview wraps up, you take a step back, letting Cooper and Nicholas finish with their final thoughts. The night isn’t over yet—the premiere still looms ahead, and there are more cameras, more questions waiting. But for a moment, in the midst of the chaos, you feel a deep sense of gratitude. For the film, for this experience, but mostly for them.
For the way Nicholas’s steady presence has become a quiet comfort, his admiration for you evident in the smallest of gestures. For the way Cooper’s energy has pulled you out of your shell, making you laugh, making the hard days bearable.
And as you glance at them both, standing under the glow of the premiere lights, you can’t help but feel like something has shifted. Something subtle, yet undeniable.
───
“—that is not what happened, and you know it.” Cooper sighed dramatically as he glanced your direction, a mock upset settled on his face as you bite your lip, stifling a laugh. Nicholas watches the two of you, amusement clear in his expression.
You settle into the couch as you shrug, letting a small laugh escape your lips. "Okay, fine," you say, holding up your hands in mock surrender, still grinning. "Maybe I don't remember it exactly the way you do, but come on, Cooper, you were the one who started it."
Cooper gasps, clutching his chest dramatically like he’s been mortally wounded. "I started it? Oh no, no. Let’s be real here. You and Nicholas were the ones conspiring against me from day one!"
Nicholas raises an eyebrow, a quiet smirk tugging at the corner of his lips. “Conspiring? That’s a bit dramatic, Coop.”
The host of the podcast, a friendly guy with a genuine smile, watches all of this unfold with a look of amusement, clearly enjoying the easy chemistry between the three of you. “So wait, wait. What exactly did happen on set? I need to know who’s telling the truth here.”
You lean back into the couch, crossing your arms playfully as you glance between Cooper and Nicholas. "Oh, this is good," you say, your eyes lighting up with the memory. "You tell him, Nick. I think you’ve got the best perspective here."
Nicholas, always the picture of calm, shakes his head slightly, clearly entertained by the chaos unfolding between you and Cooper. "Alright," he says, his voice steady but with a hint of amusement. "Here’s the real story. Cooper, as usual, was trying to lighten the mood between takes. It was one of those intense scenes—you know, where Billy and Stu are supposed to be... doing their thing."
Cooper jumps in, unable to help himself. "You mean brutally stabbing people?"
Nicholas just gives him a look, unfazed. “Yes. That. Anyway, Cooper decided to improvise a little—”
“A little?” you interject with a laugh. “He completely threw the script out the window!”
Cooper grins, not remotely ashamed. "Hey, I was trying to make everyone laugh! It was a tense day, okay? I thought Billy needed to lighten up. Maybe do a TikTok dance between stabs. You know, just to mix things up."
Nicholas rolls his eyes good-naturedly, the smallest chuckle escaping him. “Needless to say, it didn’t go over well with the director.”
“Or anyone else on set,” you add, giggling at the memory of Cooper’s ridiculous, over-the-top dance moves while still in full Stu costume.
Cooper holds his hands up defensively. “Alright, fine. It was a bold choice. But you two were laughing! Don’t try to deny it. I saw you both.”
Nicholas’s expression softens, and he nods. “I’ll give you that. You definitely broke the tension.”
The host laughs, clearly enjoying the banter. “It sounds like you guys had a lot of fun on set, despite the heavy material. How do you balance that, being in such a dark, intense movie but still having this kind of dynamic off-screen?”
You exchange a look with Nicholas and Cooper, your smile softening a bit as you think back on the experience. "I think it’s because we had to," you say thoughtfully. “When you’re dealing with a film like Scream—where you’re surrounded by horror and violence every day—it’s easy to let that weight stick with you. So we found ways to break it up, to remind ourselves that we’re just playing characters, that we don’t have to carry that darkness with us.”
Cooper nods along, his usual high energy subdued for a moment as he listens to you speak. “Yeah, exactly. And it helps when you’re working with people you trust, you know? Like, we got along so well from the beginning, so it made everything easier. Even on the tough days, I knew I could look at you guys and just... snap out of it.”
Nicholas glances at you, his expression a little more serious now. “There’s a lot of trust involved, especially with a film like this. You have to trust that the people around you are going to be there, not just as actors, but as friends. And we built that over time.”
You smile at him, grateful for the sincerity in his words. He may be quiet, but when he speaks, it always feels intentional, like there’s weight behind everything he says. And in moments like this, you’re reminded of just how much you appreciate that about him.
The host shifts in his seat, leaning forward. “That’s great to hear. It really shows on screen—the chemistry, the dynamic between you three. So, what’s next? I mean, after Scream, where do you go from here?”
Cooper jumps in again, back to his usual lively self. “Well, I think we should all do a rom-com next, right? Something light, something fluffy. Get away from all the blood and guts.”
You laugh, the idea of the three of you in a rom-com so absurd it’s actually kind of appealing. “Oh yeah, I can totally see Nicholas as the romantic lead.”
Nicholas raises an eyebrow, looking completely unfazed by the suggestion. “I don’t know about that. I think I’ll stick to horror.”
“Stoic, mysterious guy,” Cooper teases, leaning forward dramatically, pretending to narrate. “He’s hiding a dark secret, but deep down, he’s just a big softie.”
You and the host burst out laughing, and even Nicholas can’t help but crack a smile. “Alright, alright,” he concedes. “Maybe one rom-com.”
The host grins, looking between the three of you. “I would definitely pay to see that.”
The interview wraps up soon after, the room filled with easy laughter and lingering energy as you stand from the couch. You, Nicholas, and Cooper thank the host, chatting amongst yourselves as the podcast crew wraps up.
As you head toward the door, Cooper slings an arm around your shoulder, pulling you close. "Next time, we do the rom-com," he says with a wink. “We can be the love interests and... Nick can just be there. I’ll start writing the script tonight.”
Nicholas falls into step beside you, his hands in his pockets, watching the two of you with that familiar glint of amusement in his eyes. “I’ll leave that to you, Cooper.”
You smile, shaking your head. “I can’t wait to see what you come up with.”
After the interview wraps up and the bright lights of the studio fade behind you, the three of you pile into Cooper’s car. He’s talking a mile a minute, still buzzing from the podcast, hands waving animatedly as he drives.
“Man, that was fun. Did you hear how the host lost it when we started talking about the rom-com? I think we should seriously pitch that,” he jokes, throwing you a wink in the rearview mirror.
You laugh, leaning against the window in the back seat, the city passing by in a blur of neon and headlights. “You’re never going to let this rom-com thing go, are you?”
“Absolutely not,” Cooper replies, grinning. “We’d crush it. But first…” He slows the car as you approach Nicholas’s place. “How about we just hang out for a bit? Relax, watch a movie or something.”
You glance at Nicholas, who’s sitting quietly in the passenger seat, his eyes focused on the road ahead. He nods slightly, a small smile playing at his lips. “Yeah, that sounds good. It’s been a long day.”
Cooper pulls up to the curb, parking in front of Nick’s apartment. “Alright, I’ll grab the snacks, you two go ahead. I’ll catch up in a sec.”
You and Nicholas exchange a look as you step out of the car, the cool evening air brushing against your skin. There’s a comfortable silence between you as you walk up to his place, the quiet hum of the city surrounding you.
Inside, the atmosphere feels different—quieter, more intimate than the usual chaos of set or interviews. Nicholas’s apartment is minimalistic but warm, with soft lighting and a collection of books and records scattered about, telling more about his quiet, thoughtful nature than he’d ever openly admit.
You slip off your shoes at the door, glancing around as Nicholas sets down his keys and heads to the kitchen. “Want something to drink?” he asks, his voice casual but soft, like it always is when it’s just the two of you.
“Water’s fine,” you reply, following him to the kitchen, leaning against the counter as he pours a glass. There's something unspoken hanging between you, an undercurrent of energy that’s been building for a while now—something neither of you has acknowledged out loud, but it lingers, making your every interaction feel just a little more charged than it used to be.
Nicholas hands you the glass, his fingers brushing against yours for the briefest moment. You feel the jolt of electricity, the way your skin warms under his touch, and you quickly look away, pretending not to notice the way your heart beats a little faster.
He leans against the counter beside you, his shoulder just inches from yours, close enough that you can feel the warmth radiating from him. “Today was fun,” he says quietly, his voice low in the soft glow of the kitchen.
“Yeah,” you agree, looking up at him, your gaze catching his for a second too long. “It was. It always is when we’re all together.”
He doesn’t say anything for a moment, just holds your gaze with those steady eyes of his, and you can feel the tension growing, thickening the air between you. It’s not uncomfortable—it’s the kind of tension that makes your skin buzz, that fills the quiet with unspoken words, words you’ve both been too careful to say.
The front door swings open, breaking the moment as Cooper strolls in with a bag of snacks. “I’m back! Got the goods!” he calls, completely unaware of the quiet, charged moment he’s just interrupted.
You and Nicholas both turn away, the spell broken, but that energy doesn’t dissipate. It lingers, hanging in the air as Cooper throws himself onto the couch, oblivious as ever. “Alright, what are we watching?” he asks, rummaging through the bag. “Something funny, I hope. Or... maybe Scream?” He shoots you both a mischievous grin.
Nicholas chuckles softly and shakes his head. “I think we’ve had enough Scream for one day.”
“Agreed,” you say, settling onto the couch next to Cooper, grateful for the distraction but still hyper-aware of Nicholas as he joins you, sitting a little closer than usual on your other side.
You all end up picking a lighthearted comedy, something easy to watch without much thought, but your mind isn’t fully on the movie. The whole time, you can feel Nicholas beside you, his presence magnetic, pulling at you without even trying. Every now and then, your knee brushes his, and even the smallest touch sends a ripple of awareness through you, as if your body is attuned to his in a way you can’t quite explain.
Cooper, true to form, falls asleep halfway through the movie, his head dropping back against the cushions as soft snores escape him. You and Nicholas exchange a glance, both trying to stifle a laugh.
“I don’t know how he does it,” Nicholas murmurs, his voice low in the darkened room. “He was the one who wanted to hang out, and he’s the first one out.”
You smile, your heart skipping a beat at how close his voice sounds, the intimacy of the moment amplified by the quiet. “He always does this.”
Nicholas leans back, his arm stretching casually along the back of the couch, his fingers brushing against your shoulder. The touch is light, barely there, but it’s enough to send a shiver down your spine. You feel the tension building again, heavier this time, as if the universe is pushing the two of you closer, daring you to acknowledge what’s been simmering between you for months.
You steal a glance at him out of the corner of your eye, and he’s already looking at you, his expression softer, more open than usual. There’s something in his gaze, something unguarded, like he’s letting you see just how much he cares. The realization makes your breath catch.
“Hey,” he says quietly, his voice barely above a whisper now. “You okay?”
You nod, but your heart is racing, and you’re not sure if it’s the quiet or the closeness, or the fact that, for once, it feels like the unspoken tension between you might finally break.
“I’m good,” you say softly, your voice catching a little, and you feel his eyes on you, searching.
For a moment, the world outside the apartment doesn’t exist. There’s just you and Nicholas, the space between you shrinking with every second, and it feels like you’re both standing at the edge of something, something that could change everything.
Nicholas doesn’t break eye contact, and neither do you. The air in the room feels thick, almost electric, as if the space between you is charged with something both of you have been too careful to admit. His arm rests casually on the back of the couch, but his fingers twitch slightly, brushing the barest edge of your shoulder. The touch is subtle, but it’s enough to send a ripple through you—a pulse of heat that spreads from where his skin meets yours.
You swallow, trying to keep your breathing steady, but you can’t ignore the way your heart races, thudding in your chest like it’s trying to communicate something your mind hasn’t fully processed yet.
Neither of you says a word, and yet, everything is being said in the silence between you. There’s a pull, an invisible string tugging you closer, and for the first time, it feels like maybe—just maybe—it wouldn’t be so impossible to cross that line.
Nicholas shifts slightly, turning his body more toward you, and you realize just how close you are now. His leg brushes yours again, this time lingering. His eyes are darker in the low light of the room, his usual calm and controlled demeanor giving way to something more vulnerable, something he’s usually so good at hiding.
“Are you sure?” he asks, his voice barely above a whisper, but it carries weight, like he’s asking more than just about how you’re feeling in this moment. He’s asking if you’re ready, if you’re willing to let whatever this is between you two finally come to the surface.
You nod, your mouth dry, unable to trust your voice to respond. Your heart is pounding, and you’re acutely aware of every inch of space between your bodies—or lack thereof.
His hand moves from the back of the couch, sliding down slowly, deliberately, until his fingers are resting on your shoulder, gentle but firm, as if testing the waters. You don’t pull away. In fact, you lean in just a fraction, closing the distance, and you see the shift in his expression—his guarded facade softening as his breath hitches slightly.
It’s so quiet in the room now, save for the soft, steady sound of your breathing and the distant hum of the city outside. You can feel the tension building, thick and palpable, wrapping around the two of you like a thread that’s been pulled tight, ready to snap at any second.
He tilts his head, just the slightest bit, his gaze flicking down to your lips for a moment before meeting your eyes again. It’s a small, almost imperceptible movement, but it feels like the ground beneath you is shifting.
You lean in, your breath catching in your throat, and for a second, everything else falls away—the interview, the movie, even Cooper snoring softly on the other side of the couch. It’s just you and Nicholas, and the space between you feels like it’s vanishing.
His hand moves to the back of your neck, his touch impossibly gentle, and you feel your breath falter as your heart skips a beat. He’s so close now that you can see the way his pupils have dilated, the soft rise and fall of his chest matching your own.
“Tell me if you want me to stop,” he murmurs, his voice low and rough with something unspoken, something fragile but undeniable.
You shake your head, barely able to manage the words, “Don’t stop.”
And with that, the tension that’s been simmering between you for months finally breaks. He closes the distance, his lips brushing against yours softly at first, tentative, as if he’s still giving you the chance to pull away. But you don’t. You lean into the kiss, your hand coming up to rest against his chest, feeling the steady thrum of his heartbeat beneath your palm.
The kiss deepens, slow and deliberate, like he’s savoring every second of it. His lips are warm and soft, and you can feel the unspoken words behind the way he holds you, the way his hand slips to the nape of your neck, pulling you in closer. There’s a gentleness to the kiss, but also a hunger—a need that’s been simmering beneath the surface for far too long.
Your fingers curl into his shirt, pulling him closer as the kiss grows more urgent, more intense. The world around you falls away entirely, and all that matters is the way his lips move against yours, the way his hands grip your waist like he’s afraid to let go.
When you finally pull apart, your foreheads rest against each other, both of you breathing heavily, the room around you still thick with the weight of what just happened. You don’t say anything at first—there’s no need to. The look in his eyes says everything.
“I’ve wanted to do that for a while,” Nicholas finally admits, his voice barely above a whisper, his thumb brushing lightly against your cheek.
You let out a soft, breathless laugh, your heart still racing. “Me too.”
There’s a moment of quiet between you again, but this time, it feels different—less tense, more comfortable, like something has finally clicked into place. Nicholas watches you with that same look of admiration, the one you’ve caught glimpses of before but never fully allowed yourself to acknowledge. Now, it’s out in the open, undeniable.
Slowly, he leans in again. The kiss is slow, unhurried and easy. He hums at the taste of your lips, your hands reached up for his shoulders as you deepen the kiss. You both part after a moment, opening your eyes to meet his darkened eyes.
“Knew it.” Cooper rings out, his voice groggy and tired.
You both snap your heads toward Cooper, your bodies still close, as if you’re caught in the middle of a secret you thought no one else knew. He’s sitting up, rubbing his eyes lazily, a mischievous smirk spreading across his face as he watches you.
“Fucking knew it,” he repeats, his voice groggy but teasing, clearly amused by the moment he’s woken up to. His eyes narrow slightly, a knowing glint in them as he looks between you and Nicholas. “You two think you’re so slick, huh?”
You feel a flush creep up your neck, the heat of embarrassment mixing with the adrenaline still pulsing through you from the kiss. Nicholas tenses beside you, his jaw tightening for a split second before he exhales, leaning back slightly but keeping an arm casually draped around you.
“Cooper…” Nicholas begins, his voice steady but with a hint of exasperation.
“What? I’m just saying,” Cooper continues, throwing up his hands defensively, but the grin never leaves his face. “It’s about time. Thought I was gonna have to give you two a nudge.”
You roll your eyes, but you can’t help the small smile that tugs at your lips. Cooper, being Cooper, doesn’t seem fazed by anything, and it’s almost a relief that he’s not taking this too seriously. You can feel the tension easing out of Nicholas, too, his posture relaxing as he shakes his head.
“Were you even asleep?” you ask, raising an eyebrow at Cooper, trying to divert the attention away from the blush still lingering on your cheeks.
Cooper snickers, leaning back into the couch like he’s settling in for a good story. “Oh, I was out. But I guess I woke up just in time for the good part.”
Nicholas groans lightly, rubbing a hand over his face, but there’s a small, amused smile playing on his lips. He glances at you, a soft look in his eyes, and even with Cooper’s teasing, you can still feel that unspoken connection between the two of you—stronger now, undeniable.
“Well, now that you're awake,” Nicholas says, standing up and stretching, his hand lingering on your back for a moment before he lets go, “you wanna order food?”
Cooper grins, sitting up straighter. “Oh, I see. Change the subject. Nice try, man. But yeah, I could eat.”
You laugh, standing up as well, the warmth of Nicholas’s earlier touch still lingering on your skin. Despite Cooper’s teasing, there’s a lightness in the room now, like something that had been building for so long has finally settled. The moment between you and Nicholas wasn’t lost—it’s just the beginning.
As you walk to the kitchen with Nicholas, Cooper still muttering something under his breath about “finally,” you exchange a quick, knowing glance with Nicholas, and the spark that lit up between you earlier remains. There’s no rush. Whatever this is, it’s yours, and it’s just getting started.
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badbugbotblood · 26 days ago
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WH- ME? And my tiny account? Getting tagged in something neat out of the blue? Well I'll be!
(pspspsps @king-candybug-backup)
As for my results:
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A perfect 50/50 split between these two, which on the surface level does make sense.
Hey everyone!
I just made a Core Four-themed personality quiz!
@bashfulgnome
@thebluejetpack
@sadboytristan
@sgtcalhouns
@junkkey
@badbugbotblood
@speared-mint
@wreckitralphrestart
@wreck-it-hell
@ask-icancraft-it
@therockyroadster
@randomalistic
Reblog this post with your results!
#I'm not as outspoken and brave as Ralph but I have a pretty strong sense of justice#And I always make an effort to offer a shoulder to someone in need even if it's all I can provide right then#Definitely familiar with being a social outcast as well#On the other hand I'm extremely meticulous at work (sometimes to a fault)#And do quite a bit of heavy lifting both in the literal and organizational sense#I like taking stock of what we have in storage (I work in a bakery - how fun is that?) and riding along with deliveries#And put a lot of effort into cleaning before we close up shop for the day - no stone goes un-turned when I'm on sweeping duty#Both of these characters have their moments of having short fuses (for their own reasons) which... Yeah#I am not angry /often/ but it's also not *exclusively* when it matters#I can ABSOLUTELY get pissy about petty in-the-moment shit when someone gets on my nerves enough#It doesn't make me feel good in hindsight but sometimes the emotions just get away from me and kind of explode#I'd say my anger is more like Ralph's in the sense that it builds up from compounding factors until a boiling point is reached#Vs Tamora's more abrupt sit-down-and-shut-up no-nonsense leader-type stern shutdowns#I've had those a few times when I needed a colleague to pause and seriously take a good look at WHAT they were doing#But most of my anger stems from things not going right for me in the moment and not being given my space to decompress#I've definitely grown to love Ralph a LOT more since rewatching this film after the Parrot Essay#And I relate quite a lot to the big guy. I think we would be on good terms#Tamora would NOT be enthused by my collection of wacky giant live exotic pet invertebrates#Poor Markowski would not be seen within a MILE of where I live#My other results were 14% for Vanellope and.... 0% FELIX???#Which I don't understand (I guess it was the video games/help clean up after work/school question. That or the kart bakery answer)#But it's a small quiz so there were gonna be limitations. I DO identify with Vanellope's creativity although I'm super perfectionistic#I definitely think I'm more like Felix in that I can't ever let a broken thing sit there without at least making an ATTEMPT at fixing it#I don't tend to be bold like Vanellope is and I'm not a competitive person#If anything it discourages me when something is made out to be a contest because I do crack under pressure sometimes#And I'd much rather engage in something cooperative and work at a pace I find comfortable#Wreck-It Ralph WiR#Tamora Jean Calhoun#Character quiz
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