#I gotta take care of ME

[unlucky-lemon]

HOW MANY TAGS AND WORDS MUST I FILTER TO HAVE A MOMENT OF HAHA FUNNY FANDOM TIME ON THIS GODDAMN WEBBED SITE

[nyanrial]

making little snowmen ⛄⛄

[sforzesco]

something. about. the horror of being sent on an impossible (death) quest and obligations and hospitality politics. the trauma of not having a home, and then the trauma of being in a house that becomes actively hostile to you, one that would swallow you whole and spit out your bones if you step out of line. all of this is conditional, your existence continues to be something men want gone.

it's about going back as far as I can with the perseus narrative because there's always a version of a myth that exists behind the one that survives. the missing pieces are clearly defined, but the oldest recorded version of it isn't there! and there's probably something older before that!! but it's doomed to forever be an unfilled space, clearly defined by an outline of something that was there and continues to be there in it's absence.

and love. it's also about love. even when you had nothing, you had love.

on the opposite side of the spectrum, this is Not About Ovid Or Roman-Renaissance Reception, Depictions And Discourses On The Perseus Narrative.

edit: to add to the above, while it's not about Ovid, because I'm specifically trying to peel things back to the oldest version of this story, Ovid is fine. alterations on the Perseus myth that give more attention Medusa predate Ovid by several centuries. this comic is also not about those, either! there are many versions of this story from the ancient world. there is not one singular True or Better version, they're all saying something.

Perseus, Daniel Ogden

Anthology of Classical Myth: Primary Sources in Translation, edited & translated by Stephen M Trzaskoma, R. Scott Smith, Stephen Brunet

[anxi04]

steph and babs don’t need personas, as far as anyone is concerned they’re just family friends.

bruce has his “brucie wayne” persona, very clumsy, playboy, kinda air headed but still very smart and wants to do good for gotham. which of course makes him seem naive cause good?? for gotham??

dick has “richie grayson-wayne” who’s dabbled in modeling before becoming a gymnastics teacher. also very vocal about his “adorable little siblings”

jason never really had a “nickname” after all he was from crime alley and he had to look GOOD for them or else they’d go back to “he’s just like the rest of them”. his persona was very empathetic and kind though, which worked great for him since that’s how he was like. he always talked about doing several non profit charities. the elites switched their opinions of him on a dime, although the rest of gotham adored him.

damian refuses to go by a nickname. his persona is based around animals, mostly about abandoned animals. it’s very clear his goal for the future is to make good animal shelters and help every animal he can. it’s the only persona he could stomach and there were SEVERAL other ideas

cass is “cass wayne” very quiet, polite, generally just there in the background. normally hanging around one of her siblings, most often tim. although her being around him unnerves some of them, she’ll get a look in her face and then her and tim both know they were lying. they fully get why she hangs around tim

duke is regularly seen as the normal one. pleasant to be around, kind, but generally also just there. very normal student, not really sure what he’s gonna do. the elites don’t particularly for him, though the rest of gotham love him.

tim’s persona differs from the rest pretty heavily. he can’t get away with being like bruce, the elites vividly remember janet and see her in him very often, which vaguely scares them if they’ll be honest. he’ll act like “Tim Drake-Wayne” to unsettle them, after all he’s a Drake why is he acting clumsy? they’ve seen him when he was younger and he was the spitting image of perfect. it makes more sense to them when he trips and lands right where he can tell them something no one else can hear. “Timothy Drake” is what scares them though. the tim that casually whispers secrets no one else knows, who points out someone they’re supposed to have a “private meeting with” in a week. who has nearly cause several of them to go broke with such simple actions, and the only reason they didn’t was cause he let them stay rich. there was one elite who insulted damian near tim and suddenly said elite had to get an apartment in crime alley, pay his now ex-wife, a kid he had with some random person, and several debts

the fact that lex luther and tim are some kind of friends also doesn’t make them feel super great but that’s another issue

[sunlit-mess]

[bulbabutt]

Raphaella Meets His Match

part 1 | part 2 | part 3 | part 4 | part 5 | part 6 | part 7

getting on the same page

[keferon]

*clasps your shoulders gently and looks you straight in the eye*

Keferon. Please read Ninth by Kyn on AO3. I think you would love it very much. It has a large chapter count, but don't be intimidated, it's very easy to get into. It is currently unfinished, but is being updated regularly.

You are the seventh person that recommended this fic to me so ahahahaha yeah

I’m doing great Help I hate some parts of it but I love the other parts I’m spinning in the blender

…..I made the moodboard….

[amogus-real-not-clickbait]

part 1 of a little comic / art sequence that i've been working on! :D it's part tribute, part experimenting with brushes n colors and trying new thingz :]

| 1 | 2 | 3 | ... |

and thus continues my endless quest of spreading the carrot fics like a plague! if you've seen my art floating around you probs already figured that this au holds a very special place in my heart, forever and always!!

if you haven't heard of it, it's a fic series by @crowned-ladybug called carrot soup!! it made me wish i could speak colors and i need more people to share my struggle xd

go check it out if you're into sweet voice lore and qpr level gayness and just wanna feel warm and soft and warm (hurt/comfort my beloved) <333 there are some heavier themes cos everyone's traumatized but they're working through it! be sure to check the tags and stay safe! <3

[casualavocados]

You've never done that when I got close to you before. Why? None of your business. Tell me, or you can't leave.

KISEKI: DEAR TO ME Ep. 10

[yuwuta]

gojo would kill your work husband. but if he were the work husband, that's a different story

REAL!! he’s such a hypocrite because if someone mentioned you had a work husband, his entire world would stop and he wold devise the absolute worst plans to make sure that your co-worker, everyone at your job, and everyone in the next building over knew that he was happily committed to you 

but if he is the work husband, he’s very........ dutiful in his role. there’s a loose office/lawyer au in my head where satoru is your secretary, and for all intents and purposes, your personal assistant, and he’s good at his job, but mostly because he considers his job to be pleasing you. he has coffee for you when you arrive, he moves your schedule around without you asking, he has answers to questions before you can even ask them, he has fresh flowers on your desk weekly, pokes into your meetings to pretend to hand you a file that’s really just maybe a single document in a manilla folder with candy on top of it—he’s made himself your business, your partner; he’s made himself irreplaceable, and he loves to remind everybody of that fact. 

he’s also extremely loyal. sure, he could day a week’s worth of work done in about a day, but that doesn’t mean he’ll just use his talents for anybody. he’s your secretary, so he’s at your beck and call, and everyone knows it. they know he’s the best, but also that he’s off limits—not because you won’t share him, but because satoru won’t let himself be shared. 

he also extends his duties beyond work, of course. when he hands you a print out of your schedule for the day and you’re confused by the three-hour block of time you have in the middle of the day, satoru just helps you shrug your coat of your shoulders and smiles, “that’s for the lunch date you have with me, of course!” hanging up your coat in your closet for you, “i’m paying, see you soon, sweets.” and because you’re great at your job, and satoru helps you be great, nobody really questions when the two of you have time for a 13-course tasting menu at 1pm on a tuesday afternoon. and if they did, all satoru would say that you two had a lovely date 

[jessmalia]

Mal's Avatar: The Last Airbender rewatch: The beach 3.05

[izabean0]

UGHJJJJJJJ IM NOT DEAD!!!!! I TOLD YOU SO!!!! HAHA!!!!!! I had to finish editing this all during a Shayy stream,,, with them doing Undertale Red&Yellow... GUH.

You get no context for the image below.

[sainz100]

Daniel Ricciardo and Max Verstappen in Tokyo ahead of the 2016 Japanese GP | x

[cherry-pop-elf]

Small Mouthwashing Break

Hey guys. I know so many of you are hyped and excited for another mouthwashing fic/update to my series but the whole RussianBot situation just. I can’t

I’ve seen things that have left me painfully traumatized. Its made me scared to even open this app. I’ve seen things no one deserves to see. Enough where I won’t even mention what they are

Until the situation is solved I just can’t be part of the fandom atm. I’m already painfully traumatized as is. I have enough going on in life. I don’t need more shit like this

It’s genuinely given me nightmares and taken a toll on my health, since fibromyalgia reacts to stress. What a way to start my thanksgiving break. Just peachy huh?

I’m super sorry to everyone that’s so eager to see more of my content, who want updates, to have asks left unanswered, but I deserve to take care of myself

Hopefully a few days away will make the situation resolve itself on its own. Maybe tumblr will actually do something. Who knows

Just know I’m super sorry, but I gotta take care of myself. I love the mouthwashing fandom/game but Jesus Christ those Russian Bots man

Keep me updated on if that stupid thing gets solved. If things go get fixed. That it’ll be safe to return

I wanna keep posting and doing what I love after all. Don’t we all?

Love yall

[applestorms]

ok, well. if last time i talked about parallels between near & light, i guess it’s only fair that this time i talk about parallels between mello & misa. yap central on this blog lately.

the main thing that stands out the most about mello & misa, and the reason why i will forever Defend them and their place in the story, is that in my mind they both function in a similar way on a narrative level: namely, both of them are incredibly active wild-card characters that keep the action going and the story moving forward when the other main characters like light, L, & near start getting too passive.

notably, while i often see this trait praised in mello, usually in the context of a comparative criticism of near for his overly-abundant passivity, i have also seen it used as a criticism of misa's character, that she breaks up the status quo of DN too significantly and thereby makes the story feel less realistic. this last point in particular is an odd argument to make imo, as if anything misa's presence only increases the realism of DN by adding some extra luck/random chance into the story in a way that is ultimately still character-motivated and thus easier for the audience to go along with-- something DN in general is very good at, often introducing elements through pure chance but keeping them grounded in characters enough that you almost don't even notice.

take light meeting naomi misora, for example: the only reason he runs across her at all is because he offers to run an errand for his mom on a bored laundry day, literally stumbling across her right at the exact moment she is divulging important insights she is literally the only person capable of making about kira. yet this moment does not stand out as particularly aggravating or out of place in the story, as ultimately the only reason why light is able to get out of that situation is his own quick thinking and ability to calm himself while under immense pressure, squeezing his way out of a potentially run-ending situation he didn't even know existed moments prior.

(not a fan of that big joel video, if you couldn't tell. lmao.)

point is, mello & misa both fulfill about the same narrative function in the story by being so aggressive in their actions, catching the others off guard even if their plans aren't as well thought out or careful as they could otherwise be. they're both incredibly passionate, dedicated characters as well, tough enough to take the hit when it inevitably comes, and in my opinion neither of them are nearly as stupid as the other MCs like to make them out to be. to some degree, i think both of them are aware of the fact that they can't win at the Mind Game Cold War Bullshit the others are inclined to get involved in, so they instead choose to carve out their own place in the story through sheer perseverance alone.

which, speaking of passion: one of the most interesting parallels i think you can make between mello & misa is the ways in which they idolize their respective heroes, misa's obviously being light while mello's is L. allow me to elaborate.

as this post points out, DN has some very interesting use of its religious imagery & theming, and in particular its use of christian/catholic gothic imagery in its story and especially its art. however, as op notes, a lot of this is quite superficial, ascribing to an aesthetic of "kitschy Catholicism," that was characteristic of a lot of early 2000s japanese goth style. yet, while i admit that a more serious consideration of religious elements in the art & story could add some interesting flavor to the story, i also think that, regardless of intention, the superficiality of DN's religious elements works really well in the context of this particular story. as i stated in my tags on that post: light is a superficial god. he is a fake, a scam, some idiot human that stumbled across the powers of a real shinigami and got his head up his ass about it. and a lot of the arcs of other characters in DN is about their reaction to light's claims-- whether they choose to follow him (e.g. misa, mikami), follow somebody else (e.g. mello), or follow nobody at all (e.g. near, also kinda soichiro?), and the implications that has for their lives and personalities.

this is all to say that while you can, on a surface level, connect misa & mello pretty easily as the two aggressive, fashionable blondes of the series, i also think that these somewhat superficial traits betray a greater connection between the two of them. if we understand the christian/catholic elements of misa & mello's fashion as a demonstration of their connection to not just a higher power but a lie, a superficial deity simply reflecting the sunlight of powers greater than himself, then i think we have great insight into another key element of both their characters.

do not forget: in the world of DN, heaven & hell do not exist. at least in the context of death itself, the realm & lore of the shinigami reign supreme, a point which the DN musical makes even more overt: "Isn't it a laugh? / Isn't it a shame? / Thinking there is someone in heaven to blame?" and "Going through the motions / as if there will be a reward / Oh, while we stay eternally bored!" (BEST SONGGG.) everyone is destined for the same fate of MU, the same void of nothingness awaits all. no reward, no punishment, no greater deity looking down upon us than the bored, slothful shinigami, lazing about in their realm and picking people off only when necessary (for the most part).

misa & mello are thus dedicating themselves to false idols, and we can see the negative effects this has on them in almost every facet of their character-- particularly for mello, who is perhaps more self-aware and has more of a mixed emotional outlook on his idol, but maybe even to a more extreme degree for misa. i keep going back to this idea of equating boredom with depression in DN, but where light/L/near are all "bored" in a very quiet, passive, stewing-in-bed late at night kinda way, misa & mello are characteristically a lot more aggressive and intense about it-- while neither of them are super overtly suicidal, necessarily, their actions still betray a distinct lack of care for their own safety or lives, expressing the same thematic sentiment as the others. even if they still don't straight up say it, through their actions they're a lot louder about not liking themselves, and seem to take the problems they see in the world more personally, shouldering the blame as a failure within themselves instead of projecting it outward like the others: e.g. light taking his unhappiness at the emptiness of his life at the start of the story & placing the blame on the world for "going to shit" & humanity's moral failings, versus misa being willing to literally & figuratively give up her life for KIRA the second he demands it, whether that be in the form of shinigami eyes or killing her own friends w/o second thought-- all because he was the only thing to bring justice to her own parents' deaths, an almost undoubtedly traumatizing/horrible experience for her considering how much value she places on KIRA/light afterwards.

to clarify, this is not to say that all of these characters are actually and literally depressed and/or suicidal, though you could certainly make that argument for some/all of them-- this is just one way that i think you could interpret their roles in the plot, and their thematic attachment to the story. even if DN isn't all that interested in considering the True Moral Answer to ethics/the justice system/human society/etc, it definitely takes at least some interest in the emotional viewpoints of characters in relation to those concepts, so i think this is a fair enough approach to take. or to say this another way, it's less about justifying the claim that "the world is shit," and more about trying to understand the emotional motivation & experience of feeling like the world is shit, if that makes sense.

that being said...speaking more on the whole "not liking themselves," thing: even if she doesn't say it aloud often, if ever, i think that misa is deeply aware of the fact that she was not supposed to live this long, that her existence at all is a pure stroke of luck that let her live on past her destined date. she dedicates herself to light so fully, not even necessarily expecting reciprocation (though she at least reserves herself the possibility of such), because being a disciple to her god at least gives her life some kind of purpose. similarly, i think mello is also aware of just how out of reach the one thing he wants is, how his desperation in and of itself is ironically the one thing keeping him from surpassing near and truly being #1. it's important to note that pre-time skip misa & post-skip mello are almost exactly the same age, around 20 years old at the time of their main arcs. they're immature, and in the case of mello especially, are lashing out at the world in whatever way they can because they know they don't quite fit into it in the way that they want to or should. regardless of the intent behind it, mello & misa both still make the conscious decision to kill with the DN-- perhaps in a way that still keeps their humanity, at least following near's logic, but it's a decision to end a human life either way.

anyways, going back to my previous point, this "worshiping of false idols," idea has some interesting implications-- for misa & mello yes, but also for L and the ways in which he contrasts again light, as under this logic mello's treatment kind of inherently gives L a similar status as a sort of false god/idol. which-- actually makes a lot of sense? or at the very least, viewing wammy's house as a kind of mystery cult a la the eleusinian mysteries is a neat approach to take. L & light's mutual alienation from humanity fits them both filling a false god status, anyway. also there's another thread of analysis you could follow here where near is instead fit into the role of the person mello is fixated on which AAAAAAAAA has interesting implications but jesus fucking christ, this post is long. some thoughts for another time, i suppose.

[ask-the-colony-tree-siblings]

Hey, Hunter!

Aside from the chronic back pain, what other long lasting symptoms did you have from the Rot, if any?

((Okay! So my attempt to answer this somehow developed into a rant about Hunter’s characterization so… here you go lol.))

So I have to answer this on Hunter’s behalf, because part of his character is that he doesn’t like to admit any sort of weakness. Apart from chronic pain, I essentially just gave him the symptoms of low iron. He gets light headed and dizzy, and he is often tired or low energy. 

Hunter has this mindset that being weak, or showing weakness makes you useless. (I wonder what could have possibly made him develop that way of thinking. Surely nothing to do with the way he was raised and treated growing up.) Keep in mind, Hunter’s very logical logic only applies to him. He wouldn’t judge Survivor for not being strong, Hunter just has unhealthy expectations of himself that definitely aren’t realistic anymore with his post-rot symptoms, and were never actually that realistic to begin with.

He has a habit of ignoring his own symptoms, and pretending to be perfectly fine when he isn’t. He’d never admit it if his chronic pain is making it difficult for him to function properly. 

(His physical health is one thing, but don’t even get me started on how Hunter views his mental health lmao.)

Uhhh anyways bonus light headed/dizzy Hunter: