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nigtmarcz · 2 days ago

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⎯⎯ Emergency Intercom

hamzah x reader

summary: y/n, a model and influencer, guest stars on the Emergency Intercom podcast. she reveals her celebrity crush on hamzah, and ky jokingly says he likes her. hamzah watches the episode and feels jealous.

wc: 1.3k

a/n: hello! this is just something random I wrote while listening to the new episode of Emergency Intercom. i got tired so pt 2???

The podcast was alive with its usual buzz, filled with laughter and teasing. Drew and Enya were in their element, cracking jokes and asking wild questions. The setup, right in Drew and Enya’s kitchen, had a cozy, homey vibe—mismatched chairs and a laid-back atmosphere that made it feel more like hanging out with friends than recording a podcast.

Across from them sat y/n, a rising star in the world of modeling and social media. She was as comfortable in front of the camera as she was behind it. y/n had been friends with Drew, Enya, and Ky for a while, and when they invited her to join the podcast, she was thrilled. She knew time with them would always be filled with laughs and good energy, and today was no exception.

Once the laughter settled, the conversation took a shift, and Drew's mischievous grin made its appearance. "Alright, y/n," he said, leaning in closer to the mic, "we've got to know your deepest darkest secret—who’s your celebrity crush?"

y/n hesitated for a moment, but then a familiar name popped into her mind. “Well,” she said with a shy laugh, “I guess I’ve always had a thing for Hamzah from Slushy Noobz.”

The room went dead silent for a beat, before Drew and Enya burst out laughing.

“You what?” Drew practically screamed, his voice cracking from the laughter. “You have a crush on Hamzah?”

y/n blinked, her heart suddenly pounding. “Uh, yeah,” she said, feeling her cheeks heat up. “I mean, he’s cute, right?”

Enya’s laughter didn’t stop. “y/n, we’re literally friends with him! Him and Martin were on the podcast like, not even that long ago.”

y/n froze. Friends with him? She felt like the room was spinning. She had been so caught up in her modeling career recently that she hadn’t been paying as much attention to social media. She had no idea that Drew and Enya were actually friends with Hamzah .

“Oh my god, are you serious?” y/n’s voice was a mix of embarrassment and disbelief as she covered her face with her hands, wishing she could disappear into the floor. “I didn’t know! I’ve been off social media lately, I swear!”

Drew and Enya were practically in tears from laughter, but y/n couldn’t help but laugh along, even though she felt like her face was on fire. “This is so embarrassing.”

Ky, who had been sitting quietly behind the camera, watching the chaos unfold, suddenly spoke up. “Well, if we’re talking about crushes,” he said in his usual calm tone, “I think my crush is you, y/n.”

The room went completely still for a moment. Drew and Enya froze, and then all three of them simultaneously shouted in playful outrage.

“KY!” Drew yelled, hitting him lightly on the shoulder. “Stop being a slut!”

“You’re such a whore, Ky!” Enya added, her voice filled with teasing disbelief. “What is this? First, you can’t even flirt with me, and now you’re flirting with y/n?!”

y/n knew Ky was just messing around. That’s how their friendship had always been—playful banter, a little teasing, and harmless flirtation. It was all in good fun, and she never took it seriously. Drew and Enya didn’t let up, though, teasing Ky relentlessly, which only made y/n laugh nervously. But in the back of her mind, she couldn’t shake the feeling that the whole situation was starting to feel surreal.

She couldn’t stop overthinking about what had just happened. She had just publicly admitted on their podcast that Hamzah was her celebrity crush. What had she done? She had no idea why, but the thought of thousands of people hearing that made her stomach churn with embarrassment. Sure, it was a casual conversation, but now, knowing how many people had tuned in, the gravity of it all hit her.

What if Hamzah heard?

What if he didn't feel the same way?

Hamzah was sprawled out on his couch, casually scrolling through his phone when a familiar name caught his eye. It was a notification from Drew and Enya’s podcast, Emergency Intercom.

“Emergency Intercom - Episode 180 (y/n deepest darkest secret)”

He’d been a longtime supporter of them, always enjoying the laughs and real conversations they shared. So, when he saw that a new episode had dropped, he figured he’d give it a listen while he relaxed.

What surprised him, though, was the thumbnail of the video. There, sitting next to Drew and Enya, was none other than y/n—a pretty well-known model and social media influencer. Hamzah hadn’t expected y/n to be friends with Drew and Enya, let alone be a guest on their podcast. But then again, he remembered how Drew and Enya seemed to know everyone. They had a way of connecting with people from all over, so it made sense in a way, even if it caught him off guard. He knew of y/n, of course—who didn’t? She was everywhere: on runways, in viral posts, and all over social media. He had always admired her from a distance, appreciating her work and the way she carried herself with so much confidence.

Curious and a little surprised, Hamzah tapped on the video. He hadn’t expected Y/N to be featured, but now that she was, he was eager to hear what they were gonna talk about.

Once Hamzah got to the middle of the podcast, he didn’t expect the wave of emotions that hit him.

There, right in the middle of the conversation, was y/n. He couldn’t help but smile as he watched her, her laughter light and shy, as she casually mentioned her celebrity crush.

His name.

His heart skipped a beat.

“Well, I guess I’ve always had a thing for Hamzah from Slushy Noobz,” she said, and hearing her voice say that felt like a dream. Hamzah replayed the clip, needing to hear it again, his lips curling into a goofy grin as it sank in.

“Did she just say that?” he muttered to himself, staring at the screen in disbelief. The thought of y/n, a stunning, confident, and smart model, having a crush on him seemed almost impossible. How could someone like her be into someone like him?

His chest swelled with a rush of excitement, a mix of pride and joy. Maybe it was the fact that y/n was someone he’d admired for a while, or maybe it was simply the overwhelming feeling that someone so incredible had feelings for him. It felt surreal. But then, just as quickly as the excitement had built, a small shift happened as the video continued.

He heard Ky’s voice.

“I think my crush is you, y/n.”

Hamzah’s grin faltered. He paused the video, his stomach twisting as the words sank in. Ky? He hadn’t expected that. Hamzah and Martin both knew Ky well and had played games with him before, but he never imagined Ky felt that way about y/n. Hamzah couldn’t recall Ky ever mentioning y/n, but then again, their conversations mostly revolved around Fortnite. Hamzah had never thought of Ky as someone who’d get involved in something like this, especially not when it came to y/n.

Hearing that Ky had feelings for her hit Hamzah in a way he hadn’t anticipated. He wasn’t sure why, but the jealousy crept up on him. He didn’t know what to think—Ky had his own quiet charm, his mysterious vibe that everyone seemed to love, and yet Hamzah couldn’t help but feel a knot of discomfort in his stomach.

y/n had just said she liked him—Hamzah. But now, hearing Ky say he had a crush on her too, things weren’t so clear anymore.

He sat back, running a hand through his hair. Maybe he was overthinking it. Maybe Ky was just messing around, like always. But it stung. The sudden uncertainty rattled him. What if y/n didn’t feel the same way about him anymore? What if Ky’s teasing had some truth to it?

Hamzah sighed, his excitement from earlier now tangled with confusion. What had started as a simple, incredible moment was suddenly clouded by doubts he hadn’t expected to feel.

#hamzahthefantastic #hamzah fic #hamzah x y/n #hamzah x reader #hamzah imagines #hamzahthefanatasticxreader #slushynoobz #slushy noobz #slushy virus #martin and hamzah

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cripplecharacters · 3 days ago

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Hi,

So, I have written expression disorder and dysgraphia, which means this might be a bit rambly or unclear but I’ll try my best to stay on as clear and as brief as I can.

I’m currently writing a fanfiction for Wynonna Earp as a way to improve my writing skills without needing to stress about it. Background on the show: It’s a supernatural show based around a descendant of Wyatt Earp who was a legal officer in the wild west and got involved in a massive feud. It also has his friend Doc Holliday becoming immortal and being a love interest for the main character. The primary reason I’m doing this is because I dislike how they portrayed Doc Holliday in the series (often outright the opposite of the reality) and also because they just left out the fact he was disabled completely. Due to a gunshot wound when he was fairly young, probably along with weakness due to having tuberculosis for most of his adult life, which did eventually kill him, he used a cane part time. He also had a cleft lip and palate that was surgically corrected and he got surgery for it as an infant and had speech therapy, which doesn’t really seem to have impacted his adult life much in what I’m writing.

I do have chronic pain due to an injury which was pretty bad when I was younger, so having a character who’s portrayed as dealing with that and continuing to be brave and selfless would have meant the whole world to me at that point in my life and still will. But as I was doing research I ran into a few things I knew very little about.

My own disabilities are invisible, which means that I don’t have much experience with how people respond to seeing mobility aids. It would be interesting to show people’s responses, especially since he pretty famously took offense easily and didn’t leave things alone. There’s a fun scene there but I’m not sure what a common response to set it off would be. The biggest problem I have, that I haven’t been able to find a lot about: according to a medical article I read even when it’s cured people who had tuberculosis typically have some lung damage. I haven’t been able to find a lot on how that would impact someone day to day. He was cured of it magically but the idea of there still being damage makes sense based on the in universe rules and also someone being magically cured is generally considered not good. So how would it impact someone on a daily basis?

There’s some things in the research I did that make me think he was autistic (namely literal thinking to the point where he almost killed someone due to not understanding that a duel was meant to be a joke as a teen). Or maybe I’m just projecting because I am. Any ideas for how somebody who grew up in a time where nuerodivergence just wasn’t known would accommodate himself and be helped by friends? How would they understand it at that time?

How in general do friends respond to disabilities and try to help now?

There’s a few other things but they’re mainly just me being a beginner writer who doesn’t honestly. Thank you so much for reading through this even if you don’t end up responding!

[part 2] clarification: I meant the cleft palate wouldn't come up in what I'm writing because he's an adult and it didn't seem to have huge bearing on his adult life. I'm so sorry I left out part of that sentence in my ask bc I have a learning disability! didn't mean to! I'm so sorry and thank you again!

Hello!

People respond in many ways. In the modern west a lot of it involves random strangers being intrusive as shit ("what happened to you??") but in historical times I think it would be more of avoidance, especially if he has visible symptoms of tuberculosis. People still think that "visibly disabled person coughing = plague". If you're going for historical accuracy, it wouldn't really surprise me if strangers didn't want to sit next to him.

Long tuberculosis (affecting 25% of those who had TB) seems to be very similar to COPD, so the main day-to-day effect would probably be fatigue, being out of breath after physical exertion, etc. COPD is an incredibly common disability so you should be able to find a lot of info about it and how it can be managed.

Friends will also respond in many ways, and it also depends a lot on the disabled person. This guy sounds like the "hyper-independent physically disabled man" type and in my experience most of them don't talk about their needs much, especially not with the boys. In this case the accommodation is often just silently agreed on after spending some time together (e.g., after a few times going out they can see how annoyed he gets when they suddenly change plans so they learn to tell him as soon as they know, if he drops something they pick it up for him without saying anything since they know it's tiring for him to get up, etc.). If they know him well enough to know he takes offense easily they probably wouldn't bring up his inability to do something to not upset him and try to work around it instead.

I don't have enough historical knowledge to answer the second question, so I'll leave it to other mods. But I think it'd make sense if they just thought he was eccentric or weird rather than having a medical condition.

Hope this helps,

mod Sasza

Hello, thank you for your ask! In regards to the second question, it would depend on his symptoms, how well/if he could mask, and how other people view(ed) him.

I'm assuming he's level 1 / low support needs, as you don't mention him having a caretaker or difficulty doing tasks. Some of the examples include specific autistic traits that he may or may not have/used to have, they're mostly there to be examples. These are also assuming you're writing him as an adult only, if you want some info on how it would be like growing up during this time let us know!

Without good knowledge of autism, most people would think he's very strange if he cannot [fully] mask. Flat affect, lack of social understanding and other symptoms would make most allistic people uncomfortable, with responses ranging from thinking he's just weird [and would want to avoid him] to believing he's angry at them specifically [and would either want to avoid him or get aggressive themselves]. Most people will probably just see it as character quirks rather than symptoms of anything, or even think he's choosing to act the way he does. His friends would most likely be other neurodivergent people who either experience the same symptoms or don't have enough of a social understanding to realize he's not acting 'correctly' if he doesn't mask.

Unless his friends/family experience similar symptoms to him, they probably wouldn't understand why he does/reacts the way he does. This isn't to say they wouldn't try to accommodate him still, that moreso depends on the individual, but those who don't understand might try to push him to 'get over it' more than someone who gets it. Like Sasza said, over time his friends would be able to accommodate him by noticing what makes him upset/happy and how to help. 'Doc likes to keep his hands busy so I gave him my butterfly knife to spin' or ' the yelling in the hall was bothering him so I asked if he wanted to go to outside with me' could be ways of accommodating him without realizing, basically seeing his symptoms and trying to find an easy solution to help, wether or not they understand them. They could also give him unhelpful solutions while trying to accommodate, which would probably just further stress Doc if given in a stressful situation. Essentially unless he knows what helps and tells them it would be a guessing game for them [if he does that or his friend[s] respect it depends on them]. Try to think of his symptoms and what might be available at the time to help [like stim toys didn't exist back then but butterfly knives did, and ear defenders weren't a thing but he could walk away if needed].

As to how he'd accommodate himself, he wouldn't know words like 'stim' or 'overstimulated,' but if he doesn't care about/understand social norms he would be more likley to 'move in odd ways' or exit an upsetting area. A more socially conscious person might try to hide it, like using small tactile stims [i.e. rubbing a cloth or tapping his foot] or making excuses to leave an upsetting area. He might also be able to mask and try to just bear it, only unmasking around friends or in private.

Also the wiki said he was born in 1851 but died in 2020, and although autism would be named during his lifetime I'm not sure he would identify with it. The first medical documentation of autism was in 1877, and at the time it was called developmental [r-slur]. I doubt he'd want to identify with that, and even later on autism was only ever studied in children, and of course was not thought of well. It was thought to be caused by cold parenting or a form of psychosis/schizophrenia exclusive to children in the early to mid 1900's. For many, many years the only idea of autism he'd have would essentially be that. Because most studies at the time thought autism could be 'grown out of' [with exception to higher support needs people] he'd have lived most of his life at that point believing it was a child only disease. Even if he hadn't heard about autism until the late 1900's-early 2000's, it was still thought of as a stigmatized childhood disease by the public until recently [even by people today, hence the blog's existence]. If he's the type of character to be less set in his opinions at an old age then maybe later he could read on modern autism and identify with it, but I find older people tend to prefer dismissing disability for the sake of avoiding any change.

I hope this was at all helpful!

Mod Rot

#mod sasza #violethunter0816 #mod rot #historical fiction #tuberculosis representation #autism representation #historical setting #disability history #ableism

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muninnhuginn · 2 days ago

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also throwing out a few wild thoughts here after watching the new ep:

why is everyone so weird when hearing cwm's name? as we've seen cwm's thing here seems to be that he 'wants to do better by these kids' (let's ignore the safeguarding issues about saying he wants to be their friends when a teacher a sec). so, speculation: cwm deliberately takes the fall for the actual arsonist who'll likely be either xia fei or wang qing?

and yeah as everyone has picked up on cxs knows way too much to survive this loop - not sure how they're gonna play his death or if they'll specifically tie it up to s2 finale but only a week to go now

lu guang is the subtlest wdym. 'yeah like if we high five we can probably share powers' bestie what. (on a related note, his bit about 'powers are just like traits' vibed really mob psycho to me. I wonder if it's what past cxs 'taught' him about his powers after he'd grown up thinking of them in a less positive way)

said this already in another post but "what's the point in waiting if there's no hope?" is definitely a thematic string to pull on

cheng xiaoshi gets the speech/verbal understanding language module of whoever he possesses but not the written understanding. this is pure trivia, but still interesting to know. we know from his later interaction with vein that he sure doesn't retain the language knowledge after the fact

lu guang and cheng xiaoshi losing connection again during the dive. the show always make a point of highlighting when this happens. was trying to figure out if any other powers could be interfering here as happened with the twins, but touch-wise at least, it seems... unlikely? (though can't rule out other power interference entirely) but if anything, the way lu guang was sweating when we got the focus back to him after the connection rejoined makes it seem like this was an issue on his end (one which ig resulted in cxs having to improvise and therefore get caught from a show perspective). lu guang being ill affecting his powers tracks with what he said pre-twins dive in s2 though. even though the connection itself was likely lost due to the twins, he was still struggling to see everything that happened in the photo before that. I wonder if we'll return to this as a plot point at any point, the idea that lu guang being ill or injured can mess with his powers - there was a post the other day (I think by @ sunslants) about it being neat if lu guang fainted in yingdu because his whole body is giving out under this power, and whilst idk how *likely* that is in canon, it'd definitely add a new deadline to things, if lu guang has to resolve everything before his whole body just gives out

oh yeah seems like vein knows whatever it is that xia fei also knows about the arson. not super surprising but potential motive forming ig?

cheng xiaoshi getting out his feelings to his dad in the form of wang qing was very good but the whole time lu guang was like "yeah sorry I didn't give you a heads up" I was there head in hands like "lu guang. please. this is your MO at this point"

still no answer about cxs' mum and why she followed after cwm then *also* vanished (tbh even the fact cwm up and went full no contact with cxs has me like ??? but I can't tell if we're meant to just let that be or question it further). it feels like there's way more to this, but hard to see how that plus everything else is getting resolved in the one episode we have left

"You're a total control freak" "That's because of you." Lu Guang....

Basketball halo'd Lu Guang when he asked Cheng Xiaoshi to do ibuprofen together....

Cheng Xiaoshi wanting to get revenge on the bullies and Lu Guang instantly responding along the lines of "well, hey, they're all gonna die soon" cracked me up. Was probably meant to be more of an "oof" but. I laughed.

#link click #link click spoilers #shiguang dailiren spoilers #probably forgetting some stuff but yeah these are base thoughts after the ep #oh yeah not mentioned anything wrt 'language school' being code for those with powers (+ if so curious if lx knows more).#I could see it being the case (+ would open up possibilities for why the connection cut out during the exam)#but just as there's nothing really /against/ the idea I think there's also nothing properly /for/ it at this point.#so just holding it as a nebulous possibility in my head for now

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cherrygirlfriend · 3 days ago

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˚ ༘ ೀ⋆｡˚ camping

pairing: pope x kook!reader synopsis: pope and reader go out camping for her birthday... and something special happens. warnings: fluff, smut, loss of virginity, sweet awkwardness, praise MDNI! wc: 1.2k a/n; as someone who was a girl scout for six years; pope was definitely a boy scout. originally posted 09/12/2024

when pope's great idea for your birthday was to take you camping, to say you were reluctant would be an understatement, especially since your initial plan was to lose your virginity on said day, and the thought of sleeping in the middle of some forests surrounded by mosquitos and god knows what kind of wild animals wasn't exactly your idea of a "romantic evening."

you couldn't help it, you had always been a planner, and when pope had brought up the idea of camping with you for your birthday, you had subtly tried to tell him it wasn't something you were too interested, but the boy seemed so sweetly clueless about it, you didn't want to burst his bubble of excitement, especially when he showed you the camping gear he'd dug up from his storage from his days as a boy scout.

so, you just decided to try and make it as romantic as possible. your parents had conveniently misplaced one of their expensive bottles of wine, which had somehow ended up in your trunk, and you had purchased a new lingerie set as well as condoms, wanting to make sure you were prepared.

you were pacing around your bedroom, your duffle bag having been packed with the things you'd need; you didn't know why you were nervous, it wasn't like you'd never done anything sexual, and more often than not, your heated makeout sessions in your bed ended up with his hand in your panties or his cock in your mouth.

but the thing was... he had no idea that you were a virgin. sure, you had boyfriends before him, but most of the time things stayed strictly hand-or-mouth zone. but honestly, the moment you two drove to the nearby cliffs and he told you about the different constellations, you were ready to jump him right there, but you didn't want to give him the wrong idea, so you simply adored him while the boy pointed out the stars to you. however, after a few weeks of dating, he drunkenly told you about how he'd only slept with one person, and was kind of worried that you were more experienced, which you found adorable.

but, when you finally heard your doorbell ring, you took a deep breath, and tried to calm yourself down before having to face your boyfriend and have the boy realize that you had just spent the entire morning overthinking a simple camping trip.

"are we going where i think we're going?" you asked pope, the boy driving your car, having nicked your sunglasses off the dashboard, now covering his eyes, and to be fair, they looked much better on him than they did on you.

"damn, have i already lost the ability to surprise you?" he chuckled, making you roll your eyes playfully, the boy taking your right hand into his and pressing a kiss onto it, "we are. but i have a surprise for you waiting there."

honestly, i should've known that the place he was taking me was the location of our first date even before he turned the car on; he wouldn't really admit it, but there was a part of him that could be incredibly cheesy, and you liked that about him. most of the guys you'd dated before him hadn't been nearly as thoughtful as pope was, and even though you'd only dated him for a few months, he'd been more considerate than some boyfriends you'd been with for close to a year.

it wasn't long until the two of you arrived near the cliffs where you'd had your first date, pope taking your hand into his as you traipsed through the woods, the boy much more comfortable in the terrain that you were, and whenever you were about to trip, he steadied you, trying not to laugh.

you gasped when you finally realized what pope's surprise was, when you noticed a tent perched close to the cliff, overlooking the water. the two of you walked closer to it, and that was when you realized that pope had put up fairy lights all around the tent, and there was a blanket that stretched all the way over to the cliff so you could sit there and look at the stars like you'd done on your first date.

"do you like it?" he asked, as he wrapped his warm arms around you, and you looked up to him with a smile, nodding eagerly, the sight in front of you causing your heart to clench in your chest. "i love it."

"how many times do i need to tell you to blow on it?" pope laughs, almost doubling over on the blanket as he just watched while you struggle with the s'more, letting the gooey confection fall onto a plastic plate before you took a large chug of wine from your plastic cup, the liquid now lukewarm.

you'd spent the day swimming, watching while pope surfed, playing cards, and simply talking, now he was blowing onto your s'more, while the two of you sat on the blanket on the cliff, and as you felt the wine starting to warm you up, the last thing you cared about was your damn s'more, but you also didn't know how to initiate, the boy always-

"i wanna have sex."

before you could think about your wording any more, it just... slipped out, pope's eyes widening as he let out a cough, nearly choking on his wine as he processed your words. "what?" he asked in between coughs, and you waited for him to start coughing before repeating yourself.

"i wanna have sex. with you, if that wasn't clear." you said, clearing your throat, "that came out... more straightforward than i intended." you said with a small smile, feeling your cheeks warm up as you looked down at the ground.

"are... are you sure?"

"yeah. i mean, i've wanted it for a really long time, but i suck at initiating any of that stuff, and i haven't ever done it before so it's probably gonna be awkward and if you don't want to, that's also fine and i can definitely wait even longer but-"

before you could babble any longer, pope pressed his lips on yours, and somehow his kiss could make you forget everything you were thinking about, your focus only on him as he pulled you closer by your waist, hunger evident in every move he made as if he hadn't just eaten three s'mores, his lips tasting of the red wine you'd been sharing.

he pulled away from the kiss, the palm of his hand moving to cup your cheek, "i'd love to, but... are you sure? like... absolutely sure? you really haven't... done it before?"

"i'm more than sure." you say, your voice weak from the effect his kiss had on you, "i've known pretty much from the first time you kissed me right here. you're... just the sweetest guy i know. you're so smart, and... i've never liked anyone as much as i like you."

"you're adorable." he says as he tugs a strand of hair behind your ear, "i, uhh... i just don't have any..." pope clears his throat, scratching the back of his neck, and although you didn't know it, he was internally cursing himself for not accepting the condom jj had offered him earlier. "protection, y'know."

"i do."

pope almost let out a chuckle at how fast you had rebutted his words, the boy watching as you pulled out a condom from your purse, pressing his tongue against his cheek. "you came prepared, huh?" he couldn't help but grin, his amusement only heightening when he saw the pout on your face, the boy pressing a small kiss on your lips, "i think that's cute."

it wasn't long until the two of you were tangled on the blanket under the stars, pope's shirt thrown into the tent, your dress pushed up until it was only covering your breasts, pope kneading the fat of your ass, his lips greedily consuming yours.

he pulled away from the kiss, leaving the both of you panting and breathless, his calloused hands pulling your dress off in its entirety, throwing it into the tent, his lips attaching themselves to your neck while you unbuttoned and unzipped his shorts, one of his fingers slipping into your panties, the boy letting out a small chuckle into the crook of your neck when he felt how wet you were.

when the rest of your clothes were discarded, you watched as he rolled the condom onto his hard cock with a sigh, biting down on your lip as a mixture of eagerness and nervousness rolled around in your abdomen.

"tell me if it hurts too much, or if you want to stop, alright?" he looked at you with raised brows, pressing a gentle kiss on your lips as his chest was pressed against yours, pope brushing a strand of your hair behind your ear. "i will." you smiled, positioning your hands on his shoulders.

you weren't quite prepared for the loud gasp that he'd pull you from you when only the tip of his cock was in you; sure, he'd prepared you and tried to stretch you out with his fingers beforehand, but even his thick digits hadn't prepared you enough.

"are you alright?" he paused his movements, peppering soft kisses on your neck, "just tell me if you want me to stop."

"i'm okay..." you said breathlessly, "go ahead."

it took you a while to get used to feeling him stretch you out, it definitely didn't help that pope was probably the biggest guy you had dated, but slowly it started hurting less and less, the boy whispering sweet words into your ear as he moved inside of you slowly, your back arching against the blanket, your nails digging into his back every time he bottomed out inside of you, causing him to let out low groans every time he hit that spot inside of you.

"you're doing so well..." he spoke softly, his thumb rolling over your clit, slowly starting to pick up his pace, "taking me so well... don't know how i went so long without you, you feel so fucking good..."

his lips attached themselves to one of your hardened nipples, your mind turning hazy as you tried to focus on all the sensations pope was making you feel, the coil in your stomach growing with every roll of his hips, one of your hands in his hair as you let out a moan, arching into his mouth.

"pope, i'm getting close..." your words were between a mumble and moan, but it seemed that pope still understood what you had said, picking up his pace just slightly so it'd be easier for you to achieve your orgasm.

it wasn't long until you were moaning out his name, overcome with your orgasm as he continued moving inside of you, slowing down his movements as he let you ride out your orgasm.

when pope had come undone himself, he threw the used condom into the trash bag he had brought, pulling you close to his chest as he pressed a kiss on top of your head, covering your naked bodies with another blanket.

"that's cepheus." he said against your hair, pointing up at one of the constellations in the sky while you simply nuzzled closer to his chest, letting out a soft "mmhm..." as you closed your eyes, somehow feeling more comfortable on a cliff in the middle of the forest than you even did in your own bed. "happy birthday."

BONUS: before he came to see you, when pope told his friends about what his plan for your birthday was, jj definitely clapped him on the back and said, "you're finally gonna get laid!" and tried to get him to take a condom with him, but pope just looked at him murderously.

#pope heyward #pope heyward x reader #outer banks #pope heyward x y/n #pope heyward x you #pope heyward fluff #pope heyward fanfiction #pope hayward x reader #outer banks fic #outer banks fluff #outer banks fanfiction #outer banks smut

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causeimcrayzeebee · 2 days ago

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Spoilers for chapter 4 so far!

okay ik everyone and their mother is probably talking about this but monomoko seems to be becoming more and more sympathetic for the students and it kinda scares me for her future, considering what just happened w dr kan (KYS!!!!!). im not particularly sure as to why this is happening, maybe the black spots have to do with the memories or the feelings from the deceased students??? i feel like that has to have some significance. also she went and talked to people that were pretty significant to people who died or got killed, like sasaki and okazaki, so i find that intriguing. im still so confused as to how any of monomokos abilities work but hey ojima got a glimpse of the sky! yeah open sky screamed death flags ojima pls stay true to your word. also the yanagi analysis by monomoko was wild lmfao but i did really like seeing that, it was good to get a better idea of who yanagi really wants to protect,,, hes grown on me so much god i love him

TAMBA MISSING KAMIMURA I AM IN TEARS F UGH KKJSJAJEJE sweetie you DO deserve to be alive but this dialogue is so real i can totally see why tamba is spiraling out. her survivors guilt is really getting to her n how she was so careless before n still survived while someone like kamimura who took a bunch of precautions was killed. obviously tamba deserves to live; the question of who deserves to live is as hayashi said, it’s not something anyone has to prove, you just make the most of it. i really love hayashi and tambas interactions ESP in this chapter.

watari adding patches for the people who died in gonna CRY. i wonder what she would’ve said if she had the time to respond to monomoko, that definitely put Okazaki onto the forefront of her mind.

now onto some actual analysis

I think the why do you mourn them question is answered well with tambas sentiments before; they were so young and just died because of the situation they were forced into. Danganronpa is so dangerous too when the people in the killing game are teenagers, who are still learning to make rational decisions, so putting them in a kind of environment that puts pressure on them to make this kind of sacrifice to get out alive and save themselves, a very human instinct.

i had something in my drafts that I was gonna post desperately but might as well talk about it here cause it fits! i think a lot of why the pink cast is in such mourning goes to the kind of lives they live normally. many of them are more isolated, like kamimura or wada, or surrounded by people but not truly by people they can be themselves around, like hiroaki, chiba, and harada. especially considering them being the best in their field, they have lives where it’s hard to make connections with their peers and it’s a genuine one. that’s why hasegawa n kamimura become attached at the hip so quickly; kamimura was able to actually have a friend. this applies to pretty much everyone, and i think that is what is at the heart of the quick connections. they have the ability to be with their peers and don’t have the outside worlds social pressures on them. it’s a horrendous situation ofc, but if it weren’t for the killing game, they wouldn’t have talked to each other even if they did live near each other because of various reasons. i think the original danganronpa was trying to get to this point and it did in some cases, but in others it didn’t and that lead to a lack of mourning from the cast towards the people they lost except maybe one or two people.

tetro casually making me lose my mind yay hope all that made sense

#the most screentime this week n it’s monomoko LMFAO #im not complaining this is awesome #tetro spoilers #tetro danganronpa #tetro danganronpa pink #tetro pink #i might be yapping on about nothing

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garagepaperback · 3 days ago

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writer interview game ~

ty to @citrusses for the tag. god i love myspace bulletins

how many works do you have on ao3? 11

what's your total ao3 word count? 303k

your top 5 stories by kudos?

ready, able

this heaven of mud

palindrome

objection

a barely lit path

do you respond to comments? yes, late, but hopefully the accusations of better than never are true

what's the fic you've written with the angstiest ending? probably coyote. lousy root to tip.

what's the fic you've written with the happiest ending? u know, delusionally, they are all equally happy to me

do you write crossovers? nah

have you ever received hate on a fic? no! looking forward to crumpling under some one day!

do you write smut? aw. yeah ::)

have you ever had a fic stolen? lmao that would be wild

have you ever had a fic translated? same answer as above

have you ever co-written a fic before? no but honestly this sounds dreamy and nice. i would like to do this.

what's your all-time favorite ship? tried and true h/d

what's a wip that you want to finish but don't think you ever will? oh i wandered through my notes app and forgot i wrote two starts to an mcd? thing? where draco lives in a lil shack on the razed grounds of the manor and has an orchard and different? harry's? keep showing up but then also dying, the former of which somehow happens bc draco's trying to see his parents and buried? a journal? anyway no i will absolutely never write this look how many question marks there are. i just wanted to write about draco with peaches, for sure. i have several ideas that are images and you know not ideas lmao

what are your writing strengths? funhouse mirror metaphors. sensory shit

what are your writing weaknesses? dialogue, not breaking up dialogue to wander off on my lil tangents, when a character has to move, things happening, the things that happen doing plot stuff later, not going off on my lil tangents

what are your thoughts on writing dialogue in other languages in a fic? oh i love it! i'm a true fucking luddite so i'd love to bother a native speaker and beg 'em to read through for me, if i ever work that in

what's a fandom/ship you haven't written for yet but want to? FLINTWOOD

what's your favorite fic you've ever written? javelin ::) i love ::) divorce

tagging: @eleadore @yiiiiiiiikes25 @kamaela @tackytigerfic @sweet-s0rr0w @dryrsheet @jtimu + anyone else who wants in <3

#::)#i love divorce and i also love yapping

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praisetheplatonicism · 10 months ago

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Y'know, I'm not really a shipper, for reasons my username (url? what's the right word here?) probably make fairly obvious - in general, the fact that every super close male platonic relationship gets overwhelmingly 'interpreted' romantic by the fandom drives me nuts. Most fandoms don't seem capable of letting men show affection for each other beyond the most casual care without insisting it must be a romantic or sexual thing because 'friends/siblings/what-have-you don't do that', and I just... it implies platonic love can't be all that, and it's maddening. Plus, does it not just prove to straight men that hey, yeah, actually you can't show affection to your friends (or FAMILY), cause people will still assume it's a sexual thing anyway? Does that not kinda promote that toxic masculinity thing of 'emotion bad'? It's just... my biggest pet peeve, people looking at others' relationships and dictating what they are. I've had it done to me in real life, and wow, not fun. And, of course, I'm just about the biggest hopeless bromantic you'll ever meet, so you can imagine how irritating ship-crazy fandom can get. I'm certainly not unbiased here.

HOWEVER.

I think this almost knee-jerk distate really only came from what shipping has become as of late - a hell war of people screaming and demanding that it MUST be canon, it IS canon, look at the EVIDENCE (as they point to a scene that is easily platonic-interpretable and not inherently romantic at all, and the assumption otherwise is blatant amatonormativity), and refusing to let anyone disagree or they're wrong (or 'homophobic', that's a fun one). Making the entire show or movie or whatever about their ship when it demonstrably Is Not That, yelling 'queerbaiting' when they don't get their way. I admit, this is the very worst of what it's been like recently, but it's still prevalent enough. When something has a deep, powerful platonic love as its main focus (for ONCE) and all anyone can do is insist its actually romantic, or when people are so focused on the ship the actual Whole Point goes sailing gracefully over their head (especially when that Whole Point is literally about platonic love, looking at you Supernatural), I die a little inside.

If shipping was seen as just a bit of fun, just playing with the source material rather than trying to CHANGE it, it wouldn't bother me at all! Like yeah, go nuts, power to you. I've even done that before, despite being Miss Platonic. But the way shipping has been recently (really since I've been in fandom, so like, 10 years or so? and probably well before) actually sometimes starts to threaten the integrity of the source material, like if enough people interpet something a certain way it BECOMES that, and I hate to see stories lose their idenitity like that. It feels a little disrespectful, like how can you really love this thing if you're so desperately trying to change its heart and soul? If you so blatantly ignore its Whole Point? Shipping has become weirdly cult-y, and I just don't like being around it.

Or maybe the entire concept has just been poisoned by prolonged contact with the Supernatural fandom. Cause we know what THEY can be like, don't we. Even just peeking at finale discourse made me want to smite myself.

To be clear, this is about the kind of shipping that INSISTS something is actually romantic, not the kind that just likes to play with that idea. The latter is no problem; it's the former that's a nightmare.

I feel like shipping culture changed a lot in recent years and it has made fandom spaces a lot less fun. There is this persistent obsession with proving your ship is canon, frenetically searching for clues and hints, reading everything as a metaphor for a character's repression, talking about how "we can still win" and making literally everything in a show about this ship. Of course there's nothing wrong with wanting more representation but my dudes just think about the show you're watching. If someone in a long-running show has always been represented as straight or if the show has never been about romance, then it's not going to happen and trying to force this ship on everyone else, bringing it up in every discussion about the show won't change that. Not saying everything used to be all roses, there have always been ship wars and stuff but in my experience people used to be much more relaxed, having fun shipping in fanon. Shipping is supposed to be fun! It's about playing around with characters and exploring possibilities canon doesn't. It's not about reading subtext in everything and proving how your perspective is superior or, god forbid, activism.

#please don't take this as a criticism of shipping as a concept #like I may not like it much but I get the point #I'm not against shipping of course #but it just seems like no one can be normal about it anymore #or respect canon for what it is #guess I'm maybe a wee bit of a canon purist #the side effects of an English degree #I just think stories are really important ok #they leave a lasting impact on culture #how they're interpreted matters #I blame destihellers for this #anti destiel #which I wouldn't be if they could be remotely normal about it #I have no idea what happened there but it sure is wild #fandom problems #shipping discourse

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lucabyte · 5 months ago

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i'm so curious about your character gender reads now tho 👀👀

(You enter the kitchen and see me, eating shredded cheese out of the fridge by the handful)

(I turn around to face you.)

Hi. Do you want me to sell you on amab NB Siffrin? I'm going to try and sell you on amab NB Siffrin. And maybe even a little bit of tranfem siffrin and/or loop. as a treat. just for you.

So, (I put the cheese back in the fridge.)

This read of mine comes from a number of things, a lot of them to do with the game's themes, and to do with Siffrin being a narrative foil to the other characters. And Vaugarde as a whole.

(READMORE WARNING: THIS IS LIKE 6K WORDS LONG. YOU ALL SHOULD KNOW BY NOW I DON'T MAKE POSTS WITHOUT UNCONSCIOUNABLE AMOUNTS OF EVIDENCE AND EXPLANATION. IF ANYTHING I'M BEING RESTRAINED HERE. THUMBS UP.)

(Pre-readmore note: this is in response to me having given an analysis of how I personally percieve Sifloop in relation to asexuality and shipping. Which you can look at here. (x))

It is however, not what my like, no-holds-barred no-rules just-for-me headcanon for Siffrin would be. (which is intersex 'head empty no thoughts' siffrin, for the record). This is instead my close-reading-of-the-text-and-themes interpretation of Siffrin. This is why I'm gonna be saying Read and not Headcanon, to distinguish the two. (Anything I consider a little bit too much of a stretch vis a vis interpretive hard reads I will call a headcanon. But those are for the last bit of this post.)

Unlike *gestures at mass media* All That… ISAT is already packed to the gills with queer rep, to the point where I feel no need to grasp at straws and make overextended reaches into obviously unintended subtext. Like with, y'know, most media. Since here, the subtext isn't unintended. Like this isn't a Transfem Metal Sonic or Aroace Ash Ketchum situation where I know none of the evidence is on purpose and I'm just having fun making a conspiracy theory pinboard out of it. This is like… There's intentionality there. And I want to engage with it on its level, see what the text itself suggests. It's my personal preferred method of expressing deep respect to a text. (Not that it has to be anyone else's, obviously. This is just my way of showing I love a work.)

So yeah, I am, in general, very interested in hearing hard-fought arguments when it comes to interpreting texts. I'm glad ISAT has a lot to pick at here, and so, I will. (and since not a lot of texts ever have anywhere near this kind of depth in this arena, i don't wanna squander it… i'll try and keep my own biases as in check as i can, and already have done by hashing quite a bit of this interpretation out with two people of very different gender identities to mine. To put it mildly, binary-aligned or transfem I am very squarely Not.)

(Now that the cheese bag has been removed from the equation, I drop this framing device, sit you down at the table and begin to dredge up evidence from below it.)

Okay, so. What are my like… Core reasonings here? I think I can split it into three categories. Broadly, with an amount of overlap, so bear with me…

SIFFRIN AS A FOIL AND CONTRAST TO MIRABELLE, ISABEAU AND THE CHANGE RELIGION AS A WHOLE.

SIFFRIN'S HABITS OF CLINGING TO 'KNOWN QUANTITIES', SCAPEGOATS, AND THEMES OF RACIAL IDENTITY INTERSECTING WITH GENDER IDENTITY.

SIFFRIN, LOOP, DE-PERSONING, DEHUMANISING, APATHY AND SURVIVAL.

Okay so up top I'm going to split my argument for Siffrin's gender identity Present and Future here. This means, for now, I'm arguing for AMAB NB Siffrin alone. The transfem stuff is for later (and more for loop, in my mind, too).

I have a few direct observations of the text here that set things up. Here are the things in-game that make me assume that Siffrin, as of the start of the game, has not yet undergone any radical change to their identity in their life. Not on purpose, at least. These are ordered in a messy but logical flow, so uh, try and keep up. I'll synthesise at the end. I Prommy.

SIFFRIN AS A FOIL AND CONTRAST TO MIRABELLE, ISABEAU AND THE CHANGE RELIGION AS A WHOLE.

CHANGE & THE UNIVERSE: PERCEIVED OPPOSITES

When interacting with most objects in the Changing Room in the house, they express a genuine curiosity toward body craft. It seems they are legitimately unfamiliar with it on a deeper level than having simply heard of it.

Despite this curiosity (explicitly stating they've previously wondered about it), they dismiss it as too much work early on in the game. These points combined seem to suggest to me that they have never previously sought out any kind of real change to their appearance or identity. Either for gender reasons, or other body dysmorphia reasons. (Which, despite the dismissal, they do refer to their body as a 'meat prison', which is not particularly positive) However...

This changes in Act 3. In acts 3 and 4 they flatly state: "You're thinking about crafting your body. You seem to have all the time in the world now." While still never spoken aloud, their declining mental state corrosponds with a worn-down, almost nihilistic reckoning with the feelings they masked with the 'meat prison' joke in act 2.

[Image: Interactions with the change craft textbook in acts 2 and 3/4.]

In talking to Mirabelle, they are very self assured that one can stay the same/be comfortable with their born identity. They also seem a little unsettled by the change religion's flippancy in general, which makes sense, as they have been clinging to the famliar (even when painful) to cope with other traumas. (More on this later, section 2)

The Universe Faith appears to heavily disincentivise Wanting for oneself and other expressions of Free Will due to safeguarding against Wish craft. This seems to have impacted Siffrin's mental state majorly, even if they do not recognise it. The followers of the faith are (if Siffrin is to be believed) incentivised to 'go with the flow' and take paths of least resistance, and those that DO make big decisions will tend to justify things as being The Universe's Will. (See: The King's entire Modus Operandi, and the way Loop (and Siffrin) do the same rote actions, constructing worldviews (the play analogy, the Universe's Will) and justify that as what the Universe Would Want (despite a total lack of evidence to prove as such)) As such, it seems as if a follower of this faith as neurotic as Siffrin would be unlikely to act upon any Wants to Change Themselves without a lot of turmoil and backwards-justification. (Of note, Loop's forcible change coinciding with a dropping of pronoun. But that is again for later, section 3) As of the start of the game, they do not appear to have broached this kind of turmoil directly.

[Image: Act 5 interaction with the star journal, emphasis on it being a cautionary tale against reckless usage of wish craft, instilled so deeply to be a children's bedtime story]

Siffrin, in act 5, grows frustrated with both The Universe and The Change God, feeling abandoned by the former. They struggle with simultaneously anthropomorphising the Universe as a cruel onlooker, while also seemingly acknowledging them as a cold, almost scientific fact of nature. This would heavily imply that the 'blame' put upon the Universe by Siffrin in these moments is known to them, at least a little, to be potentially meaningless. It seems that somewhere in Siffrin's belief system is something, be it the core or merely a creeping worry, that the Universe is not a thinking, feeling, thing. And thus that their invocations of "The Universe's Will" are merely rationalisations of random chance and consequence. This is in DIRECT contrast to the Change God, proven to be an emotive sapient entity, who merely refuses to offer a helping hand. (Similar sentiments are, too, spoken by the Change God itself.)

[Images: Interacting with the window in the observatory in act 5, text from the change god meeting]

So. These are the bulk of my observations when it comes to how Siffrin is positioned in contrast to the Change Belief. It would seem to be that Siffrin, inkeeping with their role as an outsider, is a complete fish out of water in Vaugarde's change-centric world. This makes sense! It makes them a compelling foil to the Vaugardians in our cast, and allows the Vaugardians to challenge Siffrin's worldviews merely by existing. It also, more importantly, makes Siffrin an interesting lens through which to inspect our two most Change-driven characters. Mirabelle and Isabeau.

MIRABELLE.

Mirabelle and Siffrin's differing faiths are put on display the most frequently. Interactions like the circle key and the party's disbelief of Siffrin's facts about the stars make this clear. These interactions other Siffrin from the group further, and are another avenue through which Siffrin can ignore their own needs, not communicating with the party and allowing them to dismiss things he deems important.

Obviously, the friendquest is primarily about Mirabelle's struggle with her aromanticism and asexuality. But there's an implicit undercurrent of gender there too. Mirabelle has never made a big change, not like Isabeau. She has never 'changed completely', by her words. And Siffrin distinctly finds this an odd thing to be worried by. Whatever culture he carries has no pressure to explore these avenues, it seems. Siffrin is able to help her by sharing their honest opinions, that he's never felt the need to change these things, and he's happy (allegedly). Why should she?

[Image: Mirabelle's friendquest text] Siffrin is not thinking particularly hard when he first does the friendquests, they are just being themselves. By positioning Siffrin as this unchanged yet confident object, they are in the perfect position to help Mirabelle by being in her almost exact position, both sexuality and transgender status (albeit, with the caveats of potential alloromanticism, and a they pronoun), that they become her ideal foil. (And in fact, the subtle differences between their positions in canon add to this, showing a display of Perceived Genuine Truth, rather than simple in-group camaraderie)

Whereas…

ISABEAU.

When Mal du pays speaks as Isabeau, it says the following;

"I don't want to know someone who won't even try to change, who luxuriates in things staying the exact same like you do."

I don't want to know someone - Shame of being known, that's Isabeau's insecurity. Reflected back at Siffrin, who has become the worst thing imaginable to each of their friends, in Siffrin's own mind. He absorbs their insecurities like a sponge and incorporates them into himself. Empathy turned ill.

Who luxuriates in things staying the exact same - Now THAT'S interesting. This is not Isabeau's insecurity, it's Siffrin's own. But also, it appears as if, Siffrin, whom to Mirabelle was unflappable in that not changing was alright, has internalised some of her worry. That it is MDP's Isabeau saying this, though, shows this is about Personal Change, perhaps even Specifically Gender and Self Image, rather than Mirabelle's spiritual side.

Isabeau and his distinct change in personality and gender, to become someone who he actually likes… Diametric to Siffrin, who has been stagnant for a long time, presumably as far as they can remember. It would seem to imply they have no recourse against this argument. Siffin becomes, in his mind, the opposite to Isabeau, a man he deeply admires the bravery of when told the story of his Change. These are Siffrin's words against themselves, that they consider themselves to have never even 'tried' whatever it is they think Change to be.

So. These are my main points vis a vis: Siffrin as a foil. This reading would posit that Siffrin's He/They status is, well, almost accidental? Which I would imagine befitting of them. They are, at the start of the game, still the mysterious rogue who never elaborates upon anything. They aren't going to be correcting a they/them from a teammate who is likely far more cautious about assumptions.

Notably, Mirabelle excludes Siffrin from the label "man" in the bathroom monologues… But as does Siffrin when in the prologue poem room. Though one needs remember, Siffrin only expresses these thoughts internally.

[Image: Bathroom conversation featuring Isabeau identified as the party's singular man]

[Image: Prologue!Siffrin expressing that they are not a man in very certain terms.]

While I do wonder what Mirabelle's knowledge (or lack thereof, potentially! Did Siffrin actually divulge this to her, once? Or is she making assumptions again?) is here, this is pretty clear evidence that Siffrin doesn't see themselves As A Man. (that, and Adrienne's word of god "fella" comments). I'm sure you can see where I'm going with this… but.

The thesis here is, that Siffrin may want to explore their gender further; doesn't feel connected to Masculinity, and yet, keeps that He pronoun around? Well, the Universe does not, in Siffrin's mind, really allow for personal wants and desires. If their friends start they/themming them, then cool. They like it, but never requested it, so it's the Universe's will. But, asking? Making decisions and requests and rocking the boat? That seems to scare Siffrin a lot. It seems to scare them so much it causes a lot of, if not all of, the conflict in the game. I feel like it's a fair deduction that this aversion to humour their own desires pervades a lot of their existence.

Plus, I think there's meat there. By only allowing Siffrin to reckon with any potential desires to change only after growing closer with the family, you get to explore things like "How does Mirabelle feel that even the person who said she didn't have to change is changing." and the slightly less potentially harrowing (OR MORE, IF YOU WANT IT TO BE? IDK. I'M NOT YOUR BOSS.) "Isa's continued changing allows Siffrin a space to explore it, maybe even just by proxy, or maybe by joining them."

But mostly, this section is about how Siffrin not having Changed Yet makes them delightfully strong narratively; allowing them to relate to Mirabelle, and get cold feet when comparing themselves to Isabeau. I love this as a narrative strengthener. It's very rare in media that we get to explore a nonbinary character's thoughts and insecurities on whether or not they're "doing enough" to be nonbinary. Even less so Aligned nonbinary people. And reading that alignment and insecurity through the lens of a nonbinary person not fully disconnected from their assigned gender at birth? It's a very compelling exploration of a very common and raw and yet underdiscussed feeling, much like the rest of ISAT. I think this is an extremely potent element should it be read this way, and is only strengthened when taking Siffrin's other themes into account.

Speaking of which.

2. SIFFRIN'S HABITS OF CLINGING TO 'KNOWN QUANTITIES', SCAPEGOATS, AND THEMES OF RACIAL IDENTITY INTERSECTING WITH GENDER IDENTITY.

HOLDING ON TO WHAT YOU KNOW. (OR KNOW THAT YOU DO NOT.)

I explained above many of my thoughts on the Universe Faith, and trying to keep these two sections separate was difficult, but needed to be done for the sake of clarity. But this section and the above are deeply intertwined.

Siffrin… Holds on to the things they know. They do not know much. But man do they fucking hold. And yet, paradoxically, they are also avoidant about it.

It is made clear in the text, to the point where I really don't feel the need to rehash it here, that Siffrin's disconnection from their homeland is incredibly painful, but that they consider that culture utterly and irreplaceably important to them. They cannot face it, it is too painful. They cannot let it go, it is too important.

Knowing what we know of the Island's irl inspirations (though, word of god, the exact location is not supposed to matter, one can infer it from the text (and I did! within reasonable proximity!)), Siffrin is of an indigenous peoples of some description, more than likely. And at the very least, Siffrin carries with them inherent biases and ignorances that show that Vaugarde's conceptions of things don't quite mesh with their own. Bowing to the Vaugardian way of things could very easily be seen as assimilation, in this way.*

And identity? Gender? Presentation? Role? All of that has a cultural element. There's no telling what specifics Siffrin has lost in that arena, and that's the problem. Neither do they. How paralysing, the feeling, to know that should you change yourself you risk unknowingly erasing another piece of home? I wouldn't blame them for locking it off. Keeping their old clothes, keeping what little they can remember of themselves… It doesn't seem to me a conducive or safe mental space to get experimental.

And the Universe makes for a perfect scapegoat. As referenced in the section above, a lot can be justified should you call it "The Universe's Will", because who's there to call you on it? Hardly anyone. Your divine right to Freeze A Place In Time; Your Deserved Punishment for Wanting to be Loved: All of it the Universe-- If you want it to be. And thusly, if the Universe wanted you to be a certain way, wouldn't you already be? Wouldn't it make you so? (Wouldn't it take away your body, that which makes you human? If that is what it thought of you?) So best to put it out of your mind. Wouldn't want to accidentally wish anything.

But as the game itself puts it, personified by The King, you cannot stay mired like this forever. As Loop themselves puts it, they can "get so fixated, sometimes." At some point they need to allow themselves to grow in whatever direction they need, because in the end, they need to live their life. They don't need to abandon their country, their culture, but they can't let it restrain them either.

(* MASSIVE CAVEAT: im white as fuck boyyy. i cant say shit. im like technically Of The Land im like 90% pictish or something ridiculous like that so my particular line has never moved anywhere but. this is notttt something i have input or insight on. this is all gleaned from reading and listening to indiginous perspectives from wherever they may be. i am simply trying to infer from what the game gives us without inserting my own feelings on the matter.)

3. SIFFRIN, LOOP, DE-PERSONING, DEHUMANISING, APATHY AND SURVIVAL.

Alright, here's some less heady and purely-thematic points to round things out. And where we'll also address the fucked up star being in the room; Loop.

My last couple of reading points are the most potentially-transfem to me. Or at least the ones that really hammer home, to me, a seeming lack of want to be masculine-aligned.

ANOTHER NOTE ON THE 'NOT A GUY' THING.

Obviously, there is the aforementioned "Not a man/not that you're a boy" thing. This is rather straightforward, but also still pretty ambiguous. You can be masc-aligned and still Not A Guy. But it does seem to be of note that being a guy very much does not seem to be a goal of Siffrin's. I would posit this in direct contrast to… Isabeau.

But not Isabeau's masculinity. I would instead hold it up against Isa's femininity.

ISAT, as a text, has its characters have genuinely different levels of security in their gender identity, and Isabeau, despite still having insecurities, seems super chill on the gender angle specifically! Their internal strife comes not from their 'not feeling like a man enough' or 'hating being a woman', but instead from their self perception as a friendless nerd! Something that seems to be only tangentially related to Isa's gender, really?

The big dumb bruiser thing is certainly aided by being a dude, but Isa still seems completely comfortable referring to themselves with feminine language, calling himself a "mother hen" (prologue) and having "the heart of a fair maiden" (cookie snack time). (However, they also take being excluded from Mira's girly book club as a surprised compliment, implying they weren't expected to be excluded, and find it affirming.) And even further so, Isa states they want to continue changing further and exploring their identity more, being rather blatant that they might lean back into femininity (and more importantly, let themselves be outwardly smart again), since they're starting to feel hurt by everyone assuming they ARE genuinely stupid.

[Image: Prologue Isa calling himself a mother hen]

And man, this is such a breath of fresh air vis a vis representation. I don't think I really need to explain that. A character who's gender identity is driven by chasing euphoria, even if it started out by trying to drive out misery. Isabeau's character is so damn good. But this essay isn't about him, so get back in the crate, boy.

... So here we have Isa, who is genuinely comfortable reclaiming things about their birth gender, and Mirabelle who loves her traditionally feminine traits to the point where she feels a little guilty that she isn't rejecting them to foster change. And then we have Siffrin… who seems to reject masculine language…? Hrm… (… And then we have The King. A Masculine Title. Someone who Siffrin increasingly sees themselves in and deeply, deeply dislikes this.)

APATHY AND SURVIVAL

It should be clear by now that I see Siffrin's core character as being driven by avoidance and survival. This seems to lead to a lot of apathy, brushing off emotions that are too intense or events and occurences that are too painful. (See: just absolutely everything with Bonnie)

It's all Siffrin really seems to be able to do to Survive. They've travelled, seemingly alone, for what would be around a decade by what the game says about the island's disappearance. They've lived alone on the road as a traveller in a country that so openly welcomes strangers that THE KING and his whole motives can happen. Siffrin is avoidant and refuses to acknowledge problems or strive for help and comfort.

So. That line about the dress. Let's unpack the line(s) about the dress.

THE DRESS LINE, AND THE WAY IT CHANGES BETWEEN PROLOGUE, ACT 2, AND ACT 3.

Good god where to start with this. Full disclosure, the first draft here was way more vague in how I approached this line because I remembered it (and another line, I'll get to it.) way more tame, but going and getting the screenshots..... Siffrin. Buddy. We gotta unpack this.

In act 2, we have "You haven't worn a dress in forever!". This is a neutral, if seemingly a little joyous statement. All we really glean from this is the information that Siffrin at some point, wore 'a' dress. No real inferences there. (Maybe you could say that the singular as opposed to plural makes it more likely that they borrowed/only owned One Dress rather than owned several? But that's a massive stretch...)

Then, act 3/4 shuffles this off into a more general "You wonder if you'll ever wear different clothes again." Which is a more despairing and distant statement. Considering Siffrin seems to travel with only the items they can carry, and owns sleep clothes... It's unclear how many changes of clothing they have. The party seems to consider the cloak a pretty permanent fixture, anyhow. But this line doesn't really say much aside from 'oh god i'm losing myself to the time loop malaise'

NOW THE PROLOGUE. Prologue Sif, buddy, pal, Loop, if I'm allowed to call you that....

Thousands of loops in. We are wistful for specifically dresses. You've forgotten almost everything. You dream about someday seeing the sun again. To be anywhere but here. You want to wear a dress again.

I. Kind of do not know what to do here but point at it. Like I said, my first draft had me half-remembering the progression of this line and as such I was far more vague on what I thought it could imply. Instead this is just straight up yearning.

To, try and segue back to what I had initially written, we'll pick up here...

Siffrin expresses a want to wear other clothes, explore changing their body... But instead, they wear a ratty old form-covering cloak that keeps them warm and safe and is a last reminder of home. They are shapeless, formless, hiding their face under the brim of a wide hat. They do not voice their desire to wear a dress aloud. They once again, keep a desire to themselves, because they do not allow themselves to want publicly. Apathy is safer. Apathy and quiet means you do not risk retribution or hurt.

While I do not think the above is exclusively a transfeminine feeling, it really, really reads like one when taken part and parcel with assuming Siffrin has denied themselves prior exploration.

... And here I have to break my first draft again. I was being, once again, restrained in my reading when writing this. Because I had convinced myself I had maybe straight up imagined one of the lines I was basing my reads on, because I couldn't find it. Because it was a line that read so strikingly desolate to me that my brain had slotted it in during Act Five, meaning when I went looking for it neither me nor my friends could find it.

It's in acts 3 and 4. It's a line I already brought up.

"You're thinking about crafting your body. You seem to have all the time in the world now."

good fucking christ. sorry to break the academic tone but Jimminy Fucking Willikers, Siffrin. What's with that bit. The resignation and despair and guilty comfort we know the timeloop brings them, bleeding into the gender.

This. *taps my finger harshly on my desk* THIS, this feels transfem. this feels so wildly transfem to me. The knowledge that they've never changed before this line lends. The admission that they've been holding back because it's 'too much work'. I spent a lot of time during the game relating Siffrin not to myself but to my friends.

If I'm honest, really, truly, I'm not all too often in Siffrin's shoes. I'm the stable one, of my group. I'm the rock people ground themselves on. And I see so much hesitance, all the time. Denial of joy because what if it's taken away, again? Or futilely out of reach? It hurts more to try, and to fail, than to never try at all.

I wanted to shake Siffrin by the shoulders this whole game. Grit teeth beg them to accept help because for fuck's sake people are clearly offering it get it through your skull--

*coughs* Ah. Ahem. Right. The uh, academic tone.

Right. What I mean to say is, this read as transfem to me because of the way it relates to real-world experiences of denial. And this combo of the Dress line, and the progression of the Meat Prison line, the constant evidence of never having strived for what they want, and that insistance that you're not a man, seem to dislike being percieved as a man, but not being able to shed the outward signifiers?

Individually, yes, these points can be read in different ways. The total opposite ways, even, I'm sure! But as a gestalt it feels really, really transfem. Even if yeah, sure Vaugarde is a magical setting where being transgender is accepted, and this hesitance, specifically, around gender, might not 'make sense' in 'the lore'...

Diegesis isn't everything. Sometimes something that reflects a real-world feeling is important, even if it doesn't 'mesh' with 'the lore' of the world.

TANGENT: DIEGESIS AND READING INTO NON-REAL-WORLD-SETTINGS.

This is a Watsonian vs Doylist spectre that's been haunting this whole argument. In-universe (Watsonian), Vaugarde has seemingly no discrimination between genders, sexualities, and a lackadaisical approach to most things in the arena. Reading our own patriarchal/heterosexual/amanonormative/perisexist society unto it does not make sense, not in this context.

In the real world, however (Doylist), ISAT is a text made in our prejudiced society. A text that is distinctly flavoured by those bigotries which it is kicking back against. Because of this, it is not the whole story to simply read the text while discarding our real-world-informed inferences. Isabeau is a big example of this. While perfectly accepted in Vaugarde, he is very obviously a revolutionary character in our real-world space! He has so much to say, specifically BECAUSE things about him that are not readily accepted here, are accepted there! Same with Mira's struggles, and yes, Siffrin's too.

ISAT was written with the knowledge of how it would play against our real world in mind, we know this, clearly, from many an interview. This is most present in how it engages with asexuality and aromanticism (and immigrant identity), but make no mistake, it influences the Whole Text.

Ergo, just because I view certain writing choices here in the context of Our Real World Perspectives On Gender and not Vaugarde's In-Universe Perspectives, it does not make them an invalid read. They are simply a Doylist read.

There's been an admittedly loosey-goosey lack of delineation here between things I'm reading with either lens, because for the most part all of these points have been a vague synthesis of both that I can't quite decouple. Unprofessional, I know, but I'll admit to not having written my thoughts down like this in a good long while. Usually I just hash this out verbally over discord voice to a small number of weirdo literature and classics student friends who are willing to humour me. I'm an arts student too, but animation hardly required I actually write an essay to a literature degree's standard. Lol.

DE-PERSONING. AND LOOP. OH JESUS . LOOP .

Siffrin de-persons themselves a lot. I say de-person rather than dehumanise because, well, there's a subtle difference there. Siffrin doesn't see themselves as vermin or an animal or an object, but they do seem to see themselves as lesser, not requiring the respect they grant others. They aren't, you know, a 'real person'.

People get to have things like thoughts and wants and identities. Siffrin is, at best, Just Siffrin. They have what they have and they don't ask for more and they don't (CAN'T) feel too strongly on what they do have!

When Loop at first offers their pronouns they offer the Royal 'We'. This is at least a little bit, a joke. A nudge toward their true identity, a potential dig at themselves for becoming so understanding of The King. Mostly though, a joke on the first thing…. and a sign that they do not see themselves as a separate entity to the Siffrin stood before them.

When Siffrin rejects this, they settle for they/them. Loop drops the he/him, presumably partially to cover their tracks, but… They just showed their hand with the 'Royal We', and if you wanted to go even further with this, there's no way for us to know whether Loop is treating this pronoun as singular or not. They presumably are, but it is still a potentially plural pronoun.

Loop… Clearly does not see themselves as a person. It's, I would say, a completely reasonable assumption that the form they have taken reflects implicit feelings toward themselves as less than a person, an actor, a monster, a tool, a means to an end. They are rendered inhuman by The Universe, frivolous distractions removed. No mouth, inventory and clothes confiscated, nothing between the legs. Formed roughly in the shape of a person to allow them to do their only job: Help.

Loop's body does not make logical sense, given their continued ability to sleep, dream and their continued habit of deep breaths to self-soothe. It would seem to me, it was made in the image it was, with only the tools it needed to Help Siffrin. Why obfuscate their identity? Because giving the game away too early would likely make them lose hope. Why so deeply, thoroughly star themed? An instant signal, that even if a stranger, they are an ally. They are home.

[Image: Loop saying that they take naps and dream, and evidence of Loop habitually attempting to breathe in the twohats lose-to-loop ending]

And they… Degender themselves. No longer with any bodily signifiers of masculinity, and cruelly disallowed the ability to hide themselves beneath fabric, they are null. The spoiler Q&A (paratext, as it were) states that:

Q. Is Loop: 1. Actually comfortable with both he and they, but only gave the one pronoun to emphasize the distance? 2. Only using they/them because a large life event led to a shift in identity/ how they’d like to be perceived? or 3. time lops stole he from they they :( A. Mostly that first one. But all three of those reasons have a bit of truth to them.

While the 'mostly the first one' comment does imply that Loop would not baulk at being he/him'd (similar to how Siffrin does not), the other reasons, especially the second, having 'a bit of truth' does lend credence to this reading. That Loop's self-perception has shifted, and what I posit, is that this shift is in tandem with a disconnection with humanity. Due, presumably, to the dehumanising experience of the timeloop.

Loop has no biology to speak of, and yet they remain blind in one eye. I take this as an implication that they considered this so core to themselves, to who they could remember being, that it stayed. Even if they had forgotten their own face, trapped in a part of the house with no mirrors, they knew they couldn't see. They kept this, and yet seemingly they, or The Universe, or both of them in tandem, discarded all else.

This isn't like…. Healthy behaviour. That is for certain. But it is interesting that Siffrin and Loop seem to hold on to their masculinity by a thread, and that Loop, when actually given the excuse to make a choice, chooses the Neutral Option. Siffrin might de-person themselves, but Loop, Loop is absolutely dehumanising themselves. From Loop's own mouth (or lack thereof) do they call themselves a Corpse. That's… pretty damn bad.

TANGENT 2: POTENTIAL IMPLICATIONS OF THE JAPANESE TRANSLATION.

Did somebody say 'distance'? Yeah turns out that has some more potential evidence. In the form of First Person Pronouns. See, English, with its third person only pronouns relies on others to gender you. Japanese, you get to gender yourself. And Siffrin specifically has an interesting discrepancy in the way he refers to himself.

(DISCLAIMER: I . DO NOT KNOW MUCH ABOUT JAPANESE. THIS IS SECOND-HAND KNOWLEDGE. SOURCED FROM THIS TUMBLR POST AND OTHER QUICK SKIMS OF WIKIPEDIA)

Loop and Siffrin use the same, very neutral "mostly male but could go either way" pronoun of 僕 boku. Safe, soft friendly pronoun. Used by people on the younger side of adulthood, not so impolite that you can't use it in a formal setting. Such a neutral all-rounder that female singers in japan tend to use boku in their songs to relate to the audience with quiet confidence.

And in their internal monologue? Siffrin uses a completely different pronoun. In his head, for himself, he uses 自分 jibun. Now, this may be an artefact of the monologue's english second-person "You", since jibun can also be used to mean a very neutral "self". A "myself/herself/himself" type 'self'. But when used as a first person pronoun, it has a connotation of being… distant, introspective. Which is… a fascinating implication, if that was the intent.

But I don't know anything about japanese so ! If I'm off the mark, discard this!

LOOP, PART 2: MAYBE NOT A GREAT STATE TO BE IN.

While Siffrin I can comfortably argue that they can like, keep their current gender presentation, whatever you may perceive it to be, once the game is over, Loop, I cannot.

Siffrin's potential issues with their identity are ones that honestly feel like they would best be explored with gentle refinement and searching. They don't need to violently seperate themselves from what they are now, far from it, in fact. They need to learn to grow comfortable in their own skin, and with the people they love. To become open and trusting, with an open mind to where it may lead.

Loop has already lost this battle. They don't get to refine anymore, just pick up the pieces. While I don't necessarily think radical change is Good for Loop, I think they may Need It. For them, resting will probably become stagnation (see: napping all day under the tree, resigned, really, to the idea they're stuck there forever.), they need a shake-up in order to re-find their feet. Even if they end up right back where they started, they still need to do the actual painful process of soul-searching first.

Problem is, they're still rather avoidant. So it basically becomes a question of getting them into a situation where this exploration is forced upon them. At which point, that's a whole new plotline. This becomes fanfiction. Hence, why while I think Transfem-Egg Loop is a Valid Read when extrapolated from Siffrin… I must concede any actual adventures into them acting upon that as headcanon territory. I just do not know how you would get them there without making a whole new Thing, at which point it stops being Just A Read of the text haha. It doesn't help that Loop and Siffrin (grudgekeepers supreme) both have reason to spite the Change God after who was phone.

As for whether this egg-read reflects directly back on to Siffrin? Maybe! They are the same person. But I think that, especially with Vaugarde's lax views, and their actual differences (Loop's general worse mania // Siffrin's incentive to stay a reminder to themselves and Loop of their country) means they could easily go two different routes, along the road to becoming their own distinct individuals. (And in all honesty, growing into their differences is probably the more healthy option in the long run if you're keeping Loop around? But again, we are going so far into the future here this is no longer a read. And I am not here to dispense baseless headcanons without massive disclaimer, so…)

Tl;Dr:

Siffrin's Survival-Apathy and hesitance to change feels really thematic to their being 'what's left' of their homeland

They seem unsettled by the flippancy of the Change Religion at times, clinging to the familiar to cope with the trauma of displacement.

Mal du pays speaks of them that they have not 'tried' to change, showing an insecurity there, even outside of the literal stagnance of the loops.

They are self assured to Mira that one does not have to change, in a very genuinely personal impulsive statement.

They and others exclude themselves from being "A Man", but Siffrin keeps desires to explore their expression to themselves.

The Universe belief, seemingly in Siffrin's view of it, disincentivises Free Will and Wants very heavily. It is not hard to assume they extend this to all elements of their life.

They have self-admittedly never pursued tangible change, likely due to this aversion to choice. Despite this, they express interest in changing, seeming nonplussed with their body, and house at least some desire for more traditionally feminine expression.

Oh Good God. Loop Sure Does Not Treat Themselves Like A Person. Why Does That Come With A Pronoun Change? What Does That Mean?

But most of all:

It makes them such a fascinating foil and lens to Change and characters who believe in it! It makes them eerily similar to The King! It opens up such fascinating debate between characters like themselves and Mirabelle, Isabeau and Loop, on whether or not they want to change in future, or if it truly is okay to never radically change yourself! What genuinely fertile ground for dialogues. And man if I'm not heavily drawn towards dialogues.

(End of essay! Congratulations for making it the whole way! 🎉 I hope this nightmarish deep dive helps with understanding some of the ways I've been writing Siffrin and Loop too. Since while I've not ever focused on the gender side of it (and probably won't in comic form) this does pervade my view of the two, since it would be impossible for it to Not. As you can see, I do think it is pretty relevant to both their themes.)

(Now for some bonus material)

ADDENDUMS:

PERSONAL BIAS NOTE:

Not included in this analysis since this is more a Pet Theme of my own (usually kept quarantined to the realms of my OCs), but something else I see in Siffrin is a reflection of the Dude Issue(tm) of patriarchal irl society disincentivisng Dudes(tm) from ever fucking introspecting ever.

I'm curious about nonbinary/trans characters who have no idea they’re nonbinary/trans because they’ve been disincentivised from thinking/doubting their identity due to societal power structures or simply tradition. I dig around the themes of “a lot of guys are trapped in a societal prison without ever knowing and it makes them miserable but they can’t escape because they don’t even see the cage” like, a lot, in my personal work. It intrigues me. So bleh, cards on the table there. That mode of interacting with nb/trans characters is one I'm inclined to.

This kinda goes hand in hand with the watsonian vs doylist situation i took an aside to mention. But it is so far along the doylist side that I didn't want to include it, since it is a little too assumptive of the text for my comfort. I don't think the game necessarily has much commentary on this specific Societal Bind. But if it does, then hey, there's my thoughts on it.

STRAY SIDE NOTES AND HEADCANONS ABOUT OTHER CHARACTERS (AS A TREAT FOR GETTING THIS FAR):

MID-GAME OBSERVATION ABOUT BONNIE AND ODILE THAT I NEVER WENT BACK TO VERIFY:

I got the impression that Bonnie heavily favours they/them pronouns for Siffrin, and Odile he/him, as a bit of presumed character voice. I don't know that I am right, literally at all, in that observation, because it very well could've been confirmation bias.

BUT! It did give me the impression that one of the things Bonnie was idolising about Siffrin was a degree of "wow!! older person with my gender!! wow!!", which is just like, cute. I like it even if I don't have any solid evidence.

ODILE, WHAT'S HER DEAL?:

Oh she stays just as mysterious as she intends to be, huh? Even with her comments in the Changing Room alluding to knowing things about underground changing operations, you can't draw much of a conclusion about her. I appreciate verily that she's word-of-god unlabelled and also poly. That shit's great. Woman who has stopped drawing lines or caring what she's up against. Nice characterisation flavour I think.

Anyway, I do think that transfem Odile is a really, really nice take. I have no evidence in either direction for her in either direction, and her being a woman of any description makes her relationship with her absent mother something interesting to chew on, but the idea that she pursued womanhood intentionally lends an interesting texture. I've not much to say, but it's a thread to pull on. Makes you wonder what other female role models she had in her life instead. Anyway she's mysterious as fuck I can't extrapolate Jack nor Squat. Shrug! I'm also made curious by the idea of her potentially moving away from womanhood as she feels the weight of her history lifted. This goes either way, really. Diagnosis: mysterious.

HEADCANON NOTE: INTERSEX SIFFRIN

I don't have any in-text support for this so this entire thing is an unbased headcanon to me. but i DO like it because 1. fun and 2. potential for more thematic exploration

haha gotcha its fuckin themes again. its always themes with me.

But yeah. Not much to say here besides drawing a parallel (that I believe I've seen drawn elsewhere in the fandom already?) between ISAT's comments on how a society that values change would view Aroace identities, and how Mira feels about not wanting to change with the real world experiences of Intersex people having alteration and conformity forced upon them, saying the Change Belief would likely be just as bad for them as it is for aroace people.

So, adding it to Siffrin's situation further drags them into the opposition-to-change foil role. Which like I said, think has a lot to explore.

HEADCANON NOTE: A POTENTIAL METHOD FOR GETTING LOOP OUT OF THEIR GOD DAMNED COMFORT ZONE

I think utilising Loop's contrarianism is an effective and funny way to get them to explore their gender. I personally think running with them trying to hide their identity from the party is a hilarious way to do it. Having them try to position themselves in direct opposition to Siffrin to "throw the party off their trail" (not that i think they really need to?), going full feminine-revealing-clothing because it's NOT what a Siffrin would do and accidentally growing accustomed to it. Funny to me. Especially when the party eventually do find out who they are and go . "????? what was the girl stuff about ??? is that something you wanna do now ???".

[Isabeau] "Ohhhh it was a bit! Haha you really are Sif, still a jokester!" [Loop] "HAHA YEAH . JOKES. LOVE THOSE. LOVE TO MAKE JOKES!" [Isabeau] "Yep! Anyway. Tell me if you need anything!"

Bonus bonus:

[Siffrin] "Okay, so, if you're a girl. Does this reflect on like… me?" [Loop] "No doubles. Get your own gender, parasite~!"

#oh my god this is like 6k words what happened. well you can't say my claims are unsubstantiated i guess.#lucabytetalks #fuck dude i sure do !!!!#i have to assume a lot of other people picked up on exactly what i did too but i dont read other peoples meta very often so !!#i am simply shaking hands with anyone else who came to this conclusion. hi. sometimes its just fun to construct a small essay i guess #i have like no goal putting this out here other than like. For The Sport of Writing Out Media Analysis. so if it makes anything click #in peoples minds or actually sells them on this reading then that's just a bonus i suppose #in stars and time #isat analysis #isat meta #isat siffrin #isat loop #isat spoilers #2hats spoilers #lucabytewrites #welp. no idea what else to tag this. be free and into the wild my gigantic ass post.#is some of this redundant? probably! but cmon man its a tumblr essay i can't format it perfectly. sometimes points get repeated #anyway this post is lagging out my tumblr drafts now i have to post it oh god oh christ i hope nothing goes wrong #edit: i forgot i made the lucabytewrites tag a while back for purrgatorio this can go in there too

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