#I feel like I'm always fighting to be included

[mzminola]

If Zionism is about safety, then I think we simply don't have enough long-term data to say if it succeeded or failed; less than a century of modern statehood versus multiple millennia of statelessness. What will safety there look like in five centuries?

If the question is "How can Jews have self-determination as a people?" then I think only the the Jews who are also Israelis can answer that, being the ones living it, but from an outside perspective Israel seems to be doing okay, comparative to other modern states.

As an American, I'm pretty invested in making things work out here, this is my home where I was born & raised & live & vote in. The successful civil rights movements here (that Jews are always very active & often leaders in) have built blanket protections that we are included in, but they're precarious and I don't think I'll ever be able to feel like we can relax.

But yeah, we're not going to be the ones fixing antisemitism, because we're not the ones causing it. Just like it's not up to LGBTQIA+ people to fix queerphobia. We can fight for our rights, we can do all we can to humanize ourselves in the public eye, but at the end of the day it's everybody else who has to decide to stop being bigots.

why are jews skeptical of antizionism? a guide for gentiles

I'd be ok with the notion Israel wasn't needed if y'all could be trusted not to fuck it up when Jews needed somewhere to flee. But last time (to put it politely) you fucked it up real bad, and six million Jews died.

Fundamentally, antizionism is asking Jews to put our lives in the hands of the same people who saw us screaming for help, who knew that death awaited us, and did all of nothing. Nada. Nil.

(As demonstrated by the recent Amsterdam pogrom, Israel is totally ok and often proactive in flying Jews out. Around the same time as Palestinians were being exiled, Jews from all over the Arab world were being driven out in similar numbers. The reason you don't hear about that refugee crisis? Israel accepted them, without complaint or delay or objection, just urgency.)

Pardon us for being a bit skeptical of your assertions that it won't happen again when a constant theme throughout our history has been it happening again.

This is a slightly modified form of an older, longer, post's tags/tldr.

[edwinspaynes]

Did I have a really bad night last night in no small part because of a s2 spoiler? Yes. Did I have a Payneland Meltdown? Sure.

But this morning I have gained clarity, and a couple of things have made me feel better about some of the spoilers. I'm going to share them with you in hopes that it will quell some anxiety.

George and Jayden seem extremely excited about the season 2 that they read. It appears super genuine in the new Gameodens, and even if you wanted to argue that it was For the Hype, George also seemed really pumped about them before the show was canceled. They don't seem like performative people regardless, but past behavior also indicates that, yes, the excitement is real.

Both Jayden and George expressed that Charles and Edwin are soulmates. They have read all of the available scripts, and they are still expressing that (very true) sentiment.

They also explicitly said that Edwin and Charles are basically married anyway and that "dating" would be a "step down" for them.

Re: the "fight" that triggered my Episode last night: there is genuinely no way that the boys would have fought for an entire season, let alone forever. It wouldn't make sense and would be antithetical to the entire point of the show. Not to mention George and Jayden having professed them soulmates! "Tense for a lot of it" could mean many things, including that things were tense for a lot of the fight (rather than the season) and got less tense as the fight progressed. "A lot of it" could also just mean 1-2 episodes since they don't really fight.

George and Jayden also explicitly said that disagreements could be healthy, so I'm going to believe that they meant they came out stronger on the other side.

Also, as a kind soul in my comments last night said, there's really nothing for them to fight over besides each other. It probably would have been out of love anyway.

Re: the Catwin sex. Disclaimer is that I don't mind this because I've always thought it would be an interesting plot point. BUT, as a hardcore Payneland shipper myself,I understand why people might not like it. Please remember that it's part of a story! It's the middle of a story, not the ending! Catwin is likely, as I hoped for, a step on the journey toward Edwin figuring out that he only wants these experiences with Charles. Every road leads back to them.

I actually think that Jayden and George might have said that all roads lead to them as well in one of the Gameodens, but I don't know where. Maybe I dreamed it.

We are getting tiny little snippets of 8 hours worth of television. We have maybe a collective 150-character Tweet and 1.5 minutes of out-of-context video spoilers. Catastrophizing doesn't make any logical sense. (I'm not talking down to anyone here, I promise. I'm repeating the mantra I told myself for like an hour last night.)

Season 2 was also not intended to be the last season! They wanted 6! This is Act 2 of 6. It's not even the middle of the story!

[yusiyomogi]

Hi, if it's okay to ask, do you have any thoughts about Mithrun's violent fits and SH during his recovery? It seems at odds with his otherwise apathetic and desireless state, as well as his one stated desire to find the demon (whether to kill it or be devoured by it). I'm not questioning that he'd be in the mental state to act this way, but he's supposed to lack the drive to act at all. Was it a manifestation of a desire Mithrun had but no-one connected the dots, a reflex born of suffering, or what?

it's a very interesting question! i don't think i can give any concrete answer, but i'll try to express my thoughts.

first of all, we need to define mithrun's condition once again. we know he lost all of his desires except for one, being consumed fully by the demon. the first interesting thing is that dunmeshi doesn't give us a perfect definition of what desire is. by what we see throughout the manga, we can assume that "desire" in the story means a living creature's natural drive to have something, physical or not: satiation, comfort, happiness, beauty, safety etc. "desire" can be conscious or unconscious, losing desire means a person also loses basic motivation to do anything for gaining that "something".

desire, as it framed in the manga, is not exactly the same thing as motivation though, since motivation can be rebuilt consciously through the power of will: mithrun is an extremely good example of that. at this point it starts getting very blurry though, because it's very likely that we shouldn't draw a clear line between "desire" and "will" and it feels like manga supports that message.

so, mithrun at once lost pretty much all drive to have anything, except for the state of being fully consumed (unconscious desire, he does not realize it). he even lost the desire to meet his basic needs: it seems like they count as a drive to survive (to gain satiation, rest etc). he didn't lose his feelings or thoughts or most of his memories. here the second interesting thing: mithrun does act on his feelings a lot even though he shouldn't have any motivation to do so:

standing up, getting into kabru's face because he doesn't trust him.

smugly smiling as he alone is skillfully fighting against a group of enemies.

hiding his face and exposed neck behind his hands, when he tells his backstory.

getting openly frustrated at kabru at least three times (including pouting and even slapping his face).

crying and laughing in chapter 94.

so here we can see that involuntary emotional reactions aren't included in "missing drive to have something" bundle. possibly because emotional reactions don't have a clear motivational component to them, it's not something we "desire" to do. just like pain or goosebumps are not connected to desire to have something, it's just a reaction our bodies have to certain conditions like injury or cold - and it's something that mithrun can feel and describe without help, even if he can't always find the reason for those reactions.

experiencing emotions sometimes leads to physical manifestation of them: changing your face expression, crying, yelling, shaking, laughing etc. so, in relation to "desire", him crying is pretty much the same thing as him shivering from cold. he doesn't experience desire to rest, but he looks exhausted and his body immediately falls asleep when he feels comfortable. so yes, it looks like reflexes of the body itself are important components to his condition.

so, the thing is that in some situations self-harm can be an involuntary reaction to the stress. there are plenty of situations where self-harm is a fully conscious action and in that case you can see it as a drive to find comfort or relief. in mithrun's case it seems like it's the same thing as him crying or shivering: just something that his body does in reaction to the very stressful, upsetting thoughts. it seems like a good portion of his initial recovery mithrun was experiencing symptoms of ptsd and, like you said, was obviously in a very bad mental state in general. it's possible that all dungeon lords get to that point, we also saw thistle get anxious and self-harm in a very absent-minded way. to me it doesn't seem like mithrun's restless self-harming had any goal or motivation to it, it's closer to a bad compulsive behavior. it actually gives us some interesting thought experiment: imagine losing all of your desires, but your ocd is still there (fuck you, demon).

but it still seems like you need some minimal motivation to move in the first place. we see that thistle doesn't move at all after losing all of his desires, despite being very distressed. but he does speak after some time, and to me it seems like a very strong emotional reaction can override the lack of desire to act. honestly, the fact that he forces himself to speak despite having a worse condition than mithrun, tells me that in-universe feelings/emotions are what ultimately leads everyone to recovery.

anyway, when it comes to another interpretation (manifesting his only desire), it's really hard to say. to me it feels too disconnected from what he wanted, because it was a very specific thing that was only connected to pain and death in an ambiguous way. i mean, pain and death are components of the experience he wanted, but not the main or even necessary ones. i feel like the closer thing would be if his actions included attempts at throwing himself into the sea or fire, for example, since it's a lot closer to the state of being consumed by something (we actually know that he wasn't allowed being close to the fire, so there's that). and of course, the fact that he apparently stopped self-harming after a while, though it's possible that it was because his focus shifted to getting what he wanted directly from the demon.

i still think it's a good interpretation though, it makes the whole thing even more tragic. what i don't like about that idea is that it defines "desire" as some immutable thing and the only source of anything person can do. we know it's not true at all, like i said, there's some good evidence in the story that desire is the secondary to the feelings, body functions and the power of will.

[zhuoyichenpretty]

Eps 30-33 Commentary

No meta, just reactions! I have less to say about some eps so I'm combining several episodes worth. To make up for my head-emptiness and lack of meta, I've included more pictures lmao. Spoilers under the cut!

Ep 30:

"You really are pitiful." Li Lun waking up thinking of ZYC's words oooh they did that opening line for Li Lun/ZYC lovers (me)

What a homoerotic way to give the Truth Eye

ZYC and ZYZ having their first drink(s) together here, ZYZ and Li Lun having one last game of chess here. Gay ppl will go “I know a place” and take you to a damp cave and a little stone table in the Wilderness

Oof. The apparent inherence of winning/losing in their activity of choice compared to the drinks that took place here between ZYC and ZYZ. Even with a draw, it’s competitive by nature. If Li Lun knew about the three (very intense, very intimate) toasts that came before in this very spot, I wonder how aggrieved he’d feel.

Ah well there goes the date spot /:

I’m so happy to see LZY (Bai Jiu’s actor) get to fight! His fight scenes in MTJY were awesome and he continues to impress here as well. It’s so fun to watch!

………..to revisit my question from previous commentary about when the grievances against Ying Lei will end, the answer is never ;-;

Damn…For ZYC to promise to spare Li Lun after all that Li Lun has put him through specifically and personally. ZYC really fucking loves ZYZ doesn’t he.

I’m so fucked up over Ying Lei’s last words jesus christ.

ZYC sobbing and feeling the fleeting warmth of the rock Ying Lei was just leaning against…when will the world stop taking away his family members??? His brothers???

That scene of everyone looking at Bai Jiu after Ying Lei dissipates. The fact that he's right there. And it’s like they traded one life for another. The two babies of the group. Goddammit.

Do NOT hit me with Bai Jiu’s actor singing “Broken-Tailed Bird” right now oh my god

So like…regarding ZYZ losing his demonic power, does he still count as the most evil demon of ZYC’s time? Can someone ring Ying Long and ask?

ZYC crybaby oh no I can’t believe he’s crying over ZYZ being so weakened aw I love him

My god, Bai Jiu running after Ying Lei and into ZYC’s arms has to be one of my favorite sequences in the whole show. So so good. So so painful. Between this scene, all the flashbacks, and ZYC’s reaction when he died, I’m at least glad the show is spending so much screen time and significance on Ying Lei’s send-off, even if I’m heartbroken that he’s gone. We couldn’t even have the whole family reunited for one moment.

Also have you ever seen a man so mother?

No but seriously "Cry if you want...[tears] have to do with our hearts" ZYC my healthy masculinity king!!!

This song fucking hurtssssssssss this cheese (it's buttermilk) hurts everything hurts

I’m glad PSJ gets time and space to react. Her lines about being a mortal and not being needed are so good but also ow!!! And oh WX always knows exactly what to say to her 🥹

I love everything ZYC says to Bai Jiu about each family member (like yeahhh WX is unlucky 😭 and yeaahHH PSJ does need support too) but MAN the way he says ZYZ’s name is so fucking good. The fact that it gets so much emotion across without saying a single word further as he gets interrupted. His voice and his expression both collapsing a little in that moment. Efficiency of acting strikes again.

Is it even possible for ZYC to cherish this little family more?

Yo this dramatic ass lighting on ZYZ and ZYC standing in the doorway. Why y’all need so much drama just to talk? Also oughhhh ZYC’s gaze is a mess looking every which way while discussing WX’s poison. He is such a bad liar (but he looks so good doing it). Is that why they gotta talk about this like ten feet apart so ZYZ can’t see him lying? Lmao

Okay also tho if ZYC's coming around looking like this I am not hearing a single thing he's saying:

They flashed back to the previous time ZYC held his hand out but cut away from ZYZ taking it this time. Is it bc the absolutely unfettered tension between them can’t pass censors anymore? Haha god but that shot of ZYC slowly meeting ZYZ’s eyes from ZYZ’s POV whewwww we don’t got the skinship but their gazes are kind of insane??? TJR in blue contacts is too powerful I'm shaking somebody needs to stop him.

Ep 31:

Trying so hard not to be driven a little crazy by the lapses in continuity in this show (‘: It’s just tonal and costuming stuff that are a little difficult for me to ignore, just the fact that it’s kind of apparent which scenes were filmed in what order based on their costume/styling changes + the sets, and how sometimes the tone from the previous events don’t smoothly carry over because of this. But it's momentary, I just gotta. Power through.

YO the Pei siblings sparring was so cool and for what. They should have had WX spectating instead of staring at nothing in the previous scene (-:

Damn how long has it been since they played the fun music. Also feels kind of wrong without Ying Lei though fml

Awwww Qing Geng I missed her she’s so cute!! I wasn't doing ep commentaries during her arc so I gotta make up for it here. Her actress is so talented and adorable, and her costuming in this show is stunning!! Her lashes!! Her colors!!

THE TREE BRANCHES lmfaooo ZYC what happened to being worried for ZYZ’s weak body?? We really haven't had a moment like this in so long though (':

Well I do like the reason why WZY had a fake out death, that’s pretty clever and narratively sound, but also oh god what in the AOT??? The inner cores hidden in the medicine is some odious fucking work dear lord

I also like that the endgame is coming about from what initially seemed like another small-time case. Of course the evil physician's huge scheme at the end weaponizes plague and poison and medicine.

Ayeee fun that they used the teleporter on WZY instead of as a getaway

Lmfao ZYC just standing there taking a huge hit of the poison smoke. Poor baby doesn’t watch movies and doesn’t know smoke from a bad guy always means some kind of poison

Why does poisoned!ZYC have such an incredible smokey-eye siren look I’m shook

After knowing the poison is about indulging in your greatest wishes, the first moment ZYC woke up and approached ZYZ they sure looked like they were about to indulge in something sorry ignore me

The way this is so similar to ZYZ’s imaginings where he and WX always turn around and look at the camera. The show wants censors to believe they’re looking at ZYZ but we've known all along who the third POV is here

Also why aren’t ZYC’s bro and dad in the wish illusion?

Ohh the eerie instrumental rendition of the OST when ZYC draws his sword is too good. And yesss we were so due for some more crazy dream fuckery like is this real? Is this real??

Ep 32:

The team is spread so thin )-: One man (mountain god) down and a whole town to save and an immortal villain to vanquish.

WZY's eagerness in trying to goad ZYC into killing himself while poisoned is so so sinister goddamn. I love how disturbing it is to slowly realize what he wants without any lines at all

ZYZ shielding ZYC from a huge fucking fireball with just his hand is adorable and sad:

I already normally love Li Lun's whole leaf-swirly entrances and exits but you know I cheered when he deus ex machina-ed his way here!!! With that bgm too!!!

Li Lun came back to accept ZYC into their throuple. He's had some time to think and yeah he's decided ZYC's kinda hot and maybe shouldn't die or else ZYZ will be sad.

):

ZYC's soft and anguished, "Qing Geng" when he realizes she gave him her inner core. That's my bleeding heart hero ;-;

Throuple of the fucking yearrrrrr:

Spoiler for ep 33/34 but—watching Bai Jiu watch the three of them and realize he can't do anything to help here... It would have been dangerous for him to stay, but I wonder if things could have ended differently ):

Ep 33:

Oughhhhh Pei Siheng ))): The cruel fucking poetry of PSJ, the most emotionally closed-off character, having her heart, her brother, made into her armor. And then to lose him once more.

ZYC proving time and again that his heart is entirely boundless and he'll shelter anyone from the rain and he just wants everyone to live:

LI LUN/ZYC LOVERS HOW ARE WE FEELIN'?!?

Did not expect MORE ZYC choking now that they're on the same side but yeah Li Lun is not one to let go of a good thing I get it. I'm screaming but I get it. "I'm giving you half my demonic power" yeah right just admit you like doing this dw Li Lun this is a safe space.

Literally what am I watching and also no don't mind me, keep going. Feral over ZYC dropping his hand and letting it happen.

But lmfao the way Li Lun did not need to be doing all that, like he sends his power out to ZYZ without even making physical contact. He could've just grabbed ZYC by the shoulder.

Can't believe I just keep winning:

ZYC didn't even know what Li Lun was doing putting his arms around him and he just let it happen. That's some next level trust.

Ah goodbye Li Lun, presumably another victim of the "(ex-)villains can't have good endings" brand of censorship

Oof I love that the initial horror after the seeming victory is reserved first for the simple fact that ZYC and ZYZ are separated, that ZYC can't go to him the way he was intending to. Even when it's unclear yet that WZY is still alive, just the wrongness of them being divided this way is so poignant. ZYC has such a helpless look about him when he says ZYZ's name.

Goddammit WZY saw Li Lun choke ZYC and got ideas.

Oh I love the uncertainty of whether the One-Word Spell works on ZYC or not. ZYZ's sudden and intense fear. Also though WZY tries to use ZYC dying as a deterrent for ZYZ blowing up the barrier but he's literally choking the life out of ZYC as we speak

Bai Jiu's completely unrestrained screaming and crying in pain is so brutal to listen to. His scenes go on forever. Also, the choice of having some of his flashbacks be blurred and vague in the background, once again something privately kept for the character

ZYC holding out his hand to ZYZ a third time ;-; The utter relief of being able to reach each other again paralleling that previous horror of separation.

ZYC physically feeling Bai Jiu's death oh god. We do not get a single moment of happiness and victory in this drama everything is bought with pain and returns pain I hate it here.

Also another post-finale thought (spoilers for the end of the drama)—If ZYZ remained in his weakened state, I really am curious if he would have still met the conditions of the prophecy (ZYC being cursed to kill the most evil demon of his time, if the prophecy is indeed conditional like that, of course). If that could have been a technical loophole, did Li Lun giving both of them his power and then ZYC giving ZYZ his as well basically fulfill it again? I mean, logistically speaking, without that extra power, I'm not sure if ZYZ would have been able to trigger the Baize cycle again (or whatever it is he did to save the town). So the show's final tragedy can be traced all the way back to these moments of giving out of love and protection, just as Bai Jiu being in the perfect place for his final sacrifice came about because ZYC, ZYZ, and Li Lun were trying to protect him and get him out of danger. The way love and grief are so helplessly, inevitably intertwined that one begets the other. They were all just trying to save each other.

On that completely painful note, that's 30-33! And it'll be downhill from here for the next one (-:

[eregyrn-falls]

^^^^^^ !!!!!

There's so much I'd like to add but it would be carrying coals to Newcastle. Great post! (And a lot of great tag-rants in the notes, too.)

I did want to add one thought to this set of tags from @achromaticegoist, about the punch in particular.

It took me a long while to realize it, but not only is the punch reflective of a whole lot of things about Ford's state of mind on his arrival back through the portral... but, it also serves as some really interesting closure (and I'm not even sure the writers realized it).

In the episode, it's told out of order, so we see the punch FIRST. But later in the ep, when we see the fight that led to Ford going through the portal in the first place, what happens is that he and scan are scuffling, and there's that moment when Ford pushes Stan off with his foot and inadvertantly presses Stan against the glowing (apparently red-hot) symbol on the side of the control panel.

Stan screams in pain, of course. And immediately, Ford is suddenly worried, and contrite. He says, "Stanley! Oh my gosh! I'm so sorry! Are you alr-"

And Stan punches him in the face.

That punch is what sends Ford stumbling out into the portal room and falling against the activation lever; and landing inside the danger zone. Ford does get up, but before he gets a chance to say anything else, Stan shoves the journal into his chest, Ford begins to float, and the disaster unfolds from there.

We don't spend enough time thinking that, basically, from Ford's point of view (if he replayed those last moments over and over in his head, as he probably did), the last things that Stan did to him was: punch him in the face, and then shoving him into the portal. The latter was accidental (though disastrous); but the first kind of wasn't. Ford stopped fighting, switching to concern and apology. While Stan lashing out due to the pain is understandable, Stan's punch is what prevents the fight from being over.

Ford coming out of the portal 30 years later and immediately punching Stan in the face kind of creates a book-end with that earlier punch from Stan, doesn't it? Ford getting to hit back the way he didn't (wouldn't?) 30 years ago. (He stands up, but he just stands there angrily staring at and listening to Stan as he approaches. He doesn't try to leap at Stan again or try to wrestle him for the book, etc. Was Ford, effectively, done fighting the moment Stan got seriously hurt?)

As I said, I'm not sure the writers were thinking about that consciously. I don't remember hearing them comment about it (i.e. that Ford's punch was a mirror of the punch that Stan gave him 30 years prior). But I do like to look at what's written and think about it in terms of, these scenes are deliberately written, the way it goes and the details included are chosen, often at the end of a long process of collaboration. I think that what's chosen for the final version is always very interesting.

And I just don't often see people discuss that moment where Ford stops fighting, and immediately becomes worried and apologetic. Not least because, like... up to that point in the series, we haven't seen Stan be apologetic very often. A few times, yes! And it's always notable when he does it. It clashes with the exterior he presents to the world; the man for whom saying "Please" gives him physical pain, etc. Some of which is meant for laughs, too! And some of which is just the product of being hardened by experience and so on.

It tells us something, I think, that Stan truly getting hurt, and screaming in pain, is enough to end Ford's desire to fight. That even after 10+ years of estrangement, he's that ready to be concerned for Stan; and that he's that ready with an apology. Later reads of Ford (post-portal) will portray him as the man who won't say "thank you", and I have other thoughts and feelings about that. But getting back to this, it's the show's choice to have Ford stop their fight and make a slight turn towards a sort of reconciliation. When they could have easily just had him and Stan keep fighting and struggling and the portal turn on because of that. It's such an interesting writing decision; and I just don't hear people dig into what it means for the characters very often.

What's your stance on Ford as a person? Honestly, I believe that for thr majority of canon he is a bad person. But I believe he grew. Still not great though XD

(Love him anyways obvs)

I disagree entirely! I think he's equally as good a person as any of the other main cast.*

*Except Mabel, who, as we all know, is always right about everything.**

(**This is a lighthearted joke. For the love of god, I don't want Mabel discourse in my inbox.)

His biggest sins in the show:

After telling his brother that he was thinking about changing their shared life plans, and then discovering that his brother had gone to the high school that night for no good reason and gone to the science fair for no good reason and messed around near Ford's science project for no good reason and broke it and didn't tell Ford about it... Ford believed Stan did it intentionally and held a grudge for it. You know what, it WOULD be pretty damn hard to believe it was an accident.

Hilariously ill-equipped to cope with Fiddleford's mental health. A guy who responds to "I have anxiety" with "have you tried yoga, it helps me" isn't a bad person, he's clueless. "Character cheerfully enacts a bad idea while a loved one in the background goes NO PLEASE DON'T DO THAT" describes half the episodes of Gravity Falls.

Was successfully manipulated by a professional manipulator into believing his best friend wished him ill. Man, what a terrible person Ford is for being manipulated by a manipulator and saying cruel things to somebody he'd been genuinely convinced was trying to harm him.

??? Didn't say thanks to a guy he was still mad at after the guy fixed a problem he himself had caused. This is a solitary example of stubborn bad etiquette, jesus christ. There's half a dozen different reasons why it makes perfect sense Ford wasn't in the right mindset to feel grateful, this is not something worth indicting his entire character over.

He had high ambitions, which everyone seems to lambast him for, but high ambitions that wouldn't have required doing anybody harm! (Until the professional manipulator started manipulating him into harming the people around him, but we are going to demonstrate some reading comprehension and not blame Ford's underlying morality as a person for things he never would've done if not for Bill's bullying, con artistry, and outright lies.) Like, what is it that he wanted to do with his life? Use his talents to get rich and famous? Shit, that's exactly what Stan wanted to do with his life. It's what Dipper fantasizes about doing with his life. Even Mabel, who thinks about her long-term future the least, dreams big with her art & performances and is already making big money off cheap-ass commissions. What terrible people they all are, for—let me check my notes here—uhhh... unrealistically fantasizing about achieving success in life by doing the things they're good at.

When their dad accuses Stan of lying as a child, Ford puts his entire summer on the line to defend Stan even though he knows Stan is a habitual liar and has no reason to believe Stan is telling the truth this time.

When his new college roommate he barely even knows gets laughed at for proposing an outlandish scientific theory, his first emotion is outrage at this injustice and he drops everything to convince his already-despondent roommate that he was right and help him prove it beyond a shadow of a doubt.

When he moves to a new town, he tries again and again to befriend his new neighbors, and fails not because he's rude or a jerk, but because he's awkward as hell, tells terrible jokes, and sucks at identifying phoenixes.

When Fiddleford gets hurt around him, he cares about it, feels guilty about putting him in that position, doesn't want it to happen again, and tries his best to help even though he's bad at helping.

When he gets kidnapped by a weird holiday folklore creature, he concludes without even thinking about it that he's now in charge of protecting and rescuing the kidnapped kids. Yeah, then he immediately starts hollering at the folklore creature for trying to impose his religious beliefs on Ford and the kids—but like, Ford was right tho, he just had bad timing.

When he discovers that the Northwest family committed atrocities against their poorer neighbors a century ago, his first instinct is to march up to their house, find the first Northwest he can locate, and give them a piece of his mind for it. Like, this won't even FIX anything. He's just THAT OUTRAGED over the injustice.

When he sees what he thinks is a fortune telling fraud conning the people, he attempts to debunk her because he's mad to see someone cheating other people with lies—and when he can't debunk her, he just leaves her alone rather than harass her about it. Typically, if assholes think somebody's doing something wrong but don't have any proof of it and fail to get proof when they look, they decide they're right anyway and keep giving that person shit. Ford doesn't give her shit. That's the opposite of an asshole move.

When he discovers his Portal To Knowledge (And Fame & Fortune) is actually a Portal To Doom (But Still Possibly Fame & Fortune, Maybe Even Godly Power), he isn't tempted for a second to keep working on it anyway. There is no moment where Bill manages to tempt him. No matter what Bill offers, no matter how long Bill offers, never, at ANY point, does Ford have a SECOND of "but what if I did make a deal with the devil?" the way so many heroes in similar situations often do.

You ever notice that? So often moral moments in the show are presented as choices the characters make. Will or won't Dipper give Bill a "puppet" in exchange for knowledge. Will or won't Stan fight a pterodactyl to protect Mabel's pig. Will or won't Mabel hand Bipper the journal. Ford is never given a "will or won't he" moment over Bill's threats, offers of friendship, or offers of infinite power—he steamrolls straight past them without a second of consideration—because, to him, the selfish, cowardly, easy choice ISN'T EVEN AN OPTION. He doesn't even SEE it as making a choice because the possibility of doing the wrong thing is invisible. A character who wavers first before turning Bill down would look more noble for "overcoming" temptation—it's harder to notice just how much stronger Ford's moral compass must be to not even feel temptation in the first place.

Greed and pride never tempt him to join Bill's side. Exhaustion, despair, and fear never tempt him to give up. He bears up under weeks, possibly months of extreme sleep deprivation, physical torture, psychological torture, emotional torture, threats of death, threats of brainwashing, threats to his family. He doesn't hold up so that he can pat himself on the back for being a hero—if that was all it was he would've gone "screw it, this isn't worth it and nobody would know I'm the one who gave up" a week in—he does it because he simply knows it must be done and because he's so isolated (half because of Bill's influence!) that he believes he's the one who must do it, all alone.

Thinking he has to do it by himself isn't egotism or pride; it's helplessness. He thinks no one else stands a chance. He thinks he's alone.

And, when he discovers his Portal To Knowledge is a Portal To Doom, he immediately feels guilty. No trying to deny the situation to protect his ego. No shuffling the blame off to someone else. No "maybe the apocalypse could have a silver lining!" No locking the door and trying to ignore the problem. He blames himself for being fooled—he IMMEDIATELY takes full responsibility for his actions—and he CONTINUES to take responsibility FOR THE NEXT THIRTY YEARS.

He takes more responsibility than is even warranted—he treats himself like he's an idiot for believing in an APPARENT GOD who's been practicing manipulating humans for thousands of years and who had never given Ford reason to believe the portal was anything but what Bill said it was. He beats himself up to no end every single time his past with Bill comes up. He even keeps beating himself up thirty years later when he's shoving warning notes to future readers in Bill's evil unkillable book!

When he falls into the multiverse, he dedicates his entire life NOT to finding a way to rescue himself, but to finding a way to permanently stop the CHAOS GOD who's still at the threshold of destroying Ford's world and countless others. He makes himself a hated criminal in the process, just to stop Bill. He's ready to spend the rest of his life trying to protect a world he doesn't think he'll ever see again. He does it because, as he sees it, somebody has to stand in between the children and the obnoxious folklore cryptid menacing them, and he's the only adult in this damn cave with the skills and knowledge for the job.

When he gets home, he doesn't tell his family about Bill and his quest because he's afraid that doing so will get them involved and endanger them too—and because he's too deeply ashamed of himself and his mistakes to stand the thought of his family knowing about the horrible things he's done (AGAIN, WHILE BEING MANIPULATED BY THE GOD OF MANIPULATION).

He loves his great-niece and great-nephew the second he lays eyes on them; he nevertheless tries to steer away from them to keep them safe from Bill; and yet he caves to the very first temptation to emotionally bond with his great-nephew he gets, because in spite of his noble "keep them safe" intentions, he wants so so badly to be close to his family.

As pissed as he still is at Stan and even though neither of them can look at each other without hissing like cats, he still makes an attempt to start bridging their divide by inviting him to play DD&MD.

When the apocalypse happens, he immediately puts his life on the line to try to kill Bill.

And when he's captured, isn't fazed for a second by Bill's offers or threats... until his family is threatened. The exact thing he'd been trying to avoid & prevent from the very start.

And when he's reunited with Fiddleford, his immediate reaction is to point out that Fiddleford's well within his rights to hate him—which isn't a new revelation, it's not like Ford had to do any soul-searching to reach this conclusion, he'd concluded that 30 years ago the instant he realized Bill had played him and that he'd been lied to about Fiddleford.

And then he tries to kill Bill again.

And then he's ready to sacrifice his own life to kill Bill—and the only reason he doesn't is because he has a metal plate preventing him from making the sacrifice... but, Stan doesn't have a plate. If Ford hadn't had the metal plate, he would have gladly done the exact same thing Stan did—and he would have thought it was right for him and only him to make that sacrifice, because it's VERY clear he feels (and has felt from the start) that this is all his fault and he's obligated to fix it.

Over and over and over, these are Ford's two defining character traits: getting so pissed off at injustice that his common sense shuts off and he goes into terminator mode until he's righted this wrong as best he can, even when he can't actually do anything about it; and feeling like he's Atlas, weighed down with the full responsibility of fixing everything he's done wrong and made to believe that, for everyone else's sake, he has to do it all alone. Even when doing so puts himself in harm's way, even when he has to put his entire life on hold for it, even if it might cost him his life. Scrape off his awkward social skills, his loneliness, his nerdiness, his endless curiosity, his zealous love of the strange, his starry ambitions, his yearning for recognition and success—scrape his personality down to the bone and that's what you're left with. A man who believes in defending the exploited so strongly that it makes him a little stupid.

I'm gonna go out on a limb and assume that you probably don't think Stan's fundamentally a bad person, and that you probably think that isn't even worth questioning. Stan's made a whole career out of swindling people, conning them out of as much money as he possibly can, stealing, lying, committing a long list of goofily-named crimes, and attempting douchy pick-up artistry on women; and to cap it all off, he held the safety of the entire universe hostage to demand a goddamn "thank you." Don't send me any "But he had reasons—" "But it was only to—" I don't need it, I don't want the essay, I'm not arguing that Stan's a bad guy, it's fine.

But. You can look at Stan's moments of cruelty and unkindness, his uncharitable thoughts, his character flaws, and think, "that doesn't define him. He's more than his cruelest moments and worst mistakes. He's imperfect, but he cares so much and his heart's in the right place, and beneath all the flaws his core is good."

And if you can't do the same for Ford, it's not because he's a worse person. It's because we got two seasons with Stan and five and a half episodes with Ford—and while we saw Stan yearning to fish with the kids or encouraging Mabel to whoop Pacifica's butt at minigolf or crying over a black and white period drama or punching zombies to save his family, we only saw Ford at the worst moments in his life and under the stress of a prolonged apocalyptic crisis—and, it so happens, all the moments he was pissed at the guy we spent two seasons learning to love.

Ford's got moments of cruelty and unkindness, uncharitable thoughts, and character flaws. But, at his core, he's a good person, and he always has been, and he still is.

[scoobydoodean]

is there anything you're critical of Dean for? not meant as a gotcha, i just haven't been reading your blog for long.

i just struggle getting out of the Doylist perspective and holding characters accountable. i'm annoyingly cognizant of the external factors like them not wanting to pay Misha or having to cater to a sizeable portion of their audience that preferred the easier digestible, more accessible "two bros in MotW episodes" that didn't serve the overarching storyline or relationships or if they did, didn't take up that much air time or did it superficially (flashback to Dean being called overdramatic in 6x20 because they just didn't. get. it.).

I think it's clear that Dean and Cas’s relationship issues involving communication are an active choice made by the writers that don't just exist because Misha isn’t in all the episodes. If the writers didn’t want us to pay attention to Cas’s absences, they would establish that Cas consistently keeps in communication offscreen over the phone and that things between Dean and Cas are good when they see each other in person. Instead, they choose to do the exact opposite. They show Cas being avoidant and hiding in episodes he's not in and in episodes he's in too. They emphasize that Cas's absences are more than physical—he creates emotional distance—he hides and lies and keeps secrets when he feels ashamed or has become convinced that he needs to handle things on his own. This is a very core character hangup for Cas. It also doesn't make him a bad person. It makes him (for lack of a better word) human. His flaws are understandable and tragic and rooted in trauma, and one of the worst parts about the end of Supernatural is that Cas never gets to fully work through these feelings and have his eyes opened to exactly how deeply he is loved and that his worth is more than what he can do for others.

To be quite honest though, I think people need to become more comfortable with hearing that Cas isn't perfect without jumping to conclude that he is being condemned for being imperfect. No one is perfect—especially not our Supernatural blorbos. That includes Dean who is also imperfect. I'm not sure exactly what post of mine prompted this ask, but I don't actually think I've been that critical of Cas or condemned him for anything. I've only shined a light on some of his flaws—particularly in episodes where fandom has tended to ignore them and condemn Dean as The One And Only Bad Friend.

I guess I just wonder why it has always been acceptable to highlight Dean's flaws (even ones that don't actually exist) without ever mentioning a single thing another character did "wrong" to contribute to a conflict, but when I highlighting anything Cas ever did wrong in a conflict with Dean without a healthy helping of deancrit, people feel I'm not being "fair" enough. It's very clear that people want me to protect Cas more—even against the lightest criticisms— but I'm not sure why he's considered more deserving of that than Dean. I'm also not sure why a doylist perspective would invalidate Dean's experience as a fellow character within the story affected by Cas's absences and not an omniscient viewer who's thinking about how many episodes the writers can afford to put Misha Collins in (and again—I do not think a doylist perspective explains Cas's behavior—the behavior is intentionally written into his character for seasons upon seasons).

I'm not going to fight it if people choose to call me "cas critical" or "sam critical" because that's their prerogative. To be clear though, I don't prefer to engage with stories as competitions where we count up who did the most wrong things and assign that person as The Bad Character Among The Good Characters. I can understand if it looks that way from an outsider's perspective, but I'm actually reacting to fandom largely deciding to engage with Supernatural as if it should be consumed as a story about The Bad Character Among The Good Characters and deciding that The Bad Character Among The Good Characters is Dean. I'm far less critical of Sam or Cas than I'll ever be of fandom’s need to make everything about keeping score of who did the most wrong stuff. It can be fun to shitpost about it to piss of crits, but the actual point of the story isn't to figure out which one did the most bad things and "hold them accountable".

[0catiiyori0]

some headcanons for @zeivira's crack au "No sleep for the wicked" that is invading my head and is living rent free and is stoping me from writing my own au (and study) so ya let me release the drain

I honestly can't stop thinking abt how garfiel would first react to Subaru's "illness". maybe because I don't know if the information that the witch cult members are also always sleepy is widely known, but if it is- my boi Subaru must have the strongest coffee in his disposal because that boy won't be sleeping for 3 days straight (or was it two?). I imagine that he'll sleep the first two loops but then his scent is so strong and to add to that his sleeping "illness" would make ryuzu's alarm bells skyrocket and it'll be way too harder than the og white rabbit loop lmao. but if it isn't I think that'll make garfiel think of Subaru to be way less harmless. can't really do anything if he's unconscious for a couple of hours everyday ¯⁠\⁠_⁠(⁠ツ⁠)⁠_⁠/⁠¯. but i don't think he'll sleep anyway in the winning loop, just like in canon the difference is that he'll keep trying to stay awake for as long as he can. and when things calm down beatrice would force him to sleep and then garfiel would panic cuz he beat the shit out of him, him the same person who he has gained respect for and now after all that he had done turns out he has the same deadly illness that took the Royal family yet is doing miracles, I used to think that garfiel won't be able to stan subaru more than he already does, but that? ya well I'll be damned if he didn't.

now I didn't read the novels cuz I'm waiting for season 3 to end but I've gotten spoilered pretty good to know the general idea of what's going to happen (cries) . so rainhard, MY BOI IS GOING TO BE SO SAD THAT HE DIDN'T KIDNAP SUBARU WHEN HE HAD THE CHANCE LMAO. like yeah he was able to find the supposedly last royal member alive (*cough*we will act like cappella doesn't exist*cough*) and he's happy to serve them again, but Subaru has the same illness that took them in the first place, so i think he'll feel some kind of responsibility to help him even if he can't have him in the same camp, that sense of responsibility to be able to defeat the illness that took them and that might take his friend too, he couldn't protect the people he was supposed to protect, so the least he can do to them is getting rid of what took them. He needs to help Subaru, because of him now, because he couldn't beat the illness Subaru is suffering, and he'll be damned if he lets anyone succumb to it again. I know that the felt camp would be also heavily included in the research along crusch camp now lol.

"The tale of a hero fighting the world, cursed with the same fate as the people of the throne, the royal family. The Sleeping Beauty Illness. Yet is still making miracles after miracle, serving his lady, fighting monsters, saving lives. Truly, for he is the tragic hero"...ya you'll hear this in a bar lol. (or sung by Liliana lol).

Y'all... we're missing something here... THE PILLOW LAP XHJAJXBSJ, EMILIA WOULD BE SO TERRIFIED OF THE BOY WHO CRIED ALL OVER HER ONLY FOR HIM TO FAINT SUDDENLY JSJDJJS "wdm you were sleeping??? I THOUGHT YOU WERE DEAD ARE YOU OK?? ARE YOU SICK??? that's it we're taking you to a doctor" and subaru would be so panicked cuz he's ok he doesn't need a doctor!!! there are way more important things such as THE SHAMAN THAT'S GONNA TARGET THE VILLAGE SOON. rip my guy...

I want to point out more but this has been sitting in my drafts FOR A WHILE so ya hope you like it sensei <3

[spinchip]

Ooo okay after that I gotta say I am super interested where Nya goes in this AU. Is she mostly just resentful of Kai (he's her brother AND wants to stay out of this Super Cool Destiny that she wishes she was apart of) or does it affect her friendship with the other ninja (I'm assuming outside of Lloyd) too?

Also was NOT expecting Zane to wait Multiple Seasons to drop the "guess what Im a robot" lore. What makes him hold off, and what would make him finally spill the beans?

She's resentful of the boys and shes mad she's resentful lol. it's a lot of feeling excluded, forgotten, and consistently underestimated. Kai still sees her as his little sister in need of constant protection. he doesn't want her to fight. it was his job to make sure she would never be put in danger. he coddles her despite the fact she doesn't need or want it. He thinks there are things she just can't do. Jay sees her as more of an independent woman, but he takes Kai's cues on this. he doesn't want her fighting either. Cole knows nya is smart and capable but shes not part of the prophecy, so why needlessly endanger herself? this is their job. they're the ones who have to handle the pressure and the pain that comes with it. he doesn't think she can't, he just thinks she shouldn't have to. Zane feels similar to cole but he won't stop nya or stand in her way when she wants to do something. She says she's going to do *insert crazy dangerous thing here *? Zanes like "Okay here are the odds of success and exactly what you'll need to be able to pull this off" cuz he's wise enough to know he won't be stopping her lol. this makes kai and jay very upset with him. Pixal encourages her in every aspect of it all. go crazay. i'll help you build your own mech suit girl. iron man style. lloyd takes his cues from kai and wu, so if nya asks to help him with something he tends to err on the side of "No, i can handle this." (which also comes from feeling like he needs to prove himself as the green ninja)

Zane holds off on telling them he's an android because... well, he's weird. he's offputting. he's strange. he is always 'other.' and because of that, despite being homeless for years, he has never found a place to call home. he doesn't fit in. he is never accepted into the group. when the others finally start to include him... he's not going to do anything to jeopardize that. he's protecting himself. he doesn't see a way where this revelation won't change their attitude towards him.

he would have never told them if not for an injury that made it impossible for him to keep it a secret any longer

[frostfires-blog]

My Top 15 Favourite Anime (& Donghua) Female Characters 2024

[Before I get started, I'd like to point out that making this list was quite challenging considering I have watched quite a few anime. So please don't be too offended if any of your favourites aren't included; just because they aren't here doesn't automatically mean I dislike them. Feel free to leave your constructive thoughts and own lists in the comment section since I appreciate amicable discourse. Also, I decided to use the "keep reading" feature to make it easier to scroll through the long posts on my blog, so the official list is under the cut.]

-> Honourable Mentions:

-> My Top 15:

“If you’re helping someone and expecting something in return, you’re doing business not kindness.” Shirayuki is incredibly empathetic and emotionally aware as evidenced by her drive to ensure that the people around her feel cared for and supported. Even if it involves sacrificing her time and energy, she is always eager to help others. At times this is her greatest strength—as it enables her to build strong connections with others. However, on occasion, this trait makes it difficult for her to establish boundaries and prioritise her own needs.  This struggle is something I think we can all relate to.  I greatly admire her determination, optimism, compassion and resourcefulness. Her integrity, patience and consideration for others is something I aspire to emulate in daily life. Her passion for plants is something I have in common with her.

"I won't lose to myself!" Given that she has become somewhat of a meme in the fandom, I'm sure some of you may be surprised by this, but she was one of the first female anime characters I resonated with when I was young. Although she lacks presence in the overall series, her strong-willed and independent yet easy-going and relatable personality endeared her to me. Even in stressful situations, she is renowned for her diligence, discipline, practicality, and reliability. Her character serves as a tribute to the resilience of the human spirit as well as the value of perseverance and hard work. Her fear of failure sometimes causes her to doubt herself and her capabilities which highlights the struggle we all face with balancing our concerns and our obligations. Her fighting style and character design remain one of my absolute favourites, making me annoyed that Kishimoto didn’t do more with her character. Also, nejiten is my Roman Empire.

“This is a cruel world. And yet...so beautiful....” In all honesty, I'm still miffed by the ending of Attack on Titan, which had me contemplating whether to include her on this list, but I realised that would be petty and short-sighted. Mikasa was one of the first female characters I saw who not only stood with male characters on the battlefield but also outperformed them—which made me look up to her. Mikasa's greatest attributes are her inner strength and innate sense of responsibility to defend her loved ones and fight for justice, as well as her intense loyalty and devotion, especially to Eren. Aside from her strength and fortitude, she also possesses compassion and gentleness towards those she cares for—which I admire considering many female characters in shounen anime are pressured to sacrifice these qualities to be strong and respected.

“Why didn’t I try to get to know him better?” Since Frieren is the newest character on this list, I’m sure she’ll continue to grow on me in due time. As the protagonist of a show centred around the value of life, the importance of goodbyes and the passage of time; Frieren is an incredibly complex, multi-faceted character. Her journey to understand the depth of human relationships and emotions—after losing someone she failed to realise was important to her—is an incredibly touching and insightful one. Watching her experiences serves as an important lesson: to value every moment and to take the initiative to build connections with others—which is something I often struggle with. Frieren is best recognised for her composed demeanour. She demonstrates qualities such as an affinity for independence, a keen sense of introspection and a preference for logical reasoning—all of which allow her to serve as a voice of reason for their group. Her sharp mind and unrelenting curiosity propel her to continually expand the limits of her knowledge, enabling her to innovatively tackle challenges from a unique viewpoint—making her an engaging and dynamic character to watch.

“A-xian is my little brother…When others insult him it is no small matter to me.” While often overlooked due to her immense kindness and amiable personality—her determination, selflessness and fierce protectiveness of her loved ones are admirable. Although not a major character in MDZS, her influence over its more central characters is evident. Her lack of hesitance in sacrificing her life for her martial brother, Wei Wuxian—even though he unintentionally contributed to her husband’s death—endeared me to her. Her determination to rise above her difficult upbringing and grow into a caring, mature and reliable figure is praiseworthy along with her capacity to find common ground in seemingly immutable situations. Her character design ranks among my favourites as well and complements her personality well. She taught me that despite being in a society where one is harshly rebuked or pressurised it is important to stand firm in your beliefs and desires.

“If you must cling to something in order to yield, why not pick up that which you have tossed away and hold it in your hands anew?” While initially, she doesn't appear to be very noteworthy because of her limited role in the series, the brief time she gets presents her in a positive light and her backstory is notably well-developed even among more prominent side characters. Despite her reclusiveness; her compassion, forgiveness and humility are noteworthy—especially when contrasted with the majority of other Heavenly Officials. Given that characters like Xie Lian and Hua Cheng respect her, while Jun Wu and Pei Ming are cautious of her proves that her strength and significance should not be undervalued. Her ascension story—which earned her the moniker “The Princess Who Slit Her Throat”—is a prime example of her incredible selflessness as she willingly laid down her life to protect her family and country despite being ignored and mistreated for most of her life. She remains very grounded despite her status as the God of Rain and Agriculture and is always willing to help others, even if it means defying authority. She possesses no ill will towards those she has had disagreements with and doesn't hesitate to save them.

 "Even if it's a short life, burn hot and bright and overtake the moment. That's my way of life." Kagura is best known for her quick wit, tomboyish personality and fighting spirit which often manages to steal the spotlight in the Gintama series. She is an ardent and fierce fighter who doesn't hesitate to express her opinions. Beneath her brash exterior, she is compassionate and caring, frequently using her keen intuition and empathy when interacting with others. She often takes risks, facing challenges directly which can be seen as impulsive and abrasive—however, this behaviour stems from her need for control and security amidst a chaotic world. In a sense, we all struggle to assert ourselves in difficult situations and could benefit from approaching things with a little more of Kagura's zeal. Kagura also enjoys helping others and is incredibly devoted to the people she loves. She is also not afraid to voice her opinions or act when she sees someone in need. By virtue of her strength, humour, and charm, she has not only gained popularity among fans but also established herself as an iconic figure in the shounen genre.

"If you don't hold a rose carefully, you'll get pierced by its thorns." Tsukuyo is best known for her unique fighting style, sharp wit, caustic humour, and compelling backstory which has allowed her to become a fan favourite and a key part of many serious arcs in the series. In many respects, her design and backstory serve as a parallel to that of the protagonist—Gintoki—which adds to her depth. Furthermore, her name and personality are based on Tsukuyomi no Mikoto—the moon god in Shinto and Japanese mythology—accentuating the cool aesthetic of her design. Contrasting her rough exterior, Tsukuyo is shown to have a tender side, exhibiting an innate sense of empathy and sensitivity. Although her reserved attitude often conveys an impression of aloofness and distance, this is just how she processes things and expresses concern, which is something I can identify with.  Her most admirable quality is her strong sense of duty and loyalty towards her loved ones, as well as her inclination to prioritise the needs of others over her own. Although she struggles with insecurity and anxiety—leading her to hesitate and over-analyse—she is resolute in overcoming these issues when crucial matters are at stake, which is a valuable message.

“I once believed that the road of happiness continued forever and ever into the distance. When it was destroyed, I realized for the first time that it lies upon a thin sheet of glass. And just as we were saved, there were those whose happiness that haven't yet been destroyed. So, I wanted to get stronger and protect them.” Shinobu is a multifaceted and captivating character who stands out—even amongst Demon Slayer's eclectic cast—largely due to her distinct fighting style, striking design, tragic backstory as well as her nuanced personality and motivations. Shinobu's strongest assets are her insight, and compassion, which enable her to support those in need. She usually has a relaxed smile on her face and generally exhibits a bright, amiable, and joyful demeanour. However, it soon becomes apparent that this outward disposition is a façade masking her profound anger and relentless desire for vengeance. This dichotomy in her persona is foreshadowed by her conflicting roles in the series as a healer and a poisoner. Her desire to cater to those close to her is the primary motivation for her outward façade, which is primarily modelled after the mannerisms of her deceased older sister. Considering we all conceal certain parts of ourselves to appeal to others, this aspect of her character is very impactful and relatable. She also often struggles with feelings of inadequacy stemming from her physical limitations. However, she overcomes this obstacle by employing poison to kill demons, showcasing her resourcefulness, fortitude and tenacity. Although we all feel envious of the talents of others, Shinobu's character is a reminder that we all have our strengths and should face obstacles head-on never giving up on our objectives.

“Although our thoughts are changeable and difficult to understand, the actions we take don’t change, no matter how much time passes.” As a consequence of her seclusion in the Yamei Palace and her mystical abilities, Jusetsu is quite enigmatic and detached. While she is often perceived as haughty and aloof due to her bluntness, impatience and lack of social experience; she is shown to have a tender and vulnerable side. She possesses an inherent sense of justice and doesn't disregard those in need, even if they have offended her in the past, which is incredibly admirable. Although her position as the Raven Consort demands her to live alone, she quickly finds herself surrounded by people, leading her to feel guilty considering her deceased predecessor remained isolated. Her heart begins to soften as she lets others in, but she often struggles to comprehend others, causing her to inadvertently offend them—which is something that most of us can relate to. However, she is quick to mend things once she realises her misstep and comes to learn that it's necessary to confide in those who care about you. She frequently exhibits guilt about seeing her mother die, which leads her to feel that it's preferable to be by herself than to lose anyone else. Her struggles with guilt and constant introspection not only add to her complexity as a character but also make her very relatable. To a degree, we all worry that opening our hearts to others will result in us being irrevocably hurt but constantly have to take that risk to live a fulfilling life—thus making Jusetsu’s journey an incredibly empowering and compelling one.

“I'll definitely overtake you, and it'll be my turn to worry about you.” Misaki is best described as bright, diligent, pragmatic, and disciplined. As the student council president, she is committed to improving her school's reputation, even if it involves challenging the expectations of her male teachers and peers. Before Misaki's father abandoned their family, she was noticeably more tender-hearted and compassionate, but she subsequently developed a bias against males based on her conviction that they were inconsiderate and unreliable. She possesses a rigid sense of justice and sets high standards for herself and everyone around her. Consequently, she often struggles with her emotions, particularly when it comes to maintaining her composure when her private life is disrupted. Misaki is particularly embarrassed about her part-time position at a Maid Cafe, believing it contradicts her strong, uncompromising image, and consequently takes great effort to establish a rigid boundary between her public image and her private life by keeping this job hidden from others. Misaki's best quality is that she never veers off course and gives her all in everything she does, inspiring others in the process. Misaki exemplifies the value of resilience and diligence when it comes to achieving one's goals because, despite facing countless hurdles, she remains committed to her ideals. Conversely, she is overly self-sacrificing and frequently overworks herself due to her inability to trust others. Through the course of the series, she learns to accept her femininity and fragility while remaining assertive and self-sufficient. As she navigates her growing romantic feelings for Usui, she learns the value of having faith in others, as well as the significance of respect, communication, and acceptance in relationships. This process of self-discovery moulds Misaki into a multifaceted character who is exemplary and relatable.

“If history repeats itself, and moves in a circular path, then believing that whatever force is turning it is perfect, is all we can do as we move ahead. Pushed along by forces beyond our control, waiting, for the blade to be swung." Rukia’s best attributes are her altruism, modesty, strong moral compass and sense of duty. Her journey throughout the series centres around self-acceptance and belonging. Initially, she feels worthless and out of place yet longs to be recognised and accepted. Given that she finds it difficult to reach out to others, she never expresses these desires and lives a lonely life under continual strain. After meeting Ichigo and his friends, in the World of the Living, she begins to open up but quickly backtracks after she is taken back to the Soul Society to be executed. Despite enduring tremendous hardship, she never forsakes her ideals or blames anybody else—but instead faces and overcomes everything alone. This demonstrates her immense fortitude, resolve and integrity. Her strength lies in the fact that her heart never fluctuates. Upon the moment of her execution, she does not display fear or regret but is instead grateful for having lived an ample life. However, this is the turning point, as she is saved by Ichigo and is thereafter rewarded for her resolve and steadfast convictions. She finally alleviates herself of the guilt and grief she had been carrying by allowing herself to rely on others for emotional support. She can now confidently confront and overcome her greatest challenges because she is certain of who she is. In this way, Rukia's character serves as an example that no matter what you are faced with, your efforts will be recognised so long as you remain resolute and virtuous—which is incredibly commendable and compelling.

Her enduring and incomparable bond with the series’ protagonist, Ichigo is one of my favourite aspects of her character and the series as a whole. Throughout the story, she is a continual source of both physical and emotional strength for him. In several respects, Rukia's character is a parallel to his as she understands Ichigo's feelings better than anyone else considering she has gone through similar experiences. The quote "The rain drags the Black Sun down, but the rain is dried by the White Moon" perfectly encapsulates their dynamic—with Ichigo representing the former and Rukia representing the latter. Throughout the series, the rain is a potent metaphor for Ichigo's despair, while Rukia is constantly seen guiding and consoling him—effectively drying up “the rain”.  She acts as a "ray of light" for Ichigo—despite her problems—who in turn does the same for her. Rukia's symbolism as the "White Moon" also pertains to her technique—specifically her bankai, which transforms her into a veritable ice princess. This symbolism furthers her development, influence and prominence in the series.

"Before I question the gods, there are questions I should ask myself!" Yona's remarkable development from a pampered princess to a courageous warrior is precisely why she is one of the most recognised and respected shoujo heroines of all time. This development begins after her privileged and idyllic life in Hiryuu castle is upended when her beloved cousin, Soo-won, murders her father and seizes the throne. After witnessing this traumatising event, she is forced to flee the castle and is forced to adjust to a harsh and perilous life on the run. She is momentarily overcome with fear and denial thus depending entirely on her bodyguard and childhood friend Hak for protection and care. However, after recognising that the people who were sheltering her would suffer as a result of her incapacity, she began to pull herself together. Empowered by her newfound resolve, she and Hak journey across the kingdom in search of the legendary Dragon Warriors and through these fateful encounters, they cultivate a revitalized sense of purpose and camaraderie. It is on this journey that she begins to realise that her father’s pacifistic reign came at the cost of weakening their kingdom, leading to widespread strife and corruption. Her overwhelming guilt regarding her ignorance causes her to develop a genuine sense of responsibility towards her nation's people. With the support of her allies, she travels around the kingdom to improve the lives of the common people, having abandoned the prospect of revenge. Yona's fundamental strength is shown to derive from her emotional fortitude, compassion and capacity for forgiveness. Additionally, her adaptability, willingness to learn, and strong sense of conviction are all admirable. Although she continues to grow stronger throughout the series, she has always been incredibly kind and compassionate. She is inspiring because she demonstrates that true strength comes from within. It is her immense compassion that not only motivates her to protect her nation and change the lives of those around her but also draws people like Hak and the four dragon warriors to her. Her ability to forego her desire for vengeance in favour of forgiveness is not a show of weakness but is one of strength, selflessness and maturity. She realises that her desire for revenge is outweighed by the kingdom’s need for a radical and strong ruler like Soo-won —leading her to choose to work from the shadows to uplift the common people.

“It’s not always easy to see the good in people. In some people, you might even doubt that it’s there at all. But if you can somehow, find a way to believe…sometimes that’s all it takes to help someone, to give them the strength to find the good in themselves...” “No matter how cold it is now, spring will come again...” Tohru is best described as optimistic, hard-working, patient and open-minded. She is also modest, caring, and gentle-spirited. She constantly strives to seek out the good in everyone she encounters and is always willing to assist those in need—bearing no resentment against those who have harmed her. Her benevolent and amiable disposition effortlessly attracts people to her, making them feel accepted and valued, as demonstrated through her interactions with the zodiac members of the Sohma family. In comparison to the series' vast ensemble of colourful, quirky characters, Tohru is frequently perceived as being too perfectly kind and hence bland—nonetheless, this is completely misguided. In actuality, Tohru is equally as emotionally broken and thus the Sohma family heals her heart in the same way that she heals theirs. Her character is an exemplary subversion of the typical "kind-hearted" heroine given that she faces several genuine hardships that result from her gentle and charitable nature. She is not a perfect saint, but rather a girl who prioritises the struggles of others over her own as she attempts to find her place in the world. Her greatest strengths are her immense compassion, innate empathy and sincerity. Given that she expects nothing in exchange for helping others, her generosity does not originate from a position of entitlement, which is incredibly admirable. Tohru has a strong desire to be needed by others and thus often puts the needs of others before her own. She craves validation and assurance, hoping to be acknowledged as essential and irreplaceable to those around her. In response to the terrible treatment she received from her paternal relatives, Tohru has developed the notion that she might burden those around her, so she rarely expresses her desires. Consequently, she is inclined to internalise any unpleasant emotions and feelings rather than express them externally. However, as time passes, Tohru gradually learns to be more assertive and to accept help from others. Tohru's relationship with Kyo is another facet of her personality that I find endearing. Despite having similar backstories, they have developed divergent perspectives on life. Kyo finds it hard to recognise the positive in other people, while Tohru finds it hard to perceive anything negative in them. They strike a perfect equilibrium as he teaches her that being too unselfish and not sufficiently assertive is detrimental to her well-being, while she helps him realise that there is hope in trusting others. While Kyo is not the only one who sees through Tohru's façade, he is one of the only individuals who can help her face her issues as she becomes especially transparent around Kyo, confessing all her concerns and anxieties to him. Tohru demonstrates the power of forgiveness, love and friendship and exemplifies what it means to be a good person. Her journey towards overcoming her fears and attaining true happiness through strength and determination is heartwarming and inspiring. She embodies hope and compassion in a cruel and unfair world. Her growth demonstrates that being kind is not synonymous with being powerless or meek. She demonstrates that no one is completely perfect—that kindness is a choice rather than an innate gift, therefore we are all capable of making the effort to be kind and compassionate to others.

“If I should die, I'd want to die of poison.” Maomao's story is kickstarted when she is kidnapped and sent to the Imperial Palace as a maidservant. Maomao’s extensive knowledge of poisons and medicine, along with her aptitude for unravelling mysteries ensnare her into the intricate web of political intrigue despite her attempts to remain inconspicuous. She is mature, sharp-witted, composed, and pragmatic, in large part because she grasps her expendability in the Rear Palace. Being raised in the Red-Light District has shaped her into a resilient and adaptive person with a thorough awareness of society's complexities, which she uses to traverse the Rear Palace. Consequently, she has developed a highly practical and pessimistic mindset on life, centred around avoiding trouble and adjusting to her surroundings—which has enabled her to tolerate circumstances that many would deem traumatic or distressing.  Ironically, her insatiable curiosity, along with her strong sense of justice and empathy, frequently counterbalances her self-reservation; leading her to become involved in problems that affect others. Maomao is intrigued by poisons and medicinal plants, and she often investigates their effects on her own body. This passion is her primary motivation for her actions considering the mere prospect of savouring poison or studying a rare medicinal component kindles a fervent fire within her, resulting in a riveting shift in demeanour—which is naturally perceived as astonishing and insane by many characters, particularly the series' deuteragonist, Jinshi. Maomao’s name is derived from the onomatopoeia of a cat’s meow “貓” and fittingly she is often depicted with cat ears, which act as a visual metaphor for her ardent curiosity. This feline motif, combined with her proclivity for pushing herself into risky situations and her dangerous fascination with poisons, makes her the epitome of the phrase "curiosity killed the cat". Despite her exceptional competence and charisma, Maomao is not flawless; in fact, her flaws add to her appeal. Although Maomao's distrustful and inquisitive nature makes her an excellent detective, this same quality—coupled with her distorted yet starkly reliable perception of human connections—occasionally renders her socially inept. Maomao tends to shy away from forging strong, intimate bonds or attachments with other people, causing her to be wilfully oblivious of the obvious concern or affection others have for her, regardless of whether it is in a platonic, romantic, or professional capacity. Furthermore, she is sceptical about the notion of romance, feeling that it is more likely to cause ruination than to provide happiness. This scepticism and detachment are probably traumatic responses to being brought up in the red-light district, where someone's genuine affection alone does not guarantee that they will not discard you if needed.

Another aspect of Maomao’s character that I find intriguing is her dynamic with Jinshi which develops gradually and is multi-faceted due to their opposing traits, social statuses, and backgrounds. Despite her pretence of indifference, Maomao's actions—specifically her attentiveness and concern—gradually disclose her growing interest in him. Maomao's development demonstrates her progressively becoming less closed off emotionally as she processes the intricacies of her feelings. Similarly, Jinshi had no intention of growing attached to her—as he merely wanted to capitalise on her skill set and intellect. Nevertheless, he fell for her fairly quickly, with his feelings progressing from possessive attachment to ardent, selfless love. Their partnership is defined by mutual respect, trust, and their resolve to overcome obstacles of the aristocracy together. The series’ willingness to address feminist themes within a historically misogynistic setting adds another layer of complexity to Maomao’s character; since her intellect, competence, independence and boldness defy the gender expectations of the era. Even amidst the competitiveness of the Red-light district and the complex balance of power within the imperial harem— which were settings devised to pit women against one another—Maomao continues to advocate for camaraderie between women. As we continue to witness women supporting and empowering each other; their enduring strength and tenacity is exemplified. Maomao's journey is thus an embodiment of progressiveness reflecting a refreshing standpoint on female empowerment. Maomao's exceptional charm and vibrancy are profoundly compelling, instilling an enduring sense of inspiration and empowerment.

[Congratulations and thank you if you made it all the way to the end. I fear I rambled too much…. oh well… If anyone has any suggestions on what to do next, then let me know. Otherwise, I'm just going to be working on a few asks…]

[catras-breakup-song]

how do you feel about the whole "you always wanted more" line that got cut? at first i was wondering why they did that because adora didn't want more until it made me think "huh, what if prime was just running on catra's memories and didn't actually know adora?" but i'm curious as to what you think

OH MY GOD I AM SO GLAD YOU ASKED THIS. i am such a sucker for the cut STC script. back in late 2020 & early 2021 i had a twitter layout based on “that little spot on the roof that only they knew about” because S3 is my favorite:

even better, i have another old twitter fancam saved from around that time too that used that screenshot of the script in the beginning. it was by the username yoosene but is now long gone, so i reuploaded it to imgur here (the hands part, i’m going insane…)!

anyway, as for interpretations, it was absolutely to manipulate & guilt-trip adora. i recently saw someone say (i don’t remember where though, sorry) that he was torturing both of them by setting up that nasty fight against both of their wills and had planned to kill catra all along — despite saying he wouldn’t right after she rescued glimmer and was imprisoned for it, in my opinion there was an unspoken “yet” even though he did technically say that word but you know what i mean; “you will be of use to me, and then everyone from your blighted planet, including yourself, will be destroyed.”

that’s the thing about what the show was trying to convey through her stay on prime’s ship via glimmer’s desperate pleas, isn’t it? her illusion of power was only ever temporary. once she no longer had anything of value to serve, what would she be worth? how could she have genuinely believed that he wanted to save her, of all living beings, from the curse of humanity & will of consciousness? what makes one individual different to an omnipotent god compared to countless others across the universe throughout space and time? i truly believe that he was subtly mocking her when he talked of her being “exalted, raised up above the other wretched creatures of [her] home world.”

i was actually trying to find another five by five takes quote about this, because mentioning them is always an obligation for me, but surprisingly i didn't really find anything about how catra had worked her way up to prime's recognized single subordinate (only that moment of reflection afterward, which is just this entire short video), and was under the false impression with a cocky & confident attitude that her position meant something for her safety & survival; i'm mostly referring to this moment:

the horde's the horde...even in space. as long as i'm of value to horde prime, i've got a place in this world. i can work my way up here, just like i did before.

actually y’know what… i’m going to tag @horde-princess because this is starting to dive into religious meta which is like… her whole gimmick thingy. we would be blessed (pun intended) to see your take on this writing that never made it to the show, if you haven’t given it already!

now this is veering too far off from the original point after getting sidetracked. the tone of those quotes in the alternate script is (fake) pity, and horde prime was entertained by the struggles of mere mortals. to make adora a failure of what she represented would surely force her to give up she-ra to him, because what would even be the point anymore of living up to expectations if she couldn’t save catra first & foremost (that’s something that she struggled with since initially leaving the horde over three years ago due to how catra made her feel about supposedly breaking their childhood promise… but it’s a story for another post)?

i don’t doubt that your thought process is at least partially right too though, anon. prime didn’t read adora’s mind thoroughly at any point, so it’s entirely possible that he just read off catra’s intense feelings of abandonment & betrayal. that being said, if he really did see all as he claimed, maybe he was able to recreate an objectively accurate collection of events and knows what really happened and what the intentions behind certain actions were. i also wonder if catra secretly knew deep down that adora’s defection wasn’t directly about her but just couldn’t admit it until she had time to deeply reflect on it during “corridors.”

i’ll leave this messy, unorganized post with an amazingly relevant gif set made by an editor whose work on here i really enjoy:

as i said a long time ago, you just had to be there on november 19th 2020 when that excerpt was released because the hype was crazy!

[house-of-mirrors]

I post a fic I spent hours and days and sometimes weeks on and it gets 10 notes, and I post a low effort screenshot meme and it gets 300 notes and counting 😭 I know it's how tumblr works but can I please get a waffle

[necrotic-nephilim]

after seeing the poll about who in the batfam could be Deaf, I am now obsessed with how the masks could affect their sign. If they use their signing space differently when in the vigilante persona or not. Signing is so distinctive to each person that the code switching they do would be interesting to see play out in their ASL. Also thinking about what family signs the family would use to refer to batshit things in their lives. q

YEAH YOU GET IT.

(the poll in question) i am deeply fascinated by the mechanics in which Deaf culture could play into the Batfam. bc most of them are wearing masks that would heavily inhibit ASL (given ASL is an expressive language) so i think it's more likely they'd use something akin to Makaton or Military Hand Signals that are not a fully developed language, but a communication aid, with a given set of signs for the typical things that need to be communicated in the field. meanwhile they'd be more likely to use ASL casually. (i'm unsure who all in the Batfam is confirmed to know ASL, but i know at the very least Bruce and Tim are)

i'm also very drawn in by the idea of other firms of assistive communication/tech used aside from just ASL. i personally find it believable that the masks of any of the Batfam could include automatic captioning tech that only they see through the inside of the mask, similar to captioning glasses at movie theatres, if they were Deaf/HoH. also how you would modify the concept of comm links to be more accessible, potentially projecting the message visually through the person's mask or maybe a wrist communicator sort of situation, depending on their personal preference. how the Batfam in general would interact with each other if one or multiple of them were Deaf would be heavily shaped and i think it's so fun. and i *love* the thought of personal signs they'd have to come up with bc well, ASL is hardly equipped for their lifestyle. also fun to consider sign names and if sign names are unique to the person or unique to the mantle. (eg, would the sign name for Robin be specific to which Robin, or just the mantle at large) there's so many little things that would change and i just think it's Neat. most people are approaching the poll from the perspective of their character of choice having hearing loss from vigilante work (which is a super valid way to approach it and i love those headcanons) but personally i find it fun if the deafness is a pre-existing condition and already something the Bat has been dealing with for years and thus approaches vigilantism needing to modify their gear slightly from the standard norm. how they could influence how Bruce trains them, emphasizing other senses. how they'd likely be far more tactical on the field, pressing their hands against something to feel for noise, ergo their gloves may be designed to more easily pick up vibration. (cannot tell you how much i do that irl) whether or not they'd hide it from the larger hero world is also an interesting question. it's all a fun internal struggle as well, internalized ableism and all. so much you could do with it!!

[cienie-isengardu]

Tomas & Liu Kang

I’m trying to put things into right perspective about Smoke, Liu Kang’s approach to Tomas and how pushed into background he was during story mode so bear with me while I’m connecting dots.

Also, to be clear, I’m not here to morally judge the characters, just to talk about the dissonance between Smoke vs Liu Kang intro dialogues and the story mode.

For one, the pre-fight dialogues imply that Tomas lost his family due to Liu Kang (Keeper of Time)’s choice: 

Smoke: "Did you intend for me to be orphaned?" Liu Kang: "Some threads must be cut to weave time’s fabric." 

and

Smoke: "I'm not sure I can forgive you." Liu Kang: "Being Keeper of Time meant making many hard choices."

When Tomas was orphaned, Kuai Liang & Bi-Han’s father adopted him and made one of Lin Kuei. If the accusation is true, then we can assume Liu Kang wanted Tomas to join Lin Kuei, as he did in the past timeline(s). So, in theory, Smoke for whatever reason was important enough for the Keeper of Time to get involved and steer events to get the wanted result. 

Which raises a question, why did Liu Kang not bother to recruit Tomas into Lin Kuei the same way he recruited Kung Lao, Raiden, Johnny Cage or Kenshi, by like, actually talking to him and taking for training? Or even why not just ask the befriended Grandmaster to take the boy (and Tomas' family) under his wings, which I think the man would do without further question.

Instead, Smoke was orphaned, taken in by Lin Kuei, adopted as son of Grandmaster and trained in magic to equalize his chances in the fight (in contrast, Bi-Han’s ice powers seems to be a natural part of him, related to specific bloodline).

Now, if Tomas was so important, if not in the greater scheme of things, then just for Liu Kang (and Kuai Liang), isn’t it weird, he is so sidelined and omitted by Fire Lord in the story mode?

Again, not judging characters, solely pointing out this choice of storyline, as this is especially visible during collecting the champions for the tournament arc.

In Chapter One, when the test was over and Liu Kang came to Kung Lao and Raiden to explain things, he specifically called only Bi-Han (the current Grandmaster) and Kuai Liang (Bi-Han’s blood-brother)

while Tomas was totally omitted and stayed behind with the rest unnamed Lin Kuei warriors.

Which, visually speaking, is weird, as just before that scene we could see Smoke walking alongside his adoptive brothers (with Bi-Han leading the group, Tomas and Kuai Liang walking a bit behind their leader, but before the unnamed warriors);

In the next chapter, again, only Bi-Han and Kuai Liang assisted Fire Lord in his quest to recruit Johnny Cage and Kenshi. Again, both Lin Kuei were addressed by their birth names, instead of codenames

while there is no information why Tomas was left behind. He likely was entrusted with escorting Kung Lao and Raiden to Shaolin Monks, yet the lack of proper mention emphasizes the pushing into the background.

We didn't learn officially Smoke's status as adopted brother of Kuai Liang and Bi-Han until Sub-Zero's chapter (#8). Unless I miss something, the first person on screen to actually address Smoke by his birth name was surprisingly Bi-Han.

Which makes even weirder the lack of including of Tomas from Liu Kang, as the Fire Lord and Smoke stayed allies through the story mode and intro dialogues (with some resentment on Tomas' side for death of his family) while the relationship between Bi-Han and Tomas was much more complicated to begin with.

We could make an argument that Liu Kang didn't want to antagonize Bi-Han by including adopted Tomas too much, however:

A) Bi-Han has never denied Tomas right to consider himself one of Grandmaster's sons - seen especially in Sub-Zero's speech pattern, as Sub-Zero always says just "Father", the same as Tomas and Kuai Liang, never putting emphasis on "my" as a reminder Smoke is adopted. The real conflict is not about whether Tomas is his and Kuai Liang's brother or not, but about him being a true Lin Kuei. What is also worth to keep in mind, any tension between brothers happened only in privacy (here and during the mission), never around Liu Kang.

(A similar thing can be noticed in intro dialogues. In Smoke vs Sub-Zero, Bi-Han specifically says "Because your blood is not Lin Kuei" however in Liu Kang vs Sub-Zero, when Fire Lord claims brothers (plural version!) miss him, Bi-Han doesn't correct his opponent about Tomas not being one. He instead says "Then they shouldn't have disobeyed my commands.")

B) Liu Kang did not show Bi-Han any special respect, especially not the kind of respect and friendship offered to Sindel and her husband, Jerrod. And yes, Fire Lord mentioned Bi-Han before Kuai Liang, and addressed him during the meeting before the mission (while the Sub-Zero's younger brothers - subordinates - stood together in silence)

but that basically it? Bi-Han didn't seem to be favored in any special way, I don't think he even was addressed as Grandmaster by Fire Lord at any moment in story mode.

Which is why I personally don't see why Liu Kang would omit Tomas solely to not hurt Bi-Han's ego or to not antagonize the man further - especially since Bi-Han himself didn't push the matter in any specific - openly - way nor didn't deny Tomas the right to consider himself one of Grandmaster's sons in the first place.

Frankly, as we don't see how Lin Kuei were informed about the upcoming meeting, we should ask, did Liu Kang call Bi-Han and specifically Smoke and Scorpion for the mission, or was that choice made solely by Sub-Zero? Because Lin Kuei for sure must have much more experienced warriors that Tomas (and Kuai Liang for that matter) but also sending on dangerous mission the Grandmaster AND the second* in line of succession seems impractical from the perspective of clan' inner safety.

*second and third, if Tomas was allowed at all to be the heir. Considering how neither Smoke nor Scorpion even for a moment considered that option and how Sektor & Cyrax would choose Bi-Han's corruption of the clan before accepting Kuai Liang as a new leader, the inner clan politics may not be so simple.

During the Lin Kuei mission (Sub-Zero's Band of Brothers Chapter) and during Bi-Han's betrayal (Scorpion's Civil War Chapter), the three brothers didn't address each other by codenames and as much as the situation allowed, freely interacted with each other.

However once Bi-Han is removed from the story mode, Smoke is even more pushed into the background. When asked, he will answer and make some (one?) observation however he barely interacted with other characters, mainly sticking to his brother. The most important exception is the scene when the heroes were wondering what to do after the big revelation and Tomas on his own talked about Lin Kuei and Bi-Han.

The story mode at that time was focused on other characters (like Mileena & Shang Tsung) so understandably, Lin Kuei brothers were put aside however even then Scorpion played a vital part, as it was Kuai Liang making the plan of attack, when Liu Kang wasn't around, while Tomas for most part was just there.

Again, no moral judging of characters just a mere observation how Tomas interacted the most freely with his brothers while was omitted by Liu Kang - and like, never(?) addressed by him in story mode, either by name or codename, even if the intro dialogues strongly imply Liu Kang was the one pushing Tomas into Lin Kuei in the first place.

Which makes an interesting contrast to Bi-Han & Smoke’s relationship but also shows how without intro dialogues, the relationship between Tomas and Liu Kang seems… non existing? I mean, even at the end of story mode, Liu Kang mentions Bi-Han

and his brother Kuai Liang building a new clan,

yet there is literally no mention of Tomas and his participation in the creation of Shirai Ryu and training its members (something confirmed in Scorpion and Smoke's endings).

Which only add to the weird feeling of alienating Tomas in story mode, not by Bi-Han but Liu Kang of all possible people?

[girlcalledwhatsername]

Kinda really don't have patience for people who spread ao3 hate thinking it gives them some moral highground or makes them more "mature" somehow, so much of it is literally just cynicism and needless hostility for people under the garb of some flimsy activist excuse to feel a sense of superiority. And it's never just ao3 either, you check their blog and it's all making fun of people for harmless shit and signs of neurodivergence in the most hateful ways, slurs and all. Schoolyard bullying-core 👌🏼

[mimicteruyo]

You sent me some questions so it's only fair... Do 8! (Talk about connections you've made as a fic writer.)

I've made a lot of incredible friends and mutuals through writing. When I pause to think about it, I'm in awe by how many kind, intelligent, and creative people I've come to know through this fandom. You're all spectacular and I wish I knew more ways to make my appreciation of you sincerely known.

[maliro-t]

some game design thinky thoughts.