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#I guess I just really want the new arc to start already. I want to believe that there’s something interesting being set up here
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y’know, I still feel the most recent bsd arc ended really oddly
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felassan · 3 months
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More on the Varric deaths stuff, two, as well as on DAII Exalted March and DA:I -
"This expansion was going to be called Exalted March, and here, Varric was going to finally step out from the interrogation room so we could play in the present day, so to speak. It was also here that Varric - in a climactic confrontation new villain Corypheus, introduced in Legacy - was going to die. "So what I wanted to do with the expansion was: there's a lot of stuff we cut and I really wanted to put a bowtie on the Dragon Age 2 story," former lead writer David Gaider told me earlier this year while chatting about the creation of the Dragon Age world for a piece about maps. "It had the confrontation with Corypheus and the whole thing. We'd introduced him in a DLC, which I didn't want to do, but we did it, so I wanted to sort of tie that off. And I wanted to kill Varric because he was the viewpoint character and I'm like, 'This is his story, it needs to end with his death.' "He was the unreliable narrator, right?" he added. "I felt like it had to end with him. So we had this great moment where Corypheus is using the Red Lyrium and it's growing out of control, but [Varric is] a dwarf so he's a little bit immune, so he's able to do the Wrath of Khan Spock thing and get in close and destroy it. And he gets Corypheus enough so the party can take him out, but then he's dying from Red Lyrium poisoning so there's this nice moment with him and Hawke as Hawke says goodbye. And with his death, the story ends. And I felt that's appropriate for Dragon Age 2's arc." Exalted March, however, was never released. BioWare cancelled Exalted March to refocus the studio on new game Dragon Age: Inquisition and the move to new engine Frostbite. The expansion was "cannibalised", as Gaider put it, talking to me, and expanded to become Inquisition. Which is how Corypheus suddenly became the main villain in Inquisition, and how Varric managed to stay alive. It didn't stop Gaider trying to kill him again, though. "I tried to kill him in Inquisition," he told me. "I think mainly because I didn't get to do it in [DA2]. And everyone was like, 'But the Inquisitor isn't Hawke! It lacks the same meaning.' And I was like, 'Yeah, I guess you're right.'" Still, it was a difficult thing to let go of. "I was a little bit upset," he said, "and I remember I went and said - because they wanted to start work on Dragon Age 3 immediately - 'Well, you can make me do that, yes, and I will just be the guy in the meetings doing this [he makes a standoffish posture]. Or you can let me go home for a month or so, get this out of my system and grieve, and I will come back. And I swear, when I come back, I will be ready to go.'" He was true to his word, but he still wasn't entirely done trying to kill Varric. In March last year, Gaider revealed there were once plans for Corypheus to attack the Inquisition's mountain castle base, Skyhold. "The threat of Corypheus after Haven was never truly realised," Gaider tweeted. "An attack on Skyhold would have upped the ante. Maybe I could have killed someone finally... but instead, Corypheus remained a remote villain you chased but were rarely chased by. "By the way," he then added, "if you're wondering who I would have killed in Skyhold, given the chance, the answer is obviously Varric. That dwarf was meant to die in the (cancelled) DA2 expansion and escaped his fate despite having been in my crosshairs ever since." Varric survived again. "After Dragon Age Inquisition came out I'd already left the Dragon Age team," he told me."
[source]
what I'm reading, if I understood it right, is that Varric has survived death at least 3 times thus far.. (;・∀・)
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fandomrose · 9 months
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Dan Heng- learning to touch.
Hello-
This is a fluffy Dan Heng fic. This takes place any time after the end of the Loufu Arc when Dan Heng has access to his Imbibitor Lunae form.
This is pure fluff about reader and Dan Heng becoming more comfortable with physical touch. I just thought this scenario is cute and I think this kind of intimacy is incredibly important, especially in a developing relationship.
Anyway not much else to say but enjoy. 💙
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You and Dan Heng were fairly new to your relationship and had yet to initiate much physical contact at all as a result. Today was a 'hang out in your room' day and Dan Heng sat on your bed with you reading through a paper book you had brought with you from your world. 
Dan Heng had elected to be in his 'Imbibitor Lunae' form today. Which was a little out of the ordinary. He typically didn't like staying in this state for too long. But he had his horns and translucent tail out, longer hair, pointed ears. It was a treat to see it.
Unbeknownst to you Dan Heng had something on his mind and wasn't focusing on his book. Suddenly you heard an irritated sigh you knew all too well from your lover. 
"What's the matter Dan Heng?" You ask, putting your full attention on him.
"..." He seems to be struggling to answer. "I- want something but I'm not sure about it." He had promised to be more honest with you since the whole 'Imbibitor Lunae' incident. You hadn't personally minded that he'd hidden it from you as you understood why. But it was nice to know that Dan Heng trusted you enough to want to be more honest with you. 
"What are you not sure about?" You ask gently, taking your time. If this was anything emotional or a desire of his you knew he'd struggle. So, you know to take your time and be patient with him.
"I'm not sure how to ask or- even how to do what I want." He was seemingly refusing to look at you, the lightest dusting of pink across his cheeks and a slight narrowing of his eyes. A signal that he was feeling shy about whatever it was that's troubling him.
"But what is it you want, Dan heng?" He almost looked like he was pouting. Whatever it was had clearly been weighing on his mind.
"I- want to... ughh" He brought a hand to his face and closed his eyes. Embarrassment painting his features as his tail flicked in irritation. You wait patiently knowing he will just say it eventually. "I want to touch you.. and I want you to touch me.."
"What do you mean by touch?.." You were already basically touching so you weren't entirely sure what he meant. 
He turned an even deeper pink before answering. "Skin to skin, I want to... explore your body and I want you to explore mine."
You now started to fluster your face growing hot. "Explore? Like explore explore or..."
His eyes widened and his blush deepened. "No! Um- not yet anyway. I just want to touch I'm.. curious and I'm sure you are as well."
"Ah, yes I am curious... is this why you've been in your Imbibitor Lunae form today?"
He nods, "yes that is why... I thought you'd be more open to the idea if I looked like this."
"Hey, I like you no matter your form. I'd want to explore your body either way." 
His eyes widen as he looks away from your eyes at your bold proclamation. Realising what you said you fluster at your own words but you stand by them anyway.
"You- really are too much for me to handle at times."
"Do you really mean that?" You grin.
"No." *he coughs into his hands.* "Anyway, can we, ugh. Nevermind."
"No no, well unless you absolutely don't want to. But I do want to explore each other." 
He looks at you for a couple of seconds before nodding flustered.
"How do we go about this.." He asks quietly, unsure.
"Well we should um, take our clothes off I guess." 
"Right, that would help." He hesitates so you decide to remove your top. His eyes widen as he takes in your chest and stomach. With a shaky breath he nods and removes his sleeves and top. Your eyes, like his, widen as you take in his torso. Smatterings of scales run up his sides and under the waistband of his pants where a happy trail would be. 
The two of you just stare at each other for a while before he, seemingly unconsciously, reaches out a hand. He realises and stops just short of the top of your chest. 
"May I?" He asks somewhat breathlessly. 
You smile softly and nod. "You may."
Almost as soon as your sentence ends his hand is tracing over your chest, feeling the softness of your skin, the small bumps and dips. His fingers brush your nipples softly, he watches with a fascination that heats your skin as they react, pebbling under his fingers.
He traces the outline of your chest before making his way down to your stomach. The soft smile on his face makes your heart flutter. He stops by the waistband of your pants and looks up at you, licking his lips nervously. "Can I take these off?" 
You swallow and nod "yes, you can." You whisper, trembling with nervous excitement. He nods and, with an adorably determined expression, he slowly pulls down your pants. You belatedly notice just how furiously his tail wags at the sight of you. He trails his fingers down your legs as he goes, pausing at your knees and the tops of your feet before finally removing your pants in full. 
"I don't want to stop touching you but.." He trails off and you smile realising what he wants. 
"I want to touch you too. Can I?" You know the answer but you want to hear him say it. 
"Yes." You almost want to tease him and get him to say 'please' or speak louder but you refrain for now. Instead you shuffle closer and place your hands on his pecs, smoothing your hands over them.
Your eyes slide down to the scales on his sides. "Can I touch your scales?" 
"Carefully but yes. Brush down, not up, don't pull them up please." He sounded more nervous than he ever had. Looking intently at his reactions you carefully brush your hand over a patch of scales on his left side. They were cool, almost wet feeling. You notice he's shaking quite intensely so away comes your hand.
"Are you okay? Dan heng?" He was breathing heavier and flushed.
He coughed and looked away. "Maybe not the scales. For now." 
You can't help but smile teasingly while you adhere to his wishes. "Okay, okay no scales. I'd assume your horns and tail would give a similar reaction?" 
"Um- no they shouldn't? I hope.." He looks at you both curious and nervous.
"Well we can always give it a go then add it to the 'Dan Heng' section of the archives." You chuckle at the soft pout that forms. He coughs again and holds your hand, suddenly becoming fascinated with it. He traces your fingers, poking your fingertips and rubbing your knuckles. 
You feel heat prick your cheeks at the focus he suddenly holds for your hand. He didn't even seem to be distracting you from him, he's just suddenly focused on your hand.
A short minute passes before he looks up at you, a small smile on his face at your flustered expression. 
"Try my horns now." He said softly. "If you are still interested."
"I am" you whisper, lifting you hands to softly stroke one horn each. He shivers but only for a moment, not overwhelmed this time. They feel similar to his scales. Cool, almost wet to the touch. Very smooth and sturdy feeling. You look behind him and see his tail swishing rapidly again. 
A light chuckle leaves you and Dan Heng raises an eyebrow. "Something funny?" 
"No- well yes. It's your tail, it's so- excited." 
Another light dusting of pink on his cheeks and his tail slows down, as he forces it under his control. You want to tease him for it but feel like it's the wrong time.
Dan Heng brings his tail forward and in-between you. "Touch the thick part, stroke with the scales like before. Don't touch the tip." His pink turns red for a second and you realise why. You can't help the devious smile at the thought of what they would do to him.
He lightly glares at you and you shake your head chuckling. A silent conversation, you two were familiar with those. It was something you were proud of. The other trailblazers would tease you about it and sometimes ask you to talk to Dan Heng in this way as he is more pliant with you and your silent conversations.
You lay your hand on the thick part of his tail and stroke with the scales. Like before, cool and almost wet. Surprisingly pliant but definitely strong feeling. 
"You really are amazing" you whisper not even realising you said anything. Your expression is almost reverent as you stroke the area of his tail that Dan Heng allowed you to.
He, meanwhile, was almost having a heart attack. You'd always been complimentary to him but it felt different this time. Something important seemed to have happened to your opinion of him. He can't bring himself to speak just letting you indulge in his tail.
Eventually you look up at him with a cheeky smile. "Can we become even now?" 
Dan Heng, once more, raises an eyebrow.
"You still have your pants on." 
His cheeks dust pink again and his eyes narrow but he takes his tail back and slowly takes his pants off. The two of you are now only in your underwear and you can't help but let your eyes drift down taking in his toned thighs and the surprising bulge between his legs. 
You choose not to focus on it, not wanting to change this soft mood between the two of you when you knew the two of you weren't ready.
"There, now we are even." He tilted his head and smiled, looking a little proud of himself.
You chuckle and shuffle closer. You hover your hands over his thighs. "May I?"
"You may" his hands hover over your shoulders. "May I?"
You giggle and sigh, looking at him lovingly. 
"You may." 
The two of you indulge in soft caresses and admiration of your bodies. Eventually you both lie on your sides facing each other.
"Thank you for this. It really means alot to me." His voice was soft and he had the biggest, softest smile you'd seen from him. A new level of comfort unlocked between you both.
"This means a lot to me too, so I thank you as well my love." You place your hand on his cheek stroking softly with your thumb. You feel his face heat up under your hand. He returns the favour, taking a deep breath. He shuffles closer, your chests pressing together, legs intertwining, hips pressed together. The closest the two of you had ever been. He leans close.
"May I kiss you?"
"You may."
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the-owl-tree · 6 months
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Deer's Xenofiction List - The Good, the Bad, and the Furry
Compilation of my xenofiction books I've read, my opinions on them, and ones that I've yet to get to. Will be updated as I go along, if I remember. Books I have not read have an asterisk (*) in front of them. Not a complete list, I will update as I gather more titles.
Adaptations will be listed along with the source material and not as a separate entry.
While I am accepting additions to the list, please make sure your suggestion isn't already listed.
Last Updated: 24-06-2024
-New additions to the books section
-Categories and sub-categories being considered: short films, animal transformation (human to animal).
-Content Warning: Mentions of sexual assault, animal abuse, animal death, and violence. Only a handful of entries have content warnings because they were given to me prior. Please look into the works beforehand to see if you feel comfortable engaging with them, this list is not a content warning guide.
Books
Warriors by Erin Hunter - A long-running series following the drama of four groups of feral cat groups in a forest.
Rating: sucks just read the first arc and nothing else. unless you have childhood nostalgia for this series you probably won't like anything that comes after.
Seekers by Erin Hunter - another animal series from the erin hunter team. It follows a group of bears searching for a safe place to live.
Rating: It's fine. I only read the first arc. While it has a much drearier tone than Warriors at times as it deals with growing environmental impact of global warming and human interference. If you like Erin Hunter's writing style, you might like this one.
*Survivors by Erin Hunter - Look we just gotta get these out of the way, these guys have a monopoly on kid's animal books. Survivors follows a dog named Lucky (yes. really) trying to survive in an area abandoned by humans.
Rating: I read the first book and nothing else. I'm sure it's...fine, suitable for a dog-obsessed young reader but as it is, no one's really rushed to recommend it to me. I'm sure it has fans somewhere, but I can't really speak for them.
*Bravelands by Erin Hunter - uuuhhh animals? in Africa? Surviving? I guess? Sorry my bias against Hunter is showing, but at some point you start to wonder what's going on here, you can feel them trying to recreate the success of Warriors.
Rating: idk what to tell you, never read it and probably never will. If you're a person who likes lion stories, you might enjoy this, maybe? Been told the hyena rep is appalling, another sad day for hyena lovers everywhere.
*Bamboo Kingdom by (you guessed it) Erin Hunter - It follows three pandas (apparently) each in different panda kingdoms.
Rating: I couldn't tell you shit about this one to be honest. You want more bears? Here's bears!
The Bees by Laline Paull - A novel following the life of Flora, a sanitation bee in her hive who rises through the ranks of her devout society.
Rating: Unfocused at times and a rushed ending, but a gripping story nonetheless. Would recommend!
Pod by Laline Paull - Follows the life of Eira, a spinner dolphin from an "exotic tribe" who is forcibly taken into another group of dolphin's to become a member of their leaders harem.
Rating: This book relies on the mythos of "dolphin rape" with numerous, non-graphic sexual assault scenes. While interesting concepts are introduced and, at times, the plot becomes compelling; it otherwise flounders its premise with messy execution and poorly thought out ideas. Also there's an American spy dolphin named Google, make of that what you will.
*The Wildlings and its sequel The Hundred Names of Darkness by Nilanjana Roy - A book about a small band of cats lives in the labyrinthine alleys and ruins of Nizamuddin, an old neighbourhood in Delhi.
Rating: Recommended multiple times to me by different people, no warnings given.
Varjak Paw (and sequels) by S. F. Said and illustrated by Dave Mckean - A short book about Varjak, a Mesopotamian Blue Cat, and his journey to learn an ancient art from his family’s past.
Rating: Varjak Paw is unique with striking imagery and interesting ideas. However, the writing in itself is far from anything special. The book it at its best when accompanied by Mckean’s striking visuals.
*The Underneath by Kathi Appelt - An abused dog hides under the porch of a home to escape from its owner. Based on a reply I've been given, do not ask me to expand anymore on the plot of this book, I have no goddamn clue.
Rating: Described as a formative book for reading xenofiction, it’s been recommended highly! Contains heavy topics such as animal abuse, be warned.
*Fire Bringer by David Clement-Davies - A novel following a red deer named Rannoch and a prophecy that looms over him.
Rating: It seems to have a decent fanbase and it's been recommended to me a handful of times.
*Bambi, a Life in the Woods by Felix Salten - A coming-of-age novel following a roe deer named Bambi. Best known from the 1942 Disney film.
Rating: If you're a deerhead, check it out I guess!
*Raptor Red by Robert T. Bakker - Often (favorably) compared to a textbook, Raptor Red follows a female Utahraptor. Written by a paleontologist, it's meant to be a realistic look at dinosaur's social habits and their interactions with their world.
Rating: Yet to read but sounds cool as fuck. This book contains a heavy emphasis on realism and world-building, with little dialogue. It may be slow for some readers!
Black Beauty by Anna Sewell - Horse girls, certain English classes, and so on, Black Beauty is fairly well-known. Though for those unaware, Black Beauty follows the titular Black Beauty's life in Victorian days.
Rating: It's a classic! Pulls at your heart strings! Just typing this out makes me want to reread it.
Watership Down by Richard Adams - Similar to Black Beauty, I can't imagine anyone reading this list doesn't know about the tale of a group of rabbit's trying to survive a harsh world.
Rating: It's well-written with a lively world, but its treatment of its female cast reveals a deep gendered bias in the writing.
*Mrs. Frisby and the Rats of NIMH by Robert. C. O'Brien - Mostly known from the (excellent) Don Bluth adaptation, the book follows Mrs. Frisby and he encounter with a group of highly intelligent rats.
Rating: Yet to read.
*Redwall by Brian Jacques - A 22 book series following a group of anthrophormic animals who live in Redwall Abbey and their call to action to defend themselves from "vermin".
Rating: Yet to read
Guardians of Ga'Hoole by Kathryn Lasky - A 31 book series following a group of owls and their attempts to thwart evil. The first arc follows Soren and his attempts to find the owls of Ga'Hoole and beat the 'Pure Ones' while the later books act as an epilogue and prequel.
Rating: First half read and loved! Highly recommend! Handling of Kludd is...meh.
Note: It has an animated film adaptation! While not entirely faithful, it still does a great job keeping to the themes of the books, trimming the fat, and telling a complete story. It also has two video games, one on DS and one on ah other consoles? Both are fun, I like the Wii version.
*(sorta?) Wings of Fire by Tui T. Sutherland - Most people reading this will know this one! It takes place in a world of dragons with seven tribes. The first arc follows the exploits of prophecized dragonets and their attempts to end a war.
Rating: I've yet to finish it. The writing is skewed for a younger audience but is charming nonetheless.
Note: It has a graphic novel adaptation illustrated by Mike Holmes.
*Duncton Wood (First book of the Duncton Chronicles) by William Horwood - A novel the three groups of moles in Duncton Woods and the tyranny of a powerful mole named Mandrake.
Rating: Not yet read, heard good things! lots of mole sex apparently.
The Plague Dogs by Richard Adams - After escaping an animal research facility, Snitter and Rowf escape out into the wild where they must survive a hostile world.
Rating: ough. my heart. would recommend.
Note: Well-known for its animated adaptation, would recommend it as well.
*Silverwing by Kenneth Oppel - The first in the Silverwing book series, Silverwing follows a bat named Shade who loses his colony during a migration to the south.
Rating: Yet to read but I've heard good things!
Note: Currently has an animated television adaptation, go check it out!
*A Black Fox Running by Brian Carter - The story follows the tale of a dark-furred fox named Wulfgar and his human nemesis, Scoble the trapper, over the course of time.
Rating: Yet to read.
*The Books of the Named/Ratha’s Creature (First book of the Ratha’s Creature series) by Clare’s Bell - Ratha’s Creature is set in prehistoric times following the story of Ratha, a Dinaelurus nimravid(?) and her role as a female in her Clan.
Yet to read, often recommended in the Xenofiction scene.
*The Taken (Book one of the Foxcraft trilogy) by Inbali Inserles - Follows the story of Isla, a fox kit who loses her home and family and must survive in the world of “furless” while mastering Foxcraft.
Recommended by @girlashfur
*Hurry Home, Candy by Meindert DeJong and illustrations by Maurice Sendak - Described as "heavy", Hurry Home, Candy follows the life and struggles of a dog named Candy.
Recommended by @mosshugs
Felidae (the first book in a nine book series) by Akif Pirinçci - A crime novel following Francis the cat as he tries to uncover the truth behind a series of murders in his new neighborhood.
Rating: I haven't read the novel and nor do I want to, but I did watch the adaptation. It's a grisly one but apart from the violent murders and striking imagery in the film, you're not missing much by skipping it. I can't really recommend this one for a variety of reasons.
Important: I can't stop you from reading the book or watching the animated adaptation, I watched the animated adaptation, but please do not financially support the author in any way. Pirinçci is a far-right dipshit and does not deserve support.
The Animals of Farthing Wood by Colin Dann - With eight books under its belt, The Animals of Farthing Wood originally started as one book about a group of woodland animals trying to find a new home after losing their old one to human development. It was followed by six sequels and one prequel.
Rating: Haven't read the books but I love the animated adaptation of it! I recommend checking out both.
*Ragweed (First book of the Dimwood book series) by Avi - A book about the adventures of a mouse seeing the world.
Recommended by @meanling
*A Dog's Life: An Autobiography of a Stray by Ann M. Martin - Written by the same author of the Babysitter's Club series, A Dog's Life chronicles the life of a dog named Squirrel.
Recommended by @meanling
*Scary Stories for Young Foxes by Christian McKay Heidicker and illustrations by Junyi Wu - Scary Stories for Young Foxes is a book consisting of several stories all told by a mother to her kits.
Recommended anonymously
*The Sight (and its sequel The Fell) by David Clement-Davies - Set in the same universe as Fire Bringer, The Sight follows a pack of wolves cursed by a lone wolf, Morgra, whose powers foretell the destiny of one of the mother wolf's pups: Larka, a white wolf gifted with a mysterious power known as The Sight.
Not yet read.
*Last of the Curlews by Fred Bodsworth - A realistic depiction of the journey of the last of a critically endangered and soon to be extinct bird.
Not yet read.
Note: Has an animated adaptation!
*Wish Tree by Katherine Applegate - From the same author as The One and Only Ivan! While this story includes animals, it's main character is an old oak tree named Red! The perspective is really interesting. She is both the neighborhood wish tree, and a home for many animals. A family of Muslim refugees move into the neighborhood, with the kid, Samar, becoming attached to the tree.
Not yet read.
*Pax by Sara Pennypacker - A war approaches and Peter must release his pet fox when his father enlists. The story alternates between Peter as he starts a journey to find his pet, and Pax who is learning to survive in the wild.
Not yet read.
*A Wolf Called Wander by Rosanne Perry - Inspired by the wolf 0R-7 (Journey), we follow Swift. After a rival wolf pack attacks, Swift's family scatters and must find a new home, taking an 1000 mile journey across the Pacific Northwest.
Not yet read.
*The Tygrine Cat by Inbali Iserles - Alone and lost, a young cat called Mati is struggling to be accepted by a colony of street cats in the bustling marketplace at Cressida Lock. What Mati doesn’t know is that he is the last of a vital, age-old breed and that a mysterious feline assassin named Mithos is close on his trail. With his enemy nearing, can Mati learn to harness his ancient powers — before a deadly feline force destroys both him and his newfound friends and takes the spirit of every cat on earth?
Not yet read.
Fifteen Dogs by André Alexis - The ancient Greek Gods make a bet and endow fifteen dogs from a shelter with human-level intelligence.
Rating: I can't say I loved this book but nonetheless I appreciated it's prose. If you can get past outdated pack dynamics and some...questionable writing around its female characters, there's a lot to appreciate. Mind you, this is a book for adults and does not shy away from sexual material.
Comics (Webcomics included)
Beasts of Burden written by Evan Dorkin and illustrated by Benjamin Dewey and Jill Thompson - The comics follow along the adventures of the ‘Beasts of Burden’ a group of animals who investigate paranormal happenings in their neighborhood.
Rating: With gorgeous art and an interesting world, I recommend! Just be warned, it is bloody and the sory doesn't hold your hand.
Note: Beasts of Burden currently has 21 comics published in Dark Horse Comics.
What Lurks Beneath by ArualMeow - A feral colony must grapple with a food shortage while simultaneously tussling with the divide between two groups of cats.
Rating - A highly compelling read. Each character plays a role in the unravelling drama of three siblings and you will walk away loving someone.
Note: Ongoing!
I Hope So by Detective Calico - A rewrite of My Pride turned into an original story, I Hope So follows the story of three lionesses navigating both the complicated politics of the lion prides but also the harsh environment they must survive in.
Rating: Slow to update but absolutely worth it! I Hope So is a charming and interesting read. It’s yet to finish but it’s far enough that you'll be able to invest yourself in the world and characters with no trouble!
Note: Ongoing!
Tofauti Sawa by TheCynicalHound - A revenge story that follows a spotted hyena named Sahara.
Rating: Tofauti Sawa is not here to endear you to its protagonists or hold your hand. It can be a tough read but a worthwhile one nonetheless. I need to catch up but I recommend it!
Note: Ongoing!
*Golden Shrike by Doeprince - A story about twin deer and their friends and their search to retrieve three fallen stars for a bored God.
Rating: Yet to read but I've heard good things!
Note: Ongoing!
*Doe of Deadwood by Songdog - It follows a deer who has a pact with a demon that takes the form of a tree. It has some heavy themes and light gore.
Recommended by @beeloaf
Note: Complete!
Jet and Harley by Doeprince - Described as a beautiful piece on grief and moving on, Jet and Harley stars a kitty cast and gorgeous artwork.
Rating: Recommended anonymously. It's still starting but it has some strong set up and charming writing going for it, I recommend keeping an eye on it!
Note: Ongoing!
Preeny Has to Repeat 6th Grade by momodriller - A love letter to adoptables and the creativity of young artists, this charming comic utilizes designs bought from adoptables on DeviantArt! It follows the story of Preeny, a young cat with a magic brush tail and what happens when her whole world turns upside down.
Rating: Beyond adorable, charming and sweet. There's a lot of love put into this webcomic and it shows! Highly recommend.
Note: Ongoing!
Africa by Arven92 - The story of a female leopard named Africa and her quest to protect her family and loved ones while her territory comes under threat.
Rating: Gorgeously drawn and with a story that twists, Africa pulls no punches in showing you the wickedness of its antagonists but also the enduring bond of a family.
Note: Ongoing!
*Oren's Forge by Teagan Gavet - A webcomic that explores the dynamics of predator and prey and what happens when those divisions fall in the story of a pair of pine martens and their journey for sanctuary.
Rating: Not yet read
Note: Ongoing!
*Pride of Baghdad written by Brian K. Vaughan and Niko Henrichon - A graphic novel falling the fictionalized account of the real life escape of four lions from the Baghdad Zoo after an American bombing in 2003.
Rating: Not yet read.
Content warning for graphic violence, gore, animal death, and a brief one panel depiction of sexual assault.
*I Didn't Know by Songdog - A comic about a cat exiled from her Church.
Rating: Not yet read.
Note: Ongoing
*Fox Fires by Pipilia - This ongoing Webtoon follows a Tanuki named Raate as she goes on a journey to find the missing "Fox Fires", a gate between the land of the dead and living. She encounters many friends such as birds who are messangers for elves, magic cats, and normal mean wolves.
Not yet read.
Note: Ongoing
Manga & Anime
*Silver Fang Gin and Ginga Densetsu Weed written and illustrated by Yoshihiro Takahashi - The original and the sequel respectively, the manga series follow Akita dogs, Gin and Weed. While Silver Fang focuses on Gin's search to fight the monstrous "Red Helmet", Weed follows the titular Weed and his search for his father.
Rating: I've not read this but upon getting recommended it, multiple people warned me about the misogyny in the series. Ye be warned. Additionally, the manga is (apparently) very gory!
Note: Both have anime adaptations. Weed's opening is a fucking banger go watch it at the very least.
Beastars (and Beast Complex by extension) written and illustrated by Paru Itagaki - In a world of anthromorphic animals, Beastars follows Legosi, a young wolf navigating his complicated feelings towards other species and learning more about his world.
Rating: Beastars is action-packed, fun, emotional, and dramatic! The first half is a compelling story of identity and how we interact with one another and the complex forces of society that drive our feelings, all wrapped up in a wonderous animal metaphor. As a coming-of-age story, it carries themes of desire, sexual desire, yearning, shame, and more. The second half is eeeeehhh not as strong, but I still recommend it nonetheless!
Note: Beastars currently has an anime adaptation by Studio Orange! It looks fantastic and has some really nice quality of life changes. Highly recommend.
Chi's Sweet Home written and illustrated by Konami Kanata - An adorable slice-of-life story following a cute kitten named Chi adapting to her new home.
Rating: It's just plain cute! If you're looking for something adorable to help you relax, I recommend this one. It's for a younger age demographic so don't go in expecting deep storylines or anything.
Note: Chi's Sweet Home has two adaptations: one with traditional 2D Japanese animation and two seasons and a 2016 3DCGI adaptation. I'd recommend the original adaptation but that's pure preference.
Nyankees written and illustrated by Atsushi Okada - A comedy manga that depicts street cats as brawling "yankees", drawing them as both cat and human to depict their brawls over food, territory, and ladies!
Rating: It's funny, I can't deny the humor in this one makes me chuckle. It's a little racy but otherwise, a fun, light-hearted read.
*A Cat's Tale written by Sae-Him Kwon and Hyeon-Jung Kim and illustrated by Kwon-Sam - A thrilling tale of murder and deception from the animals living on the Sae-Min's farm from the point of view of an elderly cat.
Rating: Yet to read, discovered on Anime-Planet's search system.
Monotone Blue written and illustrated by Nagabe - A story set in high school, it's a BL manga that follows Hachi the cat and Aoi the lizard.
Rating: Yet to read, but I adore the author's other works so I have high expectations!
*Neko to Ryuu written by Amara and illustrated by Sasaki Izumi- A cat raises a baby dragon as her own.
Rating: Yet to read but come on, that sounds adorable.
A Story of Seven Lives written and illustrated by Shirawaka Gin - A Story of Seven Lives follows Nanao, a former housecat turned street cat after a terrible tragedy.
Rating: It's a tearjerker and absolutely adorable. The artwork is lovely and all the cats' designs look fantastic. if you're interested in a simple drama about the relationship between cats and people, i would highly recommend it.
Note: There are human protagonists! If you want pure animal protagonists, maybe skip this one.
*The Walking Cat: A Cat's-Eye-View of the Zombie Apocalypse by Tomo Kitaoka - Zombies roam the earth and civilization as we know it is dead. When Jin—a young man trying to survive the chaos—rescues a cat from certain death, the unlikely duo sets off on a quest to find a mysterious island where Jin’s wife may be alive. Witness the zombie apocalypse through the eyes of a fearless feline whose curiosity may kill him yet.
Rating: Not yet read.
PLEASE READ: Due to its setting, this series has been given a handful of content warnings, please heed this warning before you read. Content warning for gore, death, sexual abuse, physical abuse.
Film
i'm not gonna put every disney or dreamworks film on here i'm sure a majority of us know that disney makes a lot of already popular animal films. if possible, i'd like to spotlight some films that weren't made by big studios and/or don't get a lot of attention. Further note, some of these are adaptations of children's books. I'm cheating a little here mainly because the adaptations are more well-known and probably more appealing for readers of this list than the original books. Uh, sorry.
The Brave Little Toaster directed by Jerry Rees - The film follows the adventures of sentient kitchen appliances and the search for their owner.
Rating: Aimed for a younger audience, it's an adorable viewing for all ages.
Isle of Dogs directed by Wes Anderson - In the year 2038, canine flu breaks out in a futuristic Japan and all dogs are sent to 'trash island' where they fight to survive. One day, a young Japanese boy crashes down on trash island to find his dog.
Rating: The stop-motion animation is gorgeous, the writing is fun and charming, and the visuals are amazing, however the film has rightfully garnered criticism for its stereotypical depiction of Japanese society and 'white savior' narrative around one of its human characters.
Chirin no Suzu (English Title: Ringing Bell/Chirin's Bell) directed by Masami Hata - On a farm, Chirin witnesses the death of his mother to a wolf. Distraught and filled with rage, Chirin vows to get revenge and trains to do so.
Rating: A fantastic and visually striking film, the film's cute aesthetics hide a sombre and darker story. Would recommend!
*Vuk (English Title: The Little Fox) directed by Atilla Dargay - A Hungarian animated film that follows the life of a fox and how he must use his wits to survive.
Rating: Not yet watched.
Arashi no Yoru Ni (English Title: One Stormy Night) directed by Gisaburō Sugii - On one stormy night, a sheep and a wolf take refuge from a storm in the same abandoned home and befriend each other...unaware of what species the other is until later. They strike an unusual friendship that's tested when their respective groups begin to clash.
Rating: Cute, sweet, and well-animated, One Stormy Night is well known for the romantic undertones of its two leads. I think it's adorable and highly recommend.
Note: It received another adaptation of the same source material, a 3D animated show where they made the sheep a girl. Do with that information what you will.
Leafy, A Hen into the Wild directed by Oh Sung-yoon - A farm chicken dreams of one day living a life in the wild and raising her own clutch of eggs and, after faking her death to escape, finally gets the opportunity to do so.
Rating: A gorgeous animated film with moments that will tug at your heart strings. It's got some kiddy jokes with poop and fart jokes but they're not too distracting. Would recommend!
Note: Please find a version with the ORIGINAL ending, not the censored one. It is more thematically fitting and one heck of a gut-punch.
Underdog/A Dog's Courage directed by Lee Chun-baek and Oh Sung-yoon - After being abandoned by his owners, a dog joins up with a pack of other dogs in search of 'paradise'.
Rating: Despite some poor pacing and wonky tonal problems, I think this movie is still worth checking out! The character designs are cute and it's decent entertainment if you've got some time.
Note: There's a post that says this movie is about dogs escaping to North Korea, it's not true. They escape from North Korea to South Korea.
Padak directed by Dae-Hee Lee - A dark and sometimes brutal film about a wild fish that ends up in a restaurant fish tank that overlooks the ocean. The film stays there and the audience is given a tense, nerve-wracking narrative of life and death.
Rating: A fantastic, emotional movie that uses its limited setting to its full advantage. It's brutal and unforgiving but one hundred percent worth the watch.
Khumba directed by Anthony Silverston - A film that follows a zebra with only half his stripes and his journey to gain the rest of them in hopes of being accepted by his herd.
Rating: It's fine, a little wonky but it has a lot of heart.
Earnest and Celestine directed by Stéphane Aubier, Vincent Patar and Benjamin Renner - A gorgeous 2D French animated film based on a series of children's films about a bear who takes in an orphan mouse in an anthropomorphic society that does not approve.
Rating: you're going to get cavities at how sweet this film is. Charming, funny, and visually stunning, you would be remiss if you didn't watch this wonderful film at least once.
The Land Before Time directed by Don Bluth - After tragedy strikes, young Apatosaurus must embark on a journey to find the Great Valley.
Rating: It's a classic! A bit cutesy and meanders at times, but still worth a watch.
Note: Pretty well known for the host of direct-to-DVD sequel movies it produced, a television series, and a video game.
Television (Online Productions Included)
My Pride directed by Maddi Patton - My Pride is an independent internet production that follows the tale of a disabled lion named Nothing trying to exist in her cruel society.
Rating: My Pride is clearly a work of passion, one can’t deny the creator clearly had a vision of what she wanted from this show. However, the execution is flawed and the handling of disability has been (rightfully) criticized. While the animators and voice actors have clearly put a lot of love and effort into the project, the writing falls short of what it could be.
Note: The series ends on a cliffhanger and has been discontinued. You have been warned.
My Little Pony (Generations 1-5) developed by Hasbro - If you like ponies, here you go! While G1 did have a human character, G3 to G5 are purely horsies. Each generation has a different story and main cast to follow.
Rating: Very obviously for a younger age demographic, the generations do have their own charm! G4 is popular for a reason with a sleek style, witty writing, and a lovely cast of characters.
Azurehowl and Azurehowl Reborn created by azurehowlshilach - Bet this one brings back nostalgia lol Azurehowl is set in a world where wolves have the magic of dragons! It centers around Ruuza who may be more special than she realizes.
Rating: i gotta rewatch this one to make my thoughts clear but i remember finding it charming. Azurehowl Reborn appears to be the remake/reboot of the original series.
Note: Ongoing!
Twelve by Petpyves - An original series about May and Imp, a duo who's jobs are to jump from body to body and guide them to a better end, results vary. It's a work of love and has some really strong concepts and writing, as well as doing its best to handle more mature subejcts with respect.
Rating: It's rough around the edges but nonetheless a great show to binge! I recommend it, though it's been a while since I watched it.
Note: Complete!
No Evil by Betsy Lee - In the land of myths and fables incarnate a group of spirits live their casual lives alongside humans, until a cataclysmic force thought to be dealt with shows once again in the world. A prequel series to the webcomic Brother Swan.
Rating: Not yet watched.
Note: Complete!
Burrow's End by Dimension 20 - A Dungeons & Dragons campaign following a group of stoats.
Rating: Not yet watched.
Note: Complete!
Video Games
Okami developed by Clover Studios - You play as the wolf Amaterasu on her journey to save the world from forces of darkness.
Rating: A classic for a reason. Fun to play, great story, lovely characters. Would recommend!
Stray developed by Bluetwelve Studios - In a walled city populated by robots, you play as a cat.
Rating: ending made me bawl. Gameplay is a bit clunky, the platforming is essentially hitting buttons to automatically jump to your destination instead of you jumping yourself. Otherwise, would recommend!
*Tokyo Jungle developed Crispy's! - Set in a deserted, furistic Tokyo, you can select from a wide array of animals to play as and survive.
Rating: never played but maaan do I want to.
*Spirit of the North developed by Infuse Studio- You play as an ordinary red fox whose story becomes entwined with the guardian of the Northern Lights, a female spirit fox.
Rating: Yet to play.
Untitled Goose Game developed by House House - honk
Rating: honk
*Copoka developed by Inaccurate Interactive - You play as a pigeon trying to build a nest in a totalitarian state.
Rating: Yet to play.
*Seasons After Fall developed by Swing Swing Submarine - 2D platformer where you play as a fox in a magical land.
Rating: Yet to play.
Pokemon Mystery Dungeon developed by Spike Chunsoft - A rogue-like RPG in which you take the form as a human turned Pokemon and must navigate your world. There are currently seven games to choose from, each with a unique world and story.
Rating: I love PMD, I'm putting it here because I'm biased. I love it a lot and it fits the criteria so here you go!
Cattails & *Cattails: Wildwood Story developed by Falcon Development - With the creator known for their WC fan game, Untold Tales, Cattails branched out from the bones of the fan game and became an original game of it's own! In this RPG, you play as a cat where you can hunt, fight, find love, and solve puzzles. Wildwood expands on the base mechanics, adding in farming, characters, and more!
Rating: I found the first Cattails to be cute and simple. It's not an intensive RPG, the mechanics become repetitive after a while. If you're someone who likes getting into the rhythm of a grindy rpg, you'll like this one. Not yet played Wildwood but I've heard it's great!
Rain World developed by Videocult - You play as a nomadic slugcat in a brutal world with only your wits, agility, and strength to survive. Eat, hunt, flee, and hibernate while finding out the secrets of your world.
Rating: Okay. this game is HARD. Like unfair hard. Imprecise controls, brutal difficulty, and sometimes really unfair save points - this one is tough. However, it is gorgeous and it's really fun seeing all the beautiful environments the creators came up with. Enemies are also incredibly complex, reacting to each other and you in different ways. It's an acquired taste, while it wasn't for me personally, I would recommend giving it a try at the very least.
Miscellaneous
Additions that aren't necessarily xenofiction but pertain to it in some way.
Cheek by Jowl: Animals in Children's Literature by Ursula K. Le Guin -A fantastic essay that explores the role of the animal in children's literature from its role as something to reflect human society, or how it teaches children about animals. Furthermore, it explores the ways in which xenofiction can intentionally or unintentionally reinforce human bigotry through what we deem the "natural" order of the world.
Rating: Please read if you're interested in xenofiction! A fantastic essay that kicks you off thinking critically about what xenofiction has to say. The essay has a striking section on Watership Down that I highly recommend reading.
Cardinal West (YouTube) - A YouTube channel that discusses xenofiction. Videos that I recommend to start with are:
How (Not) to Write Xenofiction: A Literary Autopsy of “One for Sorrow, Two for Joy” by Clive Woodall (CW for discussions of sexual assault)
How Adapting The Fox and the Hound Changed Animation
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stagefoureddiediaz · 5 months
Text
Costume Meta 7x05
Hello, Hey, how we all doing??
Ready for another super long meta post??
There is so much to talk about this week - admittedly mostly Buck and Eddie related, but there is also plenty going on for Hen and Karen as well.
No Bobby this week as we only see him in uniform, and only the one costume for Athena as well. I also want to say that I am not doing any of the costumes from the Madney wedding that we saw at the end of the epsiode - I want to give them the space they deserve and I will probably write a separate pre episode meta for those costumes specifically! All I will say is Maddie looks stunning, Buck in white - hello! and Eddie in a just a collar making him look like a pink priest - hilarious!
The rest is under the cut as always 😎
Let's start with some of the guest characters.
Alien Hand syndrome man continues to prove the check means bad things theme, which makes me happier than you can ever know!!
Then we have Deidra in her very bright pink coat. If you read my promo meta for this episode you will have read a fairly sizeable section at the end on my thinking about the use of pink in this season (going to make a separate post during this hiatus so its all in one place). All of the times we see it in this episode, play into (and I guess prove) my thinking. Deidra is acting with good intentions and while I don't think she's naive or innocent in the strictest sense of the word, she is perhaps continually being naive in thinking that not revealing Mara's past is the right way to go (don't come at me about child protection etc I am fully aware of what the real world laws state, but this story arc really highlights the fact that in trying to protect children who are at risk and in the system, they can also cause ongoing harm if things are not taken on a case by case basis - its a whole other essay that I am not getting into here).
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Then we have Mara herself who is never without pink - namely her pink blanket. The pink plays into the theme of innocence especially with Mara and while she may not be innocent of the act of maiming Denny, her innocence goes much deeper. Its meant as a very clear signpost of the innocence of childhood - that pink blanket and her clinging onto it is a symbol of her clinging onto her childhood, despite the fact that she has gone through a terrible loss and trauma. she is still a child and the show is clearly going to play into the idea that as she settles into the Wilson home and is able to work through the trauma, her need to cling onto her childhood in this way will diminish and we'll see her slowly become less attached to the blanket. We already have signs of progress with the colour journey her tops have been on - lavender, pink and then the turquoise one at the end. Lavender is also a colour associated with childishness or lethargy, pink the colour of innocence, and childhood. While turquoise is a colour of calmness and clarity. its signalling HenRen's breakthrough with Mara and that she's growing and beginning to feel secure.
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Hen and Karen
Hen and Karen go on a real colour journey this week - I'm doing them together (along with Denny) because they very much work in tandem clothing wise (and also because I was running out of pictures again - whats new there!)
So first up we have Karen in this beautiful dip dye ombre dress in purple, pink and mauve. it also has this drip staining pattern which has deliberately been created during the dying process. The lavender at the top of the dress is representative of hope and serenity, this is Karen in a great place - about to expand her family and fulfil a dream. The pink as I've said is all about innocence and naivety - more innocence in this case - both the new baby being innocent and Hen and Karens innocent hopes for their future. The dark mauve at the bottom of the skirt - eating into the pink is such a choice - gathering storm clouds, foreshadowing the turmoil about to come - taking away the innocent hope. mauve can be standoffish and withdrawn, and in this context those are great descriptors for Mara and her struggles that Hen and Karen will need to help her work through.
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Hen's in cyan blue trousers - which is a colour associated with clarity and balance. whilst the cream, black and blue jacket with stars on is the beginning point for a theme that runs through the Wilsons arc this week - black is a power colour, associated with many things, but for Hen and Karen in this arc it is very much about protection and strength. Here for hen it is mostly about protection - protecting this new baby they are about to take in. The cream is warmth and tranquility.
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Hen is wearing check - foreshadowing the upcoming struggles with Mara. Karens bronze and black Jacquard trousers are a symbol of strength - bronze as a colour means strength and support, it's also a symbol of faithfulness. It's telling us that Karen will take the lead on supporting Mara and being strong for her.
We see a lot of white on Karen in this episode, white, like pink is a colour of innocence, but it is more associated with purity and balance. It is also a colour of neutral refelction. By this I mean that it amplifies other colours by providing a neutral background - allowing other colours to shine. I find this a really interesting thing when connected with Karen - it amplifies her strength and supportive nature when the Wilsons meet Mara.
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Hen adn Karen in bed are in dusty versions of blue and pink - Karen innocently tries to touch Mara and that is when the screaming starts. Putting Hen in blue is about relaying her trustworthiness and sets her up as a soothing and calming presence for Mara - hence the sleeping on the floor of her room!
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At the hospital, We see Denny in red - he was wearing it when Mara woke the house up and its an indicator of what is about to befall them (in the same way Bobbys red in the cruise ship disaster adn Athenas red in relation to Harry, or Bucks back in s5 when Eddie broke down).
We again have Karen in white amplifying the other colour she is wearing, which in this instance is this buff/brown oversized sleeveless coat in teddy fleece. The brown is stability, dependability and responsibility - playing into the fact this episode really highlights Karen's position in the family as this stable rock which Hen and Denny lean on when they need support. Karen's unswerving and solid personality is once more being shown off. Its really a key thing for them to show as it feels like a set up for Mara and how she is going to bond and rely on Karen and that dependability as she unpacks her trauma.
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The orange jumper is a really interesting choice. I do love the loose threads on the design of it - paying into the idea that Hen and Karen are at a loose end and unsure what to do going forward. But, the orange itself is generally an open minded colour, its energetic and its also a colour of transformation. These are all things we know are true of Hen and Karen and it hints at the fact that they will fin a way forward. Once again we have Karen in white amplifying Hen's orange and the energy and idea of transformation the colour brings.
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Denim jacket and white tee. I love the distressed nature of this denim jacket and the way it plays into both scenes we see it in - playing into the distress Hen feels over finding out what Mara has gone through and how it explains why she has become non verbal and incredibly protective over her pink blanket.
Again the white of amplification and purity. Hen has pure intentions and the white amplifies Karens black when they are at dispatch listening to the 911 call.
We also have the Karen necklace back - once more showing this ism't about Hen - its about Karen and their family.
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Black on Karen for this scene is such a choice. Black is a power colour, it means strength and protection. Here it is showing Karens determination, as she gains understanding, to protect Mara and support her through her trauma - it is representative of Karen choosing to use the power she has been given through gaining information. The gold highlights hint at success.
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I love these lavender pyjamas on Karen - lavender is a soothing and sleep inducing colour (along with its scent which is possibly where the association came from for the colour) along with a Japanese print of mountains and trees, which plays into the idea of serenity and peacefulness.
Hen in contrast is wearing fairly bright and bold black and green. The green is all about that growth and learning once more, the growth of Hen and Karen, learning more about the issues Mara faces and seeking a solution, but also the growth of their family. The black is a reflection of power - much in the same way Karen wearing black when they heard the 911 call Mara made, here it is Hen, representing the protection that Hen and Karen are offering Mara.
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Athena in green - again with the mesh open weave knit - this may be a theme for her this season - potentially something to do with feeling caged or caging someone/something - especially children as both scenes we've seen it so far have been to do with young people and the law in some respect - ending up in the system - Harry through is crime and Mara through her parents death.
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Chim
This dark bottle green with a fawn brown (what I think is a polo) shirt underneath is Chimneys only non uniform costume this week . This kind of dark green, is as always a signal of growth, but its also a colour of harmony, and right now - everything in Chim's world is harmonious.
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Maddie
I don't thinkI've said it yet, but I am so happy to have Alayna back dressing Jennifer - I feel like we're really back on track with Maddie's costuming after last season where they somehow managed to make Maddie look terrible. The costuming overall last year was fine - not as good as Alayna's work, but it was for the most part good - except for Maddie where it was all over the place!
Anyway - Maddie in black here is very much about focussing the attention on Hen and Karen - like with CHimney's muted green, in tandem they are making the viewers eye focus on Hen and Karen - especially Karen - who is the brightest in the room.
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Maddie wearing this sage green colour when Buck comes out to her is sheer perfection from my perspective - we, once more have the green of growth and renewal, the green of learning - Maddie learning more about her brother - this new thing that he is realising about himself and choosing to share with her (even if inadvertently). But this green is also sage green - sage as in the play on sage advice - which we see Maddie give him. Buck needs that good advice - he needs to hear that its ok, that he can take the time to figure himself out and that its ok that he's only just uncovered this aspect of himself and that it doesn't invalidate him being an ally up to this point!
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Ok not going to lie - I got a little carried away from here on out - so sorry in advance for the rambling mess you're about to read!
Marisol
I'm doing Marisol in a weird order - because I wanted to talk about her date night outfit in tandem with Eddies - because its relevant. So we start of with virgin Mary Marisol! Honestly this outfit is just perfection from the costume department - they saw the brief and went to town and I love it. Its so good to see what they can do when they get to play!
One of the things I really love about this costume is the blue that they chose. Because that blue - that is Bucks blue! the virgin Mary blue is usually a much brighter royal blue. It really helps to place Marisol in parallel to Buck and we get the play on t he fact that Eddie seeing Marisol in this way changes everything for him, whilst later on, whilst Buck is in the same blue, he reassures him that nothing will change between them.
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Look, I'm not going to lie, when I saw Marisol in blue and yellow for this scene I laughed because Blue and yellow (as I've gone on a million times about) means queer coding so to blatantly put Marisol in it - in a washed out form, and very much connecting her to Catholicism - genius move. It marks her out as a roadblock, but also puts her into the role of beard (unknowingly on her part) because Eddie is still in the midst of his repression, even if it is beginning to unravel now.
The black top with spaghetti straps is clearly a theme they're going with on Marisol, as are the ditsy prints. The yellow high waisted trousers are interesting because of the specific shade of yellow. Yes the whole communication theme still applies here -and we see it in action, but this shade of yellow is sallow and sickly (one of the reasons its called sickly yellow is because its the colour of a lot of medications!!) - this relationship and its restart are ill and that automatically means its going to struggle to survive.
It plays into the more negative meanings around the colour - uncertainty and idleness and cowardice. For me the cowardice aspect is an interesting one in relation to Eddie - he has behaved cowardly up to this point - hiding out and not having the conversations that need to be had, and even in this scene it is Marisol who takes the lead.
It's really giving us an indication of things Eddie needs to work on in regards to himself - and once more it comes down to communication. Communication has always been Eddies major flaw - that he isn't good at it, unless really really pushed into it - essentially under duress. The other thing with communication is that it plays really well into the catholic guilt aspect - this idea that growing up catholic has taught him to repress part of who he is - to go along with what is expected of him, but that it also taught him not to ask for what he needs, to not communicate. We see it in this episode with his inability to say no to Marisol (the whole hiding out at Bucks so he doesn't have to have sex speaks volumes) even down to suggesting there's a third type of guy - who just needs a minute. Because, while that might be true to a certain extent, the fact that he says this off the back of her expressing her distress and upset about how all guys are one of two things, speaks volumes - its not him saying this because that's how he actually feels, its partly him saying it because he is pushed into a position where he doesn't want to be the bad guy. its really not a good place to be restarting a relationship from.
We also have the ditsy print of doom in play again - like I've said before, ditsy print on Eddies girlfriends - never a good sign - its really playing into this idea of Eddie jumping in headfirst with gay abandon (pun intended) and then regretting his life choices. Shannon wore ditsy print a fair amount - especially in the I think I'm pregnant' and 'we should get a divorce' scenes. Ana wore ditsy print A LOT - she was wearing it when Eddie had his panic attack in the shop and at other key moments that marked the death knell for their relationship. And so this appearance of ditsy print here marks the same - the relationship is not long for this world
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OK date night Marisol. The way this outfit played out more or less as I expected, She was very much an 'innocent' bystander in this scene (whilst also creating one corner of a triangle with Buck and Eddie) , and the ditsy print very much played into this. Like I said in my promo meta, both Shannon and Ana were costumed in ditsy print as well as in lots of pink!!!
The other aspect of this outfit that is making me laugh is the fact that the skirt is giving me 1980's/early 1990's teen vibes (not to out myself as old but trust me I had some just like this back then and I wouldn't be caught dead in it now as a grown woman!!) and the baby pink handbag looks like something an 8 year old would have to play dress up with - its all very childish and immature - naive one could say, and while it didn't play out quite how I was expecting, her being a novice nun, sure explains a lot of why she comes over as pretty immature.
The other aspect of this childish style we're seeing on her plays into Eddies narrative of looking for magic and trying to recreate what he had with Shannon. He's attracted to Marisol because she is immature and childish - it reminds him of what he had with Shannon when he was young, and when you're trying to recapture that, its easy to fall into the trap of thinking someone behaving in a naive manner is you finding what you'd been looking for. Eddies journey, along side his catholic guilt, is about learning that he cannot recapture or recreate that magic he had when he was young - that the love of youth - in all its innocence is not something that is sustainable or actually what he wants in the present.
Then we have Eddie in white. I spoke in the promo meta about how the white set him and Marisol as opposites and that remains true - very true on more than one level. What I especially love about it and something I could not have predicted is how it plays into the novice nun aspect of their story this episode - truly this show is a comedy! Because nuns wear black and white this is an obvious play on that, but it is also a play on the fact that Marisol is still a practicing catholic, whilst Eddie is very much not. The other aspect of this white is that of Eddies two non uniform costumes, it is the first one and we get this black and white play on religion - the black and white of nuns and priests - the black and white of being religious or not. Eddie never questions if he wants to become a practicing catholic again - he is lapsed and that is how he intends to stay.
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Eddie in uniform, with his green trainers, blue towel and water bottle. the blue towel and bottle play into the buck and Eddie blue green theming we see with them. But what is interesting is though is that Eddie is fulfilling all the colour theming on his own - he is both blue and green - to me this is about Eddies own struggles within himself as well as foreshadowing the Eddie Marisol break up down the line (green shoes suggest a road needs to be to walked before we get there) - it hints at Eddies internal struggles and implies that its will ultimately end in a break up a bit further down the line.
I also think it's only when in Uniform that Eddie can admit to his catholic guilt. Because we all know when Eddie is struggling with some form of emotional turmoil, he wears a black singlet - and he could've been wearing the same here, it would've been totally fitting with the situation - he is going through something emotionally and struggling with it.
But he's in his uniform. Part of it is to have him on a different level to Buck - they are both struggling with something in this scene. When we have previously had Buck and Eddie scenes like this one at work, the one dressed in uniform, tends to be the one offering advice to the one not in uniform. That isn't the case here. Part of it comes back to Buck not actually needing advice, but needing to reveal something about himself - to confess. Eddie is the one who needs advice.
This is a flipping of the traditional narrative for these scenes and is proof that even though Eddie might later tell Buck that nothing is going to change between them, that it has in fact already changed, it is just that neither of them are fully cognisant of that change at this moment in time. It is a key indicator to use the audience that this has happened before but that things are not going to play out the same way this time.
Put it this way - Eddie has form for doing something extreme with his relationships with women in the aftermath of Buck doing something dumb - its one of the manifestations of his repression. This time its asking Marisol to move in with him in the immediate aftermath of Buck going full green monster over Tommy.
Last time it was in the aftermath of Buck begins and then doubling down with Ana after the shooting when Buck had hooked up with Taylor and before that in the aftermath of Shannon's death and Buck suing the department he went and joined a fight club - but he has form. Its completely in character for him to pull this sort of a move. I know he says he's going with his gut but I argue he is in fact ignoring his gut - or at the very least confused about what his gut is telling him, because that would mean actually looking at why his gut reaction to Buck doing something dumb makes him do something dumb in turn connected to these women in his life.
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Eddie in black - this is the same shirt as the white one - just the reverse colour - which is important. This shirt has several layered meanings to it. its about the reversal of what Eddie wants - from him being bubbly and excited about Marisol moving in, to the dread of her having moved in and wanting her to move out - his feelings go from white to black - light to dark - happy to unhappy and it all sums up the relaity of that relationship - while it was new and unserious, it was fun and light, when things got real - it becomes dark and oppressive.
I'll go into more detail about this shirt when I get to Bucks costume for this scene - because they are connected!
The other thing about this outfit is that the green trousers have been replaced with jeans. Now I see a couple of reasons for the wardrobe department doing this. Firstly is that it plays into the 'nothings is going to change between us' of it all. Its a visual indicator that in fact things have changed (along with Buck wearing a brighter shirt than we normally get in these buddie heart to hearts that take place in Bucks loft but more on that later) the Buck being bi and going on a date with Tommy of it all aside, this is the first time we've actively seen Eddie hiding out at Bucks to avoid his girlfriend - this was a barrier that had existed between them previously that has now been broken down. Then there is the fact that Eddie does go home to Marisol - and he couldn't be wearing green at that point because she was wearing blue and Eddie in green would've meant break up time - only the Marisol as a plot device arc isn't yet over (it will be soon I promise - all the costume signs are there!) so that couldn't happen.
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Tommy
This dark olive green shirt that is almost brown. The brown undertones hint at the stability he represents while the green is hinting at his military past and once more paralleling him with Eddie. One of the things about green as a colour is that its not only a symbol of growth and renewal, but its also a colour of learning, and in an episode titled 'You don't know me' it feels like all the green is very much about education - learning about other people - and the growth that results from it. It feels especially important here for Tommy and Buck - that is after all what going on a date it all about - learning about one another and seeing if you're compatible.
The other fun thing about this green shirt is though that the green plays into the blue green colour theory when it comes to Buck and Eddie and their partners and the end of relationships. This one before its had chance to begin.
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For Coffee we have a grey Henley and a blue zip front hoodie with a grey striped undertone to it (I am pretty sure this is actually a hoodie we've seen on Chimney but I can't remember when and I don't think it would be the very same one as pretty sure Lou would not be fitting into Kenneths clothes ever, but Chimney has definelty worn the same style!!). Again Henley's are an Eddie thing, so we once more have the parallel with Eddie being drawn.
The interesting thing here is that the grey blue is the same colour combo Buck wore on their first date attempt - the costume department played a lot with flipping colour in this episode, so to have it done here as well is really fun - the fact there is more grey than blue is also interesting. It's a neutral colour, it is seen as a colour of stability, but is also a colour of uncertainty. It really plays into that theme of uncertainty running through the Buck and Tommy arc. The blue hoodie is actually pretty important because we've had one of Buck and Tommy wearing something dark blue in every scene they've had together - usually the one on the back foot. Tommy in this scene is relatively neutral in terms of position for most of this scene - they are equals - but he is put onto the back foot by Buck asking him to be his date to Maddie and Chim's wedding.
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Buck
Where to start with our beloved bi disaster!
I obviously spoke a fair amount about the date night shirt in my promo meta. The navy blue knit bowling shirt with these silver/grey close together pinstripes running down the front playing into the Buck wearing vertical stripes theme we've has running with him for at least the last 2 seasons.
What I said about false starts and this date absolutely played out - in the same way the sperm donation shirt represented a false start on that donation, this shirt also represents a false start on Bucks dating life as a bi man. The white trainers are also carrying on the theme of Bucks Journey towards happiness
What I find most interesting about this outfit though isn't colour theory related. its all about the fit of the clothes. Because these are ill fitting on Buck - not something we see from him very often - in fact I think the only time we see him in anything close to ill fitting to this extent is back in season 1 when he was figuring out who he was and if being a firefighter was the right for him and exploring relationships and what he was trying to find in that arena. The trousers are the most ill fitting of it all, but I'll come to the trousers later on as they are part o a wider Buck costume theme we have going on!
The shirt is a little roomie, but not overly so, it just stands out more because we're so used to his shirts fighting for their life, here this one is baggy and really helps to sell the idea of defeat, but also that h was trying on this new part of himself for size and that it doesn't quite fit. It's the only time this episode we see his clothes not fit him in this way and its a really small but expressive part of costuming that I love to see.
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Then we have this blue broadcloth jacket over a white tee and with these plum/brown coloured trousers - they're a bit blink and you'll miss them so its hard to be sure what type of trouser they are, but I think they are essentially smart joggers - jersey material but trousers!
We all know that Buck in white means trouble, I'm putting him outing himself to his sister as the bad thing - along with the fact that the date didn't work out.
I'm really fascinated by the fact that we really seem to be leaning into navy blue and Buck being bi. Navy has always been a colour we've seen a lot of on Buck in general, but there is something about the fact we've seen him (or Tommy) wearing it in every single scene that is about his bisexuality. I'm talking from the kiss scene onwards, not anything before that as Buck wasn't aware of his bisexuality before the kiss. I can't wait to see if it continues!
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The green shirt jacket is an interesting one. it obviously helps to play into the buck and Eddie blue green theory, but it does in a smaller way play into the blue green theming we see around Buck and Eddie and their relationships - specifically around issues arising. Both Buck and Eddie wear green when they break up with their significant others and while there is no break up here, there is a break of sorts. This was Buck about to try and tell his Best friend that he was actually out on a date with Tommy and that he's bi
symbol of growth - Buck went in with a goal - to tell Eddie he was on a date with Tommy, but changed tack when he saw Eddie needed to go through something - this is Buck growing as a person - not making something about him.
The other thing about this outfit is that its basically the same as the one Eddie wore at the airfield (even down to the badding of the trousers) - just in reverse - Eddie black trousers, black jacket, green top, and here Buck is black trousers, black top and green jacket - I find this fascinating as a metaphor for where the two of them are on their respective journeys.
Buck is now bi and out (he's told his sister) and has been on a date with a guy (regardless how successful it was - he cannot put it back into the box) - his growth is externalised and therefore expressed through the wearing of a green jacket. We get a lot of storytelling through the various Jackets Buck wears (we've seen him in over 35 at this point!)
While Eddie - who we could say was being taken on a date by Tommy - even if he didn't know it (because who flies someone to Vegas to a sold out fight if its not a date??) wearing a much brighter green that we've seen on him before now (pretty much all of his greens are more army green with a couple of exceptions - much darker greens akin to Bucks jacket in the below picture) - still in the army green wheelhouse, but much bolder. Eddie's queer status is still very much internalised - hence it being underneath the black jacket.
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Buck coming out to Eddie from a costume perspective was a glorious parallel that I have already mentioned in the promo meta (I've run out of pictures so you'll have to go watch the scene yourself if you want to see what I mean). Its actually a bit deeper that I appreciated in that promo meta, but that is in part because at the time of writing the meta I wasn't 100% sure it was a coming out scene and I didn't get to see the way it was shot and how that also played into the paralleling.
Costume wise - I already spoke above about Eddies black shirt and how it is reversing him in the episode. But what I didn't mention is that fact that it parallels in colour terms, what he was wearing when Buck informed the firefam that Connor and Kameron were pregnant. Eddie wore a black marl henley - black with flecks of dark grey running through it, and Buck here is wearing a slightly darker blue version of the same top he wore in that same scene. He is standing in the same place at the counter of his kitchen, or sitting very close to the same position and we get similar camera angles. As a whole the parallel is very loud - Buck was happy and proud of something he had done and wanted to share it with his friends - wanted their approval. He was feeling good about himself and confident in his decision.
The biggest thing about the blue - this shade specifically is the way it play into the blue theme we saw last season with Buck - the theme that started in the 5x18 finale at Hen and Karens vow renewal, when he was free of Taylor and moving forward and essentially restarting his search for happiness. We saw it weave a thread through the entirety of season 6, being worn at key moments that played into that theme - after Lev died, at various points in the sperm donation arc, and a key points in the aftermath of his death and rebirth.
The successfully helping create life aspect of this is so interesting. It on a low key level plays into the you don’t find it you make it manifesto that’s been at the heart of bucks arc since s2. the whole year if yes was supposed to be about this very thing - about Buck creating the life he wants for himself  - the sperm donation isn’t about the baby it’s about Buck and about him figuring out what he’s missing (which comes back to not only Thomas and Mitchell, but also Lev).
The other thing that ties into this theme is that Eddie isn't really changing but Buck is. Whenever we have a scene at the loft between Buck and Eddie Bucks costume and colour varies, but Eddies stays more or less the same. Bucks colour Palette for these scenes goes - dark grey in the you want to go for the title scene, then we have the grey blue on the balcony and now this much lighter blue. This is highlighting Bucks progression while Eddie who remains in his black shirt and that progression - while Eddie essentially remains steadfast - is key - it’s showing us that while buck is still doing dumb things, he is learning - he is listening to whatever Eddie is telling him - that he’s accepting Eddie’s absolution of his sins more and more - growing and understanding. 
It’s building on his long running arc - his fear of being left behind, of not being important enough for people to stick around for - and showing us he’s increasingly understanding that that fear is unfounded - that he’s found his personal- the one who will stay and who is steadfast in that. That’s why we see Eddie unchanging in his black shirt green cargos while buck gets lighter - more unburdened by that fear.
Before you think all is lost on the Eddie front though, we are seeing change - the army green trousers are gone and have been replaced with jeans - perhaps, in the same way Bucks growth into his bisexuality began with his beginning to wear jeans again, Eddies own growth into his own queer identity also begins with jeans - moving him away from Eddie the soldier - fighting for others - being a rock for others and now into a position where he can do his own growing.
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In the sperm donation arc, Buck was finally able to donate and was wearing that super pale mint green polo. we don't see the same with the outcome here at this point in the story (although the beige/mint green jacket from the bachelor party is making me👀👀👀 at this moment in time!) - we get this cream open weave linen shirt with black and terracotta and golden brown vertical stripes.
I love that they went with a shirt that has such an open weave - playing into the whole concept of Buck being open and embracing this newly revealed part of him that he's discovered. But what I love most about this shirt is the way it ties back into the Buck learning to accept himself and find his happiness.
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Because this shirt is so similar to the one from 6x01 - when he decides he doesn't need a new couch, what he needs is to be ok on his own and with himself.
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lets talk Buck and his trousers because the trousers are a whole thing this season and I am truly in love with the long game the wardrobe department have been playing on this one. They know that we have all been out here raising eyebrows at Bucks trousers for the past few seasons as they've gotten shorter and shorter and ill fitting. I know I've made comments in previous costume metas about the fact they must be doing something intentional with them being so short in the leg - that them doing this is giving the appearance of a child who is still in short trousers and isn't fully grown - hasn't moved on to wearing full length trousers yet.
Well it would seem I was right and thats exactly what they were doing, putting him in short trousers to show that he wasn't his fully formed self - that he was growing and learning and figuring things out. because - I've gone back through my spreadsheet and checked his trousers out for all of his scenes and there are only a handful where he has trousers on that are well fitted and the correct length. One of them is at the start of season 6 - at the end of the episode where he moves his armchair instead of getting a new couch - the one time in season 6 we see him most at peace with himself
I remarked in the 7x04 meta that we only saw Buck in his too short trousers in the one scene at the airfield, and from then on, he was was in jeans. Now the jeans are a mimicking thing - Buck hasn't worn stone wash jeans since Eddie appeared on the scene back at the start of season 2, so for him to start wearing them again as soon as he becomes jealous of Eddie and Tommy - and Tommy is wearing jeans - was pretty telling in its own right. It's Buck trying to get Eddies attention (not Tommys - Eddies) because, we do not see Eddie in jeans in 7x04 - but we do see Tommy in them - and in Bucks head he is loosing Eddies attention to a guy wearing stone wash jeans - so if he wears stonewash jeans then maybe he'll get Eddies attention back.
That obviously didn't work out how Buck thought it would, but it did lead to him figuring a new part of himself out.
We can see how his trousers are all now sitting at the correct length, I grabbed this still of the black ones, and you can see in the full length still from the date those are as well (even if they're too big more generally) but the others are all sitting at the correct length as well.
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We also see the jeans back for his scene with Tommy - I truly am fascinated by the choice to put him back in stonewash jeans aafter so long as a theming choice for his bisexuality, I really am enjoying this more relaxed looking Buck from a costuming perspective - the journey we've been on with his costumes is great - the increasingly formal style thats just a little too small and tight we've seen over the seasons now slowly relaxing once more into something much more comfortable and well fitted - showing just how far he has truly come.
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And thats me out for another week! Sorry it turned into another epic - it would seem `i cant stop myself! Not sure if this has come out longer than last weeks, I think it might've, but I can't be bothered to check! Thank you as always for reading this monster and I hope you enjoyed this deep dive into the costumes for 7x05. I'm off now to hyperfixate on Bucks bathroom door and get myself though this mini hiatus!
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snarkylinda · 4 months
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I am seeing suppositions for UnSub!Reid on the revival and, as fun as the concept sounds like, I would actually hate to see it on the actual show. Why? Simple really.
I don't want my favorite character to die.
Like I think some forget this is not a shonen anime- if Spencer comits crimes he wouldn't had an redemption arc and then come back to his found family with a hot new look- he would just be killed. Point blank. Every single UnSub that was shown in CM no matter their intentions, or their motives, were either sent to Jail for eternity or killed off. And like what is the thing they constantly repeat all the time about Unsubs that already went to Jail? They won't go back. So they either kill themselves or get the cops to do it for them. You can guess what I am implying here.
Spencer was never a really morally gray character. He has his own agendas and his own way to tackle issues in manners that other members of the team never would- but he is geniuly a good hearted man. Him caring for SOME Unsubs wasn't him going full "oh yeah they were right to murder those people because... society™" he just felt bad for them. He is utterly compassionate. Being a total bitch that makes questionable decisions doesn't makes him gray- it makes him human. Even at his lowest, when he DID hurt other humans beings (emphasis on hurt, not kill) he got terrified, he insolated himself from his team and subconsciously convinced himself he was better off left to rot. He felt regret over the thought his actions could had caused fucking Cat to have an spontaneous abortion. FUCKING CAT.
Spencer was put through the ringer but his heart of gold remained, for him to go full Joker out of nowhere only to get killed off and be forevermore remembered as "that Genious cop that started up really sweet but then shit happened and he fell off the badgon." would be an fucking insult to anyone that ever cared about his character for fucking 20 years and a really weird, offending move that I hope they never ever think about pulling.
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mrslittletall · 1 month
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I am not done talking about Dawntrail and it comes from a Youtube comment this time. I was listening to the Living Memory theme and someone pointed out "This expansion was full of complicated parental relationships". And holy shit! They are right! It seems to put the whole of Dawntrail in a completely new perspective. It starts with Gulool Ja Ja and his three children. He has one biological child and two adopted children. Wuk Lamat and Koana both love their dad loads and see themselves as siblings despite not being blood related and obviously not being the same race (outside of both of them being cats). But Zoraal Ja... he feels like he has to live up to a legacy. A legacy that nobody ever wanted from him. He got so obsessed with being the "Resilient Son" that he shut his heart out and didn't allow his siblings or his father to get through to him. Maybe we have to blame Gulool Ja Ja here for neglecting his biological son... we don't know much about their relationship because the story is told mostly through Wuk Lamat's eyes, but Zoraal Ja is the tragedy of a child that wanted to live up to the legacy of his dad and... failed. And this Zoraal Ja is having a child of himself. Gulool Ja. A child that he completely ignored and neglected. Probably because he feared that he would give him the same complex that he had. But he still loved his son. Shown by Gulool Ja getting all the authorities of the King after he died... (still want to know who the Mom is. At first I thought Gulool Ja is a clone of Zoraal Ja.) Then we have Bakool Ja Ja. He starts out as a comically evil villain and I still think his redemption arc was too sudden but here we have a case where a child was forced by his parents to be something they didn't want to be. Everryone worshipped Bakool Ja Ja as the blessed siblings while he was carrying around the guilt of the one who lived among hundreds of stillborn siblings. And that brings me to the last and probably messiest relationship. Erenville and Cahcuia. I don't think Cahcuia is not liking Erenville. In fact, I think she loves him very much. But she isn't a good mom to him. And I think part of her knows that. We don't know why she had her son, if he was wanted or an accident, but it was clear that she was not ready to have a child. And she did neglect Erenville because she wanted to live her own adventure. She even send him away. Maybe it was so that he got a new perspective and learned about the world, maybe she was really thinking something, but ultimately, Cahcuia feels pretty childish. It goes so far that Erenville has to learn his mom has died already and she acts like it is all not a big deal while being an endless, a memory of the person she once was. We see Erenville having a TERRIBLE time coping with all of this. And it feels like Cahcuia is not helping. Erenville needs to grief her and she acts like her second death is not a big deal. In the end they had some words for each other. But was it enough? Was it really enough? This relationship is so messy and I guess for some people it really hit close to home, so much that they hate Cahcuia. Because she is the mom who loves her child dearly, but... she has troubles caring for them in a way that the child needs. It just, agh, it makes me feel things. All of these relationships. There are probably more I missed. Feel free to elaborate in comments or reblogs.
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tenjikyu · 8 months
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𝘪 𝘸𝘢𝘴 𝘮𝘢𝘥𝘦 𝘧𝘰𝘳 𝘭𝘰𝘷𝘪𝘯' 𝘺𝘰𝘶 - 𝘬𝘪𝘴𝘴
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౨ৎ ⋆。˚ bonten!mikey x male!rockstar!reader , reader plays guitar in a band , reader dresses more grunge as that’s the bands theme , think nana osaki from nana bc she’s the inspo for the fic , very lighthearted, tryna let poor bonten!mikey catch a break , slight sexual references but nothing actually happens , bonten is a lil ooc bc they all act like family but it’s okay bc it’s bonten.
౨ৎ ⋆。˚ SLIGHT SPOILERS FOR BONTEN ARC, NOT REALLY BUT WARNING JUST IN CASE. (honestly it’s not spoilers at all bc it’s pretty fanon in comparison to the canon bonten timeline.)
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“cmon mikey, get outta the apartment for once in your life that isn’t to go to headquarters!” rindou pouts at his boss.
manjiro really didn’t know what he expected when he decided all the executives should move into a massive penthouse together. sure it was good for his health to be around others and not coop himself up in agony, but he didn’t exactly like the idea of being dragged out whenever his lackeys felt like it.
“not intrested, leave me alone.” manjiro says, attempting to make his way to his bedroom. to go see a band he rarely listened to? who goes to a concert when you don’t give a shit about them to begin with?
sure he’s heard all about the gorgous female lead singer and the hot as fuck guitarist. (Y/N), right? manjiro couldn’t remember nor did he really care to.
“but i bought us all front row tickets to see Black Rose so we could witness how hot Hiroko Asato issss” ran attempted to persuade the stubborn bonten leader.
it wasn’t working.
“i’m looking forward to seeing her outfits up close. from what i’ve heard, she wears pure designer.” kokonoi adds onto the conversation.
“cmon mikey, it’s only one night. if you hate it that much i can drive you back to the penthouse.” kakucho, ever the resolver, bargains with the pouting leader.
“…” manjiro stays silent. ‘it’s just one night i guess, plus it means that i’d have them off my ass for at least a month’ he reasons with himself.
“alright, let’s get going then.” he says, the rest of the executives silently fist bumping the air rn.
the wait to get into the stadium was a bitch, however with a little bit of force, the bonten executives managed to get inside ahead of time.
koko ordered the drinks, kakucho and mochi reserved the spots and the haitani brothers were chatting up some vip ladies in scandalous dresses. meanwhile mikey is . . .
umm . . .
wait.
“oh, hey! are you lost..?”
you do your best to keep cool with the fact that the leader of the biggest mafia syndicate in japan was in your personal changing room.
“the show doesn’t start for another 2 hours, can i help you to your seat? i wouldn’t mind.” you offer, keeping careful of how you talk.
the hotshots of bonten’s identities had been long revealed to the public, however people were too afraid to really report their whereabouts to authorities. many stories of people who had revealed their location that day were swiftly eliminated, even before the news of their position were made public.
and so, knowing that the tatoo on this rather depressed looking man’s neck was a bad sign, you decided to just adhere to whatever he might need.
you were already dressed, the iconic vivienne westwood jewellery hanging from every inch of your body. each member of your band had a significant brand to them, so it wasn’t uncommon for you to be seen decked out in the iconic space themed jewellery. you had always loved the style, and it seemed the mafia boss was equally as intrigued in your designer pieces. you even had their logo imprinted onto your guitar.
“no, i’m okay.” manjiro only replied, his eyes not leaving the necklace that rested gently on your chest.
he didn’t really know why he snuck into the private quarters of the band. perhaps it was to escape his ever-so-annoying underlings?
or perhaps, a little part of him wanted to catch a glimpse of you.
apart from the obvious favourite of the band, the lead singer AS well as the only girl in the band, you were a favourite among listeners.
you had women and men alike screaming your name and begging for skin-on autographs. despite being a dude yourself, you had other guys begging you to sign their tailbone (which you had to politely decline).
manjiro understood why, as you were definitely easy on the eyes. your amazing sense of fashion and your toned body didn’t help.
“uhm.. are you feeling okay? you seem a bit dazed.” you question. in reality, the man was just dead on staring into your soul, scaring the living shit outta you.
“yes, i’m alright.” he finally responds.
.
. .
. . .
“here, take a seat.” you finally break the silence. why was he here? you didn’t think that a guy like him would have time to sit around some flashy concert. sure, you were a big band but let’s be real, shouldn’t he be at his headquarters shooting peoples heads in?
alas, you knew better then to question it.
and so, you order in some glasses of alcohol and begin chatting. you spoke about your career, how your band came to be and about dreams.
you aren’t entirely sure why you were discussing this sort of shit with a random mafia leader who could probably give less then a shit about you, however he seemed almost enamoured with your conversation.
you felt bad for talking his ear off, especially since you now only had about 45 minutes till showtime and you STILL hadn’t tuned your guitar, however he didn’t seem to care.
everytime you stopped talking, manjiro almost.. glared? at you? as if he was offended that you stopped talking.
unbeknownst to you, manjiro loved listening to you talk. the way you worded things and your voice overall was heavenly to his ears.
the piercings that decorated your skin were appealing to the man. the chain from your ear to you lips especially looked so… attractive to him.
“(Y/N) C’MON, WE’RE ON IN 10” you could hear toru, your drummer, scream out to you.
“SHIT! MY GUITAR” you freaked. HOW did you forget your guitar??
“i’ll come visit after the show.” manjiro says, exiting the room.
“oh, oka-“ before you had the chance to finish your sentence, he vanished.
well, now you couldn’t WAIT for the show to finish!
after the show had ended, you packed up the rest of your gear. your manager had popped in and taken your stage clothes back to the studio before bidding farewell.
as you sat around in a pair of baggy jeans and a t-shirt (inspo - don’t feel like you have to imagine this.) , you paitently waited for the white haired mafia boss to sneak back into your private room.
why were you even waiting? he was probably bullshitting you anyways. why would someone as busy as manjiro sano give a fuck about what you were doi-
“yo.” a cheeky grin graces his face, looking back at you.
note to self : doubt gets you nowhere!
“hey manjiro, enjoy the show?” you ask the man, automatically getting comfortable in his presence. you didn’t exactly know why you felt so relaxed around him, considering his rather infamous reputation, but you just did.
“yeah, you’re certainly the best in your band though. could go solo and still be famous if you wanted.” he replies, automatically heating your face up.
“cmon (Y/N), let’s get going already. i’m tired.” he winged to you in a childlike manner.
“okay.. WAIT—HUH?? where am i going?” you shriek, having no idea that he actually PLANNED to leave this place with you in tow.
“back to my place. duh. i don’t just talk to anybody for fun unless i plan to shoot them in the head an hour later.” he responds in a nonchalant voice.
this boy is gonna be the death of you, literally or figuratively? only time will tell.
regardless of how much you declined the offer, the man ends up dragging you out to the expensive limo that was owned by bonten. not only were you dragged into the car, you were squished in between the boss and 2nd in command of the syndicate, haruchiyo sanzu.
not that you were complaining, the pink haired dude was hot as fuck.
there were many things that occurred that night :
• at 1am, you arrived at their shared headquarters, completely baffled that they all lived together. you decided that you would NOT mention anything that might offend anyone in the room right now.
• at 2am, you were drinking alcohol more pricey then your stage guitar. you weren’t by any means on the poor side, but these men lived a new version of luxury.
• at 3am, you were playing pool with the haitani brothers and sanzu. you lost. miserably.
• at 4am, you were half naked and making out with manjiro sano on his own bed. you didn’t expect the high and mighty manjiro sano to be so submissive in the bedroom.
wait…
“HUH??” WHY WERE YOU IN MANJIRO SANO’S BEDROOM?? WHY WERE YOU IN NOTHING BUT BOXERS?? WHY DID MANJIRO SANO HAVE BITE MARKS ALONG HIS NECK??
“relax dummy, nothing went beyond tongue action.” a mop of platinum hair grumbles beneath the duvet covers.
thank fuck.
‘wait. what time is it?’ you ponder, taking a look at the clock next to the bed. 3:45pm. just how much did you drink to wake up this late?
before you had anymore time to think about it, you feel a thin but strong arm yank you back under the covers,
and come face to face with a pouty mafia leader.
as if on instinct, you pull his head gently into your chest, cradling his head like he’s a porcelain doll. his arms wrap around you as he nuzzled into your body closer, seeking your warmth and comfort.
it doesn’t quite dawn on you that your cuddling a man you literally met yesterday. not because you’re naive or dense, but because it just felt right to be in each others arms.
it’s not until mochi wakes the both of you up for dinner that you reopen your eyes, realising you hadn’t moved since you got dragged down.
it’s an all out war getting manjiro to leave his bed, but when you’re swiftly abducted by the haitani brothers, he’s up and ready, chasing the idiots around claiming they ‘stole his baby.”
well, that’s one way to get a boyfriend!
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sophies-junkyard · 1 year
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NOBODY ASKED but… Obviously Simon’s arc in adventure time solidified the series as one of greatest of all time (and I’m so hyped for this ice king sadness renaissance) but now I’m thinking of OTHER Adventure Time moments that rewired my brain as a kid. In no particular order:
1. “Once the strong guys got it how they liked it they said ‘this is fair now. This is the law.’ Once they were winning they changed the rules”. They really had the cartoon dog say that on tv in 2014.
2. “People get built different. We don’t have to understand it, we just gotta respect it”
3. The entirety of All The Little People. That shit was absolutely nuts for a kids show but also like…. I can’t articulate the lesson I just know there was one and it haunted me. The danger of the human ego. Hubris. Irreverence. Don’t play god bro.
4. Lady and Peebles. When PB ripped Ricardio’s leg off and bashed his skull in with it. And it was so hardcore they edited it out of the episode. Bro. I remember watching that after school one day and how my jaw just DROPPED at a PRINCESS being so brutal. They let her be so fucking angry and that was a game changer.
5. [Finn, about a horrific memory] “that one’s going in the vault. Aaaaaaaaaandd. It’s gone.” I quote that CONSTANTLY. It’s a great way to bring levity to a bad situation, but also forces me to go “hey wait a sec that’s not gonna work forever”. Things don’t stay in the vault.
6. Puhoy. He lived an entire life in that pillow world. He had kids. And then it’s just gone like a dream.
7. The deer. It was probably my first real introduction to horror. The hand wiggle. You all know exactly what I’m referencing. Were the candy people stuck in that well for 6 months???
8. What Was Missing!! Obviously now because it foreshadowed (and confirmed past) Bubbline, but back then just because it was so good??? IMO, this is the episode that defined WHO our main cast was, and how their relationships needed to grow for them to be content. It set up the next 6 years of the show! Plus it gave us 2 absolute BANGERS. Ugh i rewatched that recording so many times it wasn’t even funny.
9. Ghost Princess. Really just for the line where he sounds like he’s gonna shit his pants remembering his death and then in a clear narrator voice he’s like “I was a broken man.”
10. The pajama war episode. Now I’m doing this from memory so I could be wrong, but I think this really marks the start of Finn growing up. “I’ve really enjoyed just… hanging out with you.” The ability to start over with someone you’ve got complicated history with. The kindness. The growth from both of them!! It’s a direct parallel of episode 1 but their tones couldn’t be more different and I love it.
11. The slow and horrifying realization that The Mushroom War was nuclear Armageddon. Mushroom clouds. That went so far over my head as a kid even though they reference it constantly. It finally clicked during “I remember you”. Which I am NOT gonna go into because holy fuck that’s like 18 posts on its own.
12. Goliad! A child mirroring EVERYTHING they see, for better or worse. Seeing Jake in a bad moment screaming at the kids and goliad absorbing that behavior. Seeing she can use fear to control people. Also PB was Fucking Crazy! Her line “I’m not gonna live forever… I would if I could” is even more unhinged when we learn (like years later) that she’s already 900 years old. But she does physically age so I guess there’s that. The Suitor also falls into this category of episodes.
Ok getting into some of the more talked about moments
1. OK I LIED I have to talk about I remember you. I was 11 years old. I turned on the new adventure time episode like usual. 10 minutes later I was grappling with a grief I had never imagined before. Absolutely BAWLING not just for Simon and Marceline (the PLOT), but for what it showed me. The reality that every kid tries not to think about: your loved ones will leave you someday, even if they don’t want to. It’s an episode that becomes more powerful with every year I get older. To get a bit personal, dementia has completely taken my grandparents from me. I’ve seen sides of my grandfather that should never have existed, and I must constantly forgive him for what he does… now that he doesn’t remember me. And someday it’ll be my parents. That’s just the way of the world, ya know? Anyways, I remember my mom got home right as the credits were rolling and we had a long talk about keeping people alive with memory, mortality, and how the future was far away and we should decide on dinner lmao.
2. The Hall of Egress. I was almost 15. Life was changing. I was changing, and it was strange and frightening. That feeling where you know you’re losing your childhood but you just want to cling to it. Follow the same old familiar path, stick with what’s comfortable. But life doesn’t work that way. It took me years to really understand this episode and it’s symbolism. Honestly I still don’t think I could fully explain it. It’s like. How do I put this. I was so glad to be in the target age group in that moment. I was so glad that something I was growing up with was assuring me “you’re changing, but we’re changing too”. And isn’t that the theme of adventure time? Everything stays, but it still changes.
3. The absolute horror of Ferns existence. He’s Finn, but he’s wrong and warped. All those memories of the people he loves and they can’t stand to be in the same room as him.
4. Susan Strong. The introduction of a RUNNING PLOT. The show up to that point had really been so goofy and so monster of the week. I think the only really plot heavy episode before this one was It Came From the Nightosphere? And then suddenly they call into question the fact that Finn really is the ONLY HUMAN in all of OOO. And then… is he? It was SUCH a departure from the usual tone. Ending that episode with him reaching below her hat and gasping in shock, but never telling the audience what he found. And then she’s just gone. Which leads us to Islands!
5. Min and Marty. Second saddest episode in the entirety of adventure time, made worse because you know exactly how this family is gonna end up. There’s SO MUCH to dissect about Martins behavior in the series. A reformed con artist receives a traumatic brain injury while attempting to save his son. They’re both lost at sea, and he never looks for him. Was it the emotional trauma? Was it the physical damage? Meanwhile a mother loses her husband and her child in a single night and never EVER learns why. Nobody but Martin knows what happened that night. Also Finns fear of the ocean from season 1 is finally explained. 7 years of ignoring Finns origins and then they throw you THIS??? Watching it live was unreal.
Anyways I’m sure I’ll think of more. I might add on to this later for my own sake lmao, but I’d love to hear other peoples formative moments, quotes, episodes, etc. I really just needed to dump this information out of my brain so I can get on with my week.
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markantonys · 7 months
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the good thing about the slog is that because such little of true import happens over such a long chunk of the series, the show is quite well-positioned to be able to tell the whole story cohesively in any number of seasons after 4. only 4 seasons would be tricky, but 5 or 6 would be just as doable as 7 or 8. (disclaimer that there has not been any news or speculation about potentially getting less than 8 seasons so don't panic haha it's just a topic i was randomly thinking about today! that being said, i do think 8 seasons is pretty ambitious in today's television landscape, especially if it continues to take 2 years to make each season, so while we're all hoping for the full 8, it's worth imagining how they could do it in fewer.)
i expect s4 to roughly coincide with the end of LOC, so, dumai's wells for rand and being raised amyrlin for egwene. perrin, mat, nynaeve, and elayne have more wiggle room in what they might be getting up to during s4 (it seems possible the ebou dar trip might be absorbed into tanchico in s3, and perrin may have to get an invented plotline or have a later plotline brought forward for s4 since he has so little in TFOH-LOC), so i won't guess at the endpoint for them beyond that it will likely leave them ready to kick into a fresh new storyline for s5. and nynaeve frankly doesn't have a book storyline after ebou dar (she's just supporting rand's & lan's storylines), so i'll ignore her in this post and just focus on the other 5 mains. fingers crossed the show will come up with more for nynaeve to do during this part of the story, but that's a separate topic.
after LOC, as far as i can recall, each of them only has 1-2 main things they strictly Must do before the last battle (obviously i've left out a bunch of stuff, but i'm thinking of just the absolute bare minimum essentials here):
rand: cleanse saidin (only requires 1 episode); reach his lowest point, then pull himself back up again, all the while simultaneously working to get as many nations under his banner as possible
egwene: unite the tower as uncontested amyrlin
perrin: finish wolf training; fold the whitecloaks into his army
mat: rescue moiraine (only requires 1 episode); get himself in charge of the seanchan forces
elayne: become uncontested queen of andor
so if s4 ends where i speculate, they'd all be perfectly positioned to spend 4-6 episodes of s5 doing these things, then the last battle for the remaining 2-4 episodes, and boom, we've fit all the most crucial things into only 5 seasons.
i know the instinct is to gasp and insist that they all have so much else to do, but.........do they really? everybody agrees that egwene & elayne & perrin only have 1 plotline during books 7-11 which is dragged out for more books than is needed to tell it, so mat and rand are really the sticking points. but if you think about it, mat spends this time repeatedly starting one plotline but then getting yanked out of it partway through to start a new one, so he doesn't actually accomplish that much story-wise. rand, meanwhile, is on a bunch of little 1-book quests (taking illian, seanchan campaign, hunting traitor asha'man, trying to meet with DOTNM) that could be cut for time or merged into his Darth Rand emotional arc from TGS. honestly, he's so emotionally stagnant for most of books 7-11 (he's either not present, dicking around doing nothing, or repeating emotional beats he already did in TSR-LOC) that i don't think going from dumai's wells straight to Darth Rand would be a bad idea at all, if the show had to; in fact, dumai's wells is kind of a perfect launchpoint for that arc, emotions-wise, and plot-wise, if they wanted to replace some of the arad doman events with some slog events, but just put the Darth Rand emotional spin on those slog events, they could easily do so (for example, him being reckless/arrogant with callandor against the seanchan and getting his own people killed could sub in for natrin's barrow in showing how ruthlessly Ends Justify Means he's becoming).
but anyway, these are imo the absolute most crucial pre-TLB plot points of the second half of the series (at least for these main characters, i'm not taking ALL characters into account in this post) and they could be fit into only 5 seasons without much trouble. now if you've got 6, 7, or 8 seasons, that gives extra room to expand these plot points and also add in some additional, not-strictly-required-but-nice-to-have plot points like more Little Rand Quests, elayne taking the throne of cairhien, egwene & gawyn hunting assassins in the tower, and the faile kidnapping plotline. (while making this post i actually had a wild thought of the faile kidnapping being perrin's s4 plotline followed by wolves & whitecloak stuff in s5 then into TLB, or alternately the whitecloaks being part of the kidnapping plotline as perrin's unlikely allies rather than the seanchan; could be a great structure for a 5-6 season scenario, but for 7-8 it would cause perrin to run out of content too quickly haha)
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bonefall · 10 months
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i know u dont rework arcs untill theyre complete but im very excited to see what you do with a starless clan, theres so much exciting things happening in this arc to work with. do you have any changes you already know for sure you’ll be incorporating?
No for-sures. I don't want to make any for-sures. I have ones I'm feeling but I don't want to call ANYTHING a for-sure yet. I need to find out what the ending is, WHERE this is all going, because I have a strong philosophy in my writing that a story is like a spear;
IT'S ALL ABOUT GETTING TO THE POINT.
But we are 4/6 of the way in, so I CAN start talking about thoughts!
I'm actually leaning pretty heavily towards axing Nightheart as a POV. There's still time for the books to turn around and justify it, BUT HEAR ME OUT
(Saying AS someone who is a Nightheart Enjoyer)
So far I'm really feeling that his character would benefit from us never being inside of his head, or seeing what he's been going through. As much as I WILL stand by that I enjoyed books 1 and 2 and liked his perspectives there, I'm starting to think that it would serve the story a lot better for Sunbeam and Frostpaw to be guessing just as much as we are.
We'd get introduced to Nightheart on the journey for catmint.
Sunbeam connects with him immediately, because she's tossed on this mission while she's in the middle of a swirling tide of drama. With nothing but Clerics and a hardened Rootspring to the left and her ex-bestie (exstie) to the right, he's really her only other choice for companionship. She's chronically unable to stop problems before they get out of hand, the sort of person who becomes frozen by indecision, and then here comes this Glorious Bastard
In her eyes, he's so caring, and bold, and fun! He's the first one to jump headlong into danger, to really be interested in her problems and just let her talk, and his story is so heartbreaking! A mother who's so hard on him... and his Clan is so mean all the time, but he wants to prove to all of them that he's more than just Firestar's descendant... but he was so brave to choose his own name.................
And then, when she follows him into ThunderClan, she learns he fucking lied. She changed Clans based on SOB STORIES
When she first comes, no one knows what he's been saying behind their back. Even if they did, they don't want to start trashing Nightheart right to his new mate's face. But then he LEAVES, and Sunbeam will bring up,
"Maybe it was because you were hard on him?"
And then Sparkpelt tries to agree, just to take blame onto herself and stop all this, but Finchlight's had eNOUGH and ends up setting the record straight;
"No this is DEFINITELY another tantrum. He already ran off once before."
"NO he didn't pick his own name, he stopped the whole ceremony to complain and Bramblestar gave him a compromise"
"MEAN to him?? I had to do HIS WORK because he couldn't STAY ON THE GROUND"
"Oh he's buckling under the weight of his legacy? that must be so hard. I was cat-fifteen when i punched my first fascist and he was wearing the face of my grandpa."
"His mom aba-WHAT?? ABANDONED???? OUR MOTHER WAS EXILED AND HE STAYED HOME!!!!! WE WERE CAT-FIFTEEN!!"
With this false hope shattered, Sunbeam is thrown into a devastating situation where... her mother was right. She was tricked. And now she's stuck in this new Clan without any of her old friends, without this mate who was too-good-to-be-true, the ONE impulsive choice she's made on her own in her WHOLE LIFE turns to ashes in her mouth. She can't go back, either, because Berryheart would NEVER let her live this down.
But... it's okay.
It's a slow shock, to make a choice SO impulsive and SO self-concerned, and find a safety net below her. It's going to be okay. The trials are fair. The cats of ThunderClan interrupt and speak over each other, but, that teaches her to be more assertive. Sparkpelt and Finchlight are not the mean assholes that Nightheart built them up to be, and they'll support her no matter what she chooses to do with her possible mate.
I want Nightheart TO get better, but, in order for that to happen, he has to face, and, more importantly, ACCEPT consequences. He needs to develop the maturity to say, "I acted like a brat and didn't appreciate what I had. and I'm sorry. you don't have to forgive me."
Bottom line being, Nightheart is striking me lately as a character that works best as unpredictable, because we have NO IDEA what's truly in his head. It would be interesting for him to have a novella later, but as it stands, his POV has consistently just been a duplicate since he joined ShadowClan. We gained NOTHING from splitting the Frostpaw Journey of the newest book in half POV, and VERY little from splitting the ShadowClan one into half POV.
I might reduce the POVs to 2, just Sunbeam and Frostpaw, or change Nightheart's to Lightleap. If I NEED 3 main characters, then they should all be a consistent camera on different parts of the conflict.
Again. I do not commit to changes until the arcs are done. Nothing in BB!ASC is set yet.
But here's some other little things I'm thinking,
Bramblestar is VOTED out.
He does not step down. The little "game" he played with Nightheart to create a situation to yell at Squilf, who hasn't been his mate in a long time in BB, was the LAST straw for ThunderClan.
They had sympathy for him before that point, because of what he went through with Ashfur, but his leadership was long and controversial even before the Impostor.
And there's a really strong sentiment that IF Bramblestar had been a good leader... they would have realized he was possessed sooner. So, there are those who partially blame him for the tyranny of the Impostor.
Basically; enough is enough.
Berryheart's hate group has ACTUAL consequences. Someone gets killed; probably Antfur, who survived the last arc to die here.
More fights. This arc has been too bloodless. Already planning SEVERAL sudden, random brawls in RiverClan as tensions boil.
Heartstar is going to be MORE controversial. Not controversial enough in canon imo. I don't like how Leaf and Squilf seem like they have "hypothetical" issues with the invasion instead of being able to point at REAL ones.
riverclan didn't forget how to do the chores they've done their WHOLE lives, no. I'm going to talk about POWER VACUUMS and create ACTUAL factions that begin to coagulate in RiverClan.
if we're going to have a brainless plot about how "Well Ackshually democracy has enough problems to make us reconsider not having unaccountable, tyrannical dictators, because a vote could maybe be called over One Single Issue" then I'll talk about shit like the spoiler effect, mob mentality, and factionalism. Get the hell out of my way ERIN I'll cook
No Smoky. Society has progressed past the need for Smoky. No Smokyng Area.
Whistlepaw should to try and take care of her ALONE, not trained enough to take care of SUCH bad wounds and barely able to keep her trembling paws straight, and Frostpaw realizes that she's making her watch her own friend die.
Is this how her life is going to end? slipping away under the paws of someone she loves, for what? pride? to do what her mother told her-- trust no cat?
As she TRUSTS Whistlepaw? Trusts her SO much, that Frostpaw will force her to be the only witness to her death?
FROSTPAW CALLS THE HUMAN
...which in BB, is a team of researchers. She drags herself to them, and collapses. This is why they just HAPPENED to have the proper equipment on them; they're WILDLIFE VETS.
Not sure how I'm going to handle Frostpaw's Journey though. In BB, the Park Cats are already a foundational part of Clan Culture.
In all honesty, while I HAVE to praise the fact that the Erins have FINALLY created ONE outsider group that isn't malicious or defenseless... I don't much care for them.
sending frostpaw on a side quest to what's essentially a big DOTC reference. Look! It's that group we introduced in the last 5 chapters of our latest glorified recap! cooool.
We're just going to get nothing but fucking founders in every dream from now on. I'm SURE of it.
As a consolation prize to myself though I will be writing cool angel scenes of the absolute BEING that Riverstar has become in heaven.
Riverstar (normal cat): "Elder Bones I'm going out!"
"not dressed like THAT you're not!!!"
Riverstar (the manifestation of the river, the rain in the sky above, and the abyss below, and how through water we are all truly connected as one being): "better?"
I will probably keep the Park Cats and rework them significantly, but I'm leaning pretty heavily towards Frostpaw visiting a LOT of places. A holy pilgrimage.
ESPECIALLY one of the Tribe's three wards; the River Ward. The Tribe of Rushing Water believes (it's even in the name) that water connects all things.
So I think it would be really fitting for Frostpaw to learn from MANY perspectives, starting with this philosophy put forth by the River Ward.
And she realizes-- that's what Riverstar is, as well. As a being. He is mentoring her on this pilgrimage, while barely saying a word. She can feel him wherever she is, because he isn't JUST the God of the River.
He is connection. He is peace. He's water. Too much and you'd drown, not enough and you'd thirst.
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aihoshiino · 5 months
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it's never going to come up in canon but i do often wonder a lot what the result of ai surviving and raising aqrb as their mother would have done for grsr's 'presence' in their lives and identities, so to speak. obviously both of them have differing and (in aq's case) complicated relationships to the people they were 'before', but how much of that is nature and how much of that is nurture (or lack thereof, i guess.......) is interesting to consider.
ruby pretty clearly straightforwardly thinks of herself as sarina 2.0 at least as of the last real interrogation of this aspect of her identity, but earlier in the series, we actually see her drawing more of a dividing line between the two identities, codeswitching between speaking as 'sarina' and 'ruby' particularly strongly at the start of the sweet today arc. i do think these aspects of her identity make sense in tandem - if she considers herself a continuation of sarina's wishes and dreams, i think it makes sense for them to both overlap and yet be differentiated in the way your past and present selves are at once different and the same.
aqua's r/s with gorou's identity is pretty messy and hard to fully nail down though i think that's in part because aqua himself doesn't know what the fuck to make of it, really. as a baby, we see gorou's personality much more prominently but once we timeskip to the twins' middle school days, the current aqua almost feels like an entirely different character. and in a sense, he is: he's lived a whole life's worth of time so far in a completely different body and brain, having interactions and relationships with people gorou amamiya would never have met in his life and occupying a totally different social role to his past self - i think it makes sense to call the sum of those differences 'aqua hoshino' and differentiate them in the same way as early!ruby does btwn her and sarina: the same, yet different. i do think aqua is intended to be read as separate enough from gorou as to be an individual person, just because a lot of things about him (in particular the aqkn and aqak romances) read Very Differently if he is intended to be an unbroken continuation of gorou's identity as opposed to a 14~18yo boy inheriting it. it's not that aqua concretely Is or Is Not gorou - both of these things are true at once and it's this lack of a yes/no binary and associated failure to compartmentalize as needed that seems to be one of the main causes of his Gorou Related Anguish
but!! all this stuff is infinitely more complicated by the fact that the twins were both traumatized by losing ai in their very early childhood. aqua in particular, as we later find out, was essentially retraumatized because gorou's guilt over his mother's death (+ his grief over sarina's, who he associated w/ai) was already floating around in his brain when all this shit happened. so how much of the current aqua is just the result of his personality naturally developing like that and how much is his brain getting fucking mgs4 microwave corridor brain blasted at a formative age?
then of course there's this smoking gun ass line
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what does this mean, aka akasaka. i'm going to laminate you.
i do personally like to think that in an ai lives au, the twins ultimately do fully step into their lives as 'aqua hoshino' and 'ruby hoshino' without feeling beholden to their past selves - not abandoning or forgetting them, but making the most of this second opportunity as new people to purify their regrets and lay them to rest with love. this is mostly because i don't think either of the twins could ever sincerely and wholly accept ai as their mother w/o that compartmentalization and just considering that makes me want to scream cry throw up eat fiberglass blow up a building and smash breakable dishware.
i just want the hoshinos to be alive, together and happy and mentally well....................... is that too much to ask
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amiya-shirou · 2 months
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My take on My Hero Academia now that it's finished is that ultimately as a story it was utterly unwilling to fully commit to the highs it was trying to reach. There are so many moments when it feels like the manga is trying to do something more but either gives it an half-assed conclusion that undermines everything it was trying to say (any of the more gray-morality and hero critique stuff) or only really aims for the superficial look without proper substance (the dark Deku mini-arc). It started as a more typical want-to-be a hero story, evolved into something a bit more complicated and interesting when it started focusing more on the villains, but then fucked it up and now we get an ending that seems more appropriate for what the manga was at the beginning than what it has become and it just feels weird. It was weird seeing them at school again when the story had long since evolved beyond the "academia" setting. And there is potential in doing something like this, like with Deku and Uraraka who seemed to feel so out of place while everyone was congratulating them because they knew they failed to save Shigaraki and Toga and that the matter isn't really solved, Deku straight up accepting being called a murderer by Spinner, but then here comes an immediate time-skip for a last chapter that only focuses on the new generation of heroes finding their place and this won't ever be brought up again, I guess.
And in concept I get the message of the old lady helping the boy and thus preventing a new Shigaraki from being born; I approve of the idea of everyone rising up to make things better rather than leaving everything to a single hero; It's a fine message. too bad that since Horikoshi wants his cake and to also eat it that message had already been ruined by his insistence on having All For One take over as the uninteresting villain who had everything planned since the beginning, to the point that it really wouldn't have mattered if someone had helped Shigaraki as a kid because All for One would have just killed them and make it so that everything went according to his plans anyway, so the idea that she was preventing the new Shigaraki like this feels a bit empty now. kinda looks to me like a band-aid solution to end the thematic core of the story without the society of heroes really having to ever face itself in a satisfactory manner, because again Horikoshi never fully committed to anything and wanted both the moral grayness and the simple battle shounen ending where everything is revolved by punching the unquestionably bad guy who caused all the bad stuff and everyone is now happy and grown-up and the kids have taken over in the new rebuilt hero society.
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dyaz-stories · 6 days
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Hey there! Just wanna know, what the heck happened in the JJK manga? Is it already over? Did the characters FINALLY mourn Gojo?! I gave up trying to read the manga after 236, so I just decided to randomly hear from others. But anyways, what happened??
Hey there! BOY AM I HAPPY TO DISCUSS THAT.
(I'm sorry I have so many thoughts and you've given me an excuse to ramble so this is going to be long)
There are two chapters left in the manga, it will end on September 30th. The chapter that just came out, chapter 269, was, however, really bad imo and a terrible use of time considering how little time Gege has left. I get that he had to wrap up quick, but in my personal opinion, it's inexplicable that he'd dedicate a whole chapter to what we just saw.
(More under the cut with spoilers for chapter 269)
Okay, so, the characters spend half the chapter arguing about how they could have done a better job fighting Sukuna, even though at this point, the losses are minimal. Most of the characters who were possibly dead are fine and dandy actually (Yuta, Higuruma, Todo, Kusakabe). Choso is still dead, but he gets a little line about how that's sad (and his death scene was really good and effective, so I'm not that mad about it, even if he's a character I really loved).
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It kinda feels like Gege is justifying the way the fight went, which is a bit weird. In story, I think this could make sense if it was fueled by grief and loss and more of a "this person could have been saved! and this person didn't have to die!", but it feels kind of matter of fact tbh, with Maki being pretty much the only one displaying emotions. Even she seems to be arguing about efficiency, not really about saving human lives? Other characters' responses aren't much better. Yuuji in particular looks like he's super numb to everything, which again, yes, that's a trauma response, but it doesn't make for interesting storytelling and it's not going to be explored further, so... what's the point.
Also think that Yuta desecrating Gojo's corpse isn't explored enough. He did something horrifying that turned to not be that useful — going with the manga's message that the end doesn't justify the means — and he seems fine. I guess Maki yelling at him could be explained by the fact that she was strongly against this action, but it's never made explicit, which is a shame. (think it's more implied it's because he endangered himself and she has feelings for him)
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The other half of the chapter is spent on a plot point that I don't think had been developed before that, about the new shadow style. This feels like the last arc Gege wanted to have and Sukuna's fight went on for too long so he had to scrap it. The point is essentially that the head of the new shadow style school is trying to become the head of Jujutsu Society as a whole now that the clans have collapsed. There was a binding vow that made it so the head of the school could steal years from people who had learned the style and add it to their lifespan. Anyway, Mei Mei steps in and makes it so the style can become more widely used.
(If you're bored reading that, yeah, so was I)
It's not useless exactly — it definitely goes towards the manga's message of ending the cycle and starting off with a clean slate, so that's a win — but it feels super rushed. It didn't have to be rushed, could have been a decent arc, it just isn't, and again, I don't think that's a great use of pages this late in the story.
Last but not least, Gojo. Gojo gets two mentions in this chapter.
The second one is in passing, when Hakari defends Yuta's usefulness.
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And the first one, oooh boy the first one,
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is about how this was all Gojo's fault from the get-go anyway 😃
And again, some nuance here. Kusakabe specifically says that the kids have nothing to apologize for — which I agree with. His point is that it was Gojo's responsibility to kill Yuuji. Essentially, the idea is that he was the adult, and in not doing that, he's responsible for the kids having to live with all the consequences of his actions.
Which aaaaah I'm losing it here! Yuuji was a victim of Kenjaku's machinations from the get-go, so would it have been right to kill him? Isn't this just a trolley problem — kill Yuuji and save innocent people's lives? But then, Yuuji, Sukuna and Kenjaku's actions led to the end of jujutsu society as we know it, more or less directly, which could lead to a better future, so was he actually right, in a purely consequentialist approach?
I don't think any of that is particularly interesting to discuss at this point tbh. I feel like that had already been dealt with. I'm just deeply confused as to why we're dealing with this when there were three chapters left before this one instead of focusing on closing the curtain on beloved characters, Gojo in particular.
Anyway! Bad chapter imo. Boring. Bad use of the characters and their relationships with one another. Really questionable use of time. Gojo was not mourned and in fact it's almost like he's never existed or never mattered to anyone. No Shoko here, not a hint of sadness from Yuta either, which I had hoped for.
I'm still looking forward to the last two chapters, and I hope they'll leave more room for the characters to, you know, have feelings.
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ahsokasupremacy · 1 year
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Alright, here are my Top Ten funniest guesses (+1 that I bet nobody ELSE will guess) for who Inquisitor Marrok actually is!
You are most welcome to correct me or let me know who YOU think is most probable.
And just to challenge myself, I’m NOT putting Ezra. Because that would be too obvious.
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1. Barriss Offee
I’m serious when I say that this is probably the most likely.
We know that she is a very important character in Ahsoka’s life, the writers could be trying to mislead us into thinking that the Force User is a man when really we have no confirmation that they are. Plus Dave Filoni has said in interviews that he refused to have the character make cameos just because he wanted to save her for later. Also, many people already speculated that Barriss became an Inquisitor after Order 66, explaining the double-sided Inquisitor lightsaber.
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2. Darth Maul
Their build is a little too skinny for Darth Maul, and also wow, he must really be getting up there. And also, he died in Rebels. But when has that really ever stopped Disney from resurrecting him? I just think they should keep bringing him back. For the bit. I want the opening scroll for the upcoming Daisy Ridley movie to contain the words “Somehow, Darth Maul returned…”
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3. Bo Katan
I highly doubt this because her character arc on the Mandalorian is already concluded, but I can kinda see her doing this as like, a side gig. Homegirl is probably broke from paying off Mandalore’s restoration fees. She’s not a Force User unfortunately, but when has that ever stopped her? I like to believe that Bo Katan simply woke up one day and decided to be Force Sensitive and it all kinda worked out for her somehow.
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4. Lux Bonteri
If this is the option David Filoni is going with, BOOO. Yet another character who isn’t Force Sensitive. If you really think about it, Dave Filoni probably wants to include someone with an important history with Ahsoka, someone close to her that she held dear and that betrayed her and that she still has lingering feelings for.
Well actually that person is Barriss, and yknow, she kinda went MIA. Sooo the next best thing we could get is Lux, I guess!
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5. Anakin (Force Ghost)
Daaaad, what are you doing here?
Well, the ghosts of Obi-Wan and Yoda told him to fuck off and get a job. So here he is. He’s putting in the work! He’s logging onto his Zoom! Ahsoka is gonna be sooo surprised when he finally takes off the mask and reveals it was him along. Just you wait! It’s gonna be so funny!
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6. Korkie Kryze
Now we’re really starting to get big brained here.
In Legends, we have Jacen Solo. In the sequels, we have Kylo Ren.
But in the Brand New Republic era? Hark, a new villain arises. Korkie is embittered about being left behind and forgotten by his biological parents, Satine and Obi-Wan. And now he is out for revenge against all the Force Users and Mandalorians who abandoned him. Mwahahaha. We should’ve known he would turn out like this, he’s a ginger after all.
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7. Ventress
This would technically make Dark Disciple non-canon? But I don't think Dave Filoni cares, considering he hilariously made the Ahsoka novel non-canon. Ventress is obviously very powerful and capable of dual-wielding and she would make a great candidate for an Inquisitor. Plus her and Morgan Elsbeth are both former Nightsisters so points for rapport.
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8. Anakin’s Evil Clone
Hey, I mean Palpatine HAD to start somewhere, right? He didn’t just create Snoke without practice. I like to think he tried making a second Anakin at first, only to discover that Clonakin was a huge pain in the ass and doesn’t wanna follow orders just sit on the couch all day eating the space equivalent of Hot Cheetos.
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9. Cal Kestis but he’s evil now
This one pretty much goes against everything we know about Cal but hey, I’ll take a live action Cal cameo any day now. I’ve been on the frontlines defending my babygirl Anakin since day one, don’t even try to lecture me about the ethics of stanning Darksider Cal.
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9. Mara Jade
OK no more messing around!! I'm serious this time!
EVERYONE LISTEN CLOSELY!
I think the reason why Dave hasn't made any references to Eli, or Ar'alani, or Vahnya must be because he grew up on the 80s Legends trilogy (not the canon trilogy). Whenever Thrawn is mentioned, there is a direct reference to Heir to the Empire. The same novel where Mara Jade is introduced as the Hand of the Emperor. Coincidence? I think not! Obviously, this must be part of Dave Filoni's master plan to softlaunch the upcoming top secret Thrawn series adaptation.
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10. Starkiller
My only real proof is that his name (Marek, Marrok) kinda sounds similar?
Making Starkiller canon would create a whole bunch of problems for the Star Wars timeline. I think his origin story is too Mary Sue-y for even Dave Filoni to try and integrate into current canon.
However, it would be interesting to see a showdown between Anakin's two former apprentices. Interesting, but unlikely.
And finally, for my last guess, I will tell you exactly who Marrok REALLY is. Kathleen Kennedy told me personally, so don't get mad at me! She said it, not me!
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11. Luuke (the clone Palpatine made out of Luke's dismembered hand)
This is the ONLY correct answer.
Us Timothy Zahn enjoyers know that this was really Luuke all along. I told you, Snoke isn't the first clone that Palpatine made! I imagine he had a lot of downtime and got bored and decided to fuck around, and that's how we got Luuke.
And yes, I would cast Sebastian Stan to play him because I'm petty AF.
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cult-of-the-eye · 7 months
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LEMME HEAR YOUR UNHINGED TMA RANTS! <3
Oooh I think I've already posted a lot of my rants but one of the characters who I haven't really had a whole rant on is Martin K blackwood.
THIS MAN. This man is so wonderfully written. A lot of characterisations of the "nice one" are quite flat and don't really expand much on them being nice apart from maybe giving the person low self esteem. What I love about Martin is how masterfully it uses that sort of prototype of a character and makes it much more gut wrenching and relatable. He starts off as sort of the office dunce from Jon's pov, which early on we also realise is unreliable. He's the bumbling idiot, the sweet fool and I get it. As a fat person, I feel like a lot of us feel pressured to be the comic relief or to put it more precisely, the one to be laughed at. And he's seen the gap in the archives, he's seen that role that needs to be filled and he's easily filled it. When you have the group of Tim and Sasha and then Jon, the only thing that could unite them is mutual awkward laughter towards Martin. And Martin is used to seeing what's there and filling the gaps, man is a people pleaser to a fault, he has had to guess what his mum didn't like about him and change accordingly, getting it wrong every time. He makes himself palatable which is so REAL especially for a fat person and/or traumatised people.
And then we see this more calculating side of him. He LIED to all his colleagues and his BOSS about a qualification to get a job and then kept that lie going for at least a couple of months. Listen, I don't think it's fair to label Martin as completely a manipulative calculating guy who's just put on a mask but it's also not exactly fair to characterise him as just a sweet, tea making guy who wears jumpers. And that's what I love about him. He's so complex. I feel like it delves into the idea of having both a saviour complex as well as an inferiority complex. He's had to make choices that are above his skillset early in his life and frequently, he's been blamed for causing other people's emotions so he naturally thinks he has control over how other people feel. Which gives him that sense of responsibility, like I can save anyone cause I can control their emotions, if I'm nice enough then they won't be mad/ill/sad/they'll love me. But at the same time, these sort of underhand methods of indirect communication don't resonate to him as causing any damage cause he doesn't actually think he's important enough to cause damage or have an impact on other people's lives
I don't think it's of any shock to anyone that my favourite Martin is angry Martin. It's the part that fights against both aspects of this inferiority/saviour complex because it 1. Is a path of direct communication. He has the opportunity to state exactly how he is feeling and the focus is on that rather than how can I get the other person to respond. 2. It recognises that he is important. Anger is in response to perceived injustice, frustration, annoyance and all of those things are in a way, self preserving. Obviously it's not good to do that too much (see: Tim Stoker) but there you go. I'm not saying angry Martin is perfect or anything but I'm saying that it's so satisfying and interesting to see cause it completely goes against the characterisation we've been given so far and it introduces a whole new facet to Martin - that he doesn't want to be ruled by his trauma and past experiences.
It's honestly a joy to see Martin develop into someone who fights more against the role he's been "given" while simultaneously playing into it. His whole Peter Lukas arc is very much a part of that. Essentially he's saying I'm not important enough to contribute the way you are (inferiority) but I'm still going to try and control things behind the scenes (saviour). So when Jon goes to save him it breaks that, he looks him in the eyes and tells him you, Martin K Blackwood are Important, you make an impact and you Mean Something. You don't have to save us all. It's such an important part of his character arc and honestly it blows me away every time I think about it.
Plus obviously the whole isolation thing is just so AGH it's just so built in to his character it makes complete sense that he has a tendency to isolate himself. It fulfills both the inferiority and saviour - he doesn't think he's important enough to be missed but also he feels like it'll push them into missing him. Solving the problem and putting himself down in one fell swoop.
Our final stage of Martin is one that is far from perfect, far from healed but absolutely closer than he was at the beginning. He shows more of himself, in working towards realising he makes an impact on people, telling jokes and just sharing his thoughts to Jon. So what does him stabbing Jon mean for this? Honestly I'm not entirely sure (I'm gonna be honest I did not realise this rant would be so long lol) but I'm thinking along the lines of this is an ultimate show of acceptance of his significance and rejection of his need to save people. He is committing the most direct act of all, he's doing this in the same need to help people but instead of being manipulative about it, he's just directly doing what needs to be done. But also he's not saving Jon, he's doing the complete opposite. He couldn't control Jon's response to the situation, as much as he wanted to, so he did what jon wanted. I might not be explaining this right cause I'm not entirely sure what I mean either but I'm trying to say it's a poetic end. It's separate from everything he was but in a way that's parallel to and pays homage to his struggles. He's still being sort of a saviour and he's still arguably not the most important person in this scenario but the point is that it's in a different way than he's used to. In my opinion, a better way.
Anyway yeah thank you for enabling me, I didn't know how much I needed this rant and I didn't know I had so much to say lol. <3
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