#I just had a lot of emotions okay

[phalevolent]

A Love Letter to Epic…

I remember 2021, I was following @abd-illustrates on YouTube. Alex had posted a video speed paint about musicals. That’s the first time I’d heard of Epic.

I remember checking Jorge’s wix site, listening to the old demos on there. I remember obsessively listening to the demo of My Heart Says Go. Damn, I loved it. I listened to it on repeat for ages. I remember writing a note to myself to check up on Epic. I remember letting the obsession rest.

I’ve never been active in the Epic community, but I remember being notified about the Cyclops Saga being released. I had no idea that the Troy Saga was out. I had to double check to see if this was really that same musical coming to life before my eyes. I followed Jorge ever since.

I remember staying up on Christmas Eve with my brother to listen to the Ocean Saga. Finishing a project the day it was due while listening to the Circe Saga on maybe an hour or two of sleep. I remember going feral to my brother about the Underworld Saga. I remember listening to the Thunder Saga in the car with my friend. I remember listening to the Wisdom Saga the minute it was released on Spotify, absolutely losing my mind when I should have been asleep for hours.

And now, Ithaca. I’m always amazed about how time passes, about how we’re still the same people we were so long ago. But we’ve all grown, for better or for worse. Sometimes I wish the years in between now at 2021 never happened. Sometimes I wish I was still there.

I have to remind myself daily that things will get better, and this is just proof that it will. Years in the making, love in every detail. Goofy skits and inside jokes and so many failed streams. There will always be something to look forward to.

So, thank you Jorge. Thank you Epic community. Thank you Alex, even, for introducing me. I know none of these people know I exist, and yet I’m eternally grateful.

We made it to Ithaca, but the story isn’t over. I can’t wait to see where we go next.

With so much love, Grayscale

[wonderholegifs]

Rhett & Link's Wonderhole

[vaguely-concerned]

I've been picking mostly only the essential flirt options with lucanis in the romance so far (I've personally found the dynamic much more natural and mutual when you do that, more like forming a solid friendship slowly and inevitably becoming something else and less like you keep pushing on him and getting little back b/c he seemingly just gets overwhelmed and goes into freeze instead), and I think rye is a pretty hard person to read at the best of times even though he's been Down Real Bad from pretty early on and their chemistry as people is naturally really good. so the way the almost-kiss plays out in this playthrough feels a lot like it has the added layer of lucanis realizing that no but for sure rook is flirting and not just being kind or a good friend* it IS actually happening it's not just wishful/fearful thinking!!! and then uh. maybe going a bit too hard a bit too fast in all the excitement at that revelation haha

*in lucanis' defense he has seemingly literally never had a friend who wasn't his cousin-brother before, under those circumstances I suppose some confusion is extremely natural if not outright expected lmao

[cherry-bomb-ships]

I'm sorry for everything that's happened to you.... Even if you deserved some of it.

[💛 Reblogs all seen and very appreciated. 💜]

[sonknuxadow]

my honest reaction

[slurpyboii]

That ended exactly how I expected it to and, as expected, I am entirely neutral on it. Wasn't a satisfying ending or a super hype ending or anything like that, literally just the ending that may as well have happened. Not a single thing surprised me that whole conclusion, it felt unfortunately predictable. You can tell he's excited for it's end though so I'm happy for Horikoshi regardless, hope he can get proper rest now.

[cepheusgalaxy]

That episode wouldve been perfect if the pacing was a liiiitle bit slower

[ybcpatrick]

fallen victim 2 the ailments . again.

[unproduciblesmackdown]

revisited some parts of deh i hadn't in a while via obc boots, mostly kicked off by audio of an aus tour show, & it's like now hang on lol reevaluating the whole of heidi's material / that arc like i have been too generous what in the....kind of worked backwards from good for you b/c for that song i've Been like sympathetic re: alana & jared's sections while like Shrug at heidi like i'm on evan's side there really. but the whole thing is like, sympathy for heidi's feelings aside, i'm on evan's side b/c like yeah heidi has feelings & insecurities too but it's not the same peer to peer like fellow unpopular couple of students as parent to child & i'm looking at it all like The Whole Thread is heidi's insecurities as A Mother & the demand is on evan all the time to not just Not cause her insecurity but also assuage ones that have nothing to do with him, e.g. what's he supposed to say about digs at his dad's wife

& like really going over that First Scene i.e. opening scene post evan's soliloquy i.e. anybody have a map it's like. sure only increasingly like Oh Boy when evan not being able to order pizza despite the online option is met with the "you Need to be able to order dinner for yourself" ft. that he should be "too old for this" (disability....grow up) (not a direct quote but rather yknow the "you're a senior in high school, evan" intro) & nothing about like, support or alternatives, certainly nothing about it being Okay that he couldn't. just that he Has to do this thing this way (why. or else what.) & also just the simple fact that evan has been honest about "something wrong with him" / something he did that he figures she wouldn't like & gotten this wholly negative response about that just being Unacceptable to hear, regardless of the "positive" pivot like you can do it re: school, just must not be Trying enough, just must be evan's own attitude or something else about him, the letters had better help....& all this revisiting inspired by beau woodbridge evan's delivery after heidi says the line about Her Not Wanting To Hear (framed about Her Feelings if evan were to Tell her about this) about evan having no friends, & like the delivery of "neither do i??" like a sort of nonplussed indignation that is a kind of "how do you think *i* feel about it??" like no yeah what about evan's feelings about him dealing with his problems here, the one not having dinner, not having friends, not Not having anxiety, etc. like obviously heidi like every person ever has feelings & problems too but it's that the parent's problems are supposed to be Made Up For by the child somehow, while evan's problems are framed as Being A Problem for his mom, how she feels about Knowing about it, try harder please okay evan....but cue, yknow, how she resents evan feeling any responsibility for Her Problems in gfy yknow not insofar as she's been embarrassed to tell him like "yeah money is a problem" when it's been about pushing him to get scholarships but rather when the murphys know (maybe just via evan implying they're Not Rich to zoe after zoe is like ah, to be poor....) that heidi will need Financial Support for college for evan & then heidi like i'm not That poor & to take money would be wrong (always the reminder heidi does not know everything re: evan & connor isn't true either)

which, that last part of her dinner at the murphys pre gfy was really this time hitting like ://// whew okay. all of it always grating lmao but like, "i don't want evan to get the idea etc" like ma'am he's sitting right here? he's seventeen? can't just Declare the ideas evan will or won't absorb even though like yeah also clearly it's about her pride as A Good Mom being wounded & just putting it on evan by expressing it that way like no i have to be A Good Mom via my example, is why i must decline....& like i'm sure it can all be softened depending on how heidi is played but still like, this is about her Full Story / Material, & just what is written lol like even if she was more [pensive emoji single tear] in delivery or something, vs watching the obc like full anger & contempt by this point & i'm like yeah this Shouldn't be familiar if the excuse of like "well heidi is messing up in this Special Occasion, an outlier" really went that far. or was actually out of line w/how she acts other times. or how this all resolves. but heidi storming out While lashing out at evan / blaming him like my god lmfaooo & like. speaking of "do you think the murphy parents did read between the lines & think evan & connor are secret gay high school lovers" like gee evan having no problem moving in to the murphy household, keeping secrets from his mom like his ostensible epic friendship w/connor, not talking aobut her or really trying on his own to involve her, being fairly alarmed when Surprise Dinner With Your Mom, heidi acting like That??? like "do you think the murphy parents read between the lines to think evan is abused by his parent" i mean like lol lmfaooo on both points like heternormativity? the normativity of abuse & parents Owning their child as well? in the murphy household? but you know. of course no deh is not supposed to be about that but i'm like, uh oh, whole time i was like "well my own perspective based on what i learned from personal experience & then learned About such experiences isn't that relevant at least to heidi b/c it's supposed to be that she's Not Like That at the end of the day" but i'm like is it in effect though lol, is it really that different In Essence if not also like "yep the way heidi acts is just directly familiar sometimes. maybe often. or always" difference in degree like. plus just that how often is whatever particular lens/perspective like Useless to apply

anyway & that fight in the leadup to gfy is wild & just like further illuminating re: how the whole time, from the first scene, it's like okay to heidi what's most important in her motivations is Her Insecurity about how anything about evan supposedly reflects on her being a mom, like. again that heidi has no idea everything about evan & connor isn't true & she's just going sicko mode at evan b/c the murphys Aren't His Family, yknow, She is, & that entitlement that's supposed to come with it, evan can't have these other adults acting Parently towards him re: money & housing & dinners & feeling fond of him or anything, all circumventing her status as His Mother....the whole "sorry i can't give you more than that, shit" "well it's not my fault other people can" like yeah sorry about your feelings heidi, yeah it's not "nice" of evan to say that but i'm not like yes evan must never even think things that aren't nice(tm) much less say them, that again like even if we sympathize w/heidi there b/c obviously yeah she'd be hurt & feel insecure. even if we suppose that was mean of evan. i'm like well yeah he's right. just setting aside the apparent universal desire for a life as closely approximating the brady bunch as possible, it's like hey yeah look evan's been getting dinners this way, re: him not ordering a pizza at the start of a show. turning out to be less important like "well at least you've been eating, good" than evan not doing so through the Proper efforts to Become Normal(tm) & of course that like. coming from another mom staying home making him food is unacceptable b/c she imagines this is supplanting her / making her the Bad Mom vs this Good Mom & then taking it out on evan to make her feel Good Enough(tm) like truly just the usual fallback refrain of "ohh sorry i'm not perfect / have feelings / have problems" which is true for everyone ever but yknow evan is the one having to Defend his feelings & problems & imperfections against the fallout of "failing" to be "responsible" for mitigating or fulfilling heidi's & she's the one who can break out "i'm your mother" whereas evan's less overtly declared "i'm your son" about her potentially failing Him is what gets met with more contempt & "ohh sorry i'm not perfect & have feelings & problems" & her starting off Good For You. great

& like the way All That illustrates, like the way evan getting dinner now through a different now available avenue is, to heidi, more about her own feelings than about [evan gets dinner now], like just that expanded to how it's not Okay that evan's problems seem to be getting better / he's getting more support / he's doing better or anything as soon as heidi becomes insecure about her not having the role she wants in it. the entire thread about her being bothered about evan not telling her things, lying about things, hiding things, like yeah evident that she Is worried about him but same as she's evidently worried about him in the first scene, when, again, we Did see him share something honestly with her & she was like "UGH evan jeez i Hate that you told me this" & then her input is to tell him to Get Good, yknow, must be his own failures, get on that. gosh why would he keep anything from her. & then yknow we have that line later on, evan like you don't know me & heidi like "i thought i did" (contempt again) & like the main issue of this not being like "oh no if i Don't know him or about his problems then i'm not supporting him like i thought i was / he's not getting the support Overall i thought he was" but rather like i can't believe evan is doing this to me / her insecurities & evan's "responsibility" for them, again, rather than yknow. evan's wellbeing regardless of her personal feelings? & we're ready for resolution after heidi inadvertently reads his diary to realize he was that sad & it's like. even if he wasn't That Sad like none of that response was okay. at any point lol like it's still the issue of her dynamic with him where evan is In Charge Of how heidi feels & that obviously she can act on this in the ways she can & what can evan do about anything but avoid her / not share things / idk indeed move in with this other family lol, sorry about the pretenses (also obviously like. murphy parents not doing that much better. certainly larry like, are you kidding? never changes his mind that all connor's problems were connor's fault & Failings & now his reaction to it is about facing any insecurity & Rejecting It as no i'm always right & just have to hold out forever. vs that zoe is also bearing the brunt of being Trapped In The Family(tm) but cynthia dares to be like "no, i feel like i failed my dead son" & "no, i don't feel someone 'has to be the bad guy' who tramples boundaries")

like speaking of boundaries. ppl having always pointed out "uh oh, heidi's not good with those" or the point like "in gfy heidi's also mad about the rejection by her ex-husband & just putting that over her fight w/evan" like not beating the [parent making their child the one in charge of them & their feelings & actions] allegations.......

& you know, the resolution like "ohh you were sadder than i knew" like okay Now that matters instead of heidi Just being insecure that he wasn't sharing this with her already, thus the important part being how that makes her feel like a bad mom vs like, how evan is actually doing & her actual role in this beyond what makes her feel best, personally? or that like oh i'm Not going to not be here, physically, in this house....like okay. but what about the actual dynamic you have while around him & you will always be around him, b/c like, has that changed from the start. how is heidi going to offer support re: evan Feeling Like This that's different from "you Need to order pizza and Need to get your cast signed, Just Do It" or that b/c she doesn't want to hear otherwise like well then of course evan won't tell her, or maybe a therapist if that's not confidential, or other people if it'll get back to his mom, or the internet if that'll get back to his mom which i guess it will. is evan gonna be not in charge of her feelings anymore. i'm just like yeah evan find yourself in college sure get outta there idk if you're even rude along the way. & obv shoot larry into the sun

[peach-sea]

let's take testosterone, together

[brown-little-robin]

I need to sleep for 70 hours and then maybe I'll feel not evil again

[witheredgardenparty]

Every now and then I see the discourse circulate on this hellsite, and I wonder if people know that the term 'yandere' used to have an extremely specific definition that no longer holds up to how people use it today

[hephaestuscrew]

Pan-Pan, Boléro, and Minkowski's different responses to loss

I want to compare two key lines of Minkowski's which indicate very different responses to grief:

In Ep29 Pan-Pan, Minkowski breaks down and says "Doug Eiffel is gone! There was nothing we could do to save him. It wasn't anyone's fault. It's horrible, and pointless, and it just happened."

In contrast, after arriving at the funeral in Ep46 Boléro, she says "[Lovelace, Hilbert and Maxwell are dead] to make the fact that we're not gone yet important. They're gone... so that we never forget how important it is that we're still here." 

TL;DR: In Pan-Pan, Minkowski expresses her unprocessed grief through despair and hopelessness. Whereas in Boléro, she is able to find hope in the loss and lead her crew in trying to move forward. I suggest a significant reason of the difference is the presence of Eiffel to force Minkowski to confront and process the sense of loss.

Pan-Pan: "It's horrible, and pointless, and it just happened"

In Pan-Pan, the whole episode is full of anger and despair, but Minkowski speaking about the horrible pointlessness of losing Eiffel is one of the most painful and hopeless moments. It doesn't feel like she's really speaking to the others. She's focused on her internal despair (as suggested by the fact that she goes on to talk about the cracks, which Lovelace and Hilbert aren't supposed to know about).

The only potentially positive thing Minkowski says here is her recognition that "it wasn't anyone's fault". When Hera and Hilbert have been blaming Lovelace, and Minkowski has been blaming herself, it's significant that she acknowledges that sometimes a horrible thing just happens without there being anyone to blame. 

But in this context, and in the tone of voice Minkowski uses, even the lack of blame doesn't really feel like a positive thing. If Eiffel becoming stranded was just pointless and random, if there was nothing any of them could have done to save him, then the next tragedy might be just as unpredictable and unpreventable. Minkowski strikes me as the kind of person who can sometimes fall into the trap of subconsciously wishing that the awful thing is her fault because then at least she'd have control over something. In her train of thought here, the lack of blame is followed by focusing on how horrible and pointless what happened to Eiffel was. The only conclusion she can draw is "it just happened". There's no sense of hope in those lines. Eiffel being stranded just happened, and so do the cracks, and the crew are at the whims of brutal fortune with no meaning to any of it.

Boléro: "They're gone... so that we never forget how important it is that we're still here"

In Boléro, Minkowski can't even say that the tragedy wasn't anyone's fault. For each of the deaths, someone pulled a trigger. There is blame, and some of it lies at her feet. She didn't want to come to the funeral because at first she didn't know what she could say about the deaths she feels responsible for.

Yet even so, this time she finds something reassuring she can say to her crew, a grain of hope she can provide without attempting to diminish the loss: "[they're gone] to make the fact that we're not gone yet important. They're gone... so that we never forget how important it is that we're still here."

In another show, or another context, this kind of line might have had an 'everything happens for a reason' tone, which is something I deeply dislike as a response to other people's loss. But it doesn't feel like that's what Minkowski is saying here at all. She isn't trying to make any grand philosophical statement about the ultimate beneficence of the universe, or about how mortality gives meaning to human life. What she says here is working on a much more personal level. It's more about finding something other than despair that the crew can take from what has happened. This tragedy may still be horrible, but it provides a reminder that they are still alive in a context where that's far from guaranteed. Minkowski emphasises that the fact the survivors are alive matters - her crew matters. I'd argue that this contrasts with the 'it just happened' outlook discussed above. 

I don't know how much Minkowski fully feels the importance of them still being there in the moment, but it's something that she can offer her crew, something that she can say in a situation that words can't grasp. I think the moment when she joins the funeral is such a key moment of her leadership. In the end, despite her doubts and struggles, she's there for her crew. Eiffel brought them together for a funeral, but he doesn't know what to say when Hera asks why they have to be gone. Minkowski enters just at the right moment to support her crew and she provides an answer to Hera's question. It's not a perfect answer, but it allows the funeral to move forward. It allows the crew to move forward (even if that emotional movement is somewhat thrown off by a dramatic change in the circumstances). Minkowski starts off the eulogies; she leads her crew in the acknowledgement of what's been lost.

Why such a difference in responses?

There's lots of ways you could interpret the difference between the outlook of these two moments, and there's probably more to say about it though the lens of Minkowski's character development than I'm going to say here. But for me, the main difference between these moments is that, in Pan-Pan, it feels like no processing or recognition of grief has really occurred. When Minkowski says "Doug Eiffel is gone!", it almost feels like the first time that Minkowski has fully confronted and acknowledged the loss. Eiffel has been lost in space for 116 days, but it's only at the end of this episode that Minkowski brings herself to say in her distress calls that he is "presumed dead". Whereas in Boléro, she's already eulogising the dead and thinking about what can be learned from the loss, not even a full day after the mutiny.

Obviously there is much less ambiguity to a body bag (or least there would be, if not for alien interference). But I can't help thinking that the difference between the attitudes towards loss which Minkowski displays in these two quotes is less about the difference in the kind of loss, and more about a situation that prompted and enabled the processing of emotions in Boléro: namely, the funeral. After Eiffel was stranded in space, I think Minkowski probably went months without looking her grief in the eye. But after the deaths of Lovelace, Hilbert, and Maxwell, Eiffel's suggestion of a funeral forces Minkowski to confront her complicated emotions and provides a space in which she can offer direction to her grieving crew.

This is a good illustration of how I think Minkowski and Eiffel complement and support each other in a really valuable way. On his own, Eiffel couldn't provide the leadership that the crew needed for the funeral to work. But without Eiffel, and his determination to recognise the emotional weight of the three deaths, the funeral would never have happened and Minkowski would never have been in a position to provide hope and direction to her crew. When Eiffel was the one the Hephaestus crew were grieving, Minkowski couldn't offer much emotional direction to her crew beyond despair. But when Eiffel is beside her in the grief, saying that the grief deserves to be felt, then Minkowski can find a way for them to move forward emotionally. It's not the deaths that remind them how important it is that they are still here. It's the grief. It's the ability to confront that grief together.

[seventh-district]

7am, eating cold leftover teriyaki stir-fry for breakfast and crying over blorbos

[veggiecorner]

One thing that I'm afraid about for the next Zelda game is that nintendo is clearly going down the botw route for future titles. I loved botw and totk, but to me these two games HIGHLY prioritized gameplay rather than story. Ocarina of time created a formula for its future zelda titles that in my eyes prioritized story over gameplay (now the quality of the stories could be debated aksjdbakbd)

Overall i just hope the zelda team finds a REALLY good balance between the two

[kizzington]

Not aiming this at anyone specifically, but I’m genuinely so disappointed & annoyed at the fact no one in my real life circles bothered to reach out to me to check up on me regarding the recent Liam Payne/One Direction news.