#I just love love LOVE talking about her

[wistereia]

question bout Wisteria cos i utterly ADORE her design, is there a practical use for those extra appendages/bladed wires she has?

YES!! Oh my god thank you SO much for asking!! I kind of am going to dump a lot of information about it below, but here's a quick diagram / explanation!

Essentially, they're used for another means of defense, think searing-hot built-in knives, or when inactive can be used to jack into terminals and the like to hack! Each tendril "end" has a connector concealed in it, and this ultimately allows her hands to be free at all times!

Okay here's the dump: Wisteria is first & foremost a netrunner, above all. She rarely uses guns or blades besides her cybernetics, so everything on her body HAS to be practical & either for extreme defense (I.E mantis blades) or for hacking. She is equipped with a Cyberdeck and can quickhack enemies, but even the best netrunners can run low on ram or get caught in an unsavory situation. This is the alternate solution, because as much as she ADORES her mantis blades, they really require her to be focused on no more than two (and barely) enemies at once.

The colored part of the blade, when activated, are burning hot when lit; without the digital "blades" not on, they feel like cold steel and cut like knives. Given a blade has been activated recently, they do need a small period to cool down before retreating to their inactive state or using that specific blade to hack a terminal.

To give fairness/limit the reach of these tendrils, they cannot imaginably reach more than her wingspan would be if she were to have a proper set of wings or much rather, the full height of Wisteria themselves (5'4" without heels). Not only that, but the tendril "body" themselves are NOT much better than, for example, the body of a whip. In rare circumstances, yes, you could use them to choke or detain someone, but there would need to be additional support of both arms to pull/tighten to that extent. Think more of a cat's tail rather than a powerful muscle!

Finally, this also poses a very challenging (and fun) design for me personally! Not only does it not make sense to have clothing that rests on her forearms, she almost always needs to have an opened-backed top or dress that accommodates her additional ligaments.

I originally had the idea to allow the tendrils to support her body weight (which would give her extra mobility) but realized it's reaching outside the "grounded in reality" limit I try and give myself. Although a cool concept, this being connected to her spine and the prior mention of it's similarity to a cat's tail, unfortunately feels like a reach. Although it did produce a fun concept sketch!

AGAIN!! Thank you so much for asking, it really made my day and I hope you enjoy this brain dump!! You're AWESOME!!

[chimchiri]

gideon & harrow OR rd and sf as cowboys please please please

It's the cowgirl necro and her gunslinger cav! Who is so damn extra she's got three guns: one left, one right, and one in pole position! (She swears the ladies love it!)

[akanemnon]

I don't like this place. It's turning everyone edgy and sad.

FIRST - PREVIOUS - NEXT

MASTERPOST (for the full series / FAQ / reference sheets)

[chloesimaginationthings]

FNAF movie Vanessa’s thoughts when meeting Abby..

[notbrucewayne48]

"aphobia doesn't exist"

bitch literally not that long ago an aroace youtuber animator was insulted by almost half of its community for being it

[drenched-in-sunlight]

i love the DLC man

[jenanigans1207]

What I wanted so badly was for Mary to learn about her boys from Cas. Like that night where Cas finds her when she can’t sleep and she expresses that she just doesn’t know anything about her sons since she missed so much?? All I wanted was for Cas to sit down with her at the table and just start telling her about them. Basic stuff at first: their favorite foods, their sleeping habits, the stuff he’s just observed by being their passenger for years.

And then I want him to say something totally Cas, like “Dean always wears more layers but that’s because his body naturally runs two degrees colder than Sam’s. But that’s normal for him and not indicative of any illness, so it’s nothing to worry about.”

And as they talk, it starts to get a little deeper, and Cas tells her more. He tells her about what she missed, about all the horrible things that happened to her sons and how they coped; how it changed them. And he tells her about Sam, he does, but really it ends up being all about Dean.

He’ll tell her about how Dean clenches his fists when he’s upset, even as he tries to keep his face impassive. About how Dean drums his fingers on the steering wheel when he’s anxious. He’ll tell her about Dean’s nightmares, about the ways he’s chosen to cope. He’ll tell her how to know when to approach Dean and when to give him space, how to gently acknowledge what he’s feeling without pushing him too far.

And with every word he says, Mary’s curious head tilt from when she’d seen them hug in reunion turns into a bone deep type of certainty. Because Cas is telling her things that only someone who paid special attention would notice. He’s telling her things that only someone very, very close to her son’s heart would know.

Cas will tell her the cliff notes of what they’ve been through; will tell her how the whole world looked to Dean and he rose to the occasion over and over again. He’ll tell her about Dean’s doubts in himself and then vehemently declare them as wrong and explain, at length, why. He will tell her about the people Dean has loved— the people who loved him like he was their own— and lost. He will tell her about Bobby, Ellen, Jody, Donna, and Charlie. He’ll tell her about Claire, too, and how Dean stepped up.

And the whole time, Mary will have this realization that oh, she may not have been around to guide and protect her sons, but there was always someone there to care for them and support them when they needed it. She will realize that she and John may have left them, but they were never alone.

But more than that, there was someone there for Dean. Someone picking Dean over and over again while Dean picked Sam, or the world, over himself. There was someone fighting for Dean when he wasn’t fighting for himself. There was someone who saw Dean, and loved him unconditionally.

Sitting across from her, at the asscrack of dawn, filling her in on all the things she missed was every mother’s dream: someone who loved her child with the kind of devotion that would break the world. And from the sounds of the stories she was being told, it did break the world. Someone whose love is entirely untainted and comes without any strings attached.

It’s so clear to her as she listens to Cas talk that Cas loves Dean with no expectations. That loving Dean is something he just does, like he doesn’t know how not to love Dean, like the possibility of not loving him never occurred to Cas. He loves Dean in a way that Mary knows can and will soothe Dean’s sharp edges and battered heart. He loves Dean in the kind of pure way that tells Mary that it will continue to endure and overcome everything without ever diminishing, even the littlest amount.

Mary, through tears, will tell Cas how she always told Dean that there were angels watching over him. And before Cas can make some comment about Dean being the Righteous Man and the interest of most of Heaven, she will place a hand over his and give him a motherly look that will convey all the things she’s not sure how to say— and the things she’s not sure Cas is ready to hear yet. And Cas will flush and look away, mumbling about how her son is very special to him.

And when she pulls him into a hug and murmurs thank yous into his shoulder, she will be comforted in the knowledge that her sons turned out to be wonderful men, and that they managed to stay together through everything. She will be comforted to know that no matter what happens, no matter her shortcomings as she tries to fill a role she never meant to leave, Sam will have Dean and Dean will have Cas.

And this time, when Cas tells her that she belongs here, she will believe him. And she will tell him that he belongs here, too.

And when Dean wakes up a few hours later and wanders in to find Mary and Cas still chatting over the table, he’ll be surprised— but pleased— to find Mary looking more at ease. He’ll be pleased when she gives him a warm hug and pats him on the cheek and tell him with all the sincerity that only a mother can muster that she’s glad that he met Castiel. And when Dean agrees, a little confused, Mary will just smile at him.

“I always said I’d like a third son.” She says, “so give him a reason to take our last name, won’t you?”

And Dean will splutter and turn fifteen shades of red as he steadfastly doesn’t look at Cas but mumbles something that suggests he’s not against the idea at all.

And Mary will laugh again and wink at an equally red Cas before heading towards the kitchen like “Cas said waffles are your favorite, so I hope you’re hungry!”

[thatrandomblogsays]

RIP Annabeth, I just know Percy sacrificing himself for you, after knowing you for a week, after telling you that you’ve done more for him this week than his father ever has, is permanently altering the brain chemistry of your avoidant attachment self

[thejadecount]

To anyone who wants to talk shit about bad story/character development in Deadpool & Wolverine CAN SHUT THE FUCK UP! I CAME TO SEE 2 HOURS OF DEADPOOL MAKING META & SEX JOKES AND HAVING HOMOEROTIC TENSION WITH WOLVERINE AND MARVEL DELIVERED EXACTLY THAT

[ryllen]

Older Sylus as actual dad 😭👌✨

[poorly-drawn-mdzs]

Council of lovefools.

[First] Prev <–-> Next

[dreamerdrop]

I don’t talk about my love for Kira Nerys too often because. Look. I think if DS9 handles anything well, it’s Kira, hands down.

Her character development is a work of art. She is so traumatised, so angry, so beaten down and STILL FIGHTING at the start. She struggles so much with her PTSD, with the idea that she is ever allowed to be in anything but attack mode…

And then, slowly, gradually, she becomes a whole new person. She laughs, she smiles, she makes corny jokes, she does dumb fun things for the sake of enjoying herself. She has friends, she has a family, she is surrounded by love and joy and HOPE.

Even in the middle of second war, she’s DIFFERENT now. She’s not the same miserable angry person she was, afraid to let go of the vigilant surivival instincts that kept her alive for so long. She’s come back to life as a person who has something to live for.

She has done terrible things. Her hands are stained with blood. She is never going to be able to forget her trauma or the suffering, both her own and that of her people, nor the suffering she inflicted while fighting for her freedom. But she recovers. She heals. She carves out an existence where she is truly, genuinely happy to be alive.

I don’t need to talk about Kira as much as some other characters because this all happens on screen. It’s right there, and it’s beautiful and perfect.

Kira Nerys goes from a person who cannot conceive of herself outside of the horrors she has suffered, inflicted, and fought against, to someone for whom her trauma is just one part of the larger picture, a piece of a rich and vibrant tapestry that is now filled, overwhelmingly, with joy.

Kira Nerys is like, hands down, bar none, one of, if not THE best characters Star Trek has ever created. I love her so much. She is just, completely and utterly perfect, especially in her flaws.

[sea-webs]

"I don't know who I want to be, anymore."

Oc - Cirque | The Dragon Chosen by the Shadows |

| mary oliver / franz wright / chelsea dingman / mary oliver / sue zhao / can't find :( / can't find :( / i am a dog. i have blood all over my teeth. - sciencedfiction / little weirds - jenny slate / the unabridged journals of sylvia |

[doctorsiren]

things didn’t work out with the Mothman

I don’t think the siren mentioned in Lost Legends that Ford had dated ever had a name, so I’ve decided to call her Penelope because silly Epic reference

I found those deleted storyboards from A Tale of Two Stans where it showed the siren and so I’ve decided to draw her my way based on those boards and do some sillies (5th drawing features my friend @pinkhibiscustea ‘s mermaid OC)

[fifthnailinstevesbat]

steve “cant get out of bed till middle of the day, barely leaves his house or is never home, isolating himself from everyone, never takes time for himself anymore, depressed and is slowly losing more and more of himself every single day” harrington post 1986’

robin “i know you loved her, and it must’ve killed that she wouldn’t take you back, but nancy is happy steve and she still loves you. she’s not the only one out there for you, and you’ve gotta get over it. we miss you” buckley post 1986’, trying to help her best friend

steve “…this isn’t about nancy” harrington.

robin “wha-?… oh. oh steve.” buckley.

he still wears the vest.

[cordycepspog]

There’s something horrifyingly beautiful about Tess’s final moments. In the midst of the most dire chaos, as she waits for her death to come rushing past so she can blow it sky high and give cordyceps a big fuck you one last time, one of the infected stops. It looks at her, really looks. Her own mortality is personified in this infected. It’s death that’s looking at her, and it sees her. She looks her own death in the eye, and the suspense is so high as it approaches. But then, it doesn’t bite her throat out like we all expect it to.

It kisses her. What’s more, it kisses her gently. And I think it was a brilliant choice on the writers part, because it reminded me that the infected aren’t supposed to be evil. Sure, they’re scary as hell, but really, they’re just trying to survive. They’re connected to one another, they can feel each other from miles away. They seek out and want to be close to their own kind, just like the human survivors do. And when they do find each other, they kiss hello.

And after so long apart from a loved one, someone you know and trust with every instinct in your body, wouldn’t you want to kiss them too?