#I hate the all new x-men

[wanderingmind867]

I just started reading Banshee's debut comic (I got distracted after the first six or seven pages, though), and I have to say something: I'm impressed. He doesn't speak in some awful dialect that mangles an Irish accent. Like, trying to do an Irish accent when you're reading out loud is one thing. But writing one out? Writing his dialogue so phonetically that it seems super accented? I mean, it works. And it can be fun or funny to read. But is it super sensitive? I don't think so. And the fact that Roy Thomas didn't give him an accent is pretty good to me. Which lends more fuel to my fire that Chris Claremont inadvertently messed up the X-Men. He had characters say the N word, he killed off the one native character (who was himself pretty racially insensitive, but that's a different problem) within the first few issues, he killed off Jean Grey! Chris Claremont is awful.

[aishabellasbigblogofeverything]

I love it when women hate men. I love it when women are allowed to vent to each other about how horrible and creepy men are. I love it when women form friendships with and prioritize each other over relationships with men(whether they're attracted to them or not). I love it when women put men dni in their bios and on their nude photos and on posts on their blogs. I love it when women refuse to mollycoddle and accommodate entitled male feelings with "but this doesn't mean I hate all men, I know a few men who are great, I love my father/sons/brothers/uncles/male cousins/guy friends" I love it when women complain about men WITHOUT "not all men" being a disclaimer. I love it when women avoid socializing with/refuse to be around/befriend/get close to men because they know men can't be trusted. I love it when women make "kill all men" jokes. I love it when women offer absolutely no concern or care for men's feelings and if their misandry offends men whatsoever because why should we, men are the oppressor class who have raped and killed and abused us and kept us as subjugated as second-class citizens for millennia, they regularly mistreat us and the women in their own marginalized communities still every single day and make this world so much harder and more awful for us to be in, and if we choose to hate them and not spare them any sympathy then so be it, and I don't just mean "men as a class" either, you can be a woman who doesn't want to have anything to do with any man on an individual basis and completely cuts off men from her personal life too and ykw I will love and fucking support you in that because men deserve absolutely NOTHING from us. If they're so tough and strong then they can handle it just like they can handle being lonely. If you are a woman who hates men, ESPECIALLY IF YOU ARE A LESBIAN AND/OR A TRANS WOMAN, then just know that I love you. I love you, I support you, and you are safe here.

[thepersonperson]

Sukuna’s Loneliness Part 4 (Sukuna’s Negative Rizz)

Part 1 Part 2 Part 3 Part 5

Some warnings before we start.

1) This analysis deals with sexual topics.

2) I will be mainly using the TCB scans because of their accessibility. Raws are from mangareader(.)to.

3) This was written as of JJK 262 266. (I'm just going to keep updating this until I stop finding things I should've noticed earlier.)

4) The raws broke me in ways you cannot possibly imagine.

(Click images for captions/citations.)

Fighting as Communication

Baki the Grappler. This is a manga where men destroy each other’s bodies as a test of strength. It’s poorly written but the art is terrifying and I love it so dearly. Between fights of extreme violence and body horror the characters eat. And that’s it. That’s the manga.

I bring Baki up because Gege is a huge fan of Fujimoto Tatsuki, the creator of Chainsawman. Fujimoto is a fan of Gege too, but more importantly, he is a huge fan of Itagaki Keisuke, the creator of Baki. (His daughter made Beastars btw.) In a way, this means Jujutsu Kaisen has been influenced by Baki. But that’s not a surprise, a lot of manga is.

Itagaki’s work is so massively influetial on Japanese media that it’s kind of hard to grasp since it’s not as popular overseas. When listening to interviews from various Japanese creators, Baki will often be cited as a major influence. And the thing is, you can tell when a creative has read Baki. There’s nothing quite like it. If you’ve read Baki and consume Chainsawman, you will see its bones everywhere. I feel the same about Jujutsu Kaisen.

The main antagonist in Baki is Yujiro Hanma. He is the strongest creature alive. So much so that he has no one to call a rival. He’s bored. He causes trouble. He kills his wife to motivate his son, Baki into becoming stronger. His son, Baki, who he grooms into becoming a fighter that might beat him in combat one day. Kind of sounds like Sukuna, right?

But that’s not my point here. My focus is how Baki doubles as a discussion about strength and manhood. It’s aggressively bisexual. Men love each other with their fists. Straight up the main character says having sex with women is the same thing as fighting men.

And it just doesn’t stop there. The homoerotic nature of the fights is never shyed away from. Here’s an example of my favorite.

He grabs his balls and compliments their size. That’s pretty gay, right? Well there’s this reanimated prehistoric caveman called Pickle that fights Baki’s brother Jack. And how do they fight? They kiss.

I didn’t call it a kiss. Itagaki did. I didn’t say they melded together. Itagaki did. This mangaka overtly calls attention to the homoerotic nature of men fighting men, and how men communicate their love for each other through violence. And yes, it’s sexual. Itagaki wants you to read it that way.

But sometimes he doesn’t want you to read it that way. Sometimes the fights are a dialogue, an emotional conversation. Like one between father and son.

Itagaki is a master of narrative framing. When he wants you to feel a certain way, you will feel it. He also tells his readers that there’s more to the fights than just fighting.

Those are the ideas that help me see the bones of Baki in other works. Men loving men with violence. Men communicating with men through violence. I see these ideas in Jujutsu Kaisen too.

Jujutsu Communication

I’ve gone over how Yuji commucates with other people on their own terms. And a lot of it is through fighting. A conversation without words, learning how someone works. Yuji is good at using fights as tool of communication.

But he’s not the one who tells you that there’s more to the fights than just fighting. Maki does in her spar with the sumo guy.

Just like Baki. Fighting is a means of communication. Gege has told you that there can be more to the fights than fighting. It's a tool used to understand the self and others.

With that in mind, I want to reexamine a particular fight under the lens of Baki rather than Umineko.

Sukuna vs Gojo

Baki tells you that homoerotic readings of its fights are intentional. If you ask me, this probably stems from historical stances on masculinity and homosexuality in ancient Japan. Men loved men and women differently, but both were ok. That’s how Baki can have a girlfriend and his gay fights. Peak bisexual optimization.

What does Jujutsu Kaisen have to do with this? Well it has been extremely queer friendly. We have a multidue of canonical trans characters, non-binary characters, and other flavors of queer characters not disparaged for their identities, Gojo Satoru included. It may not be stated outright, but Gojo and Geto do love each other in a gay way. The subtext is so persisent it’s basically text.

In other words, Gege has already told us, yes please have queer readings of this text. It’s the same way Baki tells you, yes this is straight up convoluded gay sex. So that’s what I’m going to do. I’m going to reread the Sukuna and Gojo fight as some ridiculous mating display between two men who are fighting over can miscommunicate their intent the hardest.

Framed as Courtship

Let’s start with the framing. The pre-fight set up. How does text tell you queer readings are allowed?

Kenjaku does. It’s romantic. It’s a date. This reading has been made valid explicitly. And if there’s room for doubt because of the sarcasm? There’s still additional support for it.

We already know how badly in love Gojo is with Geto. The fight is on the 24th of December, the most romantic day in Japan. And in a fun little Geto parallel, who declared the start of war on this day, violence underlines this new romantic venture.

That doesn’t include Sukuna who recalls Yorozu’s words about teaching love in the context of marriage.

Gojo never heard that conversation which is why the next point is absolutely insane.

The outfit Gojo initially is in resembles that of a groom at a Shinto wedding.

Shinto weddings were implemented after the Heian era. Part of the ceremony includes a priest and a shrine maiden who respectively stand to the right and left of the altar. A purification ritual will occur, lead by the priest, to cleanse the shrine before vows are exchanged. Gakuganji is the priest and Utahime is the shrine maiden. To the right and left of Gojo respectively.

The bride at a Shinto wedding wears mainly white. After the 200% Hollow Purple cleanses the area, the dark shawl is removed and Sukuna remains in mostly white.

How interesting that this battle has been framed as one between groom and bride.

The thing is, marriage in the Heian era was far more lax. There were no major ceremonies. If a man was interested in marrying a woman, he would visit her for 3 nights after receiving approval from her father. Upon the passing of their 3rd night together, the family would have an informal celebration of their union in private. Even after marriage, multiple partners were allowed and sometimes encouraged.

Yorozu’s big celebration proposal to Sukuna and banning of concubines was quite improper by Heian standards. Though it is in line with modern marriages. If Sukuna did not consume any Shinto wedding literature, he probably didn’t recognize that Gojo was dressed as a groom.

But did Gojo dress this way for Sukuna intentionally? The Toji fit served an entirely different purpose. It’s the robes and pre-fight ceremony that catch my attention. So I propose the following:

1) Gojo dressed up as a groom to die and be wed with his one and only Geto in death.

2) Gojo dressed up as a groom in part as an offering to Sukuna. And because Sukuna is from the Heian era it went over his head entirely.

3) Gojo intended for both of these things at the same time and left who he would end up with to fate.

Regardless of what Gojo was going for here, it’s a visual cue combined with the knowledge of it being Dec 24th that encourages the reader to perhaps consider the fight as something other than just a fight. A date perhaps? Kenjaku made the connection and neither Gojo or Sukuna really denied it. Gojo gave the weak excuse of a death anniversary confusion. But much weirder, given how hostile he was to Yorozu, Sukuna did not object to the romantic framing in any capacity.

Am I reaching? Is this reading intentional?

When I start getting this confused by how a translated work wants me to read it, I try to refer to the original language text and anyone who knows it for missing context. Sometimes localizations add things that weren’t there or push readers towards one interpretation. So for the rest of this analysis, I’m going to be focusing on the raws.

I’m going to be honest. My Japanese fudging sucks. I can barely read kanji and can’t reliably translate anything. Feel free to correct me if I got something wrong. That being said, with what little I do know, I have discovered something interesting.

In this post I talked about how weird Sukuna’s manner of speech is. I focused on his you pronoun usage of お前 (Omae) for everyone else and 貴様 (Kisama) for Gojo since this is a strong indicator of how a character views their relationship to someone.

Here's a summary of the two points I made in that post:

1) Omae is informal and either a casual thing amongst peers or indicates the speaker's higher status. Since Sukuna is arrogant, we can reasonably assume he's talking down to people.

2) Kisama historically was a formal show of respect, but in modern times it is a hostile insult, much more rude than Omae. Since Sukuna is 1,000 years old and hates Yuji (who he uses Omae with), we can reasonably assume Sukuna was being friendly to Gojo when he used Kisama.

With that pronoun usage in mind, while examining the raws for the infamous “You Cleared My Skies” speech I found this:

Kisama. Sukuna is very happy and lavishing Gojo with praise. The assumption it was formal from the start seems to be correct. It's hard to read this any other way.

Though Japanese can easily be dubious in its interpretation, there are instances where context can cut off all other readings. I truly believe this one of those cases.

Now, to confirm Sukuna is still only treating Gojo this way I started looking at his you pronouns as he got excited post-Gojo death. Maki is the person he seems to admire the most.

He’s still just using Omae. What does that mean? Gojo is in his own fudging category for Sukuna and he has been there since the start of the manga. (For more on why this is significant, refer to this post.)

Wow ok. That’s pretty intense! We’ve got Gojo dressed up as a groom on December 24th and Sukuna treating Gojo different from anyone else. I read their fight again under the lens of explicit courtship and focused in on these specific panels.

Satisfaction. Now that’s a word that can easily carry a sexual connotation. Love as well. The parallel syntax fascinated me in English. So I decided to look at the raws and see how close they are.

Pretty much the same except for "the one who will teach you love" and "the one satisfying him now". Since the one being satisfied is Gojo by Sukuna, it really seems we can assume the one being taught love is Gojo by Sukuna.

Time to learn some Japanese again!

Kanji has multiple readings. Most have at least two. The Onyomi (Chinese) reading typically used for nouns and the Kunyomi (Japanese) reading typically used for verbs. (This is not always the case but it’s the basics.)

That’s probably why 満 is read as まん (man) when Gojo and Geto are talking about “satisfaction” using the On version and み (mi), the Kun version, when the narrator is talking about who “satisfies” who.

However 満 on its own does not mean satisfaction. It means full. To be filled. Or fullness. 足 (zoku) is added as a modifier after 満 to be read as satisfaction 満足 (manzoku). 足 usually means feet, but it can also mean to be sufficient. Manzoku therefore has a direct translation of being sufficiently full. It’s not a surprise a lot of food places in Japan use Manzoku in their names or advertising.

But what’s this? Why is this sentence written as 満たして or Mi(tashite) instead of 満足して or Manzoku(shite)? The addition of Zoku is what transforms Man into "satisfying". Without the Zoku, it’s just "fill". The means this sentence can be read as “The one filling him up now is—”

We’ve already established that the blank is Sukuna. The new problem is that he’s filling Gojo up. And boy, does that sound homoerotic to put it lightly. But perhaps I am reaching.

So I did what any sane person would do in this situation. I read hentai.

Surely if the phrase 満たして (mitashite) can carry a sexual connotation I will find it in hentai.

...

I immediately found a yaoi doujin called Fill me with your Big Love aka おっきな愛で満たして (Okkina Ai de Mitashite). Honestly, I found too many doujins about creampies specifically. (You have internet access verify this yourself.) When you search Manzokushite the results are much more in line with life satisfaction than sexual satisfaction. ...So Gege decided to use the more frisky phrasing.

Manzoku is also the name of an active sex toy manufacturer (I’m not linking them use a search engine.) and a discontinued adult entertainment news company. So the satisfaction Gojo and Geto talk about, along with Geto using 妬 (ya), the jealous kanji often used between lovers, is definitely probably carrying a sexual connotation too.

So, I’m not reaching. What the fudge did Gege mean by this?

Now that we've established that I am NOT reaching. What do we do with this information?

Well, we ruminate on the fight with the knowledge that Sukuna, of his own volition, decided to get Gojo off, probably.

I have forgiven Nanami for calling Gojo a pervert. If I watched someone bust a nut after being cut in half by his sworn enemy instead of saving the country, I too would be like what the fudge.

Anyways, the typical phrase used for an orgasm in Japanese is 行く(iku). It translates as to go. And yes it can mean to die, as in going to the other side. To die and go to heaven if you will. Which is what Gojo did with a big old smile on his face.

There’s also the term 心天 (tokoroten). It refers to a dish were a semi-opaque white substance is pushed through holes to create noodles. Literal translation using the kanji for heart 心 (kokoro) and the kanji for heaven 天 (ten). (Don’t ask me why them being smack together turns the Koroko into Tokoro. I don’t know.) Which in slang refers to prostate orgasms. This has nothing to do with this analysis I wanted to drop this fun fact in here. …And this image of Sukuna clutching his heart while looking at someone he sent to heaven.

(This is a reach but the idea of this being an elaborate gay pun amuses me greatly.)

I have another fun slang term: 賢者タイム (kenjataimu) which directly translates to sage 賢者 (kenja) time タイム (taimu). This refers to post-nut clarity sending someone into a meditative-like state.

Oh that’s a bit familiar. Sukuna was giving sagely advice to Kashimo and reflecting on satisfaction and love.

And what’s this? Mitashite has made a reappearance! Sukuna is saying “I’ve never thought about needing another person to fill me up.” Which 1. further supports the 'The one satisfying/filling him (Gojo) now is—Sukuna.' reading and 2. suggests Sukuna is a top suggests Sukuna really doesn’t have sexual interest in people. (Since the context of this convo is relationships and love.)

By the way. Acts of eating in Japanese can be modified to carry sexual meanings. It’s a bit more suggestive than English, but it carries over pretty well I think? 肉食系 (nikusokukei) refers to someone who aggresively pursues romantic or sexual relationships. Composed of the kanji 肉 (niku) for meat, 食 (ta) for eating, and 系 (kei) class. If you noticed, 食 isn’t usually read as Soku. It becomes Soku when paired with Niku for some reason. (I don’t know why someone please help me.) Side by side the kanji 肉食 (nikusoku) means meat-eater.

食 is still interesting on it’s own. The 食べる (taberu) reading is normal eating. The 食う(kuu) reading is an innuendo. It can mean to devour someone, like a cannibal, or devour someone sexually.

Sukuna has made it very clear that his eating of people is literal. There’s no innuendo. In fact, if you read into it, he’ll kill you (rip Yorozu and Kashimo).

Gojo, however, appears to be his sole exception to this rule. When Sukuna tells Kashimo not to spoil his pleasure he uses the kanji 興 (kyou). This of course can be directly translated as pleasure, but the Chinese reading of it can also indicate intense excitement or sexual arousal.

Sukuna is pretty good at double-entendre wordplay if his earlier stunts with the kanji for Enchain doubling as Megumi Activities if read a different way is anything to go by. He's a fan of Chinese literature. It's not a stretch to assume there's more going on here.

And if notoriously homophobic Reddit dudebros are posting things like this. Maybe there's a lot more merit to this reading than I can currently grasp.

I’m still pretty convinced Sukuna is aroace. That of course doesn’t bar him from pursuing romantic or sexual relationships. Sometimes there’s the one exception. Sometimes the desire to be with and please an allo partner allows for engagement of activities they aren’t into. Sometimes the actions are pursued without the emotional attachment because they physically feel good. There’s also the gray-scale and demi labels to consider.

With that in mind, I want to emphasize this all points to how important Gojo is to Sukuna regardless of sexuality. He tried to engage with and understand Gojo on terms he won’t for anyone else. And he’s been pursuing this connection relentlessly since the start of manga.

Sukuna’s Negative Rizz

Ok I established that reading the Sukuna vs Gojo fight as unhinged courtship is supported by the text. That doesn’t really say anything about Sukuna sucking at it.

But, my dear reader, that in of itself is proof of his negative rizz. I had to sit down. Learn about Heian era and Shinto wedding rituals, learn more Japanese, splice seemingly unrelated manga panels together, read hentai, and know that Gege is into yaoi to come to this conclusion. I had to rip every little shred of characterization and context apart and rearrange it into something comprehensible.

You know who can’t do that? Gojo.

As far as Gojo is concerned, Sukuna hates him. Kisama is an extremely hostile you pronoun in modern times. And if Gojo can’t tell Shoko (his closest friend after Geto) is stressed over him being used like a meat puppet by her visibly falling back on her addiction, he’s going to default to the assumption Sukuna hates him just as much as everyone else.

And Gojo does just that. He assumes he failed to reach Sukuna. Despite how often they did hand to hand combat and weaponized their knowledge of each other, Gojo believes they never had proper conversation through fighting. He dies not understanding Sukuna, convinced the other was not trying to communicate with him at all.

And if you recall, all of this fight occurred while Sukuna was wearing Megumi’s face. That boy is pretty much Gojo’s adopted child. From my experience, most single parents do not go looking for clones of their kids as partners.

If someone wore the skin of my family member I would assume they were trying to torment me. And torment Gojo Sukuna does. He draws attention to Megumi’s soul being used as collateral and attacks him with the 10 Shadows. We as the audience know this is all for the sake of getting past Infinity using his Shrine. Gojo doesn’t know that. He’s fighting an evil dude who is puppeting the body of his son for god knows what reason.

Seriously, Sukuna sucks at communicating intent.

In Part 3 of my examination of Sukuna’s loneliness, I said Dismantle is a tool Sukuna uses to understand. And that him upgrading it by making Gojo the center of his world was indicative of his desire to reach him. I also said his refusal to use it on Yorozu was him expressing how little interest he had in her.

Yorozu is pissed by this. She sees it as Sukuna rejecting her and I don’t think she’s wrong. Sukuna saved his special Cursed Technique (CT) for Gojo while turning Yorozu down. If we’re considering all the wedding imagery and references that started with Yorozu, I’m certainly allowed to read that as him saving himself for Gojo. (Think of how he lied to Gojo about being the first one he killed.)

There’s also the fact that Yorozu saw their battle as an expression love and lust—that the usage of CT is a type of foreplay under certain circumstances since it is an extension of the self. Combine that with the established premise that fighting is a type of a communication thanks to Maki vs Sumo Guy and you can start to see the courtship logic behind Sukuna’s treatment of Gojo.

If we are to read “The one who will teach you love is…Sukuna” there’s another adorable caveat. Yorozu uses the you pronoun あなた (Anata) for Sukuna.

It’s an informal you pronoun used by people learning Japanese. Native speakers try to avoid using it as it can come across as rude. But in the context of love? This is colloquially called the wife pronoun as its often used by a wife to her husband.

If you wanted to localize its usage in the way Yorozu means it, Anata might become “you, dear”. So here we have Sukuna dressed in white, like a bride to Gojo’s groom, thinking of him as Anata.

The problem is, Gojo doesn’t know that. Sukuna never bothered to open his mouth and say this was an act of love. Sure he told Kashimo in the most roundabout way possible, but Gojo was the one who needed to hear that. If a courtship is going to be this diabolically complicated, there has to be clear hints for the other party. JJK is not Umineko where there’s a witch that can revive the dead over and over until the idiot finally understands this was all for them.

Gojo also doesn’t have access to the kanji Sukuna uses to describe certain techinques or words. He hears the phonetics and runs with whatever best fits the context. This means there’s no way for him to catch the double-meaning unless he’s a certain type of lingust, which he is not. His manner of speech and personal interests don’t line up with the flowery language of the Heian Era. The types of written works Gojo is into are historical war politics from the Sengoku period (known for violence more than the fine arts), Shonen manga, and physics/math.

And what's this? According to CFYOW (the canon light novels): JJK Thorny Road at Dawn, Chapter 3 Asakusabashi Elegy, Gojo doesn't even like ancient poetry. You know, the thing Sukuna enjoys and tries to communicate with.

The Kokin Wakashu Gojo off-handedly disparages is a compilation of Hiean Era poetry known as Waka. This was the primary means of communication amongst the noble class and spiritual leaders at the time. And the thing is, this poetry is supposed to be read into. Down to the quality of stroke and paper, not just the kanji written. Especially for courtship.

It’s not that Gojo is stupid. He just doesn’t specialize in the studies that would give him a more critical ear to Sukuna's words. And Sukuna doesn’t seem to understand that no one in the modern era communicates like this anymore.

If you didn’t know, this is why Japanese characters introduce themselves they often describe what kanji their name is spelled with. Take for example: Satoru. He uses the kanji 悟 meaning enlightenment. This kanji can be read as Go instead of Satoru. Additionally, the name Satoru can be written in kanji as 聡 for smart, 智 for wisdom, 知 for knowledge, 了 for understanding, 哲 for philosophy, 聖 for virtuous, or 暁 for daybreak. That’s 8 different kanji possible if you hear the name Satoru.

This is why Sukuna’s wordplay for everything else can be easily missed by other characters. They hear the words and cannot read the kanji like us. Context decides what Sukuna means for them. And since Sukuna’s context for most is violence and insults, it’s very hard for them to think about his words in any other way.

And boy howdy does Gojo miss it. Sukuna straight up calls him his husband and it took me several rereads to catch it. While mocking Gojo for being unable to open his domain, Sukuna calls him "painfully ordinary". This is localized from the word 凡夫 (bonpu) which can also be translated as unenlightened. (A layered insult! Sukuna is pretty much saying Gojo's sorcery is so boring he shouldn't even call himself the Honored One.)

The thing is...Bonpu is comprised of the 2 kanji 凡 for mediocre, and 夫 for husband. (Please note that there are many other ways to call Gojo a ditz without using the kanji for husband.) And an update from the Replies: Turns out there's layers to the gayness too.

It's come full fudging circle. Gojo came dressed as a groom for a wedding and Sukuna thinks they're already married. The miscommunication is off the rails.

But wait! There's more...

Earlier I mentioned that the kanji for Enchain doubles as Megumi Activities. Let's break that down more. (Unfortunately the Twitter account of the person I referenced may or may not be nuked so here's this screenshot I've doctored.)

So we have the translation of Enchain from 契闊 (Keikatsu), which might be better localized as Separation.

This term comes from a Chinese poem about lovers who are husband and wife in The Book of Odes, Section I (Lessons from the States), Chapter 3 (The Odes of Bei), Poem 31 (Banging the Drum). (Here's a link to the full poem and context of it.)

In summary, it’s about a soldier who is on the brink of death, having lost nearly everything after being abandoned by those in power, lamenting the happiest days of his life with his love are ones he can never get back. (Hey that sounds just like what Sukuna did to Yuji!)

Keikatsu specifically comes from this passage:

“Our vow is beyond death and life”, I and you are together I always remembered. I will hold your hand, And together we grow old.

Too pitiful we are faraway apart, The distance separates us to meet again! Too miserable this takes forever, And it does not let us fulfill our vow!

Keikatsu is used to exemplify how the physical distance between the husband and wife prevents them from fulfilling their wedding vows. And that's just what Keikatsu/Enchain does to Yuji and Megumi, it causes painful separation neither of them wanted.

Keikatsu also tells Yuji exactly how Sukuna plans to do it. 契(kei)闊(katsu) can be written as 恵(kei)活(katsu). The kanji 恵 can be read as Kei or...Megumi. (It's the literal kanji used for his name.) The kanji 活 (katsu) can mean "activities", which is how we get Enchain=Megumi Activities.

A two for one special! Sukuna mocks Yuji for being so close with Megumi while telling him exactly how he's going to destroy their relationship.

It seems this has nothing to do with Gojo until you consider the 3rd possible reading from wordplay with 契闊 (Keikatsu). The kanji 契 when read as Kei refers to a promise, pledge or vow. When 契 read as Chigi? It can refer to sexual intercourse, especially between husband and wife.

So we have 契闊(keikatsu, separation), 恵(kei Megumi)活(katsu, activities), and 契(kei chigi, spousal sex)活(katsu, activities). It's no wonder he erased Yuji's memory of it.

Keep in mind, that when Sukuna uses Keikatsu, the only vow that he has made at this point is his promise to kill Gojo. He eventually does that using Megumi's body during a fight framed between groom and bride. And for reasons beyond their control, Sukuna and Gojo have been unable to fulfill that vow through lengthy separation.

Notes from poem "Banging the Drum" Sukuna references include the following:

"And during the operation, he lost his horse, which was a desperate situation (horses in ancient time carried soldier supply and weapons, are life companion for soldiers in advance or retreat), he lost his horse, his supply, maybe his armor and weapons, and the road he was facing that we may lose his life so he may never go back. In all these mess, he started searching, and somehow at this hopeless moment he started to revisit his happiest moment, when he together vowed in marriage ceremony with his wife, and he was even afraid that he might never see his love again."

"And His last statement for his true value is his home, his love, his fulfillment of his vow is his true duty. Hero's duty is to pursue love."

In Buddhism, which JJK is heavily influenced by, horses are a pretty big deal. Horses can represent the path to enlightenment, especially since The Buddha's horse is what takes him on this journey away from his wife and children. They separate in the end though, the horse dying of a broken heart.

Remember how Sukuna called Gojo unenlightened? He sort of guided Gojo to enlightenment using Mahoraga, whose Eight-Handed title is a reference to the Eightfold Path to be followed for enlightenment. Buddhist enlightenment is centered around liberation from suffering. (Just check the wiki entry to verify this.) Infinity was the source of Gojo's suffering and Sukuna cut right through it.

Sukuna has been running around with a broken heart for a good chunk of the post-Gojo fight. And if you take that into consideration with this poem and all the other symbolism, he's somehow a Buddha, a Bodhisattva, the dying husband, the widowed wife, and the heartbroken horse all at the same time. Not unlike his wordplay taking on every possible meaning at once.

But my point here is that Sukuna might’ve seen his fight with Gojo as consummation of their marriage. (There's probably a joke in here about the husband reaching climax while leaving his wife unsatisfied.) Remember in the wise words of Itagaki Keisuke, "Fighting and sex are exactly the same!"

In Conclusion?

This is possibly one of the most bizarre and elaborate expressions of love I have lost my mind over. Sukuna gave everything Gojo ever wanted from Jujutsu violently. He did it in such an unpleasant and cruel way that the target of his affection thought there was nothing between them. Sukuna also hid his intent under social norms that no longer exist. Unless Gojo happened to be into ancient literature, there was never a scenario where he would catch onto this. Sukuna's failure is critical on multiple levels.

It’s impressive. It really is. No one knows how Sukuna’s strange little brain works so he’s stuck being loner without anyone that fully understands him. (I’m still thinking about how Uraume didn’t know Sukuna was a twin for over 1,000 years.) He’d have to let people in and tell him outright, but he’s just like Gojo so I guess that’s never happening.

[dumbassalex]

The fact there's like 5 posts about Saladin Ahmeds Wolverine issue 1 but a boatload of posts related to that fuckass movie is CRIMINAL!

Like c'mon people, there's a big focus on Logurt, they hug and Logan patches him up and worries for him, Logan runs around naked for like half the issue, even next to Kurt. There's angst and comfort and them working together and it's so sweet.

Not to mention LOOK AT HIMMMM! He's so wide and hairy and wild!

LOOK HOW SHORT HE IS! THAT'S MY GUYYY!

[wickedwitchofthesouth]

I will actually never forgive the x men for villianizing baby Scott for choices his older self made but forgiving Jean entirely despite her older self making those exact same mistakes.

Why does Jean get to be a martyr, but Scott will only ever be remembered as a Monster?

[lovealwayssay]

I can't believe that in the year 2024, I spent 20 minutes of my therapy session trying to explain the Destiel confession followed by immediately getting sent to super gay Hell so I could tell my therapist that I received the news that Trump had been shot through that meme.

[wishchip106]

i can’t believe they don’t play chess in apocalypse 💔

another flaw added onto the list 😔😿

i guess Magda’s death was still an open wound so Erik didn’t want to get freaky straight away 💔💔

[myokk]

More regency au💓

Ok so I’m DYING of laughter at these male fashion plates I found of Regency clothing & I needed to share them😭😭😭😭😭

I have LITERALLY NO IDEA what the artist was going for and I love it😇🙏

(and also to show that my regency pictures are period-accurate & Bridgerton is really NOT jajajajajjaja)

[strangenewwords]

wtf is Warren’s problem?

I mean, was 616 Warren this way with Betsy and I missed it? No one is ever shitty to Logan Wolverine about throwing himself in the middle of things. They just accept that it’s something he does, but for Warren to want her to back down? It feels sooooo misogynistic and I hate it. Quit being such a lousy fuck, dude.

[scarlettfevor]

Decided to start watching teen wolf because why not, and I'm literally only 3 episodes in and I already suspect that Scott is probably going to be my favorite, and I know that there's a thriving shipping scene for this show so I took a quick peak at the top ships on ao3 and it......Derek and Stilies...? I think that once I get over his kinda cringey early 2010's humor I could grow to like Stilies, but Derek? To me he just seems like every other sad bad boy in every twilight/Buffy-inspired teen show from the 2000's - 2010's, there is 0 chance I'll actually like him, so it's no surprise really that he seems to be fairly popular.

[heartbreakfeelsogood]

i think millennials are the worst generation i’ve had to work with i’m so serious

[nthflower]

I am worlds only Kuan-yin xorn fan. Number one. Just me. Hard and unpaying job.

[pyechmushy]

Unfortunately, my frivolous side wins sometimes and I refuse to read certain sagas because I think the design is fucking bad

[dumbassalex]

Question: Any good Wolverine comics out there that feature X-23 / Laura? Preferably with Logan in Dad-Mode. XD Can't get enough of those two at the moment.

Yk...i dunno if i can think of any because for some reason Logan was just in complete asshole mode and was out-right abusive to her or at best dissmissive of her (whitch is why i struggle so much to get through the 2008 X-force run, it just handles Logan in such an odd way, especialy considering it's by Craig and Yost that made one of the most dad-coded Logans with X-men Evolution). But i remember them having nice moments in X-Terminators, whitch put focus on Dazzler, Boom-Boom, Jubilee and Laura (a fun little mini that i reccomend if you want some simple dumb fun). But overall there's the previously mentioned X-force run by Craig and Yost from 2008, they meet in X-23: Target by the same writers, they have some interractions in New Mutants when Logan brings Laura to join the team (funnily enough he calls her his sister there).

There's some dad-mode Logan in All-New All-Different Wolverine run by Tom Taylor, whitch is when Logan was dead and Laura was Wolverine, it's where we got Gabby and they meet Old Man Logan while he was stranded in 616.

I feel like the hardest part with these two is that as far as i read, early 2000s have good Laura handled by her creators but Logans characterization is so iffy because it was the edgy 2000s and Logan was being turned into a grumpy serious ex-military grunt with all that usual gruff military man shit. And Krakoa era has a better Logan, even if Percy doesn't write my favorite Logan because he also makes him more of a ex-military gruff dude, but Laura gets the shit end of the stick because she often gets turned into a female Logan, because that's what alot of writers seem to think she is when she's Wolverine. With the period in-between mainly has a very inconsistent take on Logan as he's in like 15 titles at once and then fucking dies, while Laura is handled by Bendis and is hanging out with past versions of the og X-men.

[madamechrissy]

Stripclub Owner Sukuna

Stripclub owner Sukuna x Fem! Stripper reader- headcanons

Now a series - Pour it Up <3 MDNI- warnings- OBSESSED Sukuna, oral sex (both receiving) fingering, spitting, cum swallowing (both of em lol) he's almost a little Yandere tbh lol, explicit sex, mentions of drugs, Sukuna being whipped lol

Stripclub Owner Sukuna- who loves what he does, the money he makes, the women, the entire atmosphere. What more could he really need in life?

Stripclub Owner Sukuna lights up a blunt with his co owner, Toji, as they lounge back on one of the bright red Sofa's, watching their girls dance around them while they hold business meetings. Sukuna certainly doesn't mind beautiful women, nor does he mind snorting coke right off them.

Stripclub Owner Sukuna throws back a shot, when suddenly he sees someone so different, so fucking pretty it makes his heart thud in his chest. He can barely stop himself from yanking you right away from this. He's slicking back pastel hair when Toji introduces you so casually, wearing a pretty silver bikini that shows too much of your sexy body. You look shy? You look nervous?

Stripclub Owner Sukuna takes your hand then, smirking at you, watching the blush decorate your cheeks, when he finds you're going to be a dancer, he immediately wants to say no, dance for just him, a level of possession he's never even felt with his girlfriends. Sukuna's shared plenty of women, but if he got you!?

Stripclub Owner Sukuna smacks Toji for even bringing you here later, and Toji scoffs. 'She has a kid and shit, she'll make top dollar here' Sukuna falters at such news. 'Don't ya think she'll make bank?' 'Tch, of course she will... it's just she's so...' Toji snorts. 'you got the hots for her, huh? Well she ain't some easy girl, I know her'

Stripclub Owner Sukuna knows he must have you, when you're stepping around the stage, and he's eyeing you, sitting right in front of the stage as you get on your knees, crawling toward him and smiling shyly. 'how're you a shy stripper, huh? not gonna work' he huffs, and you tilt your head, hand slipping down his tie. 'No allure in a shy dancer, Mr. Sukuna?'

Stripclub Owner Sukuna loses his mind when he hears his name spilled from your glossy lips, as he thinks of shoving his cock deep inside that mouth, so close to his when you turn. You bend over, ass right in the air, begging for a smack as you look back at him, hair falling over your face. 'Why're you here?' he demands, eyeing the curve of your back, cock hard like he's some pathetic teenager or something.

Stripclub Owner Sukuna tenses when you say - 'I need the money, isn't it why everyone does this?' 'Toji says you got a kid' you tense then, turning toward him nervously, as the stagelights glimmer all over your skin. 'That a problem?' Sukuna shakes his head. "Nah, lots of girls here do...' You exhale. 'I'm a single mom, my friend can watch her at night, why not work while she's asleep? I can spend my time with her'

Stripclub Owner Sukuna admires the fuck out of you as you dance your pretty ass off, but he hates the men that see you, see you in just your little bottoms and tassells, breasts bouncing, ass jiggling as you shake it, as you move. You're a whole star quickly, the few hours a night you come in you make bank, but as soon as you leave, he's in his office, jerking it to you, imagining those nipples, that pussy he sees hints of with your spandex panties.

Stripclub Owner Sukuna On one particular night forgets to lock the door, you're still out there dancing but he can't take it, you're too fucking sexy, he's picturing burying his face in that nice ass of yours as you step inside, shutting the door quickly when you see it, his enormous dick in his hands, covered in precum. You gasp, looking away quickly. 'shit I'm sorry, it's my ex... he's such an ass and I didn't want him to see me...'

Stripclub Owner Sukuna pauses, in shock as you look back down at him, licking your lower lip. 'I'm interrupting...' you come closer though, watching, breath catching in your throat. 'Want me to beat him the fuck up? ruin him?' Sukuna murmurs, voice husky, when you keep walking towards him, and he slowly strokes, from the base to the tip of his veiny length, acting so casual. 'No, you don't have to do all that, you're already so good to me' he laughs then, shaking his head. 'You are, maybe I should... be good to you?'

Stripclub Owner Sukuna can't form a thought when you're stroking his cock, leaning so close, lips just a breath from his, taking two of his fingers and sucking his precum off them, cheeks hollowing. Sukuna loses his control then, using those two fingers to slip so deep you cry out, earning his groan, uncaring if anyone heard. He's curling them up in your walls as you stroke, his eyes laser focused on your pretty face when he grips your hair by the nape of your neck. 'wanna suck me, huh brat?' he tries to keep it together, but when you nod eagerly, on your knees, he can't take how good your throat feels.

Stripclub Owner Sukuna has his cock fucking up into your throat, his salty precum against your tongue, and he wonders if it's some dream it has to be, you're too fucking beautiful to just be doing this, you shouldn't even be working, he thinks. He'd like you just naked around his house, to fuck you on every surface, fill you up with so many kids you'd never leave. Sukuna is groaning while you suck him greedily, looking up at him with dilated, beautiful eyes, making him simultaneously want to fuck you and want to make love to you, stupid insane shit that irritates him.

Stripclub Owner Sukuna stutters when you suck harder, and he's cumming deep in your throat, not meaning to. No he wants to fuck your pussy, not this, but you make him cum so fast it's stupid, swallowing him with a pretty smile, as you lean up on shaky legs. He presses a kiss to your lips, desperate and messy, tasting all of his cum all over your mouth. You're gasping, until the door opens, and you pull apart, seeing an amused Toji. You are losing your mind later as you clean up to go home, wondering what's gotten ahold of you, when Sukuna is waiting right outside.

Stripclub Owner Sukuna loves it when you look down so shy and pretty, you're biting your lower lip to death, he releases it from the grip of your teeth. 'you free tonight, brat?' you blink in confusion. 'you want...' 'want you at my place, spread wide f'me, yeah?' you gasp at the thought, shaking your head then. 'I'm not, I have to get home to my kid... but tomorrow night?' he nods, ushering you to your shitty car, picturing you in something so much better soon, leaning over with a smirk as he seatbelts you in.

Stripclub Owner Sukuna now that he's had a taste, he can't stop thinking of you, when you're at work the next day you're quickly in his office again, this time he's got you grinding on his lap, slick arousal pooling in your little outfit. 'I'll fuckin pay you triple, take the day off' "Mr. Sukuna...' 'Take. The. Day. Off.' Sukuna finally gets you home, having you bent over his couch before you can blink, ripping your pretty costume to shreds, pumping you so full of his cock you're trembling, shaking, head falling back as he fills you so good, slamming your cervix.

Stripclub Owner Sukuna has never felt anything like you, like your cunt pulsing around his cock, like his balls slapping your twitchy little clit, as you're sobbing it hurts so good, tears streaming down your pretty face while he rails his cock so deep. Sukuna busts deep in you as he wraps a big hand around your throat, fucking into you over and over, feeling you milk his cock for all he's got. 'Gonna fill you the fuck up, huh brat? gonna drip on the goddamn stage'

Stripclub Owner Sukuna has your pussy on his mouth when he's busted in you, starting to lap all the gooey white cum from your pretty pussy. 'Sukuna! ah!' you've never felt like this, so fucked out as his tongue scoops all your cum out, he's leaning over you, spitting it right into your mouth, chuckling. 'pathetic, just how I fuckin need you'

Stripclub Owner Sukuna is pathetic for you, he doesn't let you leave, he pays you for another day, fucking you in every position, at some point he's holding you upside down, you're bobbing on his cock as he's gripping your ass, moaning against your hole, you're falling apart, so weak and sore. when you finally have to go home, because you have your kid, Sukuna can't stop thinking about you, about how he wants you to have his babies, to be under him every goddamn night, so excited when you come into work, only to see you devastated.

Stripclub Owner Sukuna demands to know what's wrong, only to see your shady ass ex, who wants to saunter up to him like he's shit, you shake your head, but soon Sukuna is beating the fuck out of him. 'you have no clue who he is, Mr. Sukuna...' you tell him then, earning Sukuna's chuckle, his big grin. 'You don't know who I am, baby'

Soooo this is kinda a tease of a full fic- Pour it up

permatags- @alt--er--love @seeing-stars-alt @nanasukii28 @labelt-san @makingtimemine @cuntphoric @n1vi @aldebrana @indiewritesxoxo @loafteaw @moonlitwitchdaisy - also taggingggg- @naammiii @msniks @1worm1 <3

[deathbxnny]

Arcane women accidentally confessing to you. | Sevika, Jinx, Caitlyn, Vi x Gn!Reader

This is very self-indulgent, so enjoy.<3

Content: pre-season 2 because I want to be happy rn, slight angst if you squint, fluff, accidental confessions, maybe ooc??, cursing, sfw

Reader has no set pronouns!

((Not proofread))

》SEVIKA

She was resting at the last drop with you during some downtime in between missions. One hand lingered on your hip whilst her metallic one held onto her cigar, eyes focused on the pocker game she was playing with a couple of Silco's other henchmen. She always kept you close this way, a clear sign of who you belonged to despite never having said a word about it yet. It was a mutual understanding only you could have, and so she didn't think a confession was necessary.

Until today, it seemed.

You were secretly helping her cheat a little and eventually told her the winning move, which earned her a large sum of money. Letting out a smug laugh at everyone's angered and defeated glares, she gave you a lazy grin. "Thanks, sweetheart. This is why I love you." She hummed to you, smoke exhaling from her dark lips, before she froze ever so slightly. Well, it shouldn't be that much of a surprise to either of you, and yet she couldn't help but chuckle at your own stunned face.

Looking at the men around her, she threw some poker chips towards them, clearly asking for another round. She wasn't the type to get flustered or shy anyways, so her moving on like nothing happened was on brand.

The only acknowledgment you got, however, was the hand on your hip tightening.

》JINX

She has a hard time hiding her feelings for you due to her rather energetic and extremely clingy nature. But there is still a clear distance between you two that she's too scared to cross. It was a deep fear of ruining everything she had with you in case her confession went wrong. She'd rather you consider her your best friend for life if it meant for you to stay at her side. She didn't want to lose more people after all. And yet, as fate has it, she eventually lost herself in a good and happy moment with you.

You were tinkering on some projects in her hideout whilst listening to music. Her head was leaning against your shoulder as her eyes traced your focused gaze. Jinx felt so content and at peace in that moment that she couldn't stop the words that spilled out of her mouth. "I love you." It took her a second to realise what happened, and her body was quick to flinch away from you. You kept her in place, however, with a free hand placed against her head. "Hey, it's okay. I love you too. I'm not leaving." You reassured her quickly with a smile, one that made her heart skip a beat.

She may not see herself as deserving of you, but she's glad to have you at her side anyway. Hopefully forever.

》CAITLYN

Caitlyn was good at hiding her emotions from you. In fact, she had refused to tell you in fear of breaking the professionalism you two had and, most importantly, your friendship that she cherished deeply. And so, she was very careful not to reveal a single thing... until her confidence betrayed her and caused her to slip up.

You two were reviewing a new case together, and whilst she wasn't paying attention, she accidentally slid you her diary over. It unfortunately looked too similar to her work notebook, something she only realised the moment you opened it and froze in surprise. She may have scribbled your name all over it. She may have childishly drawn hearts around your name. She may have made it awfully clear that she loved you. And it made her wonder if there was a god out there that hated her deeply.

"... My apologies. Please ignore that-" "-Haha, I'm so relieved that I'm not the only one who did this!" You let out a soft laugh before pulling out your notebook and showing her similar pages to her own, just with her name written all over them. Her face was flushed from how flustered and embarrassed she was, but alas, she too couldn't help and chuckle at how silly this all was. At least you felt the same.

》VI

It's not like she didn't want to confess her feelings to you. She just didn't know how! Her confession should sweep you right off your feet in her mind, and yet nothing she came up with seemed good enough. Vi hoped that her flirting would get the point across, but she lacked the confidence to go any further than compliments. She just didn't want you to think differently of her and therefore kept her distance for the most part regarding the subject. That is if she could keep it in for lobger than she already has. She always felt so strongly about others, after all.

So, during a little hang out session in a bar somewhere in Zaun, she attempted to find the courage to tell you how she felt. Whilst she went off to go and get you a drink first, however, a drunken man showed up at your side and started flirting you in a rather uncomfortable way. You tried making it clear that you weren't interested, but as he went to grab your arm, a hand slammed in between you two onto the bar table. "Hey, I think they told you no, asshole." "Who the hell are you?" The man barked back, yet Vi didn't back down and simply blocked you from his view with her body. "I'm their girlfriend, now fuck off." She hissed, and the man just rolled his eyes before walking off grumbling.

Silence filled the space in between you two until you chuckled softly. "Girlfriend, huh? I like the sound of that." You hummed, secretly trying to ease her embarrassed mind, that quickly recovered at your words with a sly grin. "You do?" You mirrored her smile with a nod. "Very much so. I'm glad we think alike."