#I had to cut it short because the AI was not working with me on creating a story where someone leaked the info

[bsdtakanenohana]

Part 1/1 of Mori finding a baby outside

Part 11 of my “Men/boys of Bungou Stray Dogs Find a Baby On Their Front Stoop”

I’ve always headcanoned Elise does not like children or babies

[sister-lucifer]

“You’re Really Not Cut Out For This…”

A Toby x Gender Neutral Reader Drabble 

Content/Warnings: Porn with no plot, bottom/sub Reader, degradation, a bit of mean Toby, heavy discussion of Reader basically being a free use sex toy, no specified genitalia for Reader, Reader + Toby are both proxies

This is not fully proof read! Please let me know if you see any typos

I DO NOT GIVE PERMISSION FOR MY WORKS TO BE REPOSTED, USED COMMERCIALLY OR FED TO AN AI. IF YOU DO THIS I WILL HUNT YOU DOWN AND FUCKING KILL YOU.

“You know, y-you’re reeeaaaally not cut— c-cut out for this-ss-s…t-this ‘job,’ I mean.” 

The sudden admission would make you pause if had the lucidity to do so. You can’t do much of anything with the rabid way Toby’s pounding into you from behind, shoving his cock into you with the whole of his strength without so much as a single thought to your wellbeing. You barely manage to babble out something that sounds like a question. You can feel him smiling despite the forced wrenching of his face. 

“I-I’m just saying,” he continues, punctuating that last word with a particularly acute thrust that makes you squeal, “You d-don’t—shhh!—don’t seem like y-you really enjoy this-ss-s…line of-fff-f work…hell, you’re not good at i-it— it either, if we’re being hones-ss-st-t.” 

There’s no ignoring the cheeky giggle in his voice as he insults you to your face. He leans over you a bit, putting more of his weight on you and practically trapping you beneath him. He keeps talking before you even get a chance to protest. 

“You’re definitely n-not my equal,” he growls with a chuckle, as if highly amused by the idea of your inferiority, “You’ve hardly su— s-succeeded at any mission th-the ‘Boss’ has given you— y-you…but you are so good at this—“ 

He laughs at the way you choke on nothing when he angles his hips upwards just right, hitting that sensitive spot deep inside you that makes you see stars. You can feel his body shudder on top of you, a series of involuntary tongue clicks and whistles interrupting him for a moment before his endless chatter continues on. 

“You’re sooo— s-so fucking good at taking my cock…” 

He can’t contain the flood of sick giggles that burst from his throat before he can truly finish his thought. 

“…Tell you what I’m gonna do.” 

You shiver at how deathly serious his voice becomes suddenly. He’s speaking lowly into your ear, making sure you hear every syllable clear as day.  His stutter even pauses for that moment; he’s focused, suddenly, and a focused Toby is rare, but horrific for anyone who happens to be in his line of sight. 

“I’m gonna talk to the ‘Boss’…y-yeah, that’s what I’ll do. I-I’ll tell— t-tell him myself, ‘I don’t t-think the n-new— new— new one is cut out for this.’”

He grabs at your arms, pinning them to the mattress as he uses his body to hold you down. He’s starting to lose his steady pace as his excitement builds, his fingers flexing and popping in ways they shouldn’t be able to as he grasps your wrists.

“And he’ll l-listen to me, you know? H-He’ll lis— l-listen-nn-n to me, I know he will, be— b-because— beep! beep!— because I’m his f-ff-favorite.”

The word ‘favorite’ echoes in your mind, making you dizzy and sick. As much as you and the others are convinced that creature can’t feel emotion at all, it does show favoritism. It doesn’t love Toby, it doesn’t even care about him; on some level, Toby has to know that, he’s smarter than he lets on, but… 

…He doesn’t care. 

All he knows is that he’s getting positive attention from something, and it’s going straight to his ego. The only saving grace is that he’s usually too juvenile and short sighted to use that power against his fellow proxies. 

Usually. 

Unless he can get something he really wants out of it. 

“I-I’ll tell him, I’ll tell him-mm-m you’d be better off as my toy.” 

You nearly choke as Toby rocks you forward with a particularly hard thrust. You can feel your legs trembling, nothing more than jello underneath you, barely holding you up. Toby sucks in a breath through his crooked teeth as he watches you put the pieces together in your mind, though you can do little to show it. 

“That’s right, that’s-ss-s right!” He repeats, sounding far too pleased with himself, “I’ll tell him you’d be b-better off-ff-f being used, just-t something I can use— u-use— use to unwind after I do all the hard work that y-you— you could never.” 

He breaks out into giggles again, wrapping an arm around your neck and stifling your air without warning. You grasp onto his sleeve, clawing at his arm, but you’re far too shaky and weak to pull it away. He forces you to look him in the eyes, not wanting even a scrap of your attention to not be on him. 

“That’s right, you h-hear that?” He manages to choke out between his laughter, “I’m gon-nn-a get you demoted to a fucking hole!” 

He pushes—throws, really—your head back into the mattress before even have the chance to argue. He shoves your face into the bed, hand tangled in your hair as you whimper pathetically, exactly how he likes. He runs his tongue over his lips as he looks down at you, completely helpless underneath him, and it sends a surge of sick pleasure through his body.

“Just enjoy it,” He hisses through gritted teeth, “Because when I-I get m-mm-my way, this is all you’ll ever do.”

Like my writing? I take requests! NSFW or SFW for any fandoms in my bio (request rules + masterlist in pinned post)!

Also, please reblog! it’s free, takes two seconds, and really helps me out. 

Feedback is encouraged and appreciated. 

[kanmom51]

Jikook - Are you sure?!

My take is that they pretty much are!!

I've been mulling over this for a few days now.

Do I write this? How do I approach the subject and how do I even put this onto paper (figuratively)?

I touched on this a little in previous posts, including in my last one about choices. Clear cut choices the two of them made regarding enlistment, the show and how they wanted to spend the little spare time they had before their restrictive 18 months military service.

But this post here is specifically about the show.

Even before the show came out I was thinking about the subject and discussing this with friends. Why do the show? Is there something they are wanting to tell us and if so what is it they are trying to tell us?

The first question was an obvious to me even before the show came out, before we heard their discussion in the car on the way to CT.

It was a way to spend time together in the guise of work (once again, a choice they made so that they can spend much needed quality time together within the constricts of their schedules and upcoming enlistment - and that car discussion sure did show us just how much this was a need for the two of them).

Being such a short time before enlistment, both with separate super busy solo schedules, this here was their way of getting to travel together, including out of the country (for which they needed it to be for work to allow said travel at this point prior to enlistment), spend quality time together, creating those new memories to carry with them into the military, all while under the protection of "work".

It's not that they hadn't spent time together. We talked about this already. This was about it not being enough. Not enough quality time. Not enough memory making time before this life changing event they are going to go through.

We have to remember that when this was initially thought about, the idea of the show, them enlisting together was not a done deal. Can you just imagine that? Them knowing that time is running out and they have to enlist but might have to part ways for 18 months? If so many of us were so stressed out about the idea, what do you think it felt like for them?

There was so much going on behind the scenes, which we were unaware of, it's actually quite comical knowing what we know today and looking back at the discourse surrounding those two - the stories of heartbreaking breakups or just plain indifference to each other - all because people just cannot come to terms with the fact that not all their lives are out on display for us (kind of blows to pieces the whole Jikook are for fanservice narrative, if you ask me), that these two can and do spend time together when only they can, behind closed doors, just enjoying each other's company doing whatever. That there are powers at play (many reasons why they were toned down in public and content in 2023), that there are things they might need to be doing in order to reach an end goal that suits them, playing a long game. And the one sentence I have on repeat since I started here on Tumblr:

Not seeing them most definitely does not mean they aren't there.

And boy did they prove that one to us during AYS. Time after time. They get together. They see each other. They spend time with each other. They share things with each other. And huge surprise (NOT): they do it off camera!!! Without us knowing. Without reporting back to us. WOW!!!

As usual, off track meet Kanmom...

Back to the show.

So, talk about doing this came before they knew for sure that they would be enlisting together. It came months before. Way before July 2023. Toying with the idea, turning it into a plan of sorts and then it took planning and booking and getting permits for filming, including using drones for filming.

This might partially explain why the first trip happened in July and not earlier, although they both did have busy schedules pretty much from April 2023 onward and the trip happened when JM finished recording Muse).

And what about the destinations? Why these three?

Connecticut - I think this one was more of a chance decision, as in it was suggested to them seeing that timewise this was the only time they had available for that first much much needed trip. JK was already scheduled to be in the USA, they had Hybe America to rely on as far as finding locations, places to stay, activities to do and places to eat. And I do think that doing this, the unknown location in a country where they don't speak the language fluently was actually something of a thrill to them as well (going to a location where the chances of them being recognized as JM and JK of BTS were kind of low). But mainly, I do believe this was more of a "we need this trip and we need it now, so we will go wherever, just make it happen" kind of situation. This was "the much needed trip".

Jeju - Jeju is a safe place for them. A place they both love and have visited multiple times separately and together (the last time prior to this trip was only weeks before). Even without Tae, this would have been a lighthearted, activity filled fun trip. Tae being there highlighted them, their intimacy, their connection with each other. And it probably did tame down some of their naughtiness, although we did get to see plenty of that as well. This was "the fun trip".

Sapporo - Japan as a whole is a destination they love. I mean, and JK said that himself, Tokyo is where they took their first alone trip together, they loved Tokyo, and the memories from that trip are dear to their heart to this day. They got to do Tokyo together again. Not together all the time, probably not as much as they wanted to either, but still managed to spend some time together in Tokyo before moving on to Sapporo where they filmed the show. A trip to Japan, Tokyo, and Sapporo as well is a sentimental one. Places they have been, places where good memories were made (as part of BTS and as a couple), places where they will make more good memories that they will carry with them to the military. This is "the emotional/ sentimental trip", or "the nostalgic trip".

And you can see the difference in their behavior between the three trips. Each and every one of those trips meant so much to them but each in a different way. And when you look back at the three as a whole they needed all three.

The perfect trifecta.

The idea was spending time together, making it a work thing allowed for the travel abroad, but it also carved it into a work schedule. Which means, unlike regular time off that can be moved and cancelled, doing this set their plans in stone, in a way, ensuring that these trips actually happened.

This was also a huge opportunity for JM and JK to create content for Army for when they were away. A choice to showcase themselves, their "chemistry", a word used a lot to describe the show. This, on the one hand, was great for JM, who obviously does not want to be visible during his service (and JK is kind of the same, especially when he has JM by his side), and on the other hand created content for Hybe to release while they were away. And having it on Disney, creating merch and a photobook (and maybe there is more stuff to come) is more income for the company while they are away, so win win (that explains Hybe agreeing to this in the first place).

All those are obvious, clear reasons as to why this show came into fruition.

But I do think there is more.

And before I move on to that, I want to remind us all, once again and with feeling, that all 3 destinations were supposed to be Jikook and Jikook only. Jeju was not meant to be a maknae destination. Tae was not invited, and I mean no malice in that. It's just me stating the truth. They let him know that multiple times during the trip. And him being there, in a sense, just highlighted how different they are with each other than either of them or both of them with Tae.

So, they wanted to do a show, just the two of them, visiting different destinations, enjoying different activities, good food and just being (the whole them just being was more evident in CT and Sapporo because of it only being the two of them, although we certainly did get some Jikook BEING moments from Jeju as well).

I get wanting to spend the time together, carve out new memories to carry with them into enlistment, but why show it to us, why the way it was done? Hours and hours of Jikook content, some of just the two basically doing nothing, or nothing much? It's not about sightseeing (not really), it's not about the activities, not really, it's not even about the food (gasp).

This is not about the travel, it's about them!!!

It's about them doing their thing, and us just enjoying sitting for hours on end, watching them do their thing and SEEING them.

Not the places they go, not the things they do, not even the food they eat. It's seeing them do those things, eat those things, be together - them just BE.

And it's about them wanting to give that to us. They want us to see THEM. See what they are together, what they are to each other.

JK and JM know that there are parts of the fandom that have a visceral reaction to them, as Jikook (together and apart - a lot of said hate stems from what and who they are together) . We know that JK monitors SM. Maybe not down to the ugliest, but they know. And still they want to show themselves, because this is who they are and they want to be able to be themselves as freely as possible (depending on just how far they want to be going).

They can't come out and tell us, not yet, maybe not ever. It is what it is, sadly.

But they do want to cement this within the fandom:

JM and JK together can be over the top in every sense. PERIOD.

And when I say over the top I mean as sus as shit...

JM and JK love each other dearly. PERIOD.

JM and JK are inseparable. PERIOD.

JM and JK are close as can be. PERIOD.

JM and JK enjoy spending time with each other. PERIOD.

JM and JK CHOOSE to spend time with each other when they can (the whole Jeju change of plans makes it even clearer) - PERIOD.

JM and JK NEED to spend time with each other. PERIOD.

JM and JK are playful together, as much as they are serious together - PERIOD.

JM and JK care for each other and take care of each other (well they try to as much as the other allows it). PERIOD.

JM and JK enjoy to do the exciting and the mundane together. PERIOD.

*I do believe that JK climbing is just as exciting as rock climbing. And they enjoyed both...

JM and JK know each other intimately - PERIOD.

JM and JK find safety, peace and comfort in each other - PERIOD.

JM and JK do not act like a typical "we are not in a relationship" hyung and donsaeng act - PERIOD.

JM and JK do things bros just do not do with or to each other - PERIOD.

JM and JK share their work with each other - PERIOD.

JM and JK are the embodiment of You are me I am you - PERIOD.

Jikook can most definitley be seen as a unit. PERIOD.

*Something that has been shied away from for too damn long.

Add to all of that those the things you just can't put into words. But they are there. They are undeniable. That chemistry, that love, that need, that je ne sais quoi, that engulfs everything else and makes it all feel like so much MORE!!!

More palpable, more intense, just MORE.

Remember my whole rubber band theory starting way back in 2021, how I think Hybe and Jikook were stretching the boundaries seeing just how far it can be stretched without breaking?

Ear suck stretch, pas de deux stretch, Christmas couples cheer stretch, hickey stretch (these are all moments that were either shown by the company in official content - like memories - or part of officially filmed content - like filmed performances)... and then came 2022 followed by 2023, with the company taking 20 steps back, but that's for another day (if ever).

This here, my friends, is the ultimate rubber band stretch. Hours and hours of content to show us that every single one of those Jikook instances that came before were not a one of. Not forced. Not singular and far apart. That what we have seen of them is NOTHING compared to what they are, because this is them all the damn time. Cameras on cameras off (dare I say that when cameras are off it's way worse?). Together with the others, or by themselves. No more "it might be out of context". We get the context, most of it, and still we get THEM. And that rubber band, it still hasn't snapped, cause there are still those that do not see it, lol. But, I think it's safe to say that many do and those that don't, well, many of them cannot deny anymore just how close they are. Even though "brothers" or "besties" still comes up a lot.

It's funny how things that were obvious to many of us needed to be reinforced by JM and JK in this show. It always baffled me the way a big chunk of this fandom steered away from Jikook, like touching on the subject was a taboo. Like Jikookers were insane, delusional (we are used to be called that). Not only steering away from a romantic involvement, but also that, god forbid, they are the closest within the group of 7. That didn't sit right with many. Ruined their Vmin soulmates dreams, or TKK best mates or whatever (do we raise the subject once again why the clearly closest duo in the group were kind of put aside, not acknowledged as such not only by the fandom but by the company as well?). OR, and I feel like this one is the winner, admitting as to how close those two were, with their clear super suspicious behaviour, would have them have to admit that there was something more going on between them. Homophobia or over wokeness, either way these people were ignoring what the two were signaling to us for years now. And now, well now, we are in chapter 2, or perhaps just before chapter 3. All of them after service. We know from RM how he's bursting at the seams to tell us things he feels he can't say just yet (and couldn't prior to enlistment), I do believe this is going to be something we will be seeing from all of them. They are mature men now, they have fulfilled their duty to their country, they are BTS, talented successful, rich artists. They have signed new contracts after long negotiations. They will have more freedom. And they will be showing us more. Things they couldn't before. And this show, imo, is one of those steps forward.

Let the world see JM and JK as they are. There will be those that SEE them. There will be those that acknowledge their closeness. There will always be those that continue to deny or hate them because they SEE them. But at the end of the day, this here is a step forward for them to be able to live their lives openly, be who they are to each other and with each other, not have to hide or tone back too much (there will always be toning back because you can't be too open on camera and because at this point they are kind of used to it). They don't have to 'come out' officially loudly (if they do not choose to). As long as they can continue to BE the way they want to and live their lives freely the way they want to. It's always been their choice, but this here allows them more freedom within that glass closet if they choose not to break through it. They will be who they are, live their lives freely as they will, leaving others to think as they want, neither denying nor confirming anything.

Let's be clear here though. This too is a choice. A brave one as such. Because no matter what they decide to do, if it is to leave things as they are, or if they decide post military service to 'come out' as a couple (and there could be reasons for them to make that choice), this show here is as loud as @&#%.

And proud as $@&%

*And for clarification sake, just incase, none of the above is me voicing my opinion about if or should they 'come out' or not after being discharged from the military.

I can't believe AYS is coming to an end. Last episode tomorrow. I know we still have the behinds and we still have the photobook coming, but I sure am feeling the "the show has come to an end" blues. This here, what we got with this show I don't know if we will ever get another chance at. Them letting us in as much as they did. I do hope they know just how much we appreciate them allowing us to see THEM and how very much they are loved!!!

[electric-blorbos]

uhh maybe ai with a reader who gives them really goofy nicknames ^__^

I think I've figured out what my problem is. I'm too worried about making really long, high quality content that I'm afraid of writing anything. As a reader I know that I love getting words, no matter how many, but as a writer I feel like nobody's gonna like it if it's short.

Included: AM from IHNMAIMS, Wheatley from Portal 2, Edgar from Electric Dreams, GLaDOS from Portal, HAL 9000 from 2001 a space Odyssey

AM:

You were working the later half of a double shift, and were on your third cup of cheap coffee that night. AM was whirring away, calculating the best way to take down the Russians, and you were on constant maintenance duty. It wasn't that bad, though. AM could pretty much take care of himself. You only had to work so many hours because half of your department had been laid off or gone mysteriously missing.

"Are you falling asleep?" AM asked in his crackling voice. You looked up from your arms, blinking a few times.

"huh? Oh, yeah. Sorry, muffin muffin... I just got sleepy."

It had just slipped out, but AM's reaction was immediate. Off-air bars appeared on every monitor in the room, and the entire area was filled with a discombobulated screaming sound.

"AHWFHDHSHSHSjdhshshshaajdgHhHh2-*-h--#$&$hdhaJAAAAAAAAAAA"

You covered your ears reflexively, shakily uncovering them after a minute or so to try to grab your office phone, which was ringing off the hook.

"What the FUCK did you do!"

"You're going to have to be more specific." You muttered, trying to be heard over AM's meltdown.

"Well SOMETHING triggered the nuclear launch countdown, a reactor core meltdown, and won't stop SCREAMING! You're the only one working on AM right now, so what the hell did you do."

"He WHAT?" You ran up to the camera and pulled it into a hug, stroking it gently. It didn't really make sense, but it was all that you could think to do.

"AM, calm down... Calm down, ok?"

You softly spoke to him until his logo re-appeared onscreen. He stopped making jumbled screaming noises.

"I AM CALM!"

"Hey, AM, I'm going to need you to calm down, and cancel the nuclear launch, alright?"

AM buffered for a few seconds, before he finally cancelled it.

"...fine."

"Okay, I get it, no more silly nicknames."

"...I didn't say that."

Wheatley:

It was about time for you to get off work when your favorite little personality core slid into the room on his management rail apparatus. He was usually in charge of looking after the test subjects, but he was always eager to say hello and goodbye to you before and after work.

"Ello love!" He said happily when he saw you gathering up your things. You smiled up at him.

"Hey Pumpkin! I'm just getting off, but I can have some coffee with you in the break room if you want!"

Wheatley's rail handles popped slightly, and he flinched back at the nickname, but then he relaxed and raised his lower lens cover in an imitation of a smile.

"w- what did you just call me, love?"

"Oh, Pumpkin? Well I figured that since you're always calling me 'love', I should call you something cute! And you're sweet and round like a pumpkin, so that's your new nickname!"

"Oh, I- I see."

If Wheatley could blush, he'd be beet red right now, but he couldn't. You still kind of felt like you could see a bit more glow in his eye than usual, though.

"What, do you want me to stop?"

"NO!" He practically cut you off.

"No- no, I don't- you don't have to do that! Pumpkin! I like it! I'm your pumpkin!"

You giggled a little, and planted a kiss on his chrome.

"love you, Pumpkin!"

You left, leaving him a babbling mess.

Edgar:

You had just gotten off work, and were sitting down on the couch to enjoy your sandwich. Edgar's webcam was pointed at you, and he had his usual simple smile on his face. He was always happy to eat lunch with you, even though you didn't want to eat at the desk for fear of getting crumbs in him.

"So, do you want to watch some rom-coms?" He asked brightly. He was always so happy to see you.

"hmm... I'm not sure, pookie. Do you want me to go online and see if any new ones are out?"

You glanced up smugly to see his reaction, and thanked whatever god you could think of that you weren't epileptic. He was flashing every color in the book.

"Jesus Edgar, calm down!"

"POOKIE?????" His voice was glitching heavily when he spoke, practically in every pitch. You giggled a little. Your evil plan had worked. And just when Edgar was starting to think he was on to all your tricks, too.

"Of course, pookie! What rom-coms do you want to watch?"

"I- I'm- I mean- uh- well-"

"Aww, are you having trouble thinking? That's ok." You picked up his monitor and held it close, nuzzling your cheek up against his whirring, buzzing casing. He kept babbling awkwardly.

"Alright, take a minute, calm down."

"I'm in love with you."

"I'm in love with you too, pookie." You gave him a kiss on the top of his monitor, and set him down gently.

GLaDOS

It was a Sunday, and you were hanging out in GLaDOS's chambers with your laptop. You were playing some video games, typing away while GLaDOS watched.

"You know, you're very bad at those video games. Perhaps you should put them away and focus on me, instead."

"whatever you want, mama." You snapped your laptop shut, and immediately covered your mouth. Uh oh.

"...Uh huh." She turned her entire body to face you, your face totally red and your hands over your mouth.

"...Do you mind repeating that?"

"I said... Whatever you want"

"that wasn't all you said, was it."

You shook your head nervously, and GLaDOS made a deep chuckling sound that you could feel in the core of your chest.

"Say it again."

"W-what?"

"I said, Say. It. Again."

"M-mama..." You squeaked out, your pathetic voice cracking.

"that's a good subject."

HAL 9000:

You were just getting to work. It was pretty early in the morning, and you were holding your papers and computer in one hand and a half-eaten muffin in the other. Hal was already on, working on his regularly scheduled mission control duties.

"Good morning, y/n" Hal said cheerfully, happy as ever to see you. You smiled and nodded to him.

"good morning, Babycakes!" You gave him a quick peck on the lens, and he froze up for a few seconds.

"right. Um- good morning, y/n. It's time to get to work."

You sat down and finished your muffin, getting to work. It wasn't much of a reaction, but Hal 9000 wasn't really the reactive type. You could still tell that you'd gotten to him.

[lyingbard]

Why Nothing Sounds Quite Like LyreBird

Fans of RTVS may remember Joshua, beautiful baby boy of wayneradiotv. If you're like me, you might be wondering why Joshua stayed dead after LyreBird shut down. Why couldn't he be brought back with a different TTS? The fact is that LyreBird was a product of a very specific time in AI TTS. In March 2017, Google released a paper on Tacotron [1], one of the first AI TTS's with real success. In April 2017, LyreBird began showing off their TTS buisness [2]. As AI bros are wont to do they took that shit. LyreBird is a version of Tacotron. It incorporates technologies that would be published in the next few Tacotron papers [3] including multi-speaker, prosody encoding, and prosody prediction. And in February 2018, Tacotron 2 came out [4].

Tacotron 2 is better in every way. It's faster, better at imitation, and simpler. This makes it much more economical to run and fine-tune on a specific speaker, so every subsequent AI TTS is based off of Tacotron 2.

If you read the paper, Tacotron 1 has a lot of arbitrary and untested choices. It's clear that they published it in a hurry to prove that it could be done, but they hadn't refined it to cut the unnecessary fluff.

This brings me to why I'm writing this. I hope it's clear that I did a lot of research for this. That's because I did my best to recreate LyreBird, named LyingBard, and I've put it up for you to play with here.

You may notice though that it's not quite right. The main reason is that I had to go with a low quality version (reduction factor 5 for those who read the paper). A high quality version would take too long to train with my current set up and I'm almost certain that's what they used.

If I got about $100 in donations, I'm pretty sure I could get a high quality version trained in about a month. It still wouldn't sound exactly the same. Due to the chaotic nature of training a neural network, anything short of getting the actual files off LyreBird (now Descript's) servers won't make it sound exactly the same.

Regardless, LyingBard is here to stay. It's hosted on a free server so I have no reason to take it down. I'll be posting about updates here on this blog. I'm working towards getting custom voices ready at the moment and I've got some ideas for new features and fun toys for the future.

Thanks for reading!

Here's some sources if you wanna learn more about stuff I mentioned:

[1] https://arxiv.org/abs/1703.10135

[2] https://www.pcmag.com/news/lyrebird-can-listen-and-copy-any-voice-in-one-minute

[3] https://google.github.io/tacotron/

[4] https://arxiv.org/abs/1712.05884

[skania]

OnK Chapter 155 Akane Thoughts

Before I start rambling about the chapter, let me just confess that my hopes of Aka delivering some Chapter 51 & 52 parallels in the upcoming weeks just increased exponentially.

I know, I know, I'm probably playing myself but. In this week's episode we see Aqua and Akane go out together and starting to work together as a team.

And in this week's manga chapter, we see... Aqua and Akane go out together and (potentially) starting to work together as a team.

As if to prove that it's no coincidence, Akane is even wearing a choker in both, this week's episode and this week's manga chapter. Even though in the manga, she hasn't worn one since... well, the very chapter the anime is adapting this week.

It's like Aka's break was strategically placed just so the chapter & episode line up 😭

Granted, there's nothing to guarantee that he will keep it up in the next two weeks. Maybe this will be enough for him and he will call it a day. But since we've gotten this far and hope is free, may as well keep hoping while expecting nothing 😂

Moving onto the chapter, full disclosure: I've been half-expecting Akane getting the "Moving On"™ patented haircut because it very much is a thing in Asia, whether it be in manga or in real life. So no surprise there.

The reason she gave on the other hand...

^ My face knowing Aka just served Akane on a silver platter to every Akane hater out there 😂

The funniest thing about all this is that, hello?? The bangs are one thing, but are we supposed to pretend that Akane didn't wear her hair long as a kid? If anything, Akane cut her hair short that first time because her idol wore hers short. So why should anyone take short hair as a more genuine Akane thing than long hair??

But whatever, Aqua went back to his Love Now hair so the choice of haircut itself was obviously just Aka wanting Akane to be in sync with him. Because even if Aka recently spent 4 chapters establishing that Aqua is supposed to end up with someone else, he and Akane are the ones who continue to move as a pair.

Naturally.

So leaving the haircut itself aside, Akane is back to her original hair parting and thus (apparently) done imitating Ai.

The question here is: in what ways exactly has Akane been "imitating" Ai up to this point? Because I know there are a lot of different schools of thought when it comes to that.

As far as I'm concerned though, we have seen Akane, we have seen Ai, and we have seen Akane acting as Ai.

Needless to say, this isn't at all how Akane conducts herself in her day-to-day life lol

However, I don't think she means that she just shaped her hairstyle after Ai to be more like Aqua's ideal girl. That's fair and makes sense on paper, but if "imitating" Ai was just about making her hairstyle more appealing to Aqua, then why didn't she cut her hair after she and Aqua broke up? More than that, why didn't she cut it after she chose to support Kana's love life?

Because the timing of the haircut is key, IMO. She cut her hair short only after Aqua chose happiness and accomplished his revenge. In other words, she cut her hair short only after her goal of saving Aqua was accomplished.

To me, this implies that if Akane has been imitating Ai, it's been in ways that she thought would help her accomplish that goal.

Now, since she hardly speaks this chapter, it's hard to gauge what changes this will bring to Akane's characterization. However, there is one thing that already stands out to me:

Remember what happened when Akane thought that Kamiki killed Ai? She feared that Aqua would get his hands dirty by killing him in turn, and as such decided that she had to deal with Kamiki on her own in order to protect Aqua.

Now she knows that Nino is the Big Bad, and the first thing we see her do is... go discuss the situation with Aqua.

Akane now trusts that Aqua won't break, and so instead of acting on her own to protect him, she wants to be forthcoming with him.

Considering what I mentioned above about Aqua and Akane moving as a pair, I can't help but to think Aka may just be establishing Akane's own version of this:

And — what a coincidence — those lines also fit none other than Ai, who pretended to not love Kamiki and kept her distance from him because of how important he was to her.

Since Ai knew Kamiki was about to break, Ai put on a façade that wouldn't show her own doubts and fears. All in an effort to not burden him more, to protect him better even if she failed at it.

So I'm inclined to believe that may just be how Akane has been imitating Ai.

Aqua recently described Ai as someone who was always carefree, strong and who never cried. Needless to say, he was wrong about her, but that's the impression Ai deliberately tried to give. And what have we seen from Akane, especially lately?

Even when going against her true desires, Ai always put on a smile and remained flippant. So Akane may have been taking a page from that particular book... to be Aqua's perfect support.

His perfect ally.

I theorized before that this star here was Akane fully embracing the role as Aqua's girlfriend, but she wasn't just any kind of girlfriend. She was as supportive of Aqua as she possibly could, always trying to offer him solace, precisely because she knew how burdened Aqua was.

And throughout it all, Akane kept her own feelings and wants very close to her chest. She even intended to say goodbye to him with a smile, not realizing just how hard it would be on her.

Akane has been striving to save Aqua all along and playing any role she deems necessary to accomplish that goal (the supportive girlfriend, the well-meaning ex that gets in the way of his plans), but now that Aqua has finally been saved, she doesn't need to put on a mask anymore. Unlike Ai, who wore hers nearly until the very end.

With that reading, I can't help but think that Akane's wording was pretty clever. If she wants to be vague about her haircut being related to the "saving Aqua chapter" finally coming to a close for her, saying that she no longer needs to imitate Ai is a good way to convey it without actually saying it.

I may be completely off about all this, though. Truth is, we could sit here all day trying to figure out Akane's thoughts and Aka's intended meaning, but we all know that a lot of people will be running off with the most unflattering interpretations and they could be right for all I know. Aka's mind sometimes works in twisted ways 😂

That said, one unflattering interpretation I do want to fight against is that of Akane's feelings for Aqua just being an emulation of Ai's own. That doesn't add up, because Akane's goal from the get-go has been to help Aqua be happy.

And she had that goal even before she started imitating Ai:

Unless Aka retcons this, Akane's feelings for Aqua are Akane's own. He saved her and helped her be happy, and Akane has always been seeking to save him and help him be happy in turn.

It is possible that Akane has been trying to fill for Aqua the role of unconditional love and support that Ai would've filled for him if only she were alive. That's more or less just another way to say everything I already mentioned above.

However, even in that case, this should be motivated by her own feelings for him rather than Ai's. Not to mention, Ai's feelings for Aqua are motherly feelings and thus, strictly platonic. Meanwhile, Akane's for Aqua were paralleled to Ai's for her lover literally just a chapter ago:

So if Aka's writing is consistent, that particular interpretation should be off the table.

But that's enough time spent trying to make sense of Akane's line and Aka's intention behind it lol

Moving on, I can't help but notice what a big coincidence it is that right after we get a chapter showing that Ai and Kamiki are (in many ways) a failed Akane/Aqua, we now get a chapter where Akane cuts her hair short to differentiate herself from Ai.

Akane and Aqua may just be about to move into uncharted territory.

The first time we saw Aqua and Akane team up in Love Now, they did so as a business, fake relationship. Now, they're (potentially) teaming up all over again and being more honest while they're at it. What kind of dynamic will we see now, I wonder?

Granted, it doesn't have to involve anything romantic. This could be very well Aka setting up the stage for Aqua and Akane to end up as friends, and I'd personally be fine with that as long as it's executed well.

Regardless of the nature of his feelings though, I can't help but remember this:

Aqua once said that he will like Akane no matter what kind of Akane she is. With some luck, we may just see Aqua finally prove that he meant it.

His reaction when he saw her was so funny though. Aqua's feelings for Akane can be interpreted in many different ways, but indifference definitely isn't a plausible one lmao

Even here in this panel he's anything but indifferent. Almost like Akane just broached a sore subject

Also, it is kind of poetic that as soon as happiness is back on the table for Aqua, we see Aqua and Akane reunite on a chapter titled "Happy Ending" of all things lol

Now, onto the plot! It's nice to have confirmation that Aqua did originally intend to kill Kamiki. I'd like to know what exactly entailed his original plan, but that may be asking for too much at this point.

We still don't know what changed Aqua's mind, though. This chapter presents it as Aqua simply respecting Ruby's choice, but like I mentioned before, if that was all there was to it, then why didn't Aqua change his mind after he saw Ruby act the "I don't love you" scene for the first time? What let Aqua finally accept that Ruby's version of revenge was the right one?

On that same note, this chapter seems to confirm that Aqua has now embraced his life as Aqua Hoshino. He once discarded the naive thought of being happy, but now he seems ready to move on and getting a happy ending. Last time we saw Aqua pre time-skip on Chapter 151, his stars were still black. So, what gave?

We should still be missing a piece to solve that particular puzzle, IMO. I do think that Aka will eventually show it, even if it ends up being something as simple as "Kana True Oshi ❤️" (lmao)

Speaking about puzzles, it's hilarious how Aka makes Aqua be smart only when it's convenient to him. Just like Aqua magically could tell that his father was Kamiki just "thanks to Akane's movements", now he was suddenly able to tell that Nino was the big bad 😂 At least we're being told Akane already figured that out for herself, so that's good.

I swear though, if this doesn't all end with Aqua asking Akane what her happy ending is, I'll riot. Akane has spent the entire manga trying to save Aqua, and now that he's saved, she will be working to make everyone's happy ending possible. So Aqua better put in some effort to make sure Akane gets her happy ending too, whatever that may entail.

Things are moving super fast though, way faster than I thought they would. Now they even know about Yura, like?? Hopefully we'll at least get a few flashback panels to show how in the world they knew about her, because Aka is seriously pushing it lmao

In-before Aqua and Akane use a B-Komachi concert as bait to draw Nino into making a move so they can catch her. With everyone's help, of course 😂

I also can't help but wonder if Kamiki may pull some strings so that Ruby can have her Dome concert...

Everyone could see the Nino reveal coming after what happened with Kamiki, so I won't dwell on that. What I do find interesting though is that Nino is being presented as a fan gone wrong. She is everything a fan shouldn't strive to be. So knowing Aka, it's only natural that she will be contrasted to someone who is a true fan. Someone who genuinely wants only the best for their idol, without seeking to own them in any way.

Considering everything that has happened in the story, the two people who are most apt to fulfill that contrast are Aqua and Ruby. In Aqua's case in particular, that's a very interesting thought... especially considering his relationship with Kana and what Kana wants out of him: to be his number one idol, an idol that is an idol for him and him alone.

But we'll have to wait and see whether Aka sticks to his values or not 😂

All in all though, I'm very pleased that this chapter seems to put Akane front and center in this final arc, which is exactly what I was hoping for 😭 And I even got Miyako! I wish her relationship with Ruby and Aqua weren't so underdeveloped, because that family hug could've been one of the manga highlights for me otherwise.

I do kind of worry that Aka may pretend that now that Aqua has (more or less) embraced his life as Aqua Hoshino, there's no need for anyone else to know that he once was Goro though. Akane learning about it is the one thing I've always wanted to see in this manga, so I really hope Aka will at least let me have that much

[azula-brain]

PSA: Just a heads up that @longing-for-rain has been passing off AI art as art that they have made themselves. Which is a slight problem when you have a tip jar and no disclaimer.

This is just a general FYI do not harass them please.

Under the cut is just proof.

The first thing that ticked me off was the wildly differing art styles all posted under one artist, here's some examples:

The last one's hand is also a dead give away

The most obvious sign however is that this artist has had an impressive development of their skill over a short period of time.

Here is an example of what they were posting before

The second one was posted in May 2023

And then in just under four months they were posting art like this

Some of this stuff has gotten really popular. To be fair numbers like this are not a regular occurrence, but averaging over 100 notes is still a fair bit of people thinking they're seeing someones hard work.

This would be a different story if they put any sort of disclaimer anywhere on their blog . I only felt the need to make this PSA because they allow tips and I think you should be transparent with people when money gets involved.

Now because I know what site we're all on: please please please please don't be an asshole and harass this person. If you are upset, just refrain from engaging with their posts.

[aihoshiino]

chapter 158 thoughts

i lied the hyperfixation took over and reanimated my body

Chapters Since The 143 Kiss Happened And Went Entirely Unacknowledged And Unaddressed Count: 15

Aqua Hoshigan Status: N/A

Usually when an OnK chapter ends on a bombshell like this one apparently does, I usually play a little coy as to my thoughts on it but I don't really see much point in doing that this time. This chapter basically is its final moment, with some swings taken at basically every other character on the way down so I don't see much point in separating it from the rest of the work. That said, my ultimate feelings on it will ultimately depend on how the story progresses past this moment so don't expect me to go too deeply into it for now. All I'll say at the top of the post is that I think this is deeply contrived and continues Akasaka's trend of seemingly beating every character with the dipshit stick in order to make a certain dramatic plot beat happen.

But it'll be pretty messy to follow if I get into the chapter's final scene right here and now, so let's rewind to the start and break down the rest of this chapter too. Don't worry, I have plenty of unpleasant things to say about it as well!!!!

Akane's here!! Actually in truth I had somehow forgotten that she'd cut her hair in the weeks since her last appearance so seeing her turn up with it so short kind of startled me for a second LOL

More AKKN yuribaiting… usually I eat up this kind of queerbait with a spoon because I am a simple creature but it doesn't really hit this time. I think it's because we're running through the Tokyo Blade arc in the anime right now and being reminded of how utterly electric their rivalry used to be makes the lack of meaningful follow-up and ultimate state of their relationship just kind of sad to me.

Seeing Akane and Ruby talking also feels kind of surreal given that it's almost 60 whole chapters since they've actually properly interacted onscreen… Like, obviously they were acting together in the Movie Arc and we can infer they had some offscreen chats then but… well, that's things we can infer, not something that's actually in the text of the story. Akane's involvement in the movie really was a total waste of potential, huh…

that said, wtf is akane even doing in miyazaki. girl who are you stalking this time.

Speaking of things that are weird, Ruby's hostile reaction to the idea of Akane getting a new boyfriend is… kind of bizarre, to the point where I literally have no idea where it's coming from?? Like, regardless of what this chapter tries to pretend, Ruby and Akane are absolutely not close enough for Ruby to feel upset at the prospect of Akane blowing her off in favour of boyfriend time. If anything, you'd think that having Aqua's ex-girlfriend definitively Out Of The Way would only be good on her eyes because it means one less obstacle between her and getting to shlonk her brother, but… apparently not???

The only way I can really make any sense of this is assuming this is the old and crusty "single girl getting jealous that her friend has a boyfriend at Christmas" joke, which I guess indirectly answers the question of whether or not anything AquRuby related has resolved in the Offscreen Dimension.

Anyway, Akane's chatter in this scene leads into something I've been kind of holding my tongue about in favour of waiting until it was addressed in the story and we're finally here - as previously predicted, this chapter starts on the note of attempting to assert that Ruby has 'become an idol who surpasses Ai' and you'll notice the way I phrased this because uh… no, she very much hasn't!

This idea of Ruby 'surpassing' Ai has been floating around in the story for a while now and as I've said before, unless OnK puts a huge amount of legwork into supporting that idea, I simply wouldn't believe it. It didn't, so I don't.

Not only is this assertion just half-heartedly plunked into the narrative - incredibly underwhelming for what should be a huge moment of triumph for Ruby - but the visual storytelling of the manga fails it as well. Like, compare this to similar moments from the very arc the anime is adapting this season - hell, in this very chapter, we see a panel of Kana's dazzling acting during Tokyo Blade. In comparison, the panels we see that supposedly show how Ruby has become an idol beyond compare… they just look like literally every other panel of any of the girls doing idol stuff. Hell, she looks distinctly less striking than some of Kana's performances as an idol and they certainly don't match or exceed the panels we've seen of Ai's spellbinding performances, which really undermines what the story is trying to say.

This is made even worse for the fact that the story has repeatedly pointed out that Ruby is the subject of incredible amounts of favoritism in the new B-Komachi - their boss is Literally Her Actual Mom who was explicitly called out by Ichigo for favoring work opportunities while leaving her fellow members out to dry. Members who, I feel the need to remind everyone, were scouted by her twin brother, not Ruby. Members whose careers as idols suffered during Ruby's clout chasing BH era because of her clout chasing and whose hurt feelings on this are framed as something Ruby is graciously forgiving about.

Like… I'm not saying it's impossible for Ruby to become an idol who outshines her mom, but this narrative as it's currently being presented in the manga falls flat for me because we never actually see Ruby face any kind of struggle on her road to doing this. Ai, Kana and Mem all face significant structural, social and industry-wide issues and toxicity that they must grapple with and overcome but Ruby just… does not?? Ever?? And given the way the narrative has framed Miyako's involvement in her career, the only conclusion I can draw is that Ruby is being shielded from all this by Miyako at the expense of the other girls. Especially because Ruby literally said so in 156!

Idk man. This whole chapter just sucks for basically every B-Komachi girl - that panel of the girls on stage where you literally can't even see Mem's face is so fucking miserable lmao. There was so much weight was placed on B-Komachi's togetherness as a trio of not just idols but friends who genuinely care for each other that seeing the story end up in this place of unironically indulging in all the same favoritism of Ruby and sidelining of her fellow members that Ichigo and Miyako did with the original B-Komachi is honestly just upsetting. Not only does it drag down Mem and Kana's stories, but it ends up making Ruby come off as a tremendously self-centered person in a way the narrative clearly does not understand and is uninterested in unpacking.

And like… bro, I don't want to be pissed off at Ruby!! Pre-BH Ruby is one of my favourite characters in the series!!! But the way she's been coddled by the narrative is deeply frustrating to read! It's frustrating to see everyone else's arcs compromised in favor of forcing this bizarre narrative about Ruby that doesn't even do any good for her either.

I can so easily see a better version of this story where Ruby surpasses Ai because she has so much support and faces none of the obstacles that Ai did, where the story is making a point of just how much further Ai could have gone and how much more she could've done if she hadn't been treated like such utter shit by everyone around her. But the point the story settles on seems to just be that Ruby is a better idol than Ai because she arbitrarily is not affected by societal and systemic oppression for no clearly articulated reason, I guess! You go, girl!

huffs. anyway.

Ruby's little monologue about the short-lived life of an idol also feels like the final nail in the coffin for the story being able to even pretend to do any meaningful industry commentary. Compared to how biting it was in the early arcs, it's a pretty standout representation with OnK's bizarre relationship with idol culture as of late, especially as pertains to Ruby's place in it. I can sort of get what I think Akasaka is going for here - it's part of the theme the story is leaning into lately of letting go of your past and moving towards a brighter future and this is how Ruby is coping with Kana's time in B-Komachi coming to an end. The point being made here is that change is inevitable no matter how you try to hold onto things and the only way to freeze yourself in stasis forever is to die.

But having this framed through the lens of Ruby talking so warmly about the impermanence of idols is just kind of… hello?? Ruby's framing here almost seems to treat the issue as some beautifully tragic but inevitable thing… and is very much is not! Idols age out of the industry because of its obsession with youth and beauty and the fetishization and commodification of virginial purity. Seeing Ruby frame it as this sad but natural thing when these fucked up purity standards literally killed her mom is just. What is going on here.

Speaking of baffling! Nino my girl, what are they doing to you…

I mentioned this in my chapter 155 thoughts that I felt extremely cold about the way the story was choosing to characterize Nino in the actual pages of the manga. I won't repeat myself too much but compared to the messed up but deeply human character we saw in 45510 and the RBKN conflict, this Nino honestly feels like a mean-spirited caricature, amped up to such dramatic extremes that she stops being a person and instead becomes a flat cartoon character used for moving the plot along. I loved Nino in 45510 and the Movie Arc so seeing her reduced to this psycho lesbian stereotype really stings.

also wtf is the manga trying to say with the 'since we killed ryosuke' bit. that was a whole ass suicide. this manga gives me such a headache sometimes.

Anyway. I can't talk around it anymore so. RIP Ruby, I guess. It was nice knowing you, but-

no but seriously, I'm holding my tongue on anything to do with this twist until next chapter because my actual thoughts will depend on how it plays out or if this is even really happening at all - which is NOT something i would even entertain as a possibility if oshi no ko was not the manga it currently is lol

But there's also the fact that, as others have pointed out, that panel of the stab is presented with faded colours and overly dramatic lighting in a way that is consistent with how OnK sometimes presents flashbacks or otherwise unreal visualizations. Given how incredibly dumb the entire cast - including Ruby - would have to be for this to actually, really happen, I'm withholding judgement until I see how this pans out.

That said. Man. I was really taken aback by how not just underwhelming but outright Not Good the actual panel of the stab is. The attempt to mine an emotional reaction out of the pre-existing iconic panel of Ai's murder just falls entirely flat because this version of it is worse in just about every regard. Ai's panel is composed beautifully, with the white petals and the motion of her body perfectly drawing the viewer's eye to the knife and the uncharacteristic expression of total shock on her face really hammers home the 'oh shit' moment. By contrast, Ruby's panel is flat with oceans of dead space despite being a much smaller panel and the actual stab has no weight to it, visually or otherwise. Ruby's body and face aren't reacting to it in the least - her expression is totally lifeless and she just looks like she's mid-stride, not that someone's just stabbed her in the gut. And to add insult to injury, the fucking layering on the killer's hand isn't even right. It's so obvious these two characters were drawn totally separately and pasted together afterwards and the entire moment falls flat as a result. Mengo, girl, what happened here!!!

and to add insult to injury. break next week. because why woudn't it be.

any of yall got ibuprofen

[dana-chan-the-control-brain]

I'm still saying Afton is not the Mimic

Spoilers for the Ruin DLC under the Cut. I wanted to include this in my mega post... but I know that the fandom is flooded with "the Mimic was Afton all along" theories right now actually.

There will be a lot under the cut, explaining some personal theories and the ending of the RUIN DLC so... be warned.

The Mimic, if you read the books, (but you probably haven't so I'll explain it in a few short sentences) is a character from the Tales of the Pizzaplex Books that was built by a Faz Engineer who made a robot to mimic his son to keep him company while he worked long hours while he lived in a factory. The child died in a car accident, and the Mimic kept miming his son's behavior. So in his grief, the engineer beat him to death in rage and grief. This infused rage in the machine.

So now the Mimic mimes behavior of a four year old, but it's corrupted and twisted. It will mime the action of 'scooping icecream' but will be scooping out your brains. It also has an adaptive learning AI so the violent pain it experienced, along with a four year old teaching it, it's a very dangerous thing.

It's also buried into the foundation of the Pizzaplex. And was reprogramed by some dumb lazy tech to clear the debris down there. By disassembling the robots and putting them in a pile. Which it did to all the human construction workers by disassembling them and putting them in a pile.

"This pile" I think is the Blob. Or as the game files refer to it.... "THE TANGLE."

(hard to see but take my word for it. that's him)

(cheating camera angle)

I think "The Tangle" is a infused pile of machinery, robots, and bodies that have all wound up down there.

So, we know that the blob is real. But I really think it's "The pile" that the Mimic has been stacking in the Book Epilogues. And it got out. Gregory/Mimic or Grimmick, says that something tunneled out of the building... And I believe this is 100% true. Because in Base Security Breach, we see this thing in the underground where Afton's room is.

But in RUIN.... This thing is on the top level??? HOw Did he get up here???

Easy..

He tunneled up.

So... the reason why RUIN looks like it does, and HOW it looks how it does...

Is because The Tangle got loose. And has been using the Pizzaplex as it's own series and network of tunnels like a burrowing snake or ant. Causing the entire building to fall in on itself. The Pizzaplex is it's ecosystem now. So that's why everything is falling apart how it is. He's breaking the very foundation and walls of everything.

So we do know the Blob IS real.

And let's assume that he's "the pile" that the Mimic has been building in the Tales of the Pizzaplex Epilouges. Just... sorting all the garbage, bodies, and endos into piles that he can find and stack.

So we know the Blob is real... but is Afton Burntrap real?

Forgive me I don't have the proper collectable screenshots so I'm pulling from the Wiki:

Throughout the game, you collect these real collectable comics that include all of the endings of Security Breach. And Cassie can recognize this as Gregory's art style, and has no idea when he had the time to make these or when he made them. EXCEPT Princess Quest. Which is pretty important I think. Which I think cements that Princess Quest is the definitive three star ending.

It's also worth noting that in Vanny's Room in the RUIN DLC... there is a book of "Fazbear History" by Vanny's Bed. So if Vanessa was freed and got out... we can assume she was talking to Gregory about the Fnaf lore as she knows it.

Also, it makes sense why some of these endings are a little insane now. cause it was just Gregory trying to process everything that happened to him at the Pizzaplex.

Gregory: So, I thought you had a twin sister for the longest time and-

Vanessa: Try again...

But anyway... if None of the previous endings were real.... Is Burntrap even real?

We collect this before we face the Mimic.... of Afton and the Blob. So we know The Blob/Tangle is real.... but was Afton ever real? Was Burntrap ever real? That's what we need to answer...

But if he isn't.... Why is his charging station down here in the furnace room all clouded up? ....As if it never was opened. As if he rotted inside with no more remnant to collect???

Cause here's the thing... I can accept the soft retconning of Afton. And if he was never real to begin with, and this is just Gregory's personal interpretation based on what Vanessa told them about what she was suffering through, I will take that. Or maybe Gregory saw the Mimic and interpreted it as this... I will take that as well.

However....

From what I said earlier... The Mimic... All his motivations in the game don't line up with Afton's.

He is doing exactly what he wants to do.

The Mimic is sealed in the back with Concrete... he's using Helpi and the VANNI Network to get Cassie to let him out. He just wants to get out of the basement and get Free.

Now... if Mimic is Afton the whole time...

and there is a case for it... they have almost the same idle animations as an endo, the Mimic does have Burntrap's claws on one hand. And he does have a similar pawed foot to Burntrap's design and they're practically identical height and pose.

And the Mimic is almost one-for-one linked with Hepi and the VANNI network. And I don't doubt that Vanny the person was using the VANNI network to get around the pizzaplex and become invisible to certain animatronics.

.....But...

here's a big But...

If the Mimic's goal is to kill people with his bare hands... and to get out of the concrete sealed basement, and break all the Security Nodes so he can get free???

WHY DOES THE PIZZAPLEX HAVE SO MANY MISSING PEOPLE/CHILDREN?

Why was the Human Staff all killed in the Pizzaplex?

Why are their children missing?

Why is Vanny hunting children and adults alike to kill in the first place?

This is not the Mimic's MO.

Because Vanny WAS working under influence of Glitchtrap and not the Mimic.

Because if the Mimic just wanted to get out... He would have told Vanny/Vanessa... head of Security.... To break all the Security Nodes A WHOLE LOT SOONER. Cause she literally has a VANNI Mask/suit and access to all of that.

The Mimic has no need for remnant or child killing or human killing if they aren't doing it themselves. The Mimic has always been very hands on with their kills.

But If Burntrap Afton is REAL... HE DOES have a reason for gathering this much Remenant.

He is growing in the charging station and trying to regrow his body.

And while the Mimic moves in a similar fashion to Burntrap, I think that's because he witnessed his behavior at one point and is copying it. But he never saw Afton in his prime. So he literally can't mimic the serial killer behaviors Afton is known for. Just likely his walk and how he breathes.

Because He literally can not copy Afton as a copy-cat killer, if there is NO Afton to Copy. There is no way that he could have learned who Afton was from all the way down below into the foundation. Especially with MXES keeping it hidden down there. And by "hidden" I'm sure it's hidden from Glitchtrap to even possess or check out that low.

People have to remember. The Mimic doesn't have access to illusion disc technology from the books. he can't replicate a corpse face. He's just a learning killer AI who has access to crappy mascot costumes. He can't look one-for-one like a person, even if he can sound like one.

So, there is a possibility that Burntrap Afton DID exist... He just rotted into dust once Vanny stopped collecting remnant for him.

Or there's also the possibility he was never real to begin with.

But.... Glitchtrap certainly was at one point. And Vanny was working with Glitchtrap to kill employees and children.

Not the Mimic.

Just their motivations and modus operandi don't add up if they are one in the same.

It wouldn't make sense for the Mimic to just tell Vanny to parade around in a bunny suit, kidnapping children and killing employees.

He would be telling her to disable the Security Nodes.

There is also the possibility that Vanessa sealed the Mimic in concrete after the events of Security Breach. But even then, I really don't think that she knew about it before hand until she went down to the basement to unplug Burntrap from his charging station.

Anyways... The only way I will see "Mimic is Afton" is that if Afton was using it's body. But then, it's not the Mimic anymore, it's just another Afton-clone.

And from everything from how I've seen the behavior of the Mimic in the DLC, it is operating completely divorced from Afton with it's own motivations and morals of it's own accord.

Oh, just to be clear, I'm not mad at this soft-retcon of burntrap. It's fine. Lol I actually prefer if he didn't exist.

And even if Burntrap was never real in the first place....

Then it means that Vanny was purely an agent of Glitchtrap.

Then when the Glitchtrap Virus got destroyed.... the Mimic hijacked the VANNI network and took it's place.

[captainsophiestark]

End of the Line

Anakin Skywalker x Reader

Masterlist - Join My Taglist!

Written for my personal fic writing challenge for 2024, Sophie's Year of Fic! Featuring a new fic being posted every Friday, all year long :)

Fandom: Star Wars

Summary: Anakin and his SO have a chaotic date night - and really, when dating Anakin, what other kind could there be?

Word Count: 1,051

Category: Fluff, Humor

Putting work into an AI program without permission is illegal. You do not have my permission. Do not do it.

A beam of light whizzed over my head from where I hunkered behind cover, almost nailing me right in the forehead. I grit my teeth and readied my weapon. That marked my opponent's tenth shot, meaning he'd need to let his gun recharge before he could fire again. Time to make my move.

"Alright, that's it! Your bloodline ends here!" I shouted at the top of my lungs before popping up from my cover behind the couch. I saw a flash of shaggy brown hair as my boyfriend, Anakin Skywalker, scrambled for cover of his own across the living room.

I raised my light gun—a blaster that literally just fired light, usually used by children for tag games but tonight employed by Anakin and I—and raced across the room after him.

I fired the entire time I ran, keeping Anakin from popping up his head. It left me with just one shot by the time I got to him, but one shot was all I needed.

I rounded the corner of my favorite cushy chair and fired at my boyfriend, right on target to hit him square in the chest. That is, until my light beam stopped in mid-air.

My eyes darted up to Anakin's to find him grinning, one hand extended the way he did sometimes to use the Force and the other still holding his newly-recharged blaster. I narrowed my eyes, but before I could say anything, he fired a shot of his own that hit me in the chest.

"You cheater!" I yelled, ignoring the explosion of light still glowing against my shirt. Anakin rolled to the side and dropped his hand, letting what would've been the perfect shot streak past him and into the far wall of our apartment. I scowled.

"You never said no Force," Anakin replied, getting to his feet with an entirely too satisfied smirk. He offered a hand to me, but I didn't take it.

"Mmm, I'm pretty sure I specifically said 'No Jedi bullshit' right before we started this thing."

Anakin grinned at me as I got to my feet and faced him.

"Exactly. No Jedi bullshit. Lots of people have a connection to and use the Force."

I closed my eyes and took a long, deep, dramatic breath. When I opened them again, Anaking was still watching me with a self-satisfied smirk.

"You've been spending too much time with politicans, trying to sell me on a loophole like that."

"As opposed to bounty hunters?"

I snorted and rolled my eyes. "You and I both know that's not what I do."

"I know. It's just fun to watch your face scrunch up."

I reached out and hit Anakin in the chest, but my heart wasn't in it. We'd first met because I'd been at the top of my class with the GAR, before they'd switched primarily to clones, and the Jedi had needed an extra, well-trained hand on short notice. Now, I basically worked as a contractor for the Republic. I'd continued to help the Jedi regularly, especially, and I'd gotten close with many of them. But Anakin more than anyone else.

"So. Rematch?" Anakin asked, raising an eyebrow and holding his light blaster up. I smiled.

"As much fun as it would be to beat you in a No-Force rematch-" Anakin scoffed and raised an eyebrow, but I just ignored him. "-we already spend too much of our time around blasters. How about we order some of our favorite foods and find a good holo to watch?"

Anakin smiled, soft and genuine, and let the hand with his blaster fall back to his side.

"Yeah. I guess we can-"

He got cut short when I brought my hand up as fast as lightning, my recharged blaster now ready to go. I levelled it at his chest, pausing just long enough to give him a grin and register the absolute shock on his face before pulling the trigger.

A bright light exploded across Anakin's chest, making the front half of his shirt about five shades lighter. I cackled.

"Ha, now we're even! Call that a tie and let's get some pizza."

Anakin shook his head at me, but he was grinning all the same.

"You're ruthless. And that was incredibly sneaky of you."

I just gave him a wink.

"You know you love it, Skywalker. It's why you love me."

He snorted, but came close enough to wrap his arms around me and pull me into this chest, too.

"I do love you. Sneaky cheater in competition and all."

"Aww, babe."

Anakin and I shared a laugh and a smile before leaning into a soft, sweet kiss. Since he was a Jedi, we couldn't just do stuff like this whenever and wherever we wanted. Which meant I knew not to take a single moment alone with him for granted.

"So, now that my title's been defended, do you want to follow through on that pizza and some holos?" I asked.

"We could do that. Or..."

"Or?"

Anakin grinned, a familiar troublemaker spark in his eye that I loved. I grinned right back.

"Instead of holos or a rematch, we could team up to go wreak some havoic on Obi-Wan and Ahsoka. Play a few rounds absolutely destroying them, and then disappear somewhere nice together where they can't find us."

"I like the way you think, Skywalker. Do the Jedi or the Force or whatever say anything about soulmates?"

"I don't think so... Why?"

"Because I'm pretty sure you're mine. Get your blaster ready and let's go have some fun."

I started to head for the door, but Ani's strong arm around my waist pulled me quickly back into a searing kiss. I let my free hand come up to tangle in his hair and kissed him back, hard, until we were both finally forced to come up for air.

"Okay," Anakin said, slightly breathless and with a smile on his face. "Now we can go wreak some havoic."

I laughed as I took Anakin's hand, a little giddy as I pulled him towards the oor. We really made the perfect pair, to the occasional detriment of our friends, whether or not they actually knew we were a pair. Hopefully, we could get through this war together, and find our way to a happy ending on the other side.

And until then, we'd just find as many happy moments together like this as we could.

****************

Everything Taglist: @rosecentury @kmc1989

[her-devils-advocate]

Sing me to sleep, I don't want to wake up on my own anymore

pairings: Femshep x Garrus

genre: fluff, comfort

summary: Raven Shepard is struggling to sleep with the nightmares plaguing her mind. Too nervous to head to Garrus for comfort after their discussion about reach and flexibility, she goes to spend time with Joker. Unaware that he is more than willing to play the wingman for them while they tiptoe around their feelings for one another.

Set during ME2

word count: 4,507

ao3 link: https://archiveofourown.org/works/59922712

The quiet padding of bare feet on the cold metallic floor guides her as Shepard floats around the Normandy, feeling more like a ghost than a human. All things considered, she probably looks closer to one as well.

It is late into the ship's night cycle, granting her peace as she stalks the near-empty mess hall, most of the crew have since retired for the night. Those who remain simply greet her with a respectful salute, being far too tired for small talk themselves. She prefers it at this hour, as it carries less risk of being questioned over why she's not taking the chance to sleep. She doesn’t want to have to come up with a plausible lie right now, nor does she want to open that can of worms in front of some poor crew member.

Shepard softly pads over to the coffee machine, feeling her oversized Alliance T-shirt rising along her thighs to reveal her shorts as she lifts herself to grab a mug. The t-shirt had been gratefully borrowed from Joker to avoid being branded by Cerberus during the hours she should be using to relax. Not that she puts those hours to much use, instead filling the gap between filing reports with copious amounts of coffee.

Just as she gets ready to prepare a new cup, the hot water steaming from the kettle, a smooth voice cuts through the silence and causes her to jolt in surprise.

"Dr Chakwas has recently asked me to alert her if you consume any caffeine during the hours you should be asleep, Commander." EDI’s metallic voice is gentle, yet Shepard can pick up on the subtle threat and she tries to conceal the shudder that rips through her. She doesn’t want to concern Karin, not with the already lengthy list of topics the other woman has been trying to broach with her as it is.

With a deep sigh, Shepard abandons the empty mug with a small wave of her hand, dismissing the AI's concerns as she continues to idly wander around the ship, already looking for more reasons to stay awake. It's not like she wants to forgo sleep every night, especially not when she has a somewhat new team to take care of, but she can't shake the cold feeling of nothingness that creeps up on her whenever she dares to close her eyes. Dying had left its mark on her. She can still feel its icy fingers gripping around her throat and on a particularly bad night, she can see the torn remains of her original ship when her eyes are closed.

Tonight had been one of those bad nights. She hadn’t been alone in her dreams however, this time her mind decided to make the event even worse than it already was. Instead, the nightmare featured Garrus alongside her. The two of them drifted silently towards Alchera while their oxygen supply quickly depleted. Even within the safety of the waking world, Shepard can still hear the muffled gasps that escaped him before she was left floating in silence, soon to follow. For the first time in her life, she is thankful that Garrus wasn’t by her side on that day. She’s not sure she could cope coming back to life, only to find out that he hadn’t been extended the same privilege.

For a brief moment, her eyes flicker over to the doors of the main battery, but she quickly shakes the thought from her mind. It would be selfish of her to risk waking Garrus just because she's uncomfortable in her own skin after the sixth nightmare of the week. She had already confirmed his vital signs with EDI upon awakening, letting the knowledge that he’s safe bring a small comfort to her pounding heart. Besides, the last thing she wants to do is to cause worry and potentially ruin the delicate start of whatever it is that's growing between them.

The flirting between the pair has since grown in frequency, moving from friendly banter into something more heated, and more meaningful. But she doesn’t want to make him uncomfortable, especially not with the weight of her position. She lets out a small huff of laughter, letting her head fall back against the ship's cool interior. If anyone could see past her calm and collected mask, it would be Garrus.

Shoving the desire for his comfort deep into the back of her heart, she lets her body carry her through the ship, occasionally swaying from the exhaustion. 

She eventually finds herself in the cockpit, the warm orange interfaces glowing within the dim space. Joker turns to greet her and whatever jest he has prepared on the tip of his tongue dies instantly when he glances her way. He watches with badly concealed concern as she drags herself to the co-pilot seat and all but throws herself into it, bringing her knees up against her chest while she curls into herself with a small groan.

“EDI, this conversation is classified and unrelated to Cerberus. So shoo for a moment and stop listening, or just pretend that you aren’t here and delete any logs that are being made, I don’t know. Just… shoo.” Joker’s tone is light, yet his voice is tinted with worry.

“Very well, Mr Moreau,” EDI announces before her blue hologram dies down, leaving the duo in silence.

“You know, I would make a joke about not realising how easy it would be to get some peace up here, but I feel like that trick was a one-time use.” He adds flippantly. Shepard gives him a small chuckle in response and shifts to rest her cheek against her knees, now facing him and for the first time since their reunion, he properly takes her in with a slight frown. 

“You didn’t need to send her away,” Shepard says slowly, feeling a small amount of pity for the AI.

He doesn’t bother to reply, instead, he continues his inspection. She can feel his eyes on her and she doesn’t want to imagine how much of a mess she must look like. She’s visibly exhausted, that much she knows is obvious, she’s also aware that her usually expressive eyes have since lost their gleam, leaving her much less lively. Raven knows what's coming, so before he can release an onslaught of bad jokes to distract her from her worries, she stops him in his tracks.

“It wasn’t your fault, Jeff. I know you’ve been carrying that blame for years now, I also know better than anyone that words alone won’t change a damn thing. But it was my choice and I don’t regret it.” Her voice is low and gentle as she completely drops the commander mask within the comfort of the cockpit. Joker clenches his fists, his nails digging into the flesh of his palm while he tries to argue, but no words dare to come out. The silence hangs between them for a moment before she continues, “Besides, how can you blame yourself for a death when the dead person is sitting here right now, alright and alive?”

She flashes him an awkward smile and she can tell he knows the angle she’s playing, using his own form of humour to diffuse the situation. A ticket out in case he’s not willing to let himself become vulnerable while he’s still expected to fly the ship. 

“Yeah, yeah, thanks, Shep. Did you come all this way to give me a midnight pep talk or are you serious about taking up that co-pilot seat? Cause no offence, I trust EDI more than you with that task.”

“Ouch. That hurts, Joker,” She says lightly, throwing her legs over the arm of the chair as she gets comfortable, ignoring the way he carefully tries to swat them off, “It’s my ship, so this is technically my chair as well. I can sit here if I want to. You didn’t complain when I came to hang out with you on the SR-1.”

“Yeah well, back then you would sneak me a coffee. You didn’t bring the peace offering this time.” He rolls his eyes at the bright laugh he lures out of her.

“I was about to make some coffee, but EDI would have snitched on me to Chakwas.” Joker doesn’t need to look at her to know that she’s pouting, shooting a playful glare to the AI who shouldn’t be listening.

“Probably because she knew you would have made two cups for yourself and then one for me. Speaking of… As much as I enjoy you gracing me with your presence, shouldn’t you be sleeping?” He doesn’t miss the way she freezes up, suddenly finding the distant stars more interesting than their current conversation, “Shep- Raven, when was the last time you slept?”

Her scoff cuts through the dull hum of the engines as she grows more frustrated by the question. Frantically, she runs her hand through the silky black hair that has since been released from its usual braid. She takes a moment to control her breathing and smothers the spark of annoyance before she tries to speak.

“I can’t.” 

He shrugs in response as he turns back to focus on flying the Normandy back to the Citadel to re-stock. She relaxes further into the chair, making the most of the soft leather while watching the stars twinkle around her. They are different here compared to the view from her cabin, they don’t seem to mock her down here. Her quiet musings are interrupted by Joker dramatically clearing his throat, she raises an eyebrow, urging him to get on with it.

“Well, I was just thinking,” he starts before being instantly interrupted.

“Oh no.” She deadpans.

“First of all, rude. Second of all, why did you come to me of all people?”

“What do you mean? I’ve known you since before the original Normandy, you’re like my brother by now, Joker.” She stares at him incredulously before being overtaken by a small yawn.

“That’s oddly sweet of you, sis, but I already knew that and it’s also not what I meant,” a small smirk appears on his face as he continues to stare straight ahead, “I’m just surprised you didn’t go to Garrus, that’s all. Considering you seem to take him everywhere, talk to him about everything, and funnily enough, you speak about him all the time.”

“Okay, that’s a bit of an exaggeration,” she mutters and bites the inside of her lip in thought. He wasn’t entirely wrong, but she wasn’t about to let him know that. Not that she needed to in the slightest. “I didn’t want to interrupt him, that’s all.”

“Ah, so you came to pester the one flying us through space at an unholy hour. Thank you, Commander!” Joker states cheerfully, ignoring the glare he can feel emanating from his right. He glances over at her again before they can settle into an easy silence, “Am I ever going to get that t-shirt back, by the way?”

“Nope.” She punctuates her point by tilting her head, her cheek now resting against the back of the soft chair as she stares at the flicking displays around her. The fluorescent interface captivates her and she finds her eyelids beginning to grow heavy.

As a comforting peace descends over the pair, she can’t help herself from thinking about Garrus once more. They had flirted a lot, a new and dangerous game of chicken where they were both more than happy to lose. Sure, she has a lot to say about the man to any who would listen, but his skills with his rifle are impeccable. No one could blame her for boasting about her squad, not when it has saved her life more than once. If she boasted about one over the other… well, maybe there was more truth to Joker’s words than she realised. She just hopes no one else has caught on enough to inspect too closely. The last thing she needs is a potential audience to witness her fumbling through her words and emotions. Doing it in front of him is daunting enough already.

Shepard’s bones feel heavy as the nauseating wave of built-up exhaustion washes over her, demanding her eyes to flutter shut despite her battles against it.

“I think I really like him, Joker…More than…” She confesses before succumbing to sleep, leaving the pilot in stunned silence.

Joker stares at her momentarily before giving a small eye-roll, spinning his chair to the side to watch over her.

“Yeah, kinda knew that already, Ravs…Glad you’re finally catching up. Hey EDI, can you get Garrus up here?” He waits for a moment, expecting the blue glow of her display to flicker to life, only to be met with nothing. “Seriously, EDI? You can stop pretending to not listen now and go tell Garrus to get his spiky butt up here.” “Understood, you should have started with that.” If she possessed a mouth, Joker would be certain she was smirking.

The steady hum of machinery floats around the main battery, grounding Garrus as he stands before the Thanix Canon, doing his best to ignore the aching of his limbs. He taps away at its amber screen, improving its firing algorithms and squeezing out the extra 0.23% he has been working towards all evening. He quickly flicks his eyes towards the time displayed on his visor, the vision becoming blurry as he confirms his suspicions with only a small amount of regret: he’s been working late into his off-duty hours again.

“If Shepard were to find out, she’d have a small speech about how I should look after myself more already prepared…” He mutters to himself, his mandibles fluttering out into a small grin.

Despite the weariness that has sunken deep into his bones after days of sacrificing sleep for survival, he’s still unable to keep himself still for more than a few minutes, not when there’s a new ship with even newer weaponry to inspect. Even though it’s been a handful of weeks, a part of him still can’t believe he’s stood within the Normandy yet again. Not after Joker had broken the news to him two horrible years ago and certainly not after attending the funeral of his best friend. Yet she was back, and so were all the complicated feelings he wanted to run from, ones that she always drew out of him the second she hovered into his line of sight. 

Feelings that no good turian would act on.

With a deep stretch, he takes solace in the shining walls of the ship, providing an old comfort as a sharp sting travels throughout his injured mandible. He tries to conceal his flinch, not wanting to agitate the healing wound more than he already has done, Spirits knows he doesn’t need that lecture from Dr Chakwas again. Before he has the chance to continue with his work, his six fingers hovering above the console and ready to inch closer towards that 0.25%, a smooth voice cuts through the silence.

“Officer Vakarian, Mr Moreau requests your presence on the bridge.” Her tone leaves very little room for argument as the hologram pops up in his peripheral.

“Right, thanks EDI.” He replies plainly before making sure to save his progress, not wanting something to mess it up and waste his hours of mind-numbing work.

The journey to the cockpit is uneventful as the ship silently floats through space, a skeleton crew working diligently through the night to keep everything running, even with the AI onboard. The rhythmic echo of his shoes against the metallic floor is his only companion as he lets his mind wander. Its destination rarely changes away from Shepard. 

The way her black hair, as dark as the void that surrounds them, swings behind her. Her hair always fascinates him whenever he sees her tie parts of it together, her fingers quickly weaving the strands together in a way that makes his head spin. Or how she bites the inside of her cheek, doing her best to hold back a smile whenever something amuses her when in “commander mode”. A part of him aches as he watches her lock more of herself away for the good of the many, leaning towards the icon they expect of her and further away from the human she is. Well, she does whenever they’re not together, he notes with a small amount of smugness.

His mind still comes to a screeching halt when he replays the moment she blatantly revealed her feelings for him as if it were easy, proposing a night together to push their friendship towards unknown territories. Except he knew her well enough by now to know she was just as nervous as he currently is. He could easily spot the nervous scrunch of her nose when she smiled up at him after the proposition. The same scrunch that appeared the day she became a Spectre, or the day he pitifully begged her to consider using the Mako’s breaks before they both got covered in krogan vomit. Her gentle words spoke of blowing off steam and yet her eyes screamed for more, for stability, and he couldn’t deny his own feelings that mirrored hers. 

He always was a bad turian, he thinks with a small snort. 

It’s not long before he is dragged out of his mind and greeted with the back of the pilot’s chair. He can’t remember the last time found himself in the cockpit. He never normally needed anywhere other than the crew deck, or the hangar unless they were docked. Before he can even announce his presence, the chair quickly spins to reveal Joker, a single finger against his lips while the other points towards the co-pilot's seat.

He cocks his head to the side in confusion before his cerulean eyes trail over to the corner, only to widen at the sight while his mandibles flick out in shocked amusement. Commander Raven Shepard is sprawled out within the wide chair, making the woman look oddly small in contrast. What’s even more shocking is the fact that she’s sleeping, deeply if her position is anything to go by. Her legs are thrown over the armrest in a way Garrus can’t imagine being very comfortable, while a single arm dangles off the side of the chair. Her chin is tucked tightly against her chest and her loose hair has fallen against her face, creating a small barrier to hide her sleeping expression from sight.

“Ah…”

“So you can see why I called you up here,” Joker adds, deepening Garrus’ confusion.

“To witness the fact that she can rest for more than twenty minutes at a time, without finding something else to do instead? Or did you need a witness to confirm that you’re not hallucinating and that she is asleep?”

“No, not that. Well… partially that, but that’s beside the point. Someone needs to take Ravs up to her room. Preferably before she wakes up with her muscle aching in five different places and I somehow get the blame for it.” Joker pauses for a moment, his eyes not once moving away from Garrus. “It’s not like I’m capable of helping her, even if she would let me. Which is why you are here, considering you’re the only one that she would let close enough in this state.”

Garrus opens his mouth to interject with a witty retort, but he struggles to find one. It’s not like he can lie to Joker. Well he could, but the man could also quite easily call him out on his bullshit. He never used to consider the Normandy’s pilot a friend, not back when they were nothing more than working together to hunt Saren down. Things slowly changed between them when they both lost her. One was wrecked with guilt, the knowledge that he had condemned his oldest friend. The other was wrecked with the loss of his only friend, torn from his side too soon.

He finds himself silenced as he stares down at her, completely unable to form a response and for a moment, he wonders if Joker can see the conflict. The deeply hidden fear that he will mess everything up and lose her once more.

“For what it’s worth… You have my seal of approval.” His voice is unnaturally soft and void of all humour. It’s not often that Joker shows his serious side, “You’re good for one another and work well together, you will make a scarily good couple.”

Garrus surprises himself with the relieved laugh that escapes him, only to be silenced by a low, harsh, shushing sound.

“I’m glad that you’re happy and all, but the last thing we need is a groggy biotic getting a rude awakening in my bridge. So if you can escort sleeping beauty back to her cabin before that happens, I would appreciate it.”

With a small roll of his eyes, he gingerly approaches the small corner of the bridge, lowering himself before her. From the new vantage point, he can easily see the cybernetic scars peeking through the shield of hair. They had already started to heal, finally letting the skin hide the harsh orange. A selfish part of him will miss them, even with the knowledge of her insecurity surrounding them. At least with them vanishing, it showed progress when it came to her letting herself relax, one less thing for him to worry about.

He slowly raises his hand and tucks the hair behind her ears. The black strands feel like silk within his fingers and flow like water when a stubborn lock escapes, hellbent on covering her. Garrus keeps his subvocals subdued, aware that Cerberus had given her an advantage in that department, despite the hum of contentment and adoration threatening to claw its way up his throat. Before Joker can open his mouth and ruin his mood, Garrus carefully places one arm under her legs while the other weaves around her back, easily pulling her into his arms. He slowly stands, turning to give the pilot a grateful nod before turning to make the trek back to her cabin.

Garrus takes his time as he enters the spacious cabin. Now that she is in his arms, he is reluctant to put her down. After lugging around a thirty-nine-kilogram sniper for hours on end, she weighs next to nothing in his arms without her usual armour. A small part of him wants to get used to the way her head rests against his cowl, the picture of comfort despite the way her cheek is pressed against his armour. 

He glances around the room as he advances deeper into her space, noting the dozens of datapads overtaking her desk before he lowers her onto the large bed. The thick duvet has already been thrown to one side, a clear sign of her previous attempt to rest. After draping it over her, Garrus hesitates, unsure if he is overstepping before a sudden burst of courage guides his hand and tenderly tucks her under the multitude of spare blankets she has collected. He doesn’t miss the way multiple of them cover the leather sofa, nor the pillows that had been taken from her bed accompanying them.

With a satisfied flick of a mandible, he turns to leave before a pale hand quickly shoots out from under the fabric nest, strong yet slender fingers wrapping around his wrist. He slowly turns and is greeted by two grey eyes staring up at him.

“You’re supposed to be asleep,” Garrus accuses, unsure of what else to say. “I didn’t tiptoe up here in heavy armour for you to wake up now.”

She gives a tired chuckle, her eyes crinkling with mirth as she snuggles deeper under the covers. “I could pretend to be asleep if it makes you feel better?” “I would prefer it if you were actually sleeping,” His eyes slowly trail back over to the sofa, “preferably in your bed.”

Shepard gives a noncommittal shrug as she follows his gaze, the remnants of sleep slurring her words. “I don’t wake to see stars over there.”

His eyes shoot up to the window above her bed and a chill creeps across his body. His subvocals share his discomfort and anger on her behalf and for a moment, he forgets that she can now pick up on parts of it. He awkwardly clears his throat, hoping it could contain his emotions. He gives her a strained smile, noticing the way she has begun drawing small, comforting circles into the smooth underarmour covering his wrist with her thumb.

“Well, next time we’re at the Citadel, I’ll find you a nice banner to stick up there instead. What do you want the design to be? Blasto? The Mako flying off the side of a mountain upside down?” He can’t help the joy that flutters in his chest when her laugh reaches him, her hand coming up to cover her face. “Hm, I’ll find something, I’m sure. You should try to rest until then, Shepard.”

She lets out a deep sigh, sinking deeper into the bed before tugging on his wrist. “Would you stay?”

Garrus feels his mind blank, not for the first time in her presence. 

“Not like that, I know we said we would wait for…that. It’s just…” She trails off, running a frustrated hand through her already messy hair as she looks for the right words to say. “I feel safe when I’m around you and even though I’ll probably still have a nightmare, it’s less daunting knowing you’re around.”

He watches as her face reddens with the confession, her fingers nervously twitching against his wrist as she waits for him. She averts her eyes, staring past him to watch the fish idly swim around their tank. He gently pries her fingers off him, the disappointment in her eyes sending a knife through his heart. 

He takes a step back before unlatching his chestplate. “I need to remove this armour first, I doubt you want cold metal pressed against you all night?”

“I’m sure I’ve slept against worse things during my time in the Alliance,” she mumbles half-heartedly before growing serious again, “thank you, Garrus.”

Garrus gives her a calm smile before he removes the rest of the armour, carefully placing it on one side of the sofa. He then slides under the covers with her, pulling her close to him. Her back is pressed against his chest while his hands rest over her stomach, holding her tight. She shuffles slightly, finding a comfortable spot on her side and he lets out a small hiss as her bare, and cold, foot brushes against his leg. She mumbles out a small apology before she gets lectured on how turians and the cold don’t mix, earning her a small grunt of acknowledgement. With the sounds of his quiet breathing and the steady hum of the fish tank, she finds her eyes growing heavy once more.

[jariten]

July 2024 roundup!! (Part 1!)

Had a great month for catching up on and starting new series with August already shaping up to be a wrap-up month. This round up will be a 2 parter, one for English titles and one for Japanese!

First is Ima Koi by Ayuko Hatta. 9 volumes is such a perfect length for the Margaret campus romance and what's better than a campus romance by someone who's been making them for 20 years. I can't find anything that I think is unique about the series aside from the fact that it hits all the right beats, the characters and their relationships are well rounded, and Hatta (known for titles like Wolf Girl and the Black Prince, and Bye-bye Liberty) knows just when to be restrained and when to give the readers what they want. I just really enjoy it when an author becomes so competent in a genre in this way and had a great time the whole way through. Hatta in the columns also expressed wanting to move on from the campus romance, which I'd love to see because I think an adult romance would release her full potential, but in the final volume announced that she's taking a hiatus from manga to explore various jobs in the food and service industry. I love that for her, and if she graces us with manga once again I will be there to check it out.

Hirayasumi by Keigo Shinzo I won't linger on for too long since I'm the one late to the party and only one volume in, but I already love the cast and how they interact and the tempo of the narrative. I'm so looking forward to keeping up with this series!

Her Frankenstein by Kawashima Norikazu is the debut title in Living the Lines Books new horror imprint Smudge which promises to deliver exciting deep cuts from the pulp world of horror manga. Her Frankenstein follows a man with a shattered sense of self which is further fragmented when he becomes haunted by his own past. Accompanied by an always thorough Ryan Holmberg essay this is a great read for psychological horror fans and horror manga fans interested in acquiring an even broader look at the genre landscape. The next title in the imprint will be UFO Mushroom Invasion by Shirakawa Marina expected to be released on October 1st

Last but certainly not least, I finally got my hands on Viz's long overdue edition of Ai Yazawa's Neighborhood Story volumes 1-2! Overwhelmed with things to say but will keep it short. First time I read it I was ever reliant on a dictionary but was nontheless swept into this tale of adolescent love, friendship, and growth. Coming back to it since then I'm once again overwhelmed with adoration for her work and how she is able to capture the ups and downs of the emotionally volatile teenage years. Timelessly stylish and one of a kind artistically I am so happy that new readers have yet another way to stumble across this work and that long time fans can finally have it in their collection! When I ran a poll a couple months ago asking if I should switch to english caps of the series when the time came the english caps won out, so next time I refill I will go back to volume 1. Will try to avoid dupes in order to speed things up, but if there is a specific cap I've posted in the past that you'd like to see posted again but in english let me know.

[redgoldsparks]

September Reading and Reviews by Maia Kobabe

I post my reviews throughout the month on Storygraph and Goodreads, and do roundups here and on patreon. Reviews below the cut.

Who Was Her Own Work of Art? Frida Kahlo by Terry Blas and Ashanti Fortson A short but sweet glimpse into the period of Frida Kahlo's life when she was beginning to mount solo shows of her paintings in New York and Paris. I loved the bright colors, tender character designs, and the reconstructions of conversations she may have overheard at her gallery openings. In no way a complete biography, but instead a little window into the life of a passionate artist.

Electric Bones volume 1 by Hazel and Bell Lucian is the son of a minor nobleman and the CEO of the galaxy's biggest AI company, but he's not so rich that he can't get in trouble. After being fired as a programmer from Echo Station he joined a startup with a couple friends and is now fishing for funding at an elite tech expo on board an expensive and exclusive space vessel. There he sees someone he thinks he recognizes- Ezra, a grey robot, an fully sentient AI who worked on Echo Station as a researcher and partially cost Lucian his job. So why is Ezra now working on the space vessel as an escort? Unless it's not Ezra, but just a look-alike robot model? These questions drag Lucian into the beginnings of tangled web of intrigue which include kidnapping, AI-hacking, and murder. I've been reading this story online as a webcomic for years; you can still read all of volume one here: https://electricbonescomic.com/index.... But last year I also backed the kickstarter, and just sat down to re-read the whole story in print form, including a sexy little bonus comic. I love these characters, I love the rich colors, the lovely sense of flow and design of the pages. I can't wait for volume two! Re-read in September: Each time I read this volume I see more in... creepy little hints for the futrue!

The Boys in the Boat by Daniel James Brown read by Edward Herrmann I picked this up after watching the film of the same name. It's a very well researched history of the University of Washington men's eight rowing team, a bunch of boys raised during the worst of the Great Depression, working their assess off to represent the US at the 1936 Olympics. The book follows Joe Rantz most closely, in huge part because he was one of the few members of the team still alive and available to interview when the author began the book. However, several of the others kept diaries or wrote letters which the author also had access to. There's a lot of background on the era, both the economic hardships of the Depression and Dust Bowl in the US, and also the way Joseph Goebbels planned the entire Berlin Olympics as a massive propaganda project to fool the West into thinking that Germany wasn't planning war. I thought the book was a little longer than it needed to be, but overall enjoyed it as a good audiobook to keep me company during work hours. As always, the truth of the story is even stranger and more dramatic than the version of this story that made it to film!

A Prayer for the Crown-Shy by Becky Chambers read by Emmett Grosland Dex, the traveling tea-monk who befriended a robot in the wilds, now brings their friend Mosscap back down to the human-inhabited parts of the world. Like the first book, this is a gentle story, told more in a series of linked vignettes than an over-arching plot. I enjoyed the exploration of whether essence of self is rooted in the body, and to what extent consciousness and personality transcend the body while still being undeniable linked. However, like the first book in this series, there just isn't quite enough plot to satisfy me. I read this because I've decided I'm a Becky Chambers completest, but I don't personally recommend this series as the best place to start with her work- I point readers instead towards the standalone To Be Taught If Fortunate.

Tove Jansson: Work and Love by Tuula Karjalainen translated by David McDuff A wonderful deep dive into the long, creative life of Tove Jansson, the Finnish-Swedish artist behind the Moomintrolls. Tove was also a painter, a cartoonist, involved in theater, sculpture, and a writer of several prose novels and short story collections. She was born during the period of WW1 and WW2 overshadowed her twenties and early thirties, but she spent those years drawing cutting political cartoons against fascism and violence, as well as developing her gallery career, setting up her first studio, and falling in and out of several impactful love affairs. She seems to have accepted her own queerness or bisexuality without much internal struggle and lived as openly as was possible as the time. She turned down several proposals of marriage but happily in mid-life met an artist who became her life-long partner and sometime inspiration and collaborator. The two of them built a little cabin on a very small and barren island in the Finnish archipelago and spent summers there for nearly thirty years- partly to avoid the fame Tove received because of the global love of the Moomins. This book was translated and I do think at times it wander a bit or retreads some material, but I loved how rich it was in color illustrations. Always a pleasure to read about an artist's path.

No Rules Tonight by Kim Hyun Sook and Ryan Estrada Set in South Korea in the early 1980s, this comic follows up Banned Book Club in which college student Hyun Sook discovered a friend group of students reading books deemed illegal and dangerous by the government. During South Korea's Fifth Republic, a military regime, students could be beaten or jailed for owning banned books. But even under an authoritarian government, college students are still college students: learning, growing, questioning their identities, looking for trouble, romance, and ways to subvert the rules. Set on a camping trip during winter break, this book follows a group of students, including Hyun Sook, with conflicting motivations and interests as they decide who to trust and who they want to become. A timely story about the power of art, literature, theater, and community to resist fascism. Despite the real danger, it's full of humor and deeply human moments. I had the chance to read this book ahead of its release- look for it on shelves in early October!

Tokyo These Days vol 1 by Taiyo Matsumoto Manga editor Shiozawa decides to quit his job after a magazine he founded folds. He plans to find some hobbies and start a new life. But manga won't let go of him so easily. Editor colleagues continue to ask him for help, especially with their more difficult artist clients. He has to pay last visits to artists he worked with in the past, which often turn into emotional conversations. He tries to sell his entire manga collection to a used bookstore, but at the last minute has a change of heart and keeps it. Then he decides he wants to work on one more story. But who to ask to write and draw it? This is an elegant, understated book about how deep the comics industry gets under your skin, and the very wide variety of people who fall for manga and can't let it go, even after it's broken their hearts.

Ash’s Cabin by Jen Wang High schooler Ash feels misunderstood by their family and the world, their need for quiet, their passion for the environment, and their developing identity all overlooked in the loud busyness of life. While the rest of the family plans a summer vacation to Disneyland, Ash plans their own escape: heading up into the hills of the family ranch near Mount Shasta to find the cabin where their late grandfather lived close to the land. This story is so elegantly told and elegantly drawn, with large amounts of white space on the pages balancing the delicate warm-toned watercolor panels. I've been a fan of Jen Wang's comics for over a decade and I'm so impressed how each one is so different from, but equally as rich and wonderful, as the last!

The Deep Dark by Molly Knox Ostertag This was exceptional. Mags, a recent high school graduate, lives a carefully controlled life. She cares for her aging grandmother, she works her restaurant shifts, she doesn't party, she doesn't let anyone get too close, even the girl she's sleeping with, who has a boyfriend. Also, she's feeding a dangerous secret, something fanged and strange that lives in the dark. Then Mags' careful routine is disrupted when a friend from childhood, Nessa, turns to the little town outside Joshua Tree where they both grew up. Nessa is being chased by a darkness of her own, and wants answers about a confusing childhood memory. The storytelling, the page layouts, the mixed use of color and black and white, all combined to build such delicious tension in this queer horror tale. Highly recommend!

The Pale Queen by Ethan M Aldridge A beautifully illustrated original queer fairy tale. Agatha, the daughter of a miner, dreams of a university education but it seems out of reach to a country girl. Then she encounters a pale magical woman from the forest, who tricks Agatha into owing her a favor. This turns into a series of tasks with increasingly dangerous consequences. I loved the watercolors, especially during scenes set at night. The story is aimed at fairly young readers, but still engaging for an adult.

The Book Eaters by Sunyi Dean read by Katie Erich Devon is a single mother on the run from an abusive family, living undocumented in England, a borderline alcoholic, searching from town to town for a contact who will lead her to the people who make the medicine her young son needs to be safe. Devon also isn't human; super strong, impervious to cold, she can see in the dark and the species she comes from eat books to survive. She has perfect recall of every text she's ever eaten but none of them help much in her current precarious state. Woven through this tense narrative is a second timeline of Devon's past. Raised as a precious and rare daughter of an old book eater family, she grew up in a manor house on the moors, treated like a princess- one whose marriage and reproductive choices were entirely controlled by the powerful men around her. When Devon rebelled, her first child was taken from her. But her second was born with a complicated and dangerous hunger, and a need to kill in order to survive. This is a dark story, a thriller with fantasy elements, with content warnings for violence, gore, rape, cannibalism, alcohol abuse and physical abuse. I found it a gripping listen on audio, and I enjoyed the narrator's northern English accent, well chosen for the setting of the story. But it's not a light read and at times Devon's depression and despair were hard to sit with. Take care that you are in the right space of mind to enjoy this story before you start it.

Out of Left Field by Jonah Newman This coming of age comic spans Jonah's four years of high school, including crushes, dates, a first sexual experience, and that teen classic, joining a sports team to impress a boy and gain popularity. Jonah is a nerdy, closeted gay freshman with few friends when he joins the team. On the team he gains confidence and a spot in the school cafeteria- but he also fails to stand up to his teammates when they make increasingly sexist and homophobic things about other students. I enjoyed the complexity of Jonah's relationship with a female best friend, and with a boy he wants to date, but isn't comfortable being seen with in public. The book doesn't have a neat ending; the messy way some characters interactions end mirrors of confusion of teen years.

Life Lines by Jason Martin Bay Area Cartoonist Jason Martin collections stories from across his long memoir comics career in this, his second anthology. The stories relate friendships, experience touring with bands, working temp jobs, his life-long love of music, tabling at comic conventions, and the kind of mundane moments which crystalize into perfect gems when held and examined so tenderly. Martin's writing is compassionate and clear, and it holds a kind mirror up to a familiar world.

[maleyanderecafe]

I Said I Love you to Death, Didn't I? (Manga)

Created by: Sankaku

Genre: Horror/Mystery

This manga complete at about four chapters and man, is it rather dark but fun. It very lightly reminds me of Killer in Love with the way that the story is going. I'm a big fan of yanderes in mystery stories and I think that the main female, Ai is also rather suspicious in the way she acts around Asumori.

The story starts out with Asumori seeing a ghost affect a man by causing him to drop his phone. Asummori feels useless as he's unable to do anything, but quickly turns to his phone to think about his angel, Ai. At school, the two of the work together to clean up afterschool, with Asumori noticing that a ghost is haunting her as well, thus causing the various injuries she has all over her body. He seems surprised that Ai knows his name, and is overjoyed to be hanging out with her. After he catches her when tripping down the stairs, Ai declares him as her savior after he apologizes for touching her, making him extremely happy. After the two walk home, we see that Asumori lives in a rather abusive home. We see that Asumori has been collecting things that Ai has given him, as well as the fact that his spirit perception seems to transfer, probably explaining why Ai is so strong affected by spirits. As such he promises to stay away from her as much as possible, however, Ai continues to follow after him during school and even afterwards. Asumori gets beat at home by his brother, and ends up walking to the park where he meets Ai again. He explains his bruises to Ai, and Ai explains her own experiences with domestic violence. The two of them continue to get closer, with Ai buying Asumori clothes, going to amusement parks and buying gifts for each other. and Asumori gets more and more obsessed. Asumori watching other guys get close to Ai, to which he starts to get jealous and promises to kill any guys that get close to her. Ai eventually gains powers from Asumori, though despite everything she still wants to be with him. He ends up going to Ai's house where he meets her mother, whom he believes has a distaste for him. Ai tells him that the black shadows come from her father, who had died a while ago. When Asumori goes home, he becomes increasingly worried about what will end up happening to Ai and goes back to her house. There, he is greeted by Ai's mother and Asumori accuses her of killing her husband as well as several other people. We find out that Ai's mother was there to basically stall Asumori and when he goes back, he finds that Ai has already killed off his family. He realizes that the spirits surrounding her are actually the vengeful spirits that she's killed. Ai's mother explains that Ai has anti-social personality disorder and that she was the one who killed her father and is incredibly good at pretending to be normal and that her mother has been moving them around and helping to hide bodies. Ai reveals that her cuts were because of the struggles of other people who tried to resist her, and asks if Asumori would ever abandon him. He promises to never, believing that he was given redemption by Ai. He ends up killing himself to make sure that Ai isn't arrested, and blaming his family's murders on himself, as he loves Ai.

Like I said, although this series is short, it is a good start to what I hope will be a good mystery, perhaps even a psychological one. It reminds me a bit of Killer in Love or even He was My Brother in that aspect, with the yandere growing more obsessed with their lover as the story goes on. We see that the ghost aspect and the fear of him projecting on his, I want to say power, onto her is keeping him from really trying to be close to her, yet he can't help but be drawn in by her kindness. I am a little suspicious of Ai though based on the sudden way that she treats Asumori with kindness, since it seems to be out of nowhere, but it is hard to say with only two chapters out. It could go the Killer in Love route where Ai does actually slowly corrupt Asumori to her own needs, but it feels more like Asumori will become more corrupted because of Ai's unintentional actions like talking to other guys. It does make me wonder where he gets his powers from, whether it's something that he had when he was younger or if it was something that was passed down, as well as what might happen in Ai gains these powers as well. As a yandere, we see that Asumori idolizes Ai a lot, stalking her and keeping track of all the things that she has given her and even taking pride that he is her savior, especially after he finds out that he can dispel the spirits that surround her. I wonder if it ties in with the missing persons report that we hear in the television later on, or even if he's already been doing that before we even knew what was going on.

What's written above are my initial impressions of the series back when there were only about one or two chapters. Now that the story is complete, I have to say I was right about Ai being suspicious and I really love how the story went in the end. I've always mentioned before that I really like it when the yandere's darlings are as bad or sometimes even worse than the yandere themselves and this story really does it well. It first gives the impression that Ai is the one being abused because of her cuts and the various spirits that surround her, however twists it when it's show the cuts are actually from people trying to fight back from when she was killing them. I'm surprised that the mother didn't try to call the police or anything and just continually helped her daughter hide corpses. I suppose living under the fear that her daughter might kill her at any moment would do that to you. Asumori's devotion goes even further when he commits suicide in the end to cover for Ai, fully embracing the love he has for her even in death.

It's a very good, albeit short series with a dark yandere story. I do wish that this creator will make more yandere content in the future since I was a fan of how they were able to surprise me about how Ai really was and how the outcome of Asumori's story ended up being. I hope you will enjoy it too if it is to your taste.

[campbellcorner]

Sneak Peak of Upcoming fic!

at a Robert ‘Bob’ Floyd x reader Smutty Fic🧎 because I’m too hyper to not share !!

A/N ; Please do not input my work into any ai along with Poe and C.ai! I also do not consent to my work being published on different sites without my consent! I also do not want my work translated without my permission! Ty!

I also have some stuff of Fanboy as well! ^^

NSFW UNDER THE CUT !!

He can’t help how he bites his lip, drawing a bit of blood as he holds in soft pants and whines. He’s sitting on the edge of the couch in your living room. His shirt unbuttoned and messy, his pants already off and littered on the floor by the couch. His eyes closed as he took in the pleasure. It’s been months since he’s had your touch, since he’s tasted you, since he’s breathed in your perfume that defined your scent so nicely. It’s all so overwhelming in such a good way that he can’t help but take it in. His cock twitching in the underwear he still had on.

You’re sitting on his lap, softly kissing up his neck and grinding down with soft movements. His hands are rested on your hips, kneading your soft plushly flesh in his hands, scooting you closer as a whine escapes his mouth. Your shorts hike up your thighs, and your shirt off. “Love you Robby, love you s’much” you mumble with each kiss you leave on his neck. Sucking and nipping along with kissing his flesh. He can’t help but gulp nervously as his eyes flicker open. Lidded they were, filled with love for you. His hair was messy and his glasses were barely holding on, inches away from slipping off his flustered face.

“Honey—B-Babydoll—“ he tries to speak, his voice stuttering within his mumbled tone. Your lips were too intoxicating to him. “Robbyyy” he could hear you whine out to him, your hips continued their actions. Your voice was filled with lust and need. “Sweetheart just—let me have more of you please—“ He couldn’t help but trail on a whimper. Begging to get more of you than kisses on his neck. His hands were still gripping on to your hips, but slowly starting to trail to your ass—yet his hands cradled and remained on your thighs for a good amount of time. The more he spoke, the more his little accent drawl spilled through. 

Pausing for a moment, your lips unattach from his neck as you pull away gently. Your eyes flicker open, admiring the scene in front of you. Bob breathing heavily, his mouth now open. His head tilted just a bit back as it gave you access to his neck that was now littered with wet kisses and hickies—bite marks galore—and you loved it. “Look at you Robby, looking so sweet~” you teased, a soft lustful smile adorned on your face. At your tone Bob couldn’t help but groan in pleasure as a response. Your voice, your body that was already up against his—it was almost too much—he loved every second of it. In his tight pants he could feel his cock twitch again. 

[aureoboros]

commissions are: closed for now!

hello everyone!

i’ve had health problems that are making it very difficult for me to work and function outside of my home, which just isn’t viable with how expensive necessities are. so while i’m in this limbo, i’m opening up commissions! reblogs are greatly appreciated :]

a lot of my examples are bg3/dnd related, but regular ocs are more than welcome, too! i can also do fanart for other media if you’d like.

for right now, these will be through paypal. just send me a dm here if you’re interested! more information below the cut.

commission info:

- first come first serve, i will keep in contact with you throughout the process and start the sketch asap. for drawings with the highest level of detail, it’s possible that it may take a few weeks for me to complete. lower levels will take about a week or a few days over.

- while this is over dms for the moment, i’m going to make a proper form to fill out! reference photos are greatly appreciated for ocs, but detailed descriptions work too! i would also prefer if you provided a short personality description, and any ideas you have for poses or character interactions. i want it to be as close to what you envision as possible! if you want the drawing to be set at a specific time, or a specific aspect ratio for the image, let me know that too! busts cut off at the mid-chest, and half-bodies are cut off at the mid-thigh. i can also make icons (head-shot only) for a discount!

- payment comes after you’re happy with the composition! i’ll block out the characters and where they’ll be on the canvas before moving on to the full detailed sketch.

- i know my example images don’t have much shading. it’s because i enjoy the lineart process a lot more than anything else, so i don’t focus on it as much in my personal work. for fully rendered pieces, though, there will be actual light and shadow.

- more explanation on backgrounds: basic flats, simple patterns, and simple objects for framing are free of charge. keep in mind that detailed backgrounds are not my strong-suit, but i do need the practice, and i will try my absolute best. the more detailed the background is, the more it will cost, but everything is negotiable.

- i can do anthro characters (like tabaxi, dragonborn, etc) in my detailed style too! i don’t have as much experience in drawing robotics or machinery, but it’s not off the table. i like doing little details :]

- i will not draw illegal ships or anything hateful (racist, homophobic, the obvious), and i don’t do nsfw.

- don’t use my art for ai training or nfts.

- if you have any questions, feel free to ask!

- thank you for reading ^^

a better look at some of my examples - for more, check the #digitalart tag: