#I have a bunch of ideas and I'm finally drawing them

[watery-melon-baller]

now that im free of classes i am drawing like a MADMAN. I've done nimona sketches and now im mostly done with a toh painting and who knows what I will do next!!! The creative juices are fucking flowing!!!

[disposal-blueeee]

gay gay homosexual gay

[dontbelasagnax]

I wanted to participate in Mermay. It’s now October. Alas. Codywan makeout session forever 🙏

[prints available]

My process is under the cut if you would like to see how I made this :3

I'd been feeling a little dried out and beaten artistically in May so I didn't do much art. However, I really wanted to do something for Mermay so one night before bed I quickly scribbled some quick concepts in the notes app of my phone with my finger.

On the 28th I realized the month ran away from me and was quickly escaping so I knew I had to get started on drawing something for Mermay. My bathroom concepts, as cool as they are and despite how much I like them, had to be discarded because drawing a bathroom and rendering everything to the degree I envisioned wasn't feasible. Unless some miracle happened, it's the kind of artwork that, at the absolute minimum, would take 15 hours. More realistically we'd be looking at 25-30 hours. Really not doable on a time crunch. That's not to say I won't ever return to it!!

So to start off on the other idea I had, I looked through Pinterest for around ten minutes for some inspiration (mainly at photos of pretty underwater shots and also some photos of people swimming underwater) and then sketched for maybe 20-30 minutes.

A while ago, while I was mulling over what fish I would base mercodywan off of in a potential au, @happybean17 recommended the epaulette soldierfish for Cody and once I googled it and discovered it is also called the kuntee soldierfish... well, quite honestly, how could I resist? It's the perfect colors and Cody, my beloved, is soooo cunty.

I initially wanted Obi-Wan to be based off a shark of some sort but when I started drawing it just felt right to make him frilly like a betta which I rationalize is because he wears robes with some swoosh. I then googled and quickly found a betta that's very Obi-Wan colored.

Soooo after looking at the photos I put my sketch in my tablet and started doing lineart.

I drew a big fanned out tail for Obi-Wan but after I had spent all that time on it I decided it was far too static and flat. It didn't feel like it was swishing in water.

I made a copy of the tail and minorly edited that to be Obi-Wan's swooshy butt fin. And to make his tail swooshy I used liquify and also redrew a bunch of it.

And then I began the loooong process of painting.

I've hit the image limit so pretend I've added the finished product here.

All in all, this took me over 14 hours and--due to some hiccups in my life--many more months than planned. Going so long without finishing a single artwork was incredibly demoralizing so I'm relieved to finally finish this and have an actual artwork to show for my hard work. Oh, and thank you for reading my rambles and I hope seeing the process was interesting!

[underthenightskydreamsneverdie]

Starving

Summary: Your boss calls you into his office for an unexpected reason

Warnings: 18+, smut, cunnilingus, public sex, work place sex, established relationship, secret relationship, tiny touch of dirty talk if you squint, Aaron definitely leaves the blinds of his office window open

Pairing: Aaron Hotchner x bau!f!reader

Word count: 549

A/N: This is my first Criminal Minds fic and I'm so excited to share it. Special shoutout to @cr1minalskies for helping me come up with the title 💗

When he called you into his office ten minutes ago you had no idea you would end up pressed up against the door, skirt bunched around your hips, and your bosses face between your legs.

“Aaron, ooooh fuck.” The wet sounds of him eating your soaked pussy filled the room, his tongue navigating your folds expertly, drawing a loud moan from your lips. You raked your nails over his scalp, your eyes fluttering shut as he groaned against your clit and slipped two fingers inside you.

He leaned back, looking up at you while he caught his breath and you couldn’t help but admire the way your juices glistened on his chin. “Fuck you taste good, sweet girl. I have been so distracted today thinking about it. You’re being such a good girl, staying quiet for me, letting me be selfish and take what I want from you in the middle of the day, right here where anyone could see us.” Pumping his fingers in and out of you at a ruthless pace he grinned as you whimpered softly, gently attempting to push his head back against your body. “Is my sweet girl ready to cum for me?” With your whimpered response and eager nod of your head he dove back between your legs and resumed his work, running his tongue through your folds and sucking at your clit until your legs began to shake around him.

“Oh…Aaron…I’m…” Your walls clenched around his fingers and you threw your hand over your mouth to muffle the telltale scream of his name you knew was about to accompany your orgasm.

He chuckled as his favorite sound in the world left your lips and your juices dripped down his hand. Continuing to slowly pump his hand he fucked you until you collapsed against the door of his office, a dazed, blissful look on your face. Slipping his fingers out of you he stood, bringing them up to your lips, a proud smile on his face as you obediently opened your mouth.

“That’s my good girl. Such a perfect little slut for me.” He praised you as you sucked him clean before leaning down to press a few soft kisses to your lips.

“Your chin is still wet, handsome.” You giggled as he looked around for something to wipe his face with, settling for his tie.

“I may have just ruined this tie but at least I’ll get to smell you on it all day. I love you so much sweet girl.” He gently fixed your panties and skirt, his hands lingering on your waist. “You’re so beautiful, have I told you that today? Oh, well no harm in telling you again. I wish you could stay in here with me all day, but you should probably get back to your desk before our luck runs out and someone interrupts us.” He bent to kiss you deeply, pulling you away from the safety of the door, waiting for you to take a breath, square your shoulders and morph back into the picture of professionalism. With a final kiss to your forehead and a small slap of your ass that promised more fun to come later, he opened the door.

"Get back to work, Agent."

You turned and gave him a wink. "Yes, Sir."

[greenflowerceo]

hii im suuper late to my own week ik (i'll post the rest of the days from time to time, college applications were a pain </3 but i've got most of it down

This piece is a redraw of my very first post ! This has been a wip since the start of the year so my art style unsurprisingly changed a bunch as i tweaked the lines and colors. it's not the best but it's looking as good as it can be!

as for the zine, people are free to draw up pieces for the week up until the end of september and we can compile it all together! it's not really the usual zine format but who knows.. we can maybe try to figure out a way to formally start a more structured zine project for these two

Anyway! I've decided to dedicate my greenflower week posts to my headcanons I've made up for them from the past 4 years.. I figured you guys could take a peek into my brain since I haven't really been good at that unless you catch me in a vc :") there's a buncha hcs and old ass art i never posted finally unearthing under the cut if you wanna take a peek

So, first thing: Body headcanons..

i took super long getting what i want with this waay back when I started posting cause I was still figuring out a lot with my art. i couldn't get in good details/features that would properly differentiate them or make them fun to draw. I wasn't striving to be really innovative with the designs or anything, I just wanted them to feel like characters I like looking at and thinking about

finally, i'm somewhat able to settle on these as of right now! It will most likely update as the time passes and my art changes, but this is what I got!

basically the main idea is that i wanted Lloyd to be bulkier but sharper. grew up fast and has all these edges, but then you get to know him and he's just a big ol dork. Mostly wears loose-fitting clothes that hides his figure, but he's quite built underneath

Brad's a lil taller and pretty lanky. my art style may not be able to show that properly but lloyd can snap him in half <3 he also seems hella chill but that's probably cause he got balls of steel after living through a million ninjago invasions

This thing below is an old outfit concept I have for a project that I've been working on. does not reflect my current headcanons with his physical appearance but i do like his clothes

I think he loves his role as the green ninja, saving the world and such. it came with lots of baggage and reflection but i do promise that he enjoys it for the most part. I think him wearing green is kind of like wearing work clothes so he tends to avoid it on days when he's free to keep from being too ready to jump into ninja mode

i do tend to keep him in green though cause the fandom sure does love their color-coded ninja

anyway .. that's about most of what i've got for this that looks good enough to post, so here's a bunch of other doodles/sketches, both old and new ToT

oh and a quick comic too cause why not

one more: bonus greenflower yuri

thanks for coming to read this far :) there'll be more soon

[loustica-lucia]

Heroes of the Dragon Age

An animation I've made for Dragon Age Day 2023, featuring my main Warden (Alyssa Cousland-Theirin), Hawke (Eleena Amell Hawke) and Inquisitor (Sulevin Lavellan)!

It's to this day one of my best artwork and I thought I should share it here too! 90+ hours between the original sketch, outfit design, the rough animation, rotoscope, inking, flat-colours, background shading and even the audio :')

Interested in the process? I detailed it below since it was my first time doing something like that:

I would like to start by saying I'm not a professional animator!Everything you've seen here is the result of experimentation and a lot of practice to learn and understand how 2D animation works.

My first idea started in May 2023. I just finished rewatching DA Absolution for the X time, and wanted to analyse why I loved the intro so much. (Even after countless rewatch, I never skipped it once.) I was inspired to study it with my main three protagonists!

Then came the first test with Alyssa Cousland-Theirin, my Hero of Ferelden! I tried to understand which part to separate for the animation. Mainly the hair and cape because it flows a lot more than the rest! If I recall, my first idea here was to make her counter flame attacks (?). Then, as the camera turns around her, I tried to add a grid to know how the camera would work around it.

I ended up making the clip longer, so she could position herself to the further left and leave space to the two other protagonists.

Now it was time to try to animate Sulevin Lavellan, my Inquisitor. I really kept that quick doodling style just to capture the vibe without putting too much time/effort into it! The background would be static to contrast with Alyssa's. I also loved the idea of a rogue sneaking!

Instead of working on Eleena Amell Hawke, my Champion of Kirkwall, I went back to Alyssa and started working with Clip Studio Paint 3D models (this entire animation has been done on the EX version of the software!) It helped for rotoscope animation and maintaining likeness! That's when I got the idea to make the background swirl around the character to let the eyes be guided by the rest of the screen!

After a couple more hours, I planned the entire animatic with 3D models and quick doodles! I finally found a cool pose for Eleena Hawke, which was honestly the hardest of the three to imagine for some reason? I tried many other poses but ended up picking an animation from the game!

This whole time, I was studying a bunch of background ideas and how studio Red Dog Culture House (who made Absolution) work! Thankfully, they have a YouTube Channel where they shared some BTS content so I could analyse it!

Then, I simplified my character and their original designs in the style of the studio! These outfits are how I imagine them after Trespasser. Alyssa as the Queen of Ferelden, looking for a cure to the Calling, Hawke following Fenris to Tevinter & Sully as a Red Jenny Inquisitor!

The idea for Sulevin's animation actually came from a piece I doodled on a live stream, when I was drawing pose studies and turning them into finished artworks haha As for Alyssa, I wanted to draw the fight that got her facial scars!

Once their designs were ready and the background ideas too, I made the rough version of the animation! Basically a sketch done on top of the 3D models to add the details, staying pretty rough just to capture the idea and movements.

Then it was time to start the lines! I decided make a folder per frame, so I could separate all he main elements and draw them one by one. It helps keeping the likeness of a character in the different frames without having big "jumps" between frames! In fact, every parts were coloured differently to recognize them, and then I used vector erasers and masks (Ah yes, the entire lineart is done in vectors of course! It's easier to adjust and save time when working on similar frames!)

At first of course, everything overlaps! But I find it easier to draw too much and erase after, just to make sure everything is coherent in each frames! The cool thing about CSP is how you can change the colour of the layers in one click! So all the coloured lines turned into black in one second, and I could reverse it just as quickly to double check!

Then I started working on Sulevin! I made a blue line to mark where her feet were, as the sketch in the background wasn't perfectly straight! (Like Sulevin's sexuality 🤭😂) The silhouettes were very quick to do, but I had fun adding more & more details as she came closer to the foreground!

I really wanted to add that little dagger trick, but I remember it required me to change the pacing of Eleena's apparition, as it was recovering her arm too quickly! I had to change the pace of multiple frames quite a lot during the project, to make sure the flow was right! For Eleena, most of her animation remained around her arms and the staff itself, as magic would be the most difficult part! That way each character has their own focus: Alyssa has a very animated background, Sulevin got the grappling hook and Eleena the ice!

Then it was time to start adding colours! Just like for the lineart, I separated every colour on it's own layer, so I could easily adjust the colours later if needed. I added one colour at the time, going through all the frames, and then another colour!

I made full palette tests with the colours I would use for their background at this point, checking if the details remained readable! Alyssa was the most challenging in terms of clothes, because I made her a very detailled armour! I had to simplify the Theirin heraldry, vectorize/redraw the Cousland, and make a brush for her cape's pattern!

Once I was done adding the flatcolours, I started the background, and oh boy it was a wild ride. For the cave, I painted multiple tests. I imagine was to use CSP panorama tools, which transform a texture into a 3D sphere, so each corners must match to look good. Sadly, it made the background very blurry, so after hours of testing, I changed ideas. Instead of the random fire balls (?) I originally imagined for Alyssa, I made three simple frames of a Rage Demon to attack her.

I ended up using the cave as a repeated pattern to make it turn 360° around the character. For Eleena, I mixed inspiration from the comics, Dreadwolf & Absolution, using warm colours matching Hawke's signature red. Just like I made the cave very grey/blue to match Grey Wardens. For Val Royeaux, it was more complex because I wanted to make it green, matching the Inquisitor's signature green. But bright green couldn't work, and the original colour during day time was blue/white/gold. So I added more leaves, played around the design a bit! After adding the rage demon, I made the shading! It was surprisingly easy and quick to do now!

I clipped a white layer on the flatcolours to not be distracted by the colours, and made thin lines to separate the light/shadows, then simply filled everything with the bucket tool! Then you set the layer to multiply and remove the white layer, and you have celshading shadows! Now the character looks out of the picture, so I added layers of blue in color burn, saturation and substract blending modes to make her look like she's in the right setting! Of course, I did the same with the other two, giving Hawke a red overlay and Sulevin green shadows!

Then I added the details, it went from white irises, to sword/staff smears to earrings and smaller finition that goes on top of these layers. To add the lights, I simply selected the shadows and reversed the selection! Using warm and cold tones to create contrast with the purple/bluish shadows! I also added more ambient light layers for Alyssa to reflect the Rage Demon fire. Now it was time to add ice magic! My first attempt had too many frames, making it look weird! Sometimes it's better to lower the frame rate to make things less bumpy!

Then I downloaded some cool ice brushes on CSP assets that made it look less like blue magical flames! But when I covered the screen in ice, I realized "Oh wait, I could make a cool transition from the ice, to blue lyrium turning red?"Red Lyrium truly links these three games and The Veilguard somehow! I spent the next hour painting over the idol and putting it in a black background, with lyrium and then the golden Dragon Age title text.

For the SFX, I used free youtube libraries sounds & "Darkspawn!" comes from the violent human female voice set (iconic for ""Can I get you a ladder? So you can get off my back!"😂🤭) After editing all that, the animation was finally done!

Here's the final math:

About 15 hours for the sketching/rough/animatic phase, 30h for the lineart, 25h for colours, 10h for backgrounds, 5h for details & 5h for music & SFX, for a total of 90 hours. Aka the same amount of time it took me to finish Baldur's Gate 3 the first time lol

If you have any question regarding the animation or the softwares etc. do not hesitate to ask, I'll do my best to answer!

[emryste]

hihi hello is there anyway you can share your cuteguy /hotguy designs? or maybe share some notes about them?... im very fond of them and would like to draw em....

of course anon :^] thank you so much!! i'll also take this as an opportunity to share how I landed on their designs, if that's ok!

my initial sketch of them was done pretty quickly to throw around some ideas.

i wanted hotguy's to be reminiscient of his namesake (hawkeye) but different enough that it wasn't a direct 1 to 1. i also REALLY wanted to play with the idea of him using redstone leg braces and actor scar primarily using a wheelchair. originally i was thinking that they would've actually been made/designed by tango, though i'm not sure if that fits in with the finalized timeline/lore anymore. me and luna also talked very briefly about what the effects of wearing redstone so close to your body could do to you, but i dont think it ever went anywhere in lieu of Skulk taking more of a front role in that regard.

hotguy's design ended up not really changing much at all from this since i was already pretty happy with it, but cuteguy's definitely did based on a bunch of factors (the era of the zine we were in, character development, other contributor's designs etc).

thus begins the great Cuteguy redesign. i jest, but i was um-ing and ah-ing a lot over what i wanted him to look like, mainly because i wanted to keep him looking practical and less showboaty than hotguy. but at this point we had decided a timeline and i knew we were in the last era, so it felt important not have a design that looks like he quickly put it together or like something he'd be wearing in his early years as a vigilante.

eventually, i landed on these designs for them both! cuteguy matching hotguy's outfit as an established vigilante duo, keeping the casual elements of the hood and the joggers but having them more integrated into his suit, that all felt like a best of both worlds situation to me. i also switched the mask to a heart-shaped visor, both purely for cool effect and to match better. it isnt here, but additionally in the comic i switched his wings as cuteguy to a sort of maroony colour, as one of the things contributors played around with early on was the idea that he would dye his wings to hide his identity. i liked that idea as a failsafe if he was in a situation where couldn't hide them as a civillian, hence the change!

if you need any more info i'd be happy to share, or maybe even draw less messy references (i didn't think i'd be sharing these publicly LOL). thank you so much for reading the zine, and i sincerely hope you enjoyed it :^]

[hana-no-seiiki]

I saw that you need ideas, so how about a yandere from the Neons? I mean, I would like to see more content from them since they represent the elements in Honkai star rail, by the way, sorry if you don't understand, my English is bad... I leave you a little drawing of a masculine makima (it has nothing to do with it, but as a gift ) xd Also, I don't know if I'm the only one, but Nanook makes me handsome >///<

(Sorry, I had already finished it but the work was stained hahaha and I did it again)

Yus the Aeons are so cool looking!! You really feel like they’re actual gods of the universe, especially since you don’t see them first hand (at least for now). Also Masculine Makima reminds me of Karma Akabane lol. I’ll draw it in my style, and add it here as an extra for you ♥️

Hb we mash those two topics up together actually?

warnings: mild yandere themes. mild spoilers for csm. major canon divergence. reader takes the shape of a masc/amab character but it isnt their original form.

status: unedited. updated art.

YANDERE! AEONS + VARIOUS! HSR x AEON OF FEAR/CONTROL! READER

You have no memory of your conception, only that you started existing for what felt like an eternity.

You represented fear and despair, but unlike IX whose mere presence drove humanity into insanity, or the rest of your fellow aeon’s godlike status amongst the world,

you walked around as a normal, ordinary human being.

As normal as an Aeon can get anyways.

In your current lifetime, you took the shape of Himeko’s “brother”, planting fake memories into her mind and being the one that urged her to travel the stars. While she was the navigator, you took the role of conductor before creating Pompom to supplant you.

Welt always knew you weren’t just a regular person. Your eyes always felt distant, so far off that not even a century’s worth of trail blazing would allow him to come close. As such he mostly kept cordial relations with you.

The youngsters of the bunch on the other hand, never seemed to realize the sheer magnanimity of the danger you held and always hung around you.

Particularly that Caelus. The newest addition to the crew. The stellaron within him always pulsed in some sort of giddiness and excitement whenever you were around. The boy couldn’t help but be a nervous wreck when he was around you. Stuttering and stumbling was a common occurrence whenever you so decide as to just breathe at his direction.

You knew what those Stellarons are, their nature, their purpose, the way they were created. In fact if you wanted to, you could have taken the Astral Express straight to the source of it all, your partner: Nanook.

However that would have ruined the fun of it all. So you chose to let them have their little adventures before the final confrontation.

Also because you signed a contract to not meddle with Nanook’s business in exchange for your freedom. But that was another story to tell.

“Why . . . why do you continue this farce? This utterly worthless play?”

IX’s voice rang within your ears and no one else’s. You were the only being it ever gave the time of day to. You imagine it to be the reason why insanity slowly built itself within the recesses of your head.

“You may see the entire universe as worthless . . . but I,” You breath hitched. You looked around your room. Time was frozen. Everything turned grey. You weren’t afraid of the others in the express hearing you, just that the following words you were about to spout out felt like bile on your mouth. “I suppose I’m still a bit like them in a way. I wish to see the world without its evils.”

“And destroying them. That is my first step.” You summon an orb of golden light. Stellarons. The creation of the very thing that made you loath all evil. Including yourself. You will eradicate these and then Nanook yourself. One day.

“Is that why you send those hunters out?”

“Perhaps.” The orb within your hands get covered in chains, quickly getting crushed within the metal like substance as it soon disappeared.

“Do as you wish. Just do not bother me like that imbecile.”

“I promise. I will be much worse than Yaoshi.”

IX remained silent for several seconds, no doubt regretting its decision of associating with you before adding, “. . . And do not die.”

“That one I cannot guarantee.”

Your room’s color returns, time continues. Signaling the end of two Aeons’ encounter.

Nanook, the Aeon that threatened to eradicate all that you love. All so they could have your soul once more. Within your gilded cage. Within your original body that lied dormant.

The Destruction will no longer be a path. That is a guarantee you write upon the stars when your Trail Blazing lifetime eventually comes to a close.

The stage is set, your actors ready.

All you needed was the cue.

Your gloved hand arose, pointing towards the express’s windows in the shape of a gun.

“Bang.”

[quitealotofsodapop]

I’m already in love with Peach Soup AU. I know a bunch of people are itching to know how Macaque is gonna fit in/react to all this (and I am among them), but I REALLY wanna know how MK growing up reacted to anyone slandering his amazing, bestest big brother in the world? Be it school bullies or rude customers at the restaurant?

Ref.

Macaque is released by the Lady Bone Demon as in canon, with a hint to where Sun Wukong may be hiding.

However, instead of Macaque's smoke monster drawing out Sun Wukong, it drew out someone else.

MK, a young monkey demon proudly declaring that The Monkey King is his big brother!

Macaque smiles at first, thinking that Wukong had gone and taken in a protégé.

Macaque probes for information, gathering that Wukong... isn't going by that title anymore. He goes by Peaches. He's laugh if it wasn't all so confusing.

The little brother is nervous, asking if Macaque knows anything "about kicking butt monkey-style"? Seems that Wukong himself has gotten a bit rusty and needs some help relearning the basics. MK also wants to learn how to fight, declaring that "as siblings we spilt it evenly!". He also bashfully admits that he wants to be powerful enough so that he can defend his big brother from those who would make fun of him.

How sweet.

And how easy it is to get the kid and Wukong alone so he can confront his old friend one on one.

Macaque initially thinks its Wukong playing coy when the ginger monkey seems not to know what he's talking about. Until... Wukong seems to genuinely not seem to recognise him. HIM!?! How dare he!?

Macaque: "How can you be so selfish!? Did you even care to remember me!?" Peaches: "Uhh. Long story - but I got major memory loss. Btw, off-topic, but are you single by any chance?" :3? MK, aghast and pinned by the Staff: "BRO!" Peaches: "What? He looks cool." Macaque: (*stops grasping Peaches' by the collar, looking despaired*) Macaque: "You... do you remember anything? When does your memory begin and end? Tell me!" Peaches: "Whoa ok. i remember up til about... 18 years ago to now. Anything before then, nada." Macaque: "You..." (*Macaque collapses to his knees, crying*) Peaches: "Hey, hey, I'm sorry. I didn't mean to forget anyone.... I guess you and the old guy were friends?" Macaque, looks up with a mix of disgust and grief: "You have no idea."

From Macaque's perspective; the King he knew might as well have DIED those 18 years ago.

And even if Peaches regains his memory in the future... the last Macaque ever saw of his Peaches was that final fight all those centuries ago.

Macaque wanted to kill Sun Wukong when he came back to life. But he didn't think how he would feel if he were to have truly died.

Now he's experiencing it with his mate's new persona standing before him, offering a smile so kind that it throws the shadow back to when they were more than just friends...

Macaque sinks into the shadows to be alone with his thoughts. He needs to find Iron Fan.

[venomhound]

Hazbin Hotel - Alastor Scenario Dump

One of my friends requested I make more of these, so I guess I'm doing a series. ¯\_(ツ)_/¯ Like before these are just a bunch of story ideas I've had pop into my head that I have no plans to use. Feel free to use them, just link back/credit me and slap me with a tag because I wanna see what you write!! ˚ʚ♡ɞ˚

Contents/WARNINGS: ANGST; stalking; abuse of Alastor's shadows; heavily implied voyeurism and other creepy shit; (most of these warnings are for the last prompt so if your bothered by any of this, just skip that one) Actual brainrot below the cut; Not beta read we die like men -ˋˏ✄┈┈┈┈

Ringing Hollow ₊˚ ‿︵୨୧

Basic idea is that Alastor ends up caving to Charlie/the hotel and getting a cellphone. Everyone insists he needs it in case there is an "emergency", especially after the whole Exterminator attack on the hotel.

So he relents. As much as Alastor hates to admit it; they are right. But he isnt going to get any of that smartphone crap. Alastor opts to get himself an actual flipphone. (Angel Dust questions how Alastor even managed to find the piece of junk) Its only for emergencies. He should barely be using it, if at all.

But things change one day when Alastor gets several messages from an unknown number thinking he is their close friend. Alastor does end up telling them that they have the wrong number, but you know, being Alastor, he has to tease them relentlessly first.

They actually end up talking for a bit. Both of them find the situation incredibly entertaining and surprisingly like each other's sense of humor. The reader ends up asking who they actually texted. Alastor panics a bit. He doesn't want to just tell some stranger that they just messaged the radio demon of all people.

No matter the case, Alastor doesn't want to give his real name. So he wracks his brain for something that wont give him away. He cant just use Al, that's too obvious. Wait... Alastor-Al-A...A... A-nonymous? Anon? Yeah. Anon could work.

(This is Alastor's own line of thinking of how he 'came up' with the name. The boomer has no idea this is actually a common internet pseudonym because I doubt he has ever touched a computer)

Anyway, Alastor ends up telling the reader to call him Anon. The two of them end up talking alot. The rest of the hotel finds it rather comical to see the radio demon on his phone texting someone with a grin on his face.

Alastor actually gets pretty fast at texting with his stupid flipphone. Eventually, under Angel's suggestion, Alastor does end up "upgrading" to one of those phones with the slide out keyboard. He still draws the line at smartphone.

But everyone finds the whole thing rather adorable. Charlie always giggles to Vaggie about how soft his eyes get whenever he sees a new text from the reader. Rosie teases him nonstop about his 'paramour' and ends up suggesting that Alastor try to meet them in person.

At the first thought of it, Alastor's stomach drops. He still hasn't actually told them who he is. But the more he thinks about it, the more Alastor thinks a meeting between them is inevitable. He has never felt this way about anyone before; and he needs to deal with it one way or another.

So Alastor arranges an in person meetup. However, he STILL doesn't actually tell the reader who he is. He plans it as a surprise. The purpose of this is twofold; Alastor thinks this will be a wonderful surprise (he is the fantastic radio demon after all!), and it will serve as a test to see if the reader actually likes him.

The secret third reason is that Alastor is actually scared of what the reader's reaction will be and is avoiding it until the ninth hour when he literally cannot anymore. But he would rather die then admit that.

The reader asks Alastor what he looks like and other, you know, obvious things they should know for when they meet. But Al dodges the questions and tells them that they will know everything and learn who he truly is when they finally meet.

Well the time comes. The reader shows up to the designated meeting place, a semi public location. Then they see him. The Radio Demon.

The reader's eyes meet his and they freeze in terror as he approaches them with a knowing, determined stride. They are mortified when Alastor kisses them on the back of the hand; calling them darling and confessing that he was the one who they had been talking to all along. 

The reader backs off, stuttering an apology and a half hearted excuse to leave before quickly running off. Alastor’s smile never wavers. But it can be seen in his eyes and the way his ears have flattened against his head that he had hoped for a better reaction.

Alastor makes his leave before he can embarrass himself further. When he goes to text an apology, his number has already been blocked. He swears he feels a foreign pain in his chest in that moment.

✿°•∘୨୧∘•°✿‿✿°•∘୨୧∘•°✿‿✿°•∘୨୧∘•°✿

Mockingbird ₊˚ ‿︵୨୧

Alastor begins fall in love with the reader. Driven by his strange feelings, he starts to compose little songs that he hums/sings to himself. The songs are inspired by the things he likes about them, things that make him think of the reader, and ways he sees their presence improving the hotel. 

There is even a special one dedicated specifically to their laughter. A tune that he made to resemble how melodic he finds it. 

Charlie and Vaggie start to notice Alastor singing to himself all the time. How his eyes soften and his smile turns wistful as he sings. Its how they realize that, holy shit, the guy has fallen in love.

They think that the songs are how Alastor is choosing to ‘deal’ with his feelings and that he is using them as an outlet. Not realizing he is composing them himself.

So other then like the weird love singing to himself there really aren't signs of Alastor having a crush, especially not one on you. So it kinda becomes like this big mystery that Charlie is determined to solve. Charlie holds a 'top secret meeting' and drags the rest of the hotel into it. Who has Alastor fallen for?? She will find out dangit.

I also have the image of at least one of the songs being composed entirely in French. So like Alastor finds the reader asleep at some point, maybe they fell asleep on him or they fell asleep somewhere out of exhaustion, but either way, Alastor ends up singing the song he composed for them while they sleep.

Alastor gently picks you up and cradles you to his chest. Singing all the while. He takes you to your room and tucks you in, singing the song as if it were a lullaby. The reader half wakes up at some point and hears him, but cant understand the words.

✿°•∘୨୧∘•°✿‿✿°•∘୨୧∘•°✿‿✿°•∘୨୧∘•°✿

Chasing Shadows ₊˚ ‿︵୨୧

Basically a really sweet girl checks into the hotel. Maybe she just has that southern belle vibe or reminds Alastor of his mama or whatever; but the point is he has an immediate soft spot for her. 

Anyway Alastor quickly picks up how guarded and almost paranoid she is. Her eyes always seem to be darting around or looking into the distance for something. Although she is quick to help others, she dashes anyone elses attempts to help her. Alastor finds it very odd.

Then Alastor’s shadows start reporting of ‘incidents’ happening around the hotel, mostly around the new guest. Her things going missing, gifts and letters being left outside her door if not outright in her room, and the one that pissed Alastor off the most was one of the shadows saying they even found a small camera had been placed in her room.

Alastor isnt stupid; he knows someone is stalking the poor girl. And he is seething. Part of it is anger and outrage at someone daring and succeeding at breaching his territory of the hotel, and the other half of his anger is at such a disgusting creature thinking that they are entitled to treat a woman this way. 

Alastor quickly puts more shadows around the new guest's room, having every entrance and exit watched for the intruder. Yet the stalker manages to slip by him again, leaving a bouquet of flowers as well as stealing a pair of undergarments. 

Alastor nearly kills the poor shadow that informs him of this. How could they let someone slip past them again??

You got the gist of how this story goes. Ive had this sitting in my ideas folder forever cause I love it alot but, realistically speaking, Im not going to write it. ¯\_(ツ)_/¯ So either someone else can use it or you can just brainrot about it with me.

The big twist is the demon that is stalking the new guest has the power to turn into/manipulate cockroaches. That's how they are able to traverse the hotel so easily and undetected. 

Wasn't sure if I wanted to go all in on that and make him an actual roach boy or not. You could also make the demon a Jewel Wasp which is a bug known specifically for mind controlling cockroaches.

Since the stalker is cockroach themed, I also had the idea floating around that Niffty would be the one to finally catch them in the end.

I was picturing the relationship between the new guest and Alastor to be strictly platonic; with like big brother/dad protection vibes. Basically Alastor just wants to protect someone who he sees as a ‘lady’ from a disgusting man. Its his southern trauma kicking in hard

[ballarimd]

Panels 25-35/35 of diego being flustered by lila's antics😛

.

Finally done hahahar. This was super fun to draw I'm glad I finally got around to it. I have a bunch of ideas when it comes to this au but far from enough stamina to match😭idk when I'll return to them but whenever I do it'll probably be Five or Allison related, I've neglected my faves for far too long.

[bonefall]

going to the star spoilers thread and seeing that icestar make owlnose of all cats deputy was certainly ..... something. who's the leading candidate for bb icestar's deputy?

This is actually going to depend a lot based on how I overhaul the politics of RiverClan. It is getting a MASSIVE shakeup, because BB!ASC is going to explore power vacuums.

Canon!RiverClan is full of "nobody" warriors who haven't been characterized, both because we've spent very little time with them historically AND because the writers made the choice to spend barely any time with them in this arc too. This is an issue.

Instead of how canon made it so that RiverClan couldn't find a leader so they all forgot how to do the chores they did their whole lives, THIS time, I'm going to show a bunch of highly qualified warriors breaking up into cliques and descending into in-fighting.

To do this, I have two objectives;

Revamp my RiverClan Family Tree a bit to base a finalized allegiance list on... plus pad it out some more so I can handle the mass exodus that will be happening at the end of the arc.

Characterize extra competitors for RiverClan's leadership, mostly from scratch, along with their key supporters.

Splashtail will be ending up on top through a mixture of imitating Curlfeather and utter luck. My plan is to portray him as someone others might think is manipulative and charismatic, when in reality, he's coasting off the waves of someone who had victory within reach and gave it all up to save her daughter.

(and tigerHeartstar's occupation will be the turning point, as Splashtail unites RiverClan against their common enemy to put himself in power. FIGHT FIGHT FIGHT)

I also want to make ASC's attempted theme of "connecting to the past" more meaningful by drawing parallels to this and the Collapse of the River Kingdom.

In fact (been waiting a while to share THIS little idea!) I'm heavily considering that BB!ASC is the end of RiverClan as we know it, and from here on, it's the RiverClan Republic. Give it a slightly different ruling system and allow its culture to change significantly, like how I approach BB!SkyClan.

So... the short answer is that I don't have the pieces for the proper list of "candidates" yet, because a LOT more cats are gonna become eligable.

The parallel short answer is that if I had to pick NOW, it would be Minnowtail, who is going to be receiving her boyfriend Mousewhisker early in this arc and has a very long history with Icewing as an ex-DF trainee. Curious, bold, and insightful, she's someone they can trust as an organized deputy.

(Mousewhisker running across the border rom-com style because he's decided that the time is now to finally be with his secret lover of many years, only to arrive just after a major battle like "oh... is this a bad time?")

[jennamoran]

The Far Roofs: Systems

Hi!

Today I’m going to talk a little bit more about my forthcoming RPG, the Far Roofs. More specifically, I want to give a general overview of its game mechanics!

So the idea that first started the Far Roofs on the road to being its own game came out of me thinking a lot about what large projects feel like.

I was in one of those moods where I felt like the important thing in an RPG system was the parallel between that system and real-world experience. Where I felt like the key to art was always thinking about the end goal, or at least a local goal, as one did the work; and, the key to design was symmetry between the goals and methods, the means and ends.

I don't always feel that way, but it's how I work when I'm feeling both ambitious and technical.

So what I wanted to do was come up with an RPG mechanic that was really like the thing it was simulating:

Finding answers. Solving problems. Doing big things.

And it struck me that what that felt like, really, was a bit like ...

You get pieces over time. You wiggle them around. You try to fit them together. Sometimes, they fit together into larger pieces and then eventually a whole. Sometimes you just collect them and wiggle them around until suddenly there's an insight, an oh!, and you now know everything works.

The ideal thing to do here would probably be having a bag of widgets that can fit together in different ways---not as universally as Legos or whatever, but, like, gears and connectors and springs and motors and whatever. If I were going to be building a computer game I would probably think along those lines, anyway. You'd go to your screen of bits and bobs and move them around with your mouse until it hooked together into something that you liked.

... that's not really feasible for a tabletop RPG, though, at least, not with my typical financial resources. I could probably swing making that kind of thing, finding a 3d printing or woodworking partner or something to make the pieces, for the final kickstarter, but I don't have the resources to make a bunch of different physical object sets over time while I'm playtesting.

So the way I decided that I could implement this was by drawing letter tiles.

That I could do a system where you'd draw letter tiles ... not constantly, not specifically when you were working, but over time; in the moments, most of all, that could give you insight or progress.

Then, at some point, you'd have enough of them.

You'd see a word.

That word'd be your answer.

... not necessarily the word itself, but, like, what the word means to you and what the answer means to you, those would be the same.

The word would be a symbol for the answer that you've found, as a player and a character.

(The leftover letters would then stick around in your hand, bits of thought and experience that didn't directly lead to a solution there, but might help with something else later on.)

Anyway, I figured that this basic idea was feasible because, like, lots of people own Scrabble sets. Even if you don't, they're easier to find than sets of dice!

For a short indie game focused on just that this would probably have been enough of a mechanic all on its own. For a large release, though, the game needed more.

After thinking about it I decided that what it wanted was two more core resolution systems:

One, for stuff like, say ... kickstarter results ... where you're more interested in "how well did this do?" or "how good of an answer is this?" than in whether those results better fit AXLOTL or TEXTUAL. For this, I added cards, which you draw like letter tiles and combine into poker hands. A face card is probably enough for a baseline success, a pair of Kings would make the results rather exciting, and a royal flush result would smash records.

The other core system was for like ... everyday stuff. For starting a campfire or jumping a gap. That, by established RPG tradition, would use dice.

...

I guess technically it didn't have to; I mean, like, most of my games have been diceless, and in fact we've gotten to a point in the hobby where that's just "sort of unusual" instead of actually rare.

But, like, I like dice. I do. If I don't use them often, it's because I don't like the empty page of where to start in the first place building a bespoke diced system when I have so many good diceless systems right there.

... this time, though, I decided to just go for it.

--

The Dice System

So a long, long time ago I was working on a game called the Weapons of the Gods RPG. Eos Press had brought me in to do the setting, and somewhere in the middle of that endeavor, the game lost its system.

I only ever heard Eos' side of this, and these days I tend to take Eos' claims with a grain of salt ... but, my best guess is that all this stuff did happen, just, with a little more context that I don't and might not ever know?

Anyway, as best as I remember, the first writer they had doing their system quit midway through development. So they brought in a newer team to do the system, and halfway through that the team decided they'd have more fun using the system for their own game, and instead wrote up a quick alternate system for Weapons of the Gods to use.

This would have been fine if the alternate system were any good, but it was ... pretty obviously a quick kludge. It was ...

I think the best word for it would be "bad."

I don't even like the system they took away to be their own game, but at least I could believe that it was constructed with love. It was janky but like in a heartfelt way.

The replacement system was more the kind of thing where if you stepped in it you'd need a new pair of shoes.

It upset me.

It upset me, and so, full wroth, I decided to write a system to use for the game.

Now, I'd never done a diced system before at that point. My only solo game had been Nobilis. So I took a bunch of dice and started rolling them, to see ... like ... what the most fun way of reading them was.

Where I landed, ultimately, was looking for matches.

The core system for Weapons of the Gods was basically, roll some number of d10s, and if you got 3 4s, that was a 34. If you got 2 9s, that was a 29. If your best die was a 7 and you had no pairs at all, you got 1 7. 17.

It didn't have any really amazing statistical properties, but the act of rolling was fun. It was rhythmic, you know, you'd see 3 4s and putting them together into 34 was a tiny tiny dopamine shot at the cost of basically zero brain effort. It was pattern recognition, which the brain tends to enjoy.

I mean, obviously, it would pall in a few minutes if you just sat there rolling the dice for no reason ... but, as far as dice rolling goes, it was fun.

So when I went to do an optional diced system for the Chuubo's Marvelous Wish-Granting Engine RPG, years later, to post here on tumblr ... I already knew what would make that roll fun. That is, rolling a handful of dice and looking for matches.

What about making it even more fun?

... well, critical results are fun, so what about adding them and aiming to have a lot of them, though still like rare enough to surprise?

It made sense to me to call no matches at all a critical failure, and a triple a critical success. So I started fiddling with dice pool size to get the numbers where I wanted them.

I'm reconstructing a bit at this point, but I imagine that I hit 6d10 and was like: "these are roughly the right odds, but this is one too many dice to look at quickly on the table, and I don't like that critical failure would be a bit more common than crit success."

So after some wrestling with things I wound up with a dice pool of 5d6, which is the dice pool I'm still using today.

If you roll 5d6, you'll probably get a pair. But now and then, you'll get a triple (or more!) My combinatorics is rusty, so I might have missed a case, but, like ... 17% of the time, triples, quadruples, or quintuples? And around 9% chance, for no matches at all?

I think I was probably looking for 15% and 10%, that those were likely my optimum, but ... well, 5d6 comes pretty close. Roughly 25% total was about as far as I thought I could push critical results while still having them feel kind or rare. Like ...

If I'm rolling a d20 in a D&D-like system, and if I'm going to succeed on an 18+, that's around when success is exciting, right? Maybe 17+, though that's pushing it? So we want to fall in the 15-20% range for a "special good roll." And people have been playing for a very long time now with the 5% chance of a "1" as a "special bad roll," and that seemed fine, so, like, 20-25% chance total is good.

And like ...

People talk a lot about Rolemaster crit fail tables in my vicinity, and complain about the whiff fests you see in some games where you keep rolling and rolling and nothing good or bad actually happens, and so I was naturally drawn to pushing crit failure odds a bit higher than you see in a d20-type game.

Now, one way people in indie circles tend to address "whiff fests" is by rethinking the whole dice-rolling ... paradigm ... so you never whiff; setting things up, in short, so that every roll means something, and every success and failure mean something too.

It's a leaner, richer way of doing things than you see in, say, D&D.

... I just didn't feel like it, here, because the whole point of things was to make dice rolling fun. I wanted people coming out of traditional games to be able to just pick up the dice and say "I'm rolling for this!" because the roll would be fun. Because consulting the dice oracle here, would be fun.

So in the end, that was the heart of it:

A 5d6 roll, focusing on the ease of counting matches and the high but not exorbitant frequency of special results.

But at the same time ...

I'm indie enough that I do really like rolls where, you know, every outcome is meaningful. Where you roll, and there's never a "whiff," just a set of possible meaningful outcomes.

A lot of the time, where I'm leaning into "rolls are fun, go ahead and roll," what it means to succeed, to fail, to crit, all that's up to the group, and sometimes it'll be unsatisfying. Other times, you'll crit succeed or crit fail and the GM will give you basically the exact same result as you'd have gotten on a regular success or failure, just, you know, jazzing up the description a bit with more narrative weight.

But I did manage to pull out about a third of the rolls you'll wind up actually making and assign strong mechanical and narrative weight to each outcome. Where what you were doing was well enough defined in the system that I could add some real meat to those crits, and even regular success and regular failure.

... though that's a story, I think, to be told some other time. ^_^

[kibbles-bits]

any voxval fics you’d recommend?

Ah, yes, voxval fics... The one ship that finally made me cave and read explicit stuff. I am now numb to everything.

Everything.

I'll only be posting completed fics. Warnings, almost all of these are explicit. A couple also have Angel, you know, suffering.

And please mind the tags.

First off is a couple of favs that I always go back for a reread:

Corrupted Love by DoveFactory (Words: 149,495)

In a moment of blind desperation to one-up Alastor, Vox puts himself in a compromising situation that leaves him worse for wear. His state triggers something in Valentino who decides to change the nature of their relationship.

The title and summary of this is so misleading I thought it was going to be a dark fic but nope. The Vees are a bunch of goobers and Valentino always wins. I would scream about this every time it updated. I love the characterizations and their banter it almost made me forget there's sex in like every chapter. Honestly I wish there was more tags referencing the character/story stuff.

Virtual Reality by passthevoxcord (Words: 7,634)

Vox gets tired of his cybernetic biology being a barrier to his sex life, so he starts a new project to fuck Valentino in VR. Val will try anything once, but he has something else in mind.

This one ends up being so sweet I want to die. passthevoxcord's other fic, Only a Shadow, drives me nuts but its a WIP and hasn't actually gotten to the voxval yet.

choke behind a smile by gloriousmonsters (Words: 19,881)

"I'm not scared by extreme, although I doubt I'll find it interesting. What is it?" Valentino's eyes narrow slyly over his smile. "If you aren't scared, why do you need a warning?" Vox has everything under control in his new business partnership with benefits. His emotions, his unfortunate desires, the little mind games they play. Even Valentino himself. When Val offers an invitation to a special show he's performing, Vox knows it's a dare, and knows he has to take it, show Val that he can't be scared or destabilized. He has no idea of how deep under his skin the show will get.

Everyone's so normal. I love this Valentino. There's another Valvel fic that has the same Valentino I also recommend called bad girls go backstage.

Great Expectations by MarenRose (Words: 11,280)

“It’s his goal. Those three simple words. If he could get to hear them once, could let the reality of their meaning and spoken existence occupy his mind for only a few indiscernible moments, then maybe, Vox could learn to see the appeal of this god forsaken holiday. He might even learn to ‘love’ it too.” Or: Vox hates Valentine’s Days. His prick of a ‘wife’ is just too damn hard to please.

This miiiight have been the fic that made me Lock In on voxval? I'm not sure. It's sweet. Alastor is hilarious.

biting keeps your words at bay by Subedarling (Words: 1,511)

“You can’t hit me,” Valentino says. He’s practically vibrating with rage. “You’re not allowed to—you can’t hit me!” Vox sneers, cruel and mocking and hopefully masking the way his heart is breaking apart inside his chest. “Baby, I can do whatever the hell I want.” A decade into their partnership, Vox and Valentino have their first and last physical fight.

This might be the only non-explicit fic in this list. I am all for Val being the worst just because he's Like That. But I will not say no to an implied tragic backstory. I read this one a lot and want to die. Can I draw this. I want to draw this. Oh my god I have free time I can totally draw this...

And my other recs:

Just For The Record by PeppermintWalrus (Words: 13,795)

Vox is thrilled about his new film enterprise with his business partner, ready to build a lucrative empire for the denizens of hell to experience true cinema, in the only genre their depraved minds desire. There’s just one problem that he finds out too late; Valentino has never filmed porn before. Vox decides that some... hands-on teaching, is necessary to save their production.

Yeah you read that right.

a putrid feeling that i've addressed by spoondrifts (Words: 5,162)

They weren’t a couple because Valentino was pathologically noncommittal and Vox simply knew better. He tried the whole romance thing with a certain radio demon a few decades back, and he’d learned his damn lesson. Hell just wasn’t the place for that sort of cutesy bullshit. Also, he was pretty sure that Valentino was straight up incapable of love, which was both par for the course for Vox’s friendships and amazingly convenient—things couldn’t get complicated if there was nothing to complicate in the first place. Or: Full Moon, Vox/Val edition.

Haha I love pain. I lied, this is the second non-explicit fic.

Little Miss Hellion by DoveFactory (Words: 10,657)

Hell’s worst married couple spends a day of family bonding at a beauty pageant doing whatever it takes to make sure their daughter takes home the crown, because failure is never an option for the Vees. Pilot AU where Vox and Valentino are married and Velvette is their adopted daughter.

It's more Vees than voxval but they're married so.

The Art of Pimping by MarenRose (Words: 9,161)

Desperate to close a deal with one of the most lucrative investors in Pride, Vox does the unthinkable and pimps out Valentino for a one-time date. What could go wrong?

Val's attitude in this one is funny and Vox. Yeah. Vox made a mistake.

You Found Me by passthevoxcord (Words: 4,338)

Long before Velvette came along, it was just them. Vox and Valentino. Valentino and Vox.

Sobbing.

Something Less Than Dishonest by daphnerunning, Galiko (Words: 33,931)

He isn’t expecting the way Valentino walks, for some reason. Maybe it’s the extra limbs. Maybe it’s the wings. Maybe it’s the heels. Vox had skipped briefly through a few of the slut’s movies, for research, and isn’t expecting the way Valentino moves in person to feel so… Different. “…You must be my four o’clock,” he says, standing and offering a hand. Oh, shit, he’s huge. Valentino towers over him, easily would without the stripper heels. Vox is not afraid of heights.

Vox is so offensive in this it loops back around to hilarious.

Red Skies and Valentino by alternatedoom (Words: 86,050)

"Vox and I are special friends, doll. Go give him a kiss," Val says to the boy.

Angel does not have a good time. But the Voxval is nice.

before you go by xoTsundoku (Words: 4,426)

Before Alastor came into their lives, Vox and Valentino were happy. Maybe they still can be.

A Farewell to Ghosts by Accidental_Ducky (Words: 37,149)

"What do you think that is," Vox demands, pointing at the new guy. Valentino turns, eyes raking greedily over the man's body. He's gorgeous, skinny in a heroin chic way with big blue eyes and blond hair that falls just so across his eyes. "Hot." "Don't fucking call the ghost hot!"

The only human AU I've liked so far. Love the character interactions. Vox and Val are hilarious.

God I hope I didn't miss any. There's definitely some good WIP ones out there.

[sabrondabrainrot]

🌦️Dark Sun and 🔅Servant Sun

I tried my hand at designing Servant Sun and Dark Sun.

I'm getting more caught up on the lore!! Click underneath for art closeups and more Lore rants and AU idea! Plus, I have sketches and a comic WIP I've been working on.

😉

There will be rambly spoilers to where I am in the Lore.

For Dark Sun I was inspired a lot by the thumbnails, they give him red eyes a lot in the thumbnails and I like the smarmy red eyed look of the guy. Tried to capture his 'regal-holier then thou' attitude in his design. He's still Sun though, so I used OG Sun's palette (my first Sun design!) to reflect the fact they have the same beginnings. I don't trust anything he says but I know something has totally happened to his Moon (I'm really banking on the idea he ATE him/ ATE his intelligence chip) so he carries his Moon's bell and he also repurposed the star pattern of Moon to parade it around as like a symbol his Moon is at his heal. I don't know if I like his final look but I think it's because I gave him dramatically darker shading vs the other Suns.

Servant Sun! Here's my take on him. He's been suffering for over 10000+ years under Lord Eclipse abuse. We saw how he was being punished just because Lore Eclipse was bored! I feel really bad for this Sun, it was hard to draw a design for him. I think despite his servant title Lord Eclipse just keeps him around not only to keep himself sane but also a trophy/slave to show off to Moon and the others in the afterlife. I had this like monologue for SSun basically, "The sound of bells long ago stopped ringing for the daycare attendant turned servant but Lord Eclipse still can hear the sound of metallic chimes when the neurotic servant cleans thanks to his fanciful additions." (aka the chime of chains) He's also got an apron that's falling apart and SSun used random old fabric to patch it up (it wasn't random it was his old clothes). I was really inspired by Meagancandraw's design of Servant Sun!

Here's my AU sketches. I'm planning to clean these up and maybe color them? This is basically just the AU idea that I think Sun is going to somehow get reborn but be a being reborn from star power and negative star power? I don't know if it's possible? He becomes a mix of the two in my AU. I know some current spoilers and basically I know he may be immune to negative star energy? He can also hold Star Power uniquely and it 'taste good to him'. I will never let go of the fact he told Moon it taste nice like dried watermelon. His untrained magical outburst was also compared to be as powerful as Golden Freddy's. There's big theory he's going to die or be sacrificed but I have this idea what if he's essentially remade? idk just rambly thoughts. So yeah, he has a cool new look to go with his magical transformation.

BTW he is very sad cause he can't be near his family in this AU my brain cooked up. He's basically radiation incarnate now <3 His eyes are cracked because they're intensely pouring out Star/Negative Star power. Just a constant pull and push of power circulating in him.

this is the comic idea I have currently. I don't have a ton of motivation so any encouragement to finish this comic idea would be super appreciated! I'm not a comic-type artist so this is out of my comfort zone (I've made a few comics but usually they are pretty janky)

ON TO THE RAMBLES - spoilers BEWARE:

NEW MOON MY BOY PLS YOU ARE HIDING STUFF FROM YOUR FAMILY. BOY NO. HE IS GONNA USE RUIN TO BRING BACK SOLAR?

Blood Moon just took Ruin. Also Dark Sun repaired Ruin after Molten took him to die in the dead dimension?? BOY??? Also, Dark Sun did something to Eclipse??? Bro is plotting. I wish I could get a read on Dark Sun but I don't even know how much of the truth he's been sharing thus far. He has no reason to tell anyone the truth and so far he hasn't hurt anyone just stole a bunch of data from Moon and built a bunker to escape total dimension collapse...He's just a big wild card for me.

Then there's New Moon, He's just actually going crazy after meeting Old Moon. Sun can tell something is wrong with his brother!!! I hope he can help him but spoilers tells me otherwise. The family is trying! Earth heard out Eclipse and Eclipse is getting Earth proof that Moon is currently cray-cray. Lunar is kind of hanging near Sun and Earth because the creator is now actively trying to kidnap him. So much spicy drama.

I don't pay attention much to the Freddy side of the plot but he's also dying?? bro??? What about Francine? The missing mom/wife? Poor Francine's suffering, she needs her mom and dad! I like that Puppet is hanging around her grandchild more it is very sweet. Foxy also got his 'bestfriend' Puppet a house/condo. hmm-Mmmhmm. Definitely no romantic tensions there. Definitely not.

(side bar, I don't ship Kidscove but I do ship the Foxy and Puppet do they have a ship name? Also no hate to Kidscove I just think Foxy treats Sun like a kid a lot. I like the gooseworld Kidscove. Sun laid eggs, so wholesome.)

Lunar is just waiting for news on his trial and I am in suspense hoo boy...Then the stuff with FC being put in a new body and Frank is not happy about it. I def can tell there's big lead up to the astral bodies making a big move I just wonder what the move will be. I feel like now Lunar and FC are going to end up being more intwined then they might think.

Also I love Dazzle!!! AAAGH! She and Jack are so cute! I loved the ep Sun took Dazzle and Lunar to the store that was so sweet. Can't wait to see more of them! They're such a cute dynamic! I like seeing Lunar put his best foot forward to help Dazzle too.

I can tell Moon is slowly distancing himself from the others but it's like this odd thing where he's no longer obsessed with Solar being back per sei...but he's obsessed over how HE has to be the one to bring Solar back in his way because HE promised and he wants to be better then Old Moon and yeah...he's got a very warped perspective I feel like? But Molten and Ruin BOTH pointed out Moon is being possessed by something so I think he's definitely sick? Or something is keeping him from seeing the error of his way.

Rambles over :)

I do plan to draw Solar and Eclipse and Lord Eclipse next but I'm stuck on what I want to do for Solar's design :P I might make a poll in the future!

[archandshri]

28th June ‘24 - [arch] One Page Limitation??? - My process for Traffic Zine #5

Hello All!

A couple months ago, I got accepted to @trafficzine, a digital anthology of pieces by a large group of artists and writers based on the most recent season of the Life Series. I made this piece back in April, but thankfully I kept some notes of my process. 

Heads up - this contains spoilers for Secret Life :D

We were able to choose our own prompt from a list! For this project, I wanted to push my comic making - especially how to communicate a lot of information in a small space. I went through and watched a few clips from the series to see which prompt would fit a comic and settled on Scott’s death.

As usual, I began by getting some reference images and going ham on some big paper. This gets me excited about the project and helps generate ideas. I go for whatever interests me in terms of medium and subject matter, but I try to use a process that doesn’t let me control too much (in this case brush and ink)

initial sketches for fun and vibes :D

During this, I also took the time to transcribe the scene - I wanted to use the dialogue directly, and see how much I could fit into the single page that I was allowed for the zine.

In these early planning stages I make sure to do warm-up sketches to remind myself of the energy I want to communicate. This also keeps things fun and fresh so I'm not ONLY thinking about page composition and making things 'good'. (the expectation for it to be 'good' kills a project prove me wrong)

Dialogue from the clip + warm up sketches

Next up, I started to plan what panels I have on the page. At this stage, some panels might just be a box with some words, and some may have a sketch if I have a clear composition in mind. This stage is mostly for pacing and plot, so instead of focusing on what the panel and page will look like, I will think about:

what will happen in the panel

it's purpose and

what it will communicate

Sometimes I'll illustrate a string of panels that tell the story and fit them on a page after - but this depends on the project and my confidence with the size of it.

After messing around with these and coming up with a pretty clear direction, I draw a bunch of boxes to see how the panels could sit nicely together. At this stage I might realise I have too many panels, and need to cut a few or come up with a creative solution. Nothing is set in stone at this point.

sketching panel layouts

Now begins the fun! I decide on the layout I prefer and I can start putting planned compositions into the boxes. I often do this digitally, or a digital editing process will be involved.

Once planned, I print these out to do a more refined sketch over. I find that my traditional drawings have a lot more life and character to them than digital ones, so I try to keep the majority of the process traditional, with passes of scanning and digital editing.

I tried a version with her looking out at the distance - ready to face the oncoming battle. But it still felt off. So I turned to my slides to ask myself some questions!!

I tried to think of more things that were working - but I really felt like it was lacking a lot. I was going for this slower emotional feeling because that came more naturally to me, but it just wasn't working for this image. The original clip is quite rushed and chaotic - which would be harder to communicate in a comic format but the challenge interested me. Either way, I knew I wasn't happy with this direction so... i decided to start from scratch! Back to the drawing board!!!

In the previous version, I had cut out a lot of the dialogue, but I decided to go back to the original clip and use AS MUCH as possible. Since passing the bow was my favourite part of that first composition, I really wanted to lean into it as the emotional height and final goodbye before Scott's death. It's a moment to slow down and absorb the vibes :D

I made a list of panels along with their descriptions to refer to when trying to figure out the order of panels. there were SO MANY and it was VERY CONFUSING when they were too small to read.

These thumbnails were super small and would not have made sense without my list, I swear.

I printed this tiny thumbnail out at A4, so I could sketch over it and get a clearer sense of flow. Then began a loooong process of printing out tiny photocopies and rearranging the panels to be legible. It was a difficult balance of communicating busyness while making sure the hierarchy/reading order made sense.

After some tweaking, i printed out an A3 copy to draw my panel borders and text.

Doing this on a separate piece of paper means I don't have to worry so much about messing up the text or borders when drawing the characters. This allows me to be more free and expressive with my illustration.

Woah! Quick trip back in time!! During the thumbnailing process I drew these warm up sketches! I looooved the way the linework came out. I drew this on an A3 piece of paper - and the shocked Gem would, in theory, be one of the smallest panels. So I decided to do a crazy thing.

I touched up the sketch digitally, compiling some of my favourite warm up sketches, some traditional sketches made for the panels, and filling the rest in digitally. Then I printed this image out in QUATERS at A3!! This meant the final sketch layer, printed out was A1!! (aka very large, considering the final file would be at A4, about 8x smaller)

I did this so I could get fairly small detailed lines with my pencil while being quite expressive and firm with my mark-making. Slowly, I dlined all of the panels traditionally and scanned them in. Then I assembled the finished linework on Photoshop, along with the text and panel borders and got to colouring :D

final linework :D

For colouring, I played a little bit with halftone but I found the texture made it feel a bit too busy - the panels are already doing enough. Because of this, I also decided to use a limited colour palette. Here are some images of the colouring process, which I won't go into today.

I'm really happy with how this came out - I think it captures the chaos of the moment, while taking time to linger on the emotion of it. Keeping that bow moment really made it, I think.

I think the last panel is still quite weak. Earlier in the process there was a low-angle shot of Gem about to kill Scott which may have been more powerful, but I think I was struggling with my actual drawing skill when it comes to perspective. A lot of learning how to draw, and in particular with comics, is about knowing where your skills are at, how to utilise them best and how to test and push them.

I'm glad that I started again, instead of finishing that composition I wasn't happy with. It was a tough project but I learnt sooooo much from it, and it's been essential skill-building for.... the current comic I'm working on (stay tuned!!! :0) Thanks for reading this incredibly long post! Go check out @trafficzine and look at all the other cool art Cool vibes and silly men,

Archie :D