#I fucking love swordfights

[theunnamedtroublemaker]

Beautiful Nightmare - Arnold x Rishe AMV

I have too much inspo these days so here, have an edit 🍪

[autumn0689]

You’re telling me, that Rafe ‘Angsty Rich Jealous Man’ Adler

IS FUCKING JEFF FROM YELLOWJACKET???!!!! WTF!!!!!

[xx0yeet-everything0xx]

"percy's clearly the strongest demigod" "nah it's jason" "lmfao wtf are you on its neither but actually nico."

BUT uhmmm sorry but. y'all are wrong. OBVIOUSLY the strongest demigod is hazel levesque who could probably instantkill the seven immediately but is just too fucking nice honestly.

[stickyhugz]

My renditions of Mii Brawler and Mii Swordfighter because i’m a beast and the demons command me to cater to me and me only

[saltedcroweyes]

they bond over not having ai voicebanks and having sisters who smoke weed

[wabblebees]

thought id update to say; i survived opening night!!! and not only that, it went REALLY fucking well, and people seemed to REALLY REALLY like it omfg... god this is so crazy

[hardhuilen]

I got a shipment confirmation for Tears of the Kingdom this morning aaaaaaaa

[that-fellow-from-dres]

Aight I'm gonna say it

Mordhau is a dress up game with swords and big sticks

[springcatalyst]

ignore all the horrors, dread reckoning is a comedy

[prongspoet]

broken hearted | luke castellan.

first time writing for luke, so hope this is okay! tell me what u think in the reblogs i would love to know and get more luke asks!

summary: the curse of cabin 10 makes aphrodite!reader pretend to date her best friend so she doesn't have to cause a heartbreak to her actual crush. even though, at the end of it, she's the only one who had her heart broken. major inspo from this concept.

"You're staring." y/n' best friend, luke castellan, head counselor of the hermes cabin, pointed the fact out, side eying the girl right at his side, after looking at the boy sword training in front of them.

"he's staring back." the aphrodite girl said with a grin. the sunlight bathing her head making it comfortingly warm. luke would know, since he was the one caressing it while she laid down next to him. both of them on the grass, enjoying the late afternoon at camp. "so..."

michael dawson, ares' kid, was, in fact, staring. luke couldn't blame him, the way his best friend looked made everyone pay attention to her. she didn't even had to try. and still, the swordfighting happening in front of them made luke even more sure that mike needed a way so she could notice him. not naturally, but somehow, it worked, since the girl payed attention to him as soon as he started.

"oh well, like mother like daughter, huh. " he continued, in a mocking tone, holding his laugh, raising himself by his elbows, before taking one of his hands to the girl's arm. "your siblings wouldn't be too happy to see the goody two shoes dating an ares' kid, would they?"

"gods, don't fucking say that." she giggled, hiding her face with both of her hands. she went quiet for a second, still staring at the boy. "ares' kid or not.." y/n sighed, pouting slightly. "mike's nicer than the others, he wouldn't deserve to be a guinea pig."

"what do you mean?"

"you know what i have to do.” the girl muttered, with a soft sigh. she couldn't blame her mother, she worshipped aphrodite; her beauty, her power, her knowledge and her actions. that didn't mean that she enjoyed the judgment. the need to make someone else feel miserable just because she could. it wasn't fair. "the first love heart break thing."

"i'm glad i'm not in his shoes, that's for sure." the boy whispered, with a chuckle, still trying to be as quiet as possible. his thumb caressing her arm incessantly. it made her skin burn. in a second, y/n abruptly raised her chin, getting supported by her elbows, getting muffled groan from luke, once it hit his ribs. "what is it?"

"you could be!"

"am i your first love, daisy?" he raised one of his eyebrows, with a mischievous grin stamped on the boys face. the scar in his eye making itself more clear. "you should have told me sooner- ouch!"

"shut up, hero. listen to me!" he knew that tone. and as anyone else who had a single bit of sense, he kept quiet, wanting nothing more to hear her insane idea. "we could pretend to be boyfriend and girlfriend." the smile on her delicate face kept getting bigger as she explained her brilliant - yet not completely effective - idea. "i could pretend to break your heart. no one gets hurt, i can stay with mike after is over, and my mom ends up being proud of me!"

the aphrodite girl stared at him expectedly, hoping he would buy her insane plan, hoping he could save her from doing something he never imagined her doing it. luke got quiet for a minute. his eyes were darker than usual. he couldn't stand that. y/n knew her best friend well enough to know that he meant to say something. he never truly did. "you shouldn't be looking for her approval."

"i'm not searching for approval i'm just trying to prove myself.."

"you don't have to prove your devotion to her by doing this." his tone stern, more quiet. colder. "you burn offerings for her every single day. you pray, you're always expressing how incredible she is."

"you don't have to do it if you don't want to."

and suddenly, the idea seemed more appealing than ever. she wasn't using her charmspeak on him. no, luke knew how sugary and sweet y/n's words could be when she wanted to. at that moment, his best friend was just being honest. and even though he could retribute that feeling, luke felt that he needed to do it. just for her.

"yeah," he nodded. defeated. "fine, i'll do it."

"really?" the girl hugged him tight. more excited than ever. "thank you boyfriend!"

"yeah, yeah." he grinned, letting her rest her head on his chest, carefully watching y/n closing her eyes, like nothing else would ever bother her. "just don't be too mean when you dump me."

pretending was easy.

they've always been stuck to each other. having dinner with each other. burning offerings with each other. planning capture the flag with each other. training, swimming, talking, sneaking out to parties. always with one right after the other.

it wasn't supposed to be different, they just had to make it more believable.

"we should be holding hands," y/n pointed out as the couple walked calmly to the main area, where dinner was starting. "silena asked me why we never hold hands if we're dating, so i thought we could make it more..."

"real, yeah." luke nodded, grabbing her hand right the next second she spoke. "c'mon, girlfriend, hurry up." he grinned, and she couldn't help but grin back. "i'm starving."

luke could do that. he could kiss her in front of people, and tell everyone the way they got together. he could hold hands with her, caress her back and almost have a heart attack when she kissed him behind his ear. he could live with that, yeah. it was normal. it was pretending.

until it started to change. suddenly. quickly.

he noticed her. the eyes, the shape of her face, the way her eyebrows moved when she laughed, and the look she gave him every single time she entered a room he was already in, and luke couldn't help but pay attention at her soft hair, how excited she became while looking at pretty flowers, and especially, how her fingers felt against his own scalp when they needed to do some pretending. she was an aphrodite kid after all. y/n was charming. y/n was lovely. y/n was his girlfriend, at least for a while.

and she couldn't help but notice him either. how his scar looked more bright when they. the subtle, yet attentive and gentle way he taught her how to hold a sword, how to train, how to fight. the infuriating way at how he held her chin up slightly, every single time, before sealing his lips against hers.

and for once, neither of them were pretending.

the bonfire started earlier that night, but the couple came to it late; y/n helped one of her sisters who was in a small crises, and her sweet caring boyfriend waited for her by the aphrodite cabin's door, holding her hand as soon as she got out, so they could sit together at one of the logs, full of campers, chartering, telling stories, and enjoying the peacefulness that the simple event emanate.

luke choose one of the back logs for a reason, it was darker, harder to anyone else to see them. even so, as soon as the boy started to leave little pecks at her jaw, he was able to hear some whistles and exclamations. teenagers were gonna be teenagers after all.

"alright," y/n sat upstraight, taking a deep breath before continuing. "you can't do that here."

"i'm just having fun!" the boy said with a mischievous grin. he knew way to well what he was doing. she hoped he would do it forever. the teasing, the almost getting caught made her heart sink every time. "you are my girlfriend after all."

"don't get ahead of yourself, hero." she muttered, grinning at him, before sealing lips with him again. "i still have to break your heart."

"are you sure about that?" he furrowed his eyebrows, pretending to be offended, but getting right back at his job pretty quickly. "i'll just enjoy it until the time comes then."

she laughed, taking her head back so he could have full access to her neck, delicately taking one of her hands to his scalp. and he noticed how much he loved that sound. so much in a way he wished he could bottle it up so he could taste it every time he felt miserable. that wasn't possible. but y/n promised that as long as they were together, he was allowed to make her laugh any time he wanted to, if if meant getting him happy.

that's why it hurt even more when he did what he did.

when he revealed himself to be the traitor.

"come with me."

"i'm sorry, what the hell are you doing?" she cried out, feeling her heart beating faster than ever. "you're not thinking straight. you're not. you're not like this, i-" the words got caught up in her throat. y/n felt like she could pass out at any minute. "i know you luke." her voice was a mere pleading by then, hoping with all her soul he would hear. "you wouldn't do this to me."

"you mean a lot to me, daisy, but this is fucking different."

he was different, and she finally noticed. his eyes darker, his tone stern, and the way he held himself up, like he was prepared for a fight.

y/n would never fight him.

and he would never fight her, right?

and when luke turned his back against her, letting the aphrodite girl caught up with a sob, furrowing her eyebrows, feeling the tears already soaking up her eyes, y/n thought she understood.

maybe aphrodite didn't buy it. and even if she did, she knew it started out with a lie. y/n was playing house. thinking she could be smarter than her mom, she could prove it to everyone else how that curse was a lie, and that nothing would happen to the one that didn't completed it.

but it did happend.

no demigod could ever stand out a god. y/n was no exception.

and she finally understood that.

by the end of the day, y/n went back to her well known cabin, shamefully, missing her radiant aura and pretty smile, hiding a shattered heart in her pocket.

[anarchy-and-piglins]

I love the image of techno as this immovable object not just bc of his drive and stubbornness but literally. No matter who tries to tackle him he just doesn't budge. Nobody understands how his stance is so fucking solid until they see phil launch himself at techno from full flight to use him as a landing perch. That has been techno's daily training since he first met the old crow. Nothing can topple him. He will never fall.

And what an absolute asset that would be in combat honestly, since a lot of swordfighting relies on proper stance.

[adickaboutspoons]

So there's several posts going around lately that seem to be dancing around the same proposition - that being that Ed is violence-averse altogether, rather than specifically killing-averse. While it's important to always keep the fact that Ed is no more violent than any other character on the show (and a good deal less violent than some), and that his use of violence is extremely considered and not the result of uncontrolled rages, denying that he would, has, and does commit acts of violence, and willingly, and sometimes even enjoys it, is just demonstrably wrong and elides a significant part of his character. When Ed is discussing "packing it all in" with Stede in 1x4, the reasons he give have nothing to do with being weary of or uncomfortable with the expectation of violence demanded by his position as a pirate, but because he's bored because "it's not a challenge anymore" because people don't fight back once they see Blackbeard's flag. He "loves a good maim." He genuinely has a blast with Jack and all his Jackassery. He gleefully spoke about mugging a guy for a dinghy. He thought the Knife Parade was a fun game until Fang told him his experience was not universal. He hands over a big fuck-off knife with the treasure he gives to the urchins, so clearly doesn't have a problem with using violence to defend what's yours. When he says to Stede "I'm not sure I want to go back to the old days of getting drunk all day and biting heads off turtles and making some poor bloke eat his toes for a laugh" that's not the same thing as saying he's forsaking his piratically violent ways and doesn't want to use violence ever again. The specific mention of all-day drunkenness and turtles calls back to the kind of shenanigans he got up to while Jack was around - and thus is a rejection of that kind of mindless violence for violence's sake; a prospect we had already witnessed him expressing discomfort with when Jack brought up what a wild man Ed used to be at brekkie. After all, part of the "most fun [he's] had in ages, years... maybe ever" has involved showing Stede how to "use a little oomph" and flirtatiously swordfight (both moments included in Stede's "what does it feel like to fall in love" mental montage) - violence as a means to procure a desired outcome, and with as little actual bloodshed or permanent injury as possible, but by no means not none. The show is so careful to never condemn the use of violence wholesale - like, at no point is the message a facile "violence is never the answer". It condemns certain types of violence, usually specifically those enacted large-scale by oppressive, colonialist social structures, but also cruelty for cruelty's sake. Outside of that, though, violence is a tool, and thus is only as "good" or "useful" as the task to which it is being applied. Ed is a master craftsman - he will use the tools at his disposal deftly, and, yes sometimes take joy or pride in his work. And that's not a bad thing, nor does it make him a bad person.

[changbunnies]

All About You (18+)

♡ Pairing: Royal Knight/Bodyguard!Minho x Princess!Reader

♡ Genre: age gap, royal au, historical au, arranged marriage au (reader only), angst, kind of forbidden love? (maybe more than kind of), basically porn with plot

♡ Word Count: 7.5k

♡ Summary: You, the princess who ran away from the castle after finding out your father, the king, has finalized your arranged marriage. Minho, your royal knight and glorified bodyguard, tasked with bringing you back home at all costs. When found, you hit Minho with a very interesting proposition- for him to be the one you share all your "firsts" with, instead of your inevitable husband.

♡ Warnings: age gap !! reader is ~23 while minho is in his 40s, please don't read if this makes you uncomfortable!, uneven power dynamics, outdated traditions and views on women to suit the setting, brief reference to death by guillotine and death in general, mentions of injury and swordfighting

♡ Smut Warnings (contains spoilers): lowkey corruption kink, loss of virginity (reader), pet names (princess (mostly as a title), good girl), slight sub + dom dynamics, soft dom minho, a lot of kissing (should be expected from me atp), nipple play, oral (f receiving), fingering (f receiving), slight overstim, unprotected piv, multiple orgasms, creampie

♡ Notes: at this point i am determined to write a royal au fic for every member, and my newest offering to you is minho <3 i was literally possessed writing this like once the idea hit my brain i had to get it out asap

♡ Disclaimer: please read responsibly, and remember that this work is fiction and meant strictly for imaginative fun. the idols used in fics are more accurately faceclaims and personality outlines for imaginary characters, and should not be interpreted as factual representations of existing people.

Fuck. Minho was absolutely fucked.

In recent years, he had one job, and one job only, and that was to take care of the princess. Make sure she’s safe, escort her to where she needs to be and watch over her at all times– that’s all. Not always an easy job, but one of vital importance that Minho took with utmost seriousness. In the 3 years it’s been since becoming your royal knight and glorified bodyguard, he never messed up this critically. 

You always had a rebellious streak and challenged authority, everyone in the castle knew that. And part of Minho’s job, apart from keeping you safe, was keeping you in check– and the king made it extremely clear that failing to do so was not an option.

He lost track of the amount of times he uttered the words “Princess, please think rationally,” or “please consider your responsibility to the kingdom, don’t do this,” in a near desperate attempt to get you to listen to reason. 

And today, he fucked up the worst he ever had. He knew you were upset tonight, but he was under the impression he successfully calmed you down, and that you wouldn’t do anything rash. He turned his back to you, thinking the storm had been quelled, and that you’d listen to your father, even if doing so felt like pulling teeth. He underestimated however, just how deep your sadness and anger truly ran, and the very moment you saw an opening, you took it. 

You fled from the castle with blind determination, nowhere to go and with little of value in your hands, fueled purely by the desire to escape your unfair circumstances, and live your own life by your own means. You may not believe it, but Minho understood, and felt for you– he really did. But that didn’t change what his duty was, and even if it made you hate him, he had to do his job to the best of his ability. 

So now here he was, roaming the streets looking for you, the hours passing in a blur. You must’ve done a good job of concealing your identity, because no one he asked had seen a young woman matching the princess' description. And as the minutes ticked by, and sunset turned to midnight, he was at a complete loss of what to do.

He made record time combing the entire bustling town, stopping into places full to the brim with people in the hopes he’d catch a glimpse of you in the crowd, and yet there seemed to be no trace of you anywhere. It was easy for someone to hide their presence in a crowd, or in the rowdy environment of a tavern, and you were more than intelligent enough to blend into a crowd and divert attention away from yourself.

It was entirely possible that Minho had seen you at some point, and simply didn’t realize it, though he liked to believe he’d recognize you anywhere, no matter what you wore. Minho scowled, clenching his teeth as he scanned the dark horizon of the treeline; should he check the outer walls of the town for a clue, or double back and check the streets again?

He doubts you made it out of the town easily, considering you likely had no money on your person and little experience with the realities of the world. You were intelligent, yes, but sheltered; he could easily imagine you quickly getting in over your head, thinking you could make it to the next town without issue, only to end up lost and in need of help, with no one for miles to hear your desperate cries. 

Fuck. If he couldn’t find you, his head would most certainly be meeting the cold steel of a guillotine. He had no family who would mourn his loss, but still, he wasn’t ready to face his mortality. And the king, despite being someone he could call a close friend, would spare no mercy if he failed to keep his one and only daughter safe.

But really, there was more to it than just the threat of death that kept him searching for you. Believe it or not, he genuinely wanted you safe and well, and he'd do anything to ensure you made it back home, even if it made you curse him for the rest of his days. 

As if God himself heard his prayers and decided to grant him a miracle, Minho sees you– there, on the outskirts of town, holding your cold hands up to your face and letting your breath warm them. It’s dark, the street barely even illuminated enough to discern your recognizable features, but he knows without a doubt that it's you standing there in the cold street, because truly, he knows you anywhere. 

By the time you realize you’ve been spotted and recognized, it’s already much too late to flee. Minho approached you with utmost haste, reaching out and grabbing your arm, lest you make the foolish decision to try to escape again. His hold, while not rough enough to hurt you, is firm, and it only takes one attempt at pulling your arm from his hold to know this is it; your escape attempt has failed, and you’ll be dragged back to the castle and reprimanded for your “temper tantrum.” 

Your father never listens to you, no matter how hard you try to make him understand and see your point of view. Maybe if you were born a boy, your opinions would be important to him, and he’d see you are more than an object to pawn off to whatever man gave him the most political power.

“Princess–” “I’m not going home,” you interject before he even has a chance, though you already know it’s in vain. There is no avoiding returning to your glorified prison now that Sir Minho has you in his grasp. 

He sighs, but his face changes to one of sympathy, his grip on your arm loosening ever so slightly. “Can we at least go to an inn room? It’s not safe for a young lady to be on the streets at night,” he reasons with you, as gently as he can manage.

Normally Minho is quite stern with you, but you get the impression that he feels being stern isn’t the right approach tonight. You’re known for expressing yourself very vocally, even when doing so is extremely ill-advised, and he is well aware of how opinionated and fiery you are. 

But treating this display as anything other than a genuine act of desperation, a culmination of years of perceived disrespect and conformity, would be another critical error– one he can’t afford to make. So he will be firm, yes, but gentle in his approach.

You frown as you look at him; you’re stubborn by nature, and part of you wants to fight against him until the bitter end, but he’s not wrong about the streets being unsafe for you at night. You know he won’t let you escape again come morning, but that’ll have to be a problem for later; for right now, you really should heed his advice and go to an inn for the night. 

“Fine,” you concede, much to Minho’s relief. He could’ve forced you to go with him if he really needed to, but he’d rather avoid doing something so unpleasant. He leads you to a nearby tavern, which is still bustling with activity even at the late hour.

He keeps you close as he pushes through the crowd of rowdy drunks to the dual innkeep-bartender, hoping that there is still a room available. The man departs, coming back with a key dangling in hand, “You’re in luck. Last room’s all yours.” 

Minho thanks the man and pulls out his satchel to pay him, leaving a few extra coins as a tip before stashing it back in his pocket, along with the key he was given, and the two of you go up the stairs together.

“There’s only one bed,” you comment as you step inside the room, though Minho doesn’t seem to care much about that fact. “That’s fine, don’t plan on sleeping anyways,” he says as he removes his leather scabbard from his back, resting it against the back of the chair in the corner of the room. 

You frown as you sit on the bed and watch him; he must’ve been in a hurry when he received word you fled from the castle, as he wasn’t wearing any of his armor, strictly in casual wear you’d very rarely seen him in. Probably for the best, you think, because if anyone saw a royal knight desperately searching the streets, multiple alarms would be raised.

He lights the fireplace, hoping to quickly spread some heat throughout the cold room, before he sits in the chair, crossing his arms and watching you carefully. Deserved, you suppose. How is he supposed to trust you’re not going to flee at the first available moment just as before?

You certainly don’t make his job easy for him; he can’t take his eyes off you for a second. The silence between you lingers for some time, the crackling of the fire the only sound either of you hear, apart from the muffled patrons enjoying their drinks downstairs. Minho, despite his relaxed posture, looks like he’d be ready to jump up at a moment's notice should he need to. 

You sigh; should you just try to sleep? It’d feel awkward and uncomfortable to try to fall asleep with someone's eyes boring holes into you, but you really didn’t give him much of a choice. “Do you want to tell me why you ran away from the castle?” Minho asks suddenly, breaking the tempered silence between you. “You already know the answer to that,” you respond, crossing your own arms now. 

“Is marrying Sir Jin really so bad?” he asks, and you scoff, rolling your eyes. “Yes, obviously. I don’t want to. Not that you or my father care about me or anything I think.”

Minho’s brow furrows, the frown on his face growing. “Princess, you know that’s not true. I do care about you.”

“Do you? I haven’t been able to tell in the slightest,” you counter a bit harshly, “and you could help me if you wanted to, you know. I’d be fine out there if I was with you.”

Okay, maybe you’re not being fair to Minho right now. You do know he cares, but realistically, what is he supposed to do? If he disobeyed your fathers orders, he’d be lucky if his only punishment was a swift death.

He was assigned to you because your father trusts him to do the right thing and follow orders dutifully, a trust that is usually not misplaced. But he has to admit, the more and more time he spends with you, the more he feels for you. 

Minho never knew your father, the king, to be an unreasonable or cruel man, but in your eyes, he might as well be the devil himself. And maybe he is cruel– because how do you strip someone of their freedom and choices for your own gain, and not see the harm it causes, the wrong in it?

You are more than a pawn, more than a subject, more than his daughter– you are a person. A person with thoughts, feelings, and opinions as real as any mans, who did not deserve to be treated lesser than for the simple crime of being born a girl. 

But what is Minho if not an upholder of the status quo? He was just a single man, and even if he recognized how unfairly you were treated in comparison to the golden child that was your elder brother, what was he supposed to do? He always performed his tasks dutifully and without question, and it wasn’t until he met you that he began to struggle with what he should do, and what he wants to do.

And maybe he could get you out of this town, help you live a quiet, modest life somewhere new, away from the watchful eye of your father. Where he could be your protector, same as now, but without the guilt, burden, or threats.

You know you shouldn’t take your frustrations about your life out on Minho, but he’s really all you have. You trust him with your life, and he’s shown you multiple times that he cares about you beyond the duty he has to you, or to your father. He's your only confidant, the only person in the world you can rely on. 

Your eyes linger on the scar across his nose– he got it protecting you, the other man’s sword barely missing his eyes and cutting just across his face, and it was only one of many scars he obtained in his service to you. He’d pick you up and run with you in his arms when you were injured, he’d fight off attackers without breaking a sweat, sustain injury after injury all to make sure you were safe.

You’d watch his back, always stunned and mesmerized at the ease at which he cut down your enemies, as if they were nothing but paper. When he’d turn back to you, breathing heavy and sweat only just starting to trickle on his brow, his eyes would turn from the harshest winter chill to the gentle warmth of a spring morning.

He was quiet, stern, but his care ran far deeper than one would think just by looking at him, and all you had to do to see the true depth of his feelings was look in his eyes. So you knew it was unfair to accuse him of not caring about you, to expect him to go above and beyond for you, to ask that he go against your father to give you what you want. But you were just so sad, frustrated, angry, that you couldn’t stop yourself.

“Maybe you’ll grow to love him if you give him a chance,” Minho suggests; you both know that’s never going to happen, but what else can he say? He never married, and had no children, dedicated to his duty as he was; he had no real advice to offer someone when it came to love, romance, and the like, but he imagined it wasn’t impossible to fall in love if you just met Sir Jin with an open mind.

But as stated, that’s never going to happen. You’re stubborn to a fault, and once you’ve decided something, there’s no changing it. The best Minho can ever manage to do is get you to reconsider, but even then, you’re still likely to go about things the way you originally wanted to, with no regard for consequences or keeping up appearances. You’re a fiery woman, there was no doubt about it, and you don’t let go of things easily. 

“The mere thought of giving that man all my firsts makes me sick, it’s vile,” you scrunch up your nose, making your distaste for the man very clear. Minho doesn’t even think you’ve actually met the man yet, but you’ve already decided you hate him– you don’t want to marry him, and so you’ll be firmly stuck in your opinion, no matter what anyone says. 

“Maybe this isn’t advice I should be giving you, but.. You don’t necessarily have to. To give him your firsts, or love him. Find someone you do love, even if you have to keep it a secret, and hold him with all you’ve got. It still wouldn’t be ideal, of course, but.. Well, it’d be something, at least.” Really, Minho is supposed to encourage you to be an obedient daughter and listen to your father without question, but he knows you well enough to know that’s a fool's errand. 

You’re never going to listen, never going to be obedient, never going to stop being opinionated. So what’s the next, most realistic piece of advice he can give? Lie, of course. Make your father and inevitable husband believe you’re a good, obedient wife and daughter, and then go live the life you really want behind their backs.

It's dishonest as all hell, and there would be consequences if you got caught, but if you’re going to be miserable no matter what you do, you might as well try, right? It’s what Minho thinks he would do if he were you, anyways. 

“What about you?” you ask and Minho raises a brow in question. “What about me?” he asks, and what you respond with makes him feel like the air has been punched out of his lungs. “What if I gave my firsts to you?”

Did he hear you right? There must be some mistake with his ears, there’s absolutely no way you said what he thinks you did. “You– what?” Surely you can’t be serious about this. You’re the princess, and he’s just the man who happens to be your guard; a man who is your fathers age at that. But the way you look at him, he can tell you’re not joking in the slightest.

“Princess, I couldn’t possibly accept that,” Minho says sternly, his arms no longer crossed but instead resting on the arms of the chair, hands beginning to grip tightly so he can ground himself and try to make sense of this insane situation.

“Why not? I’d be happier if I gave it to someone like you. I trust you,” you say so nonchalantly it makes his head reel. What the fuck is happening right now? 

And truly, Minho was the ideal man; at least in your opinion. He was handsome, mature, realistic and practical, knew how to reel you in without disregarding the root of what you feel or being disrespectful to you.

He never dismissed how you felt, made you feel over emotional or like a fool who overreacts; he’d ask you to see reason, sure, urge you to think more before acting, but he never, never made you feel like your feelings were invalid. And he genuinely cared about you, and you liked him, were attracted to him, so if the opportunity presented itself then.. Why not take the chance? 

Fuck. Minho was absolutely fucked.

You were just freshly 20 when Minho first met you and became your guard, and hard as he tried to never see you beyond the platonic, he’s always viewed you as an attractive young woman. He liked your fiery spirit, liked how you had the bravery and gall to challenge authority, a skill that in recent months he felt he was sorely lacking. Your attitude was refreshing, and despite your circumstances, you never acted like a damsel in need of his help. 

In a different life, in another world, maybe you two could have met as equals, not painfully stuck to the rules of an unfair, unforgiving reality. You’d be each other's foil; you, the impassioned dreamer with as many thoughts and ideas as there were stars in the sky, and he the realist, who didn’t dim your light but tempered it into a steady, sustainable flame.

You’d take him out on adventures, out of the strict box of his comfort zone, and he’d ground you more firmly to reality, never discouraging your dreams but making sure you took the necessary steps in the right way, responsibly. You'd match one another perfectly, complementary and meant for each other. 

But that’s not your reality, and you both know it. There would never be any coming back from this if you go through with it, and there’s no ideal, happy future for you two to share. “I’m not so disillusioned to think this would be anything other than sex for you,” you continue, and he swallows, mind still racing impossibly, “but it’d be much more meaningful for me with you than some bastard I don’t like in the slightest.” 

You’re wrong. So wrong, and you don’t even know it. It would never be “just sex” with you. You mean much, much more to him than you even realize. “You won’t regret asking a man like me? There’d be no taking it back once it’s done,” Minho can’t help but ask, rationality and reason desperately trying to gain control. 

Despite what your father may believe, you’re a grown woman capable of making your own decisions. And this is a decision you make with full knowledge of what it means for you, more than willing to accept whatever consequences may arise for committing such a sin.

In an ideal world, you’d be allowed to love who you wish, live where you wish, do what you wish. But this isn’t an ideal world, and if there is only one thing you can ever be granted in this life that feels as if it isn’t even your own, it would be this– to have one night, just one night, where you can be the person you want to be, with Minho by your side.

“You’re free to reject me if you’re not attracted to me, but.. My only regret would have been not trying. So I ask, are you not attracted to me?” He looks you over carefully following your question, grip on the armrests tightening.

Admitting that he’s attracted to you may as well be a death sentence. But he can’t lie to you, completely at your mercy. Fuck the king, it’s you he’s really loyal to. All he’s ever done, all he ever will do, it’s always for you. He’s always tried to act in your best interest, to do the right thing, to keep you safe and protected. But does keeping you safe even matter if you’re miserable? 

“I am,” Minho swallows, answering honestly despite his better judgment, “You have no idea how attracted to you I am.”

“So why hesitate?” you ask, fingers trail down your lap, over your knees, to where the very bottom of your dress lies. He watches you, eyes darting from your hands back to your face. You’re watching him too, carefully, considering his every reaction before you make your next move, impressively calculated. 

You take the hem of your dress in your hands, pulling it up leisurely, getting it halfway up your thighs before Minho rises from his chair. He's is in front of you in an instant, his hands grabbing your wrists and stopping you from lifting it any further.

“You’re playing a dangerous game, Princess,” he breathes, voice low and strained; he can’t lose control of his desires, but fuck, you’re making it so hard. You look up at him, meeting his gaze with the same fiery determination you always have, but there’s more there than just that this time. Desire, want, need– all for him.

Fuck it. He’s going to get burned, but maybe it’s worth it. You’ll be his funeral pyre, engulfing him in your flame until all that remains are the ashes of the man he was supposed to be. And what a beautiful way to end his life it will be, lost between your thighs, feeling your nails dig and claw at his skin.

He lets go of your wrists, one of his hands coming to cup your face, thumb tracing over your bottom lip. “Has anyone ever kissed you, Princess?” he asks and you give a slight shake of the head, breathing a soft “No..”

He hums, and there’s a twisted sort of pleasure he derives from knowing he’ll be your first in every conceivable way. You’re not “innocent,” he knows you’re not, but there’s something about being your first kiss, your first cock, your first everything that makes him crazy. 

“And you want me to be the first one to kiss you?” he follows up with another question, corners of his mouth threatening to twist into a smile when you nod, a soft, honest “yes” leaving your lips effortlessly. He leans down towards you, keeping your head tilted up so he can easily meet your lips.

He does so softly, treating you with care. His lips are softer than you expected, and the feeling of them against your own fills you with butterflies. He carefully tilts you back, and you let your body fall back onto the mattress, head hitting the surprisingly soft pillows.

Minho crawls over you, spreading your legs apart just enough to get between them, your dress now hiked all the way up your thighs. He’s hovering over you, looking down at you with so much love and lust and that it leaves you speechless. “I’ll need you to listen to me tonight. Can you do that for me?” he asks, pressing light kisses to your jaw, under your ear, your neck. 

You can, because it’s Minho. He’d never hurt you, never try to control you, never make you feel lesser than. So you can listen to him, because you trust him with your care; he’ll take good care of you, you know he will. He smiles when you nod, and you see him smile so rarely that it makes your heart skip a beat; his role always requires him to be so stern and straight faced, that seeing him smile down at you like this is enough to melt you into a puddle. 

“You’re a good girl when you want to be, hmm?” he hums against your neck, resuming his trail of kisses against your skin, and you can’t explain why, but the words and tone he says them in makes your stomach flip.

If you were in a different world, and didn’t have to return home to the castle tomorrow, he’d take his time marking your neck, filling it with pretty shades of blue, purple, and red, sinking his teeth into your soft, supple skin. He just knows you’d look so pretty like that, and the way you react when his breath tickles your skin and his lips linger, tells him you’d like it too.

His fingers trail down your body, finding the hem of your dress and pulling it up over your chest. You lift your back off the bed when he separates from your neck, pulling your dress off the rest of the way and discarding it to the floor. He kisses you as he fiddles with the straps of your bra, effortlessly unhooking it in the back and pulling it down your arms and off your body. 

He may have never married, but he’s no stranger to being with and pleasuring women. And he’ll make sure he makes this a night you’ll always remember for all the right reasons. Capturing your lips in another kiss, his hands take in your now bare breasts, gently kneading and squeezing.

You try to squeeze your legs together, but his place between your thighs stops the act from happening, and he chuckles against your lips when he realizes what you’re doing. “Be patient, Princess, I’ll take good care of you,” he whispers before kissing you again, and you let out a small whine, not knowing exactly what you want but knowing you want something.

You gasp when he takes your nipples between your fingers and pinches them, not too hard of course, but enough to give him the chance to slip his tongue into your mouth. Your body shudders, you feel dizzy with pleasure and excitement, and the feeling of his tongue circling yours is impossibly intoxicating. 

One of his hands travels down, over your stomach, coming between your bodies to feel your heat over your panties. He’s barely even begun and you’re already soaking the fabric, your eager anticipation for more of his touch palpable beyond all else. He nips at your bottom lip, gently tugging it between his teeth before soothing the sting with kitten licks, his hand slipping inside your panties to feel how slick you’ve gotten directly. 

Your body jolts when his fingers run between your folds, and he barely has to move them at all to get his fingers completely coated in your arousal. He pulls back to look at you, taking in the sight of your flushed face and swollen lips, pretty and perfect.

You’re panting, breathless, overwhelmed in the best way possible. You keen when his fingers rub over your clit in circles, your teeth sinking into your bottom lip as you lift your head from the pillows to watch. “Feels good, doesn’t it?” he asks, suppressing a grin when you whine and quickly nod your head.

“Want more, want you,” you mutter, the most timid you’ve ever been in regards to a man. He coos, giving you a sweet kiss as he continues his stimulation to your sensitive spot. “Remember what I said? Patience, Princess, you’ll get what you want. We can’t rush and have you getting hurt, can we?” 

You pout as you concede, and God, he finds that so cute; he’s never seen you actually act shy and pouty before, and it makes him want to give you the entire world. He’ll give you everything you want, anything you ask for, but he’ll have to remember to tease you first so he can see that cute expression on your face before he gives in to your whims.

“I’ll make sure you’re nice and ready for my cock, so just be a good girl and follow my lead until then. You can do that for me easily, can’t you?”Another shy nod, another adorable flushed look that makes his cock throb in his trousers.

It was a little intimidating for you, knowing how experienced Minho must be due to his age, and feeling like you must fall short in comparison to other women– women who knew what they were doing. But really, that was just your own insecurity talking. He didn’t mind at all that you were inexperienced; in fact, it excited him for reasons he didn’t entirely understand. 

Maybe it was the knowledge that he was the first to touch your skin, or maybe that someone as determined and fiery as you are is allowing yourself to concede control, to let him be in charge of your pleasure, trusting him to bring you to utmost bliss. What bigger display of trust could you ever show him? Your glassy, pleading eyes, begging him for more but still waiting for it just as he asked– you’re too good for him. He’s going to ruin you. 

He takes his fingers away, and you have to physically stop yourself from whining at the lack of contact, lest he remind you again about “being patient.” “Open your mouth for me,” Minho requests, and though you are a bit confused, you do as he asks immediately, obeying without question.

Fuck, that’s hot; the image of you, mouth open, tongue slightly sticking out and waiting to receive whatever he gives you is something he never wants to forget. Minho slides two of his fingers into your mouth, instructing you to lick, to get his fingers nice and wet.

Truthfully, you were more than lubricated enough to take his fingers without this step, but he couldn’t resist the urge to see you this way. He pushes his fingers in your mouth down to the knuckle, and you persist with coating them in your saliva even as you gag and tears prick the corners of your eyes. 

He showers you with praise, slipping his fingers out of your mouth when he feels satisfied with the work you’ve done on them, kissing your cheeks, feeling the heat of your face on his lips. Slipping his hand back inside your panties, he presses the tips of his wet fingers to your hole, and you instinctively suck in a breath, body unconsciously tensing from the anticipation.

“You have to relax, Princess, it won’t feel good if you’re tense,” he explains sweetly, shaking his head when you mutter a soft apology. “Don’t be sorry, not for that. Just focus on me, hmm? On this,” he whispers, his lips lingering on yours in a deep, impassioned kiss.

His fingers stay completely still until he feels your body start to release its tension, heeding his advice to focus more on his kisses than the motion of his fingers. He keeps kissing you even as the first of his fingers finally starts to push inside you, and you moan into his mouth, hot pleasure licking your skin. 

He moves his finger in and out slowly, making sure you’re well adjusted before he pushes in another one, hooking his fingers to find that delicious sweet spot he knows will have you crying his name in no time. You gasp loudly when he finds it, your hands twisting the sheets beneath you between your fingers, your entire body trembling.

It feels so good you almost can’t breathe, and when he picks up his pace, hitting your spot over and over as he brings his thumb to your clit, you know you won’t last long at all. “M-Minho, I’m– 'm gonna–” you try to warn him, but the words die in your throat, the pleasure too overwhelming to continue to try and form a sentence.

He simply hums, continuing his motions until your eyes are rolling to the back of your head, sharp, shuddery gasps and moans tumbling from your lips as your orgasm takes you. “That’s it, just let go, just like that, I’ve got you,” he praises, pressing kisses to your hot skin, helping you ride out your high.

Before you can even fully recollect your breath and get your racing heart back under control, he’s pushing a third finger inside, the trembling in your body intensifying from the addition. “You need more to get ready for me,” he tells you, and in your fucked out state all you can do is nod, taking his word as gospel truth, “need to stretch you good to make sure my cock fits.”

All you can do is lay there and take the onslaught of pleasure, unable to think of about anything other than how full and good his fingers make you feel. You don’t even register that he’s moved your down your body and tugged your panties to the side until his tongue is meeting your clit, swirling around it in expertly practiced circles, making you desperately cry out his name.

Your fingers tangle in his hair, tugging harshly as your hips buck up to keep feeling the delicious sensation his tongue provides you. He flattens his tongue and lets you grind against it as you want, the motions of his fingers not stuttering or ceasing despite the movement of your hips. 

You feel the familiar heat pooling your stomach, another orgasm approaching quickly, the sounds you release turning into desperate whines and whimpers as you chase the feeling. It only takes a few more rolls of your hips and thrusts of his fingers to have you releasing all over his face and gushing around his fingers.

He sits up and pulls his fingers out when your body falls limp, chest heaving and ears ringing as you try to recover from the mind-blowing experience you just had. Your eyes are closed, and you can feel his weight shift, can hear the soft clink of his belt unbuckling, followed by the rustling of clothes.

You open your eyes to see Minho’s cock is now out, his hand lazily pumping it and spreading the pre-cum that accumulated and dripped over his time focusing on you. You reach a hand out to touch it, to replace his hand with your own, but he grabs your hand before you can, instead making you intertwine your fingers. 

“Tonight’s all about you, Princess. Don’t worry about taking care of me,” he says, kissing the back of your hand and then holding it down right above your head. You’re not quite pinned, easily able to snake your hand out of his hold if you wanted to, but you have to admit, you like the feeling of his hand keeping yours held down.

He rubs his cock between your folds before he lines himself up with your entrance, though you didn’t miss the subtle smirk on his face when you whined from the feeling of his tip rubbing against your clit. “Squeeze my hand if you need to,” Minho tells you before taking your free hand and bringing it up to his shoulder, “and hold onto me.”

Your heart squeezes in your chest; the hidden romantic in you yearns to tell him you love him, to thank him for taking such good care of you, to express how you never want this night to end, but you know that would be a mistake. Neither of you can afford to let your emotions spill out, so you swallow them down the best you can, deciding to just live in this moment, to experience it for all that it is and all that it means for you.

The initial push is slow, and thanks to his diligent preparation, there is little physical pain or discomfort you experience from the stretch of his cock. A slight sting, sure, but nothing you can’t easily handle, and it’s barely even recognizable when compared to the pleasant fullness you feel. So when you squeeze his hand, and your eyes well with tears, it’s not because you are pained; it’s because you finally have something you want, a happiness you thought would forever elude you.

He takes his free hand and wipes away the tears from your eyes, a soft look of concern on his face. “Hurts?” he asks, but you shake your head quickly.

“Feels good, I just– I..” you struggle with the words, knowing you can’t express how you actually feel about him even if you felt you could. “I know. You don’t have to say it, I know,” Minho speaks to you softly, and the kiss he gives you very nearly makes you sob.

There’s still a few inches left before he’s fully inside you, and he pushes the remainder in slowly as he continues to kiss you, his free hand now rubbing soothing circles on your hip with his thumb. Minho does well at maintaining composure, staying firmly in control of himself and his body despite the way your walls squeeze and suck him in, despite the way you whimper when you feel him throb, or cry out against his lips when his tip kisses your deepest spots.

“That’s a good girl, taking all I give you, doing so well,” he praises you some more, and you love when he tells you how good you’re doing if the way you clench around him is any indicator. “Fuck, Princess–” he groans when he finally starts to move, pulling out and pressing back in much more slowly than he normally would, but the wet friction you provide him is delicious.

“Minho, I–” you start, interrupted by a sharp gasp when he finds your sweet spot with his cock.He looks at you as he stills his hips, patiently waiting for you to continue in case what you have to say is important, or a request for him to stop.

You swallow, face heating up but determined to get out what you want to say. “J-Just this once, I don’t want to be the princess. Call me by name, please–” Oh, that’s what you want? He can do that, easily; he’s already groaned your name countless times in the privacy of his room, stroking his cock to the thought of you.

The sound of your name falling from his lips as he resumes the thrust of his hips has you clenching hard, stars erupting in your vision as he picks up his pace, beginning to quickly and mercilessly hit your spot, over and over again. He takes one of your legs and props it up over his shoulder, allowing more of his cock to fill you up, the creaking of the bed and the sound of skin slapping beginning to overpower the noise from downstairs.

Taking his other hand away from yours, you’ll have to forgive him, he licks his fingers and then brings them to your clit, wanting nothing more than to see and feel you release on his cock. It only takes a few more thrusts and circles from his fingers to have you crying out his name as you cum, fingers digging into the sheets beneath you as your body shakes and legs tremble.

But Minho hasn’t cum yet, so he’s not quite done with you– not that you mind in the slightest. You’ll let him chase his pleasure as long as he wishes, even if it leaves you a drooling, fucked out mess in the end.

He pulls out of you, just long enough to sit against the headboard, and then he’s pulling you on top of him, guiding you to sink back down on his cock and sit fully in his lap. The new position has you rolling your eyes to the back of your head, Minho guiding the movement of your hips with his hands as he thrusts up into you.

He’s quite literally doing all the work, but that’s perfectly fine; this night is supposed to be about you, after all, and he doesn’t want you to lift a pretty little finger. Just let him use you a little until he cums, that’s all he needs.

You’re panting against his neck, head laid on his shoulder and nails digging into the skin of his back beneath his shoulder blades. The sting of your nails in his skin is just how he imagined it to be, and his head is falling back against the headboard, low grunts and groans of your name leaving freely as his cock throbs and twitches, getting closer and closer to his release.

He uses one of his hands to grab your face and lift it up to his, crashing his lips to yours in a desperate, impassioned display of love and lust. A few more snaps of his hips and you feel his cum spurting inside you in long, thick ropes, the sensation sending you forward into yet another orgasm of your own, your desperate sounds muffled only by Minho’s mouth on yours.

Your body collapses against his when the moment slows to a stop, both of your chests heaving and breaths heavy as you lie against him. His arms wrap around you snuggly, and keep you upright against his chest. You can hear the quick, erratic beating of his heart as he catches his breath, looking up at him to see his eyes closed and sweat trailing down his brow towards his cheek.

He looks beautiful like this, you think; you hope he thought the same of you. Even as his cock starts to soften, neither of you move, and though your legs protest and beg to be stretched out, you refuse to leave your spot on Minho’s lap.

“Are you alright, Princess?” he asks once he’s collected himself, pushing your hair from your face and wiping the sweat from your brow.

“Mhm, just want to stay like this,” you reply, and Minho smiles softly, rubbing over your shoulders and down your back in a sweet gesture of comfort. You’re silent like this for some time, just simply enjoying the feeling of him, the sound of the crackling fire, the warmth he and this room provides you.

“Does my happiness really have to end here?” you can’t help but quietly ask, and Minho is quiet for a moment, carefully considering before he speaks.

In a different world, in a different time, in a different place, maybe the two of you are meant to be. There’s comfort in imagining yourself there, truly happy with Minho, letting him care for you while not snuffing out the flame that is your pride, ambition, and spirit.

It’s not meant to be, you both know that to be true. To be with each other required great risk, sacrifice, hardship. But again he has to wonder, is being safe worth the cost of happiness? Would you even truly be “alive” if your every moment was spent miserably?

He doesn’t want to see the very core of what makes you you be snuffed out by selfish, idiotic men and their expectations of what you should be. You’re much younger than him, and it would be impossible for him to be there for you for the rest of your life, but he can be for the rest of his, at least.

“Maybe not,” he answers, unsure of what the future holds for the two of you, but not entirely ready to give up so easily. He could accept his fate, accept that love is something out of his reach, but it’s your happiness on the line that makes him want to fight for it. 

There’s a lot he could lose by helping you escape this life you feel trapped in, but he’d rather see you happy than wasting your days away in the castle, subservient to a man you loathe. Your love isn’t meant to be, but that’s okay; he’ll help you all the same.

He’s loyal to you, and only you, he’s decided– so if you make your future husband, your father, or even the entire kingdom your enemy, then they’ll be his enemy too. And it’ll all be worth it just to see you smile for a little bit longer.

[hotvintagepoll]

Propaganda

Fernando Lamas (The Merry Widow, The Girl Rush)—no propaganda submitted

Danny Kaye (The Court Jester, Hans Christian Andersen, White Christmas)—he's such an absolute joy to watch dancing, swordfighting, singing, you name it...underrated genius and SO hot beneath all the antics! post the scene of him wooing angela lansbury from court jester i beg you [below the cut]

This is round 2 of the bracket. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage man.

[additional propaganda submitted under the cut.]

"It's easy to overlook because he was a comedic actor, which we don't always associate with hotness. But look at any publicity still and you'll see, he was absolutely hot."

"y'all sit down, shut up, let me tell you about danny kaye. HOT. HOT MAN. him? in the court jester? swordfighting basil rathbone so so badly?? the bit where he's hypnotised and romancing angela lansbury??? this man in the inspector general—i've never seen anyone look better in regency fashion in my life. people dont realise how hot he is because he's so FUNNY but he steals the show every damn time!! "

"i will never not love him for refusing to get surgery to his nose when the studio system told him he looked too Jewish. he was also an underrated genius as well—but for this poll, let me just say he is HOT, secretly gorgeous, and i have never seen a man look so good in period clothing literally ever."

"he was hot!!!!!! an ambassador for unicef!!!!! he is so fucking funny i dont know !!!! my beautiful hot ginger jewish king"

"i would like to submit the engagement clip from white christmas for danny kaye. Vera ellen is a smoke show but man. something about danny kaye crawling away from her and then figuring out the SchemeTM... That's hot folks!"(https://www.youtube.com/watch?v=IEM-xZtALnc)

"Would also add his early life section on wikipedia is a JOURNEY (fun)"

[yourcrumblingsaikiisnotmyproblem]

I know TGCF has a whole thing about people around Xie Lian suffering but what I genuinely love about that is how ironic that is.

The people XL picked and trained all turned out to be HEAVEN FRICKING OFFICIALS, Lan Qianqu ascended, Mu Qing ascended and so did fend xin. HUA CHENG, whom XL knew from the very first fight as a teen would be unstoppable with a saber fucking ASCENDED and then became a calamity.

XL is not unlucky, he's amazing at reading people with potential and he hypes them up and guides them to what will suit them. (he also instructed Mu Qing early on, don't forget, who was one of the very few people on par with XL, when he was a prince, when it came to swordfighting)

Now I'm not saying these people weren't destined or it wasn't their own fate and hardwork. what I'm saying is that XL is probably the luckiest link they had in their lives who made the person they could become otherwise how could Lan Qianqu, whos very young and kinda impulsive, be ascended and in control of a whole ass region?

Would Mu Qing find his cultivation as easily and conveniently as he could with XL's help? Would HC be motivated or inclined towards improving his skills? Would Feng Xin? Hell the reason they could cultivate that high in the first place (Fx and Mq) is BECAUSE XL made them his officers!

Also let's not forget XL's presence is the reason the whole blackwater arc did not end in like 5 seconds cause who the hell would figure that shit out. (hc wouldn't give a shit without xl and pei Ming is too horny too use his brain around shi wifi going through his heavenly trial thingy)

I rest my case

[heloflor]

OH COME ON

btw I found a reddit post that sums up my issues with this change perfectly

The issues with Movie Peach: A comparison of portrayals

Ok so I know it’s been literal months since the Mario Movie came out but I’m still a bit salty about the way Peach was portrayed in it, and honestly the more I think about it the more I find flaws in this “adaptation”, and I need to get it all out, hoping talking about it here will help me stop thinking about this shit and finally get over it. If you enjoyed her movie portrayal, good for you and feel free to ignore this post. For the others, here are the things that bother me about it.

(Very long post ahead! A bit over 11k words. It’s "cut" in several parts to make it easier to follow. I also made a Google docs version in case it’s easier to read. Tl;Dr under the cut because Tumblr does weird things due to the length otherwise)

Tl;Dr: Outside of a few personality traits that are the same but expressed differently, which is an issue all main characters in this movie have when compared to their game selves, the main issues with Movie Peach are her body language and the fact they removed the overly kind nature, more or less pacifist nature, wit and softness she has in the games and instead made her confrontational, a competent physical fighter and overly-confident, all of which make her OOC when compared to the games. This is especially insulting given the way Illuminations seems to look down on Games Peach and consider what they did with her in the movie to be an improvement, when Peach’s main issue in the games isn’t her personality but her lack of screentime to make said personality shine.

Setting a few things straight before we start, just to make sure we’re on the same page here:

1. No, it’s not about the pants. While an argument could be made about Peach only wearing pants in outfits that require it (adventurer and farmer in Odyssey, some events in Olympics, Strikers, swordfighter and Kung Fu in Showtime, biker in Kart, her cap/snow/moon outfit in Odyssey and detective in Showtime do have pants in a setting where it’s not necessary but both also give her a long jacket, making it look like she’s wearing more of a dress with long stockings rather than actual pants, same for Olympics ice skating) ultimately there’s absolutely nothing wrong with her wearing pants. Heck, one of her scraped Odyssey outfits has her wearing jeans, and it’s one of her best outfits! Also Showtime might have more outfits with pants that will make this argument null (I mean the concept art for Odyssey kinda already does with the jeans). All this to say, the people who claim Peach was “ruined” because she’s *looks at smudged writing* “wearing a biker outfit on a bike” need to chill tf out.

2. There’s also nothing wrong with the fact she can parkour. In all the games she’s playable, Peach can keep up with Mario without any issue (she does have a slower walking speed in Super Paper and 3D World but it honestly barely matters, and it makes sense given she has a dress). Plus, the movie establishes that she was raised here, so it’s normal for her to have the abilities needed to get around. Now I do take issue with her body language in the training scene (more on that later) and the mention that she first-tried it (I like when characters struggle and grow rather than getting everything right first-hand) but both of those things are unrelated to her platforming abilities. So if you see little to no mention of her being great at it later in the post, it’s because that’s not something I consider out of character for her.

3. I am beyond excited for Princess Peach Showtime. From what we’ve seen so far, this game perfectly encapsulates what makes Peach who she is, and I am so happy that she’s getting her own game again!!! As for the swordfighter and Kung Fu outfits, it’s mentioned later on in the post but yeah it absolutely works with her game personality. Again, the issue isn’t with the outfits, or in that case with some specific abilities that work with what we know of her, the issue is with the personality that goes with it.

4. While the post will likely give the opposite impression, in no way do I consider myself some sort of expert on Peach’s character. This is a character that was created 15 years before I was even born, and I have no rights whatsoever to dictate what Nintendo can or can’t do with their own characters or how they choose to portray them. It’s just that she’s a character I absolutely adored as a kid and, while I’m not sure if she’s currently my favorite Mario character (hesitating between her and Bowser), I’m still incredibly attached to that character and her potential, hence why I care so much. But by the end of the day, I’m just some random weirdo over-analyzing a character from a kid-oriented piece of media.

5. I have no issues with the strong female character archetype, or at least none outside of the common grievance of “stop giving us boring planks of wood with amazing natural abilities and instead give us great characters who happen to kick ass and be badass!”. In fact, was this movie a completely original piece with characters unrelated to Mario, I’d probably enjoy Peach’s character. My issue in this specific case is that this movie is meant as a faithful adaptation of a specific franchise, so you’d expect all the characters to be in character. And while all main characters have some traits that are missing or not exactly the same as their game counterparts (I could make a short post about it if anybody asks), it still works very well for what Illuminations was going for and they’re still recognizable. Peach is the only exception where her character feels very butchered. There’s also the issue that it feels like Illuminations looks down on Peach’s game portrayal and wrote her this way with a desire to “fix” her, when there’s nothing wrong with her in-game personality. More on that later. But yeah, it does feel insulting if they do look down on her game character.

(Also I know this is a whole other discussion but I’m really not a big fan of the way everytime a new female character is created she needs to be called like “girlboss”, “damsel”, “Marie Sue” etc. Can’t a female character just exist without being put in a box, like male characters do (obviously I’m talking outside of fandoms, I know men are put in boxes around here)? Also can’t sweet female characters, strong female characters and anything in-between just exist without people arguing over which ones are “better”? Just let women be women. And while I do understand the issue with how many movies do nothing with their women outside of making them the love interest, which is an issue, by that point we have so much diverse female rep that we should be able to write characters the way we want without having to compensate for the shitty portrayals. You want your female characters to be likable or great role models? Just make them interesting. Give them goals, an arc, interesting relationships, things they’re good at and things they struggle at. And if you want them to be soft and kind and raise a family? Go ahead! You want them to be badass as hell and kill without a sweat instead? Go ahead!

Also last thing about it but I find it pretty crazy how Disney specifically struggles so much nowadays with female characters in live-action. I mean Disney Animations Studios gave is tons of great women, both protagonists and antagonists, all with different personalities (Snow White is childlike and naive, Cinderella refuses to let her situation take her down and remains kind to those “below” her, Ariel is curious and passionate, Jasmine is stubborn and independent, Esmeralda is incredibly selfless while still having no issue standing up for herself, Megara is cynical and sharp, Tiana is determined and hard-working, Mulan is very smart and loves her father so much she’s willing to die protecting him, Rapunzel is spunky and has a natural talent to bring people together, Elsa is shy and introverted, Anna is impulsive and empathetic, Mirabel is probably the most relatable Disney protagonist, the list goes on), heck the Disney Princesses is their most popular brand that they didn’t buy out from the competition, and yet when you look at the remakes and the superheroes movies, they give us the blandest characters, whose “empowerment” messages are the most nothing thing when compared to the original animated movies. Mulan especially is a ridiculously good example of that given how fantastic the message of the original movie was in terms of female empowerment.)

Now, with all that out of the way, let’s get into why I dislike Movie Peach when compared to Games Peach:

1. The two biggest issues with Movie Peach

Starting with one of my two biggest issues but also the shortest to explain: her body language. To go over it quickly, just watch her scenes in the movie while focusing on her body language, mannerisms and facial expressions, and then go to her scenes in the Mario + Rabbids games along with the trailers for Princess Peach Showtime and do the same thing. You’ll quickly notice that Rabbids and Showtime have a very similar Peach, while the Movie gives a completely different vibe. In fact, on body language alone, they come off as two completely different characters.

Now there are small moments where her body language in the Movie works as Peach, such as her reactions when Mario is training or when she’s watching the fight between him and DK (at least when the camera isn’t fully focused on her for that second case). But overall, she’s still very different from the games.

To give more precise examples, notice the way Movie Peach always looks very confident when she’s about to start a fight. In comparison, the first teaser for Showtime opens up with Peach and Stella going on stage, and Peach comes off as someone who isn’t sure if she can do it but is willing to try her absolute best. Basically when I look at Movie Peach her face says “Alright, let’s do this >: )” while Peach in the first Showtime trailer has a face that says “Alright, I can do this”, if that makes more sense.

Then there’s also things like in the first Rabbids games with Peach showing up to the fight floating with her parasol Marry Poppins style. And upon being about to land, Mario extends a hand to help her even though she doesn’t need it, which kind of reminds me of the ending of Super Princess Peach where Mario is the one in distress yet Peach is the one getting carried bridal style by him because that’s just the kind of person she is. I just can’t picture Movie Peach doing the same.

Btw funny thing but while I disagree with the people claiming that Movie Peach is basically Daisy, since Daisy is very aloof about her role as ruler while Movie Peach takes it incredibly seriously, I do believe that Movie Peach’s body language would fit Daisy very well.

I guess it’s also worth mentioning how different her voice sounds in the movie? But then again I watched it in french and only saw some english-dubbed scenes through video reactions, and I can’t say I really care about the og dub enough to take a good listen. That being said, I’m not the biggest fan of her french voice when you compare it to what Peach sounds like (I do think the voice actress did a great job though, regardless of whether or not she sounds like Peach). And looking at trailers in different languages, the German version I believe has a much higher-pitched voice and it does feel a lot more like what Peach sounds like.

Second biggest issue is how great she is in combat and that’s the biggest one for me. Not only did they remove some of Peach’s traits (which we’ll get to in a moment) but they added something that is extremely out of character for her.

In the movie, Peach is a fantastic fighter, especially with hand-to-hand combat. She drop-kicks Mario, would have probably won against DK no problem had she accepted the duel, does a great job defending herself in the Rainbow Road scene, is very quick and agile when confronting Bowser at the wedding, and was single-handedly winning against a whole army, probably would have won had she not gotten distracted. She’s also clearly aware of those abilities, very often smiling during those fights, showing tons of confidence in her abilities.

On top of that, she’s very confrontational. She hears of Bowser being a menace and immediately wants to go to war. When a stranger gets a bit too close for comfort, she attacks. When encouraging her Toads before leaving, her posture when she gets interrupted shows a desire to fight. When they meet the first Kong and he glares at her, she immediately glares back. She also takes a fighting stance when he roars at them. When Bowser approaches, she’s willing to take him out all by herself and later on starts the battle at the altar. All-in-all, fighting is her first solution to pretty much every problem.

Peach in the games, however, is very different. If you look at her relationship with fighting throughout the series, three things will arise:

1. Peach doesn’t like fighting and only does so if there’s no other choice. In Mario 3D Land, she fights back against a pile of Goombas but looks incredibly uncomfortable doing so. In what we’ve seen of Showtime, she cowers when Stella uses her magic on her hair and then looks confused about having to be the hero for a second there.

In Smash Bros Brawl, the one cutscene where she truly shines has her stopping fights left and right and trying to befriend everyone while letting Sheik protect her if needed; she doesn’t even take a fighting stance when Mr. Game and Watch attacks (at least in the cutscene compilation I saw, could have been a glitch where her animation didn’t trigger considering she’s dusting her dress off instead, which looks like an idle animation; note that I haven’t played this game). Btw it’s both very funny and pretty embarrassing for the Movie writers that a fighting game of all things understood Peach’s dislike over fighting better than they did. On that note, this one Ultimate trailer with no music that got memed a lot features Peach and Zelda surrounded by a gust of wind, and while Zelda looks ready to fight, Peach instead gasps and looks at the wind, completely dropping her guard and forgetting about the whole “having to fight” thing.

Then there’s the Mario and Luigi series where she sends the twins to fight her battles, the first Rabbids game where you meet her very early on yet she only becomes playable much later in the game, plus in both Rabbids games she’s a support character whose role is to protect the others (of course she still has an attack like everyone else; also I’m in no way saying that a support character is “lesser”, it’s an essential role in making sure the hard-hitters use their turns to attack rather than heal).

In Paper Mario 64 she also doesn’t fight directly and in the last boss uses her wishes to strengthen Twink, playing support. Even in the Super Mario Adventures Comic, outside of dropkicking on the Koopalings, she never fights directly. When going back to the tower, she threatens to blow it up but doesn’t do anything when Wendy calls her bluff. There’s literally only one panel during the “getting the keys” fight in which she’s visible, and she’s in the background running around and looking surprised!

Oh yeah and while I might be wrong as I’ve only seen it in like, 2 cutscenes, Peach in the Rabbids games doesn’t seem to have a fighting stance, at least outside of cutscenes. So you know how the characters have some small animations, like “thinking” stances or “happy/cheering” stances or “sad” stances, you know the ones? Well in at least two scenes, while everyone is taking a fighting stance, Peach is standing with her mouth open in surprise. I know one of these moments is in the Last Spark Hunter DLC but I couldn’t tell you which is the other cutscene. I’m not even actually sure if it’s true for a second one but also for some reason I remember seeing it at least twice. 🤔 Btw random fun fact but Bowser also doesn’t have a cheering stance, at least not in this DLC.

I also know incredibly little of Super Mario RPG but doesn’t she use magic in this game, and is again the supporting character meant to heal the others?

Also also not sure if this matters much since other characters like Daisy do it too, but in Super Mario Party, and possibly other party games (?), during the minigames that require punching other people, she pushes them instead. You can see she doesn’t use her fist but her palms instead.

Lastly, because it does need to be brought up, yes Peach jumps on enemies without any hesitation in the platformers she’s playable in. This is basically the main reason why I called Peach “more or less pacifist” in the Tl;Dr. And honestly, the only counterargument I can give is the fact that those aren’t really fights, at least outside of bosses. You’re just kind of hopping on enemies’ heads and then they disappear. But in games that are more focused on the fight itself like the RPGs or the Smash cutscenes, Peach tends to either be less comfortable with fighting or have more of a supporting role.

Now, I could also point out how the vast majority of platformers Peach is playable in are co-op games (Bros 2 USA, 3D World, Super Paper, Wonder), and the stories of those games imply the whole group is going on an adventure together, meaning it’s possible Peach does less fighting and more exploring for example, leaving Mario and Luigi to do most of the fighting. And while this is an idea I like to explore in fics, I don’t want to diminish Peach’s abilities here. Plus Super Princess Peach and Showtime prove that she doesn’t hesitate when on her own.

And yes I know the real reason why she doesn’t hesitate in the platformers is because people want to be able to play as her and it’d be stupid to have a character who doesn’t have the basic abilities literally every character has, so it has less to do with her personality and more to do with gameplay. The RPGs on the other hand assign different abilities and roles to different characters, so they can make Peach the healer/support as a means to make her an active character while keeping her personality intact. Still, for the sake of argument and to avoid being a hypocrite, I consider the platformers as proof that she can fight directly when she needs to, with the RPGs and Smash cutscenes showing that this might not be her preferred choice.

All this to say, Peach is not much of a fighter. If she can prevent a fight, she will choose the more peaceful option. She’d also rather have other people fight instead of her or play support for them. But if it all comes down to it, she will fight. She’d rather not, but she will if needed.

2. Peach doesn’t know how to fight. Now this might be a flimsier argument but bear with me here. Basically, the first time I thought of this was due to the 86 anime and Adventures Comic, both of which have her defend herself using furniture, which does give the impression that she doesn’t know how to fight so she does the second best thing: throwing heavy shit to at least do some damage.

But even with those aside, Peach is definitely one to use unusual weapons. In Super Princess Peach and a few other games, she fights with a parasol. Her gun in Rabbids 2 is even shaped like a parasol. In Super Mario RPG, from what I’ve heard/seen, she uses a frying pan. And while I don’t know her Smash moveset, looking at her character descriptions from the wiki, the Smash games keep mentioning her using said frying pan along with turnips, her parasol, sports gear and Toad as a shield, with her hand-to-hand combat being her kicking while in the air. I also know what her final smash sort of looks like with the way the screen changes to look like a Peach-themed frame (and I think I remember hearing that peaches fall off the sky but don’t quote me on that).

She also uses magic, mostly star/wish-related magic, which seems to be healing magic for the most part? On that note, her specials in the sport games tend to be heart-shaped. And while it’s definitely undermined by the swordfighter and Kung Fu outfits, her main means to defend herself in Showtime is a ribbon. And who knows, maybe we’ll get some other wacky ways to attack in other transformations?

So yeah, overall, Peach doesn’t seem like someone who knows how to fight. She just holds onto an object that she’s comfortable with and wacks people with it. In a way, it goes with what’s said in the previous part. In platforming games, she jumps on enemies just like everybody else. But when it comes to more hand-related combat, Showtime is seemingly the first time where she’s getting some abilities on that front.

Now, there is the argument that Showtime is all a play, meaning her abilities are her playing a role. But I do think that, regardless if this is a play or not, her physical abilities in this game do come from her. So even if the fights are “scripted” to an extent, she’s still capable of executing those moves. Same deal with the possible argument that Stella might be giving her those powers/boosting her. Peach still is capable of doing them on her own, unless we’re explicitly told in-game that Stella gave her those abilities and Peach wouldn’t be able to do them without her. But then this would undermine her baking and detective skills, and we know how much Peach loves baking. Guess we’ll just have to wait and see once the game comes out.

3. Peach is physically weak, much more so than what the movie shows. This is actually why I saw her Smash descriptions because I went to the wiki pages for all the sport games to check her stats. And in all the games showing said stats, her strength is almost always below average, sometimes by a little, other times by a lot, with quite a few instances having her as one of the physically weakest characters. I can only remember one exception where her strength was around the same level as everyone else. Everything else, she’s below.

For those curious about which stats I used to check on that: every game that has a “strength” stat, I checked it. As for the others, for the golf games I looked for the ball distance a throw gives as it seems like the one that would require the most strength, and for some Strikers games it was the shooting stat. I didn’t take Mario Kart into consideration as I don’t think there’s anything in that series that would count (even weight doesn’t really have anything to do with it), and the baseball games were a bit more complicated. By that I mean that Peach in Sluggers for example (at least I think it was Sluggers) has a bad stat as a hitter, but good at pitcher. And both of those positions require physical strength I believe? Unless Nintendo considers pitcher as more of a technique-related skill and hitter as more strength-related? But yeah, just leaving this here in case it’s relevant. Literally the one time I don’t spend time looking at the other characters’ stats to see what they have in comparison, it’s the one time where I’m not sure what it means in terms of strength.

(Speaking of which, because I found those interesting, know that Mario is always the most balanced character, Luigi tends to be not as strong as his brother but has more agility than him, Bowser is always one of the strongest, DK and Wario swap between which one has the same strength stat as Bowser and which one is a bit weaker depending on the game, Daisy is a fast character in the Olympics games which I find funny considering Mario Kart Wii, and Waluigi tends to be on the weaker end due to being lanky apparently.)

And outside of the sports games, one of her Smash Melee descriptions calls her one of the weakest characters physically, and how using her is a test of endurance (again, a literal fighting game gets it), while that one long gone Doctor Mario mobile game has her attack stat in combat mode be at its lowest, while her defense on the other hand is pretty good (haven’t played this game actually, just stumbled across the page and looked up some stats, funny how well they’re tied to the sport games, like with Mario being balanced, Bowser having the most attack etc).

Now there might be more examples I’m forgetting, but all-in-all, there’s a pattern of Peach being weak when it comes to physical strength. And on unrelated news, the part of me that headcanon her as a Toad is very happy about that fact.

2. Other personality differences

And speaking of patterns! Here’s something the movie removed from Game Peach: her wit. Peach in the games is smart, resourceful and quick-witted. And while it’s not something the games really focus on, it’s absolutely there.

In all those sports games I mentioned, there’s one stat that’s always her highest, and that’s her technique. In all the games that have a stat called technique, she has the highest one. In almost all the games that don’t have stats but just put the characters in categories based on their abilities (all-around, strength, technique, speed etc), she’s put in the technique box, with only like one exception in an Olympics game that puts her in the speed category, switching with Daisy. In strikers, the golf games, the tennis games, and likely the baseball games, her best stats are the ones related to her control over the ball, which I’d argue is the most related to technique (don’t remember the exact names of the stats but it was something along the lines of passing the ball, giving effect to the ball, choosing the trajectory of the balls and being pitcher respectively). One of the Olympics games I believe even calls her quick-witted.

On that note, I like to think that this is why she makes for a great swordfighter and Kung Fu artist in Showtime, as those are skills that require a lot of technique and she’s good at picking up on it (also is there an Olympics games that has a fencing challenge that she’s playable in? Because that could explain it too).

As for outside of the sport games, you have the 86 Anime where she manages to outsmart Bowser though she doesn’t get away with it, the Adventures Comic with her outsmarting the Koopalings and even managing to escape the tower by making fast decisions on where to run to and using Wendy’s possessions against her (granted she got lucky with the cape, but still), Paper Mario 64 with her sneaking around the castle finding info to help Mario, same deal with Thousand Years Door (from what I’ve seen of it), Superstar Saga with her switcharoo plan, Partners in Time with her quickly grabbing the star against Elder Princess Shroobs, Dream Team with her and Toadsworth going through a few trials on their own (plus, depending on when she got captured, she might have been the one to think of hiding with Madame Broque), Showtime with the detective outfit, all the games where she’s able to send Mario items (like Galaxy) or attempts to run away (3D Land), and overall she’s seen as a great Princess loved by her Toads, which is a role that requires a lot of thinking to take the best decisions for her people.

On the other hand, Movie Peach lacks this wit. While she does have a lot of technique given how much she can do physically, she lacks the smart decisions that Games Peach is able to do. Or at least, she doesn’t think things through like, at all. I mean if you look at her decisions one by one:

- She intended on traveling to meet the Kongs all on her own, going on a fairly dangerous adventure without a single person in tow. The only reason she went with others was because Mario showed up.

- She meets that completely random guy that broke into her castle and is immediately willing to take him on said difficult journey after one day of seeing him train, all because he looks like her (this is the main reason why I would’ve loved to have Toadsworth in the movie, he could’ve told her not to go alone, thus giving an excuse as to why she would take Mario with her).

- When Cranky refuses to land his army, she just doubles down on what she just said. While her arguments make sense, she clearly didn’t know what to say and had no backup plan in case he refused, and only got the army due to Mario’s impulsiveness (granted I think she could’ve taken DK in a fight). And while yes, she’s surprised when Cranky first accepts, meaning she might have expected him to disagree, the fact she says “that’s it?” makes it seem more like she expected a deal rather than a direct approval. She didn’t come off as someone who expected him to say no, but instead expected a conditional yes and didn’t consider what to do in case of refusal.

- When Bowser arrives, she intends to face him alone, literally getting surrounded by Koopas the second Bowser steps out of his ship. Then she tells him to use the star now. She basically sent herself on a suicide mission here, and clearly decided to face him without any sort of plan. Was she hoping her looking badass and all would be enough to deter him or something???

- The wedding scheme. Now, this one is fine overall and does show she can come up with plans, but also a few people have pointed out how there could have been alternatives. She could’ve tried talking Bowser out of the sacrifices, try to accept the marriage and bide some time in order to strike when there isn’t a fricking army standing right next to her. But instead, she chose to blow up the whole thing, which was a crazy dangerous plan. It also showcases what I was saying about her being confrontational, when this is the first thing she can think of. Now of course, in the end it was the best idea due to Bowser wishing to sacrifice other people, meaning she needed to act now. But with the context of Peach not knowing about said sacrifices, it means she still intended on doing the most dangerous thing first rather than getting the marriage over with and destroying Bowser’s empire from the inside. Heck had she waited until after the marriage she could’ve gotten access to the Star during the night or something. Also, again, there’s no telling how Bowser would’ve responded had she asked him to spare those lives, at least for the time being.

So overall, while I wouldn’t call Movie Peach an idiot as she’s not, she isn’t that smart either. She keeps rushing into dangerous situations thinking her fighting abilities will be enough to solve the issue, exercising none of the caution and patience Games Peach has when trying to escape or snooping around. And it honestly sucks that Illuminations decided to take out what is arguably one of Peach’s biggest strengths and replace it with another type of strength that not only she doesn’t need but also goes against her character.

Now, before we get into the last thing bothering me, which is her kindness or lack thereof, I’d like to talk about a few minor traits that could’ve worked in the kindness part but can also be talked about separately. Those things are her snark/sass, her seriousness and her anger. Basically, those are traits that both Movie Peach and Games Peach possess, and as a result it doesn’t bother me when Movie Peach displays those.

Peach in the games can be sassy at times, especially in the competitive games. That sassiness can also be turned into playfulness a few times, like in Superstar Saga when she trolls Mario and Luigi about her voice and laughs about it, or during the escort mission where she makes comments about how “it wasn’t that bad” when you exit an area.

Like Movie Peach, she’s also fairly serious during dangerous situations. It’s just that, due to her personality, she expresses a lot of worry in those situations, which might take away some of her seriousness when compared to her movie self.

As for her anger, boy is it present in the games, but again it comes off as toned down due to her inherent softness. In the 86 Anime, she’s constantly talking back against Bowser and gets mad at him a lot, same for Paper Mario 64. In Super Paper Mario, it’s easy to get her angry. In the ending of Odyssey, she’s pissed off, and I actually love how when she gets on the ship she needs to take a deep breath to calm down enough to bring back a smile for Mario. That doesn’t mean she isn’t angry anymore, but again she’s incredibly kind and compassionate so she’s willing to put it on the side for now and focus on getting home. Also in the intro of Super Princess Peach, she’s absolutely furious after reading Bowser’s letter.

About her anger, I can’t help but wonder if this is what Miyamoto meant in an interview related to the movie where he apparently claimed that Movie Peach is how he’d always wanted her character to be. Because let’s be real here, this claim, if true, is corporate bullshit. Miyamoto has a lot of power at Nintendo, he could’ve made Peach like that from the get-go if that’s what he’d always wanted. Hell just look at Showtime where Peach is the same as she’s always been in the games, very much proving that claim is false. So again, I can’t help but wonder if by that claim, Miyamoto meant her temper. Or maybe he was referring to the Adventures Comic, which is the only version outside of the movie in which Peach is confrontational, but then again she doesn’t know how to fight in that comic so…

I’d also like to talk about her confidence, since earlier I mentioned how overly-confident Movie Peach is in her fighting abilities compared to the games. Now, that’s not to say Peach isn’t a confident person, far from it. In fact, there’s that character pic from the second Rabbids games showing off her weapon and her smile makes her look very confident (that pic is at the very end of that post btw, if by then you remember this part). But despite her confidence Games Peach definitely comes off as a very humble person, while Movie Peach is low-key showing off during those fight/platforming scenes.

All this to say, if you praise the movie for “giving” Peach those traits, she actually always had them. It’s just expressed differently in the games. This is also what I meant in the intro when saying how all the characters are a bit off when compared to their games selves, but it still works for the most part. The traits are there, but in a different way that does make it seem weird while still making the characters recognizable. The issue with Peach specifically is that they went further than just changing a few traits.

Also because I don’t know where else to put it, Peach in the games is definitely a lot softer and delicate than her Movie counterpart, but I consider this mostly linked to body language, hence why I’m not making a whole part about this. But it’s definitely something the movie is lacking about her.

There's also her stubbornness and love for baking, but those are also things I don’t really want to focus on. Given the situation the characters are in and the fact Illuminations doesn’t know how to write scenes where characters just sit down and talk, there really wasn’t any opportunity to have Movie Peach talk about cakes. Now I do believe that this lack is due to Illuminations considering Peach’s love for baking as “making her weak and feeble”, but again, even if it wasn’t the case the movie has a pacing issue so they couldn’t have talked about this anyways.

As for the stubbornness, I just don’t really have any example in mind and don’t really know how to explain it as a result, but I do believe that both the movie and games selves have it. I might actually be inclined to say Games Peach is more stubborn, but again I don’t really have any examples of that. I mean I guess there’s the Mario and Luigi series where she disregards Toadsworth’s concerns a few times (wanting to see the Toad village in Superstar Saga, using the time-travel machine in PiT, the intro of Dream Team with the trap door). From the little I’ve seen of it, Paper Mario TTYD also has her go against his wishes at the beginning?

Now, for the last difference between the two: her kindness. Peach in the games is one of the kindest sweetest people you’ll ever meet. I think I remember someone actually mentioning how her liking cakes so much is fitting given her personality, as cakes are sweet and soft and bring a smile to your face, just like she does (sadly I can’t remember where I read this, whether it was a tumblr post, a youtube comment, something said in a video or something else). And while Movie Peach is definitely kind, it’s not as much as Games Peach. Hell whenever I see people praise Movie Peach for her kindness, they say something along the lines of how the strong female character archetype usually doesn’t make women be this nice. So what Movie Peach is clearing is actually a very low bar of human decency that people were asking for. In other words, Movie Peach is nice the same amount a basic supporting character should be nice.

In comparison, Games Peach really is kind to a fault. She’s always warm and welcoming to any new person, is said in one of her Melee trophies to be such a forgiving person she’s willing to play against Bowser, which is a sentiment you can also see with the few times they’ve worked together, also that one cutscene in the Last Spark Hunter DLC where the Rabbids go to Bowser for comfort and when he lets that happen Peach gives him the softest smile. Even in games like Mario Odyssey where Bowser is trying to forcefully marry her, she seems to show concern for him after he’s defeated in the Cloud Kingdom. On that note, she’s also very nice to Junior, despite how awkward it might be for her (never raises her voice on him in Sunshine, has over 80% compatibility with him in the Gamecube Baseball game, plays with him in one of the Switch Online ads/explanations).

Also as mentioned before she’s willing to temporarily let go of her anger at the end of Odyssey to call Mario to come to the ship. I also made a post about four instances where Peach jumped into a dangerous situation without thinking because other people were in danger, whether she knew those people or not + whether they were good or bad people. Btw since earlier I mentioned how Movie Peach lacked wit compared to Games Peach, those four moments show that yes, Games Peach can be impulsive at times and do things without thinking them through, but those instances are specifically related to her kindness/desire to help others, unlike Movie Peach who just does what she think is best in the moment and never plans anything. Also ironic I bring back the wit since I consider Peach’s kindness to be her second biggest strength, on par with said wit.

On that note, I’m one of those people who make up animations in my mind while listening to music and recently was listening to Wander Over Yonder songs thinking about Mario (“I’m the Bad Guy” with the Shadow Queen tho, or “You’re the Greatest Reprise” with Kamek, Bowser, Luigi and Mario when taking the order of which characters speak/sing first, also you have no idea how much I hope someone will make an animatic of Bowser singing “You’re the Greatest”). And the funny thing is, while thinking of voices and how the actor for Wander would fit either Mario or Luigi very well, it got me thinking of how both properties have a very nice/positive cast where even the villains can be friends from time to time, and I ended up comparing Mario with Wonder and realize that Wonder is actual pretty similar to Peach in some ways.

Both Wander and Peach are people who value friendship and understanding over fighting. They both love helping others, though it’s a lot more amplified with Wander, and are both willing to give the villains a shot at redemption, perhaps a bit too much, trying to see the best in people. Now what’s interesting here is that, while Peach is intelligent and her governing a Kingdom shows a level of maturity, at times she comes off as naive or airheaded, and I can’t help but feel like her kindness is the reason for it, and comparing it with Wander explains it.

The short version is, if both of them received an invitation from their respective villain claiming they were willing to change their ways, both would happily accept and go meet the villain with a smile. The difference however is that Wander would have Sylvia looking out for him, ready to jump in any moment. While Wander will play dumb on the possibility of the villain setting up a trap, he’ll be very much aware of said possibility and will be able to escape it. Peach on the other hand will drop all defenses and completely fall for the trap.

And I think that’s the thing with Peach’s kindness, and why she comes off as naive. Unlike someone like Wander who keeps a level of realism over the villains’ intentions and plays dumb about it, Peach believes the best of everyone to a fault. I’m especially thinking of that scene in the Switch Tennis game, with Wario and Waluigi showing up and half-collapsing, leading Peach to immediately run to them, ready to help, forcing a Toad to step in and tell her to be careful. Peach knows that Wario and Waluigi are bad news, yet the second they’re shown in trouble, she forgets all about the possible danger and wants to help, straight up needing someone else to remind her of said danger. In a way, it reminds me of that statement Miyamoto once made about how easy it could be to capture Peach by just giving her cake. While I’m not the biggest fan of this statement as it comes off as mocking her character, when you think about it, there is some truth to it.

Now I guess we kinda went off-topic here but also it’s a good way to show the way Peach expresses her kindness in the games, and how the movie failed to convey that. Games Peach sees the best in everyone, to a point where it can become a flaw, while Movie Peach is a lot more guarded (see her attacking Mario when he got close or her body language around the first Kong they meet). Also, Games Peach is someone who doesn’t seem able to hate anyone, though it is mentioned in I believe a Mario and Luigi game that she hates Bowser. Even then, I don’t remember said hate being really conveyed. Don’t get me wrong, Games Peach can very much be mad at someone and/or dislike them, and I do believe she doesn’t have the best opinion of Bowser, but she never comes off as outright hating anybody. Movie Peach on the other hand absolutely hates Bowser. Just look at her face when he tries to flirt with her. There’s nothing but contempt in her eyes.

3. In defense of Princess Peach

Lastly, I want to expand a bit on that whole “Illuminations looking down on Peach’s character” thing and the way people see Peach in general, along with talking about how I feel about some of her portrayals because why not.

Thing is, to an extent, I get it. Peach’s character origin is rooted in sexism, with her being meant as the damsel in distress who’s constantly helpless. She was definitely meant as a character of her time, and I get why some might find her boring as a result.

But the thing is, even with that origin in mind, Peach has always been more than that. Literally one insignificant year after the first Super Mario Bros game, we had the 86 Anime which gave her a personality. And then we had Mario Bros 2 USA where she was a playable character, one of the earliest playable female human characters in gaming (she wasn���t the first but still definitely pretty early). And while the mainline games kept a status quo of her being captured, we had the Adventures Comic with her being able to escape all on her own, the Mario Kart series with her being playable in every single one of them, same deal for the sports and Party games. She was playable in Smash starting with Melee, she was playable in the first two Mario RPGs (Super Mario RPG and Paper 64). Despite her role as damsel in distress, she was far from being put on the side when it came to non-mainline games. She even got her own platformer where she had to save Mario!

In some small ways, Peach actually reminds me of Luigi. He was player two in tons of games and absent in almost all big 3D games, meaning most players didn’t get to play as him in the majority of mainline games unless they played in multiplayer. Or he was playable but under specific conditions (pushing buttons in the right order for Mario Bros DS, finishing the main story and doing one special world in Mario 3D Land, literally finishing the game 100% in Mario Galaxy 1). And the first time he had his own game, it was in the early 2000s, less than 5 years before Super Princess Peach (granted Luigi’s Mansion was apparently a console launch title, which is a bigger deal; also no I’m not including that Mario is Missing shit), and it took forever to get sequels. And while he was playable in the Mario and Luigi series, he’s barely playable in the Paper series, neither is he in RPG.

Overall, while he does have much more playable appearances than Peach, a lot of it is conditional in the mainline games and he definitely struggled to get recognition, to the point of it becoming a recurring joke in the Mario and Luigi series + Nintendo made a whole “Year of Luigi” event to compensate for his lack of time under the spotlight.

As for personality, Luigi is shy and quiet, easily frightened, and often gets himself in trouble, with a few games needing you to save him. He looks up to Mario for safety and confidence and relies on him a lot, Mario basically being his rock. So you can definitely draw some parallels between him and Peach.

Now where am I getting with those parallels? Basically thinking about it, it does bother me a bit that Luigi gets praised for being an adorable dork while Peach is called bland and boring for expressing rather similar traits/being in the same situation, and I say that as someone who absolutely adores Luigi! In the end, I’m just going to assume it’s due to the weird hatred against women some gamers and fandom spaces have for some reason.

Speaking of which, since people claim to have an issue with Peach’s personality and how bland she is and how the movie “gave her a personality”, I’d argue that there’s nothing wrong with her character, the issue is her lack of screentime.

The best example of that is with Smash Bros Brawl. For most of the cutscenes, she’s getting captured left and right and is basically a non-character. But then there’s that cutscene on the ship where she takes the spotlight, and that scene is great! It’s incredibly fun to see that character during a huge crisis just pulling out tea out of nowhere and generally being more focused on befriending people than protecting herself. Seriously, while I strongly dislike how little agency Peach has in this story, I absolutely love this scene! Btw can we get some justice for Zelda? No because if Peach got shafted by the story, Zelda got it even worse. Even as a kid I could tell from her design that she could’ve done more to help, but instead the only time she actually does something, it’s as Sheik. Girl is clearly able to fight for herself yet she’s useless for the whole thing, it sucks!

The second best example is with the first Paper Mario trilogy, which is also probably my favorite version of Peach. The first game especially did a wonderful job at showing that just because Peach is captured doesn’t mean she has to stand around and do nothing, she can still help. This idea of having interludes with her sneaking around the castle does wonders for her character and really helps in making her personality shine, from her kindness to her wit to her adventurous side to her ability to put her foot down when interacting with Bowser.

Another thing I really like about it is how much it puts some of the kidnappings into perspective. In Paper 64, she finds items by sneaking around and then sends them to Mario. Hey remember the few games where she manages to send letters with one-ups and other items? Same with Mario 3D Land where she’s put in some sort of dungeon, tries to escape, and is put in a cage under high surveillance. Notice how in most New Bros games she’s in a cage when you reach Bowser’s castle, implying all those instances might have been failed attempts to escape.

Basically, while Peach doesn’t get much screentime, some games kind of makes you realize that she does a lot more than you’d think. She tries to get away, she tries to find ways to help Mario. She doesn’t just sit there and lament like many claim. Heck you can also see it in the 86 Anime and Adventures Comic. And reminder that the anime was created one year after the first Super Mario game!

Now the last example I have of Peach suffering from lack of screentime is with the Mario and Luigi series which, outside of the 2023 Movie, is probably my least favorite version of the character, not due to her personality but due to how wasted she is. And between those games being RPGs, meaning they’re supposed to focus on the characters, and the fact that the first Paper Mario games did such a good job with her character, the lack of screentime in those games is particularly aggravating.

In Superstar Saga, she’s actually pretty great! She’s fun, we see her kindness, playfulness, wit and desire for adventure shine. I especially like the way we see her craving for more adventures but can’t go on her own due to how defenseless she is. As someone who made a timeline of the games and has the first Paper trilogy + all the platformers with Peach playable taking place after this series, it’s a great way to slowly set up Peach’s growth into someone who can eventually go on her own adventures as a hero. Honestly the only issue I really have with Peach in that game is the game itself making a joke out of her getting kidnapped all the time. Not the greatest example of meta humor, guys...

I’ve also seen about half of Dream Team and she’s fine in it. I like how they brought back her thirst for adventures. But unlike Superstar Saga, she does feel more like a plot device in this one. Like there’s this whole section where Bowser and Antasma got the dream stone and Starlow is making a big deal about them kidnapping Peach, leading you to try and hide her. Thing is, if it was any other villain, I’d understand the urgency, but this is Bowser we’re talking about here. Peach is going to be fine, why are we wasting our time hiding her when we could focus on the bigger picture!

And even before that there’s this whole section of finding an older Pillow to reach Antasma for no other reason than Peach getting captured, because apparently they couldn’t think of any other excuse to have us meet the main villain, or give a reason for Bowser to show up for that matter. So yeah, the way they used her in Dream Team does make her feel like more of an object than a person, at least past the intro of the game.

But then we get to Partners in Time and Bowser’s Inside Story, and oh boy do I hate what they did with her. In PiT, you could literally take her out of the story and nothing of importance would change. The missing time machine? Just have the whole crew be Toads, it’s enough motivation for Mario. Petey Piranha? Either put a Toad, Kylie Koopa (and remove her scene later on) or even Baby Bowser, I mean why not! Princess Shroobs’ fake-out? Either keep that whole thing in since it’s technically not Peach (just have the characters comment on how she’s supposed to be on vacation or something and how weird it is that she’s there but oh well we gotta protect her) or, if you consider that cheating, just remove the scene and find a better excuse to have Bowser show up and go to the volcano. Or have Shroobs disguise herself as someone else, that’s still a possibility. As for the scene explaining who Elder Shroobs is? Was Peach even necessary in this scene? I mean, it’s pretty obvious what happened, and Elder Princess Shroobs could even explain it herself while gloating. I swear when I saw a let’s play of this game and Princess Shroobs commented on Peach now being useless to her, my first thought was “She was useful to you? Didn’t you try to kill her like an hour ago?”

As for Bowser’s Inside Story, she’s nothing more than a plot device. What does she do in that game? 1. Gives exposition about the Blorbs. 2. Is in danger as a means to motivate Mario. 3. Gives exposition about the Dark Star. 4. Is in danger as a means to motivate Bowser. Oh and did I forget to mention that she’s unconscious for the latter half of the game? Peach in that game could straight-up be replaced with a non-sentient magical item and the plot would stay the same. And I honestly don’t know what’s more insulting between that and what PiT did.

All-in-all, the issue with Peach isn’t her character, it’s the lack of time devoted to her. When she has enough room to be a character, she’s great! When she doesn’t, she’s either boring or a plot device, and it sucks that this is what most people remember her for when she has more going on than just getting kidnapped.

And since I’m out there giving my opinion on Peach’s different appearances throughout the franchise (you can skip directly to the conclusion if you want, this part is pretty off-topic):

My views on the first Paper Mario trilogy and the Mario and Luigi games are explained enough I think.

I also really like how she’s depicted in the 86 Anime. I like how she keeps standing up for herself against Bowser and talking back to him, on top of the usual being kind to Mario and co + her trying to be smart to escape. For Bowser, it’s like early on she realized he’s not going to raise his hands on her, so she’s free to fight back as much as she wants, even if she doesn’t have the abilities to get out of there by herself. Idk, while the Anime itself isn’t all that amazing (it’s pretty funny in how bonkers it is though), I really like what they did with both Peach and Bowser. And it’s pretty fascinating how their modern personalities aren’t that far off from this very early portrayal.

The Mario + Rabbids games also absolutely nail Peach’s character. It’s honestly kinda crazy when you think about it that both the 2023 movie and Sparks of Hope were being developed at the same time, both worked on by a different company that Nintendo had some level over but ultimately mostly gave advice to, and yet the movie struggles to depict the characters properly while Ubisoft did a ridiculously good job at it. Seriously, remember earlier when I said every character in the movie was a bit off? If you want to see a comparison, go see the cutscenes of the Rabbids games. And even if you don’t care about characterization, still do yourself a favor and go watch those cutscenes, they’re amazing!

The Adventures Comic is an interesting one. While she’s very provocative and willing to fight, she also doesn’t know how to do so, and it makes her scenes very funny. Like I love how in the beginning she rants about how she’s going to defend her kingdom, then the next time we see her she gets attacked by Lakitus and gets kidnapped. Girl lasted 10 seconds out there. That contrast of her being all bark but no bite is just very funny, and it fits well with how comedic the story is overall. Also, the way she’s so willing to act is probably why people remember her as a badass in it. Because she does talk like a badass, but she’s not one because her actions don’t follow suit. Still, I don’t take that comic much seriously so Peach is definitely very fun in it, and that’s enough for me. And again, that comic does a good job at showing that Peach’s biggest strength isn’t her ability to fight, it’s her wit and good heart, shown respectively with her tower escape and her constant desire to actively help.

Also, about this comic and how people see it, even outside of the fact they’re not the same as she doesn’t know how to fight in it, I find it really weird that this comic is used as proof that Movie Peach is in character, considering how 1. Before the movie, this comic was the only time in over dozens of portrayals that Peach was shown as confrontational; in statistics we call that an outlier, 2. This comic was made in the 90s, you’d think a more recent portrayal could be used as proof but nope, Luigi’s Mansion 3 and Showtime are still different from her comic and even more so her movie self, and 3. That comic is outdated anyways considering the Koopalings are said to be Bowser’s kids in it, so unless Nintendo came back on their words after re-releasing this comic in the late 2010s, it’s still outdated.

The mainline games are...the mainline games. I’d also put the second Paper Mario trilogy and Luigi’s Mansion 3 in the same basket. When she’s on-screen, Peach is her usual sweet self, but those games also suffer from barely giving her any time to shine. I do enjoy her depiction in games like Odyssey, Mansion 3 and the intro of 3D World (mostly because those cutscenes are cute), but again all those games definitely suffer from having her on the back-burner for pretty much the whole thing, and are the main reason why people dislike her character.

I also can’t help but wonder if Sunshine is the reason why she’s seen as a “dumb bimbo” by some people, especially given the “Mama Peach” trainwreck of a cutscene. And I will say, Peach definitely feels very meek in this game. She clearly can tell that something’s off, yet she barely insists on telling Mario and Toadsworth. You’d think a princess would be more assertive than that, especially when the Mario and Luigi games show that she’s not afraid to go against Toadsworth’s wishes.

Going back to the kidnapping issue, ultimately I don’t think there’s anything inherently wrong with her being kidnapped, especially when it’s impossible in the mainline games to beat Bowser directly without a power up (the intro of Odyssey straight-up shows that Mario can’t win against Bowser in a fist fight) meaning it’s normal for Peach to be unable to fight back easily. Bowser is incredibly powerful all things considered (enormous physical strength, fire breath, every part of his body is a weapon, can use magic, necromancer, can jump incredibly high, has an army at his disposal, his car clown heavily negates his slow walking speed), to the point where even Mario and Luigi are kidnapped sometimes (Super Princess Peach, 3D Land for Luigi, and while it’s not Bowser, Luigi’s Mansion for Mario too). This also all kind of leads into a message about working better together or how it’s okay to ask for help, which reminds me of that Tumblr post about how Mario never travels alone.

That being said, Nintendo should definitely either do something similar to Paper 64 (or at least what 3D Land did with the letters showing her try to escape, that’s already a start), either have her only kidnapped in specific games like the big 3D games the same way Luigi isn’t playable in almost all of those, or reinforce her role in other Mario series like making Showtime the first of several games + bring her back under the spotlight in the Paper Mario series. Again, when thinking of Luigi and his time under the spotlight, you can definitely do a similar work-around where she still gets kidnapped in some games while being playable in others, whether those others are different game series or for example around half of the upcoming 2D platformers.

And call me an ass for that but, while I’d love to have her playable in almost if not every 2D platformer, I still maintain that the big 3D games should keep having her getting kidnapped. Again, outside of Galaxy (and even then for the first one it was very conditional), Luigi doesn’t show up in those either. And if you maintain a good balance between her being kidnapped in the big 3D games + a handful of 2D platformers all while making her a major character in the RPGs and even getting her own series, you’re basically keeping the status quo of the kidnappings all while removing the issue of a lack of screentime.

(Note that my main “issue” with having less kidnappings has to do with Bowser’s character. If Bowser doesn’t kidnap Peach, you need another excuse for him to be the villain. And given how his crush on Peach, the main reason why he kidnaps her, is the first thing used to make him more of a softie which I love him being, I don’t want to see him do more and more messed up things all while his crush gets forgotten. Then again, him being a dad is currently the main thing Nintendo uses to make him a softie, and Origami King still showcased his crush despite him being a teammate, with the two upcoming RPG remakes following the same trend)

Not very much to say about her depiction in the sports and party games. The characters don’t exactly have much personalities here, so other than more proof on how her body language should be, there isn’t really anything to say in terms of “I like/dislike the way they portrayed this character”...also I don’t own a single sports game and only have like 3 party games (DS, Island Tour and Super) so outside of watching the cutscenes there’s not much I know about those games.

Conclusion

Finally, a few closing thoughts about this whole thing, and more specifically the fact that one of my two biggest issues is her fighting abilities. Thing is, when you look at her jumping on enemies in the platformer games, her abilities in the sport games, the fact she’s in Smash and the upcoming Showtime game, it’s very easy to disprove my arguments, since Games Peach very much knows how to defend herself. And while I maintain that she’s not that great of a fighter in the games compared to the movie and is more of a pacifist, I understand this view. And thinking about it more, I think the true issue with her movie self is the attitude Illuminations has about it.

As said much earlier, it feels like Illuminations doesn’t like Peach in the games. I also think I’ve seen somewhere that her VO made a comment in an interview about finally giving Peach some personality, something along those lines? Then there’s also the supposedly original script where Peach was the main character, and how Nintendo told Illuminations to rewrite it upon reading it.

And even outside of the production info, that disdain over her Games character is all over the movie. Toad keeps hyping her up, along with other characters. During the training montage, when she does the demonstration, the camera slows down to show just how “cool” and “badass” she is. You get the vibe that, even if Mario wasn’t here, she still would’ve gotten the Kong army and taken on Bowser all by herself. There really are moments where it feels like the movie is going “Hey look at what we did with Peach! Isn’t she awesome! Isn’t she so much better than that wimp that keeps getting captured!” The best example of that is when she saves Toad on Rainbow Road. Like, this was the worst offender for me.

Princess Peach Showtime, on the other hand, gets who Peach is. The intro shows her going on a stroll with her little pink parasol. She cowers when Stella uses magic on her. And while she has a swordfighter and Kung Fu outfits, said outfits are given just as much importance as her baking and detective outfits, the former showcasing the one hobby Peach has been into for years, and the latter showing off her intelligence. And even outside of those outfits, her main attack is magic, more specifically a cute little pink ribbon. Also, like mentioned way earlier, the fact that it takes place on a stage gives the impression that Peach is playing roles, though again it doesn’t diminish her abilities.

I think that’s why I can’t stand her fight-oriented attitude in the movie but can’t wait to play Showtime. The movie looks down on Peach’s character and feels the need to “improve” it by changing many things about her, while Showtime embraces who she is and simply expands on it by giving her a more action-oriented role with the abilities she already possesses. I think that’s also why her body language in the movie bothers me, as it goes into that direction of “making her stronger” by removing her mannerisms. Now, again, there are a few more things other than her fighting abilities that they did wrong with her character, there’s a reason this post is so long after all. But by the end of it, I think it really comes down to how much disdain Illuminations has for Peach.

And on that note, you have no idea how relieved I was when the first trailer for Showtime dropped and Peach was her normal self! While I know the movie is going to get sequels, meaning we’ll keep seeing this random badass woman cosplaying as Peach, it’s at least very relieving to know Nintendo is going to keep writing Peach the way they’ve always done. And I can’t wait to see what Nintendo got in store for this wonderful, adorable, hyperfeminine, incredibly kind, witty, soft, cake-loving pink Princess!

Thanks for reading!

(All pictures were taken from the Mario Wiki except the first one that’s from the 86 Anime and the Mario Odyssey one)