#just ugh

[meatsound]

i am enjoying veilguard enough but the game really does piss me off with how stupid it thinks you are

[snapyobbg]

💥

[brooke-likesmusic]

More age accurate Darry Curtis because Pinterest hates me ☹️

UGHHHHH

[thrownswiftly]

God. Imagine being like "I wanna marry you" to your SO of 6 years and they say "I don't wanna marry you" and then the entire world is like "THEY'RE MARRIED" And you have to suffer day in and out with that rumor and you have to put an end to it even though it's probably what you really really want to happen.

[jorrated]

something about their design is deeply unappealing to me

[wanatff]

WHAT THE ACTUAL FUCK ELIZABETH OLSEN WHAT TEH FUCK UM IM SCREAMEING SHES SO SO OMGF

[0bnoxious0range]

Ok but can we talk about how symbolic Neil’s character design is?

There are his scars, which more or less symbolize his entire character arc. In the beginning of the books he tries his hardest to hide and deny them, then slowly shows them to Andrew, and eventually the foxes when he physically can’t hide them anymore. In the same way, he hides and denies the truth of his past, then slowly tells Andrew (and Kevin), and then tells the rest of the Foxes when he simply couldn’t avoid their questions any further. And now, after the books, anyone passing by can see his scars, can learn about his past.

Then there’s the color of his eyes and his hair, symbolizing who he becomes as a person. Brown and black in the beginning of the book because he tried his hardest to be unremarkable. And he was quiet, unassuming, just like his coloring. Then Auburn and ice blue at the end of the book. A striking and unforgettable combination, just like how Neil himself eventually becomes unapologetic and hard to forget.

Like can you imagine if Neil had brown hair? Nothing against brown haired people obviously, but making him a redhead was such a genius move. You could say it also works cause it’s the closest thing to orange and, you know, foxes are orange.

This man is imprinted in my head and the way his exterior and interior correlate so beautifully makes me wanna scream.

[reapleaser]

DAY TWO: RELATIONSHIPS

I have a lot of ships and a lot of them involve toki so I kinda just wanted to leave this one ambiguous you can input any character you want

[man-down-in-hatchet-town]

"Emma, I'm sorry, you lost... Emma, I'm sorry you lost your way" are still the rawest opening lines to a finale in all of musical theatre, change my mind.

The gut punch of Paul singing right after the fake-out that he survived. The realization that it was all for nothing and the entire world, including Emma, is doomed at his hands. THE WAY THE MEANING OF WHAT HE'S SAYING COMPLETELY CHANGES WHEN HE FINISHES THE THOUGHT.

I know Paul's been Apotheosised for quite a while by that time, but it almost feels like the first few words are what remains of the actual Paul communicating his final thoughts to Emma, his sorrow that he failed her. And then he's gone for as good Apotheosis Paul takes the reigns and sets out, ever so inevitably, to get what he wants and save Emma Perkins.

[softboiprinxe]

something about being inspected. them roughly turning my head this way and that. pressing on my skin. evaluating me. noting down any reactions or noises. something so impersonal yet so hot

[goblinontour]

i ♥️ dracula

[jgmartin]

that feeling when you wanna write, but your brain is going through silicone valley withdrawals.

"go ahead. have a scroll. algorithm ain't gonna hurt ya"

stooooop

[zombiifyd]

i need this photo but its phil playing zelda on his switch with chayanne, tallulah, pomme, and richas surrounding him

[queenincrimson]

Timeless - The Salem Witch Hunt (2.04)

[pvffinsdaisies]

I recently came up with the headcanon that England loves Winnie the Pooh and it’s a huge comfort thing for him and he collects properly made like Winnie the Pooh figurines and I just think that’s so adorable

[fanbynature]

This snip from TVA makes me lose my mind