#I have so many of these saved so I decided to post

[batsovergotham]

🦇 𝗛𝗼𝘄 𝘁𝗼 𝗪𝗿𝗶𝘁𝗲 𝗠𝗮𝗿𝗸 𝗚𝗿𝗮𝘆𝘀𝗼𝗻 | A DETAILED GUIDE

regarding the project: whether or not you have read the comics, this is a straightforward tutorial for anyone wishing to write mark grayson more precisely. brief notes. genuine emotional breakdowns. no lecturing. no gatekeeping. just a straightforward, honest look at what really shapes him and how to use the source material to portray him accurately.

a/n: i posted the poll about making a how to write mark grayson guide today, but honestly... i’ve been working on this for a while, ever since i posted some fics. it started because a few people mentioned that some of my mark breakdowns helped them with their fics, and i thought it might be nice to have something more detailed all in one place. so even though the poll went up today, this guide’s been in the works for a bit hehe i really hope it helps anyone who wants to write mark more true to the comics! thanks for reading!

in the invincible comics, if there’s one thing about mark grayson, it’s that he’s stubborn as hell when it comes to his ideals. like, painfully stubborn. there are so many times where he just flat-out refuses to back down from what he believes is right, even when everyone around him is telling him he’s being naive or that it’s gonna blow up in his face. and since the show hasn’t gotten to a lot of these moments yet, let’s talk about some comic only examples that really show just how stubborn (and sometimes reckless) mark’s idealism can be.

okay, so first off: the whole fight between mark and cecil stedman (the government guy who runs the GDA)? it's turning point of mark's view of the GDA and what it truly means to be a hero. it also begins to shed him of his naivety.

basically, mark finds out cecil’s been doing all this shady stuff behind the scenes like building an army of zombie cyborg supersoldiers (the reanimen), working with literal evil clones, just... real villain behavior. cecil’s whole mindset is like, “yeah it’s awful, but it’s for the greater good.” and mark? hates it. the second he finds out, he’s ready to fight.

and cecil’s response? he doesn’t even try to explain himself anymore. he just sends a whole damn army of reanimen after mark to try and beat him into submission. it’s brutal. mark gets swarmed, blasted with this crazy sonic device they rigged up, he’s getting absolutely trashed, and he still refuses to back down. he barely escapes, pulls some of the guardians together, and marches right back to finish what he started.

they trash the reanimen, it’s a mess, and at the end, cecil’s standing there like, “i did what had to be done.” and mark, bleeding and furious, basically tells him to shove it. he straight-up quits. no backup, no government support, nothing just him deciding he’d rather be completely alone than be part of something he thinks is wrong. like... that’s mark grayson. stubborn to the end.

Universa Arc.

so, universa’s this alien warrior who shows up on earth basically trying to steal the planet’s energy to save her dying world. mark and eve fight her, they win, she gets thrown in prison. standard superhero stuff, right? most heroes would’ve been like “cool, problem solved” and moved on. but not mark. mark can’t let it go.

he actually goes out of his way to visit her in jail. just to talk. and when he finds out she was only doing all of this because her people were desperate not because she was evil or power-hungry or anything he immediately goes into “let’s fix this” mode. like, no hesitation.

and he doesn't just feel bad about it and leave, no, mark convinces the warden to let her go, helps her find a way to safely get the energy she needs without hurting anyone, and sends her back home to save her people. universa is so stunned she literally promises to repay him someday.

it’s honestly one of the purest things he ever does. he refuses to just see her as “the bad guy.” he sees the person underneath. he believes that people, even enemies, can do the right thing if you give them a real chance.

was it a little naive? yeah, kinda. but it worked because mark’s the kind of guy who means it. like, really means it. and people can tell. that’s why his idealism hits so hard. he never gives up on the idea that there’s a better way.

Oliver and Allen VS Mark

okay, so one of the most heartbreaking examples of mark’s idealism clashing with the people he loves is the whole scourge virus situation.

basically, allen the alien and mark’s half-brother oliver come up with this plan to release a modified version of the scourge virua, the same virus that almost wiped out the viltrumites, to finish the job for good.

and mark? mark is horrified.

he’s not just worried about the viltrumites (even though yeah, some of them deserve it). he’s thinking about the humans. he’s thinking about the risk. he’s thinking about how unleashing something that dangerous ever is just crossing a moral line you can’t uncross.

so he tries to stop them. and it turns into a full-on fight. it’s messy, it’s emotional, and somewhere in the middle of it all, oliver, desperate and panicking, accidentally infects mark with the virus. mark almost dies.

and even after all that, after being betrayed and almost killed by his own brother, mark doesn’t blow up in rage. he’s just heartbroken. because for mark, the real tragedy isn’t what happened to him. it’s that people he loves were willing to risk something so horrific, to cross a line he’s spent his whole life refusing to cross.

like... he would literally rather fight his own family, risk dying, than give up on his ideals. he genuinely believes that the ends don’t justify the means, even if it costs him everything.

The Final Battle with Thragg and Mark's Monologue

by the end of the comic, we really get the full picture of who mark grayson has become. all that stubborn idealism, independence, and moral conviction he’s built up over the years? it all comes to a head during his final battle with thragg.

and the thing is...mark’s not just throwing punches. he’s saying everything he’s believed, everything that’s come to define him. he straight-up rejects thragg’s whole worldview, the viltrumite mindset of "strength over everything." and while they’re fighting, mark gives this monologue (mid-fight, because of course he does) that honestly just hits you right in the chest:

“you see us as people living only for conquest, measured only by the size of our empire. no room for peace. no room for compassion. no room for love… the truth is you were holding us back… we can be a force for good. we can spread peace throughout the galaxy. we can love and be loved. we can be happy.”

like... that’s so mark. even after everything he’s been through, even while he's locked in a life or death fight, he still believes people, even viltrumites, can be better.

and it’s not just talk either. this is what mark actually wants. he’s trying to turn an empire built on war into something good. it’s insanely idealistic, yeah, but it’s 100% real. and what’s really cool is that he’s doing it his way. not the way any viltrumite leader before him would’ve done it. this is mark’s independence on full blast, he's building something new, completely breaking away from the old viltrumite pride and brutality.

thragg, of course, can’t even wrap his head around it. and mark beats him, physically and symbolically. it’s basically proving that compassion and strength aren’t opposites. mark’s showing that being a good person doesn’t mean being weak, and being cruel doesn’t mean you’re strong.

if you’re writing fanfiction that covers late-series or post-series mark, this moment is a huge thing to keep in mind. by now, he’s not the uncertain teenager anymore. he knows who he is and what he stands for. but he hasn’t lost that earnestness, that moral fire he had as a kid, if anything, it’s gotten stronger and sharper.

mark taking down thragg with conviction shows the kind of leader he’s grown into. he’s not just reacting to problems anymore; he’s actively trying to shape a better future. people look up to him, even people who used to be enemies, because of the integrity he shows. not because they’re scared of him, but because they respect him.

another super important thing: even after all that, mark doesn’t turn into some dictator. like, it would’ve been so easy for him to say, “i’m the strongest, i’m in charge now.” but he doesn’t. he stays focused on making things better. he pushes for the viltrumites to actually protect earth, to integrate, to live differently. he keeps that humility.

even at the height of his power, he’s worrying about being a good husband, a good dad (the finale shows his future family life), and living up to his ideals. he never stops checking himself because deep down, he’s terrified of turning into what his dad was.

so if you’re writing a future!mark or an alt ending where he’s leading the viltrumites or running with huge responsibilities, always keep that in mind: no matter how powerful he is, he’s still that same kid who’s scared of losing his humanity and who’ll do anything to protect it.

Now that we understand the Idealism surrounding his character, let's discuss how to actually write him.

okay so if you’re writing mark grayson in fanfics, one of the biggest things you have to remember is that he is not a soft boy. he is not a “yes man.” he is not some passive sunshine character who just agrees with whatever the hell his friends or love interest says because he’s so sweet and loyal. that’s just not who he is.

mark is kind. he’s empathetic. he loves deeply. but he is stubborn as hell when it comes to his beliefs. like painfully, frustratingly stubborn.

he doesn’t just roll over when someone he loves disagrees with him. he doesn’t abandon his moral compass to avoid conflict. if anything, he’ll fight even harder against the people he cares about because he believes so strongly in what he thinks is right.

this is the guy who:

tells cecil (the literal head of the GDA, who helped him post omni-man) to fuck off to his face because cecil’s methods are too corrupt.

tries to rehabilitate a literal eco-terrorist (dinosaurus) because he genuinely thinks they could do good together, even when everyone else calls him insane.

punches his own little brother and one of his best friends (oliver and allen) in the face when they want to use the scourge virus to wipe out the viltrumites, because he refuses to believe genocide is ever the answer even when it would save billions of lives.

goes into exile on an alien planet with his family instead of accepting a “peaceful” dictatorship run by robot, because he would rather lose everything than live under tyranny. then, he eventually comes back and kills robot himself.

like... mark is kind, yes. but he’s not compliant. he’s not someone you can easily sway just because you’re close to him. he doesn’t make decisions based on what’s easiest or what’ll hurt the fewest feelings. he makes decisions based on what he believes is right, even if it blows up his relationships. even if it hurts people he loves. even if it isolates him.

so when you’re writing him:

let him argue. let him push back when something doesn’t sit right with him.

let him get angry when his beliefs are challenged. he’s emotional. he’s reactive.

let him stand his ground even when it costs him.

let him care so deeply it hurts him sometimes.

don’t be afraid to show that he’s wrong, too because sometimes his stubbornness backfires horribly (like trusting dinosaurus). but even when he’s wrong, he’s never malicious. he’s never apathetic. he’s trying.

he’s not cold. he’s not cruel. but he’s also not a people-pleaser. he’s willing to lose friends, mentors, allies, and even his home if it means doing what he feels is right.

common mischaracterizations you should avoid:

making him a soft, easily manipulated boyfriend who never questions anything.

making him prioritize romance over his core values without struggle. (like, if you have him abandoning his morals instantly for love, it feels wrong. he might bend, but it would mess him up inside and cause conflict.) DO NOT CONFLATE HIS MORALS WITH WHAT THE GDA BELIEVES!!

making him unrealistically calm and detached. mark feels everything with his whole chest. when he’s hurt or angry, it shows. he doesn't bottle it up perfectly.

writing him like he's just “along for the ride” emotionally. mark makes decisions. he moves the plot. even when he’s wrong, he’s active, not passive.

writing mark grayson right means letting him be a mess sometimes. it means letting him get bloodied up in fights he probably can’t win. it means letting him make terrible mistakes because he believed too hard in someone. it means letting him love people and lose people and still keep standing, still keep hoping. still keep fighting for the better world he dreams of.

because that's what makes him invincible. not the powers. not the strength. it’s the fact that even when everything in him is broken, his body, his mind, etc, he keeps fighting for what he believes in.

bad vs good characterization examples for mark

example 1

bad: "are you sure about this?" he asked, voice trembling. "i mean... if you think it's right, i'll go along with it. i trust you." (he says nothing else. he just follows along. no hesitation, no conflict, just blind loyalty.)

why it's wrong: this makes him sound like a passive puppy who just goes wherever the story/author pushes him. mark is loyal, yeah, but he’s not a yes man. if something feels wrong to him, he’s going to say something even if it starts a fight.

good: "i don’t know if i can go with you on this," mark said, frowning. "i get why you want to do it... i do. but it doesn’t sit right with me. it’s not who i want to be." his hands flexed at his sides, restless. "i’m not trying to fight you. i’m trying to make you understand." (there’s tension. there’s conflict. but the love is still there. he’s standing his ground because he cares.)

example 2

bad: mark nodded immediately. "you're right. i didn’t even think about it that way. i’ll change everything i'm doing for you." (he has no independent thought. he never questions anything. he changes core beliefs instantly.)

why it's wrong: mark can compromise sometimes, but it’s never instant. if he changes his mind, it comes from hard conversations, real consequences, or deep emotional shifts. he doesn’t just flip a switch because someone asked him nicely.

good: "maybe you’re right," mark muttered after a long beat, his jaw locked. "but you can’t expect me to throw away everything i believe just because it's easier." he exhaled, frustrated, running a hand through his ebony hair. "i need to think. i can't just... pretend this doesn't matter."

key reminders when writing mark:

he’s stubborn. like cartoonishly stubborn. even when it’s inconvenient. even when it costs him everything.

he’s idealistic. he genuinely believes doing the right thing matters, even if nobody else believes it anymore.

he’s emotional. he feels everything with his whole chest. anger, sadness, guilt, hope, it’s never muted or put down for the sake of plot purposes.

he’s reactive. mark doesn’t always think things through. if he sees something he doesn't like or someone he loves in danger, he moves first, thinks later.

he’s not a people pleaser. even if he loves you, if you’re doing something he thinks is wrong, he’s gonna call you out. loudly.

he fights with people he loves. not because he loves them less but because he loves them too much to let them destroy themselves or cause harm to other people that causes conflict in what he believes in.

he’s not a soft boy. he’s kind. he’s empathetic. but he’s also willing to bloody his fists and risk his life for what he believes in.

he’s not passive. mark makes choices. even when they’re bad ones. he’s an active character who moves the plot forward.

he’s wrong sometimes. his idealism blinds him. he trusts the wrong people. he fucks up. and he owns it (eventually).

he doesn't believe violence is the first answer (especially at the end of the series). but when it’s necessary, he doesn’t hold back. if he’s in a fight, he’s there to win.

he can’t be guilt tripped into giving up his morals. you can hurt him. you can betray him. but you can’t make him become someone he’s not.

he keeps hoping. even after all the betrayal, death, loss, heartbreak he's gone through, he never fully lets go of hope.

NOTABLE MOMENTS TO HELP CHARACTERIZE HIM IN YOUR FIC

“DON’T EVER THREATEN MY FAMILY!!” – Issue #33.

this is mark at his absolute breaking point just pure protective rage, screaming at angstrom who just hurt his mom. it’s a simple line, but it hits because you can feel everything behind it. the second someone he loves is in danger, mark doesn’t hold back. he doesn’t care about looking heroic or calm, he just loses it. and that’s something to keep in mind if you’re writing him, when mark’s temper explodes, it’s not about his pride or getting even. it’s about protecting the people he loves. period. he’s like a lion protecting his cubs its all instinct, no hesitation. so if you’re ever writing a scene where a villain’s threatening someone close to him, picture mark practically shaking, shouting until his voice breaks, just burning with that raw, desperate anger. it’s not polished or composed, it’s messy, it’s emotional, and it’s all love underneath it.

“THIS IS BEING A SUPER-HERO? I'M JUST STOPPING CRAP FROM HAPPENING AT ANY GIVEN MOMENT. I'M NOT DOING ANYTHING REALLY WORTHWHILE… …AND WHEN I FAIL… MY GOD, I FAIL BIG. WE HAVE THE POWER TO CHANGE THE WORLD, EVE… …BUT INSTEAD THINGS JUST KEEP GETTING WORSE.” – Issue #81.

it’s not just some random thought he brushes off. you can tell it hits him. like... what if everything he’s been doing hasn’t actually changed anything? what if he’s just patching holes in something that’s already falling apart? it’s honestly a gut-punch moment because mark is usually so stubbornly hopeful. but even he isn’t immune to wondering if any of it’s enough. and it’s such an important part of who he is, he doesn’t just blindly believe everything’s fine. he feels it when it isn’t. he questions himself. he struggles with it. if you’re writing fanfic and you want to show a more introspective or vulnerable side of him, especially after something rough happens, this is the kind of feeling you want to tap into. not him giving up, but that raw, exhausted moment where he’s like, what’s the point if nothing ever really changes? it makes him feel real. because even with all the optimism and fight he’s got, sometimes the weight of it still catches up to him.

HOW TO WRITE HIS HUMOR/MORE LIGHT-HEARTED SIDE

mark isn’t all heavy drama and serious fights, he actually has a ton of light, funny moments, especially early on. like when he first starts getting his powers and his coworker asks him about his future, he just says

“finish high school, I guess.”

which is funny because he already knows he’s about to step into something way bigger.

there are little moments like that all over, times when he’s play fighting with william, or throwing out corny jokes, especially about stuff like science dog (his favorite comic, seance dog in the show). even though a lot of this guide focuses on the heavy, emotional stuff, it’s important not to forget these slice of life stuff

if you’re writing fanfics with him, adding in those little jokes or funny lines can really help keep mark in character. think about it like how spider-man cracks jokes during fights except mark’s version is a little less snarky and more dorky he jokes the most when he’s around people he’s comfortable with, and it’s not because he’s not taking things seriously it’s because that humor is just a part of who he is.

DISCLAIMER!

one of the biggest differences between comic mark and show mark is that comic mark is definitely rougher around the edges, especially early on. he’s not the super polished, always perfect hero type. in the early issues, mark can actually be kind of crude, he uses slurs (like the r-word) and makes some offhanded gay jokes, usually when he’s goofing around with william. it’s definitely surprising when you read it now, but it’s also important to understand that it’s part of his growth. it’s not written to make him look good, it’s showing that he’s a dumb teenage boy who hasn’t figured everything out yet. he says thoughtless, insensitive stuff because he’s young, immature, and still has a lot of learning to do.

and the comics let him grow.

later on, when william comes out to him, mark doesn’t just brush it off or make another dumb joke, he’s genuinely supportive. he accepts william without hesitation. and from that point on, you can see a clear shift, mark stops using slurs, stops making those kinds of jokes. it’s not a huge dramatic “lesson learned” moment, but the change is there. he matures. he gets it.

the show sort of skips over this whole messy, realistic part of his character arc. animated mark is a lot more careful and a little more "clean" from the start, he doesn’t really say anything offensive, and he’s framed as a lot more socially aware right out of the gate. which makes sense for a modern audience and a tv format, but it does smooth out some of the rough growth we see in comic mark.

comic mark’s early immaturity makes his later kindness and emotional intelligence feel earned. it’s not that he’s perfect, it’s that he chooses to grow, to be better, to really care about people in a way that goes beyond surface-level acceptance. that’s a huge part of what makes comic mark feel so real. he screws up, he says dumb stuff, but he listens, he learns, and he changes.

CONCLUSION AND FINAL NOTE!

at the end of the day, mark grayson isn’t about being perfect. he’s about trying. he’s stubborn as hell, emotional, sometimes reckless, and way more human than people give him credit for.

he holds onto what he believes even when everyone’s telling him to give up. he fights for the people he loves even when it costs him everything. he messes up (a lot), but he always, always tries to be better. that’s what makes him mark.

when you’re writing him, don’t be afraid to show all of it, the anger, the humor, the doubt, the stubborn hope that somehow refuses to die even when everything’s falling apart. he’s not supposed to be perfect or untouchable. he’s supposed to feel real.

sometimes he gets it wrong. sometimes he crashes and burns. but the point is, he keeps going. he cares even when it’s easier not to. and that’s why people love him.

i hope breaking all this down helps if you’re trying to write him, understand him better, or just see where he’s coming from. because when you really look at it, mark’s whole story isn’t about being the strongest guy in the room it’s about being the one who refuses to give up on people, even when it would be easier to stop caring.

thanks for reading! and honestly, if you ever feel stuck writing him, just go back to that core idea > he never stops trying. that’s who he is.

[galene-gothic]

SCAMS, KINDNESS AND VALUE OF MONEY & SERVICE

Hello everyone, I’m not much of a blogger besides tarot but recently, I feel the need to share my thoughts about whatever the title says. I grew up in a poor family with a single mother. I was fortunate enough to have been able to go to a fairly prestigious school until the tenth grade after which I had to drop out due to my sister being extremely sick and my mother struggling to make ends meet. That’s when I started this blog. I was able to complete my +2 through online education due to your assistance and my own hard work. Those who liked and reblogged my posts helped my current clients find me, and many of them purchase from me as loyal customers even to this day which I’m obviously very grateful for. I haven’t even been able to start university yet because I’ve been taking care of my family financially which means working as a full time tarot reader for now. I’m only 19 going on 20 this year so I think that while I should not take any time for granted, I also don’t stress out unnecessarily about education because I am more focused on what I’m currently doing for now i.e. making money, strengthening skills and saving money. Seeing all my batchmates being able to go to school while I was not able to used to break my heart back then.

I was scared of being seen, of being asked what I was doing because what was I supposed to say? That my mother couldn’t afford to educate me any longer? People aren’t very sensitive when it comes to other’s struggles and I was not interested in giving them anything to underestimate me for. At some point, I started getting sick a lot due to my declining mental health but my former best friend told me that I would struggle less if I accepted things as they were and I managed to do so. It’s unfortunate that my mother got sick as well. She needs blood every six months but for the rest of the six months, she’s more or less okay except for weakness but I never once asked for huge donations or anything of that sort. Maybe it was pride, maybe it was overestimation or just a lack of faith in humanity but I felt like I would just provide service that would be valued and earn money through it to look after myself, and my family. I do not want you to take this as a sob story because I’m mentally and emotionally doing pretty well, and am really grateful plus always have clients wanting to purchase from me. My point is that while it’s okay to ask for donations and offer them, you should ask for proof, and if anything doesn’t add up, you’re allowed to not want to donate because your money is valuable and while kindness, and humanity are important, that money could do better in a place where it’s actually needed.

There are many scammers who victimise themselves in order to loot your money. If someone is able to provide a service, they can try and earn their lot. In fact, they should. You’ll be doing them a favour because how long are they going to survive off donations? At some point, they need to learn how to not be a victim of circumstances. I didn’t mention it earlier but I’m speaking as someone who was physically, mentally and emotionally abused as a child because my mother didn’t really have an emotional punching bag nor a companion. She probably felt like she lost her youth raising her children and resented us for it. I didn’t want to speak on this because healthcare is something that everyone deserves and I’m all for kindness. I found it very dramatic and sketchy that a single person was claiming to have multiple issues including, physical abuse, sexual abuse, chronic illnesses and injuries but decided not to question it much because there was a point during which everything was falling apart in my life as well and I needed empathy, support, and kindness and didn’t even have the strength to reach out for it but it breaks my heart that there are people who work on a single reading for several days and even weeks if they’re on the longer side just for someone else to get all that money for free because of a sob story of theirs.

I understand that accusations hurt and my post is not intended to hurt anyone but I would like for the accused reader to post or DM proof i.e. the medical papers alongside an official identification certificate or card of some sort and simply just be transparent about what it is that is going on. I am not interested in accusing someone who claims to be sick but if you’re asking for financial assistance from those on the app and the community, I hope and believe that you understand why you owe it to them to be transparent, to simply provide any sort of proof. For me, I wouldn’t have been posting this but hearing someone say that their illness can’t be treated in UK when it’s at least the top twenty countries when it comes to healthcare is what got to me. I come from India and it is a developing country where healthcare services are lacking so I’m not trying to offend anyone, I’m just saying that if anyone is receiving money from others, they owe them proof and transparency. Plus, if it is a scam, those who truly deserve and need these donations won’t get it, and it will be difficult for us to trust such calls for help in the future. Continue supporting causes but you’re not a villain for wanting tangible proof first because the money you donate is either your own or someone else’s hard earned money. Let’s deal with this situation level headedly with compassion as well as reasoning. Thank you for reading. Much love and take care 🫶🏻.

[sataneyu]

You know what? I'm crying.

I'm going to have a long post translated into English because I'm bad at English and because I have too many emotions. The fourth episode was definitely a bombshell. In many ways. They gave us a lot of interesting questions and NOT a SINGLE DAMN ANSWER, and it's not like it's a problem. It's cool that Ling Lin has finally begun to realize himself and his desires in isolation from the forced image. It's cool that he ran to save Moon and realized how important it was to him. It's cool that so many people supported him, he's a bunny/sunshine/bun/big guy (as you like it better) and all that. But...

They replaced Nice so quickly...

Okay, let's say again: it was literally publicly announced to the fans that their hero, the man they believed in all this time, was not only replaced by someone completely different, but also because he died. He is not tired, he has not resigned, he has not given up his heroic work, no. Died. And okay, thanks to Ling Lin for not talking about "suicide." He's talking about "death." You can take his words in any way you want (although that's not the point, but still). It just kills me to think that no one, except for the person who was really close to Nice (Wrek), began to grieve for him. Okay, it hasn't been a day since Lin Lin's revelation, I get it. But at the end of the fourth episode, we are shown how the advertisement with Nice's face changes to Linlin's face and no one seems to notice, as if it were....normal? Of course, when the heroes in the world are constantly changing each other and appear and disappear as if at the click of your fingers (yeah, yes, understood, understood at the click of your fingers ha ha) changing a hero at the tenth rank shouldn't be unusual, but... Do the previous heroes get forgotten so quickly?

The first three episodes were filled with the fans' love for Nice. Peculiar, but warm in its own way. They cheered for him, they came to fan meetings, they supported him as much as they could.....And they forgot about him so quickly? Just because.......and why, exactly?

I'm pretty sure they'll show us the backstory of what happened. There is no way such a complex and at the same time terribly interesting character could be so easily forgotten by its creators. Especially considering the shot that recently appeared on Twitter...

In general, the phenomenon of Nice's character and his popularity among the fandom is a topic for a separate conversation, we are not ready for this conversation yet.

But I know for sure that no matter how the creators made him, no matter how crazy, broken, abusive and generally unstable he actually is, I will be delighted.

(what's the point, I'll support him even if he decides to rise from the dead and kill all the other heroes)

((Go ahead, dear! You're walking the road of rage and revenge, and who are we to stop you?)) So! I'm leaving a small message here (rather for myself) because I know that we still have a lot of interesting things to learn about other characters and many of my thoughts will get lost in the flood of new information.

DON'T FORGET HIM.

Never forget that he existed. He was there. It all started with him. And probably it all will end with him.

[cakepark]

Little doodle gift for @maxiiiiee

I’m still doing studying in preparation for tests rn but Stick of truth has constantly been on my mind and since my dear mutual decided to grace me with some nice artwork, I decided to doodle something for their oc Maxie

You only posted stick of truth Maxie once so I had to make some assumptions for his design

After tests I might properly redraw some of these scenes

Also this is kind of a shitpost,,

!!!Lots of blood is in this post!!!

After a long battle against I.C.E. Maxie and Jimmy are left near defeated

And now Maxie is forced to rescue some pirate who likes to force kindergarteners into child labor from I.C.E

He wants his stuff back so he sets out on his journey, the longest , hardest side quest ever..this boss battle is nearing the end of it😓 keep in mind buffing items includes the taco that revives teammates so Jimmy is insta dead upon entering and nobody else can be called cause they’re in the middle of nowhere (quest doesn’t allow it)

Maxie dies many..many times from not saving Casey within the 10 minute timeframe

I lowkey wanna redraw this scene 😭🙏

Finally Maxie rescues this asshole I HOPE THIS WASNT TOO OUTOF CHARACTER i wanted to play into Maxie still being a new kid character(even tho u said u might consider making him independent of it) I was just having fun doodling all of this

also I totally rushed this

[allmentalyart]

These headshots are quite old and still from last year! The first is from December and the other two are from November. Well, taking a 2 months posting break definitely has it's effects XD

Anyways, here we have 3 of my lovely beans! I randomly started doodling Luna, Shadow and Demon in November. The first two were finished and posted last year together with a random headshot of a WOF OC. I decided to continue this pattern for the next set of headshots and so picked another bean from my main storyline and one from WOF story :3

Let's start with the infamous Queen Milky Way! She is a Night/Icewing hybrid and I got her from queenkopa123 on Instagram two years ago. Since then I have slowly developed a storyline around her, her huge family and her eventual downfall! Yes, this beautiful lady here is a villain of my AU and reason of another conflict on our beloved continent Pyrrhia.

Second slide features Ansta! My lovely, grumpy bean with ripped away wings :D This poor soul is one of the many victims of the war, that were lucky enough to survive, but with immense damage done to her physical and mental health. She mainly plays a role during the time of the time skip!

And last but not least, we have my personal punching bag, Demon! Oldest son of Daitya and heir to the throne. Not much to say about him, cause all I could say about him is a huge spoiler!

✅Likes, shares, saves and comments are highly appreciated ❌I own the copyright to these artworks! Any usage of it without my consent is prohibited. This includes the usage of my art in AI or NFTs. I don't consent to this. Art theft and tracing is prohibited as well!

[petrovna-zamo]

Katya’s killer boot collection

[s0fter-sin]

one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules

the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)

almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)

they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning

(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)

even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)

so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim

it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character

the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring

we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)

it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other

sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother

[poorly-drawn-mdzs]

Smell Check [Easy: Failure]

MDZS Disco Elysium AU part 1 (part 2 - part 3)

[maulfucker]

I was thinking about Maul and got hit by the thought of imagine if he'd gotten captured back in Phantom Menace and Padmé had gotten to meet him.

Imagine if she'd seen him and realized somehow that he was only an apprentice, slave to his master, and pleaded the republic to keep him alive because she can't help but want to save everyone. And he knows who she is, he knows Palpatine is secretly manipulating her entire world and political career, and he can somewhat sympathize (though in his own twisted way that still believes this is for a greater purpose they should look forward to), so he lets her get closer, just to see what she does next. She would treat him less like a person and more like a feral animal she is trying to domesticate, but the positive reinforcement and patience would still be more kindness than he's received his entire life. So he kind of allows himself to be "tamed" by her. And that only makes her more motivated, she feels like she's succeeding in bringing this sith to the light side. And the longer he stays with her the more he distances himself from his sith upbringing and realizes how fucked up his life has been so far, so he starts to "return the favor" by kind of. steering her out of Palpatine's grasp. So he gradually gets "promoted" from pet sith to accidental older brother.

And of course Palpatine would want to kill Maul to prevent him from revealing his identity, so he can still get bisected and nearly die 🙃

For extra flavor, I think Padmé would kinda remind him of Kilindi, but like. because of their differences, rather than their similarities. Kilindi was a slave who killed for her freedom, Padmé sold her freedom and doesn't even realize it. Padmé is about the same age Kilindi was, and she is strangely nice to Maul just like Kilindi was, so he would probably be comparing them in his head all the time, judging Padmé for being so helpless and weak and nothing like Kilindi.

And yet, he killed Kilindi so easily, but can't kill this one.

[spaceratprodigy]

✨❤️ Faith and Max | [ 🔍 AU ] ❤️✨

In my heart, I have but one desire And that one is you No other will do

Commission Info | Ko-Fi | My Links

[mrbrightxside]

SHARE YOUR HEADCANNONS ABOUT CHRISTINAAAAA 🫶🫶

First, I'm so sorry for the late answer months later 😭😭🙏 Please forgive me and second!! Actually I hadn't thought of many headcanons for her... yet... but she's one of my favorite characters so ofc I thought of some!! I might say silly ones or ones more about her personal life (and definitely not projecting some parts!) I love Christina Posabule 🙏♥️

Music wise I think Christina would like 60s music, rock, and/or synth-pop or idk genres are hard to actually get right nowadays. If it's specfic, "The Daughters of Eve" and Mitski would be part of her favorites fjjdbrbnd (then I think she'd like The Killers especially "When You Were Young" when she was in her teens :)) Speaking of Christina in her teens, she'd want to learn piano or some sort of instrument but her parents probably got annoyed by how much she played so she wouldn't have as many chances. She's definitely a bookworm or just loves reading and also writes in her freetime like little stories or poems. And when Block ended up staying with Orel's family, she was kind of the only one who missed him as her parents didn't really mind/express their emotions about it.

Andddd talking about her parents, they're both VERY controlling and kept watch on what she'd do, the polar opposite with Orel, which his parents didn't gaf where he was 💔💔 Especially Poppit, and I think with Christina's story it'd be a toxic mother-daughter relationship (mommy issues!) rather than her and her dad, and that Poppit rather likes taking charge but to be in "a woman's place" y'know sexism and even tells Art what to do but makes sure that he does what a "man has to." And she'd be veryyy persistent on Christina with how she presents herself and make sure that she was a nice church girl at all times. And Poppit would very much have breakdowns in front of her and vent to her about her own issues... yeah... And whenever Christina was getting yelled at or being told what to do the only thing she could do is not say anything back to not upset them. She was also grabbed a lot like by her wrists or something similar how they showed in the show. When she moved to Moralton, she was bummed out bc yeah she just moved to a new place where she knows no one. Then when she met Orel something about him intrigued her and she's like Oooh y'know what I like this place already... then BOOM! Having to move again :( Also I don't know if it's just me but she's probably homeschooled or she's just attending another school jfjfnntnf and about her past town she'd be doing so many shenanigans during the same time as Orel probably. Another silly thing she might be more confident than him like I think he'd be more shy when he got older fjjdjnfbfn

Also yes Christina was sadistic I had to say it bc... we remember Orel's masochist era... And same thing with her being emo/goth when Orel was and at least for a while when they were teens👍👍 It's canon bc I said so

About when she's an adult, once Orel and her got married and had their kids, she'd be really worried about repeating anything her own mother used to do to her (along with Orel who'd try to be the best dad to his kids and would ask Christina if he was doing a good job if he was too worried about becoming anything similar to Clay or just anything otherwise) and I'm not quite sure about if whether she kept contact with her parents but she probably would but obviously has a strained relationship with them along with Orel's parents... But she would give her own family all her love :D also she's definitely working in a type of job I forgot which one but something that helps people bc she's sweet like that <3 so yeah girlboss !!

I might've forgotten some things to mention or other things I had in mind for her but yeah!! Or it was badly/worded weird perdón. Thanks for reading 💕

[happywitchesofnewdi]

Read the Snowboard story over the weekend. After this and Biblio it's a miracle this man survived past high school tbh.

[wibblewomble]

Ajin Week 2023 Day 1: Black Matter

Almost a whole month late to Ajin week but...hahaha heyyy...

[narratorsandall]

Never drew anything for Valentine’s Day so here’s a Midsummer Misty Mountain doodle cause I loved seeing all the Kurt art.

In the spirit of love, I think Mr. No-Hook-Crane should get lots of letters to replace the theoretical fish he might’ve caught (if he had a hook and bait that is…)

That is to say, each time he reels in his line, he finds a letter stuck to the string. Not sure how much he’d appreciate it though, since he’s trying to catch fish, not words…also MMM takes place in Midsummer so it might just come off as an odd, persistent secret admirer if we wanted to take that into account…best situation it strokes his ego? Worst he thinks someone keeps littering into the river and/or is pulling a joke.

I’d like to think he’d appreciate it, though I think the alternative is very funny the longer it goes on.

If August is around then he’d definitely be a suspect, though I think Crane could use the help sorting the piles of letters he will get. Maybe Aug could read them out while Crane continues fishing? It’s always good to have another pair of hands to help out anyway.

[alchemist-shizun]

Yi city boys silly textposts because we need them in these trying times pt. 1

Please enjoy my absolute dumbassery with the commentary. Starting strong with:

Let me follow with this great dyad

Staying on theme, starring my thoughts: "what eyes?"

Somebody should come and get Song Lan some help. And several weeks of vacation while we're at it!

Nothing bad ever happened if I'm delusional enough, right?

NOTHING BAD EVER HAPPENED IF IM DELU-

No because that was the hardest meme to make I was hurting. But it was kind of funny

I just found out I cannot post more than 10 pictures (how many years have I been here again?) so you'll have to excuse me while I make a second post with the other half of this batch, that was literally the worst picture to end this with L M A O

(Part 2)

[ruegarding]

imagine meeting someone and only seeing them in their worst moments. and instead of resenting them, instead of thinking less of them, you find only their best qualities. that's bianca, nico, and percy.