#I guess it makes more sense

[caterpillarinacave]

my world has been flipped over

[endrae]

babygirl

[egophiliac]

So.... what are your thoughts on Ace's UM, if you haven't been asked this already?

sneaky magic for the sneakiest boy

no but really, I think it fits him really well! I had thought his UM would probably involve something kinda sleight-of-handy or pickpockety! and I looooved that it made such a nice loop-around back to episode 1. ❤️ I was. kind of half-expecting him to just run out and punch Riddle in the nose again. but instead this time 'twas he who offed the queen's head! it was great! and he did it while stone-cold terrified out of his mind! because Ace is the only remotely normal or well-adjusted person at NRC and therefore the only one who is like "we're going to literally die, this is super effed up". but he did it anyway!!!! I AM SO PROUD

[ivi-prism]

I am a hater and I hope the Minecraft Live Action Hyperrealistic CGI Movie fails and Hollywood stops with hyperrealistic adaptations of things that should straight up just be animated movies

[hollis-art]

i like to think rom got him a whole plethora of different motivational animal posters for moral support

[logicpng]

so, i have some thoughts. i feel like the game doesn't explore doey much, so i'm gonna take that as an opportunity to stretch him a lil.

in short, i see him as neither one whole nor 3 kids in a trench coat, but something in the middle of the two: a grown up who never really got to experience a proper childhood, the 3 originals in a blend with each other.

the time between creation and game events likely is enough for them to learn how to cooperate (up until. yknow). collectively or individually though, goddamn they need therapy

[ Description in ALT, text transcribed under cut ]

1st image:

point at head with teeth peeking: teeth may show more subtly, particularly when mischevious

point at hat: hat always at an angle

point at hand: stubby hands omg <3

point at neck: neck constantly bent in some fashion

Generally friendly and curious, may be more closed off and bitter if kevin is more dominant.

Collectively an adult due to passage of time and gaining experience, but still retains some more childish traits due to isolation from outside world and trauma, both collective and individual (holy shit do they need therapy).

Parts operate more or less seamlessly, but depending on situation some may show more or less of their traits.

When stressed, cooperation between parts may break down.

2nd image:

Kevin

present strongest when angry, most of anger processing goes through him.

not actually angry/cranky all of the time though, just a bit more gruff/edgy compared to the other two. tends to show teeth when talking.

over the years learned to control his rage better, can redirect it into being a bit of a troll w/ the others

understandably, safe haven's destruction made him revert and lose all restraint, resulting in lashing out, mixed with extreme emotions from others.

Jack

loved doey strongest before conversion (rip), as such expressions tend to default to his

learned to cope with constantly fighting for survival by cracking jokes and being more optimistic

present strongest when happy, may speak more childishly when in distress or comfortable

reverts into reliving trauma of death and family loss with safe haven's destruction

Matt

present strongest when focused on the leader role, strikes a balance between kevin and jack

through time learned to focus more on necessary action rather than allowing to succumb to past guilt

definitely still very stressed out from responsibility, especially after poppy leaving, learned not to show it through cooperation with kevin and jack

safe haven's destruction just plunges him straight into a guilt spiral

Note pointing at bottom notes for each: safe haven's destruction is a massively traumatic event for them, resulting in the three regressing into child selves from distress, mixed in with emotions from individual traumatic memories

[zivazivc]

Like a completely normal adult person, after watching the new trolls movie, I obsessively started putting together the brothers' backstory, the deeper reasons for their separation as well as how that all took place without disregarding the fact that they were trapped in the troll tree, which of course evolved into a fic in (forever) progress... yeah

Anyway, even though they aren't actively in the story much, i needed to design the parents, so uh meet Rosiepuff's daughter, Tulip, and her husband Branch.

I designed them based on the brothers' adult looks and in Tulip's case also on her mom's.

bonus baby branch:

[liketolaugh-writes]

hey can we talk about how fucking insane it is that the whole 'evil future self' debacle got pinned on danny cheating on a test

can we talk about how danny came away from that genuinely believing that it was cheating on a test that had made him evil, as if it were any more than just. the reason they were all at the nasty burger that day

can we talk about how sam and tucker also seemed to think that and how we, the viewers, also were apparently supposed to believe it

because uhhhh

the whole idea is. ridiculous. and someone needs to gently tell danny so pleaseandthankyou

[meamiki]

silly comic based on a time i struggled to read live on stream :thumbsup:

context clip compilation below ASDASDFASA

(cw for brief mention of hospitals/strokes)

[imissthestarswhenicry]

its cold outside 🌌

[casscainmainly]

A Deep Dive Into Why Cass Threw Dick Out A Window

If you've been here long enough you've probably seen or heard of this moment, which is super hilarious and iconic. It's mostly discussed in reference to Dick and Cass' relationship. However, in my opinion Cass throwing Dick out a window had very little to do with her opinion of him, or even of Barbara; it has more to do with her understanding of romance and love. I briefly touched on this in my gender/sexuality post, but I'm going to explain more in depth my interpretation of how Dick functions in Batgirl (2000) as a whole. (This moment is very open to interpretation though, this is just my opinion!). So let's try to answer Dick's question: what was that all about?

Love, Language, and DickBabs

While Puckett's run is notable for not having Cass date anyone, romantic love does play a role in Cass' early understanding of the world. It's the impetus that spurs her to write: in issue 2, she sees a wife read a letter from her deceased husband, and her reaction affects Cass so strongly she immediately starts trying to write. (She also kisses the husband on the cheek earlier, which may or may not be a crush). Romance, and the ability to communicate your love, is a fundamental part of Cass' desire to learn language.

So we have Cass, who has experienced neither love nor language, living with Babs, who's in a relationship with Dick. This telephone conversation in #4 (the issue where a metahuman changes Cass' brain into understanding language) again links romance to communication. Dick and Babs are talking on the phone, unable to see each other but understanding each other perfectly; Cass and Babs, on the other hand, live together and can't understand each other at all.

"She can't talk, so it's not all that different [to living alone]." Babs is telling an eavesdropping Cass that her inability to speak prevents her from love and connection - a love and connection symbolised by one of the first romantic relationships Cass is consistently around, Dick and Barbara.

Dick as an Ideal

There's a debate whether Cass likes Dick or not because half the time they're friendly, and half the time she's punching him or throwing him out windows. This disparity makes sense if you consider that Cass strongly associates DickBabs with communication, understanding, love - very idealised notions - but she does not associate Dick as a person with them. Her interactions with Dick (sans Babs) are cute and normal - Batgirl #29 and Nightwing #81 feature some very adorable Dick-Cass moments, with no real tension whatsoever.

It's only when Cass sees Dick in a romantic light (as in associated with Babs) that she makes him into a symbol.

Cass often tries to copy Babs, thinking it's the 'correct' thing to do - in DC First: Batgirl/Joker, she goes after Joker because that's what Barbara did; later in Horrocks' run she'll wear Barbara's outfit. In a way, Cass' affairs with Tai'Darshan and Kon - as much as I do think Tai'Darshan was genuine attraction - is another way to 'copy' Barbara. In #42, Cass stares at a picture of Dick and Babs while asking if Babs likes boys. Obviously Cass knows the answer is yes, but see what she asks next, and how Barbara responds:

She shifts from 'like' to 'love', and Babs responds that she 'care[s]' about him. For Cass, whose arc in Horrocks' run is about parsing out the nuances of attraction, understanding the difference between like, love, and care is incredibly difficult. She struggles to separate familial from romantic (Bruce in #50) or romantic from platonic (Kon, and in somewhat the reverse way Steph). In this conversation, Cass comes to associate Dick with like, love, and care - DickBabs becomes not just a symbol of romantic love, but of any connection whatsoever.

The Old Costume

I've discussed elsewhere that Cass wearing Babs' old costume in #45 is a representation of her desire to be 'girly', and how she associates girlhood with someone other than herself, discarding her own costume for Babs'. But putting on a costume is not the only prerequisite for being a 'girl'. In Babs' speech to Cass, she emphasises being sexually attractive to men, with her final comment being about this "particular look Dick used to give [her]". For Cass, visual language is incredibly important; putting on Babs' costume is not about being or feeling like a girl, but about being perceived as one. Dick is symbolic of the perceiver: the one who can essentially 'grant' women their femininity.

But Cass is disgusted when Tim calls her hot, which adds to her confusion - why should Dick being attracted to Babs make Babs happy, but Tim (who's not a sibling at this time) perceiving her like that grosses her out? Cass' inability to feel good - to feel 'feminine' - through the male gaze is another sign, to her, of her failure to be a woman.

Which finally brings us to issue 46...

That Ableist Kon Comment

Cass finds out Dick breaks Babs' heart and then starts hallucinating on a drug. One of the things she hallucinates is Kon saying "who wants to date a cripple? Ain't that right, Nightwing?" and Nightwing responding "not me--at least, not anymore."

For the first time, we get to the heart of why DickBabs mattered to Cass: it was an example of a disabled person in a loving, romantic relationship. It goes back to that phone call in #4, where Babs implies that Cass is hard to care about because she can't speak. The Kon comment suggests Cass has carried that with her all this time, trying to find proof that she can be loved, no matter her disability. DickBabs showed her it could be done - the break-up shows her now that it can't be done.

Dick's hallucination mocks her disability: "look at her--she can't even read!" Attributing this mockery to Dick (whose real-life counterpart, unlike the other hallucinations, has never said anything remotely like this) shows that this 'Dick-as-ideal' is intrinsically tied to Cass' self-worth.

Honestly this whole post stemmed from me thinking about this one panel. There is no real reason, from Cass' view of Dick as a person, for her to think he's brave and noble and kind (more so than anyone else). But it's in the DickBabs context - that Dick seemed to love, wholeheartedly, a disabled woman - that makes Cass think this way. And now that DickBabs is broken up, it shows that she, too, is rotten to the core; that someone like her cannot be loved.

And so when Dick shows up, she throws him out the window.

Conclusion

In this moment, Cass isn't just reacting to Dick breaking up with Barbara, she's reacting to what it means to her. If Dick can't stay with Barbara, then that means Cass, as another disabled woman, is also unable to be loved. This all leads up to #50, which features another Cass punch to Dick's face, but more importantly is when Bruce and Cass reconcile through Cass' first language. It's a confirmation that though her verbal skills may not be fully developed, she still can communicate, and she can love and be loved.

I don't think a lot of the ideas I touched on here are fully developed, or conclude cleanly. For example, how does Cass' 'failure' to be a woman relate to her inability to be loved? Is she able to have a stable romantic relationship? There are lots more questions, but the role Dick specifically plays in Cass' understanding of romance is probably not going to develop further. I just think it's interesting how Horrocks uses the Dick-Babs relationship to explore Cass' identity.

[technically-human]

Merthur AU except the crown prince of Camelot is weirdly pro-magic

[quixoticprince]

*In the voice of someone who's only media experience is jjba*: Wow, getting a lot of jjba vibes from tf2

Amidst the chaos and disappointments that encompassed my last two months, I had a fun connection about two of my favorite brain rot comics - you got an immortal(ish) with a harsh backstory who spirals into obsessive hatred that ends in the stealing of their obsession's bodies and subsequently haunt those family lines and those adjacent to them for generations - and I liken the Zeppelis, who shares the Joestar's generational curse by Dio/immortal creatures in general, to the Conaghers who I also see as helpers to the Mann line Its a really cool angle to look at Engie in, who since I was 14 was my least favorite character lol, this really elevated him for me

And so if the Manns are like the Joestars, that means like, Olivia Man is the equivalent of Joseph lol which is very funny to me

[bacchuschucklefuck]

doing chibi is a good design exercise bc it forces u to think on shapes n essential details, essentially thumbnailing ur designs. its also a terrible design exercise bc it ends up looking cute no matter what

[marudyne]

Signalis doodle

[halichor]

Scourge of the Seas

Just started another save with durge Jehan since I missed that last time, and I'm /still/ not done with Karythos and Vesna's saves aaaaaa 🫠