#I had a lot to say apparently

[grimme-and-specs]

You know I had to do it to 'em too

Bonus:

EDIT, 2024-4-5:

If this gets to 213 notes before 4-13 I will personally redraw this earlier than planned.

[johnnysuhbmarine]

hiiii😁😁just wanted to tell u that ive read almost all ur works lol and i absolutely love them!!! u have a very beautiful way to write and put things together (idk how to express it honestly jsjsjjsjs) bc i just read the texts w dreamies and its so comforting and nice and idk!!! i think the art that we do reflects our person and ur way with writing is really beautiful it must be nice to be ur friend/lover because the way u express things🤌🤌🤌beautiful🫦

ALSO i loooooooved too good to be fake pls🙏🙏🧎‍♀️🧎‍♀️its been a looong time since this app had such good fics🙂‍↕️🙂‍↕️🙂‍↕️ im kinda in love w ur brain ig🫤🫤 ill be seated waiting for more of ur work!!!🪑🪑muak💋💋

Okay so- now I’m in tears. This is so nice wtf am I supposed to do after reading this message

To be so open and honest, my high school teachers used to constantly criticize my writing and tell me I would never be good as a writer (worth noting, my college professors thought I popped off when turning in written work and told me at the end of semesters they would miss my writing, so maybe the high school teachers were just particularly mean 💀)…and I’ve believed for the longest time that I don’t know what love looks like - so hearing that you find my writing and the way I express emotions beautiful is genuinely so healing for the 17 year old girl still in me.

Also “ur way with writing is really beautiful it must be nice to be your friend/lover” WHY DID YOU GO FOR THE KILL SHOT THERE OMG IM BAWLING MY EYES OUT I LOVE YOU

Back to it, I’m so glad you’ve enjoyed my works. I think I’ve said it before but Too Good to be Fake is the first one I genuinely have no regrets about, so seeing such positive reactions to it has been so comforting. I’m looking forward to releasing more stuff this year that I can be proud of, too, but it warms my heart knowing even my older stuff is so loved by a lot of you ❤️

[pricegouge]

john "you remind me of my daughter" price, except he doesn't have a kid. never did. just uses it as a line to get you all sympathetic and sweet so you don't get skittish when he says you're like a daughter to him. when he slips up and calls you princess.

and it's okay if you think of him like a father, too. he knows you didn't really have one growing up. you can lean on him, sweetheart, it's okay. he'll even give you his last name if you want.

[elodieunderglass]

And one amang, an Iyrysch man,

Uppone his hoby swyftly ran…

WAIT HANG ON - slamming the brakes on drawing this stupid picture - do you nerds even KNOW the etymology of the word “hobby”? The thing you do for pleasure? The thing you have too many of? The thing you spend too much money on and share with your friends? The thing tumblr probably is to you? Those hobbies?

It comes from a now-kind-of-extinct breed of Irish pony-horse. It was called the Irish Hobby. Supposedly the hobby got its name from the Gaelic word obann, or swift. They definitely were. They’d obann your pants clean off.

Fast tough little bastards, built for rough terrain and renowned for their speed and stamina, hobby horses belonged to the Celts, and their highly annoying style of mounted warfare. but their conquerors liked hobby horses a lot, kept them, used them for themselves, and found them useful enough, despite the fact that they also had famously useful things like mounted knights or horse archers. A lightweight Irish warrior, mounted on a hobby horse, was called a hobelar.

Reportedly and in depictions, hobelars rode without stirrups. Or saddles. Or bridles. Or - well - this is all sounding very improbable, because the hobelars COULDNT have just been charging around basically bare-assed on naked ponies, screaming, and somehow in the process undoing the composure of actual mounted armoured knights. Knights who, I remind you, had stirrups. Stirrups are useful! It’s quite likely the hobelars had some gear. And clothes. and weapons. And the ponies probably had some tack - I am picturing a bellyband that you could at least hang a saddlebag on, and a neck rope for catching the bloody thing, even if not a saddle. But the overall impression, somehow created by people on darling little ponies, was apparently quite striking and fearful.

I mean. God Forbid People Have Hobbies.

Anyway after a while, whatever people became the British had eventually conquered all of the rough terrain that hobbies were best at, and horse archers just got sexier, and mounted knights became aristos, and all the bog and forest people had been subdued, so it was time to sunset the hobelars. but WAIT! Hobby horses are still tremendously fun and appealing! They’re so fast! and you can ride them without a saddle! Sure, they’re not up to the weight of a mounted knight, or indeed a lot of guys… but surely we can still find a use for a hobby or two? In the back garden? Somewhere?

At which point an English king decided to keep hobby horses just for fun. No military application. No further development of the technology. Not for fun. Just as expensive, pleasurable, pets. Just for the joy of the thing.

And that is how hobby (activity done purely for pleasure) comes from hobby horse (small horse) possibly from obann (swift.) they’re very interesting and you should look all this up for yourself! because it sure sounds like Elodie doing a bit, doesn’t it?

Today, Irish Hobbies are functionally nonexistent. References for drawing include the Kerry Bog Pony, the Connemara, and (I personally think) Dartmoors and Exmoors. They’re said to have lent their speed to the Irish Hunter/Sport Horse and from there to the Thoroughbred, but every damn horse in the world claims relation to the Thoroughbred, and they can’t be THAT thoroughly bred.

At any rate - you can never have enough hobbies. Just be glad that yours aren’t expensive beasts with minds of their own, eating their heads off in the pasture! …Unless they are. In which case, you’re part of a proud tradition.

[ulteri0rm0tives]

Now.. I'm not doubting Johnny somewhat (?) loved Alt in his own convoluted and severely misguided ways but uh.. to call them soulmates? Did we uh.. did we not play the same game? Watch the same scenes? Because it's crazy y'all r saying that when we literally play as his actual soulmate

[black-and-yellow]

[erinwantstowrite]

what are your thoughts abot how Damian and Tim's relationship is portrayed in most fanfics?

personally, although I like the angst part of their relationship I wish there was more fanfics where they're closer and have real siblings dynamic (like u know they 'hate' eachother but they would destroy anyone who would want to hurt their brother)

oh, boy, do i have a lot to say about this one. buckle in, folks.

i feel like a lot of the time, if they're in a fic together and the fic author doesn't like one of them, the other is going to be mischaracterized to hell and back. sometimes... both are mischaracterized.

i'm all for a fanon interpretation of a character- obviously, because i have fanon interpretations in my fic too at least a wee bit- but sometimes it goes too far and it no longer feels like we're reading about the same character

let's talk about Tim.

Tim doesn't have a good view of himself or his standing in any emotional aspect. which is often misconstrued about him believing that he was Jason's replacement (neither he nor Bruce thought this, but it was Bruce's fear), or that his worth as Robin wasn't enough. that's not true at all. i'll say it again here: Jason didn't nearly kill Tim at Titan's Tower, nor did he go there to kill Tim. and Tim fought him back. he even told Jason to his face:

"you can't be that good" "I am."

he knows he's a damn good Robin! he trained with the best, he helps lead the YJ! he doesn't doubt that he was the best person for the job. but when it comes to the emotional aspect of Robin, i think this is where Tim stutters

this is because of how Tim's parents showed their affection.

i think canon neglects that aspect of his trauma, which is why so many people hang onto it. in the comics, Tim is shown to have a lot of friends both in and out of suit. he's abrasive and isn't afraid to ask the hard questions. but he is riddled with self worth issues. his parents were barely around him, they didn't know him well at all. and they loved him, but from a distance.

Tim now sees himself as someone that can receive love from a distance. he is incredibly self reliant, and has been from a young age. he sees all of his accomplishments as obligations. he does well at school because he had to. he takes care of himself because he had to. and in his mind, taking up Robin was partly another obligation. he does his job well because he has to, and he might doubt this sometimes like anyone else, but at the end of the day he is confident in his ability to get shit done.

now, the emotional part of Batman and Robin is where i believe i enjoy a fanon interpretation more. he actually does have a good relationship with Dick, but I'm not too sure about Bruce at this point. this topic is nuanced because Batman writers make him so diabolical at times to the point that i would consider it ooc. but other times they're very close and Bruce admits this. so i replace it in my head with a more stable and realistic version that i've seen written by fic authors very well.

Tim views himself as someone who is there for a job: help Batman. but there is a lot of wonder and awe there. his favorite Robin was Dick. (I'll say this again so everyone hears me: his favorite Robin was Dick. yes you are allowed to have nuance and put Jason in there as someone he looked up to as well, please do. but put some respect on Dick's name!) now that he's working with Dick Grayson, someone he admires so much, as well as getting the honor to wear the Robin suit, he feels more like himself than he has in years. he's good at this, and it's also fun. he meets so many people and he gets to make a difference in the world. yes, it's a job, but it's also very freeing

he never did this be Bruce's son, or to replace Jason. his relationship with Bruce started off extremely rocky, with Tim forcing himself into his life in some way because he believed that Batman was going to get himself killed or get someone else killed, or Batman would cross the line. and Gotham would lose the only person who had such unwavering optimism for them. he and Bruce come to an understanding of being partners but not father and son. Bruce doesn't want to open himself up to that hurt again. but we all know Bruce, and that's not what ended up happening. Bruce would never be the same person he was before, but he is not incapable of love.

Tim would not understand that change. I'd get more into this but i don't want this post too long and i wanna save it for when i'm not supposed to be sleeping and when i'm writing one of my Tim fics for once. all we really need to know is that Tim's emotional intelligence is dogshit, and him coming to see Bruce as a father, and Bruce seeing him as a son, would baffle him. because his parents love him... at a distance. and Bruce sees him every day. that's not how it's supposed to work, right?

so.

sometimes, Tim is treated like a porcelain doll who can do no wrong. many aspects of his canon has been altered by fanon to be "worse" than it is. his neglect by his parents did, indeed, happen, and it affects him deeply. but his parents weren't like. beating him, or leaving him without food or shelter or supervision. Tim was clever enough to get around that supervision all on his own. which is why they should have been there in the first place. (they should have been there regardless). and emotional neglect is still a very real issue??? no one has to make it "worse" by making the Drakes out to be monsters. i think Jack often emotionally manipulated Tim when he was around, and I don't know if Jack was even aware that he did so. (which is why i can see some people delving into that nonexistent relationship that DC gave us, and finally giving those implications more depth. there are a lot of good fics that go over this)

often it's hard to read a fic for Tim because they go too hard into making Tim an anxious shy ball of sunshine. Tim is weird, and he stalked the Bats, he stalked Nightwing, he broke into Titan's Tower before he even became Robin. he's a weirdo. he fits right in with the Bats for that reason. some people make him out to be the victim or some kind of damsel in distress, and sometimes we get to see a phenomena where other characters talk like a book about emotional intelligence that their therapist gave them. which is... fine, if you're just writing to write it, maybe helping yourself. but let's take a step back and see Tim is not like that. he is a very capable person, and his not some "uwu, woe is me, i'm so shitty at everything and if you even look at me wrong i'll cry." i honestly believe that Tim is the type of character to hate crying in front of someone and even if he was actively dying he'd be holding back those tears.

whereas Damian? gets the opposite treatment??

granted, i don't actually know too much about Damian, but i at least try to understand him and his background

he's the youngest of them, and i think many people forget that Damian isn't a reader of the comics like we are. he wasn't going into that family with the emotional connections to these characters and their backstories like we did. he was taught about these people, the idea of them. like how we could be taught in class about people from a long time ago. and i can ensure you that Damian was not taught proper emotional intelligence, nor would he have the best grasp of it himself when he was younger than 9 years old. imagine all of your teachers and also your mother told you about these people and their accomplishments, and then told you that the person all of them look up to is your father. the person that you want nothing more than to know, to see, because the people around you talk about him so highly. someone you haven't gotten to meet yet, because you aren't "worthy." can you imagine being told all your life that you are not worthy to see your father yet? and not knowing if he believes that too?

but one day, you are going to be by his side as his son. i don't want to get too into the culture of the Al Ghul family because i don't actually know that much (i'm sure someone would know more about this, feel free to add on if you want to), but this is important to Damian. it's important to his mom. it's important to his grandfather, the leader of an extensive organization that stretches hundreds of years.

then he gets dropped off in a different country, culture, language, and family and he finds that things are not as he had been told his entire life. his father has many flaws, they do not believe the same importance of a blood tie as his family back home does. they question his entire upbringing to his face many times, they question his mother who he loves deeply. he's nine years old. imagine yourself in that position. you don't know yet what role you're playing in an adult's life, but you want to. desperately. you want to know where you stand. you want a hug. not to mention that Damian actually is a very emotional kid. he was taught to shove that deep, deep down, and not let that out.

too many people write Damian as if he was a "feral" kid which is kind of not something to put on him? i don't like it both because he wasn't feral, he was an asshole. there's a difference. and because it feels like a microaggression?? at times?? because once again... the culture that he is from... is important.

they have been racially profiled for many many years... and yes, everything that you read is political whether you want it to be or not. the act of reading is political. you should definitely be aware of what a writer's goal is when they were giving something to you. you should be reading deeper. again, i'm not from his culture and i can't say if it is an insult/insensitive joke or not, nor am i saying everyone who's made the joke before is a bad person. i have made jokes about Tim being a feral kid before and whatnot. i'm saying that no matter who you are, it is your responsibility to think critically about your media and kindly about other people. it feels uncomfortable to me because i know how wrongly the Al Ghuls (specifically Talia) have been treated by writers in the past. and Damian is an extension of that bias. just look at how many times they try to push Ian Wayne on us. or how they'll pull back on Damian's character development when talking about the Al Ghul family.

this probably isn't my topic to write about, at least not before i learn more about it. but since i get a fair amount of viewership, maybe someone will listen to me that won't listen to someone of color that has already pointed this out many times. with the comics fandom, and Batman fandom specifically sometimes, people don't care to think further about why the characters of color are so often and conveniently left out or forced into an archetype. take that as you will

so! he has spent his entire life believing he had to live up to two great legacies, both of which are VERY different. the intricacies of the Al Ghul family are often boiled down to pure evil by both fanon and canon writers, which dulls Damian's resolve and reasoning for what he had done, or makes it hard to connect to him. he has since learned more about who he wants to be and has come to respect his family in many ways. excuse me if i'm wrong, but i think part of why Damian came so hard for Tim was because Tim had everything Damian wanted. he had a place by Batman's side as both his son and his partner, and was very well respected by Batman and Nightwing both. he's older, more mature, he has stature in both this society Damian now has to fit into and within the family dynamic. considering Damian grew up in an assassin cult that solved threats to their dynamics or positions in power by murder, it wasn't a far leap for a child from that environment to make. he was modelling what he had been taught his entire life.

think about the mistakes that you made as a kid. and i don't mean something silly or funny now, i'm talking something that makes you feel ashamed. embarrassed. hurt. something that perhaps now as an adult, you reflect on as being totally uncool. and i want you to think about if maybe your environment had a role to play in that. maybe you made an insensitive joke that your mom or dad would have found funny, and someone pointed it out and reasonably made you feel like a jerk. shit happens. but you hopefully grew from that.

now imagine that mistake was you hurting someone.

yes, he was annoying. he was bratty, at times. he could be a little calculating shit. he hurt people with both his words and his weapons. Tim obviously had many many many reasons to be upset about his treatment- but I fear that most of his anger ended up directed at the older people in their lives that were supposed to be the ones to do something about it!

and though i hate that Tim went back to being Robin (it feels redundant), i have seen panels that show that the two of them working side by side after Damian and Tim both went through some life and perspective altering events both together and alone, has made Tim see Damian as his little brother, and vice versa. Damian has grown so much and many people just... don't care. no matter their reasoning for hating Damian, it's unfair to not look further than those cutting words written decades ago, or to bring up his mistakes every time you want to be mad at him. and i think it does a disservice to Tim to make him a bleeding heart about this when he has clearly forgiven Damian and cares about him. he rags on Damian like any older brother would, and Damian makes remarks like a younger brother would. personally, i think the two of them are doing pretty good right now

the development of their characters is actually so interesting within the canon aspect, even if they can fumble the ball every now and then. and the mischaracterization takes away the value that their canon relationship has. i personally love reading fics that have Damian and Tim teaming up. in aus where one thing changes and Tim and Damian become brothers later, i think it's actually so silly and fun when Damian respects Tim or thinks he's cool. or even without the au aspect! just like, a fic where the two of them are working together and it's either silly or serious, Damian having a begrudging respect for Tim and Tim being protective over Damian, etc etc, is sooooo much fun

[dorothygale123]

As a childcare professional, I felt the need to throw in my 2 cents on the human side. Most children should be off the pacifier by the age of 2. If they keep using it beyond that it may cause dental problems as their teeth come in around the pacifier.

That being said, it's not entirely unusual for children to continue sucking their thumb for a few years after that, though it really shouldn't continue past the age of 5 or 6. And even in those cases, it's not a constant thing. There's one kindergartener I know who still sucks her thumb, but only does it occasionally while she's bored and not enough to affect her teeth. The bigger problem is that she's putting her (let's be honest, not very clean) hands into her mouth and getting sick from the germs.

I'm not sure if monkeys and other wild primates have the equivalent to pacifier teeth, though. It would be interesting to know if this oral fixation has any effect on their dental health.

After watching some monkey documentaries and primatology reports; I have discovered that a common theme among orphaned and/or socially isolated macaques is oral fixation - as they lack a mother, they subconciously seek out oral stimulation via thumb-sucking or chewing on twigs to simulate nursing. These repetitive behaviors follow them into adulthood, even when they've grown into healthy wild monkeys. Some even continue the behavior when they have their own infants, mimicking their baby's behavior via twig-chewing.

Me noticing a theme in Sun Wukongs...

[originalaccountname]

Reinforcing my "Dazai didn't know anything about Chuuya's acting in Meursault" version of the events by pointing at this moment

This scene plays out like a series of wrong turns, with Dazai having had the forethought of checking the elevator cables just in case, but then having to improvise on the fly to keep both himself and Sigma alive. When the flooding turns out to only have been part 1, and having no ways to stop the elevator from falling, he decides to save Sigma at his own peril because he made a promise and won't bring Sigma down with him. One last person saved.

Dazai dropping little hints of why he's doing all that to Sigma on their way there reads less like a manipulation tactic, since he actually avoids telling too much, and more like tragic storytelling when Dazai is, in the end, left with no choice but to hand Sigma the reins and hope it works out.

Dazai was probably really surprised the fall in the elevator didn't kill him, or he would have told Sigma to hold on and trust him, I think. Everything "conveniently" happened the way it did because we're telling a story and we're trying to hit specific beats.

It works better as a story, thematically, if Dazai wasn't pulling at every string but was saved by his numerous allies working alongside him. Chuuya was sent/came in undercover as backup. Sigma empathized and tried to complete Dazai's mission. They managed to "kill" Fyodor because Ranpo helped, even from far away, by allying with Bram. Dazai's hand was "full of uncertain cards", to quote him, and it was his friends and allies that got him out in the end.

[wynnyfryd]

Trailer park Steve AU part 58

part 1 | part 57 | ao3

@steddie-island said i wasn't allowed to cut this lol. cw: angst, canon typical horror, mentions of minor character death

“Lucas called me a ghost today.”

Steve almost laughs, bitter and sharp. Sure. Why not? What’s one more ghost in his passenger seat?

He doesn't really want to talk to her right now, if he's honest. It's been fifteen minutes and she still hasn't apologized for trying to rob him, or explained where they're going, or what spooked her, or why this car ride was so urgent that he had to risk his job for it — a job he actually needs, considering his, well, everything. She's hardly said anything beyond the occasional "turn here" or "next left" while sulking with her forehead pressed against the window.

But he can tell she has something she needs to get off her chest, so he swallows his annoyance and offers, "Yeah?"

"Yeah," she says back. Doesn't elaborate.

He gives her another minute to gather her words, watches her open and close her mouth a few times in his periphery, but nothing comes out. She scoffs at herself and abruptly changes the subject. “Eddie was being extra… well, extra today.”

“Was he?” Steve asks, his bones itching under his skin. He doesn't want to talk about Eddie. Doesn't want to think his name.

“Yeah, he, uh- he was kinda manic? He was, like, running all over the cafeteria and starting shit with Jason Carver...” And he's only half-listening, anger simmering as she goes on and on, because she promised that Dustin didn't put her up to this. Said that this wasn't some bullshit excuse to get him to talk about Eddie or hang out with Eddie or think about Eddie or kiss and make up with fucking Eddie, and now she's just talking about him, and it-

And it hurts; god, it still just hurts—

"....Then he started rambling about how he can’t wait to get the hell out of here when he graduates.”

Searing-stabbing-burning-sharp. Steve clutches at the flare of pain in his chest, the crushed soda-can feeling where his heart's supposed to be. His head pounds. He follows her next direction onto a winding, tree-lined road, the canopy suffocating overhead, and his skin feels too dry — too tight, too small, shrink-wrapping him inside of it, because he knows where they are now. Knows the tilt of the rusted lamp shade, the shape of the weather brick paths. He's tasted the metal tang of this stop sign in his nightmares.

Fuck. Fuck.

"Cool," he grits out as he drives through the cemetery gates. Past stone and wrought iron, past the empty central fountain. He hasn't been here since July. “Good for him.”

“Steve-"

“Why are you telling me this?" he snaps. He throws the car in park under an old oak and turns to glare at her, barking a frustrated, "Huh?"

Immediately, he feels bad for raising his voice. Feels even worse for the way she flinches away. The naked fear on her face, her hand reaching for the door. He takes a long, deep breath and lets it out slowly through his nose. “Sorry. Sorry. Just-" There's a leak inside him somewhere; some infected, gaping hole, and his stupid heart keeps pumping all his blood into the wound. "Why are you-?”

“Look,” she says sharply, "I know it sucks. To talk about him." She's staring at the rows of headstones up ahead, her face gone steely with determination, her shoulders squared, her big eyes wide and a little wet when she turns to meet his gaze. “But whatever you were— whatever happened, it just… it really messed him up.”

Good. "You sound like Dustin."

"Maybe Dustin had a point."

"Since when?"

She throws her hands up, nostrils flaring. "I'm trying to tell you that I think he still cares!"

“Yeah? He’s got a seriously fucked up way of showing it if so!”

“Yeah, well some of us don’t know how to show it!”

And oh.

Oh.

Silence blankets them like dust. Eyes locked; harsh breaths. This has nothing to do with him and Eddie, does it?

Lucas called me a ghost.

Steve sighs and slumps forward, his forearms on the wheel, his chin resting on his wrist. The late afternoon sun is warm through the glass, and his head gives another nasty throb as he looks out over the hill, at the polished stones glinting in the golden hour rays.

His dad is buried here.

A lot of people are.

“Hey,” he murmurs, rolling his neck to look at her. The skin under her eyes is red. "Sorry for yelling."

She sniffs quietly. "Me, too."

He reaches over and gives her hand a quick squeeze, keeping his voice low and gentle. "You know you can just talk to me, right? Max, talk to me. Please.”

Her bottom lip quivers. “It’s nothing, okay?” She sinks down in her seat, crossing her arms to shield herself. “Shit’s just been… it’s just been weird all week. Like- like bad weird, and I don't know if I'm just going crazy, or— I mean, maybe Ms. Kelley's right, maybe's it's just— but it feels like…”

"Like what?"

She holds a hand out flat in front of her; flips her wrist over slowly so her palm faces the sky.

Steve's blood runs cold. He thinks of his own nightmares: the weird visions, the headaches, the persistent haunted feeling.

"I don't know anything for sure," she insists, rushing to reassure him before he can fully start to panic. "Seriously, don't freak out; I haven't, like, seen any gates or anything, it's just— bad dreams. Nose bleeds. I don't know." She hoists her backpack onto her shoulder. "I thought coming here might help."

He catches her by the arm, raking his eyes over her face, looking for any signs of danger. "Is there anything I can do?"

She shakes her head no and tugs free of his grip, and then she's slipping out of the car, letting the door fall shut behind her, and Steve watches her crest the hill while sirens wail inside his head.

—

part 59

tag list in separate reblogs under '#trailer park steve au taglist' if you'd like to filter that content. if you want to be added please comment and let me know (must be over 21; please either verify in the comment or have your age visible on your blog)

[cy-cyborg]

Disability Tropes: The Miracle Cure

The miracle cure is a trope with a pretty negative reputation in disability circles, especially online. It describes a scenario in which, a disabled character, through either magic, advanced technology, divine intervention or some combination of the three, has their disability cured throughout the course of the story. Sometimes this is literally, as in the disability is completely and entirely cured with no strings attached. Other times, it looks like giving an amputee character a prosthetic so advanced that it's basically the same as "the real thing" and that they never take off or have any issue with, or giving the character with a spinal injury an implant that bypasses the physical spine's break, or connects to an exoskeleton that allows them to walk again. Sometimes, it can even look like giving a character some kind of magic item or power that negates the effects of the disability, like what I talked about in my post about "the super-crip" trope. Either way though, the effect is the same: The disability is functionally cured and is no longer an "issue" the author or character has to worry about.

But why would this be a bad thing? In a world with magic or super-advanced tech, if you can cure a character's disability, why wouldn't you?

[ID: a screenshot of Roy mustang from Full metal alchemist Brotherhood, a white man with short black hair in a hospital gown. In the corner of the screen is the hand of another person holding a small red gemstone. /End ID]

Well there's a few reasons. First, lets talk about the purely writing related ones. If you've been around the writing or even media critique communities for a bit, you've likely heard people voicing their frustrations with tropes like "The fake-out death" where a character is either implied to have died, but comes back later, or is explicitly shown to be dead and then resurrected. Often when this happens in media, it leaves the audience feeling cheated and like a character's actions and choices don't really matter if even the worst mistakes and consequences can be undone. In the case of the latter situation, where they die and are brought back, it can make the stakes of the whole story feel a lot lower, since even something like death is shown to be reversible, so the audience doesn't really have to worry about anything bad happening to their favourite character, and once you've used this trope one time, people will constantly wonder why you wouldn't use it every time it comes up.

The same is true for "fixing" a character's disability. It sets a precedent that even things as big and life-changing as disability aren't permanent in this setting. We don't have to worry about anything major happening to the characters, there's no risks associated with their actions if it can all be undone, and it will lower the stakes of the story for your audience. Personally, I also feel like it's often used as a cop-out. Like writers wanted to include a major injury the leads to something big like disability for shock value, but weren't sure how to actually deal with it afterwards, so they just made it go away. Even in cases where the character start the story with a disability and are cured, this can still cause issues with your story's stakes, because again, once we've seen you do it once, we know its possible, so we won't feel the need to worry about anything being permanent.

Ok, so that's the purely writing related reasons, but what if that situation doesn't apply to the story you're writing? What if they're "fixed" right at the end, or the way they're cured is really rare, so it can't be used multiple times?

I'm glad you asked, because no, this is far from the only reason to avoid the trope! In my opinion, the more important reason to avoid it is because of how the a lot of the disabled community feels about the miracle cure trope, and the ideas about disability it can perpetuate if you're not very, very careful.

You might have noticed that throughout this post, I've put words like "cured" and "fixed" in quotes, and that's because not every disabled person wants a cure or feels like their ideal to strive for is able-bodied and neurotypical. For many of us, we have come to see our disabilities as part of us, as part of our identities and our sense of self, the same way I, as a queer person might see my queerness as a part of my identity. This is an especially common view among people who were born with their disability or who had them from a young age, since this is all they've ever really known, or who's disability impacts the way they think, perceive and process the world around them, how they communicate with people or in communities who have a long history of forced conformity and erasure such as the autism and deaf communities. Many disabilities have such massive impacts on our lives that we literally wouldn't be who we are today if they were taken away. So often though, when non-disabled people write disabled characters, they assume we'd all take a "cure" in a heart-beat. They assumed we all desire to be just like them again, and this simply isn't the case. Some people absolutely would, and there's nothing wrong with that, but it's not as universal as media representation makes it out to be.

Another reason it's so heavily disliked is because this trope is often used in conjunction with other ableist and harmful tropes or it's used in ways that perpetuate misinformation about living with a disability and it can have ableist implications, even if that's not what the author necessarily intended.

If the miracle cure is used right at the end of the story for example, as a way to give characters a happy ending it can imply that the only way for a disabled character to be happy in the long run, is for them to be "fixed", especially if they were miserable all the way up until that point. If it's used earlier in the story as a way to get said character back into the action, it can also be read as the author thinking that disabled people can't be of use to the plot, and so the only way to keep them around is to "fix" them.

Of course, there's also the fact that some authors and writers will also play up how bad being disabled is in order to show why a cure is justified, playing into the "sad disabled person" trope in the process, which is pretty much what it says on the tin. Don't get me wrong, this isn't to say that being disabled is all easy-breezy, there are never any hard days and you should never show your character struggling, not at all, the "sad disabled person" trope has it's place (even if I personally am not a fan on it), but when both the "sad disabled person" trope and the miracle cure trope are used together, it's not a great look.

This is especially bad when the very thing that cures the disability, or perhaps the quest the heroes need to go on to get it, is shown to be harmful to others or the disabled person themselves. Portraying living with a disability as something so bad that it justifies hurting others, putting others at risk, loosing yourself or killing yourself in order to achieve this cure perpetuates the already harmful idea that disability is a fate worse than death, and anything is justified to avoid it.

I've also noticed the reasons the authors and writers give for wanting to cure their characters are very frequently based on stereotypes, a lack of research in to the actual limits of a person's disability and a lack of understanding. One story I recall reading years ago made sure to tell you how miserable it's main character, a former cyclist, was because he'd been in a car accident where he'd lost his arm, and now couldn't ride bikes anymore, seemingly unaware of the fact arm amputees can, in fact, ride bikes. There are several whole sports centred around it, and even entire companies dedicated to making prosthetic hands specifically for riding bikes. but no, the only way for this to resolve and for him to be happy was to give him his arm back as a magical Christmas miracle! It would be one thing if the story had acknowledged that he'd tried cycling again but just had difficulties with it, or something was stopping him from being able to do it like not being able to wear the required prosthetic or something, but it really did seem as though the author was entirely unaware it was even possible, which is an issue when it's the whole point of your story existing. This happens a lot more often than you'd think, and it's very clear when an author hasn't even bothered to google search if their character would be able to do something before deciding the only solution is to take the disability away.

There's also the frustration that comes from being part of an underrepresented minority, finally seeing a character like you on screen or in a book, only for that representation to be taken away. Disabled people make up roughly 16% of the population (though many estimate these numbers are actually much higher), but only about 2.8% of American TV shows and 4.1% of Australian TV shows feature explicitly disabled characters. In 2019, around 2.3% of films featured disabled characters in a speaking roll, and while it's slowly getting better as time goes on, progress on that front is very slow, which is why its so frustrating when we do see characters like ourselves and so much of their stories focus on wishing to be, trying to become or actually being "cured".

An finally, there's the fact this is just a really common trope. Even if we ignore the issues it can cause with your story's tone and stakes, the harm it can do to the community when not handled with care, the negative perceptions it can perpetuate and everything else. It's just a plain-old overdone trope. It shows up so often that I, and a lot of disabled people, are just getting tired of seeing it. Despite everything I've said, there are valid reasons for people to not want to be disabled, and just like how I made sure to emphasise that not everyone wants a cure, it's important to recognise that not everyone would refuse it either. So long as it's not done in a way that implies it's universal, in theory, depicting someone who would want and accept a cure is totally fine. The issue is though that this trope is so common and so overdone that it's starting to feel like it's all we ever see, especially in genres like sci-fi and fantasy (and also Christmas movies for some reason).

[ID: A Gif of a white man in a top hat nodding his head with the caption "Merry Christmas" down the bottom. /end ID]

Personally, because it's so common, I find even the few examples of the trope used well frustrating, and I honestly feel that it's at the point where it should be avoided entirely where possible.

Ok but Cy, you mentioned there are ways to use this trope well, what are they?

So, like I said, I'm of the opinion that this trope is better off not being in your work at all, but if, for whatever reason, you can't avoid it, or it's use is really that important to the story you want to tell, there are less harmful ways to implement it.

Don't have your only disabled character take the cure

If you really must cure your disabled character's disability, don't make them the only disabled person in the story. Show us another character who, when offered the same cure, chooses not to take it. This at least helps push back a little against the assumption of "of course everyone would want this" that these kinds of stories often imply and doesn't contribute (as much) to disability erasure in the media.

Don't make it a total cure

In real life, there are cures for some disabilities, but they rarely leave no trace. For example, an amputee's limb can sometimes be reattached if it was severed and they received medical treatment fast enough, but it usually results in at least a little nerve damage and difficulties with muscle strength, blood flow or co-ordination in that limb. Often times, these "cures" will fix one issue, but create another. You might not be an amputee anymore, but you're still disabled, just in a different way. You can reflect this in your fictional cures to avoid it feeling like you just wanted to avoid doing the work to write good disabled representation.

Do something interesting with it

I got a comment on my old tumblr or possibly Tik Tok account ages ago talking about their planned use for the miracle cure trope, where their character accepts the cure at the cost of the things that made her life enjoyable post-disability. Prior to accepting the cure, she had found other ways to be independent to some extent and her community and friends helped her bridge the gaps, but they were all taken from her when she was "cured" forcing her into isolation. Kind of like a "be careful what you wish for" sort of thing. The story was meant to be a critique on how society ignores alternative ways of getting the same result and how conforming to other people's ideas of "normal" isn't always what you need to bring you happiness. This was a genuinely interesting way to use the trope I think, and it's a perfect example of taking this trope and twisting it to make an interesting point. If you must use a trope like this, at least use it to say something other than "disability makes me sad so I don't want to think about it too much". Alternatively, on a less serious note, I'm also not entirely opposed to the miracle cure being used for comedy if it fits the tone. The Orville has some issues with it's use of the Miracle Cure trope, but I'd be lying if I said Isaac amputating Gordan's leg as a prank, knowing it could be reversed in a few hours did get a chuckle out of me.

If your villain's motivation is finding a cure for themselves, don't use it as justification for hurting people

Disabled villains need a post all their own honestly, but when a villain's motivation for doing all the terrible things they do is so they don't have to be disabled anymore, it's especially frustrating. Doubly so if the writer's are implying that they're justified in their actions, or at least that their actions are understandable because "who would want to live like that?" Honestly, as a general rule of thumb, avoid making your villains disabled if you aren't disabled yourself (especially if they're your only disabled character), but if they are disabled, don't use the disability as a justification for them hurting people while finding a cure.

So are there any examples currently out there to look at where the trope is used, if not well, at least tolerably?

Yeah, I'd say so, but they're few and far between. Two examples come to mind for me though.

The Dragon Prince:

[ID: A Gif of Ava the Wolf from the Dragon Prince, a light brown, fluffy wolf who is missing her front right leg. /End ID]

The Dragon Prince on Netflix uses the miracle cure twice, but I still really enjoyed the show (at least I did, up until my Netflix subscription ran out, so I've only seen up to season 4). The first time the trope is used in the series, it's actually a fake-out. Two of the main characters, while looking for someone to help them heal the dragon egg they're carrying, encounter a young girl named Ellis and her pet wolf Ava. The two explain their egg is not looking good and they need to find someone to help it, but no one they've found had the knowledge or ability to do anything to help. Ellis says she knows a healer who can help them, and tells them that this healer even restored Ava's amputated leg when she was a pup. When we actually reach this "miracle healer" however, she is revealed to be simply an illusionist. She explains that Ava is still missing her leg, she simply made it look as though she had restored it because Ellis's parents were planning to throw the puppy out, believing it would not survive with its disability and would only be a drain on supplies. This was not actually true and Ava adapted to her amputation very well, she simply needed more time, and hiding her disability and making her appear abled gave her the time she needed to fully recover and adjust. When they return to the healer with the main characters, she removes the illusion and explains why she did it, emphasising that the real problem was never with Ava, but with how people made assumptions about her.

While I do feel it was drawn out a bit too long, I do appreciate the use of the trope as the set up to an overall positive twist. Disability does come with down-sides, it's part of the deal and it would have been nice to see a bit more of that, but for disabilities like amputation in particular, the worst of our problems often come from a lack of adequate support and people's pre-conceived ideas about us, and it was nice to see this reflected, even if it is a little overly simplified.

The second time this trope comes up in the series is when one of the antagonists, Soren, is injured during a fight with a dragon, becoming paralysed from the neck down. His sister, Claudia is absolutely beside herself, believing it was her fault this even happened in the first place, but Soren actually takes his new disability very, very well, explaining that he understands there are things he can't do now, but that there's a lot of things he can still try, that his previous job as a soldier just didn't allow time for. It's possible this reaction was him being in denial but it came across to me as genuine acceptance. He is adamant that he doesn't want a cure right from the beginning because he knows that a cure would come at a cost that he doesn't want his sister to pay, and that he is content and happy with this new direction his life will be going in. Claudia, however, is not content. It had been shown that she was already using dark magic, but this event is what starts her down the path of using it in earnest, disregarding the harm it will cause to those around her. She ignores Soren's wishes, kills several animals in order to fuel the healing spell that will "fix" him, and Soren is pretty clearly shown to be horrified by her actions. What I like about this use of the miracle cure trope is that it touches on something I've seen happen a lot to disabled people in real-life, but that rarely shows up in media - the fact that just because we accept ourselves, our disabilities and our new limits, doesn't mean our friends and family will, unfortunately. In my own life, my mum and dad were always accepting of my disability when I was younger, but as I got older and my support needs changed, my body took longer to heal and I stopped being able to do a lot of things I could when I was little, they had a very hard time coming to terms with it and accepting it. I'm not alone in this either, a lot of disabled people end up cutting contact with friends and family members who refuse to accept the reality of our situations and insist "if we just try harder maybe we won't be so disabled" or "Maybe you will get better if you just do [xyz]". Unfortunately however, some disable people's wishes are ignored completely, like Soren's were. You see this a lot in autistic children who's parents are so desperate to find a cure that they hurt their kids through toxic and dangerous "treatments" or by putting them through abusive therapies that do more harm than good. Claudia has good intentions, but her complete disregard for Soren's decision still harm them both in the long run, leading to the deterioration of their relationship and causing her to spiral down a very dark path.

Full Metal Alchemist: Brotherhood

[ID: A Gif of Ed from full metal alchemist, a white boy with blond hair, staring angrily at a jar of milk on the table. His brother Al, a sentiant suit of armour, is in the background looking directly at the camera. The caption, spoken by Ed, says "So we meet again you little bastard" /end ID.]

The show does begin with Ed and Al looking for a way to cure their disabilities (which they gave themselves when trying to resurrect their mother as children went horribly wrong). However, when the boys discover that the object needed to do that - a philosopher's stone, can only by made through absolutely abhorrent and despicable means, and using one, likewise, comes at the cost of potentially hundreds or thousands of people's souls, they immediately stop, and shift their focus on finding the stones that had already been made so it can't fall into the wrong hands, and preventing the creation of new ones. The core theme of the show is that everything has a cost, and sometimes the cost is simply too great.

However, right at the end of the show, several characters are healed in a variety of ways. Ed gives up his ability to do alchemy to get his brother's body back, as well as his arm so he can save his friends in the final battle, but neither of the boys come away from this completely "healed". Al's body has not been used since he was a child, and so it is shown he has experienced severe muscular atrophy that will take a long time and a lot of work to recover from, acknowledging that he has a pretty tough road ahead of him. When we see him in the epilogue, he is still on crutches despite this being several months after getting his body back. Likewise Ed is not fully healed, and is still missing one of his legs even if he got his arm back.

The more... interesting use of the trope, however, is in the form of Colonel Mustang who was blinded in the final season. Mustang is shown to take to his blindness pretty well given the circumstances, finding a variety of ways to continue doing his job and reaching his goals. When other characters offer to let him use the philosopher's stone to heal himself however, he takes it, acknowledging that this is a horrible thing to do and that Ed and Al would be extremely disappointed in him if they ever found out. He uses it both to cure his own disability, and to cure another character who was injured earlier in the show. While I'll admit, I did not like this ending, I can at least appreciate that the show made sure to emphasis that a) Mustang was doing fine without the cure, and b) that this was not morally justified. The show spent a very long time drilling into the viewer how morally reprehensible using the stone was, and it didn't try to make an exception for Mustang - you weren't supposed to like that he did that.

When I talk about these tropes, I do try to give them a fair chance and discuss the ways it can potentially work, but I really do want to reiterate that this particular trope really is best avoided. There are ways to make it work, but they will still leave a bad taste in many of your viewer's or reader's mouths and you have to be exceptionally careful with your wording and framing, not just in the scenes where this trope is used, but in the lead up. If you really must use it, I highly recommend getting a few disability sensitivity readers and/or consultants (yes, even if you are disabled yourself) to help you avoid some of the often overlooked pitfalls.

[bubbleiixdreams]

very random doodle/drawing I barely cooked up to medium rare…

[captaincrusher]

A thought on a queer Star Trek timeline

Watching Star Trek from the original series to modern times is to fast forward through the evolution of queer rights through the 20th and early 21st century.

In the original series queerness must be imagined in the close relationship between Kirk and Spock. We can only see ourselves in what we hope and dream about for the future. We get Amok Time.

In the 80's queer people start to materialize in the background. TNG takes tentative steps towards telling our stories, still cloaked in the allegory. We get Outcast.

In the 90's Ds9 gives us Rejoined. Still cloaked in allegory, but the lines get sharper, the mist starts to lift. A character has a monologue about how two people that love each other should be able to be together. Hidden winks has turned into words.

Voyager, while a good show in other respects, does not give us a single crumb of queerness. Aside from the relationships we ourselves imagine.

In the 2000's we are on the cusp of actually having queer people on screen. Enterprise tries to tell stories of gender (Cogenitor) and the AIDS crisis (Stigma), two episodes that are still filtered through a limited understanding of both. When Enterprise ends in 2005 and this Star Trek era ends with it, queer representation in film and tv is still scarce.

The AOS era instead is where queer people, for the first time, stepped out of subtext. Sulu is married to a man - a nod to George Takei, the original series actor. Star Trek Beyond comes out in 2016, the year after same sex marriage is legalized in the US.

It isn't until 2017 that a Star Trek show officially, without subtext or allegory, gets queer characters, when Paul Stamets and Hugh Culber are married on Discovery. Discovery also adds further queer characters down the line, finally saying that yes - queer humans do exist in the future.

I know you all will have opinions on what is queer or not. But when tracking the evolution of queer representation it's important to separate subtext from text and to separate when something is allegoric verses not.

I interpret Jadzia Dax as queer - but she is not human. She is an alien wrapped inside a gender non confirming shroud of gray areas. That is the strength of her character - that it allows the writers to explore themes that otherwise would have been taboo. But the fact that they could only pursue queer storylines with non human characters tells you something about the times.

it really feels like Star Trek was late to the party with queer representation. I think there's multiple reasons for that. One is that when Enterprise was created, it still carried the legacy of shows created in the 80's and 90's. Enterprise itself is also literally a prequel - there seemed to be little desire to be bold and innovative.

Timing is I think the main reason why Star Trek trailed behind. Between Enterprise ending in 2005 and Star Trek Discovery starting in 2017 there's a whole era of representation. If Enterprise had dared make an actual queer character, like Malcolm Reed, it would have been just ahead of the wave of representation that started popping up in the late 00's - but instead it closed on a similar note as DS9 did 10 years earlier.

Feel free to add your favorite queer episodes. There are some "official" queer episodes - but there's a bunch more that meant a lot for us as queer people, for one reason or another.

[skyward-floored]

Hey what are your thoughts on the groups from the latest update btw?? 👁️👁️

- hero-of-the-wolf

They’re really interesting!!! Some of them were pretty unexpected, but I’m excited to see how they all unfold.

I made a post about this already but Time putting Sky with Twilight was so smart of him. Sky is the best swordsman and best equipped to take care of the Shadow if he shows up, and I’m sure Time is remembering how Dink was actually running away from the Master Sword in shady escape. Dark Link is really unlikely to mess with Twilight with Sky there, and I appreciate how Time figured that out so well. I’m also curious about what kind of conversations they’ll have without Time or the others around, I’m betting the Master Sword will come up again 👀

Legend and Hyrule seems like an odd group, and Time even mentioned he regretted that he had to put such experienced people together, but aside from boomerang shenanigans it actually kind of makes sense. Legend is okay-ish with teamwork, but Hyrule seems like he’s allergic to it. Putting them together will hopefully make them realize it’s not a solo mission this time, and they’ve got to rely on each other’s instincts and knowledge. Plus downfall duooooo I can’t wait to see what they get up too AAAH

Warriors pointedly chose Wild to go with him. Obviously he’s finally going to follow through with his earlier statement from Sunset pt.5:

—and Wild (and Wind lol) knows it.

(I love Wind’s little “oooohhhh you’re in trouuuuble)

There’s been a lot of discussion about how Warriors is going to lecture Wild, and I personally think he’s going to be firm, but not mean. He’s not going to blow up at Wild, that’s not his style (unless Wild argues back and Warriors roses to the bait, but I don’t... think that’ll happen). I think he mostly just wants Wild to understand what was—and is—at stake.

Warriors is military. You follow orders in the military. When you don’t follow orders, you get yourself and others killed. You have to rely on your fellow soldiers and your plan of attack, you can’t just run off by yourself and deviate from the plan and Warriors knows that. He went through something similar on his adventure, he got cocky and thought he was invincible, started disregarding anyone except for himself. He nearly died because of it, and in this instance, Wild could have died because he was blinded by his emotion and risked being injured just as badly as Twilight.

It’s not exactly the same, but I’m sure Warriors is looking at this and going “well crap that’s me”. So I think he’s going to give Wild a quick “here’s what you did wrong and don’t do it again because I’m trying to keep us all alive and you’re making that difficult so try and listen to orders so we can accomplish our mission here???” lecture. And I’d bet good money ol’ Dink is going to interrupt him partway through because he’s out for both Warriors AND Wild now for multiple reasons and they’re totally doomed :D

Aaaaand Time Wind and Four. I think they’ll be really fun to follow, I can’t wait to see more of Four and Wind together especially. Maybe they’ll FINALLY NOTICE EACH OTHERS’ SHIELDS and put together maybe being related. I’m hoping. I’m hoping so bad. I’m also eager to see Time and Wind interact some more (yay!) and also Time and Four because we haven’t seen a lot of them together yet. Maybe even some realizations that Four comes before Time..? Maybe. We’ll see. I bet Four will have to shrink for a puzzle though.

So yeah I’m really excited to see how things are going to go :D

[thebiscuitlabryinth]

god u are FAST with the cooking, barely a day the costumes are out and there u go!

i am so fascinated w the characterization they went with for the Sage and Recluse. i honestly wasnt expecting Sage to be Exactly as silly as Shadow Milk, and i love that honestly? nor the fact that the Recluse isnt really Bad per se, but that he believes he's doing good for others in his attitude and actions. local fount of knowledge is infatuated with depressed hermit more at 10 and i adore that dynamic not gonna lie it fits so well

YEAH i get seized with the spirit of inspiration from time to time ✌️

i feel like the characterization they went with makes the most sense for both of them - i always assumed shadow milk's sense of showmanship and theatrics was, to some extent, something he carried over from his past. similarly, i feel like one of pure vanilla's central character traits is his intense selflessness, so i feel like any situation where pv is doing Bad things without it being reasoned as for someone else's sake ultimately feels a little out of character. and pv being like indulgently evil would just feel like an entirely different character

then again, this all might just be my own bias talking lol a year or so ago I actually wrote a little shadowvanilla swap au concept. the characterizations don't exactly line up with sage and recluse, and the plots are completely different, but they felt very similar when i was in the process of writing them

anyway. heartwarming: revered and honoured sage of truth is hoplelessly in love with the peak of truth bogeyman ❤️ nobody knows what he sees in him ❤️

[goatunderthebridge]

Ushijima has a total listening count of approximately 100,000 minutes for the year on Spotify. He only has one song on his Spotify wrapped - he likes its beat and one specific melody. It is 3 minutes long. The artist is not well known. It is the worst song Tendou has ever heard in his life.

Ushijima replays the song as soon as a distraught Tendou finishes looking at his Spotify wrapped.