#I hope I explained this well enough

[brainrottr]

Since we’re all gonna die, there’s one more secret I have to share with you,,

I bought the marble hornets always watching dvd when I was 10?? It’s rotting in my shelf but I never got around watching it??

I think I bought it a little after the slender stabbing incident occurred, so I got turned off to watching it in general.

I’m still iffy about Slenderman content to this day but it’s mostly the stigma that creepypasta had gotten since and what resulted in its decline over the years.

Again I emphasize that this is coming from a creepypasta fan. As of now, people are more lax about it and are still making content freely (I envy you lowkey 😭😭)

I think it’s just me that’s hesitant.

All that to say, if im going back to reading PastaMonsters, the Seer and such, I think it makes sense to examine the Marble Hornets universe up close.

[do-angels-dream-of-starry-seas]

I got a question re: your last HP post. I was given a full set of the movie dvds by my (now ex) sister-in-law. I never watched 'em, but I've been curious for years about the movies. I did not pay for them and they were all bought second hand anyway. Is it fine to watch them sometime? I don't have any of the books except a 🏴‍☠️ epub of the first one. I also loathe JKR and all she stands for and pray daily for the devastating failure of the upcoming tv series. ✌

So this is coming from someone who was never a fan of HP, but has followed the discourse since the beginning, and is autistic and fully understand the feeling of special interests being That Strong.

Whenever people ask me whether it's okay to watch A Thing, I try to take it out of the mindset of "is this problematic" and turn it into "what is the impact of me watching this".

What do I mean by this? Take HP Lovecraft: the guy was racist as fuck, but he's dead. Nothings gonna happen if you consume his stuff, he's not getting paid for it. Then take Homestuck: the story is from what I gather a good story, but there's elements in it thats inherently antisemitic and racist thanks to its author. You can't exactly ignore it, or twist it, so you have to acknowledge these elements so you don't internalize it.

What happens if you combine these two exs? You get HP.

JK Rowling not only has moments in her story that are questionable at best (slavery of a race being justified) and actively fucking harmful at worst (please look at why Hogwarts Legacy is antisemitic, if you are unaware - I won't get into it here, since I'm not knowledgeable enough on that topic) - but she's still alive and profiting off of it at this very moment, using it to fund anti-trans legislation in the UK.

It is not a matter anymore of whether it's alright to consume HP; it is quite literally a transphobic dogwhistle, with JK once saying that anyone who's still a fan of HP is actually supporting her!

It's a sad situation, and unfortunately the only solution atm until she dies (hopefully painfully - and even then it depends on how her estate is used thereafter), is to let its pop culture hold on society die by not acknowledging it

[whrrlwind]

/slides into here/ can you tell me did Whirl start out as his own version of Sonic from the start when you began writing him on tumblr or was he just a Sonic then developed into his own unique twist of the character with time & writing ?? ♡

OH HELLO i sure can !!  i actually specifically remember this bc its like.  one of my core memories /pos  —  originally when i first was writing in the rpc i only had fleetway's solo blog,  and i remember interacting with so many sonics i was like  " man.  kinda wanna write sonic too but he's specifically from sa2 bc i'm not super caught up with the series  "  and all my moots were really supportive of it !!  so i did !

basically whirl started off exactly as he is  —  a sonic who's really behind in the timeline and has only just experienced sa2's events !  he started off v close to how u would expect him to within that time period but with time he slowly developed more into how he is now.  considering that was almost 5 years ago i've obviously gotten better with writing so i think he's more mature since then n i think i write his mental a lil better

tldr:  he started as an sa2 timeline sonic n overtime just developed into his own lil guy !

[bagofcoldnoodles]

If you can’t imagine sounds, do you never get music stuck in your head on repeat?

I can imagine sounds I just can't hear them mentally. Which I know for a fact some people can do! I absolutely get songs stuck in my head, but it's more of a case of knowing the song and thinking it over and over again/singing it, then it is actually hearing it. It's like... I know what a cat's meow sounds like, but I can't make myself mentally hear one. If I want to imagine a cat's meow, I have to just... understand that I know what a cat's meow sounds like, and think it. Aphantasia is super weird and difficult to properly explain because people with Aphantasia but have never heard the term are likely to read my explanation and assume that's just what hearing in your head is, and people who don't have it assume that we can't imagine, which is far from the truth. We just can't hear (or see, or other applicable sense here) the things we imagine.

[inkskinned]

one of the things that's the most fucking frustrating for me about arguing with climate change deniers is the sheer fucking scope of how much it matters. sweating in my father's car, thinking about how it's the "hottest summer so far," every summer. and there's this deep, roiling rage that comes over me, every time.

the stakes are wrong, is the thing. that's part of what makes it not an actual debate: the other side isn't coming to the table with anything to fucking lose.

like okay. i am obviously pro gun control. but there is a basic human part of me that can understand and empathize with someone who says, "i'm worried that would lead to the law-abiding citizens being punished while criminals now essentially have a superpower." i don't agree, but i can tell the stakes for them are also very high.

but let's say the science is wrong and i'm wrong and the visible reality is wrong and every climate disaster refugee is wrong. let's say you're right, humans aren't causing it or it's not happening or whatever else. let's just say that, for fun.

so we spend hundreds of millions of dollars making the earth cleaner, and then it turns out we didn't need to do that. oops! we cleaned the earth. our children grow up with skies full of more butterflies and bees. lawns are taken over with rich local biodiversity. we don't cry over our electric bills anymore. and, if you're staunchly capitalist and i need to speak ROI with you - we've created so many jobs in developing sectors and we have exciting new investment opportunities.

i am reminded of kodak, and how they did not make "the switch" to digital photography; how within 20 years kodak was no longer a household brand. do we, as a nation, feel comfortable watching as the world makes "the switch" while we ride the laurels of oil? this boggles me. i have heard so much propaganda about how america cannot "fall behind" other countries, but in this crucial sector - the one that could actually influence our own monopolies - suddenly we turn the other cheek. but maybe you're right! maybe it will collapse like just another silicone valley dream. but isn't that the crux of capitalism? that some economies will peter out eventually?

but let's say you're right, and i'm wrong, and we stopped fracking for no good reason. that they re-seed quarries. that we tear down unused corporate-owned buildings or at least repurpose them for communities. that we make an effort, and that effort doesn't really help. what happens then? what are the stakes. what have we lost, and what have we gained?

sometimes we take our cars through a car wash and then later, it rains. "oh," we laugh to ourselves. we gripe about it over coffee with our coworkers. what a shame! but we are also aware: the car is cleaner. is that what you are worried about? that you'll make the effort but things will resolve naturally? that it will just be "a waste"?

and what i'm right. what if we're already seeing people lose their houses and their lives. what if it is happening everywhere, not just in coastal towns or equatorial countries you don't care about. what if i'm right and you're wrong but you're yelling and rich and powerful. so we ignore all of the bellwethers and all of the indicators and all of the sirens. what if we say - well, if it happens, it's fate.

nevermind. you wouldn't even wear a mask, anyway. i know what happens when you see disaster. you think the disaster will flinch if you just shout louder. that you can toss enough lives into the storm for the storm to recognize your sacrifice and balk. you argue because it feels good to stand up against "the liberals" even when the situation should not be political. you are busy crying for jesus with a bullhorn while i am trying to usher people into a shelter. you've already locked the doors, even on the church.

the stakes are skewed. you think this is some intellectual "debate" to win, some funny banter. you fuel up your huge unmuddied truck and say suck it to every citizen of that shitbird state california. serves them right for voting blue!

and the rest of us are terrified of the entire fucking environment collapsing.

[mossy-aro]

ultimately i think my insistence on aro positivity honestly is as much a political stance as a personal one.

when i say aro positivity is crucial and that i dislike doomer-ist posts that express sentiments like 'I hate being aro so much I wish I was dead instead’ it's not because I don’t think there can and should be a space for negativity and acknowledging self-hate, or the many ways being aromantic can really suck sometimes. i find that to be very important!

that being said. there is smth here about how self-hate posts are sometimes just arophobia that we inflict on ourselves. and when we put that out into the ether it (intentionally or not) can become arophobia that we inflict on other members of the community. i think there absolutely needs to be a place for negativity and the expression of anger and frustration and self loathing even - these are all good things to talk about because these are things that we experience. that being said, it can also be genuinely upsetting and triggering to people to have what is essentially arophobia shown to them and then have that be validated by other aspec people. your personal thoughts can affect your wider community on a level you may not anticipate. and i understand it i truly do! it took me so long to be able to recover from accepting being aroace - it threw my entire world off kilter and made me question everything about my place in the world.

but my insistence on aro joy and positivity is because ultimately i do believe that building is at the core essence of it all. that ultimately discussions and the purpose of community should be about construction, not destruction. and this is both a personal and a political stance. talking about how much you hate yourself and cultivating online discussions/spaces where negativity about aspec identity is the main and only theme is destructive - if that’s where we let the conversation end. these thoughts can and should be used as a vehicle to look for a path forward!

joy and positivity create a space where the focus can become on forging a path forward, on construction, on community building instead of tearing ourselves and others down with negative thoughts. it’s not productive or healthy when it stops at a place of negativity - it becomes actively destructive to the essence of community.

and i do think that this is especially poignant considering the fact that being any kind of queer, but especially aromantic (and/or asexual) means forging a path for yourself and making your own happiness where there is no obvious way forward. our communities exist mostly online (right now, anyway), there is little recognition of our existence in the real world, the effects of amatonormativity are both pervasive and actively dehumanising, and there are legal, economic and social structures in place actively making our lives more difficult. yes that all sucks! it’s good to acknowledge that. we need to in order to change it. but more importantly, that’s not the end. we are still here and our happiness, our future is for us to determine. even if we can’t change the laws or society, loving yourself and understanding aromanticism as a political identity (as well as personal), as a radical worldview, and as a protest against amatonormativity is essential for both community and personal well being. the personal is political.

tldr. i guess my point is that as a community, we should focus on building, improving, and nurturing ourselves and each other (construction) as opposed to destruction. we should recognise aromanticism and asexuality as political identities as well as personal ones and rely on community and self-love in the absence of anything else as a form of protest and political power. destruction (the recognition of everything that is wrong) is essential as a starting point - but where do we go from there? we rebuild.

[jellyfish-grave]

I thought Tumblr might like this one

[casualavocados]

Learn from who? Learn from you? You are still a brat. What do you know? You're only three years older. Like you are any better than me. You're 21, and still a virgin. What are you proud of? I think you can't do it.

KISEKI: DEAR TO ME Ep. 06

[puppppppppy]

i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you

[thelonewolf48]

The most beautiful image in The Loyal Pin...

According to me and me alone!

If you want to dive into my overthinking brain and see me nerd about photography and why I think this particular shot is the best so far...

Then jump after the cut because it's gonna be a kinda long post!

Before episode seven falls upon us, I want to talk about one scene that makes me lose my mind and that previously commented on Twitter (because I refuse to call it X).

I’m sure there are more prepared people out there to talk about this, but my very amateurish ass can’t stop the word vomit I’m about to post.

I love photography and cinematography.

I love The Loyal Pin and, of course, FreenBecky.

I didn’t come here to tell you how beautiful TLP is, we all agree of its beauty. But, there’s a scene from Episode 6 that I can’t take out of my head for many reasons. If they did this fully knowing what they wanted from this, then they have all my respect! But even if it was a more instinctive choice, I still want to praise them for the shot!

I’ll begin by saying that movies and series can tire our eyes. We have less than seconds to react to the images thrown at us. Some directors make an effort to film in a way that we don’t get tired, that we don’t have to work much to focus on what they want us to see. I won’t go too deep into this topic because it is not the reason why I'm posting this rant.

I’ll try give a short explanation:

Here, we have a medium close-up shot, obviously the point is their faces and their feelings.

Then we jump to the next cut.

And here the magic happens!

Once the image changes, our eyes don’t move! We might not notice because it’s a cut instead of a fade, but this is what it looks like when we merge both images together!

With that our of the way, let’s get to the main point!

First, this is a beautiful Wide Shot! It contains so much more information than we can think. And I want everyone to admire it!

This one feels powerful and it moved us because they’re placed in one of the four intersecting lines when divided in thirds.

Second, we have frames!

And lastly, the image is also divided by 2 very contrasting color temperatures. Warm and cold!

This division is what I want to talk about.

We know why we are in this scene. Lady Pin is heartbroken because they don’t have much time left and they just finally confessed their feelings. So, she feels sad and in pain. She’s feeling blue… and blue is a cold color!

We have visuals of her feelings, not only for what we are seeing in the scene but also on how the cold of the room is trying to eat the warmth of the chandelier!

In contrast, we have Anil trying to give as much comfort as she can. She is hopeful of the future because she knows their love is real and because she will return so much faster than last time. Anil’s warmth is trying to conquer Pin’s cold.

But she is feeling sad too, although she tries to be positive about it, she doesn’t want to leave. I believe this also represents her own feelings of guilt for hurting Pin. Of course, we know it wasn’t her fault but the guilt is there too, she also feels powerless and I dare say even defeated.

That’s why the image isn’t divided in the middle, and both are on the colder side of the room.

You guys have no idea of what happened in my head when this image popped up!!

Maybe there will be other scenes that will make me go wild… But so far, this imagine right here is a masterpiece.

Or maybe I’m reading too much into it!

[clarkscurl]

I dunno this could be me projecting but I've always understood ahsoka for leaving the jedi order, she was framed for bombing the temple and the person or people she thought actually cared about her were quick to believe it, she dedicated her life to making sure she submitted and abided by the order only to be quickly thrown under the bus without a second thought when she never gave them a reason to even assume it was her.

[scarletfasinera]

I hate when people are like "I already didn't like xyz so it's not difficult for me to boycott it unlike those loser customers that actually Liked the thing which I could never understand bc I was never a customer uwu" bc like. That literally isn't boycotting lmao. That is just Never Being A Customer In The First Place, which means nothing actually.

Boycotts are primarily about applying pressure (or completely making it impossible to operate) via financial/commercial/economic impact. AKA it's about money and capital.

If you already weren't spending money on a product/franchise/company, then you were already never part of their sales data, and you just doing nothing & making absolutely no change to your daily life and just continuing to not be part of their sales data as normal, has literally no material impact. You were already never a factor. The people who WERE customers & WERE part of the sales data & ARE withdrawing their money from those sales figures actually ARE making a material impact.

"Supporting" something isn't about vibes or thoughts or feelings or you telling your best friend how much you like a thing, "support" in a meaningful sense is specifically material. It is financial. Refusing to continue supporting something means taking the money you were previously spending on it & putting it elsewhere. If you were never spending money, you were never supporting it, and therefore it doesn't make any difference if you continue to not support it. Boycotting is something CUSTOMERS and CONSUMERS do.

SO STOP FUCKING BRAGGING ABOUT IT & STOP MAKING FUN OF PEOPLE WHO ACTUALLY ARE BOYCOTTING FOR "EVER LIKING XYZ TO BEGIN WITH" & STOP SPREADING THIS FALSE IDEA OF HOW BOYCOTTING WORKS LMAO sorry for capslocking I remembered I was annoyed

I just hate this low-morale mean-spirited bullshit some people do in the notifs on boycotting info posts where they arbitrarily moralize about something they just don't understand so they can pat themselves on the back for doing literally literally nothing AND inadvertently spreading misinfo in the process. Be quiet. Go do something that matters. There are plenty of posts going around, including from Palestinians themselves, with lists of references for how to help Palestine & other similar causes for people currently in crisis, please please do something For Real instead of boasting online about your fandom superiority complex as if it means anything.

[0xeyedaisy]

idk if u have gotten asked this before,, but how did u get the lineart like this?

ive seen it in a good bit of ur little doodles where its the dark almost black lines,, but has another color around/behind it?idk im not good at explaining , i hope u know what im trying to ask

Eerrmmm basically I just copy my lineart layer and color the copied one with whatever color I want

And then I drag the copied lineart a lil to the side

And that's all

[chropyl]

hi 👋 I made a bluesky! come follow me there if you're on it ^^ I already made a post there I haven't posted here yet aheh ( I got another drawing I wanna include ) soooo ya

[ruvviks]

// oc deep dive.

tagged by; @aztarion and @devilbrakers, thank you so much!!

tagging; @mojaves, @deadrlngers, @ordinarymaine, @claudiawolf, @adelaidedrubman and YOU!

What common/uncommon fear do they have?

Nathan has a lot of fears stemming from his paranoia. Tangible ones such as getting captured or killed by MOBIUS, his friends walking away from him, or someone following him home; as well as more unrealistic ones, such as somehow ending up back in STEM, or getting stuck in a time loop, or a giant sinkhole all the way to the core of the earth opening up right at his feet.

It also happens often enough that certain actions don’t necessarily scare him, but make him uncomfortable or highly on edge (often with good reason); think of someone locking the door of the room he’s in– especially when it’s just them two– or getting too close without warning. He often fears people he gets too close to will end up treating him like the Administrator did, which is why it takes a while for him to let Sebastian get any closer physically, despite warming up to him relatively fast.

A more uncommon fear he has is waking up one morning and having lost one of his senses or his ability to speak. Aside from the mental erosion that had become a growing issue among Union citizens, MOBIUS observed a similar kind of process in its agents who regularly jumped in and out of STEM for general maintenance and the like– presumably caused by the constant changes in brain activity, which more than often led to exactly what Nathan’s fear mentioned above describes. While he was among the agents who worked both in and outside of STEM on the Union environment, he was lucky enough to never suffer the consequences.

Lastly, he is deadly afraid of Anima. Despite not having shown any other symptom of succumbing to the STEM domination process, Nathan would have started seeing her around sometime before Lily vanished– presumably got her attention after some of his escapades in the secret labs in the Marrow– and he has not been able to sleep soundly in STEM ever since. While his fear of her mostly acts up when he’s in a STEM environment, it definitely translates over to the real world as well; during bad mental health episodes he has auditory hallucinations of her, and she makes regular appearances in his nightmares too.

Do they have any pet peeves?

When people are too passive. Nathan can’t stand it when he’s expected to initiate everything, from conversations to taking action, both in a work context (scheduling meetings, deploying new code) as well as personal context (scheduling to hang out, doing household chores). He also doesn’t like having to constantly ask people to do what they’re supposed to do– though this irritation more than often extends a little too far, to things he is expecting of people but never told them about.

Loud and unexpected noises, especially when done on purpose. Fireworks would be a great example of this, and they piss Nathan off no end. He gets snippy when people raise their voice at him for no reason, or when they keep banging their fist on a surface to get others’ attention.

Getting cut off in traffic. Nathan’s road rage is easily awakened and he can get a little drastic with it. His reflexes are fast enough to brake on time to avoid ending up in someone’s trunk, but will in that same breath speed right back up to crash into them on purpose as revenge for pissing him off.

What are three items you can find in their bedroom?

A large ring binder full of old code snippets, notes from various projects he worked on back at MOBIUS, and all his research ranging from neuroscience all the way to electrical engineering. Nathan is a little old-school in that regard– he’d much rather have all his research physically with him than save it all to some online storage platform and risk losing it like that.

A jigsaw puzzle, made entirely out of different pieces that he’s collected over the years (stolen from others’ puzzles, found in various locations, stolen directly from the store, etc). The full piece would total up to nearly 2000 pieces, though it is still missing a large chunk in the center; the result is an abstract piece containing mostly darker colors, though with various bursts of color scattered around like flowers in a field. Nathan isn’t the artistic type, but the project keeps him busy and he considers it a type of self-expression.

The knife he killed his parents with when he was sixteen years old. He’s not entirely sure why he kept it all those years– perhaps to remind himself what got him to where he is now, or because it’s the only thing he still has from that time of his life. Either way, it’s kept safe in the top drawer of his nightstand, easy enough to reach in case someone breaks into his apartment.

What do they notice first in a person?

First: State of mind, overall mood. How approachable do they look; can he afford to lower his guard or does he need to tread with caution, can he get close without worrying about a knife to the stomach or should he keep his distance? Nathan rarely shows immediate interest in someone’s overall personality, he would rather want to know which of their emotions he’s gonna have to deal with during their interaction(s).

Second: Body language. Ties in with the first thing mentioned– cautiously watching for threats, waiting to see if they make a move to touch (or harm) him so he can step out of their range. But it also extends a little further; Nathan tends to mimic others’ body language in conversation to make himself appear more approachable. If someone gestures a lot, he will do the same.

Third: Their smile, if relevant. Smiling is an eye-catching action to him, since he’s not one to quickly do so himself. It’s attractive to him; if someone smiles at him, you’ll be able to catch him staring.

Fourth: Scars, and other (skin) details. Nathan isn’t one to ask about them, of course– but they’ll catch his attention anyway, for a brief moment, since some of them already tell a story on their own even without words.

Fifth: Nervous tics, if relevant. By this point he’s been in conversation long enough to pick up on the little details– a slight thrill or shakiness to their voice, a thumb running over the side of their index finger, a nose twitch. In some cases it eases his mind, knowing the other person isn’t confident in their conversation either; in other cases it sets off alarms in his mind, and makes him wonder if there’s more going on than what they’re showing or telling him.

On a scale of 1 to 10, how high is their pain tolerance?

Physically: 7. While he doesn’t quite look like it, Nathan can take a hit or two. Most of his injuries happen in STEM– though with the way the technology works, the pain is very much real, and in some cases the scars are lasting even in the real world despite the damage having been sustained in STEM. To an extent, Nathan even enjoys the pain; it’s grounding for him, and keeps him from dissociating. When it gets too much to handle he simply drinks it away.

Mentally: 10. Nathan’s life has been a constant downward spiral; sent to a youth detention center after being wrongfully accused of killing his younger sister, and he was bullied relentlessly there, which continued until long after his release both at school and at home. At MOBIUS, he was required to work shifts in their HQ as well as in the Marrow, in the Union STEM environment– he was required to be mentally strong, or he would have already started suffering from mental erosion by long-term STEM exposure after his first few trips in. It takes a lot to break him (or so he likes to believe).

Emotionally: 4. Once you get past all the barriers, Nathan is pretty sensitive. He doesn’t deal well with rejection or misunderstanding, and is prone to assuming things are all his fault the second something goes wrong. It’s easy to upset him, though he won’t easily show; but the damage often takes a while to repair.

Do they go into fight or flight mode when under pressure? (Or freeze or fawn?)

Fight, more than often; though it may appear as flight at first, since Nathan’s favored combat approach is stealth and he will always find cover before doing anything rash. In certain cases, however, he would be more likely to freeze; especially anything related to Anima or an enemy type like her, where fighting is out of the question, and he knows that a single wrong move can mean his demise.

It translates to non-combat situations too– often willing to talk to people but his initial response is to get defensive and close himself off, and if not given a moment to regain himself it can lead to either fighting or freezing; biting back with similar ferocity or shutting down altogether, unable to pick up his rational train of thought in the heat of the moment.

It really depends on the type of confrontation, though; taking his own state of mind and who else is involved into consideration. He’s known to fawn when a situation starts feeling a little too familiar– generally surrounding the abuse he suffered from partially his parents, but mostly the Administrator.

What animal represents them best?

Wolf; bordering on dog motif, but cautiously so, requiring infinite patience and understanding to win his trust. Nathan is loyal and guarding to those he cares about, but he values his freedom– his choices and decisions are his and his alone, and anyone who tries to take that away from him will suffer the necessary consequences.

How would a stranger likely describe them?

Curious, above anything else. Distant, reserved; surprisingly well-spoken, almost technical in his interactions with others as if the whole conversation is pre-programmed in his mind. Nathan isn’t necessarily cold towards others, but people would also not be quick to describe him as kind; though there is a certain warmth to the way he speaks and looks at people, despite the fact he very rarely smiles and isn’t one to quickly compliment someone else.

Appearance-wise, people tend to notice the white strands in his black hair first. They’re clustered at the front of his head, and match with the white hairs in his left eyebrow and the white eyelashes in the outer corner of his left eye. Nathan has very pale and rough skin, patchy but dark facial hair covering up most of his acne (/scarring); and part of the skin around his left eyebrow is lacking pigment, though it’s a little hard to see. He has very pale and bright blue eyes, which can be a little unnerving when staring at them for too long. Many people cannot maintain eye contact with him for very long.

Do they have any hobbies?

Nathan’s career is directly intertwined with his hobbies, and he enjoys working on code even long after cutting ties with MOBIUS. Software development, application optimization– his laptop runs on an operating system that he coded entirely himself, and whenever he has some time to spare he can be found tweaking and optimizing it and adding new features.

To no one’s surprise, he’s a gamer. Shooters, roguelikes, survival horror– he does not play all too often as his schedule often doesn’t allow for it, but he generally doesn’t have a hard time playing on higher difficulties and enjoys the challenge. Nathan has tried his hand at game design and development too, but stopped quickly when he found it too similar to developing the Union environment in STEM.

And last, surprisingly, would be writing. Journaling, some sort of attempt at poetry, or articles he would want to send in to some website or appropriate magazine but never does– a lot of Nathan’s writing is for his eyes alone, but it helps as an outlet, it keeps him grounded. For a while after leaving MOBIUS, he worked on writing tech manuals for various employers to earn some extra cash, which also ties directly into his interests.

[luxrayz64]

do u ever in your mind have a vision so beautiful you mourn that it doesnt exist and then remember that u can draw. anyway heres the glass coffin scene if they were pikmin