#I guess my fic too

[windsweptinred]

"Then don't be my knight, be my dragon. Covet me like your greatest treasure. Guard me from all those who would try to steal me away.  Burn the very hearts of those who try."

The Turn of the Wheel

[astronnova]

doodles (as i avoid work) of the super awesome you wouldn't like me alive fic by @ectoplasmranch which i binge read in a 7 hour sitting yesterday

[californiatowhee]

old fashioneds and tipsy daydreaming

bonus: the subsequent drunk texting

extra bonus, if you made it this far: what happens next, in fic form (spoiler: Phoenix and Miles kiss)

Behavioral Phenomenon | Phoenix/Edgeworth | 2.5k

[alexassanart]

favourite scenes from pacific rim 3 💙

[psychotic-nonsense]

In October of 1967, Steve Harrington is born in Hawkins, Indiana.

He's raised there, forced to live under the strict expectations of his parents, Richard and Samantha. Barely escapes their clutches, freedom fueled by the kids and adults that take the role of guardian and family when the time is right. Keeps himself in check with the always impending apocalypses that arise beneath his feet.

In June of 1985 - when Steve Harrington is 18, while Richard and Samantha Harrington are visiting New York for an extended work trip - Veronica Harrington is born.

She was carried and raised in secret from their hometown. They take care of her between their business hours, dropping her in the hands of nannies and babysitters galore. They don't even think of Indiana during Veronica's early childhood, too focused on work and making sure their daughter starts up right.

In October of 1986 - when Steve Harrington is 19, aged further by ending the Vecna War, yet tamed by his newfound love in Eddie Munson - Richard and Samantha Harrington return to Hawkins.

They don't ask about what happened to their son. They don't ask about the town. They don't ask questions, just give responses to them. Sneering at Steve's friends, complaining about the state of the house, commenting at the disfunctional chaos their home has become.

In November of 1986, Richard and Samantha Harrington disown Steve.

They just let him go. They at least give him a folder of his legal documents, but otherwise just tell him to get out of their house and never use their name again. Claiming Steve doesn't need anything from the room because the Harrington's own everything in it. They don't call him son, they don't say goodbye, they don't acknowledge who's actually taken care of the house, they don't admit most of Steve's former room has changed with money Steve earned himself, they don't dare to give him any money or care where he goes. They just say they're sick of dealing with an unworthy mistake of a child, and force him out of their house.

In November of 1986, the Party's adults adopt Steve.

He runs to them first after everything happens. Held himself together at the start, but broke down the second the words were out. While everyone was trying to comfort Steve, Wayne Munson and Jim Hopper were the first to succeed. They know firsthand that this family would never be the same as blood, no matter how much that blood has boiled and burned before, but the love will be stronger and it will be here. When everyone seconds it, Steve finally accepts it. He becomes a child of the Party - he's everyone's son and everyone's brother, taking whatever surname he sees fit.

In November of 1986, Steve Henderson and Eddie Munson leave Hawkins.

Despite all this good, Steve can't bear to stay in this damned town a second longer, where everyone knows who he is and will soon know everything he isn't. And it's not like Eddie was looking forward to sticking around Hawkins either, especially without his Steve. The kids are the first to agree, surprisingly, and the adults promise to find a way for the boys to get out. Later that week, when Richard and Samantha leave the house to prepare for Veronica, Steve and Eddie break in to take everything that's rightfully theirs. While they're there, not sure what prompts him, Steve makes a bag of his clothes with shoes and his wallet tucked within it, shoving it into his closet. Dustin's mom uses an old favor to get the boys an apartment in Chicago, the Party has one last farewell, and the two boys are gone.

From 1986 onward, Veronica Harrington is raised in Hawkins, Indiana.

Richard and Samantha are adamant in their daughter coming out exactly how she should. They steadily convince the town to forget the Harringtons ever had a son and lock the room on the second floor next to the stairs without ever touching the inside. They raise her with formality and pride at the top of their expectations, wanting at least one child to come out right.

But Veronica is the spitting image of Steve's honesty and care. She puts on a facade when needed, but even at a young age, she wants nothing more than to be someone's light in the darkness. She plays with every lonely kid at school, and tries to make people laugh at the business parties she's dragged to. It's not received well by her parents, but Veronica is much too strong willed and stubborn to let it phase her.

In April of 1991 - when she's 6 and they're so much stronger around their hearts - Veronica Harrington meets Steve and Eddie Munson for the first time.

It's the year Erica is set to graduate high school. Steve and Eddie have been making the drive for every holiday this year, ordered determined to give her the best senior year she could have. It's Easter Sunday, and Wayne somehow managed to drag his boys away to church - a Munson custom, as even Eddie insisted they go.

While at the snack table post sermon, a little girl comes up to Steve, mistaking him for her father. He and Eddie gently comfort the girl, introducing themselves and offering to help the girl find her parents. That's when Veronica introduces herself, striking Steve deep in his heart. Still, he keeps quiet, even gifting her a little origami crane made from napkins at the table. He calls her "chickpea" for the color of her dress, tells her to keep the crane secret and safe, "If ever you need to find your way back home, you hold that close, and it'll tell you."

Meanwhile, Wayne has come across Richard and Samantha in the crowd opposite the kids. Exchanging formalities, Wayne mentions his son and nephew are in town, news the Harrington's are surprised at, as Wayne didn't seem like the father type. However, trying to keep face, they remain civil and insist on introducing their daughter.

Cue Veronica running to her parents with Steve and Eddie in tow. Cue Steve calling Wayne dad right to Richard's face. Cue the Harrington's immediate leave from the church, Veronica waving behind her with a crane placed carefully in her pocket.

From then on, Veronica Harrington's life changes indefinitely.

Her parents' expectations grow tenfold. She finds out she's horribly allergic to chickpeas. All of her friends must be approved by her parents, and any that don't fit their image are ordered to leave her.

Veronica takes these changes in stride - is her class's top student, captain of the softball and volleyball teams in junior high, keeps the friends she wants in secret from her parents - but she can't help but keep the crane in a little box in her room. Gets a necklace with a little origami crane pendant, holds it whenever she needs to make a hard choice. Can't help but expand herself in secret, learn things her parents would never approve of - lock picking, other languages, sleight of hand, a clothing style that's nothing like the dark blues of her family, all warmth and light. She explores every room in her house, yet is unable to find her way into that room upstairs next to the steps.

In May of 1998, Veronica Harrington discovers the truth about her brother.

She's about to be a freshman. Her class was touring the high school in preparation, and while passing the athletics hall, her eyes hit the swimming trophies. Each row stuffed with trophies, and each one with a name that stabbed her right in the stomach: Steve Harrington.

After that, she couldn't bear all the secrecy anymore. Late that same night, she finally uses her lock picking skills to break into that room. And though it's devoid of life, it is a bedroom, so evidently lived in. It's frozen in time, twisted sheets covered in dust, old papers crinkled from being stepped on but not picked up, old clean clothes still sitting in the hamper. It's a boy's room, clearly, and Veronica is careful walking around this place of memories.

She does still explore, quietly clicking on lights around the room, too cautious to touch the overhead lights. She looks under the bed, finding a bat and a trash can lid, both embedded with rusty nails. A shirt that still smells like fresh laundry yet has a back stained permanently with long red lines down the shoulders. Dozens of stapled documents labeled NON-DISCLOSURE AGREEMENT, detailing horrific events that each have that same name signed at the bottom.

With shaking hands she checks the closet, and finds it mostly empty. All except for a deep green graduation robe and cap, a cream Hawkins High letterman, and a duffel bag hidden in the back corner. The cap has a 1985 tassel, and the letterman has Harrington branded on the back with basketball and swimming patches galore. And the bag, when she checks it, looks like a survivalist pack someone would make in an apocalypse. At the top sits a wallet, and inside is an ID for a Steve Harrington, who has the same face as the one in her origami memories.

And Veronica is done. She wakes up the next morning and throws Steve's jacket on the kitchen table, startling both her parents mid sip of coffee. She finds herself in a screaming match with her father, demanding them to quit lying to her, begging to know who her brother is.

In a fit of rage, Richard tells her. Tells her everything Richard and Samantha never saw in Steve, about Veronica's secret birth, the disownment, Steve's disappearance from the Harrington house and Hawkins. She's reminded of that one Easter Sunday, and is told how Richard and Samantha faked Veronica's allergy to keep her mind from being tainted by whatever curse befell their bloodline before. Orders her to never say that name again.

In a fit of rage, Veronica bites back. Calls her parents cruel and overly expectant. Comes clean about her secret freedom. Says she'd rather be nothing than ever carry the burden of the Harrington name ever again.

She hides away in her room after the fight. Cries in her closet with her origami box cradled tightly to her chest, begging it to take her home because this place isn't anymore, maybe never was. Cries for the brother she never even got to meet, who went through so many horrible things yet still got put through this same punishment. Cries for the future she won't get to have, losing her hope for a new beginning that will now never be.

At the start of June, 1998, Veronica runs away.

She makes it through the rest of May in near silence. She writes notes for all of her friends at the end of the school year, and one for her parents to inevitably find. Finds 75 dollars in Steve's old wallet, stuffs the duffel bag the rest of the way with her belongings, and says goodbye to Hawkins.

She takes the first bus she can find out of town. Doesn't care that it's going to Chicago, doesn't really care where she's going now. She befriends an old homeless man riding the bus as well, becomes another interesting name in his "Book of Wanders (Pronounced as Wonders)." As Veronica's telling the story about unknowingly meeting her brother, she remembers the crane in her bag. She reaches in to retrieve the little box, then the crane, nearly crying seeing how disheveled and unfolded it is. Broken and doomed, just like her. But looking at it now after so long, she thinks she sees something written inside it. Despite it shattering her heart pieces, she carefully unfolds the little crane.

At its center, in old, bleeding blue text, reads, "Find the Swooping Bat if you've lost your way."

The old man laughs then, taking Veronica's hand and placing it onto her chest, over her heart. "It's fate," he whispers in the dark bus. "There's a place called that in Chicago."

Veronica uses her money to rent them both a hotel for the night, giving the old man a warm bath for the first time in weeks. She gifts him the clothes as well, saying it's, "an honorary thanks from my brother, for helping me get here." They bid each other farewell in the morning, the old man telling her to keep hold of fate.

She finds her way to the Swooping Bat easily, hand on her necklace guiding her way. It's a quaint little diner, popular enough to be comfortably warm when she walks in. A young lady in a wheelchair - Max, says her nametag, with pins saying things like, "Summer work blows" and "USC grad or bust!" resting on her collar - guides her to a booth next to the sunrise.

"Anything I can get you today?" Max asks when Veronica's seated.

Veronica's fully ready to order everything on the menu, what with how delicious this place smells, but then she remembers her funds. 5 bucks, if she's lucky. "Just a chocolate milk, for now. Biggest one you have, please." She somehow plays off Max's skeptical look, her eyes sweeping over Veronica's no doubt disheveled and no-food-in-36-hours appearance.

It somehow works out, and Max is wheeling away. Veronica allows herself a moment to collapse, stomach growling in pain and eyes burning with the realization she has no idea what she's going to do now. She just has this last bit of hope to hold onto, and without it, she'll be nothing but a husk.

She's not sure how long she sits there, staring at the sunrise and letting sound and AC whisk her mind away, but there's suddenly a little knock on her table. Her head snaps up, and there's Max again, setting down a giant glass of chocolate milk... alongside a loaded breakfast plate.

"It's on the house," Max rushes to explain, all fondness when Veronica scrambles to get her wallet. "Courtesy of the owner. And between you and me," she whispers with a wink, "just take the damn food, kid."

Veronica stumbles over herself for a moment, rendered near speechless, before she finally comes back. She begs Max to thank the owner profusely, before rushing to dig into the pancakes before her. She's halfway done dousing the stack in syrup by the time Max wheels away, when there's suddenly someone laughing.

"Of course," says a choked-up voice behind her. "Can't have any chickpeas starving in my booths."

Veronica nearly drops her fork. She turns so sharply she gets dizzy. Seven years can't change a person that much, surely, because though he's bigger in the torso and he has glasses on the bridge of his nose and his hair is cut so close, he still has the same softness in his voice and the same slouch in his stance and the same moles around his eyes and his smile is so bright despite the tears in his eyes, and though Veronica can barely see through tears herself, it's not like she needs them anyway to know it's-

"Steve!" she cries, scrambling out of the booth to meet her brother halfway. The relief of it all working out has the rest of her restraint collapsing, forcing harsh sobs out of her and into Steve's shoulder. The siblings hold each other in the middle of a restaurant, a voice in the background asking everyone to leave them be. Steve doesn't stop whispering, even as his chest heaves with broken gasps between tears, "You're save, Veronica, I got you, I got you, it's gonna be okay, you're safe here, it's okay, sis, it's okay..."

"That you, lil' chickpea?" whispers a different voice once they've calmed down. Veronica reluctantly pulls away and finds a man kneeling beside them, a hand on Steve's shoulder and similar tears in his eyes. His hair and tattoos remind her of the tamed wild from seven years ago, covered in black in the middle of church yet glowing brighter than the stained glass, the one that Steve looks at in past and present with a glowing love Veronica never saw between her parents.

"Yeah," she whispers, wiping her tears away before placing a hand atop her necklace. It catches Eddie and Steve's eyes and make them beam with pride and relief. "Yeah, it's... it's me...."

[temeyes]

happy father's day to him!

[keferon]

*clasps your shoulders gently and looks you straight in the eye*

Keferon. Please read Ninth by Kyn on AO3. I think you would love it very much. It has a large chapter count, but don't be intimidated, it's very easy to get into. It is currently unfinished, but is being updated regularly.

You are the seventh person that recommended this fic to me so ahahahaha yeah

I’m doing great Help I hate some parts of it but I love the other parts I’m spinning in the blender

…..I made the moodboard….

[softartemisart]

temple to a god of hedonism that gradually changes those inside to best live lives of pleasure and feasting

if you visit once, and stay for only a few minutes, you might get out with only a little extra softness on your frame, easy enough to work off. if you stay for much longer, well...

theres a growing hunger in your stomach, despite not eating that long ago. but it's a temple to a god of parties and feasting - there's plenty of food available. the dishes only seem to grow more aromatic the longer you stand near them and, when you cave and try a mouthful, it's unbelievably delicious.

you're so taken with the taste, you don't notice what's happening to your body. your stomach bloats from your gorging, and then softens into a wobbling belly that tests the durability of your clothes, hanging lower and lower towards your thick thighs. leaning over the table for another plate, your ass sticks out behind you, round and cellulite-ridden. your figure is soft, swelling, a picture of indulgence.

and it's not long before the servants of this god come and show you another kind of pleasure. warm hands make contact with sensitive skin and you moan through mouthfuls of rich food. they guide you to a soft chair, lean you back, make sure your every want in this moment is fulfilled. one continues to feed you all manner of decadent desserts. several more attend to your body, removing the remains of the constricting clothes you entered in and then kissing, massaging, rubbing every growing, jiggling inch of you. your chest is squeezed, nipples toyed with. your gut is oiled and played with. once they're done teasing you, one hefts the blubbery mass up while another finally reaches between your legs.

the next day, you wake up in one of their luxurious beds, the most well rested you've ever been. you're free to leave, of course. but as the heavenly smell of breakfast finds your nose, you also notice the new set of temple robes at the end of your bed, inviting you to join their ranks

[stuffeddeer]

okay but..... pathetic yearning beast!stalkerzai... he's so quiet abt his obsession with u making up any excuse to have u around for subordinate purposes and when ur not around him he makes sure he can still keep tabs on u AHHH hes so sad and so smitten

"pathetic" i dont need to hear any more. im on board.

The continuous knocking on your apartment door leaves you anxious, quickly pulling on a comfy sweatshirt before answering the door. A breeze flies into the room, causing you to shiver, before you make eye contact with,

"Why aren't you at work today?" Dazai crosses his arms, an angry expression on his face. Though, the pout he wears causes it to be less intimidating than he'd normally be.

You glance into your apartment briefly, still feeling chilly while exposed to the outside air. "Um... I don't work?"

"You always work."

"Right. Which is why I have today off." Awkwardly, you itch your arm. "Am I… needed, Boss?"

Dazai sighs before walking into your apartment (with no invitation) and closes your own door behind him. "You're freezing."

"I'm slightly chilled," you shrug, brushing off the notion. Any other subordinate wouldn't dare correct the boss of the Port Mafia, but he'd always been more lenient with you - supposedly because you ‘aren’t as dumb’ as the rest. "But that's what the hoodie is for."

Without another word, Dazai plops down onto your couch, making a show of looking around your apartment. It’s tiny - the whole thing barely the size of his office at HQ — and Dazai wonders if you’d rather move in with him. For more space, of course. And he guesses you’d be saving on rent that way, too.

“How do you know where I live?” You ask curiously. Sure, it’s probably somewhere in your files, but your boss never seemed like the type to care.

Shrugging, he murmurs, “It’s my job.”

You want to make this visit quick, but kicking out your boss didn’t seem like a smart idea. “Are you thirsty? Would you like a cup of tea?..”

Yes, Dazai wants to try your tea. Just because you’re his subordinate, and he needs to make sure it’s up to par. What if he needs you to serve tea to some associates in the future? “I’d love one.”

Biting back a sigh, you fill your kettle before placing it on the stove, watching as your old gas stove flickers on. Silence hangs between you two - you had no intention of carrying the conversation when he just barged in uninvited.

Dazai seems to have a similar idea, sitting laxly on your couch and waiting for his tea. You pour one cup, uninterested in making one yourself, before placing it on the coffee table in front of him. “Sugar? Milk?”

“This is fine, thanks.” He takes a sip. Heavenly, he’s sure. Well, all tea tastes the same, but something about it coming from your hands… delectable. It’s as though he can taste the love you must pour into every cup.

Mouth shut, you take a seat on the chair across from him. “May I ask, sir, why are you here? Am I needed?” The question is posed once again as you hope for a quick resolution. Kicking out your boss is wrong, but hopefully he’ll read between the lines and show himself out - the same way he showed himself in.

A long sip of tea permeates the otherwise silent room. He’s doing this on purpose, you’re sure of it.

“…I was worried,” he mumbles into the mug, sound muffled and quiet.

“Sorry?”

“You should be,” he replies, uninterested in repeating himself. “I needed you today, only to find out you vanished into thin air.”

“I didn’t run, if that’s what you’re implying,” your eyes narrow. You would not be mistaken for a traitor.

“No, no,” he grins. You were at your most entertaining when you became combative. Dazai much prefers you like this rather than subservient. “You took today off.”

Correcting the boss of the Port Mafia was risky, but, “You gave me today off. A month ago, after that mission, you told me to pick a day to relax.”

That’s… true. It was a strenuous mission, and while Dazai made sure to keep you out of the fray, he thought a gift like that would make you feel touched and indebted to him. Annoyingly, he’d nearly forgotten, since Dazai had planned on reneging at the last minute to trap you with him. For your work ethtic, of course.

A pout graces his lips, unhappy at your disappearance from his side. And that he had no rebuttal to it. “Well, I still need you. I made dinner reservations for two accidentally, and the restaurant is rather strict. You need to come with. The meal will be comped, of course."

“Sir, I don’t— “

“Don’t want your job?” His eyes narrow, pout vanishing immediately. You had to go along with it. “I’m sure you don’t mean that, over something as silly as a nice dinner.”

“...Of course, sir.” You tug on the strings of your hoodie, wanting to emphasize that you aren't exactly dressed for something 'nice.' "What time am I expected?"

Dazai has to stop himself from swooning. How adorable. Well, it’s not you that’s adorable, of course. It’s the juxtaposition of such n oversized hoodie on you that he finds adorable, not you yourself. Definitely. “We can leave now, actually. Get changed, please. I wouldn't say there's a dress code, but it's not a 'hoodie' establishment."

Rather than lashing out at him for the snide comment, you choose to bite your tongue and head into your bedroom.

Exhausted was too light a word to describe how you felt. Donned in a 'nice' outfit that was rather uncomfortable, you stood outside in the cold air and harsh breeze as Dazai suggested to the host to let him in. This bastard didn't have reservations for one, much less two.

After the manager is called over and recognizes Dazai, you're quickly ushered in beside him. Dazai pulls out a seat at a secluded table in the back, gesturing for you to sit. "Come."

Without a second thought, you sit in the very seat he'd pulled out, stifling a yawn as he pushes you in. You’re Dazai's best employee - he must keep you close at all times. Which is why he takes advantage of your position as his subordinate to orders you waste your day off in a fancy restaurant across from him. If you want time off of work, you’ll have to spend it with him - just so he can keep an eye on you, of course.

[kiaxet]

HOW ABOUT THAT @somerandomdudelmao DISASTER TWIN REUNION, HUH

Went a little feral to the tune of 2.2K words of self-indulgence. What else is new?

~~~~~~~

Donnie can't sleep. More accurately, he won't sleep. Not until he's done. He'd never been one to leave a project unfinished; death and resurrection hadn't changed that.

He taps incessantly, repetitively, on a keyboard and screen, the motions long since past inputting data and now only serving to keep him awake. The repetition is soothing, easy, and - counterintuitively - he finds his head drooping forward into sleep-

And he snaps back upright. No. Not until he can confirm Leo is okay.

Leo is behind him, he knows. Breathing. In bed. Asleep. Very much alive. And-

He jumps and whips around as a thud sounds behind him. "What the-"

Leo is on the floor.

Well, that answers the question as to whether his twin is awake.

For a fraction of a second, part of him wavers uncertainly. He loves his idiot twin. The question he hasn't been able to answer is whether his reaction to Leo waking up will fall on love or idiot twin-

"Leo!"

He can hear the exasperation in his voice, and yep, it's the latter. He takes a knee next to Leo and hauls him into his arms, lecturing him all the while, and if he can hear the annoyance in his voice then Leo sure as hell can. Sleep deprivation for the purposes of keeping his brother's soul alight had done nothing for his temper. "I swear to God, all you had to do was make a sound! Why are you such a difficult patient?"

He deposits Leo carefully on the bed - "Sit still!" - and checks him over, running every scan he can think of and making sure his brother's new body really is in good working order, spouting increasingly irritated commentary all the while. Of course the fall didn't hurt him - Leo is tougher than that, and Donnie does better work than that - but he still can't help the rising anxiety in his throat.

This almost didn't happen.

"-stupid, stupid selfless idiot!"

Donnie almost couldn't save him.

"Grrhh-"

Leo nearly died for real. Permanently beyond Donnie's reach. Well and truly gone-

"Do you have any idea how close you were to having nothing left to save?"

And now here Leo is, in perfect health, sitting on Donnie's bed with a big dopey grin on his face as Donnie chokes on his anxiety and damn near shakes himself apart-

Oh for fuck's sake.

"Hey. Are you even listening?"

Leo speaks up for the first time since he's woken up, voice shaky from disuse. "D-Donnie?"

And that is not a goddamn answer to anything Donnie has been saying, because of course it isn't. It's Leo. He's always had his own priorities. "Yeah. No. You're not fucking listening." Donnie heaves a long-suffering sigh, sinking back into the routine comfort that irritation at his twin provides. "At least you're talking." Small favors. "Although I'm surprised you're not throwing your stupid jokes at me." Even smaller favors.

He stops short as Leo's hand closes around his wrist, drawing Donnie's arm to Leo's plastron. "You're real," his brother breathes, looking from Donnie's hand to Donnie himself with tears streaming down his face. "You're real!"

And then, in the space of a thought, Leo's joy breaks, his smile turning desperate. "Are you?"

For a moment, Donnie stares at his twin, wondering at the sudden change in expression. He takes a breath-

And the part of him that had lain dormant for so long after he'd woken up - the part of him that had been screaming for his twin's safety ever since they'd recovered the few scattered embers of Leo's soul - gasps to life, blooming like a time-lapse video of a flower and reaching to the edges of Donnie's soul. Leo had called it their twin sense, and Donnie hadn't had it in him to argue after a while. Whatever it is, it's back, connected to Leo's renewed presence, and-

Donnie's heart floods with emotions. Relief and joy sprout quickly and are nearly swept away in a tide of exhaustionanxietyfearfearfearfearFEAR-

But down beneath it all, steady against the rising wall of terror, is the little blue spark of hope that his brother always carried. His core. The thing that let him continue on in the face of insurmountable odds, and lent that same strength to everyone around him. A ninja's greatest weapon.

It's Leo. It's Leo-

And Donnie can't leave him alone in his fear. Not when there's no need for it. Not when they're safe.

He lets that breath out, and sits next to Leo on the bed. "Mhm. I'm alive. And you're alive. We're safe. The Krang are gone." That's all the news that's fit to print, or at least the most important parts. What else does he have to say?

Oh.

"I'm sorry I..uh…"

He's sorry he what? Died? Left a mess for Leo to deal with? Didn't do enough while he was alive to keep everyone else alive in turn after he was gone? Kept his brother's soul in a fucking mug, because that was the only way he could ensure he wouldn't break it while Leo was still fragile? All of the above?

…yeah, it's all of the above.

He owes Leo one hell of an apology, and he's never been good at any of this, so instead he shrugs haplessly and leans forward, pulling Leo into his arms and hanging on tight.

It's a matter of moments before Leo has him flat on his shell on the bed and is sobbing into his arms. Normally he'd hate seeing his twin cry, but it's proof of life - proof that Leo made it, that his soul is intact enough for him to still be Leo, that he's alive and awake and here - and Donnie will take it.

And if he's squeezing Leo back pretty hard himself, well, that's fine too. Nobody else needs to know.

~~~~~~~

Donnie is yelling at him.

Donnie is strong enough to have picked Leo up off the ground, well enough to be on his feet without support, running tests and reading Leo the riot act over his latest boneheaded maneuver - in this case, forgetting he was missing an arm and falling out of bed.

Donnie is yelling at him, because Donnie is here to yell at him.

And Leo is smiling, because he couldn't be happier. He lets the words wash over him, draping over his shoulders like a favorite cozy blanket that he'd lost so many years ago, and he basks in the warmth that is his brother's voice and smiles.

It's enough to interrupt the yelling for a question, though he doesn't really hear it - just keeps smiling, and says Donnie's name, and it's so nice to be able to say it with a smile now, because Donnie is here-

-he is, right? This isn't just a dying hallucination on Leo's part, right?

(It couldn't be- he remembers his death, remembers breathing his last, remembers being trapped- but this-)

He reaches out, taking Donnie's wrist in hand, and pulls his brother closer to him. "You're…real…" It certainly feels real - skin and scales, softer than his own, and his fingers barely fit all the way around the wrist instead of encircling them with room to spare - and he stares down at it, tears rolling down his face as he finally looks back up at his twin. "You're real!"

The Krang show you what you want to see.

The thought strikes him unbidden, turning his joy and relief to ice. It's a well-known fact: a Krang infection can show its host what they want to see, visions of comfort and family and home, and extract intel from the host's reactions. He knows that- he knows that, and-

And he'd died surrounded by Krang- and even if he couldn't see or hear or feel, he knows he'd been held captive-

But it's Donnie- he wants this to be real- he needs this to be real- he wants his twin back so badly he can't think, and the idea that this could be a Krang hallucination is almost too much to bear-

"Are you?" He can hear how choked the words are as they leave his lips, but he needs to know-

And Donnie stops, and sits down next to him, and tells him everything he wants to hear - everything he could've ever wished for. They're alive. They're safe. The Krang are gone. It all sounds too good to be true.

And then Donnie offers him an apology and a sad half-smile, pulling him into a strong hug-

And the ice in Leo's mind shatters in a flood of warmth as his twin sense opens for the first time since Donnie's death. He feels his twin's irritation, and deep-seated exhaustion, and a choking wave of guiltguiltguiltguiltguilt-

And beneath it all, steady and strong as ever, the thrum of unending determination, powered by an unfathomably deep well of love. It's the backbeat to the melody of Leo's life, the point-counterpoint to his own heartbeat- it's something he'd never had to live without until he did, but it's back, rushing in to fill the silence he'd known with the strength to go on and the knowledge that he is loved loved loved, strong and overwhelming and all-encompassing in the way only Donnie can love-

It's something the Krang could never imitate.

This is real. This is all real-

He throws himself against his twin, toppling them both over on the bed as he clings to Donnie, unable to stand even a fraction of an inch of space between them, as though he could push their hearts together through their plastrons, and he cries, sobbing out worry and terror and grief and the slow, crushing exhaustion of a losing battle finally lost. He cries as though the world was ending - and it had, once when the Krang had invaded and again every time he'd lost a member of his family, over and over until he'd sent his last hope through a portal that had cost his littlest brother his life and succumbed to death himself.

And now he's alive. Here, wherever here is, with Donnie. Clinging to his twin, and being held in turn as Donnie gently sits them both up, never letting go as Leo cries himself out.

It takes a while - long enough for Leo's gaze to settle into a stare and his thoughts to settle into a comfortable static. He's alive, Donnie is alive, and he has no fucking idea what else is going on, but he's just going to be okay with that for now.

His thoughts rouse enough to inform him of something wrong - the line of tension Donnie is carrying down his neck and over his shoulders. That won't do. Leo could try to massage it out with one hand, maybe try to get Donnie to talk about it, but Donnie never likes to talk about it, and Leo isn't one for slowly soothing away tension when he can just take an axe to the release valve instead. Plus, it gives him something definite to focus on, instead of…this whole situation. Whatever 'this whole situation' actually is.

Donnie had mentioned his stupid jokes, right?

"H-hey Dee?" His voice wavers from disuse, thick with tears, but he pushes through. "Why did- why did the tree buy a camera?"

"What?" Oh, Donnie is not going to see this coming. Excellent.

"To do a photosynthesis." It's nowhere near the level of pizazz he normally uses for a punchline delivery - he's still too tired and frazzled and clinging to Donnie entirely too hard for that - but that beautiful pause of a terrible joke sinking in tells him it had hit home nonetheless. Donnie moves - he can hear the telltale slap of face meeting palm - and then breaks down into helpless laughter, smacking the back of Leo's shell as the tension Leo had felt in his twin's shoulders abruptly relaxes. Good. It worked.

"This is so fucking stupid," is all Donnie manages as his laughter fades, and he slumps fully against Leo with a murmur. That's...abrupt. Sure, Leo had felt Donnie's exhaustion, but he hadn't realized it'd been that bad. He takes hold of Donnie, gently laying him down on the bed to rest-

Remember what happened last time Donnie fell asleep next to you.

He gasps sharply at the thought - not again NEVER again - and keeps his hand steady as he moves, laying both fingers gently against Donnie's neck and feeling for his pulse. It's easy to find, strong and steady and even, like it had been before the infection had taken Donnie's vitality and then his life.

But he's alive, and healthy, and sleeping. He's okay. And Leo-

Leo moves his hand to the side of his own neck. His pulse is also easy to find, quickened with the adrenaline of an unknown situation and multiple consecutive shocks to his system.

Okay. Take stock. Assess. Figure out a plan from there.

He's alive. Donnie's alive. The Krang are gone. And everything else…is a big fat question mark, with no easy answers and no indication as to where to begin looking for them.

Well.

Uh.

"What the fuck," Leo whispers to the room at large, as though the walls could answer.

~~~~~~~

(A world away and still very close, a younger pair of twins cling to one another the way a drowning man clings to driftwood: desperately, clutching tight, as though letting go will spell their doom. Neither of them know where the emotions came from, or why; all they know is that each of them are damn glad the other is alive, and they'll do everything they can to make sure that continues to be the case.)

(What the fuck, indeed.)

[requinum]

misa misa + last verse of please please please (sabrina carpenter) inspired by this post

[arttsuka]

I LOVE Teen Stan and Ford, it’s sad they don’t get drawn enough, so thank you so much!

Does Ford ever help Stan when he gets overstimulated? Or maybe when he has a rage response and suddenly starts crying and calls himself stupid?

Here's the other post with Ford

[idliketobeatree]

(gif by mellxncollie)

@wordsinhaled was wondering if "edwin thought he was gonna get kissed here. the way he like. almost draws himself up a little like he's not ready omg. or what he thought charles was gonna say"

and. in another universe.

—

Edwin sees Charles' eyes flutter close as he moves in. His confession hangs in the air, heavy and flaming like the wisps of Hell lapping at their heels and everything comes to a halt when he creaks out, "wait!"

Charles stills. The air around them, too.

"Oh— shit, I mean— sorry!"

And Edwin is in a desperate need for another breath but his lungs are too full, pleurae stretched to their capacities. He shakes his head quickly, almost throwing them off-balance, down the staircase, to where the demon spider-doll's mantles are steadily dripping with Edwin's real blood, to certain fucking doom. And then, hysterically, I wasn't ready. I don't look nice. My mouth tastes like blood. I've been crying—

"No, you misunderstand, I want this— I want you. I am merely—"

What a terrible time for Charles, to not understand what he's trying to say at all.

[supernowa-art]

happy birthday zoro!!!!

[kori-senpai]

Fanart for @honeydots Fire Emblem fanfic. I've been using it as a reason to fluke out of social interactions for the last two weeks and boy oh boy I will continue to do so >:)

[areyoudoingthis]

I am SO grateful that ed and stede exist as characters exactly as they are. I'm so grateful for these two men who are traumatized and messed up and struggle to even like themselves, who are terrible at communicating, who make enough mistakes between the two of them to fill an entire ocean. I am so grateful to watch them struggle and be seen and be loved and reach out for the things they want and are maybe starting to believe that they deserve. I'm so grateful that the show lets them fall in love and get together exactly as they are, that it doesn't say they need to wait until they've become some unattainably perfect version of themselves before they have permission to have that. i am so grateful for ofmd